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Helen C. Rountree papers

Creator:
Rountree, Helen C., 1944-  Search this
Names:
Upper Mattaponi Indian Tribe  Search this
Extent:
27 Sound recordings (1/4" reels and cassettes)
2.4 Linear feet (4 boxes)
Culture:
Indians of North America -- Northeast  Search this
Pamunkey Indians  Search this
Nansemond  Search this
Upper Mattaponi  Search this
Mattaponi  Search this
Chickahominy  Search this
Indians of North America -- Great Basin  Search this
Rappahannock Indians  Search this
Algonquin (Algonkin)  Search this
Shoshoni Indians  Search this
Type:
Collection descriptions
Archival materials
Sound recordings
Correspondence
Interviews
Field notes
Place:
Virginia
Date:
1969-1990
Summary:
Helen C. Rountree is emeritus professor of anthropology at Old Dominion University in Norfolk, Virginia. She studied the history of the Virginia Tribes from the 17th century to the 21st century and is considered a leading expert on Pocahontas. The Helen C. Rountree papers include field notes, correspondence, and sound recordings relating to her field work among the Pamunkey, Mattaponi, Nansemond, Rappahannock, Chickahominy, Monacan, as well as the area around Nottoway Reservation and Gingaskin Reservation.
Scope and Contents:
The Helen C Rountree papers contain correspondence, field notes, and sound recordings relating to her field work primarily among Virginian tribes including the Pamunkey, Mattaponi, Nansemond, Rappahannock, Chickahominy, Monacan, as well as the area around Nottoway Reservation and Gingaskin Reservation. Correspondents include Robert Y. Barham, Christian F. Feest, Samuel Proctor, C.G. Holland, Frank Porter, Marshall Becker, and Nancy Oestreich Lurie.

The sound recordings relate to Rountree's fieldwork and contain recordings of the Chickahominy Fall Festivals, 1970, 1972, 1974, 1978, 1981-1986 and a Chickahominy tribal meeting 1987; Nansemond Tribe Spring Festival, 1984, and Homecoming, 1988. Also included are recordings among the Pamumkey; Mattaponi; Shoshoni; Duck Valley Reservation, Nevada; meetings; public events, and some lectures by Helen Rountree and others. There is one unidentified sound cassette.
Arrangement note:
The collection contains: Correspondence, 1969-1985; Field notes, 1969-1988; Cook Books, 1981, 1983; Audio Ephemera, undated; Sound Recordings, 1969-1990.
Biographical/Historical note:
Helen C. Rountree earned an A.B. in Sociology & Anthropology from the College of William and Mary, an M.A. in Anthropology from the University of Utah, and a Ph.D. in Anthropology from the University of Wisconsin-Milwaukee. She joined the faculty of Old Dominion University in Norfolk, Virginia as an Instructor in 1968 and retired as a full Professor in 1999. Dr. Rountree worked initially with the Shoshone in Nevada, then began research on the Algonquian-speaking Native Americans of eastern Virginia, becoming an honorary member of the Nansemond and Upper Mattaponi tribes in Virginia. She is acknowledged as a leading researcher and writer on Virginia Indians from the 17th century to the present and is considered an expert on Pocahontas.
Provenance:
These papers were donated to the National Anthropological Archives by Helen C. Rountree in 2005.
Restrictions:
Materials related to interview notes are restricted until June 2025.
Rights:
Contact the repository for terms of use.
Topic:
Indians of North America -- Virginia  Search this
Folk songs, Shoshoni  Search this
Indians of North America -- Rites and ceremonies  Search this
Genre/Form:
Sound recordings
Correspondence
Interviews
Field notes
Citation:
Helen C. Rountree Papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.2005-22
See more items in:
Helen C. Rountree papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-2005-22

Menu from the Florida Avenue Grill restaurant

Manufactured by:
Unidentified  Search this
Used by:
Florida Avenue Grill, founded 1944  Search this
Medium:
printing ink on paper with laminates
Dimensions:
H x W x D (overall): 9 13/16 × 15 3/8 in. (25 × 39 cm)
Type:
menus
Place used:
1100 Florida Avenue NW, Washington, District of Columbia, United States, North and Central America
Date:
late 20th-early 21st century
Topic:
African American  Search this
Business  Search this
Cooking and dining  Search this
Foodways  Search this
Local and regional  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Imar and Tasha Hutchins, Florida Avenue Grill
Object number:
2016.114.2
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5b37f661c-c6f5-455f-a0a9-f2d3d7f90f54
EDAN-URL:
edanmdm:nmaahc_2016.114.2
Online Media:

Menu insert from the Florida Avenue Grill restaurant

Manufactured by:
Unidentified  Search this
Used by:
Florida Avenue Grill, founded 1944  Search this
Medium:
printing ink on paper
Dimensions:
H x W: 11 × 4 3/16 in. (28 × 10.6 cm)
Type:
menus
Place used:
1100 Florida Avenue NW, Washington, District of Columbia, United States, North and Central America
Date:
late 20th-early 21st century
Topic:
African American  Search this
Business  Search this
Cooking and dining  Search this
Foodways  Search this
Local and regional  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Imar and Tasha Hutchins, Florida Avenue Grill
Object number:
2016.114.3
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd595934c0d-2fd5-4f35-9278-6df58e170a04
EDAN-URL:
edanmdm:nmaahc_2016.114.3
Online Media:

Menu from the Florida Avenue Grill restaurant

Manufactured by:
Unidentified  Search this
Used by:
Florida Avenue Grill, founded 1944  Search this
Medium:
printing ink on paper, laminates
Dimensions:
H x W x D (closed): 11 5/8 × 8 11/16 × 1/8 in. (29.5 × 22 × 0.3 cm)
H x W (open): 11 3/4 × 17 1/4 in. (29.8 × 43.8 cm)
Type:
menus
Place used:
1100 Florida Avenue NW, Washington, District of Columbia, United States, North and Central America
Date:
late 20th-early 21st century
Topic:
African American  Search this
Business  Search this
Cooking and dining  Search this
Foodways  Search this
Local and regional  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Imar and Tasha Hutchins, Florida Avenue Grill
Object number:
2016.114.4
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd503b13458-da7f-42ba-a01f-b6869d3ccee3
EDAN-URL:
edanmdm:nmaahc_2016.114.4
Online Media:

Menu from the Florida Avenue Grill restaurant

Manufactured by:
Unidentified  Search this
Used by:
Florida Avenue Grill, founded 1944  Search this
Medium:
printing ink on paper
Dimensions:
H x W (overall): 11 13/16 × 17 in. (30 × 43.2 cm)
Type:
menus
Place used:
1100 Florida Avenue NW, Washington, District of Columbia, United States, North and Central America
Date:
late 20th-early 21st century
Topic:
African American  Search this
Business  Search this
Cooking and dining  Search this
Foodways  Search this
Local and regional  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Imar and Tasha Hutchins, Florida Avenue Grill
Object number:
2016.114.5
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd54a6763ab-f598-4903-9177-c82f77665c22
EDAN-URL:
edanmdm:nmaahc_2016.114.5
Online Media:

Business card for Harold Williams Associates

Commissioned by:
Harold Louis Williams, American, 1924 - 2015  Search this
Subject of:
Harold Louis Williams, American, 1924 - 2015  Search this
Owned by:
Harold Louis Williams, American, 1924 - 2015  Search this
Medium:
ink on paper
Dimensions:
H x W: 2 × 3 1/2 in. (5.1 × 8.9 cm)
Type:
business cards
Place depicted:
Los Angeles, California, United States, North and Central America
Date:
late 20th-early 21st century
Topic:
African American  Search this
Architecture  Search this
Business  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Betty Smith Williams in memory of Harold Louis Williams
Object number:
TA2017.53.5.1.15.1
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Archival Collections
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5c73d0b7d-7bc3-40eb-a1c1-d7da2e5e38c9
EDAN-URL:
edanmdm:nmaahc_TA2017.53.5.1.15.1
Online Media:

Fun Maps...mapping the gay & lesbian world, 2006-2007 Edition, Dallas [color pamphlet]

Series Collector:
Archives Center, NMAH, SI.  Search this
Series Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Extent:
1 Item (Ink on paper., 9-1/2" x 8".)
Type:
Archival materials
Maps
Place:
Dallas (Texas)
Arrangement:
Box No. 11.
Local Numbers:
AC1146-0000007.tif (AC Scan No.)
Exhibitions Note:
Shown in "Stonewall" display, Archives Center display case, June-July 2000.
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Gay rights  Search this
Genre/Form:
Maps -- 21st century
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 4: Advertising, Business, and Publications / 4.4: Bar, Restaurant Ephemera and Advertisement / Fun Maps, Texas
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2710

National HIV Testing Day, 2009. [Picture postcard.]

Sponsor:
Center for Disease Control  Search this
Series Collector:
Archives Center, NMAH, SI.  Search this
Series Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Extent:
1 Item (Ink on paper., 5.9" x 3.7".)
Container:
Box 11, Folder 3
Culture:
African Americans  Search this
Type:
Archival materials
Postcards
Scope and Contents:
Event occurred June 27, 2009 at The Bachelor's Mill, Washington, D.C. Image shows face of African American man.
Local Numbers:
AC1146-0000040.tif(AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "Archiving the History of an Epdemic: HIV and AIDS, 1985-2009," June 3, 2011-October 3, 2011. Franklin A. Robinson, Jr., curator.
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Diseases  Search this
HIV and AIDS  Search this
HIV Positive  Search this
Gay rights  Search this
LGBT  Search this
Homosexuality  Search this
Sexuality  Search this
Sexual minorities  Search this
Genre/Form:
Postcards -- 21st century
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 3: Community Life and Subject Files / 3.6: HIV and AIDS, Ephemera and Photographs / HIV and AIDS
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2740

1 World Manga [fighting AIDS], [color comic book]

Artist:
Ng, Leandro  Search this
Series Collector:
Archives Center, NMAH, SI.  Search this
Series Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Extent:
1 Item (Ink on paper., 8.2" x 5.6".)
Type:
Archival materials
Manga (comic books)
Comic books
Place:
Japan
Date:
2006
Scope and Contents:
Story by Annette Roman, ink by Walden Wong. Cover depicts a boy and girl riding a fierce-looking horse with a large long tail.
Local Numbers:
AC1146-0000044.tif (AC Scan No.: cover)
Exhibitions Note:
Displayed in Archives Center exhibition, "Archiving the History of an Epdemic: HIV and AIDS, 1985-2009," June 3, 2011-October 3, 2011. Franklin A. Robinson, Jr., curator.
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Horses -- 21st century  Search this
HIV and AIDS  Search this
HIV Positive  Search this
Gay rights  Search this
LGBT  Search this
Homosexuality  Search this
Sexuality  Search this
Sexual minorities  Search this
Diseases  Search this
Genre/Form:
Manga (comic books)
Comic books
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 3: Community Life and Subject Files / 3.6: HIV and AIDS, Ephemera and Photographs / 1 World Manga: Battling HIV AIDS, comic book
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2744

Joan E. Biren Queer Film Museum Collection

Creator:
Biren, Joan E.  Search this
Extent:
5 Cubic feet (8 boxes, 13 map-folders)
Type:
Collection descriptions
Archival materials
Posters
Programs
Advertising
Catalogs
Postcards
Date:
1931-2019
Summary:
Joan E. Biren (JEB) is an internationally recognized photographer and documentary artist. She assembled this collection as her Queer Film Museum. It consists of a variety of materials about and associated with queer films, both foreign and domestic.
Scope and Contents:
The collection contains material relating to lesbian-oriented motion pictures. The bulk of the collection consists of ephemera and film posters from theatrical releases in the United States. The collection also contains catalogues from video houses, film festivals, posters, and other material collected by Biren from on-line auction sites. Some of the items have Biren's annotations written within them. The collection contains material associated with United States releases and foreign releases. Production dates are year of first release. An oral history about the collection was conducted by intern Erin Walsh in 2019.
Arrangement:
The collection is divided into two series.

Series 1: Posters and Ephemera, 1931-2010, undated

Series 2, Film Festival Programs, Queer Film Museum Files, and Related Material, 1975-2019, undated
Biographical / Historical:
Joan E. Biren (1944-), also known professionally as JEB, is an internationally recognized lesbian photographer and documentary artist. She grew up in Washington, D.C. graduating from Mount Holyoke College in 1966. She later pursued graduate study at Oxford University and the American University. Biren was a vocal and out lesbian joining the women's liberation in the late 1960s and the lesbian movement in the early 1970s. A member of the Furies, she was an associate of authors Rita Mae Brown and Charlotte Bunch

Biren became known for her photographic documentation of late 20th century lesbian culture. Biren published two collections of her photography: Eye to Eye: Portraits of Lesbians (1979) and Making a Way: Lesbians Out Front (1987). Biren pursued filmmaking in the 1990s through her company Moonforce Media, Inc. She produced and directed the documentaries, For Love and For Life (1990) about the 1987 March on Washington and A Simple Matter of Justice (1993), about the April 1993 March on Washington. She is the creator (writer, director, and producer) of the award-winning film, No Secret Anymore: The Times of Del Martin & Phyllis Lyon (2003) on two pioneers of the LGBT movement.

Over many years she assembled a collection of ephemera and materials relating to queer film. One of the accepted definitions of the word queer is, "Of or relating to lesbians, gay men, bisexuals, or transgendered people". "Queer film" may be defined as any film or televised entertainment that has as a part of its subject matter or story line anything having to do with or pertinent to homosexuality (male or female), bisexuality, or transgendered people. Biren named her collection the Queer Film Museum and it was displayed in her home. The sign she created and hung on the basement door leading downstairs to the display of her collection (and coincidentally her laundry room) was meant to be ironic and read, "JEB's Queer Film Museum, Dirty Pictures & Clean Laundry". Biren amassed her collection, mostly by purchase, over the course of many years.

Some of the titles in the collection classified as "queer" were not specifically produced with the homosexual audience in mind but have come to be identified with homosexual culture, Greta Garbo's 1931 film Queen Christina for instance.
Related Materials:
Materials in the Archives Center

Archives Center Lesbian, Gay, Bisexual, and Transgender Collection (NMAH.AC.1146) contains an addendum of material donated by Biren in 2011.

Materials at Other Organizations

Collections of Joan E. Biren's personal and professional papers are located at Smith College, Northampton, Massachusetts.
Provenance:
Donated to the Archives Center in 2010 by Joan E. Biren.
Restrictions:
Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Homosexuality  Search this
Lesbian and gay experience  Search this
Bisexuality  Search this
Documentary films  Search this
Transgender people  Search this
Transvestites  Search this
Motion pictures  Search this
Lesbianism  Search this
Genre/Form:
Posters -- 21st century
Posters -- 20th century
Programs -- 20th century
Advertising
Catalogs
Postcards
Citation:
Joan E. Biren Queer Film Museum Collection, 1931-2019, undated, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1216
See more items in:
Joan E. Biren Queer Film Museum Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1216
Online Media:

Jane and Michael Stern Collection

Creator:
Stern, Michael, 1946-  Search this
Stern, Jane  Search this
Extent:
17 Cubic feet (41 boxes)
Type:
Collection descriptions
Archival materials
Ephemera
Trade literature
Articles
Notes
Menus
Cookbooks
Brochures
Correspondence
Slides (photographs)
Writings
Business records
Postcards
Date:
1890-2008
Summary:
The collection documents Jane and Michael Stern's travels across the United States collecting data for their books on American material culture subjects, with particular emphasis on food and dining.
Scope and Contents:
The collection primarily consists of the raw materials amassed by Jane and Michael Stern as they traveled the United States, researching for their books on American material culture subjects, with particular emphasis on food and dining. These materials include writings, jottings and notes from their various stops while traveling; photographs and slides of places they visited; vintage postcards collected in their travels; paper ephemera such as take-out menus, placemats, etc.; large quantities of trade literature such as product cookbooks (some dating back to the 1920s), food packaging and brochures on food-related subjects, under headings such as "Meat, Fish, Game", "Parties, Etiquette, How-To", "Baking" and numerous others; trade literature on other material culture subjects the Sterns wrote books about with headings which include Rodeo, Cowboys, Indians" and many others; correspondence; business records, articles and clippings.
Arrangement:
Series 1: Research Documentation, 1975-2015, undated

Series 2: Product Cookbooks, and Trade Literature, 1890-1993, undated

Series 3: Photographs, Slides, and Transparencies, 1947-2008, undated

Series 4: Subject Files, 1910-1995

Series 5: Vintage Postcards, undated
Biographical / Historical:
The Sterns are authors who compiled a popular series of books called Roadfood, in which they provide recommendations of restaurants, truck stops, diners, delis, bakeries and other food-related establishments in each United States. state serving classic American regional specialties. They are also authors of books about other American material culture subjects including truckers, cowboys, kitsch, and dog shows. They are frequent guests on public radio, and are regular contributors to magazine columns.
Related Materials:
Archives Center Business Americana Collection, dates

Archives Center Cookbook Collection, dates

Carolyn and Donald Grepke Paper Doll Collection, dates

Warshaew Collection of Buiness Americana, dates
Provenance:
Collection donated by Jane and Michael Stern, 2016.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Automobile travel -- United States  Search this
Diners -- United States  Search this
Bakeries -- United States  Search this
Restaurants -- United States  Search this
Truck stops -- United States  Search this
Cowboys -- United States  Search this
Roads -- United States  Search this
Delicatessens -- United States  Search this
Dining  Search this
Dog shows -- United States  Search this
Truck drivers -- United States  Search this
Rodeos -- United States  Search this
Food -- United States  Search this
Local foods -- United States  Search this
Kitsch -- United States  Search this
Material culture -- United States  Search this
Genre/Form:
Ephemera -- 20th century
Ephemera -- 21st century
Trade literature
Articles -- 21st century
Notes -- 20th century
Menus -- 20th century
Cookbooks -- 21st century
Brochures -- 20th century
Correspondence -- 21st century
Brochures -- 21st century
Cookbooks -- 20th century
Slides (photographs) -- 20th century
Writings
Business records -- 20th century
Articles -- 20th century
Postcards -- 20th century -- United States
Correspondence -- 20th century
Menus -- 21st century
Citation:
Jane and Michael Stern Collection, circa. 1920-2015, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1392
See more items in:
Jane and Michael Stern Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1392
Online Media:

Warshaw Collection of Business Americana Subject Categories: Whiskey, Liquor, and Spirits

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
7.38 Cubic feet (consisting of 12 boxes, 2 folders, 11 oversize folders, 1 map case folder, 3 boxes (1 full, 2 partial), plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Advertising
Advertising fliers
Advertising cards
Advertising mail
Advertisements
Beverage labels
Business cards
Business letters
Business ephemera
Business records
Caricatures
Catalogues
Commercial catalogs
Commercial correspondence
Correspondence
Ephemera
Invoices
Illustrations
Labels
Instructional materials
Legal documents
Legislation (legal concepts)
Letterheads
Mail order catalogs
Manuals
Manufacturers' catalogs
Menus
Periodicals
Printed ephemera
Print advertising
Publications
Recipes
Receipts
Sales catalogs
Sales letters
Sales records
Signs (declaratory or advertising artifacts)
Trade catalogs
Trade cards
Trade literature
Date:
1743-1963
bulk 1846-1962
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents note:
In 1953, Warshaw launched a year-long collecting campaign, soliciting material on whiskey and wine. He expanded this effort to also include items related to the drinking habit of notable persons. This category was originally labeled "whiskey" but has been retitled as the content covers a wide variety of distilled beverages, spirits, liquors, liqueurs, and hard alcohol.

The bulk of the content is print material in the form of advertising, circulars, price lists, marketing and promotional items with also a sampling of business records consisting of transactional documents such as receipts, invoices, correspondence, and import/export paperwork. Some bottle labels and a couple of packaging examples are present, as are drink recipe booklets and entertainment/pairing guides. Only a small portion of this series covers regulatory aspects such as licensing and taxation, including a Prohibitionists' Text-Book from 1880. The rich volume of advertising provides much in the way of visuals regarding the culture of drinking and entertainment through several 19th and 20th Century eras.

The Warshaw Survey Campaign Records series provides insight to his collection building strategy. Samples of his outbound solicitations exist and to a greater extent, the inbound replies help demonstrate his process and some of the relationships he had with institutions, businesses, and individuals. Of particular note are some of the anecdotal responses, plus several essays and memoir pieces related to the effects of alcohol consumption; not always positive, not always negative.

See also Warshaw Collection of Business Americana, Series 2: Other Collection Divisions, Liquor & Wine Labels and Advertisements, 1893-1905, which contains two additional boxes of scrapbooks filled with printed advertisements, dealers' receipts, labels and drink recipe books.
Arrangement note:
Whiskey, Liquor, and Spirits is arranged in five subseries.

Business Records and Marketing Material

Genre

Subject

Warshaw's Whiskey and Wine Survey and Collecting Campaign Records

Oversize Material
Brand Name Index:
The following is a list of brand names for various alcoholic beverages and related names that appear on this list is a compilation of those found on materials in the vertical document boxes. It is not a complete list of all the brand names for whiskey.

Brand Name Index

Brand Name -- Manufacturer

Adam Schneider's Dutch -- Seagram Distillery

Alleghany -- Phoenix Mills Dist.Co.

Ambassador -- Taylor & Ferguson

Ancestor -- John Dewar & Sons

Anderson Co. Club -- Phoenix Mills Dist. Co.

Angostura Bitters -- Philip Goldberg

Antiquary -- Jas. Hardie

Apry -- Schieffein & Co.

Arkansas Traveler -- Seagram Distillers

B & B -- Wright & Taylor

Bailey' s -- Huey & Christ

Banquet -- Ginter Co.

Barton -- Revere Distilling Co.

Bay State -- Revere Distilling Co.

Beechwood -- Applegate & Sons

Beefeater -- Kobrand Corp.

Big Cat -- General Distillers Corp.

Black & White -- Fleischmann Dist.

Black Warrior, The -- Seagram Distillers

Blue Blood Club -- Kentucky Liquor Co.

Blue Ribbon -- Altschul Distilling Co.

Bombay -- A. M. Penrose

Bond & Lillard -- W.H. McBrayer

Bonnie Brae -- Cobb Hersey Co.

Bos -- Pease Son & Co.

Bottoms Up -- Brown-Forman Distillery Co.

Briar Mint -- Cincinnati Distillers

Briar Mint -- General Distillers Corp.

Brunswick Club -- H.& H.W. Catherwood

Buckingham -- Venable & Heyman

Burks Spring -- Thos. L. Smith & Sons

Cabinet -- Woodrow & George

Canadian Club -- Hiram Walker & Son

Cap'n Jack -- Cincinnati Distillers

Carioca -- Schenley Co.

Carstairs -- Stewart Distilling Co.

Cedar Brook -- Wm.H. McBrayer

Cedar Valley -- Weideman, Holmes & Co.

Cee Bee Sloe Gin -- Cook & Bernheimer Co.

Celery -- Cook & Bernheimer Co.

Charteuse -- Shieffein & Co.

Cherry Heering -- Schenley Import Co.

Chivas Regal -- General Wine & Spirits Co.

Churchill 88 -- Fleischmann Distilling Corp.

Clover Club -- Boyle & McGlinn

Club, The -- G.F. Heublein & Bros.

Club House -- M. Shaughnessy & Co.

Cold Spring Jockey Club -- John Kissel & Son

Commodore -- J. Brown & Co.

Commonwealth Club -- Cobb Hersey Co.

Corby's -- Jas. Barclay & Co.

Cordon Bleu -- Martell

Coates Plymouth -- Schiefflin & Co.

County Chairman -- General Distillers Corp.

Courvoisier -- W.A. Taylor & Co.

Crcaker Jack -- General Distillers Corp.

Creme Yvette -- Sheffield Co.

Cuckoo -- Rex Distilling Co.

Cutty Shark -- Berry Bros . & Rudd Ltd.

Dekuyper -- National Distillers Products

Dewey's Victory -- A.B. Sheaffer

Dews of Erin -- Cobb Hersey Co.

D.J.A. -- David & John Anderson Ltd.

D.O.M. Benedictine -- Julius Wile Sons

Drambuie -- W.A.Taylor & Co.

Drip Rock -- Cold Spring Distilling

Duff Gordon -- Munson G. Shaw Co.

Eagle Liqueur -- Rheinstrom Bros .

Early Times -- Brown-Forman Distillery

Gold Dust -- A.R. Champney Co.

El Bart -- Camberwell Distillery

Embassy Club -- Continental Distilling

Empire Club -- G.F. Coshland & Co.

Everett Spring -- Cobb Hersey Co.

Fairfax County -- Austin, Nichols & Co.

Fairview -- Schmidt & Ziegler, Ltd.

Fellsglen -- John E. Fells

Fenbrook -- Charles S. Gove Co.

Fig Rye -- F. Madlener

Four Roses -- Frankfort Distilleries

Fulton -- Myers & Co.

Fundador -- Canada Dry Import Co.

Gair Loch -- Stromness Dist. Co.

Galliano -- McKesson & Robbins

Gaston Fontaine's -- Cobb Hersey Co.

Geneva -- United Dist. Co.

George Mills -- Woodrow & George

Geyser -- Peoples Distilling Co.

Gilbey' s Gin -- National Distillers Prod.ucts

Gold Fax -- Clune & Torpy

Golden Seal -- W. Scott Gillespie

Golden Truth -- Despres Distilling Co.

Grand Marnier -- Carillon Importers Ltd.

Grant 63 -- Revere Distilling Co.

Grandpa' s Delight -- Pembrook Distilling Co.

Grant's Stand Fast -- Austin, Nichols & Co.

Green River -- McCulloch

Greensboro -- Cobb Hersey Co.

Grouse -- Seggerman Slocum

Harrisville -- Cobb Hersey Co.

Harvest Home -- Seagram Distillers

Hazel Dell -- Rheinstrom Bros.

Heather Blossom -- B.H.R. Distilling Co.

Hennessy -- Schieffein & Co.

Hillside -- Steinhardt Bros. & Co.

Hine Cognac -- 21 Brands Inc.

Hoffman House -- P.H. Hamburger

Holland Process -- Rosenberger Bros.

Home Comfort -- Max Stiner & Co.

House of Lords -- Wm.Whitely & Co.

House of Lords -- W.A. Taylor & Co.

Hunter -- Wm. Lanaham & Sons

Imperial -- Hiram Walker & Sons

Inverness Club -- J.W. Cheesman Co.

Irish Mist -- Munson G. Shaw Co.

Jackson Club -- O'Bryan Bros.

Jefferson -- Seagram Distillers

Jessie Moore -- General Distillers Corp

Joel Hill -- Woodrow & George

Jockey Club -- Excelsior Distilling Co.

J.& F. Martell's Brandy -- G.S.Nicholas & Co.

Kenton Belle -- Simon Kenton Co.

Kentucky Favorite -- United Dist. Co.

Kentucky Gentleman -- Barton Distilling Co.

Kentucky Nectar -- General Distillers Corp

Kentucky Tavern -- Glenmore Distillers

Keuka Club -- O'Dea Home Supply Co.

Keystone -- Wm.H.Graham & Co.

Kilty -- R.Thorne & Sons, Ltd.

King -- Brown-Forman Distillery

King's Ransom -- Edradour Distillery

King's Ransom -- Wm. Whitely & Co.

Kuban -- General Distillers Corp

Laganda Club -- Altschul Distilling Co

Lamplighter -- J.& w . Nicholson Co.

Latonia Club -- Sheldon Co.

La Rojena (Jose Cuervo) -- Young' s Market

Lechmere -- Doyle, F.M. & Co.

Lemon Hart -- Julios Wile Sons

Lick Run -- General Distillers Co.

Lindenwood -- Spiess & Bachenheimer

London Dry -- Sir Robert Burnett & Co

London Gin -- Wm. Reed

Lorraine Club -- Felix Coblentz & Co.

MacNaughton -- Schenley Co.

Maker' s Mark -- Star Hill Distilling Co

Mammoth Cave Springs -- Seagram Distillers

Manhattan Club -- Mac Stiner & Co.

Maryland Club -- John Belt & Co.

Mentor -- Ginter Co.

Monitor -- J.C. Childs & Co.

Mosaic -- People's Distilling Co.

Mount Vernon -- Cook & Bernheimer

Mount Vernon -- Mannis Distilling

Mouquin -- Austin, Nichols & Co.

Myers -- General Wine & Spirits Co. Thos. Smith Co.

M & Z -- Thos. Smith Co.

Nectar -- Woodrow & George

Nelson County -- Wm.S.Turner Dist.Co.

Novena -- Rheinstrom Bros.

Number 30 -- General Distillers Corp.

O.F.C. -- Geo. T. Stagg Co.

O.F.C. -- Schenley Co.

Old Amor Rye -- H.W .Huguley Co.

Old Angus -- Train & Mcintrye, Ltd.

Old Anvil -- General Distilleries Corp.

Old Benton -- Excelsior Distilling C

Old Boone -- Wm.S.Turner Dist.Co.

Old Charter -- Wright & Taylor

Old Chuck -- General Distilleries Corp.

Old Crow -- Hermitage Distillery

Old Crow -- H.B.Kirk & Co.

Old Elk -- Stoll, Vanatta & Co.

Old Fitzgerald -- Stitzel-Wellwe Distillery

Old Forester -- Brown-Forman Distillery Co.

Old Goodenough -- United Distributing Co.

Old Grain Belt -- Pure Food Dist. Co.

Old Grist Mill -- John F.Gillespie

Old Hickory Hollow -- Wm. S.Turner Dist.Co.

Old Homestead -- Seagram Distillers

Old Home Still -- Sheldon co. Cocktail

Old Hundred -- Wm.S.Turner Dist.Co.

Old Judge -- Altschul Distilling Co.

Old Lanark -- York Distilling

Old Maid -- Irene Parker Co.

Old Maysville -- Manufacturer Unknown

Old Minden -- Revere Distilling

Old Pilgrim -- Revere Distilling Co.

Old Prentice -- J.T.S.Brown & Sons

Old Pugh -- R.S.Strader & Son

Old Rampart -- General Distillers Corp.

Old Richmond -- Thos. L. Smith Co

Old Rip -- J.C. Childs & Co

Old Saratoga -- Rosskam, Gerstley & Co.

Old '67 Rye -- Wm.S.Turner Dist. Co

Old Star -- A & G J.Caldwell

Old Talent -- Cobb Hersey Co

Old Time -- John N.Thomas & Co.

Old Tom -- Wm.Reed

Old Tom Gin -- DuVivier & Co.

Old Underoof -- Chas.Dennehy & Co

Old Valley -- Woodrow & George

Owl Club -- Wm.S.Turner

Oxford -- Simon Kenton Co.

Paddy -- Cork Distributer

Paddy -- York Distilleries

Paddy -- Austin, Nichols & Co

Paul Jones -- Frankfort Distilleries

Perfection -- D.& J. Mc Callum's

Pernod -- Julius Wile Sons

Pilgrimage -- W.H.McBrayer

Pioneer, The -- Seagram Distillers

Pimm's Cup -- Julius Wile Sons

Pointer -- Gottschalk Co.

Pot Still Gin -- Milshire

Prince Hurbert Polignac -- Dennis & Hippert

Private Stock -- Cincinnati Distillers

Queen Louise -- Rose City Importing Co

Ramshead -- Hannah & Hogg

Red Top Rye -- Ferdinand Westheimer & Sons

Remy Martin -- Renfield Importers Ltd

Richwood -- W.H. McBrayer

Robin Olg -- Geo. Beer & Son

Rock Hill -- Wm.S.Turner

Rock Spring -- Dudley P.Ely

Rock & Rye -- Sheldon co.

Rogers -- United Distributing Co

Ronrico -- General Wine & Spirits Co

Rose Annoo -- Henry Hollander

Rosebud -- Applegate & Sons

Rose Wood -- General Distillers Corp.

Royal Club -- John N.Thomas & Co.

Secrestat Bitters -- G.S.Nicholas & Co.

Sheridan Club -- Despres Distilling Co

Silver Lake -- Seagram Distillers

Silver Thistle -- Hannah & Hogg

Stag -- A.M. Bininger & Co

Stand Fast -- Grant's

Standard -- Steinhardt Bros. & Co.

Sterling -- Steinhardt Bros, & Co.

Storm King -- J.C. Childs & Co.

Strega -- Canada Dry Imprt Co.

Summerfield -- Cobb Hersey Co.

Sunbeam -- Cobb Hersey Co

Sunny Valley -- Revere Distilling Co.

Susquehanna -- W.H. McBrayer

Swan Gin -- Ferd.Ruttman & Son

Sweet Home -- Altschul Distilling Co

Tea Kettle -- W.H.McBrayer

Tia Maria -- W.A.Taylor & Co.

Trimble -- White, Hentz & Co.

Tullamore Dew -- Munson G.Shaw Co.

Upper Ten -- H.& H.W Catherwood

Usher's Whiskey -- G.S.Nicholas & Co.

Virginia Gentleman -- Austin, Nichols & co.

Waterfill & Frazier -- W.H. McBrayer

Whipple Creek -- General Distillers Corp

White Dove -- Revere Distilliing Co.

White Label -- John Krissel & Son

White Label -- John Dewar & Sons

White Lily -- Cobb Hersey Co.

White Horse -- Mackie & Coy

White Seal -- Carstairs

Wild Cat -- Seagram Distillers

Wolf Creek -- Frankfort Distilleries

Woodland -- Crigler and Crigler

w.w.w -- Angela Myers
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Whiskey, Liquor, and Spirits is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
advertising -- Alcoholic beverages  Search this
advertising -- Beverages  Search this
Alcohol  Search this
Alcoholism  Search this
Bars (Drinking establishments)  Search this
Beverages  Search this
Beverages -- 20th century  Search this
Beverages -- advertising -- 1940-1990  Search this
Consumer goods -- Catalogs  Search this
Dining  Search this
Distilleries  Search this
Drinking of alcoholic beverages -- Law and legislation  Search this
Drinking behavior  Search this
Food  Search this
Labels -- Alcoholic beverages  Search this
Labels -- Design  Search this
Medicine  Search this
Restaurants  Search this
Retail trade  Search this
Restaurants -- United States  Search this
Taverns (Inns)  Search this
Trade associations  Search this
Genre/Form:
Advertising
Advertising fliers
Advertising cards
Advertising mail
Advertisements
Beverage labels
Business cards
Business letters
Business ephemera
Business records
Caricatures
Catalogues
Commercial catalogs
Commercial correspondence
Correspondence
Ephemera
Invoices
Illustrations
Labels
Instructional materials
Legal documents
Legislation (legal concepts)
Letterheads
Mail order catalogs
Manuals
Manufacturers' catalogs
Menus
Menus -- 20th century
Menus -- 21st century
Menus -- 1940-1950
Periodicals
Printed ephemera
Print advertising
Publications
Publications -- Business
Recipes
Receipts
Sales catalogs
Sales letters
Sales records
Signs (declaratory or advertising artifacts)
Trade catalogs
Trade cards
Trade literature
Citation:
Warshaw Collection of Business Americana Subject Categories: Whiskey, Liquor, and Spirits, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Whiskey
See more items in:
Warshaw Collection of Business Americana Subject Categories: Whiskey, Liquor, and Spirits
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-whiskey
Online Media:

Cozy Inn Collection

Donor:
Freeze, Gerald  Search this
Creator:
Cozy Inn (Thurmont, Md.)  Search this
Names:
Freeze, Wilbur  Search this
Extent:
7.75 Cubic feet (8 boxes)
Type:
Collection descriptions
Archival materials
Menus
Newsletters
Magazines (periodicals)
Placemats
Photograph albums
Guidebooks
Dvds
Visitors' books
Videocassettes
Letters (correspondence)
Promotional literature
Slides (photographs)
Programs
Postcards
Certificates
Recipes
Clippings
Audiocassettes
Business records
Photographs
Brochures
Articles
Advertisements
Place:
Camp David -- (Md.)
Date:
undated
Summary:
The collection documents the history of the Cozy Inn and Restaurant in Thurmont, Maryland.
Scope and Contents:
The collection documents the entire history of the Cozy Inn, including the guest register from the guest house run by the last owner's aunt, 1926; also business records; correspondence; employee handbooks; photographs, photograph albums and slides; a scrapbook of clippings; certificates and honors; restaurant placemats and menus; recipes; advertisements; internal newsletters; audiovisual materials; articles and clippings; and miscellaneous promotional printed materials such as postcards, flyers, and brochures.
Arrangement:
The collection is arranged into five series.

Series 1: Administrative Files, 1885-2011 Series 2: Menus, 1943-05-01-2012-12-31

Series 3: Printed Advertisements and Ephemera, 1932-2013 Series 4: Magazine Articles and Newspaper Clippings, 1960-2013 Series 5: Photographic Materials, 1920-2009
Biographical / Historical:
The Cozy Inn was an eighty five year old business when it closed in 2014. Located on a major highway near Gettysburg and the Catoctin Mountains, Wilbur Freeze started what was then called Camp Cozy in 1929, with just three cabins, later adding a gas station to attract tourists, and in the 1930s, he added in a small lunch counter, and eventually a full service restaurant. It is an excellent example of a 20th century business that started small and grew large, increasing the services offered over time. The Inn grew both in size and popularity, and the Freezes added entertainment attractions in order to increase business, including festivals and special offerings for various holidays. Some of the attractions were eccentric, such as hot air balloons and live animal shows.

In 1942, the presidential retreat Camp David (then known as Shangri-La) was established just six miles away. This led to the Cozy Inn becoming the headquarters for Secret Service agents, reporters and photographers during events that occurred at Camp David. Sometimes foreign dignitaries stayed there. State and local politicians such as members of the Senate, governors of states, cabinet members, and Presidents' family members, also were guests.

The Freezes were fond of boasting that they were the oldest family-run restaurant in the state. They also capitalized on their proximity to Camp David, using the fact in their advertising and naming the Inn's rooms after presidents. In 2005, they started a small Museum on the history of the Inn, its famous guests, and its connection to Camp David. They also sold souvenirs that related to that connection. They regularly hosted weddings and other events and were famous for their lavish holiday decorations. At Christmas they set up gingerbread houses, multiple Christmas trees, a miniature railroad village, etc. The Cozy Inn's restaurant cultivated a large number of repeat, loyal customers with its family atmosphere and comfort food. Some of its dishes became locally famous, like its clam chowder.
Provenance:
Collection donated by Gerald G. Freeze, 2015
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Handbooks  Search this
Hotels  Search this
Motels  Search this
Taverns (Inns)  Search this
Restaurants  Search this
Genre/Form:
Menus
Newsletters
Magazines (periodicals)
Placemats
Photograph albums
Guidebooks
DVDs
Visitors' books
Videocassettes
Letters (correspondence)
Promotional literature
Slides (photographs)
Programs
Postcards
Certificates
Recipes
Clippings
Audiocassettes
Business records
Photographs -- 21st century
Brochures
Photographs -- Black-and-white photoprints -- Silver gelatin -- 20th century
Articles
Advertisements
Citation:
Cozy Inn Collection, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1345
See more items in:
Cozy Inn Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1345

Archives Center 2002 Winter Olympics Collection

Creator:
Rubin, Jamee  Search this
Little, Meg  Search this
Chase, Kevin  Search this
Smucker, Conrad  Search this
Chase, Ellen  Search this
Names:
Olympic Games (2002: Salt Lake City, United States)  Search this
Extent:
0.5 Cubic feet (3 boxes)
Type:
Collection descriptions
Archival materials
Maps
Advertising
Tickets
Programs
Packaging
Date:
2002
Summary:
Ephemera from the 2002 Winter Olympics in Salt Lake City, Utah, including advertising, packaging, program books, ticket stubs, maps, spectator and media guides, and other printed ephemera.
Scope and Contents note:
This artificial collection contains guide books, newspapers, promotional merchandise, advertisements pertaining to the Olympics, tickets, and programs. The material is generally from the year 2002 and trademarked in 1997. The materials are arranged by subject.
Arrangement:
Collection is arranged into one series.
Historical:
Salt Lake City, Utah is a unique metropolis bordered on the east by the Wasatch Mountain range and grounded in the Mormon faith. Established in 1847 by Brigham Young and his followers, the settlers carefully established a sophisticated irrigation system that allowed the city to be both fertile and green despite the arid region. They also meticulously planned the city in large square blocks allowing space for homes, businesses, and worship. Today, the city is sprawling with new diversity, culture and arts.

Salt Lake City's pleasant environment, friendly residents, and snow covered mountains soon began to appeal to the International Olympic Committee. After three decades of competing to host the Olympics the city was given its chance in November 1991 when it was ratified as a candidate city for the 2002 Olympic Winter Games. On June 16, 1995 Mr. Juan Antonio Samaranch president of the IOC announced Salt Lake City as the winner.

Once chosen to host the Olympics, Salt Lake City had to work to incorporate the city's own unique history and culture into the Games. The emblem for the 2002 winter games represents the city and its occupants with jagged, solitary, and bold lines symbolizing their ability to overcome differences and embrace one another for the common good. The colors in the emblem represent the changes in seasons and the diverse population of the city. The official mascots of the Olympic Games are the hare, the coyote, and the bear. They represent the swiftest, the highest, and the strongest based on Native American folklore.

The XIX Olympic Winter Games went on successfully in Salt Lake City. As a reminder of these events we are left with merchandizing and other products used to promote the Games.

All four donors were spectators at the 2002 Winter Olympics.
Provenance:
Collection transferred by Conrad Smucker, Meg Little, Ellen and Kevin Chase, and Jamee Rubin.
Restrictions:
Collection is open for research and access on site by appointment.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Olympics  Search this
Genre/Form:
Maps -- 21st century
Advertising
Tickets
Programs -- Sports
Packaging
Citation:
Archives Center 2002 Winter Olympics Collection, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0806
See more items in:
Archives Center 2002 Winter Olympics Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0806

Nick Reynolds Kingston Trio Papers

Creator:
Kingston Trio  Search this
Reynolds, Nick, 1933-2008  Search this
Source:
Kingston Trio Legacy Project  Search this
Reynolds, Leslie  Search this
Former owner:
Kingston Trio Legacy Project  Search this
Reynolds, Leslie  Search this
Extent:
2.1 Cubic feet (4 boxes, 1 map-folder)
Type:
Collection descriptions
Archival materials
Articles
Business records
Business letters
Fliers (printed matter)
Legal records
Letters (correspondence)
Posters
Photographs
Programs
Scrapbooks
Sheet music
Date:
1950-2014
Summary:
The collection documents Nick Reynolds, a member of the vocal music group, the Kingston Trio.
Content Description:
The collection documents the life and career of Nick Reynolds, one of the members of the Kingston Trio folk music group. Included in the collection are: a scrapbook approximately covering the years 1958-1970, and including such things as articles, photographs, and flyers announcing appearances by the Trio; letters, including fan mail, and a large set of letters and cards sent by member Nick Reynolds to his parents; postcards; business and legal papers, especially relating to a 1981 reunion; programs; songbooks and sheet music; posters advertising appearances; a book about the Trio; articles and miscellaneous printed materials.
Arrangement:
The collection is arranged into two series.

Series 1: Reynolds, Nick, Personal Papers, 1950-2014, undated

Series 2: Kingston Trio Papers and Ephemera, 1956-2013, undated
Biographical / Historical:
The history of the original Kingston Trio and its subsequent permutations has been well chronicled. The group came to national prominence in 1958 during the folk music revival of the 1950s and 1960s. At that time the trio consisted of Dave Guard, Bob Shane, and Nick Reynolds. Their first album released in 1958 contained their first gold record, Tom Dooley. Success continued for the trio but in 1961, Dave Guard left the group and John Stewart joined the group as his replacement. The group continued to have a successful run, their cover of Where Have All the Flowers Gone? and Greenback Dollar made the Billboard Top Ten chart in 1961 and 1963 respectively. The group in its configuration of Reynolds, Shane, and Stewart ceased actively performing in June 1967. Subsequent incarnations of the group performed into the twenty-first century.

Nicholas (Nick) Wells Reynolds, tenor, was a founding member of the Kingston Trio. He was born in San Diego, California on July 27, 1933. His parents were Stewart S. and Jane Keck Reynolds. His father was a commander in the United States Navy. Reynolds attended schools in Coronado, California graduating in 1951 from Coronado High School. He graduated from Menlo College, Atherton, California in 1956.

Reynolds, Bob Shane (1934-2020) and Dave Guard (1934-1991) formed the Kingston Trio in the 1950s. Reynolds left the Trio in 1967 moving to Oregon. He rejoined the Trio in 1988 after recording the album Revenge of the Budgie in 1983, and remained with the group until retiring in 2003. Reynolds died in San Diego, California on October 1, 2008 survived by his third wife, Leslie Yerger Reynolds, and four children.

Sources

Family Search, 1940 United States Census, accessed July 9, 2019. Obituary, Nick Reynolds, The New York Times, October 2, 2008. Obituary, Nick Reynolds, The Los Angeles Times, October 3, 2008. Kingston Trio Legacy Project, (http://kingstontriolegacyproject.com) last accessed July 9, 2019.
Provenance:
Collection donated by the Kingston Trio Legacy Project to the Archives Center, National Museum of American History, Smithsonian Institution in 2018.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Folk music  Search this
Folk musicians  Search this
Folk songs -- United States  Search this
Letters (correspondence) -- 20th century  Search this
Postcards -- 20th century -- United States  Search this
Genre/Form:
Articles -- 20th century
Business records -- 20th century
Business letters
Fliers (printed matter)
Legal records -- 20th century
Letters (correspondence) -- 21st century
Posters -- 20th century
Photographs -- 20th century -- Color prints
Programs -- Concerts -- 20th century
Scrapbooks -- 20th century
Sheet music -- 20th century
Citation:
Nick Reynolds Kingston Trio Papers, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1472
See more items in:
Nick Reynolds Kingston Trio Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1472

David Hadley Rockwell New York Disco Ephemera Collection,

Collector:
Rockwell, David Hadley  Search this
Extent:
3.2 Cubic feet (11 boxes, 1 oversize folder)
Type:
Collection descriptions
Archival materials
Ephemera
Posters
Invitations
Advertisements
Place:
New York (N.Y.) -- 20th century
New York (N.Y.) -- 21st century
New Jersey
Florida
Date:
1980-2004, undated
Summary:
An extensive collection of advertisements, club cards, ephemera, and invitations publicizing venues and events at entertainment clubs and venues in New York City, New York, New Jersey, and Florida. The materials make use of a variety of graphic arts styles.
Scope and Contents:
The collection is rich in examples of the graphic arts and event advertising in the era before the prevalence of the internet. Marketing tactics, use of urban space, and entertainment offerings may be gleaned from this material. The venues represented catered to homosexual and heterosexual patrons, some being exclusively gay or straight, but many catered to both communities of all ethnic groups. Venues may be represented by one item or many.

The collection is organized into three series.

Series 1: Venue Advertisements and Invitations, 1983-2004, undated. This series contains advertisements, invitations, and posters for nightclubs, dance clubs, restaurants, and musical and comedy events located in Manhattan and the boroughs of New York City. There is minimal material relating to clubs located in New Jersey and Florida. The nightclubs include large and small venues, mainstream as well as "fringe" clubs, clubs catering predominately to African-American, Latino, gay and lesbian communities, and venues featuring other types of music and entertainment (both adult and mainstream) in addition to disco styles, like jazz, hip-hop, and popular music.

Series 2: Correspondence and Personal, 1988-2000, undated. This series contains a small amount of correspondence and personal material for David H. Rockwell, his family, and unidentified others. Within this series are letters, cards, postcards, and business related materials.

Series 3: Other Advertisments and Ephemera, 1983-2002, undated. This series contains material related to special themed events, art openings, restaurant events, and a variety of specialized "happenings" as well as private parties and birthdays. There are also advertisements for dance studios, records, stores, and theaters.
Arrangement:
The collection is organized in three series.

Series 1: Venue Advertisements and Invitations, 1983-2004, undated

Series 2: Correspondence and Personal, 1988-2000, undated

Series 3: Other Advertisements and Ephemera, 1983-2002, undated
Biographical / Historical:
These invitations were collected by the donor, David H. Rockwell. He also was responsible for printing many of them. Rockwell was resident in Manhattan during the time many of these invitations were created. He describes the invitations and his collecting, "Disco invitations are generally printed on heavy paper and can vary in size from 2x3 inches to 8x12 inches to full size posters. They are extremely colorful, and have very artistic graphics. They were often themed (Model's Ball, New Year's Eve, Drag Nights), or invited you to a celebrity's birthday bash. They were very prominent in New York City during the '80s and '90s, and were sent to exclusive mailing lists to announce the day, date, time, place and prices for all the differnt parties and dances held every night at New York's discos: Studio 54, Xenon, Magique, Danceteria, Limelight, The Palladium, Webster Hall, Underground and The Tunnel-over a hunderd clubs in all. The art on the invites was either created by some of Manhattan's most talented graphic artists, or those employed by the clubs. My role was to print 5000 or 10,000 lots of these invites, often five or six lots a day. I thought they were so cool I kept samples of many, were mailed many more (yes, I went to the parties and survived), and collected many others from 'invitation shelves' at Manhattan records shops, video rental stores, etc.".

The New York City club scene reached a zenith over the three decades following the 1970s emergence of disco music. The blossoming of what has been termed "club culture" followed the upheavals and advancements of the 1960s, the Civil Rights Movement, the Stonewall Riots, Vietnam War and other cultural touchstones. During the 1980s and 1990s clubs regularly opened and closed as public patronage waxed and waned. On occasions clubs would close and reopen under a new name and/or location. Some clubs were notorious gathering places for the drug culture of the late twentieth century. The emergence of HIV/AIDS and a general decline in dance and music venues as an agent for dating and socializing, in part due to the internet, spelled the demise of many of the venues represented here. Many well-known New York clubs are represented in this collection.

Clubs catering to a variety of musical tastes, ethnic and social groups, as well as restaurants and adult oriented clubs used club cards, postcards, mailings, hand-outs and what are generically known as flyers to advertise their particular offerings. The graphic arts used in these various advertisements not only imparted the necessary information about the event or place but reflected the personality of the club. They also provided a venue for a variety of graphic designers to utilize their talents in formats both large and small. This phenomenon was recently explored in the 2015 exhibition, "The Last Party," curated by the author Anthony Haden-Guest at WhiteBox in New York City.
Related Materials:
Materials in the Archives Center

Warshaw Collection of Business Americana (AC0060)

Archives Center Collection of Business Americana (AC40404)

The Shamrock Bar: Photographs and Interviews (AC0857)

John-Manuel Andriote Victory Deferred Collection (AC1128)

Lesbian, Gay, Bisexual, and Transgender Collection (AC1146)

John-Manuel Andriote Hot Stuff: A Brief History of Disco Collection (AC1184)

DC Cowboys Dance Company Records (AC1312)

Corbett Reynolds Papers (AC1390)
Provenance:
Collection donated by David Hadley Rockwell in 2015.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Nightclubs  Search this
Disco music  Search this
Music -- 20th century -- United States  Search this
Dance music  Search this
Genre/Form:
Ephemera -- 21st century
Posters -- 1980-2010
Invitations -- 1980-2010
Advertisements -- 1980-2010
Ephemera -- 20th century
Citation:
David Hadley Rockwell New York Disco Ephemera Collection, 1983-2004, undated, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1342
See more items in:
David Hadley Rockwell New York Disco Ephemera Collection,
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1342

Mark Segal Papers

Extent:
14.1 Cubic feet (43 boxes and one map-folder)
Type:
Collection descriptions
Archival materials
Articles
Correspondence
Posters
Pamphlets
Bumper stickers
Periodicals
Newsletters
Programs
Magazines (periodicals)
Clippings
Date:
1960-2018, undated
Summary:
The personal and business papers of longtime, gay civil rights activist, editor, and publisher of the Philadelphia Gay News (PGN), Mark Segal.
Scope and Contents:
The papers document the life, activism, and publishing activities of LGBT activist Mark Segal. The collection includes correspondence between Segal and elected officials, members of the news media, entertainers and others, newsletters, news articles, writings both original and collected, clippings, photographs both official and personal. This collection also includes papers and photographs documenting the first Gay Pride event in New York City in 1970, various Democratic National Conventions, other Pride celebrations and events, and an Elton John benefit concert Segal produced. The collection includes papers documenting the William Way senior housing center in Philadelphia, Pennsylvania for elder gay people. There are early papers, newsletters, and ephemera relating to the Gay Liberation Front organization, the Gay Activists Alliance, the Gay Raiders, and many more organizations that sprang up in the post-Stonewall era; programs from events; invitations; posters, and bumper stickers.
Arrangement:
The collection is divided into six series.

Series 1: Segal, Mark, Personal, Subject, Photographs, and Audio-Visual Files, 1951-2018, undated

Subseries 1.1: Personal Files, 1961-2017, undated

Subseries 1.2: Subject Files, 1951-2017, undated

Subseries 1.3: Photographs, 1960-2018, undated

Subseries 1.4: Audio-Visual, 2005-2014, undated

Series 2: Philadelphia Gay News (PGN) and MASCO Communications Company and Lambda Award Files, 1972-2016, undated

Subseries 2.1: Company Files, 1972-2016, undated

Subseries 2.2: Lambda Awards, 1978-2000

Series 3: Organizations and Associations, 1962-2017, undated

Series 4: Newspapers and Periodicals, 1962-2016, undated

Series 5: Publications and Writings, 1970-2013, undated

Series 6: Pride and Events, 1970-2011, undated
Biographical / Historical:
Mark Segal was born January 12, 1951 to Martin and Shirley Weinstein Segal in Philadelphia, Pennsylvania. He attended public school in Philadelphia and upon graduating from high school made his way to New York, New York, at a time when the gay rights movement was poised to experience a watershed moment, the Stonewall Riots in June 1969.

As an activist, journalist, and publisher, Segal participated in and often organized a range of civil rights and social groups, protests, legal actions, and other activities in support of gay rights. He became well known for his very public acts of civil disobedience as a member of the Gay Raiders, termed "zaps," on the CBS Evening News with Walter Cronkite and the Mike Douglas Show in the early 1970s. Those appearances coupled with scheduled appearances on various national and local television and radio talk shows fulfilled one of the goals for Segal's activism, "to show the nation who gay people are: our sons, daughters, fathers, and mothers."

In 1976, Segal founded and currently publishes the influential newspaper, Philadelphia Gay News. With an increasing political profile, Segal used the influence and power of the gay press and his standing within political circles to further promote LGBTQ civil rights legislation. During the late 1970s and into the present day, these efforts met with criticism and sometimes outright acts of hate (newspapers boxes of the Philadelphia Gay News were often targets of anti-gay placards and vandalism). Segal and the many others working toward the goal of equal rights for LGBTQ persons were not deterred. Working within political circles and sometimes outside them, many landmark laws and court decisions were achieved in national, state, and local governments.
Separated Materials:
Related artifacts are in the Division of Medical Sciences.
Provenance:
This collection was donated to the Archives Center, National Museum of American History, Smithsonian by Mark Segal, 2017.
Restrictions:
Collection is open for research.
Rights:
Reproduction of some materials is restricted due to copyright or trademark.
Topic:
Lesbian and gay experience  Search this
Gay activists  Search this
Civil disobedience  Search this
Political activists  Search this
Sexual orientation  Search this
Homosexuality  Search this
Publishing  Search this
LGBT  Search this
Genre/Form:
Articles
Correspondence
Posters
Posters -- 20th century
Pamphlets
Bumper stickers
Periodicals -- 21st century
Newsletters
Periodicals -- 20th century
Programs
Posters -- 21st century
Magazines (periodicals)
Clippings
Citation:
Mark Segal Papers, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.1422
See more items in:
Mark Segal Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1422
Online Media:

World AIDS Institute Collection

Creator:
Johnson, Chad (co-founder)  Search this
Purdy, David (co-founder)  Search this
Extent:
1 Cubic foot (3 boxes)
Type:
Collection descriptions
Archival materials
Audiovisual materials
Ephemera
Correspondence
Memorabilia
Magazines (periodicals)
Date:
1986 - 2012
Summary:
The World AIDS Institute (WAI) Collection contains correspondence and publicity material of the WAI as well as educational materials, pamphlets, publications, and ephemera collected by them, "to document and preserve the global history of AIDS."
Scope and Contents:
The World AIDS Institute Collection contains correspondence and publicity material of the WAI as well as their collection of educational material, pamphlets, publications, and ephemera.

This collection is arranged into five series.

Series 1, Correspondence, 2001, undated, contains correspondence related to WAI as well as the HIV and AIDS community. It includes correspondence between the White House and DECAIDS, a committee created to fund a proposed AIDS Museum. It also includes a copy of a 2001 letter from George W. Bush to the HIV and AIDS community that was published in Numedx.

Series 2, World AIDS Institute Publicity Materials, 2012, undated, contains materials generated by WAI in support of their mission. These include programs, fundraising materials, bookmarks, and a publicity brochure for the AIDS 2012 Reunion.

Series 3, Teaching Materials, 1987-1993, undated, contains material expressly developed to teach about HIV and AIDS, including teaching aids for junior high and high school from a variety of sources.

Series 4, Publications, 1986-1996

Series 5, Audiovisual, 1999
Arrangement:
This collection is arranged into five series.

Series 1, Correspondence, 2001, undated

Series 2, World AIDS Institute Publicity Materials, 2012, undated

Series 3, Teaching Materials, 1987-1993, undated

Series 4, Publications, 1986-1996

Series 5, Audiovisual, 1999
Biographical / Historical:
The World AIDS Institute (WAI) provides direction to AIDS organizations, assisting them in securing their own AIDS history. One of their core missions is preserving the history of the HIV and AIDS epidemic and the lives it has touched. The WAI motto is "Behind every statistic is a story."

From the WAI website: "The Mission of the World AIDS Institute is to document and preserve the global history of AIDS. As each day passes, establishing a comprehensive record of the fight against AIDS becomes more difficult, and more individual stories of personal devastation and triumphs of the human spirit are lost to us forever. The World AIDS Institute is dedicated to creating innovative projects designed to preserve that history. A substantial part of our commitment is to ensure the stories of those who led the fight against AIDS and the stories of those who we lost are never forgotten."

The World AIDS Institute (WAI) was founded by David Purdy and Chad Johnson. WAI's corporate entity, originally called the Friends of the AIDS Museum received it's 501(c)(3) status on June 5, 2001. WAI was re-launched on June 7, 2011--commemorating 30 years of AIDS (June 5, 1981 was the first government publication). Purdy, co-founder and chief executive officer dedicated over twenty years to educating about and destigmatizing AIDS. Purdy successfully fought his own battle with HIV while championing new science and technology protocols. During the 1980's Purdy led the global campaign to encourage the acceptance of anabolic steroids as treatment for the AIDS-Wasting Syndrome along with Dr. Walter Jekot, with a focus on hormone therapies using anabolic steroids. Hormone testing and treatment is now standard care for all patients living with HIV. Purdy also created the magazine NUMEDX covering nutrition, medicine, exercise and alternative therapies. The magazine circulated to more than a half a million subscribers worldwide.

Chad Johnson, co-founder, chief operating officer and general counsel of WAI during the past 22 years, worked in a variety of capacities, including work for not-for-profit, political, and legal organizations, to promote social justice. A graduate of Harvard College and Harvard Law School, Johnson served as a federal law clerk and later as an attorney at Skadden, Arps, Slate, Meagher & Flom LLC. He served as co-chair of the board of directors of Servicemembers Legal Defense Network (SLDN); acted as national general counsel for the Gay and Lesbian Victory Fund, the Gay and Lesbian Alliance Against Defamation (GLAAD), and AIDS PAC. In the 1990s, he volunteered at the Legal Aid Society of D.C. and the Whitman-Walker Clinic, Washington D.C.. Johnson served as the deputy national director for business leader outreach and deputy national director for Lesbian, Gay, Bisexual and Transgender (LGBT) issues for the presidential campaign of Vice President Al Gore. He was the executive director of the national LGBT Democrats organization, National Stonewall Democrats.

Reference: WAI website, accessed February and March 2012
Related Materials:
Materials in the Archives Center

John Manuel Andriotte Victory Deferred Collection, 1901-2008, undated (AC1128)

Division of Science, Medicine, and Society, HIV and AIDS Reference Collection, 1979-2006, undated (AC1134)

Lesbian, Gay, Bisexual, and Transgender Collection, 1942-2012, undated (AC1146)

Servicemembers Legal Defense Network Records, 1877-2009, undated (AC1282)

Helping People with AIDS Records, 1989-2004, undated (AC1283)
Provenance:
Donated to the Archives Center, National Museum of American History, Smithsonian, by the World AIDS Institute in February 2012.
Restrictions:
This collection is open for research use. Researchers must handle unprotected photographs with cotton gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: reproduction fees may apply. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Homosexuality  Search this
Medicine -- Communication system  Search this
HIV/AIDS awareness  Search this
Medicine -- 1970-2000  Search this
Medical care  Search this
Medicine -- Research  Search this
Medical education  Search this
Medical innovations  Search this
Medical sciences  Search this
Genre/Form:
Audiovisual materials
Ephemera -- 21st century
Ephemera -- 20th century
Correspondence -- 20th century
Memorabilia -- 20th century
Magazines (periodicals) -- 20th century
Citation:
The World AIDS Institute Collection, 1986-2012, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1266
See more items in:
World AIDS Institute Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1266

Ronald Gabriel Collection of Baseball Memorabilia

Creator:
Gabriel, Ronald L., 1941-2009  Search this
Names:
Brooklyn Dodgers (Baseball team).  Search this
Ruth, Babe, 1895-1948  Search this
Extent:
2 Cubic feet (7 boxes)
Type:
Collection descriptions
Archival materials
Placemats
Photographs
Ephemera
Packaging
Newsletters
Scrapbooks
Baseball cards
Tickets
Date:
circa 1912-2009
Summary:
The collection consists of newslettersDodgers Line Drives, Brooklyn Dodgers Fan Club Newsletter, and Gabe-o-gram, albums of trading cards and Hall of Fame postcards, many of which have been autographed. There are also photographs of teams, individual players, and a photograph of Ronald Gabriel with Babe Ruth. There is a large scrapbook containing over 1000 autographs and several items of baseball ephemera, including placemats, magnets, scorecards, team schedules, programs, and posters.
Scope and Contents:
The collection includes baseball memorabilia acquired over Ronald Gabriel's lifetime as a fan, especially of the Brooklyn Dodgers.

Series 1, Newsletters, 1944-2008, includes newsletters for the Dodgers Line Drives which Gabriel published, as well as the Brooklyn Dodgers Fan Club, which he founded in 1975. He also authored a newsletter called the Gabe-o-gram.The Brooklyn Bums was a newsletter to which Gabriel subscribed.

Series 2, Photographs, circa 1947-2006, consists of one oversize photo of Babe Ruth, a folder containing collectible photographs, and five packs of team photographs of the Brooklyn and Los Angeles Dodgers. Notably in this series is the photograph of Ronald Gabriel as a child standing with the "Great Bambino," Babe Ruth.

Series 3, Baseball Ephemera, 1912-1990, contains five subseries: Subseries 1, Trading Cards; Subseries 2, Postcards; Subseries 3, Scrapbook; Subseries 4, Posters; and Subseries 5, Ephemera. There are two albums of baseball trading cards dating from 1912 to 1973 and two albums of autographed Hall of Fame postcards. The scrapbook contains 144 pages and over 1000 autographs acquired by Gabriel as a boy. There are oversize posters documenting Duke Snider Restaurant & Bar (autographed by Duke Snider), 1989 and "Catch Baseball Fever," undated. The ephemera includes game tickets, a letter from Dodgers' long timeradio broadcaster Vin Scully, advertising, product packaging, baseball placemats, programs, team schedules, programs, scorecards, magnets, and several other small items.
Arrangement:
The collection is organized into 3 series.

Series 1, Newsletters, 1944-2008

Series 2, Photographs, circa 1947-2006

Series 3, Baseball Ephemera, 1912-1990

Subseries 1, Trading Cards, 1912-1973 (Bulk, 1940-1954)

Subseries 2, Postcards, undated

Subseries 3, Scrapbook, undated

Subseries 4, Posters, 1955-1982

Subseries 5, Ephemera, undated
Biographical / Historical:
Ronald Gabriel (1941-2009) grew up in Brooklyn, just two miles from Ebbets Field, home of the Dodgers. He quickly became engrossed in the baseball atmosphere around his home and developed a passion for the sport that would shape his entire life. He regularly wrote letters to baseball teams asking for player autographs. As a result he compiled a massive collection of signatures, including those from Joe DiMaggio, Warren Spahn, Mickey Mantle, Leo Durocher, Bob Feller, and hundreds more. He continued collecting baseball memorabilia for the rest of his life. The Dodgers were his team. He was born in 1941, just in time to watch the Dodgers become one of the greatest franchises in baseball history, winning pennants in 1941, 1947, 1949, 1952, and 1953. Finally, after losing to the New York Yankees in their previous five World Series, Ronald Gabriel witnessed the Brooklyn Dodgers win the 1955 World Series.

Even after his team moved from Brooklyn to Los Angeles in 1958 Gabriel remained passionately devoted to the Brooklyn Dodgers. He published a newsletter called Dodgers Line Drives that lasted until 2009 and started the "Worldwide" Brooklyn Dodgers Fan Club in 1975 in honor of the twentieth anniversary of their World Series victory. He was also a guest speaker at George Washington University for a class called Race, Sports, and the American Dream, where he talked about Jackie Robinson. His baseball knowledge extended far beyond the Dodgers. He became a widely known baseball historian, acted as vice-president of the Society for American Baseball Research (SABR), and established the Washington Metro Chapter of the SABR. Later in his life Gabriel was honored by the Dodgers when they inducted him into the Brooklyn Dodgers Hall of Fame, an honor not usually given to fans. Gabriel was an important part of the Dodger community. He became close friends with a number of widows of former players and visited them often. Ronald Gabriel died in July, 2009 at the age of 68.
Related Materials:
Materials in the Archives Center

Archives Center Sports Memorabilia Collection, circa 1970 to present, #796

Ronald S. Korda Collection of Sports and Trading Cards, 1952-1996, AC0545

Lebanon Valley Baseball League Collection, 1936-1963, AC0067

Eleanor Linkous Washington, D.C. Sports Memorabilia Collection, 1925-1956, AC0774

Lou Newman Collection of Baseball Memorabilia, 1895-1999, AC0696

Sioux City Ghosts Collection, 1920s-1983, AC0634

Stall and Dean Company Records, 1898-1998, AC0669
Provenance:
Collection bequeathed to the National Museum of American History by Ronald Gabriel through Tom Cholis, October 15, 2008.
Restrictions:
Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from the Archives Center: reproduction fees may apply.
Rights:
Collections items available for reproduction but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Reproudction permission from the the Archives Center: reproduction fees may apply.
Topic:
Collectors and collecting  Search this
Collectibles  Search this
Baseball players  Search this
Baseball  Search this
Sports -- Collectibles  Search this
Genre/Form:
Placemats
Photographs -- Black-and-white photoprints -- Silver gelatin -- 20th century
Ephemera -- 20th century
Photographs -- Photoprints -- Silver gelatin -- 2000-2010
Packaging
Newsletters -- 20th century
Newsletters -- 21st century
Scrapbooks -- 20th century
Ephemera -- 21st century
Baseball cards
Tickets
Citation:
Ronald Gabriel Collection of Baseball Memorabilia, circa 1912-2009, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1178
See more items in:
Ronald Gabriel Collection of Baseball Memorabilia
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1178
Online Media:

Smithsonian Folklife Festival records: 2000 Smithsonian Folklife Festival

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Negatives
Correspondence
Business records
Audiocassettes
Slides (photographs)
Memorandums
Videotapes
Contracts
Notes
Plans (drawings)
Photographic prints
Audiotapes
Digital images
Sound recordings
Video recordings
Date:
June 23-July 4, 2000
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 2000 Smithsonian Folklife Festival. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: El Río

Series 3: Special Events

Series 4: Tibetan Culture Beyond the Land of Snows

Series 5: Washington, D.C.: It's Our Home
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 2000 Smithsonian Folklife Festival was produced by the Smithsonian Center for Folklife and Cultural Heritage and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
The goal of the Smithsonian Folklife Festival is to present diverse, community-based traditions in an understandable and respectful way. The great strength of the Festival is to connect the public, directly and compellingly, with practitioners of cultural traditions. In 2000, the Festival featured programs on the cultural ecology of the Río Grande/Río Bravo Basin, on Tibetan refugee culture, and on the local traditions of Washington, D.C. Visitors could learn how a cowboy or vaquero from South Texas works cattle, or speak with a Tibetan American immigrant about the meaning underlying her continued practice of sacred traditions. As an artist's hand guided the eyes of Festival viewers, they could imagine how an urban mural reflects life in Washington, D.C.

The Festival program on the cultures of Washington, D.C., showed the vibrancy of local communities that live in the shadow of national institutions. El Río demonstrated the tenacity of regional culture at the borders, even margins, of Mexico and the United States. The program on Tibetan refugees provided a cultural in-gathering of a diaspora community facing issues of continuity and survival - climaxed by a huge ceremony on the National Mall presided over by His Holiness the 14th Dalai Lama, who also offered a public address on the occasion. Overall, the Festival this year demonstrated that, while people may be subject to modern forms of colonization, to unequal power and economic arrangements, and to marginalization, exile, and strife in many forms, they use their cultural traditions as sources of strength, resistance, and creativity to cope with and overcome their travail. Culture, after all, is a means of human adaptation. Just because people may be economically poor or politically powerless does not necessarily mean that their cultures are brittle or bereft of value.

The Festival has long had an especially significant impact on those artists, musicians, cooks, and ritual specialists who participate directly in it. The attention they receive usually fortifies their intent to pass on their traditions to children, apprentices, and students, just as it sometimes encourages cultural exemplars to extend their creativity by connecting it to broader civic and economic issues. The Festival's rich cultural dialogue on the National Mall was considered to be particularly significant for American civic life at the dawn of the 21st century, as we enter an era in which no single racial or ethnic group will be a majority. The Festival allows a broad array of visitors to understand cultural differences in a civil, respectful, and educational way. Little wonder it has become a model for public cultural presentation, adopted by organizations elsewhere in the United States and in other democratic nations.

The 2000 Festival took place during two five-day weeks (June 23-27 and June 30-July 4) between Madison Drive and Jefferson Drive and between 9th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). It featured three programs, with several special events including the Ralph Rinzler Memorial Concert.

The 2000 Program Book included schedules and participant lists for each program; essays provided background on the Festival and on each of the programs.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife and Cultural Heritage.

Center for Folklife and Cultural Heritage

Richard Kurin, Director; Richard Kennedy, Deputy Director; Diana Parker, Festival Director; Anthony Seeger, Director, Smithsonian Folkways Recordngs; James Early, Director, Cultural Heritage Policy; Thomas Vennum, Jr., Senior Ethnomusicologist; Olivia Cadaval, Chair, Research & Education; D.A. Sonneborn, Assistant Director, Smithsonian Folkways Recordings; Betty J. Belanus, Nancy Groce, Marjorie Hunt, Diana Baird N'Diaye, Peter Seitel, Cynthia Vidaurri, Curators, Folklorists, Education and Cultural Specialists; Carla M. Borden, Program/Publications Manager; John W. Franklin, Program Manager; Cynthia Vidaurri, Coordinator, Latino Cultural Resource Network; Jeffrey Place, Archivist; Stephanie Smith, Assistant Archivist; Arlene L. Reiniger, Program Specialist; Charlie Weber, Media Specialist; Zain Abdullah, Stanford Carpenter, Susan T. Chen, Roland Freeman, Dan Goodwin, Todd Harvey, Amy Horowitz, Ivan Karp, Guy Logsdon, Alan Lomax, Worth Long, René López, Kate Rinzler, Katherine Skinner, Saul Tobias, Bob White, Fellows & Research Associates

Folklife Advisory Council and Folkways Advisory Council

Michael Asch, Phyllis Barney, Jane Beck, Don DeVito, Pat Jasper, Ella Jenkins, Jon Kertzer, Barbara Kirshenblatt-Gimblett, John Nixdorf, Bernice Johnson Reagon, Gilbert Sprauve, Jack Tchen, Ricardo Trimillos

National Park Service

Robert Stantion, Director; Terry Carlstrom, Director, National Capital Region
Forms Part Of:
Smithsonian Folklife Festival records: 2000 Smithsonian Folklife Festival forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Food habits  Search this
arts and crafts  Search this
World music  Search this
Folklore  Search this
Folk music  Search this
Folk art  Search this
Folk festivals  Search this
Genre/Form:
Negatives
Correspondence
Business records
Audiocassettes
Slides (photographs)
Memorandums
Videotapes
Contracts
Notes
Plans (drawings)
Photographic prints
Audiotapes
Digital images
Sound recordings
Video recordings
Citation:
Smithsonian Folklife Festival records: 2000 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2000
See more items in:
Smithsonian Folklife Festival records: 2000 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-sff-2000

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