Search Results

Collection Author:

Shaffer, Earl V., 1918-2002  Search this

Type:

Archival materials

Date:

1942-2002, undated

Scope and Contents:

This subseries contains a mix of photographs and slides relating to Shaffer's time in the U.S. Army, his hiking, and personal life. Photograph negatives were unidentified and in no apparent groupings. They were processed into archival envelopes in the groups in which they came to the Archives Center.

Collection Restrictions:

Collection is open for research. Use reference copies of diaries.

Collection Rights:

Copyrights to all donated materials, both printed and photographic, are retained exclusively by the Earl Shaffer Foundation.

Collection Citation:

Earl Shaffer Papers, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0828, Subseries 6

See more items in:

Earl Shaffer Papers

Earl Shaffer Papers / Series 1: Biographical Information

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8318d34f8-f6d6-4cb1-b881-5bb6b4c8c80b

EDAN-URL:

ead_component:sova-nmah-ac-0828-ref1406

Creator:

Garvin, Thomas  Search this

Vines, Gail  Search this

Extent:

0.3 Cubic feet (1 folder)

Type:

Collection descriptions

Archival materials

Envelopes

Scrapbooks

Drawings

Date:

1951-1953

Scope and Contents:

One scrapbook of fourteen pages consisting of hand-drawn illustrations cut from envelopes and glued to the scrapbook pages.

Arrangement:

Collection is arranged into one series.

Biographical / Historical:

Thomas Garvin was a fighter pilot during the Korean War. During his tour he wrote letters home with a hand-drawn illustration on each envelope. He also edited an Air Force magazine calledAir Scoop.

According to an unidentified article sent by Gail Vines, Garvin's daughter:

"Thomas Garvin graduated from the Army Air Corps cadets as a second lieutenant in 1945. He served as a flight instructor at Perrin Field, Texas, and was then transferred to Williams AFB, Arizona. His next duty assignment was to Korea, where he served through 1952, flying 100 missions in F-86 and being credited with one confirmed MIG-15 kill and one probable kill.

"After Korean combat, he was assigned to the 50th Fighter Wing, Cannon AFB, New Mexico, and then to duty as operations officer of the 38th Squadron, Alexandria, Louisiana...."

Related Materials:

Of interest to researchers might be collection #755, Stephen A. Douglas World War II Envelopes, 1942-1945. Douglas used watercolors to decorate envelopes he sent home to his family during the war.

The Archives Center also has numerous collections containing scrapbooks and war related materials.

Provenance:

The scrapbook was donated to the Archives Center by Ms. Gail Vines, Garvin's daughter, in December 2000.

The collection was donated by Ms. Gail Vines, daughter of the artist.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

War in art  Search this

Korean War, 1950-1953 -- Art and war  Search this

Fighter pilots  Search this

Genre/Form:

Envelopes

Scrapbooks -- 1900-1950

Drawings -- 1930-1970

Citation:

Thomas Garvin Korean War Scrapbook, 1951-1953, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0756

See more items in:

Thomas Garvin Korean War Scrapbook

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep85b374cb3-134b-4311-8991-eb769a1941c9

EDAN-URL:

ead_collection:sova-nmah-ac-0756

Creator:

Scurlock, Addison N., 1883-1964  Search this

Scurlock Studio (Washington, D.C.)  Search this

Custom Craft  Search this

Scurlock, Robert S. (Saunders), 1917-1994  Search this

Scurlock, George H. (Hardison), 1919-2005  Search this

Names:

Howard University -- 20th century  Search this

DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this

Washington, Booker T., 1856-1915  Search this

Extent:

72 Boxes

Type:

Collection descriptions

Archival materials

Dye transfer process

Photographs

Color separation negatives

Studio portraits

Matrices, color separation

Place:

Washington (D.C.) -- Small business -- 20th century

Shaw (Washington, D.C.)

Washington (D.C.) -- African Americans

Date:

1964-1994, undated

Summary:

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 5 primarily consists of color negatives, but occasionally includes order forms, envelopes, and other photographic materials associated with the order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

Scope and Contents:

Materials primarily consist of color negatives, but also include order forms and envelopes. Photographs associated with the order were move to series two color photographs. The materials document the clients and individuals whose photographs were taken by the Scurlock Studio and a wide variety of subject matters. The subjects represented are individual portrait sittings, organizations, events, businesses, commercial ventures of the Studio, and Washington, DC. The series is arranged into two subseries: Subseries 5.1: Clients, and Subseries 5.2: Subjects.

Arrangement:

Arranged in 2 subseries.

5.1: Color negatives arranged by client

5.2: Color negatives arranged by subject

Biographical/Historical note:

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). More...

Forms Part Of:

This series forms part of the Scurlock Studio Records group.

Scurlock Studio Records

Series 1: Black and White Photographs

Series 2: Color Photographs

Series 3: Framed Prints

Series 4: Black-and-White Silver Gelatin Negatives

Series 5: Color Negatives

Series 6: Color Transparencies, Slides, and Other Formats

Series 7: Black-and-White Color Separation Negatives and Matrices

Series 8: Scurlock Studio Business Records

Series 9: Custom Craft Business Records

Series 10: Capitol School of Photography

Series 11: Washington Stock

Series 12: Background Materials and Publications

Restrictions:

Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.

Rights:

When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Portraits -- 20th century  Search this

Politicians -- 20th century  Search this

Photography -- 20th century -- Washington (D.C.)  Search this

Segregation  Search this

Commercial photography -- 20th century -- Washington (D.C)  Search this

African American entertainers -- 20th century  Search this

African Americans -- History -- 20th century  Search this

African American photographers  Search this

Genre/Form:

Dye transfer process

Photographs -- 20th century

Color separation negatives

Studio portraits

Matrices, color separation

Citation:

Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution

Sponsor:

The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.

Identifier:

NMAH.AC.0618.S05

See more items in:

Scurlock Studio Records, Series 5: Color Negatives

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep80833a56c-f5cc-4478-a9a9-039af8b1f63f

EDAN-URL:

ead_collection:sova-nmah-ac-0618-s05

Creator:

d'Arazien, Arthur  Search this

Extent:

11 Cubic feet (30 boxes)

Type:

Collection descriptions

Archival materials

Photographs

Dye destruction process

Photographic prints

Transparencies

Cibachrome (tm)

Tear sheets

Color negatives

Color prints (photographs)

Dye destruction photoprints

Silver-dye bleach process

Type c color prints

Chromogenic processes

Place:

Canada -- Industry -- 1940-1980

Date:

circa 1930-2002

Scope and Contents:

The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and some Canadian) business and industry during a period of expansion a golden age of American industry. Although it represents the photographer's creative and artistic style and skill, the subject matter is appropriate to the National Museum of American History from several viewpoints the visual documentation of industry and technology, as well as advertising, public relations, and business history.

The photographs include black and white negatives and prints from the negatives, as well as color negative and transparency materials, up to 8" x 10" in size. Probably the majority of the transparencies were made in the large size. The black and white materials include pictures of d'Arazien at work some made by famous Life magazine photographer Alfred Eisenstaedt, a colleague at the Famous Photographers School. A number of Dye Transfer prints mounted on illustration board were made by master color printer Don Browning.

In addition to frequently extensive caption information on all of d'Araziens original envelopes and enclosures, many enclosures for color negatives and transparencies bear d'Arazien labels with technical information or instructions for color printing, such as filter pack designations and local printing controls. These enclosures therefore have been retained in the collection, although usually they are not of archival quality.

Of secondary significance are 62 large color prints, mostly Type C, with a few Cibachromes, which were made from the original transparencies for exhibition purposes. Most were made either by K & L laboratories, New York City (stickers on back) or Eastman Kodak professional laboratories, Rochester, N.Y., and have been wet mounted to non archival Masonite. At the time of acquisition, several had faded and/or changed color. These are available for research and exhibition purposes, but are not expected to survive as long as the original transparencies.

The collection contains Mr. d'Arazien's files of printed materials. These include reproductions which indicate how his photographs were used by clients. Included are annual reports, promotional pieces, magazine tearsheets from advertising and editorial uses, and other biographical items.

Series 1: Professional industrial photographs.

Photographs document primarily American business and industry (including some taken in Canada). Black-and-white negatives with prints from these negatives, also color negative and transparency materials. Most transparencies are 8" x 10". The photographs demonstrate the photographer's reputation as a master of dramatic lighting and the coordination of large-scale, complex industrial setups in factories, steel mills, and even outdoor settings. Also 65 color prints, mostly Type C with a few Cibachromes, made from the original transparencies for exhibition purposes, mostly wet-mounted to Masonite. Black-and-white photographs include pictures of d'Arazien at work--some by Life magazine photographer Alfred Eisenstaedt.

Series 2: D'Arazien's files of printed materials, some of which include photomechanical reproductions of his work, indicating how the photographs were used by clients; also annual reports, magazine tearsheets from advertising and editorial uses, and other promotional items, in addition to biographical materials.

2007 addendum: Transparencies, slides, prints and negatives of additional photographs by Arthur d'Arazien, including industrial subjects as well as travel, architectural, agricultural, portrait, art, still life and personal photographs. Also included are miscellaneous papers, mostly relating to d'Arazien's photographic work.

Arrangement:

The collection is divided into three series.

Series 1: Paper Documents

Subseries 1.1: Publications and Reproductions.

Subseries 1.2: Photographer's Labels, Envelopes, Etc.

Series 2: Photographs

Subseries 2.1: Color Phototransparencies

Subseries 2.2: Color Photonegatives and Color Photoprints

Subseries 2.3: Black and White Photonegatives and Photoprints

Subseries 2.4: Color Photoprints: Enlargements Mounted on Masonite

Material is arranged in each sub-series primarily by client names, in alphabetical order.

Series 3: Oversize prints

Biographical / Historical:

Arthur d'Arazien began his photographic career as an assistant to a famous theatrical photographer, documenting Broadway shows. A distinctive emphasis on dramatic lighting in his later work suggests the heavy influence of the theater. He did fashion and commercial photography, as well as photographing the 1939 World's Fair, for Underwood & Underwood Illustration Studios, East 44th St., New York City, in 1938 1939. He was described in a U.S. Camera Annual article as Aan architect whose interest in photography has caused him to make a profession of it.

D'Arazien taught aerial photography for the U.S. Air Corps Technical Training Command at Lowry Field, Denver, during World War II. He began his career in industrial photography with the De Laval Separator Company, New York City. His energy and creativity led to assignments which often were judged too difficult for lesser photographers. His growing reputation as an industrial photographer kept pace with the dynamic growth of the industrial and technological activities he was photographing during the 1950s through the 1980s.

Robert Vogel, former Curator of Mechanical and Civil Engineering for the National Museum of American History, wrote that d'Arazien: ...became internationally known for his dramatic color views of the American industrial scene at a time when our industry can be said to have been at the height of its powers....He was commissioned by the giants of steel, paper, chemicals, machinery, transportation, automobiles, mining, metal refining, textiles, and the other heavy (and medium) industries. ...He developed a number of special techniques for obtaining the grand, sweeping views that became his trademark, including multiple exposures to achieve dramatic lighting effects, elaborate lighting setups involving multiple flashes from several vantages employing a number of assistants intercommunicating by radio, complex arrangements with transportation lines and the various departments of the subject organization to produce the desired juxtaposition of elements in the photograph, and the like. His MO was anything but that of simply walking onto the scene and snapping the shutter; for many of his breathtaking views he appears to have been more producer and impresario than photographer.

Arthur d'Arazien describes the growth of his spectacular style as an eager response to new subjects, challenges, and photographic materials:

...knowing that color was the coming thing in corporate advertising, I pursued that line. I did lots of experimenting; every assignment gave me an opportunity to try something new, such as combination day and night exposures on a single sheet of film, multiple flash bulbs to light large interiors, multiple exposures on the same film, such as...moving objects ...automobiles, trains...to build up excitement in a picture. Colored gels to change colors. I even used old fashioned flash powder to light ...steel mills, because there were no flashbulbs powerful enough to light these dark, cavernous interiors: this idea was borrowed from the Air Corps night time aerial photography with magnesium flash powder.

A skilled painter and metal sculptor as well as photographer, d'Arazien came from a family of artists. His photographs were made primarily on assignment from industrial corporations for advertising, editorial, and public relations purposes, but have been exhibited and collected as works of art in the Smithsonian Institution (Division of Photographic History), the Metropolitan Museum of Art, and the Cleveland Museum. His work was included in the Photography in the Fine Arts exhibitions organized by Ivan Dimitri, and he was a founding faculty member of the Famous Photographers School, Westport, Connecticut, in the early 1960's.

D'Arazien married Margaret Scott and has two sons. He had a studio in Waterside Plaza, New York, and made his home in New Canaan, Connecticut, until moving to Naples, Florida, upon his retirement in 1988. The collection was brought to the Smithsonian's attention by his son Steven, and was donated to the Archives Center before this move. In anticipation of this gift, Mr. d'Arazien spent several months inspecting his collection, eliminating duplicate and technically unsuccessful images, and captioning photographs.

Sources American Aces, U.S. Camera Annual 1939. Clipping in scrapbook no. 1, box 24, first page.

Robert M. Vogel, memorandum, undated, but written after a December 1987 visit to d'[Arazien's home. In Archives Center collection control file.

Letter to the author, 26 February 1992, in collection control file.

Provenance:

Collection donated by Arthur d'Arazien, December 24, 1988.

Restrictions:

Collection is open for research but the majority of the collection is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Industry -- Photographs -- 1940-1980 -- Canada  Search this

Industry -- Photographs -- 1940-1980 -- United States  Search this

Steel industry and trade -- 1940-1980  Search this

Agriculture -- Photographs -- 20th century  Search this

Travel -- Photographs -- 1930-2000  Search this

Genre/Form:

Photographs -- Black-and-white negatives -- Acetate film

Photographs -- Chromogenic -- 1900-2000

Dye destruction process

Photographic prints

Transparencies

Cibachrome (TM)

Tear sheets

Color negatives

Color prints (photographs)

Dye destruction photoprints

Silver-dye bleach process

Color prints (photographs) -- 20th century

Type C color prints

Chromogenic processes

Citation:

Arthur d'Arazien Industrial Photographs, ca. 1930-2002, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0314

See more items in:

Arthur d'Arazien Industrial Photographs

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8c58b8378-f263-4065-bd66-643e070e44c1

EDAN-URL:

ead_collection:sova-nmah-ac-0314

Creator:

Barnaby, Ralph S. (Ralph Stanton), 1893-1986  Search this

Names:

Early Birds of Aviation (Organization).  Search this

Soaring Society of America  Search this

United States. Navy  Search this

Barnaby, Ralph S. (Ralph Stanton), 1893-1986  Search this

Extent:

3.15 Cubic feet ((7 legal document boxes))

2.94 Linear feet

Type:

Collection descriptions

Archival materials

Correspondence

Diaries

Manuscripts

Photographs

Publications

Maps

Date:

1915-1986

Summary:

Ralph Stanton Barnaby (1893-1986) was an aviation pioneer. Barnaby was the first licensed glider pilot in the United States and the first to successfully launch a glider from an airship. He organized and directed the Navy's first school for glider pilots. Barnaby also served as president of the Early Birds and helped organize the Soaring Society of America, as well as authoring a number of books on gliders and paper airplanes.

Scope and Contents:

The Ralph Stanton Barnaby collection consists of approximately two cubic feet of materials relating to Barnaby's personal life and his relationship with the Early Birds of Aviation, Inc. This collection contains approximately one-fourth of Barnaby's personal papers, the remainder being held by the National Soaring Museum and the Franklin Institute. Before being accessioned into the Archives, documents from the Museum's biographical files were added to the collection. These documents are indistinguishable from the donated material and so remain part of this collection.

This collection consists almost entirely of correspondence, newsletters, news clippings, and publications relating to early aviation. A problem arises initially from the fact that all of the material in this collection is supposed to relate to Barnaby's relations with the Early Birds. As the majority is correspondence, it would be logical to arrange by individuals and/or offices first, but the fact that offices in the Early Birds organization were rotated yearly and that much of the correspondence is of a personal nature makes this difficult.

Materials in this collection date between 1911 and 1986 and the bulk dates ranging between 1930 and 1980, when Ralph Barnaby was most active in the Early Birds of Aviation, Inc. The materials were broken down into four series.

The National Air and Space Museum (NASM) Archives received from the estate only those materials relating to his Early Birds affiliation, with his other materials going to the National Soaring Museum and the Franklin Institute. Any researcher interested in information relating to Barnaby's soaring experiences or personal life which NASM does not have should contact these organizations.

Biographical / Historical:

Ralph Stanton Barnaby was born 21 January 1893 in Meadville, PA, but moved to New York City in 1900, Barnaby has his first taste of aviation in 1905, when Roy Knabenshue flew his dirigible over the city. In 1908 Barnaby went to Belleville, New Jersey to see Thomas Baldwin fly what became the Signal Corps Dirigible No. 1. With his inspiration, Barnaby designed, built and flew his first glider in Roxbury Connecticut on 18 August 1909. After improved designs and additional flights, Barnaby was awarded the Fèdèration Aèronautique Internationale Soaring Certificate #1 for the United States, signed by Orville Wright. Now thoroughly bitten by the aviation bug, Barnaby forsook his chosen career as an artist and attended Columbia University, graduating in 1915 with a Bachelor's Degree in Mechanical engineering. From Columbia, Barnaby went to the Elco Boat Company, where he worked with Alexander Graham Bell on the design and production of high-speed subchasers for the U.S. Navy. In 1916, he took the position of Assistant Chief Engineer and head of the Engineering Department at the Standard Aero Corporation, under Charles Healy Day.

When America entered World War I, Barnaby resigned from Standard Aero and accepted a commission in the Navy, serving overseas until the spring of 1919. Barnaby then came home and attended the Navy Flight School at Naval Air Station (NAS) Pensacola, Florida and the Aviation Ground School at M.I.T., after which he was awarded his wings. Barnaby served as the First U.S. Navy representative on the Army-Navy Standards Committee and, in 1920, he was made Project Engineer for the Naval Aircraft Factory, Philadelphia, Pennsylvania.

On 31 January 1930 Barnaby performed the first successful glider release from USS Los Angeles during tests at NAS Lakehurst, New Jersey. These tests led to the later operation of powered aircraft from USS Macon and USS Akron. During 1930 he also authored Gliders and Gliding, established the U.S. Navy's Glider School, NAS Pensacola, Florida and served as Chief Engineer and Assistant Manager of the Naval Aircraft Factory, Philadelphia. Following the conclusion of the glider/dirigible tests, Barnaby was promoted to the rank of Lt Commander. In 1930 Barnaby joined the recently founded organization known as the Early Birds of Aviation, Inc.

From 1933 to 1939 Barnaby was assigned to a variety of bases in as many roles ranging from aircraft inspector at the Baltimore Naval Aircraft Factory (1933-1934) to repairs officer, NAS Pensacola (1934-1939). In 1938 Barnaby was promoted to the rank of Commander and a year later became Assistant Chief Engineer at the Naval Aircraft Factory, Philadelphia, where he remained until America's entrance into World War II. During the war, Barnaby was assigned to the Philadelphia Naval Shipyard handling the design and procurement of troop and cargo-carrying gliders. In 1944 Barnaby was responsible for establishing and directing the Naval Aircraft Modification Unit, Johnsville, Pennsylvania, later known as the Naval Development Center and from 1945 to 1947 Barnaby served as Commanding Officer. In 1947 he retired from the U.S. Navy at the rank of Captain.

Following his retirement, Barnaby took a position at the Franklin Institute, Philadelphia Pennsylvania. where he worked in a variety of capacities including Aeronautics Consultant to the Director of the Science Museum and Chief of the Aeronautics Section He was responsible for planning and directing air traffic control research and aeronautical engineering and for the acquisition of many of the Institute's early flight artifacts, most notable their Wright Model B Flyer, the type Barnaby was taught to fly by George W. Beatty in 1912. When he passed away, Barnaby held the title of "Keeper Emeritus, Hall of Aviation."

Aside from his Navy and professional career, Barnaby had a multitude of other interests. Prior to witnessing the Knabenshue and Baldwin dirigible flights, Barnaby wanted to be an artist and studied at the Art Students League in New York City. He was a skilled craftsman, working in several mediums, but is best known for his sculptures. Examples of his work include bronze busts of famous naval leaders at the U.S. Naval Academy, Annapolis, Maryland, pieces at the Mariner's Museum at Newport News Virginia, the bronze of the Wright Brothers at the Wright Memorial in Kitty Hawk, North Carolina and the bas relief of Thomas E. Selfridge, first man to die in an air crash at Fort Myer, Virginia. In addition, most of the medallions and pins cast and presented by the Early Birds of Aviation were designed by Barnaby. Numerous examples of self-designed greeting cards designed by Barnaby reflect his artistic talents.

Another of Barnaby's hobbies was paper airplanes. Barnaby used a design he perfected while acting as liaison officer at Wright Field, Dayton, Ohio in 1927 to win Scientific America's First International Paper Airplane Competition in 1967. In 1968, he authored How to Make and Fly Paper Airplanes which sold widely and discussed holding a program with the Smithsonian on paper airplane construction.

In addition to being a Past President of the Early Birds of Aviation, Barnaby was a member and/or officer of many other aeronautical organizations. In 1960 he was named an "Elder Statesman of Aviation" by the National Aeronautics Association. He was also Fellow of the Institute of the Aeronautical Sciences, Founder of the Soaring Society of America, member of the Aircraft Owners and Pilot's Association, Past President of Aero Club of Pennsylvania, member of the Gliding Committee of the Fèdèration Aèronautique Internationale, member of the Twirly Birds, the Philadelphia Glider Council, the Golden Eagles, the Army/Navy Club, the Society of Automotive Engineers, American Society of Mechanical Engineers, founder of the New York Model Aero Club and member of the Scientific Research Society of America.

Barnaby's awards are diverse and include the Legion of Merit for Naval Services, U.S. Navy Air Medal and the Medal of Merit from Columbia University. He was the 1955 recipient of the Paul Tissandier Diploma from the Fèdèration Aèronautique Internationale and was named to the Helms Athletic Hall of Fame for his contributions to the sport of soaring and gliding in America.

Ralph Stanton Barnaby Timeline

1893 -- Ralph Stanton Barnaby born, 21 January, Meadville, Pennsylvania.

1900 -- Family moved to New York City.

1904-1908 -- Grace Church Choisters School, New York City; Trinity School.

1909 -- Designed, built and flew his own glider, 18 August, Roxbury Falls, Connecticut.

1911 -- Co-founded New York Model Aero Club.

1912 -- Took flying lesson with George Beatty, Long Island, New York.

1915 -- Graduated with a degree in Mechanical Engineering, Columbia University.

1915-1916 -- Worked with Alexander Graham Bell on designing high-speed boats for the Navy with the Elco Company, Bayonne, New Jersey.

1915-1916 -- In charge of sub-chaser assembly and testing at Montreal, Quebec.

1917 -- Joined Standard Aero Corporation with Charles Healy Day, was made Assistant Chief Engineer and head of Engineering Department.

1917 -- Accepted a commission in the United States Navy at rank of ensign; First Navy representative on the Army-Navy Standards Committee.

1917-1918 -- Attended Aviation Ground School, M.I.T.

1921 -- Promoted to rank of Lieutenant in U.S. Navy.

1920-1922 -- Project Engineer, Naval Aircraft Factory, Philadelphia

1922-1927 -- Specification Division, Bureau of Aeronautics, Washington, DC.

1928-1929 -- Liaison officer, Wright Field, Dayton, Ohio.

1929-1933 -- Returned to Specifications Division, Bureau of Aeronautics, Washington, DC.

1930 -- 31 January, became the first individual dropped in a glider from a dirigible, USS Los Angeles.

1930 -- Authored Gliders and Gliding, Roland Press.

1930 -- Organized and directed the U.S. Navy's glider school, NAS Pensacola

1930 -- Served as Chief Engineer and Assistant Manager of the Naval Aircraft Factory.

1931 -- Promoted to rank of Lt. Commander, U.S. Navy.

1933-1934 -- Inspector for Naval aircraft, Baltimore, Maryland.

1934-1936 -- Repairs Officer, Naval Air Station, Pensacola, Florida.

1936 -- Married Margaret E. Elston.

1937-1939 -- Assigned to Fleet Air Base, Coco Solo, Canal Zone.

1938 -- Promoted to rank of Commander, U.S. Navy.

1939-1941 -- Assistant Chief Engineer, Naval Aircraft Factory.

1944 -- Established the Naval Air Development Center, Johnsville, Pennsylvania.

1945-1947 -- Commanding Officer of the Naval Air Development Center, Johnsville, Pennsylvania.

1947 -- Retired from U.S. Navy at rank of Captain.

1947 -- Accepted position at Franklin Institute, Philadelphia, Pennsylvania.

1950 -- Served as Captain of the first American soaring team to participate in an international gliding event, Sweden.

1967-1968 -- Winner of the First International Paper Airplane Competition and authored How to Make and Fly Paper Airplanes.

1986 -- Passed away, 15 May, Center City, Pennsylvania.

General:

Additional Materials: The following materials were transferred to the National Air and Space Museum Aeronautics Division -- one Early Bird cap, one trophy, two plaques, medals, pins, and official Early Bird envelopes.

Provenance:

Ralph Stanton Barnaby, gift, 1987, 1987-0048, Not NASM

Restrictions:

No restrictions on access

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Topic:

Gliding and soaring  Search this

Aeronautics  Search this

Periodicals  Search this

Works of art  Search this

Genre/Form:

Correspondence

Diaries

Manuscripts

Photographs

Publications

Maps

Identifier:

NASM.1986.0048

See more items in:

Ralph Stanton Barnaby Papers

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg23121cf42-0f18-4da1-96c9-27eb2fed0abf

EDAN-URL:

ead_collection:sova-nasm-1986-0048

Creator:

Hirshhorn Museum and Sculpture Garden  Search this

Type:

YouTube Videos

Uploaded:

2021-09-21T19:33:17.000Z

YouTube Category:

Entertainment  Search this

Topic:

Art, modern  Search this

See more by:

hirshhornmuseum

Data Source:

Hirshhorn Museum and Sculpture Garden

YouTube Channel:

hirshhornmuseum

EDAN-URL:

edanmdm:yt_8q376-sSqvg

Creator:

Hirshhorn Museum and Sculpture Garden  Search this

Type:

YouTube Videos

Uploaded:

2021-05-11T18:54:28.000Z

YouTube Category:

Entertainment  Search this

Topic:

Art, modern  Search this

See more by:

hirshhornmuseum

Data Source:

Hirshhorn Museum and Sculpture Garden

YouTube Channel:

hirshhornmuseum

EDAN-URL:

edanmdm:yt_9EkRMw6CcNs

Creator:

Smithsonian Education  Search this

Type:

YouTube Videos

Uploaded:

2011-08-29T15:56:44.000Z

YouTube Category:

Education  Search this

Topic:

Education  Search this

See more by:

SmithsonianEducation

Data Source:

Smithsonian Education

YouTube Channel:

SmithsonianEducation

EDAN-URL:

edanmdm:yt_8T14QDPL-to

Creator:

Smithsonian American Art Museum  Search this

Type:

YouTube Videos

Uploaded:

2012-07-03T14:15:26.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

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americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_ntMn50mBPN0

Creator:

Smithsonian Astrophysical Observatory  Search this

Type:

YouTube Videos

Uploaded:

2022-05-04T14:30:00.000Z

YouTube Category:

Science & Technology  Search this

Topic:

Astronomy  Search this

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cxcpub

Data Source:

Smithsonian Astrophysical Observatory

YouTube Channel:

cxcpub

EDAN-URL:

edanmdm:yt_1qLuEIfp1So

Creator:

Smithsonian Astrophysical Observatory  Search this

Type:

YouTube Videos

Uploaded:

2022-05-04T14:30:02.000Z

YouTube Category:

Science & Technology  Search this

Topic:

Astronomy  Search this

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cxcpub

Data Source:

Smithsonian Astrophysical Observatory

YouTube Channel:

cxcpub

EDAN-URL:

edanmdm:yt_CyyBpNrZAhE

Creator:

Smithsonian Astrophysical Observatory  Search this

Type:

YouTube Videos

Uploaded:

2023-06-06T16:15:03.000Z

YouTube Category:

Science & Technology  Search this

Topic:

Astronomy  Search this

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cxcpub

Data Source:

Smithsonian Astrophysical Observatory

YouTube Channel:

cxcpub

EDAN-URL:

edanmdm:yt_m8FtmPKI8m4

Creator:

National Air and Space Museum  Search this

Type:

YouTube Videos

Uploaded:

2020-10-09T12:00:25.000Z

YouTube Category:

Education  Search this

Topic:

Aeronautics;Flight;Space Sciences  Search this

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airandspace

Data Source:

National Air and Space Museum

YouTube Channel:

airandspace

EDAN-URL:

edanmdm:yt_1860PeSUzKM

Creator:

National Postal Museum  Search this

Type:

YouTube Videos

Uploaded:

2020-07-15T17:58:05.000Z

YouTube Category:

Education  Search this

Topic:

Postal service;Letter mail handling;Stamp collecting  Search this

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SmithsonianNPM

Data Source:

National Postal Museum

YouTube Channel:

SmithsonianNPM

EDAN-URL:

edanmdm:yt_04WbQIiTBfw

Creator:

National Postal Museum  Search this

Type:

YouTube Videos

Uploaded:

2009-06-02T22:39:06.000Z

YouTube Category:

Education  Search this

Topic:

Postal service;Letter mail handling;Stamp collecting  Search this

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SmithsonianNPM

Data Source:

National Postal Museum

YouTube Channel:

SmithsonianNPM

EDAN-URL:

edanmdm:yt_LR6SsDMlKrw

Creator:

National Postal Museum  Search this

Type:

YouTube Videos

Uploaded:

2021-07-26T18:01:11.000Z

YouTube Category:

Education  Search this

Topic:

Postal service;Letter mail handling;Stamp collecting  Search this

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SmithsonianNPM

Data Source:

National Postal Museum

YouTube Channel:

SmithsonianNPM

EDAN-URL:

edanmdm:yt_PX4xZy0rjJw

Creator:

Smithsonian Magazine  Search this

Type:

YouTube Videos

Uploaded:

2016-12-11T23:13:33.000Z

YouTube Category:

Entertainment  Search this

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SmithsonianMagazine

Data Source:

Smithsonian Magazine

YouTube Channel:

SmithsonianMagazine

EDAN-URL:

edanmdm:yt_QLEPJq25lo4

Creator:

National Postal Museum  Search this

Type:

YouTube Videos

Uploaded:

2020-08-26T21:55:10.000Z

YouTube Category:

Education  Search this

Topic:

Postal service;Letter mail handling;Stamp collecting  Search this

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SmithsonianNPM

Data Source:

National Postal Museum

YouTube Channel:

SmithsonianNPM

EDAN-URL:

edanmdm:yt_QhW2IukSFCA

Creator:

National Postal Museum  Search this

Type:

YouTube Videos

Uploaded:

2021-07-26T18:03:33.000Z

YouTube Category:

Education  Search this

Topic:

Postal service;Letter mail handling;Stamp collecting  Search this

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SmithsonianNPM

Data Source:

National Postal Museum

YouTube Channel:

SmithsonianNPM

EDAN-URL:

edanmdm:yt_gPEwi1awrkQ

Creator:

National Postal Museum  Search this

Type:

YouTube Videos

Uploaded:

2021-07-26T18:02:30.000Z

YouTube Category:

Education  Search this

Topic:

Postal service;Letter mail handling;Stamp collecting  Search this

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SmithsonianNPM

Data Source:

National Postal Museum

YouTube Channel:

SmithsonianNPM

EDAN-URL:

edanmdm:yt_rH7J-Ji9BXI