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Groucho Marx Collection

Artist:
Benton, Thomas Hart, 1889-1975  Search this
Collector:
Marx, Groucho (Julius Henry), 1890-1977 (comedian)  Search this
Names:
Four Nightingales  Search this
Marx Brothers  Search this
Paramount Pictures  Search this
RKO Pictures (studio)  Search this
Three Nightingales  Search this
United Artists  Search this
Warner Brothers  Search this
Marx, Chico  Search this
Marx, Harpo, 1888-1964  Search this
Palmer, Minnie  Search this
Extent:
12 Cubic feet (39 boxes)
Type:
Collection descriptions
Archival materials
Personal papers
Photographs
Motion pictures (visual works)
Photographic prints
Scrapbooks
Sheet music
Correspondence
Place:
Hollywood (Los Angeles, Calif.)
Date:
1911-1978, undated
Summary:
Papers, films, and collected materials of 20th century comedian Julius Henry "Groucho" Marx.
Scope and Contents:
Series 1: Correspondence, 1932-1977 is arranged alphabetically by correspondent. In 1965, Marx gave the Library of Congress a portion of his correspondence with well-known personages. The majority of the correspondence in this collection dates from the post World War II era (Marx's early correspondence is located at the Library of Congress.) This series includes correspondence from well-known persons, fans, admirers and friends. There is an extensive amount of correspondence with the screenwriter Nunnally Johnson. The series includes letters concerning public relations, Walt Disney caricatures of the Marx Brothers, The Grouchophile permission letters, unidentified correspondence and one letter from Chico Marx to Gummo Marx.

Series 2: Publications, Manuscripts and Print Articles by Marx, 1930-1958, undated is arranged chronologically with circa and undated material placed before the book manuscripts. This series contains written material by Groucho Marx excepting scripts and sketches. The series includes articles written by Marx for national magazines, various speeches and manuscripts for three of Marx's books.

Series 3: Scripts and Sketches, 1939-1959, undated, is arranged alphabetically with television scripts and sketches placed before full-length movie and theatre scripts. This series contains television, motion picture and theatre scripts and sketches, monologues, and related written material pertaining to works starring or featuring Marx. It also contains scripts for the one theatrical play written by Marx, A Time for Elizabeth.

Series 4: Scrapbooks, 1923-1978 is arranged chronologically and contains sixteen scrapbooks spanning Marx's career from his first Broadway success, I'll Say She Is to the year after his death. Of particular interest are the early scrapbooks for the Marx Brothers career, a scrapbook spanning the years 1934-1958 complied by Marx himself for his daughter Melinda, a photographic scrapbook compiled by the staff of Life magazine documenting a 1963 magazine layout of Marx and his then wife Eden Hartford Marx. There is also a scrapbook devoted to Chico Marx's brief career as a bandleader in the mid-late 1940s.

Series 5: Music,circa 1930-1975, undated is arranged alphabetically and includes original music manuscripts written by Marx and songs for Marx's shows and motion pictures and unidentified manuscripts perhaps written by Marx, his friends, his daughter Melinda or her music teacher. It also includes commercially produced sheet music purchased by Marx, copies of songs featured in Marx's motion pictures, music from "Minnie's Boys the theatrical production based on the Marx Brothers and their mother, an autographed copy of "Stay Down Here Where You Belong" by Irving Berlin, songs written by Marx published commercially, and Marx's copy of a collection of songs by Gilbert and Sullivan.

Series 6: Publicity, ca. 1911-1977 contains theatre programs, motion picture reviews, newspaper clippings both foreign and domestic, record album covers, a book cover and one poster of the Marx Brothers. There are items related specifically to Chico Marx. This series is arranged chronologically.

Series 7: Artwork and Photographs, 1911-1976, undatedis arranged according to subject matter and includes artwork, features cartoons and caricatures of the Marx Brothers by various artists including the Metro-Goldwyn-Mayer art department and Hirschfield, sketches of the Marx Brothers by Sheila Smith, Peggy Jacobs, Bridget Crowe and Mark E. Williams (all probably fans of the Marx Brothers), various candid photographs, publicity photographs and studio portraits of Marx, his brothers, his immediate family, correspondence and related images and photographic negatives and transparencies.

Series 8: Personal and Family Documents, 1925-1975, undated contains documents relating to Marx's personal life and his brothers Chico Marx, Harpo Marx, and his daughter Melinda. Of particular interest is Marx's copy of the transcript of his divorce deposition from Eden Hartford Marx, two proclamations from the City of Los Angeles and a portfolio cover made for him by his daughter Melinda. This series is arranged chronologically.

Series 9: Audiovisual, 1929-1970 includes home movies of Groucho, brothers Harpo and Chico, and Groucho's wife and children as well as film and kinescope copies of television programs featureing Groucho as the star or guest.
Arrangement:
The collection is organized into 9 series.

Series 1: Correspondence,1932-1977

Series 2: Publications, Manuscripts, and Print Articles by Groucho Marx, 1930-1958, undated

Series 3: Scripts and Sketches, 1939-1959, undated

Series 4: Scrapbooks, 1923-1978

Series 5: Music, circa 1930-1975, undated

Subseries 5.1: Original Music Manuscrpts

Subseries 5.2: Commercially Produced Sheet Music and Collections

Series 6: Publicity, circa 1911-1977

Series 7: Artwork and Photographs, 1911-1976, undated

Subseries 7.1: Artwork

Subseries 7.2: Photographs

Subseries 7.3: Photographic Negatives and Transparencies

Series 8: Personal and Family Documents, 1925-1978, undated

Series 9: Audiovisual

Subseries 9.1: Moving Images

Subseries 9.2: Sound Recordings
Biographical / Historical:
One of 20th century America's most enduring comics and cultural icons was Groucho Marx. Julius Henry Marx, better known as Groucho, was born in New York City on October 2, 1890. He was the third of five sons born to Minna and Samuel Marx. Minna's brother, Al Shean, was a part of the well-known vaudeville team, Gallagher and Shean.

The Marx family consisted of five boys: Leonard (Chico), Arthur (Harpo), Julius (Groucho), Milton (Gummo) and Herbert (Zeppo). The family lived in the Yorkville section of New York City. Groucho had a high soprano singing voice and his first job was singing in the choir of an Episcopal church. He joined Gus Hall and his vaudeville troupe when he was eleven. Groucho attended P.S. 86 but never went beyond the 7th grade. Minna organized the Three Nightingales with Groucho, Gummo and a girl singer. The girl was eventually replaced by a boy tenor and Harpo joined the troupe. The name of the group was changed to The Four Nightingales. Minnie acted as the group's manager. The group became known as the Marx Brothers with everyone except Gummo taking part in the act. The family moved to Chicago ca. 1904 where their grandfather lived.

The brothers toured the South and Midwest performing a vaudeville skit called, "Fun in Hiskule". It is noted that the comedy act began in Nacogdoches, Texas. The Marx Brothers first big success came in 1919 with their vaudeville act entitled "Home Again". In 1920, they were booked into the Palace Theatre in New York City and played there for thirteen months. They were later banished from the circuit due to a contract violation - they had accepted employment without Albee's permission. Groucho married Ruth Johnson on February 4th, 1920 and divorced her in July 1942. They had one daughter, Miriam and one son, Arthur born in 1921.

In 1923, they toured with the show, "I'll Say She Is", a collection of vaudeville routines that Groucho had written in collaboration. The show ran on Broadway for thirty-eight weeks. On December 8, 1925, the brothers (using their nicknames professionally for the first time) opened on Broadway in "The Cocoanuts". The play was written expressly for them by George S. Kaufman and Morris Ryskind with music by Irving Berlin. The brothers made a silent film circa 1924 called "Humor Risk" but it was never released. "Animal Crackers" opened on October 23, 1928. It was in this show that Groucho created one of his most famous characters, Captain Spaulding, the African explorer. Groucho was by this time paired with Margaret Dumont, stooge and foil, whom Groucho claimed never, really understood the Marx Brothers comedy.

On the strength of their success in "The Cocoanuts", they were signed to a film contract. In 1929, they made the film version of "The Cocoanuts" while performing "Animal Crackers" on the stage. Their mother, Minna Marx died the same year. The following year they starred in the film version of "Animal Crackers". Both films were made in New York City. In 1931, Groucho moved to Hollywood where The Marx Brothers made thirteen films. The brothers signed with Paramount Pictures and made "Monkey Business" (1931), "Horsefeathers" (1932) and "Duck Soup" (1933) while at the studio. In 1933, Zeppo left the troupe and Samuel Marx died.

In February 1934, Groucho and Chico teamed up in a radio program called, "Flywheel, Shyster and Flywheel", about characters who were comic lawyers. In March 1934, they replaced Ethel Waters on a weekly radio series sponsored by the American Oil Company. In 1935, the brothers starred in "A Night at the Opera" for Metro-Goldwyn-Mayer, a film produced by Irving Thalberg and a sequel, "A Day at the Races" (1937). In addition to working for MGM, the brothers starred in "Room Service" (1938) for the RKO studio.

The brothers discontinued the act in September 1941 but reunited for the film "A Night in Casablanca" (1946) and "Love Happy" (1949). Groucho found work as a solo artist making films for RKO, Warner Brothers and Paramount. In March 1943, the Pabst Blue Ribbon Brewery sponsored a half-hour variety show on CBS starring Groucho. Groucho married his second wife, Catherine "Kay" Gorcey in July 1945, they had one daughter Melinda. They divorced in 1951. Groucho continued to guest on many radio shows and continued to be at his peak when ad-libbing. John Guedel created "You Bet Your Life" for Groucho in October 1947. The show aired over the ABC radio network. It moved to CBS and in 1950 it was purchased by NBC and ran on television until 1961. The show ran for a total of four years on radio and eleven years on television. Groucho won radio's Peabody Award as best comedian on radio in 1948; an Emmy award in 1951; and the Motion Picture Daily Annual TV poll from 1951-1954.

Groucho was also musical. He played the guitar, but never as part of his shows. He was also an author and a playwright. He wrote the stage play, "A Time for Elizabeth", in 1948 with Norman Krasna. The play ran for eight days on Broadway but had longer runs in summer stock. In July 1954, Groucho married his third and final wife Eden Hartford. They divorced in December of 1969. In 1967, Simon and Schuster published excerpts from letters Groucho had donated to the Library of Congress in 1965. The book was entitled The Groucho Letters. Groucho authored other books, Groucho and Me (1959) his autobiography, The Secret Word is Groucho (1976) with Hector Arce and The Grouchophile (1976).

Groucho retired in 1961 but in 1972 with the help Erin Fleming, his companion and manager since 1969, he toured in a solo act. The show entitled, "An Evening with Groucho" played Carnegie Hall in New York City in May 1972. Groucho was made a Commander of the French Order of Arts and Letters at the Cannes Film Festival in 1972. In 1974, Groucho received an honorary Academy Award (Oscar) for the contribution of the Marx Brothers to the art of film. Marx died on August 19th, 1977.
Provenance:
Collection donated by Julius H. (Groucho) Marx, through the Estate of Groucho Marx, August 5, 1987.
Restrictions:
Collection is open for research but the films are stored off-site and special arrangements must be made to work with it. Reference copies of audiovisual materials must be used. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Comedians -- 1920-1970  Search this
Entertainment  Search this
Radio comedies  Search this
Comedy  Search this
Theater  Search this
Radio programs  Search this
Vaudeville  Search this
Television programs  Search this
Genre/Form:
Personal papers
Photographs -- 20th century
Motion pictures (visual works)
Photographic prints
Scrapbooks
Sheet music
Correspondence -- 1930-1950
Citation:
Groucho Marx Collection, 1911-1978, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0269
See more items in:
Groucho Marx Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep845dd2cd0-46ee-4664-8bb1-93308c140f43
EDAN-URL:
ead_collection:sova-nmah-ac-0269
Online Media:

Sandra and Gary Baden Collection of Celebrity Endorsements in Advertising

Creator:
Baden, Gary  Search this
Baden, Sandra  Search this
Extent:
2 Cubic feet
Type:
Collection descriptions
Archival materials
Tear sheets
Magazines (periodicals)
Date:
circa 1897-1979
Summary:
An extensive collection of magazine advertisements featuring celebrities from entertainment, sports, royalty, and the arts.
Scope and Contents:
A wide-ranging collection of over 1,000 celebrity advertising endorsements, ca. 1897-1979. The endorsements were culled by a collector/hobbyist from high-end magazines publications such as Fortune, McCalls, Playbill and Vogue. They feature a wide range of celebrities from the fields of performing arts, sports, business, politics and "society." The products endorsed vary greatly with heavy concentrations of cigarettes, beauty products and electronic equipment predominating. The bulk of the collection covers the 1920s-1970s with an especially high concentration of material from the 1930s-1940s. The majority are in color.

Advertisements are filed according to the profession or background of the endorser Thereunder, ads are arranged alphabetically by the last name of the endorser. Where more than one endorser is featured, the advertisement is filed under the last name of the endorser most prominently featured in the advertisement. If they are all of equal status within the advertisement, the advertisement is filed under the last name appearing earliest in the alphabet.
Arrangement:
The collection is arranged into five series.

Series 1: Performing Arts

Series 2: Business/Politics

Series 3: Sports

Series 4: Society, fashio, Royalty

Series 5: Writers, Musicians, Artists, Singers
Biographical / Historical:
The use of celebrities for promoting a product is an advertising device that has been used with increasing frequency since the latter part of the 19th century. Personalities from all walks of life, society, sports, and entertainment have regularly lent their image for product endorsement. These products have ranged from alcohol to moth crystals to cigarettes and a variety of other products. The trend continues to grow and refine itself expanding from the realm of print media into television, radio, motion pictures, and the internet.
Provenance:
The collection was donated to the Archives Center of the National Museum of American History by Gary and Sandra Baden, of Chevy Chase, D.C., in 1997.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Celebrities  Search this
Endorsements in advertising  Search this
advertising  Search this
Genre/Form:
Tear sheets
Magazines (periodicals) -- 20th century
Citation:
The Sandra and Gary Baden Collection of Celebrity Endorsements in Advertising, 1897-1979, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0611
See more items in:
Sandra and Gary Baden Collection of Celebrity Endorsements in Advertising
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ddbbdd2a-6ac1-4ec5-a013-b96ffc469af6
EDAN-URL:
ead_collection:sova-nmah-ac-0611
Online Media:

Anthony W. Pendergast Collection

Creator:
Pendergast, Anthony W., 1879-  Search this
Collector:
National Museum of American History (U.S.). Division of Music, Sports and Entertainment  Search this
Extent:
0.5 Cubic feet (2 boxes)
Type:
Collection descriptions
Archival materials
Correspondence
Clippings
Photographs
Notes
Scrapbooks
Date:
1920s-1970.
Summary:
A Fairbury, Illinois, optometrist, Dr. Anthony W. Pendergast, (1879 -?) was a collector, author, antiquarian, dealer, and authority on the subject of cigar store figures. The collection includes correspondence; newspaper clippings on Pendergast and his various folk art collections; a scrapbook of photographs and miscellaneous materials relating to cigar store figures; and a large number of black and white photographs of figures from his personal collection, mostly for use in selling the figures.
Scope and Contents:
The collection documents Dr. Pendergast's interest in and work with cigar store figures as well as some of his other folk art collections. Included among the materials are correspondence, photographs of cigar store figures, and books on the subject. There are also articles and clippings about Dr. Pendergast and his collections and about cigar store figures in general, a scrapbook of photographs of figures, miscellaneous clippings, advertisements, business cards, postcards, and an inventory list.
Arrangement:
Collection is arranged into one series.
Biographical / Historical:
A Fairbury, Illinois, optometrist, Dr. Anthony W. Pendergast, (1879-?) was a collector, author, antiquarian, dealer, and authority on the subject of cigar store figures. As a newsboy in his youth, Pendergast was fascinated by the cigar store "Indians" he saw all around the streets of his home town. In their book on the cigar store figure, Dr. Pendergast and co-author W. Porter Ware state that the earliest evidence of cigar store figures dates them to as early as 1600 in the city of Amsterdam, where a tobacconist's shop had a figure of an American black slave as his sign, because of the association between slaves and tobacco. The tradition was continued in England and the figures began to look more like American Indians, usually with feathered headdresses, often holding a pipe or a roll of tobacco leaves. Not all the figures were of Indians or of slaves. As their popularity spread, "Turks," "Moors," Scotsmen, jockeys, Roman figures, mythological figures, and others were used. Antiquarian John L. Morrison, cited by Mr. Pendergast in his 1953 book Cigar Store Figures, states that the first appearance of a cigar store "Indian" in America was in 1770 in Lancaster, Pennsylvania. By the latter half of the nineteenth century the cigar store figure (usually an Indian) was as much a symbol of the tobacco trade as the barber pole was of barber shops. Mr. Pendergast owned at least two hundred figures during his lifetime and was a noted expert on the genre. He sold many figures to other collectors and had a workshop where he repaired and reconditioned the figures.
Provenance:
Immediate source of acquisition unknown.
Restrictions:
Collection is open for research and access on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Wood sculpture  Search this
Folk art  Search this
Figure sculpture -- United States  Search this
Cigar store Indians  Search this
Genre/Form:
Correspondence -- 20th century
Clippings -- 20th century
Photographs -- 20th century
Notes
Scrapbooks -- 20th century
Citation:
Anthony W. Pendergast Collection, 1920s-1970, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0882
See more items in:
Anthony W. Pendergast Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8e4fd5ded-12d2-4e97-84f1-b0217a045384
EDAN-URL:
ead_collection:sova-nmah-ac-0882

Alan R. Solomon papers, 1907-1970, bulk 1944-1970

Creator:
Solomon, Alan R.  Search this
Subject:
Castelli, Leo  Search this
Louis, Morris  Search this
Segal, George  Search this
Fahlström, Öyvind  Search this
Poons, Larry  Search this
Duchamp, Marcel  Search this
Bontecou, Lee  Search this
Picasso, Pablo  Search this
Provinciali, Michele  Search this
Reed, Lou  Search this
Lichtenstein, Roy  Search this
Mulas, Ugo  Search this
Sonnabend, Ileana  Search this
Rosenquist, James  Search this
Sabol, Audrey  Search this
Grisi, Laura  Search this
Noland, Kenneth  Search this
Scull, Ethel  Search this
MacElroy, Robert R.  Search this
Namuth, Hans  Search this
Newman, Barnett  Search this
Finkelstein, Nat  Search this
Stella, Frank  Search this
Sisler, Mary  Search this
Greenberg, Jeanine  Search this
Oldenburg, Patty  Search this
Morris, Robert  Search this
Scull, Robert C.  Search this
Hay, Alex  Search this
Dine, Jim  Search this
Kron, Joan  Search this
Chamberlain, John  Search this
Greenberg, Clement  Search this
Oldenburg, Claes  Search this
Frankenthaler, Helen  Search this
Paxton, Steve  Search this
Moore, Peter  Search this
Whitman, Robert  Search this
Novick, Elizabeth  Search this
Rauschenberg, Robert  Search this
Redon, Odilon  Search this
Schute, Terry  Search this
Warhol, Andy  Search this
Hay, Deborah  Search this
Rainier, Yvonne  Search this
Childs, Lucinda  Search this
Johns, Jasper  Search this
Dunn, Judith  Search this
Leo Castelli Gallery  Search this
Expo 67 (Montre?al, Que?bec)  Search this
Pasadena Art Museum  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Albright-Knox Art Gallery  Search this
Art Gallery of Ontario  Search this
Velvet Underground (Musical group)  Search this
Biennale di Venezia  Search this
Artforum  Search this
Amsterdam (Netherlands). Stedelijk Museum  Search this
Jewish Museum (New York, N.Y.)  Search this
University of California (System)  Search this
Cornell University  Search this
San Francisco Art Institute  Search this
Centro de Artes Visuales (Asuncio?n, Paraguay)  Search this
Los Once (Artists' group)  Search this
Harvard University  Search this
Type:
Drawings
Transcripts
Photographs
Interviews
Lithographs
Place:
Italy -- Venice
Citation:
Alan R. Solomon papers, 1907-1970, bulk 1944-1970. Archives of American Art, Smithsonian Institution.
Topic:
Abstract expressionism  Search this
Art -- Study and teaching  Search this
Art -- Economic aspects  Search this
Art -- History -- Study and teaching  Search this
Performance art  Search this
Art, Abstract -- United States  Search this
Art -- Exhibitions  Search this
Art -- New York (State) -- New York  Search this
Sculptors  Search this
Art, Modern -- 20th century -- United States  Search this
Educators -- New York (State) -- New York  Search this
Curators -- New York (State) -- New York  Search this
Theater  Search this
Pop art  Search this
Museum directors -- New York (State) -- New York  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)7165
(DSI-AAA_SIRISBib)209301
AAA_collcode_soloalan
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209301
Online Media:

Shirley Leonard Papers

Creator:
Jones, Shirley May, 1922-2004  Search this
Leonard, Shirley, 1922-2004  Search this
Donor:
Connick, Kathleen D.  Search this
Extent:
4 Cubic feet (16 boxes)
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Audiotapes
Photographs
Correspondence
Scrapbooks
Sheet music
Date:
1931-1998
bulk 1938-1957
Summary:
Papers documenting the life and career of Shirley May Jones, stage name Shirley Leonard, an exotic dancer from Cincinnati, Ohio. The papers, photographs, and clippings document her childhood, early life, and professional career.
Scope and Contents:
Papers documenting the life and career of exotic dancer Shirley May Jones, stage name Shirley Leonard, of Cincinnati, Ohio. Leonard performed primarily throughout the Midwest but also worked in Florida, California, and Louisiana. The collection includes family, performance, venue, and publicity photographs, photographs of other entertainers (some inscribed), correspondence, clippings, a childhood scrapbook, sheet music, recorded music, printed materials, home movies, and financial and business records such as contracts and wage slips.
Arrangement:
The papers are divided into five series.

Series 1: Personal Papers

Series 2: Business, Financial, and Legal Records

Series 3: Performance Materials

Series 4: Photographs

Series 5: Audiovisual Materials
Biographical / Historical:
Exotic dancer, active during the 1940s and 1950s.
Separated Materials:
The Division of Culture and the Arts (now Division of Cultural and Community Life) holds artifacts related to this collection including some of Jones' costumes and accessories.
Provenance:
Purchased by the National Museum of American History from Cowan's Historic Americana Auction in 2005. Addendum donated to the Archives Center in 2006 by Kathleen D. Connick, a relative of Shirley May Jones.
Restrictions:
The collection is open for research use.

Physical Access: Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Researchers must use photocopies of scrapbooks due to the fragility of the originals, unless special access is approved.

Technical Access: Viewing film and listening to audio disc recordings is only possible by special arrangement, please inquire.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Burlesque shows -- 1920-1970  Search this
Burlesque (Theater) -- 1920-1970  Search this
Striptease -- 1920-1970  Search this
Stripteasers -- 1920-1970  Search this
Genre/Form:
Motion pictures (visual works)
Audiotapes
Photographs -- 20th century
Correspondence -- 20th century
Scrapbooks -- 20th century
Sheet music
Citation:
The Shirley Leonard Papers, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0919
See more items in:
Shirley Leonard Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep802417644-dd41-44c9-84c3-64abbff4668b
EDAN-URL:
ead_collection:sova-nmah-ac-0919
Online Media:

Dewey Michaels Burlesque Collection

Photographer:
Garbo (Chicago)  Search this
Laverne, Gene (Buffalo, NY)  Search this
Kriegsmann, James J.  Search this
Maurice (Chicago)  Search this
Seymour, Mamie (New York)  Search this
Bruno (Bernard? of Hollywood New York City)  Search this
Bakchy, Boris (New York)  Search this
Collector:
National Museum of American History (U.S.). Division of Community Life  Search this
Michaels, Dewey, 1898- (theater owner, director, producer)  Search this
Names:
Palace Burlesque Theatre (Buffalo, N.Y.)  Search this
Extent:
0.33 Cubic feet (2 boxes)
Type:
Collection descriptions
Archival materials
Clippings
Photographs
Place:
Buffalo (N.Y.) -- photographs -- 1920-1970
Date:
late 1920's-1967
Scope and Contents:
Newspaper clippings; advertising brochures; and photoprints of performers at the Palace Theatre (including studio publicity portraits). The majority of the items are silver gelatin photoprints. Some photographers are listed below as index terms. Subjects of photographs include strippers and comedians; photographs of women include portraits as well as full-length figures, nude or in costume.
Arrangement:
The collection is arranged into one series. Arranged alphabetically by subjects' names within categories.
Biographical / Historical:
George Dewey Michaels (1898-1982) was owner, director, general manager and producer of the Palace Burlesque Theater in Buffalo, New York until it closed on September 29, 1977, when Michaels was 79 years old. Michaels started in the business when he was 19 years old. Through the years, he featured Abbott and Costello, Phil Silvers, Jerry Lewis, Red Buttons, and Sammy Davis, Jr. who was then a dancer with the Will Master Trio which included his father and uncle. The Palace Burlesque was part of a 40-city circuit. Michaels was married in 1920 to Phyllis Boasberg. She died in 1969, leaving two sons and one daughter. On December 4, 1980, Michaels donated a backdrop, used in the theatre, to the Smithsonian. The backdrop had a musical theme with a clarinetist and notes rendered in extravagant art nouveau. Michaels was then 83 years old. Other backdrops were distributed to other theatres and collectors. They were 60-100 years old, painted in Diamond Dye, and worth about $1,000 apiece.
Related Materials:
Theatrical backdrops and director's chair located in the Division of Home and Community Life (now Division of Cultural and Community Life).
Provenance:
Collection donated by Mr. Dewey Michaels, January 31, 1981.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Glamour photography -- 1920-1970  Search this
Striptease -- 1920-1970  Search this
Stripteasers -- 1920-1970  Search this
Nudity in the performing arts  Search this
Theatrical producers and directors -- 1920-1970  Search this
Comedians -- 1920-1970  Search this
Entertainers -- 1920-1970  Search this
Musicians -- 20th century  Search this
Burlesque shows -- 1920-1970  Search this
Burlesque (Theater) -- 1920-1970  Search this
Entertainment -- Photographs -- 1920-1970  Search this
Genre/Form:
Clippings -- 20th century
Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century
Citation:
Dewey Michaels Burlesque Collection, circa 1920s-1967, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0065
See more items in:
Dewey Michaels Burlesque Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep896ac7af6-87c2-4acc-9b9c-9fc959e4fa84
EDAN-URL:
ead_collection:sova-nmah-ac-0065
Online Media:

[Groucho Marx smoking a cigar in front of his California house : black-and-white film frame.]

Collector:
Marx, Groucho (Julius Henry), 1890-1977 (comedian)  Search this
Collection Artist:
Benton, Thomas Hart, 1889-1975  Search this
Collection Collector:
Marx, Groucho (Julius Henry), 1890-1977 (comedian)  Search this
Extent:
1 Item (1.9" x 2.8")
Type:
Archival materials
Film frames
Home movies
Place:
California -- 1920-1940
Date:
Circa 1932
Scope and Contents:
Attached image is a low-resolution film frame grab from Groucho Marx home movie.
Arrangement:
In series 9, box ?.
Local Numbers:
AC0269-0000005 (AC scan)
Collection Restrictions:
Collection is open for research but the films are stored off-site and special arrangements must be made to work with it. Reference copies of audiovisual materials must be used. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Smoking  Search this
Cigars  Search this
Comedians -- 1920-1970  Search this
Entertainers  Search this
Genre/Form:
Film frames
Home movies
Collection Citation:
Groucho Marx Collection, 1911-1978, Archives Center, National Museum of American History, Smithsonian Institution.
See more items in:
Groucho Marx Collection
Groucho Marx Collection / Series 7: Artworks, Photographs, Negatives, and Transparences / 7.3: Negatives and Transparencies
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8e1c46f4b-5dcb-4ff1-9629-1c71839148f3
EDAN-URL:
ead_component:sova-nmah-ac-0269-ref935

Helmet mask

Object Name:
agbogo mmuo
Maker:
Igbo artist  Search this
Medium:
Wood, pigment, mirror
Dimensions:
H x W x D: 63.5 x 18.4 x 25.4 cm (25 x 7 1/4 x 10 in.)
Type:
Mask
Geography:
Nigeria
Date:
Early to mid-20th century
Topic:
Male use  Search this
male  Search this
female  Search this
Credit Line:
Bequest of Eliot Elisofon
Object number:
73-7-279
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys74ea0caf4-4e5c-462f-9539-a0e3817a7fc0
EDAN-URL:
edanmdm:nmafa_73-7-279

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