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[Trade catalogs from General Motors]

Variant company name:
WWII  Search this
Company Name:
General Motors  Search this
Related companies:
GM, Delco Products  Search this
Notes content:
includes 1942 Annual Report to Employes, War Tugs tell their tales of the sea, Three R's of GM's War products training program, Delco War Products all over the World
Includes:
Trade catalog and photographs
Black and white images
Physical description:
4 pieces; 2 boxes
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Cleveland, Ohio, United States
Date:
1900s
Topic (Romaine term):
Engines and motors: steam; oil; gas; etc.  Search this
Boats and ships (including marine hardware and supplies)  Search this
Automobiles and automotive equipment (including trucks and buses)  Search this
Topic:
Automobiles  Search this
Boats and boating  Search this
Engines  Search this
Marine machinery  Search this
Motor vehicles  Search this
Motors  Search this
Ships  Search this
Record ID:
SILNMAHTL_10230
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_10230

[Trade catalogs from Crane Co.]

Variant company name:
"Modern American home"  Search this
Company Name:
Crane Co.  Search this
Related companies:
Crane Export Corp. ; Crane, Ltd.  Search this
Notes content:
Corwith family of lavatories, baths, sinks, dressing tables ; water systems, heaters, softeners
Includes:
Trade catalog and photographs
Black and white images
Color images
Physical description:
2 pieces; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Chicago, Illinois, United States
Date range:
1800s-1900s
Topic (Romaine term):
Water wheels; water motors and waterpower equipment  Search this
Plumbing supplies and fixtures  Search this
Appliances (household)  Search this
Topic:
Household appliances  Search this
Hydraulic engineering  Search this
Hydraulic machinery  Search this
Plumbing equipment industry  Search this
Plumbing fixtures  Search this
Water-power  Search this
Water-wheels  Search this
Record ID:
SILNMAHTL_10162
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_10162

[Trade catalogs from Combustioneer Automatic Coal Burner]

Variant company name:
Jane's office, "Modern American Home"  Search this
Company Name:
Combustioneer Automatic Coal Burner  Search this
Related companies:
Steel Products Engineering Co.  Search this
Notes content:
Combustioneer provides automatic coal burning for heating homes
Includes:
Trade catalog and photographs
Black and white images
Color images
Physical description:
1 piece; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Springfield, Ohio, United States
Date:
1900s
Topic (Romaine term):
Heating; ventilation and air conditioning  Search this
Topic:
Air conditioning  Search this
Heating  Search this
Heating and ventilation industry  Search this
Ventilation  Search this
Record ID:
SILNMAHTL_10191
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_10191

The Black Valley Railroad by artist Emile Ackerman and lithographed by J. Mayer and Company

Copyright holder:
Hanks, S. W.  Search this
Artist:
Ackermann, Emil  Search this
Lithographer:
J. Mayer and Company  Search this
Measurements:
image: 12 in x 16 in; 30.48 cm x 40.64 cm
Object Name:
Lithograph
Object Type:
Lithograph
Place made:
United States: Massachusetts, Boston
Date made:
1863
Subject:
Carriages  Search this
Horses  Search this
Chronology: 1860-1869  Search this
Children  Search this
Drinking  Search this
Railroads  Search this
Credit Line:
Harry T. Peters "America on Stone" Lithography Collection
ID Number:
DL.60.2890
Catalog number:
60.2890
Accession number:
228146
See more items in:
Cultural and Community Life: Domestic Life
Clothing & Accessories
Domestic Furnishings
Art
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a3-cbef-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_325179

30 Years - International Union of Operating Engineers

Associated institution:
International Union of Operating Engineers  Search this
Measurements:
overall: 3/4 in x 5/8 in; 1.905 cm x 1.5875 cm
Object Name:
Pin
Subject:
Labor Unions  Search this
Credit Line:
Hobert L. Barlow
ID Number:
1980.0400.01
Accession number:
1980.0400.01
Catalog number:
1980.0400.01
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-663b-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_662576

Drawing, Felt Tip Pen on Paper

Artist:
Chrystal Jackson  Search this
Medium:
Drawing, Felt Tip Pen on Paper
Dimensions:
2-D - Unframed (H x W): 15.2 × 22.9cm (6 × 9 in.)
Type:
ART-Drawings
Country of Origin:
United States of America
Credit Line:
Transferred from the National Aeronautics and Space Administration
Inventory Number:
A19781242000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9d7da7bd2-e264-48f1-8519-ba8c347cb1f4
EDAN-URL:
edanmdm:nasm_A19781242000
Online Media:

Drawing, Felt Tip Pen on Paper

Artist:
Chrystal Jackson  Search this
Medium:
Drawing, Felt Tip Pen on Paper
Dimensions:
2-D - Unframed (H x W): 22.5 × 14cm (8 7/8 × 5 1/2 in.)
Type:
ART-Drawings
Country of Origin:
United States of America
Credit Line:
Transferred from the National Aeronautics and Space Administration
Inventory Number:
A19781246000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv905b2d153-4f66-43ea-a35c-d73acc31d900
EDAN-URL:
edanmdm:nasm_A19781246000
Online Media:

Festival Recordings: Narrative Stage: Serving First Families and the Nation; Butlers and Maitre D's; Maintaining the W.H

Creator:
Smithsonian Institution. Festival of American Folklife. White House Program 1992 Washington, D.C.  Search this
Spinks, Vondale (recorder)  Search this
McCauley, John (recorder)  Search this
Performer:
Fields, Alonzo  Search this
Barnett, Armstead, 1912-2003  Search this
Allen, Eugene, 1919-2010  Search this
Simmons, Lewis M., 1932-  Search this
Free, Russell, 1924-2000  Search this
Names:
United States. Department of Agriculture  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
African American  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
Massachusetts
Medford (Mass.)
Virginia
Arlington (Va.)
South Carolina
Date:
1992 June 25
Track Information:
101 Serving First Families and the Nation- Butlers to Maitre d's / Alonzo Fields, Armstead Barnett, Eugene Allen.

102 Maintaining the White House- White House Engineers / Lewis M. Simmons, Russell Free.
Local Numbers:
FP-1992-CT-0243
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Occupation:
Engineers  Search this
Topic:
Oral history  Search this
occupational folklore  Search this
Dinners and dining  Search this
Waiters  Search this
Butlers  Search this
Building  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0243
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 5: Workers at the White House / 5.2: Photographs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref881

Festival Recordings: Narrative Stage: Being a Butler: Part Timers; Maintaining the White House

Creator:
Smithsonian Institution. Festival of American Folklife. White House Program 1992 Washington, D.C.  Search this
Mitchell, John N. (recorder)  Search this
Seeger, Andrea (recorder)  Search this
Performer:
Williams, Norwood, 1928-2003  Search this
Harmon, Robert, 1920-1999  Search this
Stephenson, William, 1915-1999  Search this
Arrington, Howard, 1927-2007  Search this
Simmons, Lewis M., 1932-  Search this
Free, Russell, 1924-2000  Search this
Names:
United States. Department of Agriculture  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
Maryland
South Carolina
Virginia
Date:
1992 June 29
Track Information:
101 Being a Butler- Part Timers / Norwood Williams, Robert Harmon, William Stephenson.

102 Maintaining the White House: All the Things You Do for a Family / Howard Arrington, Lewis M. Simmons, Russell Free.
Local Numbers:
FP-1992-CT-0262
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 29, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Occupation:
Engineers  Search this
Topic:
Oral history  Search this
occupational folklore  Search this
Butlers  Search this
Presidents  Search this
Plumbing  Search this
Carpentry  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0262
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 5: Workers at the White House / 5.2: Photographs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref900

Festival Recordings: Narrative Stage: Maintaining the White House: Engineers

Creator:
Smithsonian Institution. Festival of American Folklife. White House Program 1992 Washington, D.C.  Search this
Keydel, Stefan (recorder)  Search this
Performer:
Free, Russell, 1924-2000  Search this
Names:
United States. Department of Agriculture  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
Virginia
Arlington (Va.)
Date:
1992 July 3
Local Numbers:
FP-1992-CT-0275
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Occupation:
Engineers  Search this
Topic:
Oral history  Search this
occupational folklore  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0275
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 5: Workers at the White House / 5.2: Photographs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref913

Cook Labs records

Creator:
Cook Labs  Search this
Cook, Emory, 1913-2002  Search this
Names:
Cook Labs  Search this
Extent:
6.3 Cubic feet (Phonograph albums)
63.5 Cubic feet (Open-reel tapes)
8.75 Cubic feet (Business records)
78.55 Cubic feet
Culture:
Afro-Caribbean cults  Search this
10th Naval District Steel Band  Search this
Almerico, Tony, 1905-  Search this
American Indians  Search this
Animal sounds  Search this
Audio Engineering Society  Search this
Ast, Anita  Search this
Bach, Johann Sebastian, 1685-1750  Search this
Beethoven, Ludwig van, 1770-1827  Search this
Big Shell Band  Search this
Boston Chorale  Search this
Brahms, Johannes, 1833-1897  Search this
Brokenshire, Norman, 1898-1965  Search this
Brundage, Al (Alfred)  Search this
Brute Force Band  Search this
Camp, Red  Search this
Carroll, Jimmy  Search this
Crowley, Daniel J., 1921-  Search this
Type:
Collection descriptions
Archival materials
Audiotapes
Photographic prints
Business records
Artifacts
Contracts
Phonograph records
Correspondence
Christmas music
Place:
Cuba
West Indies -- Lesser Antilles
Caribbean Area
Antigua
Barbuda
Amazon River Region
Benítez (Venezuela)
Baja California (Mexico : Peninsula)
Brazil
Connecticut
Cuba
Haiti
Date:
1908-2002, bulk 1948-1965
Summary:
The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.
Scope and Contents note:
There are two primary components of the Cook Labs records: the records, master tapes and other audio recordings, and the related paper files.

The Cook Labs records contains about 150 of the 200 released Cook recordings, and 739 master tapes. In addition, there are 330 unpublished tapes.

The the paper files include acquisition materials; business correspondence; recording reports; various production notes on records produced; news articles both about and by Emory Cook and Cook Labs; copyright, licensing, and trademark materials; photographs, correspondence, contracts, and other materials relating to recording artists; production materials for each Cook Labs release; and other miscellany. Many contracts are signed by both Cook Labs and the artist. Correspondence is primarily between business associates.

Two interviews were done with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer; both interviews are included in the Cook Labs records.

There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.
Arrangement note:
Many of the items in this list have been assigned an accession number, and like materials have been grouped together to create seven series:

Series 1: Business Papers, 1939-1990

Series 2: Recording Artists, 1949-1981, bulk 1950-1959

Series 3: Photographs, undated, 1957

Series 4: Production files, 1948-1995, bulk 1952-1963

Series 5: Objects, undated, 1908-1964

Series 6: Audio Interviews, 1990

Series 7: Audio Recordings
Biographical/Historical note:
Emory Cook (1913-2002) is widely regarded as a highly influencial audio engineer. Born and raised in Albany, New York, he joined the Army Air Corps in 1932. After his discharge in 1934 he obtained his degree from Cornell University and began working for Western Electric in the Audio Engineering Force. During World War II, while still at Western Electric, Cook supervised the creation of a fire-controlled radar "Trainer," for which he received a Commendation from the Service.

In the late 1940's, convinced he could do better than what was on the market, Cook began experimenting with making his own audio equipment. Cook Laboratories was started in 1945 when he developed a new cutting head to be used in record production. Future development of equipment brought about the discovery that he could record frequencies as high as 20,000 hertz, more than any other recording company at the time. He cut a record of piano and organ music to demonstrate this discovery, and took it to the 1949 Audio Fair in New York. When he demonstrated the record with the hopes to sell the recording equipment, he found that people were much more interested in buying the record itself. Shortly after, Sounds of Our Times, later called Cook Records, was born.

Cook Records collected many different sounds and was mostly aimed at the devoted high-fidelity listener. Cook believed that hearing was a sense often overlooked by people, and he wanted listeners of his albums to be able to hear things they might otherwise miss. In a New Yorker profile by Daniel Lang in 1956, Cook claimed that hearing was "always being kicked aside in favor of sight… There's a time and a place for everything, and that includes sound." In order to encourage listening, he put out many albums full of everyday sounds, such as Voice of the Sea, an album of noises of the ocean and Eye of the Storm, recorded during a thunderstorm. One of the most successful albums was Rail Dynamics, an album of steam trains pulling in and out of a station.

Cook Records also produced traditional music albums from its plant in Stamford, Connecticut. The label produced everything from organ music to folk, flamenco guitar, calypso and steel band. Cook had little interest in name musicians and instead searched high and low for anything he thought might be an interesting contribution to his label. He even invited listeners to send in their favorite sounds, some of which he eventually recorded.

Cook had such a large interest in Calypso music that he set up a second pressing plant in Port-of-Spain, Trinidad. There he pressed calypso and steel band music for both a Trinidadian and American audience, and most albums sold well in both countries.

In addition to the wide range of music Cook recorded, he was also an inventor. It was Cook who first came up with the idea of pressing records with powdered, rather than solid, vinyl, a technique he dubbed "microfusion." This technique not only saved money, but cut out many of the traditional crackles and pops associated with records.

He also developed the binaural system of recording and playing records, which he thought was superior to the more commonly used stereo method. Binaural was more precise than stereo, and it required placing two microphones six inches apart, approximately the space between two ears, during the recording. It was then played back with a special two-needle playing arm. Binaural recordings were thought by Cook to best duplicate the original sound.

Emory Cook died at the age of 89 in 2002 after a long hospitalization.
COOK RECORDINGS - NUMERICAL LISTING:
001 20,000 Cycle Demo (1949) COOK00001

002 Night Rain and Surf COOK00002

003 Specimen Heart Beats COOK00003

004 Katydids, Frogs and Forrest Birds

E101 Grenada Stories and Songs (1957-58) COOK00101

E102 Amazon Sound: Yacu River Tribes (Rituals and Rites) (1954) COOK00102

E103 Music of St. Lucia (1953) COOK00103

E104 Rada (1958) COOK00104

E105 JOSE RAMON FORTUNE AND OLGA MAYNARD Nancy Stories (1956) COOK00105

106 Afro-West Indian Cultural Practices (1957-58) COOK00106

107 ESCOLA DE SAMBA DE BRAZIL The Boli, The Cocolute, and Brazil (1957-58) COOK00107

901 Steelband Jump Up Boys Town, Tropical Harmony, Silvertone COOK00901

904 THE ESSO STEEL BAND Esso Steelband of Bermuda (1958) COOK0904

906 LORD MELODY Lord Melody Sings Calypso (1958-59) COOK00906

911 TOM CHARLES AND HIS SYNCOPATER ORCHESTRA Fete for So! (1959) COOK00911

914 LORD MELODY Again! Lord Melody Sings Calypso (1957-58) COOK00914

916 Calypso Cross Section Young Killer, The Mighty Bomber, Small Island Pride, The Mighty Wrangler (1957-58) COOK00916

920 THE MIGHTY SPARROW King Sparrow's Calypso Carnival (1959) COOK00920

927 LORD MELODY Calypso through the Looking Glass (1959) COOK00927

928 CLARENCE CURVAN His Drums, His Orchestra COOK00928

930 Belly to Belly Clarence Curvan, Johnny Gomez, Tom Charles, Fitz Vaughn Bryan (1960-61) COOK00930

931 LORD MELODY Lord Melody, 1962 COOK0931

1000 TITUS MOODY DDDs of Binaural (1952) COOK01000

1011 The Christmas Music Box (1950) COOK01011

1012 Music Boxes of Long Ago (1950) COOK01012

1013 CHARLIE MAGNANTE Accordion Pops Concert (1954-55) COOK01013

1014 CHARLIE MAGNANTE AND LaVERGNE SMITH His and Hers (1954-55) COOK01014

1020 SAM ESKIN Sam Eskin's Songs of All Time COOK01020

1021 GROUPE MI-O Un Ti Bo (1958) COOK01021

1022 LAVINIA WILLIAMS' GROUPE FOLKLORIQUE Haiti Confidential (1958) COOK01022

1023 The Ramayana (Hindu Ceremony) (1961) COOK01023

1024 GUSTAVO ZEPOLI Concert Guitar (1954) COOK01024

1025 SEAN McGONIGAL AND ST. COLUMCILLE'S UNITED GAELIC PIPE BAND Kilts on Parade (1950) COOK01025

1026 ANITA AST AND THE VIENNA KONZERTSCHRAMMEREIN Inside Vienna (1952) COOK01026

1027 CARLOS MONTOYA AND THE JOSE GRECO TROUPE Fiesta Flamenca (1952) COOK01027

1028 CARLOS MONTOYA Montoya (1952) COOK01028

1030 EDWARD VITO The Harp (1951) COOK01030

1031 EDWARD AND JOSEPH VITO Dual Harp (1951) COOK01031

1032 RUTH WELCOME AND DICK MARTA Zither and Cimbalom (1951) COOK01032

1035 Barrelhouse Piano (1950) COOK01035

1036 FRANK GLAZER Liszt's Paganini Variations (1952) COOK01036

1037 GRETA AND JOSEF DICHLER Two Famous European Pianos (1952) COOK01037

1038 SAMUEL SORIN Piano: The Romantic Fabric (1953) COOK01038

1039 LEONID HAMBRO A Perspective of Beethoven (1953) COOK01039

1040 Steel Band Clash Brute Force Steel Band, Big Shell Band, and Hell Gate Band (1955)

1041 JIMMY CARROLL PERCUSSION EMSEMBLE WITH RED CAMP Speed the Parting Guest (1953) and The Hot Tempered Clavichord (1957) COOK01041

1042 BRUTE FORCE STEEL BAND Brute Force Steel Band of Antigua with Big Shell Band (1955) COOK01042

1043 Three Rituals (1955) COOK01043

1044 The Compleat In Fidelytie: Sounds Natural and Unnatural (1956) COOK01044

1045 Drums of Trinidad (1956) COOK01045

1046 Champion Steel Bands of Trinidad The Highlanders, Southern All Stars, The Katzenjammers, others (1957) COOK01046

1047 THE KATZENJAMMERS The Enchanted Steelband (1957) COOK01047

1048 BRUTE FORCE STEEL BAND Music to Awaken the Ballroom Beast (1957) COOK01048

1049 BRUTE FORCE STEEL BAND Beauty and the Brute Force (1957) COOK01049

1050 MICHAEL CHESHIRE The Pipe Organ, volume 1 (1952) COOK01050

1051 MICHAEL CHESHIRE The Pipe Organ, volume 2 (1952) COOK01051

1052 REGINALD FOORT Percussion and Pedal, volume 3 (1952) COOK01052

1053 REGINALD FOORT Reginald Foort at the Mosque, volume 4 (1952) COOK01053

1054 REGINALD FOORT Organ in Symphony Hall, volume 1 (1954) COOK01054

1055 REGINALD FOORT Organ in Symphony Hall, volume 2 (1954) COOK01055

1056 ALFONSO VEGA NUÑEZ Morelia Cathedral Organ (1954) COOK01056

1057 REGINALD FOORT Foort Pops (1956) COOK01057

1058 REGINALD FOORT Waltz and Ballet: The Mosque Organ (1956) COOK01058

1059 REGINALD FOORT Intermission at the Mosque (1956) COOK01059

1060 NEW ORCHESTRAL SOCIETY OF BOSTON Brahms First Symphony (1954) COOK01060

1061 FESTIVAL CASALS ORCHESTRA Hector Campos Parsi (1958) COOK01061

1062 NEW ORCHESTRAL SOCIETY OF BOSTON Stravinsky, Villa Lobos, and Bach (1955) COOK01062

1063 NEW ORCHESTRAL SOCIETY OF BOSTON Debussy (1955) COOK01063

1064 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Dance (1955) COOK01064

1065 NEW ORCHESTRAL SOCIETY OF BOSTON Mozart Symphony No. 40 (1955) COOK01065

1066 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Theater (1955) COOK01066

1067 NEW ORCHESTRAL SOCIETY OF BOSTON Beethoven Symphony No. 5 (1955) COOK01067

1068 NEW ORCHESTRAL SOCIETY OF BOSTON New Orchestral Society of Boston (1966) COOK01068

1069 NEW ORCHESTRAL SOCIETY OF BOSTON Haydn Symphony No. 100: Military (1966) COOK01069

1070 Rail Dynamics: Steam Locomotives and Train Sounds (1950-54) COOK01070

1071 Burlesque Uncensored (1954) COOK01071

1072 Jump-up Carnival: Calypso Tent (1956) COOK01072

1073 Holy Week: Malaga (Spain) (1961) COOK01073

1074 Benevolent Society for the Preservation of Ancient Rhymes and Limerix Limerick Party COOK01074

1075 Voices of the Sky: Propellers and Jets (1957) COOK01075

1077 Voice of the Storm (1957-58) COOK01077

1078 A Double Barrel Blast: High Cost of Dying and Computer Conversations (1962) COOK01078

1079 Tour of High Fidelity (1965) COOK01079

1080 TRIO LEONES Trio Leones of Cabrito (1954) COOK01080

1081 LaVERGNE SMITH LaVergne Smith (01014B plus) (1954) COOK01081

1082 Le Jazz Primitif from Trinidad Rupert Clemendore and John Buddy Williams (1961) COOK01082

1083 Jawbone of an Ass: Musica de Cuba (1955) COOK01083

1084 SID DAVILLA AND FREDDIE KOHLMAN'S BAND WITH RED CAMP Blowout at Mardi Gras (1955) COOK01084

1085 TONY ALMERICO'S PARISIAN ROOM BAND Clambake on Bourbon Street (1954-55) COOK01085

1086 WILLIE RODRIGUEZ The Drums of Rodriguez (1953) COOK01086

1087 RED CAMP Camp Inventions: Jazz Piano and Zither Music (1955) COOK01087

1088 RED CAMP Red Camp Horizontal (1954) COOK01088

1089 RED CAMP Red Camp Upright (1954) COOK01089

1090 ARTHUR BILLINGS HUNT Arthur Billings Hunt Sings Hymns (1950) COOK01090

1091 ARTHUR BILLINGS HUNT Hunt Sings Old Favorites (1950) COOK01091

1092 HUFSTADER SINGERS Hufstader Singers (1953) COOK01092

1094 REGINALD FOORT AND THE BOSTON CHORALE The Seven Last Words of Christ (1954) COOK01094

1095 ST. JOHN'S RUSSIAN ORTHODOX CHOIR Russian Christmas (Spring Valley, New York) (1961) COOK01095

1096 ST. JOHN'S RUSSIAN ORTHODOX CHOIR Russian Easter Midnight Service (Spring Valley, New York) (1961) COOK01096

1097 ST. JOHN'S RUSSIAN ORTHODOX CHOIR St. John's Russian Orthodox Choir (1961) COOK01097

1101 THE INVADERS FROM ST. CROIX Steel Band in San Juan (1964) COOK01101

1102 10TH NAVAL DISTRICT STEEL BAND New Paths for Steel Band (1965) COOK01102

1120 BENITEZ-VALENCIA TRIO Ecuador (1958) COOK01120

1121 Island in the Moonlight Trio Los Rubies, Grupo Paquito Lopez Cruz, Las Hermanas Colón, Martita Cuadrado (1958) COOK01121

1122 Hellish Calypso King Fighter, The Mighty Bomber, others (1962) COOK01122

1123 Calypso Atrocities King Fighter, The Mighty Bomber, others COOK01123

1124 HAYWIRE MAC McCook LabsINTOCK Haywire Mac (1951) COOK01124

1125 LORD MYRTLE, CECIL MITCHEL, AND JAMES CONVERY Calypso Jamaica (1960) COOK01125

1126 THE MIGHTY SPARROW Sparrow in Hi-Fi (1963) COOK01126

1127 STEVE CAMACHO Folk and Other Songs (1962) COOK01127

1131 BRUCE PRINCE-JOSEPH The Pedal Harpsichord (1953) COOK01131

1132 SHINCHI YUIZE The Japanese Koto (1955) COOK01132

1133 RED CAMP The New Clavichord (1957) COOK01133

1134 LUIS BONFA Guitar in Brazil (1959) COOK01134

1140 Steelband Promenade Brute Force Steel Band, The Merrymakers, Southern All Stars (1958) COOK01140

1150 BILL FLOYD The King of Organs (1957) COOK01150

1151 REGINALD FOORT The Theatre Organ, volume 2 COOK01151

1152 REGINALD FOORT The Theatre Organ, volume 3 COOK01152

1154 REGINALD FOORT The Theatre Organ, volume 5 COOK01154

1155 REGINALD FOORT The Theatre Organ, volume 6 COOK01155

1156 REGINALD FOORT The Baroque Organ, volume 1 COOK01156

1157 REGINALD FOORT The Baroque Organ, volume 2 COOK01157

1169 NEW ORCHESTRAL SOCIETY OF BOSTON Tchaikovsky: Romeo and Juliet, Serenade for Strings (1962) COOK01169

1180 Dance Calypso Johnny Gomez Band, Small Island Pride, Dictator, others (1956) COOK01180

1181 LIZZIE MILES Lizzie Miles Buglin' Sam DeKemel and the Parisian All Stars (1954-55) COOK01181

1182 LIZZIE MILES Moans and Blues Red Camp and Tony Almerico's All Stars (1956) COOK01182

1183 LIZZIE MILES Hot Songs My Mother Taught Me Red Camp, Tony Almerico's All Stars, Albert French (1956) COOK01183

1184 LIZZIE MILES Torchy Lullabies My Mother Sang Me Red Camp and Tony Almerico's All Stars (1956) COOK01184

1185 Calypso Kings and Pink Gin: Trinidad Carnival Tent Lord Melody, The Might Sparrow, others (1957) COOK01185

1186 ENSEMBLE AUX CALEBASSES Meringue (1958) COOK01186

1187 A Night at the Tropicoro Juan Luis, Oswaldo Seda, and Lito Peña Band (1959) COOK01187

1188 Dirty Jazz from Down South: Trinidadian Instrumentals (1958) COOK01188

1189 Calypso Exposed Lord Melody, Brute Force Steel Band, King Sparrow, The Mighty Cypher, and Skipper (1961) COOK01189

1280 Caribbean Limbo Music Rupert Clemendore Orchestra, Cyril Diaz Orchestra, others COOK01280

1281 Songs from the Garden of Love Jefferson-Jones' Orchestra COOK01281

1282 Italian Moom Jefferson-Jones' Orchestra COOK01282

2004 Tour of Stereo (1958) COOK02004

2066 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Dance, volume 3 COOK02066

2070 Aboard a Fast Express / Jet Dynamics COOK02070

4057 REGINALD FOORT The Theater Organ COOK04057

4069 NEW ORCHESTRAL SOCIETY OF BOSTON Hayden Military Symphony COOK04069

5001 American Storytellers, Volume 1 Harry Wass, Master Marriner's Association (1952) COOK05001

5002 K.C. DOUGLAS K.C. Douglas (1952) COOK05002

5003 Caribeana: Hidden Music from the Caribbean (1949) COOK05003

5004 TIRORO Tiroro: Haitian Drummer (1948) COOK05004

5005 RED CAMP Camp Has a Ball (1954) COOK05005

5006 AL BRUNDAGE Square Dance (1951) COOK05006

5007 Mexican Marimba Band (1954) COOK05007

5008 American Storytellers, Volume 2 John Hawley Cook (1954) COOK05008

5009 American Storytellers, Volume 3 Captain Charles A. Chace, Matthew Richards (1954) COOK05009

5010 Calliope, Carousel, and Hand Organ (1953) COOK05010

5011 Voice of the Sea (1954) COOK05011

5012 Earthquake (1953) COOK05012

5013 Ionosphere (1955) COOK05013

5014 Mariachi Music of Mexico (1954) COOK05014

5015 Mexican Firecrackers (1951) COOK05015

5016 Calypso Lore and Legend (1956) COOK05016

5017 Bamboo-tamboo, Bongo, and Belair (1956) COOK05017

5018 East Indian Drums of Tunapuna, Trinidad (1956) COOK05018

5019 ALONZO CRUZ Blind Troubadour of Oaxaca (1956) COOK05019

5020 Epilogue to the String Band Tradition (1956) COOK05020

5022 ABCs of Hi Fi COOK05022

5025 BUCKMINSTER FULLER Buckminster Fuller Speaks His Mind COOK05025

5050 NORMAN BROKENSHIRE Radio Moscow and the Western Hemisphere COOK05050

5051 FRANKLIN D. ROOSEVELT The Four Inaugural Addresses COOK05051

6061 BUCKMINSTER FULLER The Clock Is Stopping COOK06061

8374 BUCKMINSTER FULLER Dymaxion Ditties: Buckminster Fuller Sings COOK08374

10001 Sound Effects, volume 1 COOK10001

10002 Sound Effects, volume 2 COOK10002

10003 Sound Effects, volume 3 COOK10003

10120 Music Boxes, Carousels, and Hand Organs (01012 and 05010) (1950-53) COOK10120

10248 The Voice of Mexico Gustavo Zepoli, Trio Leones (01024 and 01080) (1954) COOK10248

10251 SEAN McGONIGAL AND ST. COLUMCILLE'S UNITED GAELIC PIPE BAND Kilts on Parade (01025 plus solos) (1950-53) COOK10251

10271 CARLOS MONTOYA AND THE JOSE GRECO TROUPE Fiesta Flamenca (selections from 01027 and 01028) (1952) COOK10271

10289 CARLOS MONTOYA Montoya (selections from 01028 plus) (1952) COOK10289

10301 EDWARD AND JOSEPH VITO The Harp (selections from 01030 and 01031 plus) (1951-54) COOK10301

10326 Cafe Continental Ruth Welcome, Dick Marta, and Anita Ast (selections from 01026 and 01032) (1951-52) COOK10326

10350 Nickelodion and Calliope (selections from 01035 and 05010) (1950-53) COOK10350

10500 REGINALD FOORT The Theater Organ COOK10500

10501 MICHAEL CHESHIRE Pipe Organ in the Mosque (selections from 01050 and 01051) (1952) COOK10501

10523 REGINALD FOORT Percussion and Pedal (selections from 01052 and 01053) (1952) COOK10523

10545 REGINALD FOORT The Organ at Symphony Hall (01054 plus) (1954) COOK10545

10579 REGINALD FOORT Foort Pops (selections from 01057 and 01058) (1956) COOK10579

10646 NEW ORCHESTRAL SOCIETY OF BOSTON Tempo Vivace: Symphonic Masterpieces of Dance & Theater (selections from 01064 and 01066) (1955-56) COOK010646

10657 NEW ORCHESTRAL SOCIETY OF BOSTON Two Classical Symphonies: Mozart Symphony No. 40, Beethoven Symphony No. 5 (01065 and 01067) (1955) COOK10657

10659 NEW ORCHESTRAL SOCIETY OF BOSTON Two Classical Symphonies: Mozart Symphony No. 40, Haydn Symphony No. 100 (01065 and 01069) (1955-56) COOK10659

10683 NEW ORCHESTRAL SOCIETY OF BOSTON Modern Orchestral Textures (01068 and 01063) (1955) COOK10683

10850 RUPERT Cook LabsEMENDORE BAND Le Jazz Trinidad COOK10850

10867 Before and After Willie Rodriguez (selections from 01086 and 05007) (1953-54) COOK010867

10889 RED CAMP Horizontal & Upright & Downright & Dunright (01088 and 01089) (1954) COOK10889

10890 The Castiliane Johnny Gomez Band, John Buddy Williams Band, Girl Pat Steel Band, And Grand Curacaye String Orchestra (1956) COOK10890

11312 BRUCE PRINCE-JOSEPH AND HUFSTADER SINGERS The Forgotten Pedal Harpsichord and Hufstader Singers (01131 and 01092) (1953) COOK11312

11815 TONY ALMERICO'S PARISIAN ROOM BAND AND LIZZIE MILES Clambake on Bourbon Street (1954-55) COOK11815

50130 Tour of Cook Labs COOK50130

70889 RED CAMP Popular Piano and Combo COOK70889

80134 LUIZ BONFA Waterfall: Guitar COOK80134

80417 MARIMBA ORCHESTRA Waterfall: Children's Music COOK80417

80680 NEW ORCHESTRAL SOCIETY OF BOSTON Waterfall: Symphonic COOK80680

XX1 Audio Follies Sampler COOK00XX1

XX2 Calypso Jazz Sampler COOK00XX2

Series 10 Cook Series 10 COOK_Series10

Series 30 Cook Series 30 COOK_Series30

Series 60 Cook Series 60 COOK_Series60

Series 70 Cook Series 70 COOK_Series70

Series 80 Cook Series 80 COOK_Series80

Series 90 Cook Series 90 COOK_Series90

Series 100 Cook Series 100 COOK_Series100

Series 300 Cook Series 300 COOK_Series300

Series 301 Cook Series 301 COOK_Series301

Series 302 Cook Series 302 COOK_Series302

Series 303 Cook Series 303 COOK_Series303
Provenance:
The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired the Cook Labs Records in 1990, when Emory and Martha Cook donated their company records to the Center for Folklife and Cultural Heritage. Anthony Seeger, then Director of Smithsonian Folkways Records, received a call from Mr. Cook in the summer of 1989 offering to donate the Cook label to the Smithsonian. Dr. Seeger visited him in August of that year to view the contents of the collection, and the Smithsonian received custody of the collection in May 1990. In return for the donation from Mr. Cook, the Center for Folklife and Cultural Heritage agreed to keep the record titles available and to store the papers in the archives.
Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at (202) 633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Popular music -- 20th century -- United States  Search this
Wit and humor  Search this
Calypso (Music)  Search this
Folk music -- Caribbean Area  Search this
Folk music  Search this
Sounds  Search this
Music -- 18th century  Search this
Folk music -- United States  Search this
Jazz -- Louisiana -- New Orleans  Search this
Jazz  Search this
Accordion music  Search this
Airplane sounds  Search this
Audio equipment industry  Search this
Blues (Music)  Search this
Bonfá, Luiz  Search this
Calypso (Music)  Search this
Burlesque (Theater)  Search this
Calliope music  Search this
Calypso (Music)--Trinidad and Tobago  Search this
Campos Parsi, Héctor, 1922-  Search this
Catholicism  Search this
Christianity  Search this
Christmas  Search this
Cimbalom and zither music  Search this
Clavichord  Search this
Clemendore, Rupert  Search this
Drum  Search this
Genre/Form:
Audiotapes
Photographic prints
Business records
Artifacts
Contracts
Phonograph records
Correspondence
Christmas music
Citation:
Cook Labs records, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.COOK
See more items in:
Cook Labs records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-cook
Online Media:

Smithsonian Folklife Festival records: 1994 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Digital images
Audiocassettes
Audiotapes
Photographic prints
Contracts
Notes
Correspondence
Plans (drawings)
Memorandums
Business records
Negatives
Video recordings
Videotapes
Sound recordings
Slides (photographs)
Place:
Caribbean Area
Latin America
Date:
July 1-10, 1994
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1994 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: The Commonwealth of The Bahamas

Series 3: Culture and Development in Latin America and the Caribbean

Series 4: Masters of Traditional Arts: The National Endowment for the Arts National Heritage Fellows

Series 5: Thailand: Household, Temple Fair & Court
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1994 Festival of American Folklife was produced by the Smithsonian Center for Folklife Programs and Cultural Studies and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
The 1994 Festival featured four programs. In The Bahamas program, Americans could find intriguing connections to a shared history embodied in the traditions of the descendants of Africans, free and enslaved, British Loyalists, Seminoles, and many other immigrants. More than just beautiful sun, sea, and sand, The Bahamas, and especially its Family Islands, are home to a rich diversity of cultural communities and practices. Also on the Mall, yet half a world away, was Thailand, a nation that never acceded to colonial rule and whose ancient traditions are very much alive in contemporary households, temples, and the royal court. Given the growing economic and political importance of Asia and the Pacific Rim, visitors had the opportunity to better understand Thailand's cultural traditions. The program on Culture and Development, a collaborative effort with the Inter-American Foundation, recognized the value of local cultural resources and practitioners and their role in development efforts. A strategy of appropriately utilizing a community's cultural resources often succeeds not only in stimulating economic growth, but also in promoting self-worth and popular participation in civic life. The program on Masters of Traditional Arts paid tribute to National Heritage Fellowship awardees from 17 states representing a broad range of American traditions. The awards, made annually by the National Endowment for the Arts, honor our human national treasures, those exemplary folk artists whose work expresses the history, identity, beliefs, and values of their communities.

These programs were seen by Smithsonian organizers as more than just separate living exhibits. As a whole, they demonstrated convincingly that across the United States and around the world, traditional culture was with us, not just as atomistic survivals, but as part of social fabrics woven by individuals, communities, and nations. The folks at the Festival live contemporary lives. They are just as contemporary as the genetic engineer, cable television network shopper, or government bureaucrat. The traditions they carry are embedded in modern life. Yes, sometimes we find these traditions are on the margins, but most often they are in an ongoing, creative tension with new innovations and technical and social changes. These traditional ways of doing, making, and being are continually, sometimes even daily, reinvented and applied to the circumstances of individual and institutional life. Innovation and tradition are not opposites, but are processually related to how we use our cultural inheritance - whether that be in music or the museum, handicraft or statecraft - to define and shape the future. The dialogue created at the Festival, in which cultural traditions were respectfully presented, discussed, and even passed along, was therefore considered to be vital to our continued civic health.

On the second day of the 1994 Festival, its founder Ralph Rinzler passed away after a long illness. On July 7, 1994, a memorial service was organized by Ralph's friends and associates (see the recordings in the Masters of Traditional Arts program). Clydia and Reeves Nahwooksy provided a Comanche Baptist invocation. Mile Seeger, Guy Carawan, and Bill Monroe played and sang. Bernice Reagon sang, as did the Bahamians. Bess Hawes, Jeffrey LaRiche, Ann Romano, and James Early spoke of his legacy. Memorial messages were read from Pete Seeger, Alan Lomax, Henry Glassie, Roger Abrahams, Rajeev Sethi, and others. Lucille Dawson spoke about the profound effects the Festival's Native American programs had had on Indian education and civil rights, and Mike Thomas spoke for the Smithsonian custodians who always found in Ralph a friend and supporter. Other impromptu memorials were conducted by the Bahamian and Thai participants.

The 1994 Festival took place during two four-day weeks (July 1-4 and July 7-10) between Madison Drive and Jefferson Drive and between 12th Street and 14th Street, south of the National Museum of American History (see site plan).

The 1994 Program Book included schedules and participant lists for each program; essays provided background on the Festival and each of the four programs.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife Programs & Cultural Studies.

Center for Folklife Programs & Cultural Studies

Richard Kurin, Director; Diana Parker, Festival Director; Anthony Seeger, Director, Smithsonian/Folkways Recordngs; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Senior Ethnomusicologist; Richard Kennedy, Program Analyst; Carla Borden, John Franklin, Program Managers; Olivia Cadaval, Amy Horowitz, Marjorie Hunt, Diana Baird N'Diaye, Folklorists/Curators; Betty Belanus, Education Specialist; Arlene L. Reiniger, Program Specialist; Jeffrey Place, Archivist; Kenneth M. Bilby, Roland Freeman, Ivan Karp, Alan Lomax, Worth Long, Research Collaborators

Folklife Advisory Council

Roger Abrahams, Jacinto Arias, Jane Beck, Pat Jasper, Barbara Kirshenblatt-Gimblett, Bernice Reagon, John Roberts, Carol Robertson, Gilbert Sprauve, Jack Tchen, Ricardo Trimillos, Carlos Vélez-Ibáñez

National Park Service

Roger Kennedy, Director; Robert G. Stanton, Regional Director, National Capital Region
Forms Part Of:
Smithsonian Folklife Festival records: 1994 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
World music  Search this
Folklore  Search this
Food habits  Search this
Folk art  Search this
Folk festivals  Search this
arts and crafts  Search this
Folk music  Search this
Genre/Form:
Digital images
Audiocassettes
Audiotapes
Photographic prints
Contracts
Notes
Correspondence
Plans (drawings)
Memorandums
Business records
Negatives
Video recordings
Videotapes
Sound recordings
Slides (photographs)
Citation:
Smithsonian Folklife Festival records: 1994 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1994
See more items in:
Smithsonian Folklife Festival records: 1994 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-sff-1994

Massachusetts Fieldwork: Interview with Dan Fay of Northboro (steam engines) by Janice Gadaire

Creator:
Smithsonian Institution. Festival of American Folklife. Massachusetts Program 1988 Washington, D.C.  Search this
Gadaire, Janice (field worker)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Massachusetts
Date:
1987 July 28
Local Numbers:
FP-1988-CT-0028
Date/Time and Place of an Event Note:
Recorded in: Massachusetts, United States, July 28, 1987.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Railroads  Search this
Steam-engines  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1988, Item FP-1988-CT-0028
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 4: Ingenuity and Tradition: The Common Wealth of Massachusetts / 4.1: Fieldwork
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1988-ref1032

Massachusetts Fieldwork: Interview with Dan Fay of Northboro (steam engines) by Janice Gadaire

Creator:
Smithsonian Institution. Festival of American Folklife. Massachusetts Program 1988 Washington, D.C.  Search this
Gadaire, Janice (field worker)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Massachusetts
Date:
1987 July 28
Local Numbers:
FP-1988-CT-0029
Date/Time and Place of an Event Note:
Recorded in: Massachusetts, United States, July 28, 1987.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Railroads  Search this
Steam-engines  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1988, Item FP-1988-CT-0029
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 4: Ingenuity and Tradition: The Common Wealth of Massachusetts / 4.1: Fieldwork
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1988-ref1033

Workshop: Storytelling, continued Ella Mae Lentz; Shirley Schultz, interpreter

Creator:
Smithsonian Institution. Festival of American Folklife. Folklore of the Deaf Program 1981 Washington, D.C.  Search this
Artist:
Lentz, Ella Mae  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording
1 Sound recording (sound-tape reel, analog, 7 in.)
Culture:
Americans  Search this
Type:
Archival materials
Sound recordings
Place:
United States
Washington (D.C.)
Date:
1981 July 5
Local Numbers:
FP-1981-7RR-0272
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1981.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Disabilities  Search this
Deafness  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1981 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1981, Item FP-1981-7RR-0272
See more items in:
Smithsonian Folklife Festival records: 1981 Festival of American Folklife
Smithsonian Folklife Festival records: 1981 Festival of American Folklife / Series 6: Folklore of the Deaf / 6.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1981-ref328
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Festival Recordings: Phipps Family; John Edmonds Gospel Truth

Creator:
Smithsonian Institution. Festival of American Folklife. Kentucky Program 1973 Washington, D.C.  Search this
John Edmonds Gospel Truth (Musical group)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (sound-tape reel, analog, 7 in.)
Type:
Archival materials
Sound recordings
Place:
United States
Washington (D.C.)
Kentucky
Contents:
John Edmonds Gospel Truth--Old landmark; Phipps Family--Orphan child--Diamonds in the rough--My wandering boy--Take me in the your lifeboat--In the shady green pasture--When the sunset turns the ocean--Sea of Galilee--I'm going to take a trip on that old gospel trip--Engine 143
Local Numbers:
FP-1973-7RR-0035
General:
73.158.02
CDR copy
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 7, 1973.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Appalachian Region, Southern. -- Songs and music  Search this
String band  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1973 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1973, Item FP-1973-7RR-0035
See more items in:
Smithsonian Folklife Festival records: 1973 Festival of American Folklife
Smithsonian Folklife Festival records: 1973 Festival of American Folklife / Series 4: Regional America: Kentucky / 4.3: Audio / FP-1973-7RR-0035: Coon Creek Girls; J.P. and Annadeene Fraley
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1973-ref1538

Saul Broudy, Jim Ringer, Utah Phillips

Creator:
Smithsonian Institution. Festival of American Folklife. Working Americans Program 1975 Washington, D.C.  Search this
London, Lewis  Search this
Artist:
Phillips, Utah  Search this
Broudy, Saul  Search this
Ringer, Jim  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording
1 Sound recording (sound-tape reel, analog, 7 in.)
Type:
Archival materials
Sound recordings
Place:
United States
Washington (D.C.)
Date:
1975 June 26
Contents:
Trucking songs---Lew London--King of the Road--I've been taken again--Grand Texas/ Jambalaya; Jim Ringer-- Drink Up and Go Home--I saw the light; Train songs- Utah Phillips--Green rolling hills of West Virginia--Switch engine depot number 2--There is room for the poor in heaven--Daddy, whats a train--Last ride on Wabash Cannonball; Saul Broudy--City of New Orleans; Utah Phillips-- Wind blows cold in Wyoming
General note:
DPA number 75.552.05
Local Numbers:
FP-1975-7RR-0365
General:
75.552.05
CDR copy
Recorded on June 26, 1975, at the Working Americans Program of the 1975 Smithsonian Festival of American Folklife. Participants on this tape, include Utah Phillips, Jim Ringer, Saul Broudy, and Lewis London. This segment of the Program begins with the conclusion of the Country Music and Truckers session, followed by New Train Songs. Guitars, dobro, and harmonica provide accompaniment. The Country Music and Truckers session begins on FP-1975-7RR-0364, which also contains the Famous Trains session, featuring the same participants (plus Andy Wallace) recorded at the same Program on the same day.
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1975.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Labor  Search this
occupational folklore  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1975 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1975, Item FP-1975-7RR-0365
See more items in:
Smithsonian Folklife Festival records: 1975 Festival of American Folklife
Smithsonian Folklife Festival records: 1975 Festival of American Folklife / Series 9: Working Americans / 9.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1975-ref3382

London Library of Recorded English records

Editor:
Compton, Joseph, 1891-  Search this
Clinton-Baddeley, V.C. (Victor Clinton), 1900-1970  Search this
Extent:
1.25 Cubic feet (11 legal folders, 6 cassette tapes, 18 sound discs (vinyl))
Type:
Collection descriptions
Archival materials
Lyric poetry
Narrative poetry, english
English poetry
Date:
1949-2010
bulk 1950-1965
Summary:
London Library of Recorded English was a 6-volume Anthology of English Literature, consisting of poetry spanning 16th-20th century England, read aloud by well-known British poets, scholars, and actors. The first four recordings were edited by poet-scholars V.C. Clinton-Baddeley and Joseph Compton, and when it was acquired by Britam Agencies in 1955, Clinton-Baddeley stayed on to create two more releases. The collection contains 6 LP recordings, as well as the business papers associated with the creation and management of the Anthology.
Arrangement:
This collection is arranged in two series: 1. Papers, 1949-2010, arranged alphabetically by subject and chronologically thereafter, and 2. Audiorecordings, 1956-1965, arranged chronologically.
Biographical / Historical:
The London Library of Recorded English had roots in V.C. Clinton-Baddeley's 1937 recordings of poetry broadcasts with W.B. Yeats for the BBC. In 1940, during World War II, Clinton-Baddeley helped prepare British propaganda on gramophone discs for the use of foreign radio stations. A portion of these recordings were dedicated to "cultured propaganda," and this included recordings of English poetry produced by Clinton-Baddeley and read by himself and other well-known readers.

During the war, Clinton-Baddeley was speaking to Joseph Compton, a prominent specialist in English literature education, about the propaganda records. Compton believed that recordings of literature would be in demand in schools. When the war ended, E.J. Vetter, a recording engineer told Clinton-Baddeley that he would be setting up a small recording studio where it would be possible to make some poetry recordings. Compton soon got on board, and the recording studio, which was a part of United Programmes Limited (UPL) of London, England, would support the production of the recordings.

The first four volumes (called "books") of the anthology were made with UPL in the late 1940s. These were directed by Clinton-Baddeley and engineered by Vetter and J. Bramhall. Compton made selections and provided literary criticism. Both Clinton-Baddeley and Compton were considered editors of the series.

UPL went into receivership and in 1950, Edgar J. Grande, receiver for UPL, appointed Britam Agencies, Inc. (Britam) sole agent in the U.S.A. and Canada for the sale of the recordings (twenty-four 78rpm records per set) to be imported from England. The recordings were sold to schools, colleges, and libraries.

In 1955, UPL and Grande arranged with Britam to purchase the LLRE free and clear. Britam re-engineered the recordings and converted them into 4 LPs, manufactured by Columbia Records and sold under the Alpha Records label.

In 1963, Clinton-Baddeley and Irwin Breslauer of Britam agreed to a plan to produce two additional LP records (Books V and VI). All six volumes were marketed as a package, and later, as a set of six cassette tapes. The LLRE then went dormant, with no effort being made towards sales, as the principals of Britam, Irwin Breslauer and Norman Breslauer were occupied with other business.

The collection was donated to the the Smithsonian Center for Folklife and Cultural Heritage in 2010.
Provenance:
This collection was donated in memory of Lewis R. Breslauer to Smithsonian Folkways Recordings/Center for Folklife and Cultural Heritage in January, 2010. The donation included all right, title, and interest in and to the recordings, papers, and historical materials, as well as all intellectual property rights.
Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at (202) 633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright restrictions apply. Contact archives staff at (202) 633-7322 or rinzlerarchives@si.edu for additional information.

Restrictions may apply concerning the use, duplication, or publication of items in these collections. Consult the archivists for additional information.
Genre/Form:
Lyric poetry
Narrative poetry, English
English poetry -- 19th century
English poetry -- 17th century
English poetry -- 18th century
English poetry -- Early modern, 1500-1700
Citation:
London Library of Recorded English records, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.LLRE
See more items in:
London Library of Recorded English records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-llre
Online Media:

List of names compiled by Clark for a possible book on radio engineers

Collection Creator:
Clark, George Howard, 1881-1956  Search this
Collection Source:
Electricity and Modern Physics, Division of, NMAH, SI.  Search this
Container:
Box 25, Folder 2
Type:
Archival materials
Collection Restrictions:
The collection is open for research use.

Gloves must be worn when handling unprotected photographs, negatives, and slides.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
George H. Clark Radioana Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
George H. Clark Radioana Collection
George H. Clark Radioana Collection / Series 4: Biographies of Radio Personages, Technical
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0055-ref5764

Institute of Radio Engineers

Collection Creator:
Clark, George Howard, 1881-1956  Search this
Collection Source:
Electricity and Modern Physics, Division of, NMAH, SI.  Search this
Container:
Box 25, Folder 3
Type:
Archival materials
Collection Restrictions:
The collection is open for research use.

Gloves must be worn when handling unprotected photographs, negatives, and slides.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
George H. Clark Radioana Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
George H. Clark Radioana Collection
George H. Clark Radioana Collection / Series 4: Biographies of Radio Personages, Technical
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0055-ref5765

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