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Hatun Kotama - '¡Así Kotama! The Flutes of Otavalo, Ecuador' [Behind The Scenes Documentary]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2013-06-21T15:53:13.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_jZR-g0dS67g

Singing Tradition: Welsh Plygain Carol

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2013-05-17T14:42:16.000Z
YouTube Category:
Education  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt__zwClDQ34hk

Hula: Preserving Native Hawaiian Language and Culture

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2013-04-25T18:36:58.000Z
YouTube Category:
Education  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_upK-xODTd50

Voices of Our Ancestors

Creator:
National Museum of Natural History  Search this
Type:
YouTube Videos
Uploaded:
2014-11-24T23:50:13.000Z
YouTube Category:
Education  Search this
Topic:
Natural History  Search this
See more by:
smithsonianNMNH
Data Source:
National Museum of Natural History
YouTube Channel:
smithsonianNMNH
EDAN-URL:
edanmdm:yt_X1_RM1VC_w0

What is Recovering Voices

Creator:
National Museum of Natural History  Search this
Type:
YouTube Videos
Uploaded:
2013-03-26T14:10:30.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Natural History  Search this
See more by:
smithsonianNMNH
Data Source:
National Museum of Natural History
YouTube Channel:
smithsonianNMNH
EDAN-URL:
edanmdm:yt_m9MJFrGpEA4

Language Breathes Life: Women Directors' Roundtable

Creator:
National Museum of the American Indian  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2018-02-27T16:40:45.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_QDSt3NquQeU

Endangered languages, Kaw, Osage (press clippings)

Collection Creator:
Rankin, Robert Louis, 1939-  Search this
Container:
Box 3
Type:
Archival materials
Date:
1996-2004
Collection Restrictions:
The Robert Rankin papers are open for research.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Computer disks are currently restricted due to preservation concerns.

Access to the Robert Rankin papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Robert Rankin papers, National Anthropological Archives, Smithsonian Institution
See more items in:
Robert Rankin papers
Robert Rankin papers / Series 2: Kaw (Kansa, Kanza) / 2.2: Files
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2014-16-ref218

Blair Rudes papers

Extent:
13 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1974-2008
Summary:
Blair Arnold Rudes was a linguist who specialized in Native American languages. The Blair Rudes papers document his research and professional activities from 1974-2008 and primarily deal with dictionaries and other linguistic materials he created and studied, as well as the culture and history of various Native American groups around the Eastern United States and the rest of North America. His involvement in language education, federal recognition of tribes, and the use of authentic Native American dialog in film are also represented. The collection consists of research files, linguistic research and data, correspondence, papers and other writings written by Rudes and his colleagues, movie scripts and related materials, and audio/visual recordings.
Scope and Contents:
The Blair Rudes papers 1967-2008, document his research and processional activities from his time in graduate school at the University of Buffalo in the 1970s through the end of his career at the University of North Carolina, Charlotte. Materials primarily deal with linguistic and historical research on Native American languages, particularly those in eastern North America. There is also a significant amount of material related to the Golden Hill Paugussett Tribe and their petition to the federal government for recognition, and Rudes's work as a consultant on language education projects. The collection consists of research files, linguistic research and data, correspondence, papers and other writings written by Rudes and his colleagues, official documents for the Golden Hill Paugussett federal recognition case, movie scripts and related materials, and audio/visual recordings.
Arrangement:
This collection is arranged in 7 series: Series 1. Biographical, 1999-2007; Series 2. Correspondence, 1975-2007; Series 3. Linguistic Research and Data, 1969-2008, undated; Series 4. Writings, 1967-2007, undated; Series 5. Dialog Translation, 2003-2008; Series 6. Grants, Contracts, and Foundations, 1997-2007; Series 7. Golden Hill Paugussett Federal Recognition, 1994-2003.
Biographical / Historical:
Blair Arnold Rudes was a linguist specializing in Native American languages, particularly those originating in eastern North America. Aside from working in academia for many years, Rudes also used his linguistic skills as a language education expert and consultant and was involved in projects related to film dialog translation, federal recognition of Native American tribes, and education for migrant and Native American students in the United States. He was best known in the Native American community for his extensive work documenting endangered indigenous languages (such as Tuscarora) as well as reconstructing Native languages that were dormant or lost to history and assimilation (such as costal Algonquian and Catawba). At the time of his death in 2008, he was an Associate Professor of English at the University of North Carolina, Charlotte.

Rudes was born in Gloversville, NY on May 18, 1951. He attended the State University of New York at Buffalo where he studied linguistics at the undergraduate and graduate level. As a masters student in the mid-1970s, he was exposed to the Seneca language through his landlady who was also a graduate student studying the language. As Rudes learned more about Seneca, he quickly became interested in it and the rest of the Iroquoian languages, particularly Tuscarora. Before long Rudes was visiting the Tuscarora Reservation near Buffalo and learning the language from fluent speakers. He was awarded his Doctorate in linguistics in 1976. After graduating, he briefly spent time as a Fulbright scholar in Romania and as a lecturer at the University of Maryland, College Park before being hired as a consultant for Development Associates, Inc.

For almost twenty years, Rudes worked on various language-related projects for Development Associates and as an independent contractor. Most of these projects studied academic programs and performance of minority, migrant, and Native American students with special language issues. Rudes was also hired as a researcher and consultant by the Golden Hill Paugussett Tribe between 1994 and 2003 to assist in their petition for federal recognition. In 1999, Rudes returned to academia and was hired as an Assistant Professor of English in the Applied Linguistics Program at U.N.C. Charlotte. That same year he published his seminal Tuscarora-English/English Tuscarora Dictionary.

Aside from his academic duties, Rudes continued to work independently as a language consultant and was hired in 2004 to reconstruct the Virginia Algonquian language for the New Line film The New World (2005). Rudes also assisted in coaching actors in speaking the language, which had been dormant since the early 18th century. In order to finish translating dialog into Virginia Algonquian on time, Rudes was reported to have shut himself into his Williamsburg hotel room for nearly a month, working feverishly until his task was completed. Rudes was also hired as a Mayan dialog coach for the Paramount Pictures film The Ruins (2008).

Throughout his career, Rudes was active in the Foundation for Endangered Languages, the Society for the Study of the Indigenous Languages of the Americas, the annual Algonquian Conference, and the American Society for Ethnohistory. He presented and published regularly about his work with Native American languages, especially Virginia and Carolina Algonquian, Catawba, Mohawk, and Tuscarora. Rudes died of a heart attack on March 16 in Charlotte, North Carolina.

Sources consulted:

Whitford, Sara. "The Algonquian Language Reborn: An Interview with Blair Rudes." Coastal Carolina Indian Center, 2011. Accessed April 12, 2016. http://www.coastalcarolinaindians.com/the-algonquian-language-reborn-an-interview-with-blair-rudes/

Whitford, Sara. "Obituary: Blair A. Rudes, PhD – Linguistics Advisor to CCIC." Coastal Carolina Indian Center, 2011. Accessed April 12, 2016. http://www.coastalcarolinaindians.com/obituary-blair-a-rudes-phd-linguistics-advisor-to-ccic/

Chronology

1951 -- Born on May 18 in Gloversville, New York.

1973 -- Awarded Bachelors of Art in linguistics from the University of Buffalo.

1974 -- Awarded Masters of Art in linguisitcs from the University of Buffalo.

1976 -- Awarded Ph.D in linguistics from the University of Buffalo.

1976-1978 -- Awarded Fulbright Scholarship to teach linguistics at the University of Bucharest in Romania.

1980-1981 -- Hired as a lecturer at the University of Maryland, College Park.

1981-1999 -- Worked for Development Associates, Inc. as an educational consultant.

1994-2003 -- Hired by the Golden Hill Paugussett Tribe to assist in their petition for recognition from the federal government.

1999 -- Hired as an Assistant Professor in the Applied Linguistics Program in the Department of English at the University of North Carolina, Charlotte.

2004-2005 -- Worked as a Virginia Algonquian translator and dialog coach for The New World.

2005 -- Promoted to Associate Professor at U.N.C. Charlotte.

2006 -- Recognized by the Tuscarora Nation for contributions to preserving the Tuscarora language.

2007 -- Worked as a Mayan dialog coach for The Ruins. Recognized by the South Carolina General Assembly in a resolution for work done for the South Carolina Commission for Minority Affairs.

2008 -- Awarded the University at Buffalo's Distinguished Alumni Award. Died on March 16 in Charlotte, North Carolina.
Separated Materials:
Two VHS recordings were transferred to the Human Studies Film Archive (accession number 2016-009).
Provenance:
Materials were held at the U.N.C. Charlotte Department of English after Rudes's death until 2008, when his brother Bryan Rudes donated them to the National Anthropological Archives (accession 2009-16).

In 2015, Rudes's former graduate student Craig Kopris donated an appendix draft from his dissertation (A Grammar and Dictionary of Wyandot, 2001) that contained comments and annotations from Rudes. This file is located in sub-series 4.4: Writings by Others.
Restrictions:
The Blair Rudes papers are open for research.
Rights:
Contact the repository for terms of use.
Citation:
Blair Rudes Papers, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.2009-16
See more items in:
Blair Rudes papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-2009-16

Foundation for Endangered Languages:

Type:
Archival materials
Collection Restrictions:
The Blair Rudes papers are open for research.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Blair Rudes Papers, National Anthropological Archives, Smithsonian Institution.
See more items in:
Blair Rudes papers
Blair Rudes papers / Series 6: Grants, Contracts, and Foundations
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2009-16-ref323

Articles of incorporation

Container:
Box 18
Type:
Archival materials
Date:
2003
Collection Restrictions:
The Blair Rudes papers are open for research.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Blair Rudes Papers, National Anthropological Archives, Smithsonian Institution.
See more items in:
Blair Rudes papers
Blair Rudes papers / Series 6: Grants, Contracts, and Foundations / Foundation for Endangered Languages:
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2009-16-ref324

Blank membership certificate and embosser

Container:
Box 18
Type:
Archival materials
Date:
circa 2005
Collection Restrictions:
The Blair Rudes papers are open for research.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Blair Rudes Papers, National Anthropological Archives, Smithsonian Institution.
See more items in:
Blair Rudes papers
Blair Rudes papers / Series 6: Grants, Contracts, and Foundations / Foundation for Endangered Languages:
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2009-16-ref325

Correspondence

Container:
Box 18
Type:
Archival materials
Date:
2000-2005
Collection Restrictions:
The Blair Rudes papers are open for research.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Blair Rudes Papers, National Anthropological Archives, Smithsonian Institution.
See more items in:
Blair Rudes papers
Blair Rudes papers / Series 6: Grants, Contracts, and Foundations / Foundation for Endangered Languages:
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2009-16-ref326

Grants

Container:
Box 18
Type:
Archival materials
Date:
2003-2004
Collection Restrictions:
The Blair Rudes papers are open for research.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Blair Rudes Papers, National Anthropological Archives, Smithsonian Institution.
See more items in:
Blair Rudes papers
Blair Rudes papers / Series 6: Grants, Contracts, and Foundations / Foundation for Endangered Languages:
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2009-16-ref327

Grants, Contracts, and Foundations

Type:
Archival materials
Date:
1997-2007
Scope and Contents:
This series contains materials related to grants, contracts, and foundations Rudes was involved with. Most materials are related to various linguistic and language projects that Rudes started or was hired to work on by organizations like the Smithsonian Institution and National Geographic Society. There is also a significant amount of materials related to the Foundation for Endangered Languages, an organization that Rudes was heavily involved in in the 1990s and 2000s. Materials consist of grant proposals, contracts, and other administrative documents related to these projects.
Arrangement:
Materials are arranged alphabetically by folder title.
Collection Restrictions:
The Blair Rudes papers are open for research.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Blair Rudes Papers, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.2009-16, Series 6
See more items in:
Blair Rudes papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2009-16-ref6

Website Records

Topic:
Recovering Voices (Blog)
Creator::
Smithsonian Institution  Search this
Type:
Collection descriptions
Archival materials
Electronic records
Date:
2015-2017
Descriptive Entry:
This accession consists of the "Recovering Voices" blog as it existed on August 15, 2017. "Recovering Voices" is a collaborative initiative of the National Museum of Natural History, the National Museum of the American Indian, and the Center for Folklife and Cultural Heritage to work with communities worldwide to sustain and celebrate linguistic and cultural diversity. The blog launched in April 2015 and features posts related to the program and its mission. Materials are in electronic format.
Topic:
Endangered languages  Search this
Museums -- Public relations  Search this
Web sites  Search this
Blogs  Search this
Genre/Form:
Electronic records
Citation:
Smithsonian Institution Archives, Accession 18-261, Smithsonian Institution, Website Records
Identifier:
Accession 18-261
See more items in:
Website Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa18-261

Festival Recordings: Wales Square Mile: Heritage Meets Innovation (Catrin Brace, Cerrwyn Evans, Ceri Wyn Jones, Angharad Pearce Jones), Endangered Languages (Ann Elizabeth Thomas, Aneirin Karadog, Kwap Gwyn, Ifor ap Glyn, Walter Ariel Brooks, Marcelo R...

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2009 June 26
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2009 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2009, Item FP-2009-CT-0189
See more items in:
Smithsonian Folklife Festival records: 2009 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2009 Smithsonian Folklife Festival / Series 5: Wales Smithsonian Cymru / 5.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-2009-ref873

Festival Recordings: Wales Square Mile: Endangered Languages (Ann Elizabeth Thomas, Aneirin Karadog, Kwap Gwyn, Ifor ap Glyn, Walter Ariel Brooks, Marcelo Rojas, Alvezzi Marazzi), Singing Workshop (Kate Williams, Stephen Wood)

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2009 June 26
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2009 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2009, Item FP-2009-CT-0190
See more items in:
Smithsonian Folklife Festival records: 2009 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2009 Smithsonian Folklife Festival / Series 5: Wales Smithsonian Cymru / 5.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-2009-ref874

Smithsonian Folklife Festival records: 2013 Smithsonian Folklife Festival

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Memorandums
Plans (drawings)
Sound recordings
Business records
Slides (photographs)
Digital images
Notes
Correspondence
Audiocassettes
Contracts
Audiotapes
Negatives
Videotapes
Photographic prints
Video recordings
Place:
Caribbean Area
St. Croix
Virgin Islands
Date:
June 26-July 7, 2013
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 2013 Smithsonian Folklife Festival. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Hungarian Heritage: Roots to Revival

Series 3: One World, Many Voices: Endangered Languages and Cultural Heritage

Series 4: Special Events

Series 5: The Will to Adorn: African American Diversity, Style, and Identity
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 2013 Smithsonian Folklife Festival was produced by the Smithsonian Center for Folklife and Cultural Heritage and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
A remarkable celebration of the freedom of expression - sharing and seeking ideas and information - the Festival brings visitors face-to-face with hundreds of tradition bearers from around the world to explore their cultures and histories on the National Mall of the United States. The inherent give-and-take of the Festival creates relationships between people that in turn foster new understandings and new aspirations for communities large and small.

The Festival can only happen through collaboration with experts and supporters from around the world. The Smithsonian Center for Folklife and Cultural Heritage forms partnerships with people and organizations who share its commitment to cross-cultural communication and understanding. Together, they research the vital traditions of the highlighted communities, and imagine and prepare presentations for the public.

For this year's Hungarian Heritage: Roots to Revival program, the Festival partnered with the Balassi Institute in Budapest, and especially its Hungarian Cultural Center in New York, to create a compelling presentation that highlighted the dynamism and diversity of traditional culture in Hungary. For the One World, Many Voices: Endangered Languages and Cultural Heritage program, the Smithsonian collaborated with UNESCO, the National Geographic Society's Enduring Voices Project, and the Living Tongues Institute for Endangered Languages to focus attention on the thousands of endangered languages in the world today and to demonstrate the important role that language documentation and revitalization play in sustaining cultural heritage and tradition. For the Will to Adorn: African American Diversity, Style, and Identity program, the Center engaged artists, organizations, researchers, and scholars from around the country, including a remarkable group of educators and youth from Mind-Builders Creative Arts Center in the Bronx, as well as Smithsonian colleagues at the National Museum of African American History and Culture, to explore the diversity of African American identity and communities through dress and adornment.

At the 2013 Festival, visitors could once again meet, talk with, and learn from the many exceptional people who are working to sustain the world's diverse living cultures. The traditions presented and stories told at the Festival often spark new curiosity in visitors and participants alike. The public could continue to explore these through the Center's Web site. Ultimately, the hope was that the Festival would serve as a catalyst for ongoing exploration, dialogue, and learning. As a civic ritual in its 47th year, the 2013 Festival commemorated the expression of our common humanity and our cultural diversity, as part of the nation and the global community.

The 2013 Festival took place for two five-day weeks (June 26-30 and July 3-7) between Madison Drive and Jefferson Drive and between 10th Street and 13th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). It featured three programs and special events including the Rinzler Concert.

The 2013 Program Book included participant lists for each program; keynote essays provided background on each of the programs; a separate brochure [hyperlink] provided a site plan and daily schedules.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife and Cultural Heritage.

Center for Folklife and Cultural Heritage

Michael Mason, Director; Smithsonian Folklife Festival: Olivia Cadaval, Betty Derbyshire, Sojin Kim, Daniel Sheehy, Reshma Sinanan-Hill, Barbara Strickland, Charlie Weber, Festival Interim Management Team; Cristina Díaz-Carrera, Production Manager

Center for Folklife and Cultural Heritage Advisory Council

Libby O'Connell, Chair, Cathy Sulzberger, Co-Chair, Mounir Bouchenaki, G. Wayne Clough (ex officio), Sandra Gibson (ex officio), Mickey Hart, Bill Ivey, Richard Kurin (ex officio), Enrique R. Lamadrid, Michael Mason (ex officio), Ellen McCulloch-Lovell, Jennifer Cover Payne, J. Scott Raecker, Ann Elizabeth Sheffer, Deborah Wong

The Festival was supported by federally appropriated funds; Smithsonian trust funds; contributions from governments, businesses, foundations, and individuals; in-kind assistance; and food, recording, and craft sales. Other support for the 2013 Festival came from Smithsonian Channel, ExxonMobil, Turkish Airlines, and AARP.
Forms Part Of:
Smithsonian Folklife Festival records: 2013 Smithsonian Folklife Festival forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Folk art  Search this
Folk festivals  Search this
arts and crafts  Search this
World music  Search this
Food habits  Search this
Folklore  Search this
Folk music  Search this
Genre/Form:
Memorandums
Plans (drawings)
Sound recordings
Business records
Slides (photographs)
Digital images
Notes
Correspondence
Audiocassettes
Contracts
Audiotapes
Negatives
Videotapes
Photographic prints
Video recordings
Citation:
Smithsonian Folklife Festival records: 2013 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2013
See more items in:
Smithsonian Folklife Festival records: 2013 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-sff-2013

Language and Stories: Welsh and Siletz

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (digital audio file)
Type:
Archival materials
Sound recordings
Date:
2013 July 03
Scope and Contents:
Belanus, Betty (presenter); Lane III, Alfred Bud (Dancer, regalia maker, basket maker); Glyn, Gwyneth (vocalist, poet); Saer, Owen (Language teacher, choir director); Morys, Twn (vocalist, Musician, poet) Tuvan culture from Russia
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2013 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2013, Item 130703_One-World-Many-Voices_Talk-Story_0059
See more items in:
Smithsonian Folklife Festival records: 2013 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2013 Smithsonian Folklife Festival / Series 3: One World, Many Voices: Endangered Languages and Cultural Heritage / 3.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-2013-ref1000

Arhuaco

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (digital audio file)
Type:
Archival materials
Sound recordings
Date:
2013 July 03
Scope and Contents:
Silvia Salgado (Preseter); Ati Janey Mestre Izquierdo Quechua music
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2013 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2013, Item 130703_One-World-Many-Voices_Song-and-Story-Circle_0046
See more items in:
Smithsonian Folklife Festival records: 2013 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2013 Smithsonian Folklife Festival / Series 3: One World, Many Voices: Endangered Languages and Cultural Heritage / 3.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-2013-ref1001

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