Search Results

Photographer:

Larrabee, Constance Stuart  Search this

Names:

Elizabeth, Queen of Great Britain, II, 1926-  Search this

Collection Photographer:

Larrabee, Constance Stuart  Search this

Extent:

1 Negatives (photographic) (black and white, 120mm)

Type:

Archival materials

Negatives (photographic)

Place:

Lobatse (Botswana)

Date:

1947

General:

Strip number: 7602, 7603; Larrabee's description on negative sleeve: Bechaunaland Royal Visit 1947; Original negative number: 74-c

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Collection Citation:

Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Sponsor:

The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.

Identifier:

EEPA.1998-006, Item EEPA 1998-067603

See more items in:

Constance Stuart Larrabee Collection

Constance Stuart Larrabee Collection / Series 1: Photographs / Photographs / Royal Visit / Lobatse, Botswawa

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo737b3a3bd-129a-4d85-9cea-280e39a75630

EDAN-URL:

ead_component:sova-eepa-1998-006-ref10318

Photographer:

Larrabee, Constance Stuart  Search this

Names:

Elizabeth, Queen of Great Britain, II, 1926-  Search this

Collection Photographer:

Larrabee, Constance Stuart  Search this

Extent:

1 Negatives (photographic) (black and white, 120mm)

Type:

Archival materials

Negatives (photographic)

Place:

Lobatse (Botswana)

Date:

1947

General:

Strip number: 7604; Larrabee's description on negative sleeve: Bechaunaland Royal Visit 1947; Original negative number: 78-c

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Collection Citation:

Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Sponsor:

The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.

Identifier:

EEPA.1998-006, Item EEPA 1998-067604

See more items in:

Constance Stuart Larrabee Collection

Constance Stuart Larrabee Collection / Series 1: Photographs / Photographs / Royal Visit / Lobatse, Botswawa

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7f0a0ec46-a8fa-4f90-b53a-4ca4c5717d9c

EDAN-URL:

ead_component:sova-eepa-1998-006-ref10319

Creator:

Kuh, Katharine  Search this

Names:

Albright-Knox Art Gallery  Search this

Art Institute of Chicago -- Faculty  Search this

Biennale di Venezia  Search this

Katharine Kuh Gallery (Chicago, Ill.)  Search this

Adams, Ansel, 1902-1984  Search this

Albers, Josef  Search this

Albright, Ivan, 1897-1983  Search this

Archipenko, Alexander, 1887-1964  Search this

Arensberg, Louise S. (Louise Stevenson), 1879-1953  Search this

Arensberg, Walter, 1878-1954  Search this

Arp, Jean, 1887-1966  Search this

Barnet, Will, 1911-  Search this

Barr, Alfred H., Jr., 1902-1981  Search this

Biddle, George, 1885-1973  Search this

Breuer, Marcel, 1902-  Search this

Calder, Alexander, 1898-1976  Search this

Campoli, Cosmo  Search this

Chagall, Marc, 1887-1985  Search this

Chavez Morado, José, 1909-2002  Search this

Chermayeff, Serge, 1900-  Search this

Cornell, Joseph  Search this

Cox, Richard  Search this

Davis, Stuart, 1892-1964  Search this

Day, Worden, 1916-1986  Search this

De Kooning, Willem, 1904-1997  Search this

Dickinson, Edwin Walter, 1891-1978  Search this

Dubuffet, Jean, 1901-  Search this

Duchamp, Marcel, 1887-1968  Search this

Elizabeth, Queen of Great Britain, II, 1926-  Search this

Ernst, Jimmy, 1920-1984  Search this

Falkenstein, Claire, 1908-1997  Search this

Feitelson, Lorser, 1898-1978  Search this

Friendly, Fred W.  Search this

Giacometti, Alberto, 1901-1966  Search this

Golub, Leon, 1922-2004  Search this

Goto, Joseph, 1920-  Search this

Grabe, Klaus  Search this

Graves, Robert, 1895-1985  Search this

Guggenheim, Peggy, 1898-1979  Search this

Guston, Philip, 1913-1980  Search this

Hare, David, 1917-  Search this

Hare, Denise Browne  Search this

Hayter, Stanley William, 1901-1988  Search this

Hirshhorn, Joseph  Search this

Hofmann, Hans, 1880-1966  Search this

Hélion, Jean, 1904-1987  Search this

Inverarity, Robert Bruce, 1909-1999  Search this

Johns, Jasper, 1930-  Search this

Johnson, Philip, 1906-2005  Search this

Johnson, Ray, 1927-  Search this

Kandinsky, Wassily, 1866-1944  Search this

Kepes, Gyorgy, 1906-2001  Search this

Kepes, Juliet  Search this

Klee, Paul, 1879-1940  Search this

Kline, Franz, 1910-1962  Search this

Knox, Seymour H., 1898-1990  Search this

Le Corbusier, 1887-1965  Search this

Lundeberg, Helen, 1908-1999  Search this

Lye, Len, 1901-1980  Search this

Léger, Fernand, 1881-1955  Search this

Mies van der Rohe, Ludwig, 1886-1969  Search this

Millier, Arthur, 1893-  Search this

Moholy-Nagy, László, 1895-1946  Search this

Motherwell, Robert  Search this

Mérida, Carlos, 1891-1984  Search this

Nutting, Muriel Leone Tyler, b. 1892  Search this

Nutting, Myron Chester, 1890-1972  Search this

O'Higgins, Pablo, 1904-  Search this

Orozco, José Clemente, 1883-1949  Search this

Ozbekhan, Hasan, 1921-2007  Search this

Perkins, Frances  Search this

Picasso, Pablo, 1881-1973  Search this

Putnam, Wallace, 1899-1989  Search this

Ray, Man, 1890-1976  Search this

Rich, Daniel Catton, 1904-1976  Search this

Rothko, Mark, 1903-1970  Search this

Sandberg, Carl  Search this

Seligmann, Kurt, 1900-1962  Search this

Shackelford, Shelby  Search this

Shahn, Ben, 1898-1969  Search this

Spaeth, Otto, d. 1966  Search this

Sterne, Hedda, 1916-  Search this

Stevenson, Adlai E. (Adlai Ewing), 1900-1965  Search this

Still, Clyfford, 1904-  Search this

Tanning, Dorothea, 1910-2012  Search this

Tobey, Mark  Search this

Winston, Harry Lewis  Search this

Woolf, Olga  Search this

Young, Victor  Search this

Photographer:

Pollack, Peter, 1909-1978  Search this

Extent:

12 Linear feet

Type:

Collection descriptions

Archival materials

Illustrated letters

Resumes

Travel diaries

Minutes

Calendars

Visitors' books

Photographs

Paintings

Awards

Drawings

Sound recordings

Collages

Scrapbooks

Lithographs

Prints

Wills

Watercolors

Poetry

Lecture notes

Lectures

Sales records

Date:

1875-1994

bulk 1930-1994

Summary:

The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. The collection documents Kuh's career as a pioneer modernist art historian and as the first woman curator of European Art and Sculpture at the Art Institute of Chicago. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.

Scope and Content Note:

The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.

Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.

Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and The Saturday Review. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.

There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.

Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.

Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, Technics and Creativity, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.

Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics.

Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.

Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for The Saturday Review, exhibition announcements and catalogs, calendars of events, programs, brochures, books including Poems by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.

Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.

Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.

Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.

Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.

Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.

Arrangement:

The collection is arranged as 9 series. Undated correspondence, artwork, and photographs of individual artists are arranged alphabetically. Otherwise, each series is arranged chronologically.

Missing Title

Series 1: Biographical Material, 1945-1992 (Box 1; 16 folders)

Series 2: Correspondence, 1908-1994 (Boxes 1-5, 13-14, OV 15; 4.0 linear feet)

Series 3: Personal Business Records, 1941-1989 (Box 5; 19 folders)

Series 4: Artwork, 1931-1986 (Boxes 5, 13-14, OVs 15-23; 1.7 linear feet)

Series 5: Notes and Writings, 1914-1994 (Boxes 5-7; 1.7 linear feet)

Series 6: Scrapbooks, 1935-1953 (Box 7; 8 folders)

Series 7: Printed Material, 1916-1992 (Boxes 7-10, 13, OV 22; 3.0 linear feet)

Series 8: Photographs, 1875-1993 (Boxes 10-13; 1.2 linear feet)

Series 9: Audio Recordings, 1977 (Box 12; 1 folder)

Biographical Note:

Katharine Kuh (1904-1994) worked primarily in the Chicago area as an modern art historian, dealer, critic, curator, writer, and consultant. She operated the Katharine Kuh Gallery from 1935-1943 and was the first woman curator of European and Art and Sculpture at the Art Institute of Chicago.

Katharine Kuh (née Woolf) was born on July 15, 1904 in St. Louis, Missouri, the youngest of the three daughters of Olga Weiner and Morris Woolf, a silk importer. In 1909, the family moved to Chicago, Illinois. While traveling with her family in Europe in 1914, Katharine contracted polio, causing her to spend the next decade in a body brace. During this time of restricted movement, she developed an interest in art history through the collecting of old master prints.

After her recovery, Katharine Woolf attended Vassar College where one of her professors, Alfred Barr, encouraged her to study modern art. She graduated from Vassar in 1925 and received a master's degree in art history from the University of Chicago in 1929. Later that year, she moved to New York to pursue a Ph.D. in Renaissance and medieval art at New York University.

In 1930, Katharine Woolf returned to Chicago and married businessman George Kuh and began to teach art history courses in the suburbs of Chicago. After divorcing George Kuh in 1935, she opened the Katharine Kuh Gallery, the first gallery devoted to avant-garde art in Chicago. It was also the first gallery to exhibit photography and typographical design as art forms, and featured the work of Ansel Adams, Josef Albers, Alexander Calder, Wassily Kandinsky, Fernand Léger, and Man Ray, among others. From 1938 to1940, Kuh was the Visiting Professor of Art at the University School of Fine Arts, San Miguel, Mexico.

After the Katharine Kuh Gallery closed in 1943, Kuh was hired by museum director Daniel Catton Rich to fill a position in public relations at the Art Institute of Chicago. During the following years, Kuh edited the museum's Quarterly publication, took charge of the museum's Gallery of Interpretive Art, and began a long term relationship with Rich. In 1946, Kuh was sent on a special mission for the U. S. Office of Indian Affairs to make a detailed study of Native American totemic carvings in Alaska.

In 1949, Kuh persuaded Mr. and Mrs. Walter Arensberg of Los Angeles to exhibit their collection of modern art, creating the first post-war exhibition of modern art in Chicago. She published her first book Art Has Many Faces in 1951, and in the following year, she began writing art criticism for The Saturday Review. In 1954, Kuh was appointed the first woman curator of European Art and Sculpture at the Art Institute. She assembled the American contribution for the Venice Biennale in 1956 and during these years, Kuh helped acquire many of the works of modern art currently in the museum's collection.

A year following Daniel Catton Rich's 1958 resignation from the Art Institute of Chicago, Kuh also resigned and pursued a career in New York as an art collection advisor, most notably for the First National Bank of Chicago. In 1959, Kuh was made art critic for The Saturday Review, and she continued to publish books, including The Artist's Voice in 1962, Break-Up: The Core of Modern Art in 1965, and The Open Eye: In Pursuit of Art in 1971.

Katharine Kuh died on January 10, 1994 in New York City.

Provenance:

The Katharine Kuh papers were donated in several installments from 1971 to 1989 by Katharine Kuh and in 1994 by her estate. Artwork was donated in 1995 by Kuh's former employer, the Art Institute of Chicago.

Restrictions:

Authorization to quote, publish or reproduce requires written permission until 2019. Contact the Archives of American Art Reference Services department for additional information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Authors -- Illinois -- Chicago  Search this

Art historians -- Illinois -- Chicago  Search this

Art dealers -- Illinois -- Chicago  Search this

Art critics -- Illinois -- Chicago  Search this

Curators -- Illinois -- Chicago  Search this

Art consultants -- Illinois -- Chicago  Search this

Topic:

Art, Abstract -- United States  Search this

Art, American  Search this

Art, Modern -- 20th century -- United States  Search this

Women art dealers  Search this

Women art historians  Search this

Women museum curators  Search this

Women authors  Search this

Women art critics  Search this

Function:

Art festivals

Genre/Form:

Illustrated letters

Resumes

Travel diaries

Minutes

Calendars

Visitors' books

Photographs

Paintings

Awards

Drawings

Sound recordings

Collages

Scrapbooks

Lithographs

Prints

Wills

Watercolors

Poetry

Lecture notes

Lectures

Sales records

Citation:

Katharine Kuh papers, 1875-1994, bulk 1930-1994. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.kuhkath

See more items in:

Katharine Kuh papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw987a0763e-de6c-4f9e-b143-4875b3a2244a

EDAN-URL:

ead_collection:sova-aaa-kuhkath

Photographer:

Alonge, Solomon Osagie, Chief, 1911-1994  Search this

Names:

Alexandra, Princess, 1936- (granddaughter of George V, King of Great Britain)  Search this

Elizabeth, Queen of Great Britain, II, 1926-  Search this

Philip, Prince, consort of Elizabeth II, Queen of Great Britain, 1921-  Search this

Extent:

100 Photographic prints (black and white, hand-colored.)

4 Photographic albums

1800 Negatives (photographic) (120 mm.)

150 Negatives (photographic) (glass plate)

Container:

Item EEPA.2009-007

Culture:

Bini (African people)  Search this

Type:

Collection descriptions

Archival materials

Photographic prints

Photographic albums

Negatives (photographic)

Black-and-white photographs

Albums

Negatives

Portraits

Hand coloring

Place:

Benin (Kingdom)

Africa

Nigeria

Date:

1926-1989

Summary:

The collection consists of approximately 1,950 glass plate and large format film negatives,100 hand-tinted and black-and-white prints and four photographic albums containing prints of various sizes, taken by Chief Solomon Osagie Alonge, the royal photographer to the Oba of Benin, Akenzua II (1933-1978). These images span six decades (1926 - 1989) and represent a dynamic, continuous record of the Benin Royal Court in Nigeria. Alonge documented the pageantry, ritual and regalia of the Obas, their wives and retainers for over a half-century, including the coronation of the King and the Iyoba, or queen mother. The collection also documents historic visits to Benin by Queen Elizabeth and Prince Philip (1956), Princess Alexandra (1960), foreign dignitaries, traditional rulers, political leaders and celebrities. The collection preserves an important historical record of Benin art and culture during the periods of British colonial rule and Nigerian independence in the 20th century. The rarity and historical value of the collection are enhanced by Alonge's privileged access to the Palace as a chief in the Iwebo Palace Society, a position which presents a unique insider's view of Benin royalty. The quality of the collection is testament to Alonge's technological skills in photography and his professionalism in keeping the collection ordered and well-preserved despite the heat, humidity and tropical climate of Nigeria.

Arrangement note:

Arrangement of negatives reflects the original order established by the photographer.

Biographical/Historical note:

Chief Solomon Osagie Alonge (1911-1994) was the first indigenous photographer of the Royal Court of Benin and one of the premier photographers of Nigeria. His significance as one of the earliest indigenous photographers in West Africa has been documented in detail by anthropologist Flora Kaplan. Alonge learned the craft of photography as a youth in Lagos during the 1920s and saw his profession as an honorable and distinguished calling. He clearly demonstrated an inclusive documentary perspective in his efforts to photograph many aspects of the world around him. In 1942, Alonge established the Ideal Photography Studio in Benin City and documented colonial society, the establishment of churches and businesses, and the formation of new civic organizations and social groups like the Benin Social Club (1940s). As a commercial photographer, Alonge photographed individual and group portraits, preserving a visual record of the everyday lives and peoples of Benin City. Alonge's studio portraits illustrate how local Africans presented themselves to the camera and engaged with the practice of photography during the early to mid-twentieth century.

General note:

Title provided by EEPA staff.

Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Diplomats  Search this

Kings and rulers  Search this

Coronations  Search this

Cultural landscapes  Search this

Royal households  Search this

Rites and ceremonies  Search this

Genre/Form:

Photographic prints

Black-and-white photographs

Albums

Negatives

Portraits

Hand coloring

Citation:

Chief S.O. Alonge Photographic Collection, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Identifier:

EEPA.2009-007

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo73069d306-4e02-4ce9-b9ac-089366cb9a57

EDAN-URL:

ead_collection:sova-eepa-2009-007

Creator:

Dale, Chester, b. 1883  Search this

Names:

Allentown Art Museum  Search this

Amherst College  Search this

Metropolitan Museum of Art (New York, N.Y.)  Search this

National Gallery of Art (U.S.)  Search this

Parrish Art Museum  Search this

Batigne, Claire  Search this

Batigne, Renee  Search this

Braque, Georges, 1882-1963  Search this

Burkhardt, Rudy  Search this

Cantor, Irving  Search this

Cassatt, Mary, 1844-1926  Search this

Cooper, Maria  Search this

Cooper, Veronica  Search this

Cézanne, Paul, 1839-1906  Search this

Dale, Mary Towar Bullard, 1892-1984  Search this

Dale, Maud, 1875-1953  Search this

Dallas Museum of Art  Search this

Dalí, Gala  Search this

Dalí, Salvador, 1904-1989  Search this

Dmitri, Ivan, 1900-1968  Search this

Dufy, Raoul, 1877-1953  Search this

Elizabeth, Queen of Great Britain, II, 1926-  Search this

Frost, Robert, 1874-1963  Search this

Hamilton, Edith, 1867-1963  Search this

Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this

Kahlo, Frida  Search this

Kessel, Dmitri  Search this

MacNeil, Neil  Search this

Mayes, Herbert R., 1900-1987 (Herbert Raymond)  Search this

Mellon, Paul  Search this

Mellon, Timothy  Search this

Orozco, José Clemente, 1883-1949  Search this

Picasso, Pablo, 1881-1973  Search this

Rivera, Diego, 1886-1957  Search this

Salles, Georges  Search this

Wyeth, Andrew, 1917-2009  Search this

Wyeth, Jamie, 1946-  Search this

Wyeth, Nicholas  Search this

Extent:

8.4 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Scrapbooks

Sound recordings

Travel diaries

Place:

Europe -- description and travel

Date:

circa 1883-2003

bulk 1920-1970

Summary:

The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.

Scope and Contents:

The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.

Biographical material comprises brief genealogical and biographical notes on Dale's father's side of the family; four pieces of miscellaneous artwork; several certificates, membership cards, and programs; circa six unidentified dictaphone recordings; and a home movie of an unidentified social event.

Correspondence provides scattered documentation of Dale's activities as a collector and benefactor, including correspondence relating to gifts to various museums such as the Dallas Museum of Fine Arts and the Metropolitan Museum of Art, as well as posthumous gifts to the Allentown Art Museum and Amherst College. Also documented is Dale's election as president of the National Gallery of Art in 1955. There are several letters to and from Salvador and Gala Dali, copies of two letters from Diego Rivera, and letters from other friends and business associates, including historian Georges Salles. Over one third of the correspondence consists of condolence telegrams and letters sent to Mary Dale following Dale's death. Other correspondence documents Mary Dale's work as exhibition chairman for the Parrish Museum of Art, and includes letters from Andrew, Jamie, and Nicholas Wyeth.

Writings include typed drafts of Dale's memoirs which recall the beginning of his career in banking, and include stories of his early experiences in buying art. Dale credits the highly discerning and influential eye of his first wife, Maud Dale, for guiding him in his early selections, and his memoirs recall his unconventionally direct way of doing business with the Paris art dealers. Two travel diaries record a 1904 trip to Europe, and five trips to Europe and the Caribbean between 1949 and 1953. Writings by others include several essays on Dale by various authors, several essays on art by Maud Dale, and a typed draft of a manuscript on Dale's life by Neil MacNeil.

Extensive inventories, estate appraisals, and will disbursement records document the contents of the Chester Dale collection in Series 4. Also found here are receipts for specific purchases of works by Cezanne, Cassatt, Dali, Dufy, Picasso, and others.

Printed material includes catalogs for auction sales annotated with sales prices and other purchase information; catalogs of Dale's collection; and exhibition catalogs and announcements for the Parrish Museum of Art during Mary Dale's tenure as exhibition chairman. Some of the catalogs include essays by Maud Dale. News clippings and magazine articles document press coverage of Dale's activities at home and abroad.

Scrapbooks contain additional printed material, primarily news clippings, documenting press coverage of Chester Dale's life from the 1920s until his death. One of the scrapbooks includes multiple photographs of Dale and others, including a photo of Frida Kahlo and Jose Orozco. An additional scrapbook of photographs and clippings documents Mary Dale's life before and after her marriage to Dale.

Photographs are of Dale, Mary Dale, Maud Dale, family, friends, and colleagues. There are photographs of Dale and Mary Dale with artists including George Braques, Salvador and Gala Dali, Diego Rivera and Frida Kahlo, and Jamie and Nicholas Wyeth; and friends and associates Renee and Claire Batigne, Veronica "Rocky" Cooper and Maria Cooper, Robert Sturgis Ingersoll, Edith Hamilton with Robert Frost, Neil MacNeil, Herbert Mayes, and Paul and Timothy Mellon. There are individual photos and three photograph albums of Dale's various residences and his collection, including photographs taken shortly before his death at his Plaza Hotel apartment showing some of his favorite pictures. Photographers include Rudolph Burkhardt, Irving Cantor, Ivan Dmitri, and Dmitri Kessel. There are also many photographs of exhibition openings and museum events, especially events at the National Gallery of Art, including the presentation of Dale's gift of Dali's The Sacrament of the Last Supper to the museum in 1956, and the occasion of Queen Elizabeth II of England's visit to the museum in 1957. Photographs also include photographs of artwork in Dale's collection.

Arrangement:

The collection is arranged as seven series.

Series 1: Biographical Material, circa 1897-circa 1960, 2003 (Boxes 1, 7-8; FC 20; 0.45 linear feet)

Series 2: Correspondence, 1911-1984 (Box 1; 0.9 linear feet)

Series 3: Writings, 1904-1963 (Boxes 2, 8; 0.55 linear feet)

Series 4: Chester Dale Collection, circa 1930-1968 (Boxes 2-3; 1 linear foot)

Series 5: Printed Material, 1925-circa 1972 (Boxes 3-4, 8, OV 9; 1.2 linear feet)

Series 6: Scrapbooks, circa 1920s-1963 (Box 4, BVs 10-14; 1.2 linear feet)

Series 7: Photographs, circa 1883-1972 (Boxes 4-6, 19, BVs 15-17, OV 18; 3.3 linear feet)

Biographical / Historical:

New York art patron and collector of French and American art Chester Dale (1883-1962), made his fortune as a banker who pioneered the sale of public utility securities. He began purchasing French paintings in the mid-1920s and retired from the investment security business in 1935 in order to focus full time on the acquisition of art.

Dale was encouraged to begin collecting art by his first wife, Maud Dale, who was an artist, a writer, and a former chairman of the Exhibition Committee of the Museum of French Art. With the benefit of his wife's knowledge, passion, and perception, Dale began to lay the foundation of his collection in 1926, and amassed circa seven hundred pictures within ten years. His collection is considered to be one of the most complete collections of nineteenth and twentieth century French art in the world, and includes some of the finest examples of works by Braque, Corot, Delacroix, Degas, Derain, Dufy, Leger, Matisse, and Renoir, as well as by artists representative of the French tradition in art including Modigliani, Picasso, Rivera, and Van Gogh.

Although primarily interested in French art, Dale also collected and encouraged American artists. He was a patron of George Bellows and Salvador Dali, and had his portrait painted by both artists. Dale presented the Metropolitan Museum of Art and the National Gallery of Art with their first Dali paintings, the latter being The Sacrament of the Last Supper. Dale also purchased works by Mary Cassatt, representative works by "the Eight," and examples of eighteenth century American portraitists John Smibert, Gilbert Stuart and Thomas Sully. In the early 1940s he visited Diego Rivera and Frida Kahlo in Mexico, and Rivera subsequently completed a portrait of Dale in 1945.

Dale served as a trustee to the Metropolitan Museum of Art, the Chicago Art Institute, and the Philadelphia Museum of Art. He made the first of a series of gifts to the National Gallery of Art when it opened in 1941. In 1955 he was elected president of the museum, by which time his collection occupied ten of its galleries. Dale bequeathed the bulk of his remaining collection to the National Gallery in his will. This final gift included eighty of his favorite pictures, which had been located in his Manhattan apartment at the Plaza Hotel up until his death.

A year after the death of Maud Dale in 1953, Dale married Mary Towar Bullard, whom he had employed as his secretary for twenty-five years. Mary Dale oversaw the disbursement of her husband's estate, following Dale's death from a heart attack in 1962.

Related Materials:

Holdings at the Archives of American Art also include the Chester Dale papers concerning George Bellows, 1919-1956, comprising correspondence, a photograph, and invoices relating to Chester Dale's relationship with George Bellows and Dale's interest in artwork by Bellows; and the Chester Dale eulogy, consisting of one 35 minute, 9 second sound tape reel of a eulogy delivered by an unidentified speaker.

Provenance:

The collection was donated in 1972 by Mary Dale, Chester Dale's second wife, and in 1985 by Mary Dale's estate.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D. C., Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art dealers -- France -- Paris  Search this

Topic:

Art -- Collectors and collecting  Search this

Art, French--19th century  Search this

Art, French--20th century  Search this

Art, Modern -- 20th century -- Collectors and collecting  Search this

Art, Modern--19th century--Collectors and collecting  Search this

Motion pictures (visual works)  Search this

Genre/Form:

Photographs

Scrapbooks

Sound recordings

Travel diaries

Citation:

Chester Dale papers, circa 1883-2003, bulk 1920-1970. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of the Chester Dale papers is provided by The Walton Family Foundation. Funding for the reformatting of the 16mm film reel was provided by the Smithsonian Institution Women's Committee.

Identifier:

AAA.daleches

See more items in:

Chester Dale papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw97b399200-a24e-48c3-83e9-5cfd2ec5892c

EDAN-URL:

ead_collection:sova-aaa-daleches