This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Beverly Buchanan papers, 1912-2017. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Project Bionics Artificial Organ Documentation Collection, Archives Center, National Museum of American History.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard D. Marshall papers, 1969-2014. Archives of American Art, Smithsonian Institution.
39 Notebooks (Field notebooks and calendars kept by Henry John Drewal)
55 Electronic discs (DVD)
1 Manuscripts (document genre) (3 Boxes)
554 Sound cassettes (8 boxes)
236 Videocassettes (VHS)
187 Videocassettes (MiniDV) (3 Boxes)
40 Film reels ((64) Super 8 tapes and (16) 16mm reels)
241 Videocassettes (Hi8) (4 boxes)
Container:
Item EEPA.2019-017
Type:
Collection descriptions
Archival materials
Prints
Slides
Notebooks
Electronic discs (dvd)
Manuscripts (document genre)
Sound cassettes
Videocassettes (vhs)
Videocassettes (minidv)
Film reels
Videocassettes (hi8)
Place:
Benin
Africa, West
Ghana
Benin (Nigeria)
Togo
Date:
1970-2011
Scope and Contents:
This collection contains approximately 24,300 black and white photographic negatives and black/white and color prints (negatives and prints are collectively referred to as "Images"), field notebooks, and audio-visual material ("AV Material" including motion picture film, videotapes and audiotapes) produced by Henry John Drewal in West Africa (Benin, Ghana, Nigeria, Togo), Mexico, Brazil and the United States during the 1970s - 2010. There are several subjects present in this collection. The most prominent being the Egúngún and Gelede rituals and festivals of the Yoruba people of Nigeria. Other subjects found in the collection are Ifá initiation, Òrìsà and Mami Wata festivals, Òrìsà shrines, sacred arts, beading techniques, and traditional and modern architecture. There is a large selection of images specifically of shrines and festivals for Òrìsà such as Sango, Ògún, Agemo, Eyinle and others. Details of implements like the ose Sango, opa Osanyin, and opa Osun can also be seen in the collection.
Biographical / Historical:
Art historian Henry John Drewal received his BA from Hamilton College and two Masters' degrees and a PhD from Columbia University (1973). In between college and graduate school, Drewal served in the Peace Corps, where he taught French and English, organized arts camps in Nigeria, and apprenticed himself to a Yoruba sculptor. He taught at Cleveland State University (Chair of the Art Department), and was a Visiting Professor at UC-Santa Barbara and SUNY-Purchase. Since 1991 he has been the Evjue-Bascom Professor of Art History and Afro-American Studies at UW-Madison. He has published several books, edited volumes, exhibition catalogues, and many articles and produced a number of films documenting African and African Diaspora arts, and lectured widely on these topics. He has received several NEH and NEA grants, three Fulbright Research Awards (Brazil, Benin, Morocco), a Metropolitan Museum of Art Fellowship, and a Guggenheim Fellowship. Dr. At present, Dr. Drewal is the Chair of the Department of Performance Studies at North Western University. There are also video productions by Henry John Drewal and Margaret Thompson Drewal available in the Warren M. Robbins Library. The videos available are "Ẹfẹ/Gẹlẹdẹ Ceremonies among the Western Yoruba," by Henry John Drewal; "Yoruba Performance," by Henry John Drewal; and "Yoruba Ritual: A Companion Video," by Margaret Thompson Drewal.
Related Materials:
Related EEPA collections include: EEPA 2010-010, slides from Henry John Drewal's 1997 trip to Morocco and South Africa, and EEPA-1992-028, collected by Henry John Drewal and Margaret Drewal when they traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986.
Provenance:
Donated by Henry John Drewal and Sarah K. Khan, 2019.
Restrictions:
This collection is closed for processing. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Henry John Drewal and Sarah K. Khan Collection, EEPA 2019-017, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2019-017
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Stephen Poleskie papers and Chiron Press records, 1961-2020. Archives of American Art, Smithsonian Institution.
This collection of films produced and acquired by the Museum of the American Indian (MAI) contains materials created by and for the MAI as ethnographic studies and as documentation of its own activities (including archaeological expeditions and cultural exchanges) between 1917 and 1938. Tribes represented include: Arikara, Crow, Navajo, Pilaga, Pueblo, Shoshone, and Zuni. Also included is footage of Hidatsa representatives and Zuni translators in Washington, D.C. and at the MAI; footage of MAI founder and director George Gustav Heye; and footage of the Hawikku (Hawikuh) and Kechipauan archaeological sites, Zuni Pueblo, New Mexico. The collection consists mainly of successive 16mm and 35mm negative film duplicates and prints of now-destroyed original 35mm nitrate negatives. Series 4 gathers paper records directly pertaining to the collection. Preservation copies of the films exist on 35mm polyester film and Digital Betacam video tape. Access copies are available on DVDs.
The first series in this collection includes film, video, and DVD duplicates of ethnographic films funded, overseen, and filmed by agents of the MAI throughout the Western and Southwestern United States. The second series includes ethnographic films acquired rather than produced by the MAI of the Navajo and Pilaga. The third series consists of film produced by the MAI documenting its own activities, including an excavation at Hawikuh and Kechipauan, New Mexico; footage of MAI founder and director George Gustav Heye; and footage of Native visitors to the MAI and to Washington, D.C.
Arrangement note:
This collection is arranged into four series and chronologically within each series. Included are Series 1: Films Produced by the Museum of the American Indian, 1923-1927; Series 2: Films Acquired by the Museum of the American Indian, 1923-1924; Series 3: Documentation of Museum of the American Indian Activities, 1917-1938; and Series 4: Paper Records of the Ethnographic Film Collection. Titles within subseries are generally arranged alphabetically, with unrestricted titles listed before those restricted due to culturally sensitive content.
Within the collection, each unit of motion picture film (reel, videotape, or DVD) is assigned an identifying number. In this system, the final four appended numbers correspond to a title and a format. The full identifying number will appear as such: NMAI.AC.001.001.XX.YY, where XX corresponds to a numbered title and YY indicates the format of the print, as follows:
01: 35mm print (1917–1938, circa the original film dates)
02: 16mm dupe neg (made circa 1961 from XX.01 35mm)
03: 16mm print (from XX.02 for release, circa 1961)
04: 16mm print (from XX.02 for file/work or research, circa 1961)
05: 35mm dupe neg (preservation copy, made 2012–2014 from XX.01 and XX.02)
06: 35mm answer print (made 2012-2014 from XX.05)
07: Digital Betacam (preservation copy, made 2012-2014 from XX.06)
08, 09, 10 (if applicable): DVD (access copy, made 2012-2014 from XX.06)
11 and up: other copies and prints (see title-level notes for explanations)
Thus, for instance, the item with the number NMAI.AC.001.001.02.03 is the 16mm release print copy of the title "Deerskin Tanning and Wrapping the Leggings."
The content of each print or negative corresponding to the same title (XX) may be identical or similar. The content of the 1917-1938-era 35mm prints and the 1960s-era 16mm films differ. As the 35mm prints had deteriorated, damaged footage was removed prior to producing the 16mm negatives. After the 16mm negatives were produced, nitrate intertitles and additional damaged footage were also removed from the 35mm prints. The 2012-2014-era 35mm films were made by combining the existing 35mm prints with footage from the 16mm negatives in order to restore the most complete existing content to its highest possible quality. The Digital Betacam and DVD copies reproduce this restored footage.
This preservation and restoration effort was made possible by funding from the National Film Preservation Foundation, Save America's Treasures, and the Smithsonian Collections Care and Preservation Fund, as well as support from the National Museum of the American Indian.
Historical Note:
The Museum of the American Indian/Heye Foundation was founded by George Gustav Heye in 1908 as a repository for his extensive collection of American Indian artifacts. Through the MAI, Heye funded extensive archaeological and anthropological fieldwork throughout the Americas. This collection represents a series of ethnographic films made in the course of MAI expeditions throughout the Western and Southwestern United States, as well as similar films purchased by the museum. The films record a variety of American Indian traditions, including crafts, foodways, games, and ceremonies, and were spurred by the era's perception of Native communities as "fast-disappearing" and vulnerable to dramatic change. The activities recorded range from quotidian to highly culturally sensitive, as followed Heye's all-encompassing collecting strategy.
The MAI's motion picture expeditions took place between 1923 and 1927 and were carried out by a number of agents of the museum, usually in the course of gathering artifacts. Many of these agents were anthropologists accompanied by professional photographers, but other footage is amateur. The MAI treated the series in full as technical educational material, noting in their 1962 motion picture film catalog that "they are not suitable for general entertainment."
The moving image collection of the MAI included these self-produced films as well as similar films purchased by the museum and film shot in the course of the museum's activities, including documentation of archaeological digs, staff, and Native visitors. In 1961-1962, recognizing the educational potential of its collection, the MAI received a grant from the National Science Foundation to transfer the original deteriorating nitrate prints to safety film, discarding film and editing prints in the process. In 2012-2014, the National Museum of the American Indian completed a transfer of the titles to Digital Betacam and DVD formats, combining footage from both original and 1961-1962-era prints to salvage as much content as possible. This work was completed with funding from the National Film Preservation Foundation, Save America's Treasures, and the Smithsonian Collections Care and Preservation Fund.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday–Thursday, 9:30 am–4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Ceremonial images are restricted due to cultural sensitivity. Consult the archivist for further information.
Rights:
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Identification of specific item; Date (if known); Museum of the American Indian Ethnographic Film Collection, Call Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Series 1: Films Produced by the Museum of the American Indian includes film, video, and DVD duplicates of ethnographic films funded, overseen, and filmed by agents of the MAI throughout the Western and Southwestern United States. The following film subseries are represented: Ethnographic Films of the Zuni Indians, 1923, funded by James B. Ford, filmed by Owen Cattell, and assisted by Donald A. Cadzow and Lorenzo Chaves (Zuni); Pueblo Indians of New Mexico, 1923 (unattributed); Arikara Indians of North Dakota, 1924, filmed under Melvin R. Gilmore and by MAI photographer Edwin Francis Coffin; and Crow Indians of Montana and Shoshone Indians of Wyoming, both 1927, filmed under William Wildschut.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday–Thursday, 9:30 am–4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Ceremonial images are restricted due to cultural sensitivity. Consult the archivist for further information.
Collection Rights:
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian Ethnographic Film Collection, Call Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
1 Videocassettes (Digital Betacam) (Duration 11 minutes, 53 seconds at 18 frames per second)
1 Electronic discs (DVD) (Duration 11 minutes, 53 seconds at 18 frames per second)
6 Film reels (2 dupe negs, 4 prints (all MOS). 06.01 is particularly weak. Handwritten note on 06.02 original can: "Cut for release prints.", 3 16mm and 3 35mm film reels)
Container:
Item 06.01-06.08
Type:
Archival materials
Moving Images
Videocassettes (digital betacam)
Electronic discs (dvd)
Film reels
Scope and Contents note:
Original file call number: 3002.
Subseries Restrictions:
Ceremonial images are restricted due to cultural sensitivity. Consult the archivist for further information.
Collection Rights:
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian Ethnographic Film Collection, Call Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
1 Videocassettes (Digital Betacam) (Duration 26 minutes, 23 seconds at 18 frames per second)
3 Film reels (1 dupe negs, 2 prints (all MOS)., 3 16mm film reels)
2 Electronic discs (DVD) (Duration 26 minutes, 23 seconds at 18 frames per second)
Container:
Item 07.02-07.04, 07.07-07.09
Type:
Archival materials
Moving Images
Videocassettes (digital betacam)
Film reels
Electronic discs (dvd)
Date:
1923
Scope and Contents note:
Original file call number: 3007.
Subseries Restrictions:
Ceremonial images are restricted due to cultural sensitivity. Consult the archivist for further information.
Collection Rights:
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian Ethnographic Film Collection, Call Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
2 Electronic discs (DVD) (Duration 19 minutes, 20 seconds at 18 frames per second)
3 Film reels (1 dupe negs, 2 prints (all MOS)., 3 16mm film reels)
1 Videocassettes (Digital Betacam) (Duration 19 minutes, 20 seconds at 18 frames per second)
Container:
Item 10.02-10.04, 10.07-10.09
Type:
Archival materials
Moving Images
Electronic discs (dvd)
Film reels
Videocassettes (digital betacam)
Date:
1923
Scope and Contents note:
Original file call number: 3003.
Restrictions:
Restricted due to cultural sensitivity.
Collection Rights:
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian Ethnographic Film Collection, Call Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
2 Electronic discs (DVD) (Duration 14 minutes, 13 seconds at 18 frames per second)
6 Film reels (2 dupe negs, 4 prints (all MOS). Handwritten note on 13.02 original can: "Cut for release prints.", 3 16mm and 3 35mm film reels)
1 Videocassettes (Digital Betacam) (Duration 14 minutes, 13 seconds at 18 frames per second)
Container:
Item 13.01-13.09
Type:
Archival materials
Moving Images
Electronic discs (dvd)
Film reels
Videocassettes (digital betacam)
Date:
1923
Scope and Contents note:
Original file call number: 3011.
Restrictions:
Restricted due to cultural sensitivity.
Collection Rights:
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian Ethnographic Film Collection, Call Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
1 Videocassettes (Digital Betacam) (Duration 5 minutes, 37 seconds at 18 frames per second)
6 Film reels (2 dupe negs, 4 prints (all MOS). Handwritten note on 14.02 original can: "Cut for release prints.", 3 16mm and 3 35mm film reels)
2 Electronic discs (DVD) (Duration 5 minutes, 37 seconds at 18 frames per second)
Container:
Item 14.01-14.09
Type:
Archival materials
Moving Images
Videocassettes (digital betacam)
Film reels
Electronic discs (dvd)
Date:
1923
Scope and Contents note:
Original file call number: 3006.
Restrictions:
Restricted due to cultural sensitivity.
Collection Rights:
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian Ethnographic Film Collection, Call Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
2 Electronic discs (DVD) (Duration 7 minutes, 30 seconds at 18 frames per second)
6 Film reels (2 dupe negs, 4 prints (all MOS). Handwritten note on 15.02 original can: "Cut for release prints.", 3 16mm and 3 35mm film reels)
1 Videocassettes (Digital Betacam) (Duration 7 minutes, 30 seconds at 18 frames per second)
Container:
Item 15.01-15.09
Type:
Archival materials
Moving Images
Electronic discs (dvd)
Film reels
Videocassettes (digital betacam)
Date:
1923
Scope and Contents note:
Original file call number: 3009.
Subseries Restrictions:
Ceremonial images are restricted due to cultural sensitivity. Consult the archivist for further information.
Collection Rights:
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian Ethnographic Film Collection, Call Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Series 2: Films Acquired by the Museum of the American Indian includes ethnographic films acquired rather than produced by the MAI. The following film subseries are represented: Navajo Indians, 1923 (unattributed); and Pilaga Indians of Argentine, sold to the Museum by Louis Landini in 1924.(While MAI records list the date of the latter film as 1924, its unique content indicates it is likely an earlier film directed by Wilhelm Hansson during a 1920 wedish expedition to the Pilcomayo River in the Argentine Chaco, led by Gustav Emil Haeger. It is listed chronologically as received by the MAI.)
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday–Thursday, 9:30 am–4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Ceremonial images are restricted due to cultural sensitivity. Consult the archivist for further information.
Collection Rights:
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian Ethnographic Film Collection, Call Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
1 Videocassettes (Digital Betacam) (Duration 5 minutes, 6 seconds at 24 frames per second)
2 Electronic discs (DVD) (Duration 5 minutes, 6 seconds at 24 frames per second)
2 Film reels (1 dupe negs, 1 print (both MOS). Handwritten note on 17.02 original can: "Cut to match research print.", 2 16mm film reels)
Container:
Item 17.02, 17.04, 17.07-17.09
Type:
Archival materials
Moving Images
Videocassettes (digital betacam)
Electronic discs (dvd)
Film reels
Date:
1923
Scope and Contents note:
Original file call number: 3106.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday–Thursday, 9:30 am–4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Ceremonial images are restricted due to cultural sensitivity. Consult the archivist for further information.
Collection Rights:
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian Ethnographic Film Collection, Call Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
The 16mm research (file/work) prints (XX.04) in this subseries were edited in 1961; however, their corresponding negatives (XX.02) were not subsequently cut to match the research prints and remain in the continuity of the 35mm prints (XX.01) from which they were processed.
Arrangement note:
Unrestricted titles are listed before those restricted due to culturally sensitive content.
Restrictions:
Ceremonial images are restricted due to cultural sensitivity. Consult the archivist for further information.
Collection Rights:
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian Ethnographic Film Collection, Call Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
3 Electronic discs (DVD) (Duration 19 minutes, 17 seconds at 18 frames per second)
1 Videocassettes (Digital Betacam) (Duration 19 minutes, 17 seconds at 18 frames per second, Cassette is a preservation copy of a duplicate film reel. The original 35mm nitrate film reel has been destroyed.)
Container:
Item 19.07-19.10
Type:
Archival materials
Moving Images
Electronic discs (dvd)
Videocassettes (digital betacam)
Date:
1924
Scope and Contents note:
Original file call number: 3101.
Subseries Restrictions:
Ceremonial images are restricted due to cultural sensitivity. Consult the archivist for further information.
Collection Rights:
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian Ethnographic Film Collection, Call Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Ceremonial images are restricted due to cultural sensitivity. Consult the archivist for further information.
Collection Rights:
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian Ethnographic Film Collection, Call Number; National Museum of the American Indian Archive Center, Smithsonian Institution.