Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 77
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Portraits
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
1961
Scope and Contents:
No ink on negative. Possibly a self-porttrait. Publicity portrait of Robert Scurlock holding a photograph of Mamie Eisenhower. A press camera is on a tripod behind him. "Kodak--Safety Film" edge imprint. No Scurlock number.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Portraits -- African American men
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
The Lee Marmon photographs collection contains 94 color and black and white photographic prints. Subjects include Laguna and Acoma elders (1950-1965), publicity images of celebrities (1967-1973), Native American portraiture (circa 1987), the New Mexico pueblos and landscape, and the potter Lucy M. Lewis, her daughters, and their pottery (1987). The photographs were shot by Lee Marmon (Laguna Pueblo), circa 1950-1987.
Scope and Contents:
The Lee Marmon photographs collection contains 94 color and black and white photographic prints that were shot by Laguna Pueblo photographer Lee Marmon, circa 1950-1987. Subjects include people, sites, and landscapes around Laguna Pueblo and Acoma Pueblo (1950-1965) in New Mexico; publicity images of celebrities (1967-1973) including Bob Hope and Dean Martin; Native American portraiture (circa 1987);and the potter Lucy M. Lewis, her daughters, and their pottery (1987).
Arrangement note:
Small prints organized in photo folders; and larger prints are stored in oversize boxes.
Biographical/Historical note:
Lee Howard Marmon was born as the second son of Lily and Henry "Hank" Marmon on September 25, 1925 in Laguna, New Mexico. Marmon's interest in photography was sparked when he took his first photograph at the age of 11 of an automobile accident on Route 66. Initially planning to attend the University of New Mexico to study geology, Marmon dropped out after several semesters to begin his World War II career as a Sergeant-Major on Shemya Island, Alaska in 1943. Marmon's service to the United States in the Aleutian chain lasted until 1946, after which he returned to Laguna.
Marmon retained an interest in photography and purchased his first professional camera, a 2¼ x 2¾ Speed Graphic. Later in his career, he would use a 4x5 Speed Graphic, a Rolleiflex, a Hasselblad Superwide, and a Hasselblad C model. When Marmon began photographing, he favored Kodachrome sheet film (ASA 8) and super speed B&W (ASA 100). As Marmon was learning this new hobby, his civilian life included employment as the Laguna postmaster and as a worker in his father's store, The Laguna Trading Post. Photography escalated from a hobby to a more serious pursuit after Marmon's father suggested that his son bring a camera along while making store deliveries in order to take portraits of the Laguna elders. These early black and white photographs, taken using fixed-lens cameras and natural light, became some of Marmon's most well-known images.
While Marmon mainly focused on documenting the traditions and lifestyles of the Laguna and Acoma Pueblos, a departure from this theme occurred when he moved from New Mexico to Palm Springs, California in 1966. As the official photographer for the Bob Hope Desert Classic Golf Tournament from 1967 until 1973, Marmon took publicity photographs of golfers participating in the competition along with celebrity entertainers and guests at the accompanying Bob Hope Ball. Marmon also worked as a freelance photographer throughout this time, contributing to publications such as Time Magazine and The Saturday Evening Post, working as a still photographer for Columbia Pictures, and completing a commission from President and Mrs. Nixon to photograph a collection of New Mexican Puebloan pottery.
Marmon moved back to Laguna in 1982, and in the following years he showed his work in a variety of venues, opened a bookstore called The Blue-Eyed Indian, and won an ADDY award for his contribution to the PBS documentary series, Surviving Columbus: The Story of the Pueblo People. In 2003, Marmon published a book, The Pueblo Imagination: Landscape and Memory in the Photography of Lee Marmon, in collaboration with his daughter, author Leslie Marmon Silko, and poets Joy Harjo and Simon Ortiz. The book was heralded as a success, collecting first place awards from The Mountains and Plains Bookseller's Association and from Independent Publisher Online.
After the publication of his book, Marmon's photographic activity began to diminish. His final show, Pueblo Faces and Places, was held in 2007 at the Sky City Cultural Center in Acoma, New Mexico. In recognition for achievements in the photographic field, Marmon was honored as the 88th Annual Inter-Tribal Ceremonial's "Living Treasure" of 2009, the first photographer to be given the award. Throughout his life, Marmon produced a great volume of work. In May of 2009, he donated his personal papers and over 65,000 photographs to the Center for Southwest Research and Special Collections (CSWR) at the University of New Mexico. From a humble beginning of taking photographs of village elders, Marmon eventually built a career out of saving the memories of the Laguna and Acoma tribes and is now one of the country's best-known Native American photographers.
Lee Marmon passed away in March 2021 at age 95.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Copyright held by the Center for Southwest Research and Special Collections at the University of New Mexico.
Genre/Form:
Portraits
Photographs
Citation:
Identification of specific item; Date (if known); Lee Marmon photographs, image #, NMAI.AC.054; National Museum of the American Indian Archives Center, Smithsonian Institution.
A collection photographs and corporate records from the Good Humor Company, purveyors of ice cream products.
Scope and Contents:
The collection consists of photographs related to the Good Humor Company and its products, game shows using Good Humor products, and celebrities (such as Dwight and Mamie Eisenhower) eating Good Humor products. There are also articles about Good Humor, product catalogs, training manuals, cartoons, brochures, decals, and samples of product packaging. Audiovisual materials include audio discs and videotapes.
Series 1, Sales and Business Materials, 1927-1991, includes articles about Good Humor, Incorporated, manuals for training and sales presentations, promotional literature and artwork, advertisements, advertising storyboards, product decals and ice cream sticks, cartoons, and the Little Golden Book The Good Humor Man.
Series 2, Packaging, 1968-1981, consists of labels, wrappers and boxes for Good Humor products and some of its competitors.
Series 3, Photographs, 1931-1971 consists of images of Good Humor factories; salesmen; vehicles; employees; equipment; Good Humor products featured on "Wonderama," "The Alan Burke Show," and "To Tell the Truth;" and Dwight and Mamie Eisenhower eating Good Humor ice cream. Many of the photographs were taken by Tim Murtagh of New York City, International News Photos, N. Lazarnick, commercial photographer of New York City, Alex Siodmak of New York City, Standard Flashlight Company of New York City, Kaufman and Fabry Company Photographers, and Alexandre's Photo Studio.
Series 4, Audiovisual Materials is composed of two subseries. Subseries A, Audio Discs, undated contains two 78 R.P.M. discs titled Gaytime Wild Cherry and Gaytime Thunderball, and Subseries B, Videotape, undated, consists of two copies of public relations material about Good Humor.
Arrangement:
The collection is divided into four series.
Series 1, Sales and Business Materials, 1927-1991
Series 2, Packaging, 1968-1981
Subseries 1, Labels, undated
Subseries 2, Wrappers, 1968-1981
Subseries 3, Boxes, undated
Series 3, Photographs, 1931-1971
Series 4, Audiovisual, undated
Subseries 1, Audio Discs, undated
Subseries 2, Videotape, undated
Related Materials:
Material at the National Museum of American History, Division of Work and Industry
The Division of Work and Industry holds related artifacts (push cart, a cap, a money bag, a hat, a belt, an apron, a coin, buttons, emblems, a tape measure, and a truck). See Accession numbers 1993.0075; 1994.0143; 2000.0264; and 2002.3025.
Provenance:
The collection was donated by Gold Bond-Good Humor Ice Cream, through Lawrence Link on June 18, 1992.
Restrictions:
Collection is open for research use.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Mamie Eisenhower, in a checked dress and white cardigan sweater, eating an ice cream bar. Several other figures are shown behind her.
Local Numbers:
AC0451-0000038.tif (AC Scan)
General:
In Box 1, Folder 7.
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
0.05 Cubic feet (1 folder, 2 booklets, 9.7 x 7 inches (25 x 18 cm))
Type:
Collection descriptions
Archival materials
Date:
October 16, 1958
Summary:
This collection consists of two copies of "Yankee Clippers Carry On," a program produced for the christening ceremony of the Pan American World Airways Boeing Model 707-120 "Jet Clipper America" by Mamie Eisenhower at Washington National Airport, Washington, D.C., on October 16, 1958.
Scope and Contents:
This collection consists of two copies of "Yankee Clippers Carry On," a 9.7 x 7 inch (25 x 18 cm) booklet produced as a program for the christening ceremony of the Pan American World Airways Boeing Model 707-120 "Jet Clipper America" (r/n N707PA). The christening was performed by Mamie Eisenhower (wife of then US President Dwight D. Eisenhower) at Washington National Airport (IATA airport code DCA), Washington, D.C., on October 16, 1958. Speakers at the event included Juan T. Trippe, President of Pan American World Airways; Sinclair Weeks, US Secretary of Commerce; H. M. (Jack) Horner, Chairman of the US Civil Aeronautics Board (CAB); William M. Allen, President, Boeing Airplane Company; Elwood R. Quesada, Special Assistant to the President of the United States (Special Adviser for Aviation), and Christian A. Herter, US Under Secretary of State. The program's dramatic front cover maritime illustration—designed to look like an engraving—depicts a Pan American Boeing 707 nicknamed "Clipper America" in flight over a three-masted clipper sailing ship.
Arrangement:
No arrangement.
Biographical / Historical:
The Boeing Model 367-80, better known as the Dash 80, a graceful, swept-winged aircraft powered by four revolutionary new jet engines, would come to revolutionize commercial air transportation when its developed version entered service as the famous Boeing 707, America's first jet airliner. Flying 100 miles per hour faster than the de Havilland Comet and significantly larger, the new Boeing jet transport, which made its first flight on July 15, 1954, had a maximum range of more than 3,500 miles. The Boeing Aircraft Company found Pan American World Airway's president Juan T. Trippe a ready customer for their new design. Trippe had been spending much of his time searching for a suitable jet airliner to enable his pioneering company to maintain its leadership in international air travel. Impressed by the aircraft's performance, Trippe worked to convince Boeing to widen the Dash 80's fuselage design to allow seating six passengers in each seat row rather than five. On October 12, 1955, Trippe placed an order with Boeing for 20 of the new airliners (now known as the 707) but also ordered 25 of Douglas's competing DC-8, which had yet to fly but could accommodate six-abreast seating. At Pan Am's insistence, the Boeing 707 was made four inches wider than the Dash 80 so that it could carry 160 passengers six-abreast. One August 15, 1958, Boeing delivered the first of Pan Am's new 707s. Two months later, on October 16, 1958, Pan Am celebrated the advent of the jet age in the United States with a ceremony held at Washington National Airport in Washington, D.C. to celebrate the christening by then-US President Dwight D. Eisenhower's wife Mamie Eisenhower of the Pan American World Airways Boeing Model 707-120 "Jet Clipper America" (r/n N707PA). Ten days later, on October 26, 1958, Pan Am began daily Boeing 707 international service between New York City and Paris, France.
Related Materials:
Aircraft in the Smithsonian National Air and Space Museum collection:
Boeing 367-80 Jet Transport, A19730272000.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
No access restrictions. Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No access restrictions. Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
