Nixon, Richard M. (Richard Milhous), 1913-1994 Search this
Extent:
1 Item (1 reel.)
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Place:
Oklahoma -- Tulsa
Date:
1948-1952
Summary:
Black Wall Street was a vibrant African American community in Tulsa, Oklahoma. Filmed between 1948 and 1952 Reverend Harold Anderson's Black Wall Street Film documents many of the neighborhood's businesses including barber shops, bakers, taxi companies, jewelers, and other stores. Reverand Andserson also captured its citizens in church, at school, participating in parades, and walking around the area. The film includes footage Richard and Pat Nixon as they campaigned in Black Wall Street, the first vice-presidential candidate to visit the African American neighborhood.
Scope and Contents:
A black and white, silent 16mm film documenting the people and businesses of the Black Wall Street section of Tulsa, Oklahoma from 1948-1952.
Arrangement:
Arranged in one series.
Series 1, Harold M. Anderson Black Wall Street Film
Biographical / Historical:
Black Wall Street was a vibrant African American community that was destroyed during a race riot that broke out in 1921. Its businesses were burned to the ground and the residents were displaced. Against the odds, Black Wall Street was reborn and by the 1940s was once again a center for African American life in Tulsa.
Reverend Harold Mose Anderson's film titled Reverend Harold Anderson's Black Wall Street documents evidence of this resurgance. Although Anderson was only a year old when the riots occurred, he grew up hearing stories about life in Black Wall Street before the riot. He was both a witness to and participant in the rebuilding and revival of the community. And, he documented the resulting renewal with his 16mm motion picture camera.
Filmed between 1948 and 1952 Reverend Harold Anderson's Black Wall Street does just that. A successful businessman, Anderson managed and then owned two neighborhood movie theaters, a skating rink, bowling alley, and shopping strip, among other enterprises. He also brought the Golden Gloves boxing tournament to the area, making it accessible to African American fans. Anderson felt that it was critical that Black Wall Street sustain independent African American business, ensuring resident dollars would stay in the community and guarantee its vibrancy.
Almost lost in a devastating house fire, Reverend Anderson's film recognizes the efforts and successes of the community. With his camera he documented many of Black Wall Street's businesses including barber shops, bakers, taxi companies, jewelers, and other stores. He also captured its citizens in church, at school, participating in parades, and walking around the area. The film includes footage Richard and Pat Nixon as they campaigned in Black Wall Street, the first vice-presidential candidate to visit the African American neighborhood.
Provenance:
Donated to the Archives Center by Patricia Sanders on behalf of the heirs of Harold M. Anderson in 2009.
Restrictions:
Unrestricted research access on site by appointment. Reference copy in Smithsonian Institution Digital Asset Management System (DAMS) must be used.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions. All third party requests to use the film for other than standard museum purposes are to be direced to GettyImages. See repository for information.
Correspondence, business files, academic papers, photographs, clippings, sketchbook, sketches, and miscellaneous notes.
REEL 581: Selected items from 2 family scrapbooks, 1933-1943 and 1946-1956; including clippings, photographs, correspondence, invitations and awards. Most material pertains to Plaut's work as director of the ICA and advisor to the government of Israel. Also included are correspondence from Georges Rouault, Carl Milles, and Oskar Kokoschka; and 6 drawings by Waldo Peirce.
REEL 5139: Two family scrapbooks, 1956-1959 and 1960-1980, containing clippings, invitations, photographs and miscellaneous material from Plaut's work World's Fairs at Brussels, 1958, New York, 1964 and Japan, 1970. Also found are family snapshots of the Plaut's travels, their children and grandchildren and include 7 earlier photographs of Plaut and his parents, ca. 1906-1932, and one photograph of Eleanor Roosevelt, 1959.
UNMICROFILMED: Travel sketchbook of Rome; term papers, honors thesis, and sketches for an architectural history course; files relating to Plaut's positions at the Museum of Fine Arts, Boston, the ICA, the World Crafts Council, and other professional and personal concerns; correspondence, including letters from Eugene Berman, Carl Milles, Lincoln Kirstein, Paul Sachs and others; personal and work related photographs; lecture notes; slides from the World's Craft Fair Council, 1974; 2 untranscribed sound tape reels of an interview made by Plaut for Alfred Auerbach concerning the Brussels World's Fair 1958 and typed list of questions for the interview; and miscellaneous papers.
ADDITION: Resumes and obituaries; correspondence; the book, Waldo Peirce, by Margit Varga, 1941, with insertions of a caricature by Peirce, illustrated postcards, and a letter; photographs of Walter Gropius House, Lincoln, Mass. and 7 photographs of Plaut with Frank Lloyd Wright, Walter Gropius, Marcel Breuer, Konrad Adenauer, Indira Gandhi, Leonard Bernstein, and Dwight David Eisenhower; scrapbook and slides pertaining to Plaut's work for the World's Fair, Brussels, 1958; writings and publications; publications of the ICA and the WCC; the book, The Overcoat, by Nikoli Gogel, presented to Plaut upon retirement from the WCC; publications by others on art and design; and a file on James and Mary Plaut's personal art collection, ca. 1935-1990s.
Biographical / Historical:
Art administrator and museum director; Boston, Mass. Plaut was born to a wealthy family in Cincinnati, Ohio, graduated from HarvardCollege, and received an M.A. from Harvard University. His uncle was Paul Sachs, a connoisseur and influential museology professor at Harvard andsor. Plaut held curatorial positions at the Museum of Fine Arts, Boston, and became Director of Boston's Institute of Modern Art in 1939 (later the Institute of Contemporary Art or ICA) where he staged early exhibitions of contemporary design and European avant-garde paintings and sculpture until his resignation in 1956. Plaut was also involved in many international exhibitions and expositions, serving as Deputy U.S. Commissioner to the World's Fair in Brussels, 1958, and was Secretary General of the World Crafts Council, 1967-1976 and a consultant on industrial design in Israel.
Provenance:
Scrapbooks on reel 581 lent for microfilming by Plaut, 1973; his estate, via the executor Edward M. Condit, Jr., lent those on reel 5139 in 1996. Plaut donated the unmicrofilmed material in 1985 and 1992, and additional papers were received as a bequest in 1996 via the executor of his estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Arts administrators -- Massachusetts -- Boston Search this
Museum directors -- Massachusetts -- Boston Search this
This collection measures 7.7 linear feet, dates from circa 1870 to 1992, and documents the life and career of painter Ross Moffett and, to a lesser extent, the life and career of his wife, painter, lithographer, etcher, and illustrator, Dorothy Lake Gregory Moffett. The collection includes correspondence, photographs, artwork including sketchbooks, and printed material including published writings, newspaper clippings, press releases, and exhibition catalogs.
Scope and Content Note:
The Ross and Dorothy Lake Gregory Moffett papers measure 7.7 linear feet and date from circa 1870 to 1992. Because Dorothy Moffett's papers were received separately they are filed together in Series 13. Series 1-12 deal primarily with the life and career of Ross Moffett. The collection documents Ross Moffett's participation in the Provincetown community as an artist and resident through correspondence, photographs, sketchbooks and printed material, including published writings, news clippings, press releases, and exhibition catalogs. The papers of Dorothy Moffett include family letters, photographs, a journal and original artwork providing scattered documentation of her life and career as an a printmaker and illustrator.
General correspondence primarily focuses on news and financial affairs of the Moffett family farm in Iowa. Also included are letters from Provincetown artist, Edwin Dickinson, and a small amount of correspondence with other artists, collectors and dealers.
Files documenting specific projects that Ross Moffett was involved with are arranged separately and include correspondence, printed material and photographs. Project files have been established for the following projects: the publication of Art in Narrow Streets, the Eisenhower mural, the Cape Cod National Seashore Park and the renovation of the Center Methodist Church.
The series of printed material, 1918-1992, relates to Ross Moffett's career as an artist and his general interest in art. Photographs primarily focus on scenes of Provincetown and include photographs of works of art by Provincetown artists. Also included are photographs of artwork by Moffett arranged chronologically, Moffett's studio in Provincetown, and installations at the Provincetown Art Association Galleries.
Artwork found in Series 10 and 11 includes drawings by Ross Moffett and 85 annotated sketchbooks, including four by Dorothy Moffett.
The collection also houses research notes and files written by Josephine Couch Del Deo in preparation of a biography of Ross Moffett. These annotations provide useful additional information about Moffett's life.
Papers of Dorothy Lake Gregory Moffett include Gregory family letters, Dorothy's correspondence with her father, and letters from other family and friends. Also found are drawings, lithographs and etchings by Dorothy and photographs of her family and friends.
Arrangement:
The collection is arranged into thirteen series:
Series 1: Biographical Material, circa 1888-1965 (box 1; 1 folder)
Series 2: Correspondence, 1915-1972 (box 1; 0.6 linear ft)
Series 3: Financial Material, 1933-1971 (box 1; 2 folders)
Series 4: Notebook/Notes, undated (box 1; 2 folders)
Series 5: Projects, 1880-1969, undated (boxes 1-2; 1.2 linear ft.)
Series 6: Subject File, 1960-1968 (box 2; 1 folder)
Series 7: Printed Material, 1916-1992, undated (boxes 2-4, 7; 1.5 linear ft.)
Series 8: Photographs, circa 1900-1975, undated (box 4; 15 folders)
Series 9: Slides of Art Association, Iowa Farmland and the Chrysler Museum, circa 1960, undated (box 4; 1 folder)
Series 10: Drawings, circa 1929-1934 (box 5; 1 folder)
Series 11: Sketchbooks, 1913-1969 (boxes 5-8; 2.5 linear ft.)
Series 12: Annotations/Item Descriptions by Josephine Couch Del Deo, undated (box 6; 2 folders)
Series 13: Dorothy Lake Gregory Moffett Papers, circa 1870-1975 (boxes 9-11; 0.7 linear ft.)
Biographical Note:
Ross Moffett (1888-1971) was an important figure in the development of modernism in American Art after World War I. His paintings primarily depict the life and landscapes of the Provincetown, Massachusetts area. Dorothy Lake Gregory Moffett is perhaps best known as a printmaker and illustrator of children's books and magazines.
Born in Iowa in 1888, Moffett trained at the Art Institute in Chicago and studied with Charles Hawthorne during the summer of 1913, in Provincetown, Massachusetts. Moffett then studied at the Art Students League and returned to Provincetown in 1915, to establish himself as an artist. He was one of the founders of the Provincetown Art Association and a leading figure in the art colony for many years. In 1920, Moffett married artist Dorothy Lake Gregory in Brooklyn, New York. Dorothy studied at the Pratt Institute and with Robert Henri and George Bellows in New York, and then went to Provincetown to study with Hawthorne as well.
During the 1920's and 1930's, Ross Moffett's success increased steadily and he had his first one-man show at the Frank Rehn Gallery in New York and also at The Art Institute of Chicago in 1928. He served on several exhibition juries around the country during this time. Between 1936 and 1938, Moffett painted four murals in two Massachusetts post offices for the Federal Works Progress Administration (WPA). Moffett received full membership to the National Academy of Design in 1942.
While Moffett's painting slowed somewhat during World War II he continued his involvement in the arts by maintaining the Provincetown Art Association. He taught briefly at the University of Miami in Ohio from 1932 to 1933, and returned to Provincetown to pursue painting full-time. In the 1950's, Moffett became interested in archaeology and even delivered a few lectures on the subject. During this time he continued to paint and his art reflected his preoccupation with the science of archaeology. In 1954, Moffett was one of two artists selected by the National Academy of Design to paint murals depicting President Dwight D. Eisenhower's life for the Eisenhower Memorial Museum in Abilene, Kansas. Moffett was chosen to portray Eisenhower's civilian life.
In 1960, Moffett became active in the movement to establish the 1400 acres known as the Province Lands as part of the Cape Cod National Seashore Park. After the park was established Moffett wrote and published a history of the first thirty-three years of the Provincetown Art Association in a book titled Art in Narrow Streets, 1964. He continued to serve as a juror for the Provincetown Art Association and was artist-in-residence for the Provincetown Fine Arts Work Center in 1970.
Dorothy Moffett also pursued a successful career in art, and publishers such as Rand McNally used her illustrations for youth magazines and childrens books, such as the classic Green Fairy Book. Her work was exhibited in the Metropolitan Museum, the National Academy, and the Brooklyn Museum, and her Alice in Wonderland series of lithographs was purchased for the permanent collection of the Boston Museum of Fine Arts. Though best known as a printmaker, Moffett also worked in oil.
Ross Moffett died of cancer on March 13, 1971.
Related Material:
Related resources in the Archives of American Art include a sound recording of a transcribed interview with Ross Moffett by Dorothy Seckler, August 27, 1962; and a sound recording of an untranscribed interview with Dorothy Lake Gregory Moffett by Robert F. Brown, September 22, 1972.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel D80) including 150 letters relating to art organizations, museums, and government art projects, news clippings, records of the Provincetown Art Association, and the Emergency Committee for the Protection of Province Lands, and miscellaneous publications. Lent materials were returned to Ross Moffett and are now housed at Syracuse University in Syracuse, New York. This material is not described in the collection container inventory.
Provenance:
Ross Moffett initally lent the Archives of American Art material for microfilming in 1962. The remainder of the collection was donated in 1974 by his widow, Dorothy Lake Gregory Moffett (died 1975), via Ross Moffett's biographer, Josephine Del Deo, who turned the papers over in installments. Archaeological material and artifacts received with the papers were donated to the Robert S. Peabody Museum of Archaeology, Phillips Academy, Andover, Massachusetts.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts -- Provincetown Search this
Landscape painters -- Massachusetts -- Provincetown Search this
Words and music by Irving Berlin. Image of Dwight Eisenhower on cover; photographer unidentified. Black-and-white image, printed in blue, wtih decorative flourishes in red and blue.
Local Numbers:
03030046.tif (AC Scan of cover).
General:
In Series 5, Box 7, Folder K.
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
The collection consists of photographs related to the Good Humor Company and its products, game shows using Good Humor products, and celebrities (such as Dwight and Mamie Eisenhower) eating Good Humor products. There are also articles about Good Humor, product catalogs, training manuals, cartoons, brochures, decals, and samples of product packaging. Audiovisual materials include audio discs and videotapes.
Series 1, Sales and Business Materials, 1927-1991, includes articles about Good Humor, Incorporated, manuals for training and sales presentations, promotional literature and artwork, advertisements, advertising storyboards, product decals and ice cream sticks, cartoons, and the Little Golden Book The Good Humor Man.
Series 2, Packaging, 1968-1981, consists of labels, wrappers and boxes for Good Humor products and some of its competitors.
Series 3, Photographs, 1931-1971 consists of images of Good Humor factories; salesmen; vehicles; employees; equipment; Good Humor products featured on "Wonderama," "The Alan Burke Show," and "To Tell the Truth;" and Dwight and Mamie Eisenhower eating Good Humor ice cream. Many of the photographs were taken by Tim Murtagh of New York City, International News Photos, N. Lazarnick, commercial photographer of New York City, Alex Siodmak of New York City, Standard Flashlight Company of New York City, Kaufman and Fabry Company Photographers, and Alexandre's Photo Studio.
Series 4, Audiovisual Materials is composed of two subseries. Subseries A, Audio Discs, undated contains two 78 R.P.M. discs titled Gaytime Wild Cherry and Gaytime Thunderball, and Subseries B, Videotape, undated, consists of two copies of public relations material about Good Humor.
Arrangement:
The collection is divided into four series.
Series 1, Sales and Business Materials, 1927-1991
Series 2, Packaging, 1968-1981
Subseries 1, Labels, undated
Subseries 2, Wrappers, 1968-1981
Subseries 3, Boxes, undated
Series 3, Photographs, 1931-1971
Series 4, Audiovisual, undated
Subseries 1, Audio Discs, undated
Subseries 2, Videotape, undated
Related Materials:
Material at the National Museum of American History, Division of Work and Industry
The Division of Work and Industry holds related artifacts (push cart, a cap, a money bag, a hat, a belt, an apron, a coin, buttons, emblems, a tape measure, and a truck). See Accession numbers 1993.0075; 1994.0143; 2000.0264; and 2002.3025.
Provenance:
The collection was donated by Gold Bond-Good Humor Ice Cream, through Lawrence Link on June 18, 1992.
Restrictions:
Collection is open for research use.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Stamped on verso, "International News Photos / 245 East 45th Street, New York 17, N.Y." Photographer unidentified. This print is a cropped, enlarged version of AC0451-0000037.tif (printed from the same negative).
Local Numbers:
92-11721 (Neg. No.), AC0451-0000039.tif
Restrictions:
Unrestricted research use on site, by appointment. Researchers must handle unprotected photographs with gloves.
Rights:
SI Neg. No. 92-11721. Probable copyright and trademark restrictions.
Dwight Eisenhower, in a sport jacket and tie, eating an ice cream bar outdoors. See also an enlarged, cropped print from the same negative, AC0451-0000039.tif.
Local Numbers:
AC0451-0000037.tif (AC Scan)
General:
In Box 1, Folder 7.
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Stevenson, Adlai E. (Adlai Ewing), 1900-1965 Search this
Extent:
3.5 Cubic feet (7 boxes)
Type:
Collection descriptions
Archival materials
Audiocassettes
Advertisements
Photograph albums
Catalogs
Clippings
Magazines (periodicals)
Playbills
Sheet music
Photographs
Posters
Videocassettes
Reports
Packaging
Cartoons (humorous images)
Books
Drawings
Place:
New York (N.Y.) -- Food industry
Date:
1920s-1987
Summary:
This collection consists of ephemeral materials gathered by Sally L. Steinberg while she was researching her 1987 publication, The Donut Book: The origins, history, literature, lore, taste, etiquette, traditions, techniques, varieties, mathematics, mythology, commerce, philosophy, cuisine, and glory of the donut.
Scope and Contents:
This collection consists of ephemeral materials gathered by Sally L. Steinberg while she was researching her 1987 publication, The Donut Book: The origins, history, literature, lore, taste, etiquette, traditions, techniques, varieties, mathematics, mythology, commerce, philosophy, cuisine, and glory of the donut. Photographs comprise the bulk of the collection. These depict doughnut making machines, early doughnut packaging, doughnut shops and doughnut production, doughnut promotional activities (many of them sponsored by DCA), celebrities and entertainment figures with doughnuts, and the role of doughnuts in the military. Other ephemeral materials featuring doughnuts include advertisements, posters, newsclippings, music, examples of doughnut packaging, toys, and artwork. Also included are several publications that feature doughnuts, notably such children's classics as Curious George Learns the Alphabet, Who Needs Donuts?, and Homer Price, as well as a copy of Ms. Levitt's book.
Materials relating to the history of the Doughnut Corporation of America include a 1947 memo entitled "History of Mayflower Operations, 1933 1944"; pages and clippings from the company's in house magazines, The Doughnut Magazine, 1931 1936, and DCA News, 1945 1947 (most of which are not in their entirety, since Ms. Steinberg seperated them for the production of her book); a script of the "DCA Merchandising Story"; inter office correspondence from 1947; a 1961 DCA Study of the Donut Market; and a 1973 prospectus for DCA Food Industries, Inc. Also included is a store display figure of "Danny Donut," the symbol of Mayflower Doughnuts. In addition, the collection contains 1980 and 1981 Annual Reports from Dunkin' Donuts, Inc., a sample degree from their "Dunkin' Donuts University," and a large training poster for employees. Also included are in house publications relating to other donut companies, including Krispy Kreme and Winchell, the predecessor of Denny's.
Biographical / Historical:
Sally Levitt Steinberg describes herself as a "doughnut princess," since her grandfather, Adolph Levitt, was America's original "doughnut king." Levitt's family had emigrated to the United States from Russia when he was eight and settled in Milwaukee. In 1920, he moved to New York City, where he invested in a bakery in Harlem. He soon realized that there was a strong consumer demand for doughnuts, sparked by veterans of World War One who fondly remembered those cooked by Salvation Army girls in the trenches in France. Levitt, with a flair for showmanship, placed a kettle in the bakery's window and began to fry doughnuts in it. This attracted crowds of customers, who enjoyed watching the process, smelling the aroma, and eating the doughnuts. Soon, doughnut production could not keep up with the customers' demands.
In consultation with an engineer, Levitt soon developed and patented an automatic doughnut making machine, which he then placed in the bakery's window. The result was the creation of the modern doughnut industry in America. In 1920, Levitt founded the Doughnut Machine Company to make and sell the machine across the country and to sell doughnuts under the tradename of "Mayflower." Soon after, the company began preparing and selling standardized mixes for use in the machine, and began to acquire bakeries in which its products could be made. In 1931, the company opened the first Mayflower doughnut shop at 45th and Broadway in New York City; ultimately, 18 shops were opened across the country the first retail doughnut chain.
The company, which changed its name to the Doughnut Corporation of America, dominated the doughnut industry. Its operations were characterized by a large scale approach, incorporating a full range of product and equipment systems unique in the food industry. As consumers demanded a wider variety of doughnuts from glazed to jelly filled the company developed and manufactured the necessary machinery, prepared the ingredients, and marketed the products. The company diversified its product line in the 1940s to produce pancake mixes and waffle mixes and machinery, including Downyflake Food products. The company is still in operation as DCA Food Industries, Inc.
Materials in the Archives Center:
The Doughnut Machine Company Scrapbooks (AC #662) contains two scrapbooks documenting the company=s advertising and marketing campaigns, ca. 1928.
The Industry on Parade Film Collection (AC #507) contains a 1956 film (reel #273) about the Doughnut Corporation of America.
The Earl S. Tupper Papers (AC #470) contain a number of World War One photographic postcards that show Salvation Army doughnut girls.
The Warshaw Collection of Business Americana (AC #60) contains four boxes of material on "bakers and baking."
The N W Ayer Collection (AC #59) contains advertising proofsheets for several bakeries.
Provenance:
Collection donated by Sally L. Steinberg, December 12, 1991, 1993, and 2009.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements must be made to view some of the audio visual materials. Contact the Archives Center at 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Howard U Nat. Relations c/o Mr. Goodman 6/21/65 Photographs of General Eisenhower at Howard at People to People meeting [from enclosure] [black-and-white cellulose acetate photonegative]
1 Item (Silver gelatin on cellulose acetate film sheet., 2-1/2" x 3-1/2".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
June 21, 1965
Scope and Contents:
Surrounded by a group of men, Former President Eisenhower appears to be writing a note while walking with James M. Nabrit, Jr. (President of Howard University 1960-1969).. Ink on negative: "11x14 matte." No visible edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Howard U Nat. Relations c/o Mr. Goodman 6/21/65 / Photographs of General Eisenhower at Howard at People to People meeting [from enclosure] [black-and-white cellulose acetate photonegative]
1 Item (Silver gelatin on cellulose acetate film sheet., 2-1/2" x 3-1/2".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
June 21, 1965
Scope and Contents:
Seated audience presumably listening to Former President Eisenhower speaking. No ink on negative. No visible edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Howard U Nat. Relations c/o Mr. Goodman 6/21/65 / Photographs of General Eisenhower at Howard at People to People meeting [from enclosure] [black-and-white cellulose acetate photonegative]
1 Item (Silver gelatin on cellulose acetate film sheet., 2-1/2" x 3-1/2".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
June 21, 1965
Scope and Contents:
Former President Eisenhower speaking to three women with two men standing beside him (presumably his security detail) . No ink on negative. No visible edge imprint. No Scurlock number.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Howard U Nat. Relations c/o Mr. Goodman 6/21/65 / Photographs of General Eisenhower at Howard at People to People meeting [from enclosure] [black-and-white cellulose acetate photonegative]
1 Item (Silver gelatin on cellulose acetate film sheet., 2-1/2" x 3-1/2".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
June 21, 1965
Scope and Contents:
Man (former President Eisenhower?) speaking to seated audience. No ink on negative. No visible edge imprint, no Scurlock number
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Howard U Nat. Relations c/o Mr. Goodman 6/21/65 / Photographs of General Eisenhower at Howard at People to People meeting [from enclosure] [black-and-white cellulose acetate photonegative]
1 Item (Silver gelatin on cellulose acetate film sheet., 2-1/2" x 3-1/2".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
June 21, 1965
Scope and Contents:
James M. Nabrit, Jr. (President of Howard University, 1960-1969) greeting former President Eisenhower as he exits a helicopter. Ink on negative: "8x10 glossy." No visible edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Howard U Nat. Relations c/o Mr. Goodman 6/21/65 / Photographs of General Eisenhower at Howard at People to People meeting [from enclosure] [black-and-white cellulose acetate photonegative]
1 Item (Silver gelatin on cellulose acetate film sheet., 2-1/2" x 3-1/2".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
June 21, 1965
Scope and Contents:
Former President Eisenhower posed with James M. Nabrit, Jr. (President of Howard University 1960-1969). Ink on negative: "13 x 16 print matte." No visible edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Howard U Nat. Relations c/o Mr. Goodman 6/21/65 Photographs of General Eisenhower at Howard at People to People meeting[from enclosure] [black-and-white cellulose acetate photonegative]
1 Item (Silver gelatin on cellulose acetate film sheet., 2-1/2" x 3-1/2".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
June 21, 1965
Scope and Contents:
Former President Eisenhower seated on stage listening to James M. Nabrit, Jr. (President of Howard University 1960-1969) speak to audience from podium. No ink on negative. No visible edge imprint. No Scurlock number.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Howard U Nat. Relations c/o Mr. Goodman 6/21/65 Photographs of General Eisenhower at Howard at People to People meeting [from enclosure] [black-and-white cellulose acetate photonegative]
1 Item (Silver gelatin on cellulose acetate film sheet., 2-1/2" x 3-1/2".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
June 21, 1965
Scope and Contents:
Former President Eisenhower (founder of People to People Inc.) and James M. Nabrit, Jr. (President of Howard University 1960-1969), seated on couch, with male Howard University student and Charlie from People to People. No ink on negative, no Scurlock number. Kodak Safety Film edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Howard U Nat. Relations c/o Mr. Goodman 6/21/65 Photographs of General Eisenhower at Howard at People to People meeting [from enclosure] [black-and-white cellulose acetate photonegative]
1 Item (Silver gelatin on cellulose acetate film sheet., 2-1/2" x 3-1/2".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
June 21, 1965
Scope and Contents:
Former President Eisenhower (founder of People to People Inc.), James M. Nabrit, Jr. (President of Howard University 1960-1969) and group of men are walking away from H.U. football stadium where Eisenhower arrived via helicopter; bleachers show in background. No ink on negative, no Scurlock number. No visible edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Howard U Nat. Relations c/o Mr. Goodman 6/21/65 Photographs of General Eisenhower at Howard at People to People meeting [from enclosure] [black-and-white cellulose acetate photonegative]
1 Item (Silver gelatin on cellulose acetate film sheet., 2-1/2" x 3-1/2".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Speeches
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
June 21, 1965
Scope and Contents:
James M. Nabrit, Jr. (President of Howard University 1960-1969) seated on stage while former President Eisenhower (founder of People to People, Inc.) speaks to audience from podium. Ink on negative: "8-8x10 glossy." No visible edge imprint. No Scurlock number.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
