The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Carnegie Institute, Museum of Art records, 1883-1962, bulk 1885-1940. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Brown Foundation. Funding for the digitization of this collection was provided by the Terra Foundation for American Art.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Office. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
"Bob Thompson Happening" (1965) video: Authorization to publish, quote or reproduce requires written permission from Joanne Elkin. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Judith Wilson papers, 1966-2010. Archives of American Art, Smithsonian Institution.
Oversize Blueprint of Seated Lincoln Statue, Madison, Wisconsin
Collection Creator:
Weinman, Adolph A. (Adolph Alexander), 1870-1952 Search this
Extent:
(see also OV 20)
Container:
Reel 5888, Frame
Type:
Archival materials
Date:
1908-1913
Collection Restrictions:
A digitized version of the microfilm of this collection is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Adolph A. Weinman papers, 1890-1959. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Brent Heath Garden Photography Collection.
Weinman, Adolph A. (Adolph Alexander), 1870-1952 Search this
Container:
Box 12
Type:
Archival materials
Negatives [31027000554127]
Date:
1908-1915
Scope and Contents:
Alexander Johnston Cassatt Statue, Seated Lincoln Statue, Madison, Wisconsin, Wisconsin State Capitol Pediment, Eagle, Pennsylvania Railroad Station, New York, Swag with Winged Wheel, Pennsylvania Railroad Station, New York, Female Figure Holding Cornucopia and Winged Wheel, Pennsylvania Railroad Station, New York, Mercury Holding Cadeusus Keystone, Pennsylvania Railroad Station, New York, New York, National Institute of Arts and Letters Medal, Relief Portrait of Gilbert Montague Stark, Julius Theodore Melchers Memorial Plaque, Standing Lincoln Statue, Frankfort, Kentucky, William Cotter Maybury Memorial, Municipal Building Sculpture, New York, Masonic Temple Tympanum, San Francisco, Lincoln Bust (Replica for Loraine Pratt-Immen), Grand Rapids, Michigan, William F. Vilas Memorial, Vicksburg, Mississippi, Sphinxes for Scottish Rite Temple, Washington, D. C.
Collection Restrictions:
A digitized version of the microfilm of this collection is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Adolph A. Weinman papers, 1890-1959. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Southeast Neighborhood House: Thesis by Stephanie Felix, University of Wisconsin-Madison, on "African American Women in Social Welfare and Activism" in Southeast Neighborhood House, 1950-1970
Container:
Box 1 of 7
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 95-050, Anacostia Museum. Education Department, Records
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Biographical material includes a hand-written biography, identification cards including a United States passport, and a series of autobiographical essays written by Plunkett in his later years at a retirement community in Madison, Wisconsin.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
United States of America -- Wisconsin -- Walworth County -- Lake Geneva
Scope and Contents:
The folder includes a worksheet, historical pictures and information regarding previous owners, historical timeline of property, planting lists, planting plans, and landscape design.
General:
Located on approximately 100 acres, Windwood Garden was originally part of a 90-plus acre property that dates back to 1879 when R.T. Crane purchased it. During the early 1900s, the property was operated as the Crane's family compound with fruit orchards, vegetable gardens, a bakery laundry building and four greenhouses. The property was subdivided in 1933 to Maxwell House and A. F. Gartz. The western side of the divided property was purchased in 1948 by the current owner from A. F. Gartz and included the original house, vegetable garden, orchard and large expanses of lawn with a few flowers or shrubs. When the property was purchase, the property was very basic and showed signs of neglect. Brian Bader, arborist consultant, and Scott Byron, landscape architect, assisted the owners in creating a plan to conserve and transform the property into a small arboretum and then to further develop vistas from many different angles across the entire property.
The property includes woodlands and meadows populated with native spring wildflowers and large beds of daffodils. The wooded areas have many varieties of oaks, beech, maple, hemlock, walnut, hickory, lindens and butternut trees. A white okay tree is marked with a plaque by a University of Wisconsin arborist as the largeest white oka in Southeast Wisconsin. Decorative sculptures, benches, bridges, fountains, ponds and trails with plantings of trees, shrubs, perennials and wild grasses are also featured on the property.
In a 2014 garden tour handout for the Garden Club of America, the following areas were described as distinct areas of the home and garden: the manor House, the Country House, the Green Carriage House, the Caretaker's House, teh Stable, the Woodland Cottage, the White Oak Savannah, the Vegetable Garden, the Cooler House, the Pond, the Boat Deck, West Pier and East Pier.
Persons associated with the property include: R. T. Crane (former owner, 1879-1933); A. F. Gartz (former owner, 1933-1948); The Griffith family (owner, 1948- ), Scott Byron (landscape architect, 1985-present); Brian Bader (arborist consultant, University of Wisconsin, Madison Arboretum, 1996-1998).
Related Materials:
Windwood Garden related holdings consist of 1 folder (16 35 mm slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Wisconsin -- Waukesha County -- Oconomowoc
Scope and Contents:
The folder includes a worksheet and narrative description, a copy of the garden plan, and a plant list. The garden is noted for its Edwardian strolling garden, boxwood plantings, and roses, all complementing the arts and crafts style lakeside cottage.
General:
The gardens of Tatterdemalion, situated on a two-acre site, are designed to complement this 1907 arts and crafts style lakeside cottage. The wrap-around porch is surrounded by a stone terrace edged with tea roses and a lavender hedge. Steps to the west lead across the drive to an Edwardian strolling garden, bordered by an antique 1850 wrought iron fence, acquired in Madison, Indiana. Gently curving paths radiate from a circular path which encloses a weeping crabapple tree surrounded by lamb's ears. A low box hedge curves around in a flowing line to define the lawn. A semi-circle of purple lilacs and white Blanc Double de Coubert roses frame a bronze statue of Mercury.
Hemlocks and viburnums screen the adjoining property and form the backround for antique rose bushes, the mainstay of the garden. Flowering continues throughout the summer with the addition of pastel old-fashioned flowers. A dooryard fern garden on the north side of the house faces a small orchard. To the east is a Victorian reflecting pool centered in a semi-circular enclosure of shrubs. A wisteria and rose-covered arbor frames the view into the garden.
Persons associated with the property include: C. R. Cran (former owner, 1907-1939); Avery Sherry (former owner, 1939-1957); William Beverung (former owner, 1957-1986); Judson Griggs (landscape architect, 1987-1998); Michael Sproule (consultant, 1995-1997); Kyle Johnson (hardscape gardener, 1998); and Trevor Johnson (hardscape gardener, 1998).
Related Materials:
Tatterdemalion related holdings consist of 1 folder (29 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Recorded in: Washington (D.C.), United States, August 27, 1976.
General:
829-1-76
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
The United States has always been a country of immigrants and, thus, the proud inheritor of the artistic styles of many different peoples. The section of the Festival that focused on this particular feature of American culture was called "Old Ways in the New World". Here were brought together the sons and daughters of people who immigrated to the United States from various parts of the world and their cultural cousins who stayed at home. These two groups joined together at the Festival in the practice of their traditional artistic and creative behavior; thus they could celebrate a kind of family reunion while they examined together the changes that their different experiences had brought about.
Where possible, participants were invited from the same region or even the same village - both those who migrated and those who stayed at home. Where this was impossible or impractical, attention focused on behavior or style, tracing parallels in all aspects of tradition from cooking to dance. As in past years of the Festival, this program stimulated a healthy kind of self-examination for domestic communities that drew strength from discovering their relationship with older cultures as well as for the foreign guests, who could return to their homelands proud of the vitality of their own art forms that remained clearly identifiable, although removed by oceans of time and space.
June 16-20, Israeli and American Jewish, Romanian
June 23-27, Danish, Norwegian, Icelandic, Swedish, Finnish, Faroese
July 1-5, French, Canadian, Polish
July 7-11, British, Canadian, Portuguese
July 14-18, Yugoslav, Irish
July 21-25, Belgian, Egyptian
July 28-August 1, German, Pakistani
August 4-8, Spanish, Mexican
August 11-15, Japanese, Greek
August 18-22, Austrian, Indian
August 25-29, Swiss, Hungarian
September 2-6, Italian
Program Coordinator for the Old Ways in the New World was Shirley Cherkasky, with Assistant Program Coordinators Suzanne Cox, Jeffrey LaRiche, Genie Kitlaus, and Larisa Lucaci. An advisory group included Conrad Arensberg, Svatava Pirkova Jakobson, Alan Lomax, and David McAIIester.
Fieldworkers and presenters:
Héctor Aguíñiga, Richard González, Antony Hellenberg, Nazir Jairazbhoy, Anna Lomax, John McDowell, Daniel Sheehy, Gordon Thompson, Roger Welsch, Maria Behr, David Bjork, Calogero Cascio, Svatava Pirkova Jakobson
Participants:
Israeli
Mord'chai Abrahamov, 1945-, singer, dancer, instrumentalist, Tel Aviv, Israel
David Levi, 1934-, dancer
Mord'chai 'Aziz, 1935-, dancer
Yosef Gum'ah, 1923-, drummer, Tel Lachish, Israel
Elijahu Israel Lassa, 1932-, zurna player, Tel Lachish, Israel
Mord'chai 'Ezra, 1935-, singer, dancer, Tel Lachish, Israel
Yosef Rahamim, 1937-, dancer, Kiryat Malakhi, Israel
Rivka Levi, 1945-, singer, dancer, Kiryat Malakhi, Israel
Bathia Rahamim, 1947-, singer, dancer, Kiryat Malakhi, Israel
Bathia Levi, 1919-, dancer, instrumentalist, Kiryat Ono, Israel
Shoshana Danukh, 1920-, singer, instrumentalist, Kiryat Ono, Israel
Zehava Gedasi, 1957-, dancer, singer, Tel Aviv, Israel
Ahuva Gedasi, 1948-, dancer, singer, Givatayim, Israel
Moshe 'Oved, 1953-, singer, dancer, Amka, Israel
Amnon 'Oved, singer, dancer, Amka, Israel
Avraham Daniel 'Arussi, 1968-, singer, dancer, Kiryat Ono, Israel
Menachem 'Arussi, 1930-, dancer, singer, drummer, Kiryat Ono, Israel
Saadia Gur-Esh, 1928-, singer, drummer, dancer, Midrakh Oz, Israel
Ziona Nagar, 1951-, dancer
Binyamin Hershkowitz, 1946-, accordion, singer, drummer, Netanya, Israel
Arie Polak, 1956-, drummer, Herzlia, Israel
Moshe Choen, 1929-, singer, dancer, Bnei Brak, Israel
Yosef Pinchas Reimer, 1955-, dancer, drummer, Jerusalem, Israel
Yitzhak Meier Tritel, 1951-, dancer, clarinetist, Jerusalem, Israel
Levi 'Ochayom, 1927-, singer, drummer, Jerusalem, Israel
Yosef Ben-Nun, 1927-, singer, Jerusalem, Israel
David Weissman, 1933-, 'ud player, Jerusalem, Israel
Dr. Daniel Ronen, leader
Itimar Gurevitch, tour administrator
Uri Sharvit, folklorist
Jewish American
Ira Axelrod, badkhn, Brooklyn, New York
Nechama Biderman, succah maker, Flushing, New York
Avram Dahari, 1923-1999, singer, Brooklyn, New York
Naomi Dahari, 1924-1988, singer, food demonstrator, Brooklyn, New York
Ray Faust, 1900-1993, painter, New York, New York
Miriam Haymie, singer, food demonstrator, Brooklyn, New York
Shlomo Hymie, singer, Brooklyn, New York
Meyer Kirshenblatt, 1916-2009, toy maker, immigrant narrator, Downsview, Ontario
Rivka Kirshenblatt, food demonstrator
Lillian Klempner, 1897-1984, Yiddish folksinger, Brooklyn, New York
Tuvia Mekhabar, scribe, New York, New York
Mazel Nagar, singer, dancer, cook, Brooklyn, New York
Nissim Nagar, singer, dancer, Brooklyn, New York
Arie Ovagia, cantor, singer, Brooklyn, New York
Jerold Roschwalb, shofar demonstrator
William Shuster, 1904-2002, tailor, New York, New York
Tsirl Waletsky, paper cutter, Bronx, New York
Workmen's Circle Mandolin Orchestra -- Workmen's Circle Mandolin OrchestraRosario Carcione, 1909-1984, mandolinist, Bronx, New YorkFrances Darvick, mandolinist, Brooklyn, New YorkSophie Fuchs, mandolinist, Jamaica, New YorkBeverly Frierman, mandolinist, New York, New YorkMuriel Isbitts, mandolinist, New Milford, New JerseyFani Jacobson, mandolinist, leader, New York, New YorkNorman Levine, mandolinist, Brooklyn, New YorkTessie Nerenberg, mandolinist, Yonkers, New YorkMeyer Schein, mandolinist, Bronx, New YorkCharles Slater, mandolinist, Brooklyn, New YorkHenry Wurman, 1900-1981, mandolinist, Bronx, New York
Walter Pardon, 1914-, singer, North Walsham, Norfolk, England
Anne Rosetta Springfield, 1911-, Pearlie Queen, London, England
The Watersons and Martin Carthy -- The Watersons and Martin CarthyLal Waterson, 1943-1998, singerMike Waterson, 1941-2011, singer, Robin Hoods Bay, Yorkshire, EnglandNorma Waterson, 1939-, singer, Robin Hoods Bay, EnglandMartin Carthy, 1941-, singer, Robin Hoods Bay, England
A. L. (Albert Lancaster) Lloyd, 1908-1982, folklorist
S. A. Matthews, folk dance specialist, London, England
British-American
United States
John Ashby, 1915-1979, fiddler
Dillard Chandler, 1907-1992, ballad singer, Rosedale, New York
Lloyd Chandler, 1896-1978, ballad singer, Marshall, North Carolina
Nell Fernandez, singer, Summer Shade, Kentucky
Ray Hicks, 1922-2003, storyteller, Banner Elk, North Carolina
Wiktor Mikolajski, 1910-, tour administrator, Warsaw, Poland
Ludwik Bielawski, 1929-, folklorist, Warsaw, Poland
Polish American
The Gromada Family -- The Gromada FamilyAniela Gromada, 1908-1984, cellist, singer, Elmwood Park, New JerseyAnn Gromada, 1965-, dancer, Wyckoff, New JerseyJan Gromada, 1905-1996, fiddler, embroiderer, Elmwood Park, New JerseyJohn Gromada, 1964-, dancer, Wyckoff, New JerseyTadeusz Gromada, 1929-, second fiddler, dancer, Wyckoff, New JerseyTeresa Gromada, 1930-, dancer, singer, Wyckoff, New JerseyHenryk Kedron, 1926-, dancer, singer, metal worker, Hasbrouck Heights, New JerseyJanina Kedron, 1931-, fiddler, singer, dancer, Hasbrouck Heights, New JerseyTadeusz Koziek, 1930-1979, fiddle, bass player, singer, Garfield, New JerseyEdward Nowobielski, 1924-2006, singer, dancer, Garfield, New Jersey
Stephanie Batory, 1913-1994, decorative paper cuttings, Philadelphia, Pennsylvania
Portuguese
Grupo Coral da Aldeia Nova de São Bento -- Grupo Coral da Aldeia Nova de São BentoManuel de Mira Monge, 1925-, singer, São Bento, PortugalSilvestre Charraz Morais, 1945-, singer, São Bento, PortugalJosé Candeias Rosa, 1935-, singer, São Bento, PortugalManuel Carrasco Valadas, 1949-, singer, São Bento, PortugalManuel Toira Varela, 1934-, singer, São Bento, PortugalBento Charraz Calvinho, 1922-, singer, São Bento, PortugalJosé Francisco Esparteiro Serrano, 1951-, singer, São Bento, PortugalJosé Lopes Carrilho, 1919-, singer, São Bento, PortugalBento Brito Coelho, 1937-, singer, São Bento, PortugalJosé Valadas Mata-Setam, 1936-, singer, São Bento, Portugal
Grupo Folclórico Mirandes de Duas Igrejas -- Grupo Folclórico Mirandes de Duas IgrejasAntonio Maria Moorinho, 1917-, director, Duas Igrejas, PortugalJosé Pires Martins, 1912-, musician, Duas Igrejas, PortugalAlexandre Feio, 1914-, musician, Duas Igrejas, PortugalAlfredo Augusto Ventura, 1912-, musician, Duas Igrejas, PortugalDelmiro Braz Antão, 1915-, musician, Duas Igrejas, PortugalDomingos Augusto Ruano, 1955-, musician, Duas Igrejas, PortugalLuciano de São Pedro Martins, 1953-, musician, Duas Igrejas, PortugalAdão Dos Santos Moreira, 1926-, musician, Duas Igrejas, PortugalClemente de Jésus Amaro Dias, 1957-, musician, Duas Igrejas, PortugalMateus Augusto Martins Fidalgo, 1927-, musician, Duas Igrejas, PortugalArtur Raposo Alves Galego, 1956-, musician, Duas Igrejas, PortugalManuel João Alves, 1927-, musician, Duas Igrejas, PortugalManuel Baltazar Fernandes Aires, 1959-, musician, Duas Igrejas, Portugal
Maria Ernestina Costa Rodrigues, interpreter, Murtal São Pedro Do Estoril, Portugal
Portuguese American
Odete Amarelo, 1950-, food demonstrator, Fall River, Massachusetts
Manuel Azuvedo, 1917-2004, singer, dancer, Sacramento, California
Maria Alice Cordeiro, 1961-, singer, Fall River, Massachusetts
Elaine C. Oliveira, 1938-, singer, musician, Somerset, Massachusetts
Armindo I. Paira, 1963-, singer, Fall River, Massachusetts
Scheeseler Beekschepers -- Scheeseler BeekschepersWilhelm Leuenroth, 1906-, clarinet player, Wittkopsbostel, GermanyBernd Meyer, accordion player, Visselhoevede, GermanySiegfried Johann Karl Lott, 1933-, friction drum, flute, jaws harp player, Rohr, GermanyHans Johannes Almering, 1941-, clarinet player, Ahaus-Wüllen, GermanyUrsula Christina Wassing Almering, 1942-, accordion player, Ahaus-Wüllen, GermanyUrsula Blomeier, 1920-, street organ player, Berlin, GermanyKonrad Koestlin, 1940-, folklorist and presenter, Hoffeld über Bordesholm, Germany
German American
Albert Fahlbusch, 1925-2005, hackbrett player and maker, Scottsbluff, Nebraska
Mary Fahlbusch, 1932-2013, food demonstrator, Scottsbluff, Nebraska
Roger Fahlbusch, 1958-, hackbrett player and maker, Scottsbluff, Nebraska
Ray Stahla German-Russian Band -- Ray Stahla German-Russian BandRay Stahla, 1929-, accordion player, Grand Island, NebraskaPhil Stahla, 1949-, trombone player, Gillette, WyomingRandy Stahla, 1952-, drummer, Greeley, ColoradoJohn Klein, 1919-1982, hackbrett player, Lincoln, Nebraska
Dorf Musikanten -- Dorf MusikantenJohn Braun, 1938-, accordion player, Mequon, WisconsinRoland A. Braun, 1923-2004, clarinet and zither player, Milwaukee, WisconsinEarl Hilgendorf, 1934-, trumpet and fluegel horn player, Mequon, WisconsinHarold Pipkorn, 1927-, baritone player, Mequon, WisconsinJacob Skocir, 1913-2008, guitar and mandolin player, Milwaukee, Wisconsin
Die Tiefen Keller-Kinder -- Die Tiefen Keller-KinderLarry Bobe, 1955-, trombone player, Amana, IowaJeff Ehrmann, 1956-, cornet player, Amana, IowaPatrick H. Kellenberger, 1951-, tuba player, South Amana, IowaDennis Kraus, 1955-, cornet player, Middle Amana, IowaMark H. Rettig, 1951-, baritone player, Middle Amana, IowaCarol Schuerer, 1958-, clarinet player, Amana, IowaPaul R. Staman, 1958-, cornet player, Amana, IowaAlan J. Trumpold, 1953-, tuba player, South Amana, IowaGuy H. Wendler, baritone and cornet player, Amana, IowaBrad Zuber, 1956-, manager, Amana, IowaRobert Zuber, 1957-, trombone player, Homestead, Iowa
Spanish American
Andalusian
Manuel "Agujetas" De Los Santos, flamenco singer, New York, New York
Tibulina De Los Santos, flamenco dancer, New York, New York
Asturian
Sixto Alonso, singer, Kearney, New Jersey
Basque
Elisa Vidasolo, dancer, Brooklyn, New York
Luis Vidasolo, dancer, Brooklyn, New York
Maria Luisa Vidasolo, cook, Brooklyn, New York
Alys Viña, 1914-1993, tambourine player, Cranford, New Jersey
Angelo Viña, 1914-2003, drummer and fife player, Cranford, New Jersey
Galician
Domingo Casais, bombo player, Bayonne, New Jersey
Francisco Castineira, dancer, Kearny, New Jersey
Manuel Galan, bagpiper, Seaford, New York
Manolo Garcia, dancer, North Tarrytown, New York
Fina Meizoso, dancer, Woodside, New York
Kim Munoz, dancer, Queens, New York
Manuel Pena, tambor player, Corona, New York
Carlos Rodriguez, bagpiper, Elizabeth, New Jersey
Old Spanish
Cleofes Vigil, 1917-1992, singer, San Cristobal, New Mexico
Puerto Rican
Cuarteto Isabelino, instrumental ensemble -- Cuarteto Isabelino, instrumental ensembleWilfredo Cordero, Isabela, Puerto RicoJoaquin Rivera, 1910-1995, Isabela, Puerto RicoMatildo Rosado Santiago, Isabela, Puerto RicoDomingo Ruiz, Isabela, Puerto Rico
Mexican
Los Caporales -- Los CaporalesRicardo Gutierrez Villa, violin, Apatzingán, Michoacán, MexicoRubén Cuevas Maldonado, harp, Apatzingán, Michoacán, MexicoCarlos Cervantes Mora, guitarra de golpe, Michoacán, MexicoOvaldo Ríos Yañez, five string guitar, Tomatlán, Michoacán, MexicoJesús Espinoza Mendoza, violin, Apatzingán, Michoacán, Mexico
Pokar de Ases -- Pokar de AsesMartín Ruíz Luciano, small drum, San Juan, Guerrero, MexicoZacarías Salmerón Daza, violin, Tlapehuala, Guerrero, MexicoJuan Taviera Simón, violin, Ajuchitlán, Guerrero, MexicoSalomón Echeverría de la Paz, bass guitar, Tlapehuala, Guerrero, MexicoNicolas G. Salmerón, guitar and lead singer, Tlapehuala, Guerrero, Mexico
Grupo de Musica Azteca – Puebla -- Grupo de Musica Azteca – PueblaJulio Ocelo Abrajan, huehuetl playerFrancisco García, redoblante, Tlacopac, San Angel, MexicoCrescenciano Chantes Misnáhuatl, chirimia, Tlacopac, San Angel, Mexico
Los Gavilanes -- Los GavilanesAlberto Hernández Carmona, Veracruz, MexicoFortino Hoz Chávez, jarana, Boca del Rio, Veracruz, New MexicoRamon Hoz Chávez, arpa, Boca del Rio, Veracruz, MexicoEvaristo Silva Reyes, pandero, Tlacotlalpan, Veracruz, MexicoJosé Aguirre Vera, requinto, Tlacotlalpan, Veracruz, Mexico
Banda Sinaloense -- Banda SinaloenseJuventino Cruz, bass drum, Los Angeles, CaliforniaFrancisco Garcia, trombone, Los Angeles, CaliforniaPascual Garxiola, trombone, Los Angeles, CaliforniaAntonio Ibarra, snare drum, Los Angeles, CaliforniaManuel Luna, clarinet, Los Angeles, CaliforniaMiguel Nuñez, clarinet, tuba, Los Angeles, California
Isabella Ortega, 1926-2000, food demonstrator, Santa Fe, New Mexico
Ben Ortega, 1923-1998, wood carver, Santa Fe, New Mexico
Luis Eligio Tapia, 1950-, wood carver, Santa Fe, New Mexico
Conjunto Jarocho -- Conjunto JarochoRoberto Murillo, 1941-2001, Vera Cruz harp player, La Mirada, CaliforniaHarry González, 1932-, guitar and requinto jarocho player, Walnut Creek, CaliforniaSteve Luévano, 1939-, jarana jarocho player, Los Angeles, CaliforniaCarlos Gonzalez, 1936-, jarana jarocho player
José Mariano Ortega, 1921-, corrido singer, guitar player, Los Angeles, California
María Elena Villarreal, corrido singer, guitar player, Los Angeles, California
The Tyrolers -- The TyrolersEmery Wechselberger, 1933-, zither player, yodeler, Leavenworth, WashingtonEric Wechselberger, 1961-, trumpet player, Leavenworth, WashingtonRoy Wechselberger, 1963-, trumpet and bells player, schuhplatt dancer, Leavenworth, WashingtonFranz Schauer, drummer, Seattle, Washington
The Alpiners -- The AlpinersDick Theml, 1922-2003, violin player, singer, Glenview, IllinoisJohn Weber, 1945-, tuba player, Chicago, IllinoisMiles G. Soumar, 1933-2013, clarinet player, Chicago, IllinoisEdward C. Richter, 1917-1998, accordion player, Chicago, IllinoisRichard A. Jenson, 1942-, trumpet player, Palatine, IllinoisJerome C. Olson, 1934-1991, drummer, Chicago, IllinoisHeidi Siewert, 1938-, singer, yodeler, Glen Ellyn, Illinois
Sara Schwarz, 1912-1992, embroiderer, Chicago, Illinois
Rosegger Steirer Group -- Rosegger Steirer GroupBeryl Rossner, 1925-2010, folk dancer, Highland, IndianaCarl Rossner, 1921-1993, folk dancer, Highland, IndianaBarbara Rossner, 1958-, folk dancer, Highland, IndianaMichael Rossner, 1955-, folk dancer, Highland, IndianaBetty Wagner, 1930-, folk dancer, Chicago, IllinoisEdward Wagner, 1958-, folk dancer, Chicago, IllinoisAdolph Wagner, 1924-1982, accordion player, Chicago, IllinoisSharon Schuch, folk dancerMary Schuch, 1928-, folk dancer, Oak Lawn, IllinoisRoberta Schuch, 1961-, folk dancer, Oak Lawn, IllinoisAnthony Schuch, 1928-, folk dancer, Oak Lawn, IllinoisEllen Guenther, 1962-, folk dancer, Oak Lawn, IllinoisHedwig Guenther, folk dancer, Oak Lawn, IllinoisPaul Coglianese, 1957-, folk dancer, Oak Lawn, IllinoisFred Semmler, 1939-, folk dancer, Chicago, Illinois
Indian
The Chetana Indian Women's Organization, traditional food preparation
Dancers & singers from Manipur
Dancers & singers from Rajasthan and Gujarat
Dancers & singers from the Punjab and Haryana
Mrs. Battobai, folk doll maker
Surya Dev, madhubani painter
Bindeshwari Devi, sikki grass work
Sita Devi, madhubani painter
Mohan Mehar, ikat weaving from Orissa
Shantantra Prakash, craft program coordinator, New Delhi, India
Raghunath Singha, loin loom weaving of Manipur
Indian American
Arun Agrawal, 1945-, singer, dancer, musician, Fall River, Massachusetts
Paul Anderson, 1935-, singer, Windsor, Ontario, Canada
Brigitte Geiser, 1941-, field researcher and presenter, Bern, Switzerland
Swiss American
Kapelle Werner Blaser -- Kapelle Werner BlaserWerner Blaser, 1926-, clarinet and saxophone player, Chehalis, WashingtonJoe Blaser, 1956-, clarinet and saxophone player, Chehalis, WashingtonDon Blaser, 1961-, accordion player, Chehalis, WashingtonMary Ann Ackerman, piano player, Orting, WashingtonJoe Burgi, 1906-1990, bass and accordion player, Tacoma, WashingtonRandy Grab, 1953-, bass player, Tacoma, Washington
Young Swiss Musicians -- Young Swiss MusiciansHelen Rast, 1961-, accordion player, San Jose, CaliforniaFrank Rast, 1959-, trumpet and alphorn player, San Jose, CaliforniaFred Rast, 1958-, clarinet, saxophone and alphorn player, San Jose, CaliforniaChristine Anderson, 1961-, bass player, Newark, CaliforniaKaren Anderson, 1959-, clarinet and alto saxophone player, Newark, CaliforniaSonja Ruckli, 1958-, piano player and singer, Newark, CaliforniaMichael Imhof, 1959-, accordion player, Fremont, California
Aelplergruppe -- AelplergruppeSergio Sartori, 1927-1978, accordion player and singer, San Francisco, CaliforniaDennis Sartori, 1954-, accordion player and singer, San Francisco, CaliforniaConrad Grass, 1954-, wrestler, San Bruno, CaliforniaRobert Wipfli, 1953-, wrestler, Fremont, California
Kaspar Hunkeler, flag thrower, Chevy Chase, Maryland
Robbi Hunkeler, flag thrower and alphorn player, Chevy Chase, Maryland
Italian
Calabria
Francesco Crudo, 1933-, piffero (oboe) player, Rombiolo, Italy
Michele Monteleone, 1918-, zampogna player (bagpiper), Rombiolo, Italy
Liguiria
Squadra Nuova Pontedecima, polyphonic chorus
Alessandro Anzini, 1940-, escort, Rome, Italy
Italian American
Basilicata
Antonio Davida, singer, drum player
Calabria
Anunziata Chimento, 1917-2006, singer, masker in Carnevale
Anunziato Chimento, singer, dancer, castanets player, "Doctor" in Carnevale
Franco Cofone, singer, dancer, quadrille caller, "Pulcinella" and master of ceremonies in Carnevale
Giuseppe DeFranco, 1933-, musician, singer, dancer
Raffaela DeFranco, 1935-, singer, dancer
Antonio DiGiacomo, tambourine player, singer, dancer
Carmine Ferraro, singer, dancer, masker in Carnevale
Francesco Feraco, singer, dancer, tambourine player
Angelo Gabriele, 1921-2006, singer, tambourine player, dancer, masker in Carnevale
Angelo Gencarelli, 1920-2004, singer, dancer, "La Quaresima" (Lent) in Carnevale
Federico Gencarelli, singer, tambourine player
Giuglio Gencarelli, singer, "Carnevale" in Carnevale
Maria Melito, dancer, masker in Carnevale
Molise
Vincenzo Deluca, 1933-1983, bagpiper
Sicily
Vincent Ancona, 1915-2000, chanty singer
Nino Curatolo, 1928-1980, singer of chanties, carittiere and fish vendors' songs, jaws harp player
Gaetano D'Angelo, 1906-1996, chanty singer
Giovanni Pellitteri, friscalettu (cane flute) player
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
"Regional America" cut across all the other sections of the Festival by looking at the assemblages of different peoples scattered across our land. In this area, therefore, visitors could see working people and children, ethnics and blacks and Native Americans brought together to celebrate not so much their individual identities but the space in which they all live together, their homeplace within the wide American land.
A region was acknowledged to be a hard thing to create on the Mall; it is an abstract made up of a thousand concrete details: the lay of the land, the slant of the sunlight, the way a person says "Good morning," the particular records on the jukeboxes in the diner, the depth of the topsoil, the smell of Sunday dinner. So in Regional America the Festival brought together the people who lived in a particular place and asked them to demonstrate the arts and the skills that make it possible to live in that place and that most powerfully characterize it. It is the sense of home that the Smithsonian sought to capture here.
June 16-20, the Northeast. The Northeast Region combines the peoples and the traditions of the Atlantic Northeast (Pennsylvania, New York, New Jersey, and Delaware) and those of New England. There were demonstrations of lobster trap making, whittling, quilting, and snowshoe making, traditional food preparation, and presentations of Anglo, French, and German American traditional music.
June 23-27, the Great Lakes. The Great Lakes region is a large area consisting of diverse peoples and traditions. Scandinavian, Eastern European, Mediterranean, and Native American music, crafts, and food demonstrations included birch bark canoe building, bread baking, and pysanky decorating. From the farming and dairy areas, skills such as shingle making and wood carving were presented, along with dairy cattle demonstrations of milking, calf feeding, and caring for livestock. Demonstrations of maritime activities included fish net making, waterfowl decoy carving, dock building, and storytelling. Blues and other transplanted styles of Southern music were also performed.
July 1-5, the South. Presentations included Alabama folk painting, traditional boat building, stitchery by Ethel Mohamed (who did the tapestry on the cover of the 1976 program book), decoy carving and painting, a Freedom Quilting Bee, pottery, and splint basket making. Regional America's presentation of Southern foodways traditions included the preparation of pecan pralines, various gumbos, crawfish, and sorghum.
July 7-11, the Upland South. Crafts presented this week included quilting, blacksmithing, stone carving, barrel making, and whittling. Vinegar pie, hominy, biscuits and gravy were made for sampling, with barbequed chicken, corn on the cob, cobbler, and barbequed beans for sale.
July 14-18, the Heartland. Craft presentations included the making of apple head dolls, corn husk dolls, tree branch dolls and spurs, wood carving, and pysanky (egg decorating.) Foodways demonstrations includes the preparation of such regional specialties as kolaches (a Bohemian fruit-filled bun), sweet braided bread, New Year cookies, cheese, and sauerkraut.
July 14-18, the Great West. Featured crafts included quilting by seven different participants, wagon wheel making, horse hair rope making, wood carving, braided and woven rug making, and the demonstration of traditional fence building styles. Preparation of foods from the Great West was demonstrated including bratzells (cookies baked over an open fire), whole wheat bread, and the canning of sauerkraut, pickles, relish, and jelly.
July 28-August 1, the Pacific Northwest. Craft presentations included fly tying and casting, snow sled making, fiddle making, a logging demonstration, weaving, whittling, net making, boat building, and paper cutting. Foodways demonstrations featured a camp cook making pancakes and sourdough bread, traditional to the logging life of the Pacific Northwest.
August 4-8, the Southwest. Visitors could see cowboy boot making, adobe making, mural painting, calf roping, saddle making, rawhide work, and soap making demonstrated as part of the presentation of the culture of the Southwest. Traditional ranch cooking was demonstrated, with chili, beans, and sourdough biscuits among the featured specialties.
Barbara LaPan Rahm was Program Coordinator; William K. McNeil was Folklorist; and Diana Parker was Assistant Program Coordinator.
Clarence E. Smith, 1940-, Oakland, California, ex-Texas
Lorence L. Smith, Colorado
Elaine Sylvia, California
Ron Sylvia, California, ex-Massachusetts
Elizabeth Rose Tea, 1920-, Clifton, Arizona
Pablo Trujillo, 1916-, New Mexico
Florentino Urias, Presidio, Texas
Jose Urias, Texas, Presidio, Texas
Maria Velasquez, California
Ossie White, California
Roscoe White, California
Jesse Wright, California
Jimmy Wright, singer, Fresno, California
Walter Wright, singer, Fresno, California
William Wright, 1914-1982, singer, Selma, California
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
