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Masters of the Building Arts

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
From the soaring skyscrapers of New York City to the adobe churches of New Mexico, from the sturdy stone walls of New England to the majestic monuments of the nation's capital, master craftworkers in the building arts have brought enduring beauty to our built environment. Working in wood, stone, brick, and metal, in plaster, paint, glass, and clay, they transform designs on paper into three-dimensional works of art. Much depends on their workmanship and skill: on their deep understanding of raw materials, their careful selection and use of tools, their mastery of technique. The final product is the result not only of their knowledge and abilities, but also their creativity and care - their will to excellence.

Artisans in the building trades share a deep appreciation for the aesthetic value and expressive power of technical perfection. They delight in skill and find meaning and pleasure in the poetic qualities of workmanship - in their ability to craft objects of beauty and strength through their special touch. Their great pride and creative spirit, their love for their work, and their commitment to excellence are manifested in a lasting legacy of architectural achievement left behind for generations to come.

The 2000 Festival program celebrated the extraordinary artistry of craftspeople in the building arts and explored the many challenges they face today as they work to preserve our nation's past and build for the future. The Festival brought together a selection of master artisans - stone carvers, masons, carpenters, terra cotta artisans, plasterers, blacksmiths, stained glass artisans, and adobe builders - who have enriched our world with the work of their hands, and who educated and informed Festival visitors not only with their skills but also with their knowledge and lore.

Marjorie Hunt was Curator and James Deutsch was Program Coordinator; Betty Belanus was Education Specialist and Family Activity Guide Coordinator. An Advisory Committee included: J. Bryan Blundell, Kurt Dewhurst, William Dupont, Cynthia Field, Henry Glassie, Norman Koonce, Betty Monkman, Peter Nabokov, Joanna Reagan, Rex Scouten, William Seale, Chris Sturbaum, John Michael Vlach, and Ed Worthy.

The program was produced in collaboration with the International Union of Bricklayers and Allied Craftworkers and the International Masonry Institute, the National Trust for Historic Preservation, the National Building Museum, the American Institute of Architects, and the Preservation Trades Network. Major funding was provided by Homestore.com, the Marble Institute of America, Allied Stone Industries, the Building Stone Institute, the Indiana Limestone Institute, and the National Building Granite Quarries Association. Major contributors included Target Stores, the Associated General Contractors of America, the National Association of Realtors, and the Smithsonian Women's Committee. Additional donors included the School of the Building Arts, Duron, Inc., the Brick Industry Association, the Laborers' International Union of North America, the Smithsonian Educational Outreach Fund, and the Copper Development Association, Inc.
Researchers:
Jane Beck, Betty Belanus, Ray Brassieur, Amanda Dargan, James Deutsch, Kurt Dewhurst, Karen Duffy, Lynn Martin Graton, Dwight Pauahi Kauahikaua, Winnie Lambrecht, Tim Lloyd, Gregory Sharrow, Gary Stanton, David Taylor, Elaine Thatcher, John Michael Vlach
Presenters:
Betty Belanus, Barry Bergey, Ray Brassieur, Olivia Cadaval, Amanda Dargan, William Dupont, Brian Finnegan, Lynn Martin Graton, Tim Lloyd, Philip "Pete" Pederson, Clift Seferlis, Peter Seitel, Gregory Sharrow, Angelo Simone, Nick Spitzer, Gary Stanton, David Taylor, Elaine Thatcher, Cynthia Vidaurri, John Michael Vlach
Participants:
David Adams, historic preservation specialist, Portsmouth, New Hampshire

Robert Alger, stone carver, sculptor, Spencerville, Maryland

Joseph Alonso, stone mason, Vienna, Virginia

Onofre Anguiano, terra cotta hand presser, mold maker, Lincoln, Calif.

Walter S. Arnold, stone carver, Skokie, Illinois

Sam Baca, program director, Cornerstones Community Partnerships, Santa Fe, New Mexico

Earl A. Barthe, 1932-2010, plasterer, historian and consultant, New Orleans, Louisiana

Hurchail Barthe, plasterer, New Orleans, Louisiana

Terry Barthe, plasterer, historic housing specialist, New Orleans, Louisiana

Nick Benson, stone carver, letterer, Newport, Rhode Island

Johan Bjurman, decorative painter, Cheshire, Connecticut

Anna Bowen, stone carver, letterer, Newport, Rhode Island

Dan Boyle, timber framer, Dover, New Hampshire

Rory Brennan, historic plaster specialist, Putney, Vermont

Ron Brooks, decorative painter, Rockville, Maryland

John Canning, decorative painter, Cheshire, Connecticut

Jacqueline Canning-Riccio, decorative painter, Cheshire, Connecticut

Jesus Cardenas, terra cotta modeler, mold maker, Lincoln, California

Charles Cardine, architectural blacksmith, Chantilly, Virginia

Patrick Cardine, architectural blacksmith, Chantilly, Virginia

Carson Christian, timber framer, Wooster, Ohio

Rudy Christian, timber framer, Burbank, Ohio

Peter "Billy" Cleland, 1921-2010, stone mason, Clinton, Maryland

William R. Cleland, Jr., stone mason, Dunkirk, Maryland

Rose Concha, -- enjarrodoro -- (adobe plasterer), Taos, New Mexico

Brian Cox, carpenter, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

John Drew, carpenter, St. Leonard, Maryland

William Dupont, Graham Gund Architect of the National Trust, National Trust for Historic Preservation, Washington, D.C.

Cane Fields, Hawaiian dry stack mason, Kailua-Kana, Hawaii

Billy Fields, Hawaiian dry stack mason, Kailua-Kana, Hawaii

David Flaharty, ornamental plasterer, sculptor, Green Lane, Pennsylvania

lsidoro Flaim, stone mason, Camp Springs, Maryland

Tom Glynn, timber framer, South Berwick, Maine

Dieter Goldkuhle, 1938-2011, stained glass artisan, Reston, Virginia

Giles Harper, preservation carpenter, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

Adam Heller, stone carver, letterer, Newport, Rhode Island

Randy Herald, sheet metal craftsperson, Bethesda, Maryland

Randy Herald, Jr., sheet metal craftsperson, Bethesda, Maryland

Hans Herr, coppersmith, Holtwood, Pennsylvania

John Paul Huguley, president, School of the Building Arts, Charleston, South Carolina

Judy Jacob, architectural conservator, National Park Service, New York, New York

Raymond Johnson, terra cotta modeler, draftsman, Lincoln, California

Dean Kalomas, decorative painter, Washington, D.C.

Vikki Keys, deputy superintendent, National Park Service, Washington, D.C.

Rick King, dry stone wall mason, Holderness, New Hampshire

Scott King, dry stone wall mason, Holderness, New Hampshire

Naomi Kroll, architectural conservator, National Park Service, New York, New York

Wade Lawrence, assistant director, Drayton Hall, National Trust for Historic Preservation, Charleston, South Carolina

Elmo Leonardelli, scaffold erector, Baltimore, Maryland

Stephen Lorenzetti, chief of resource management, National Park Service, Washington, D.C.

Amber Lucero, -- enjarrodoro -- (adobe plasterer), Taos, New Mexico

Rick Lykins, restoration carpenter, Bloomington, Indiana

George McDaniel, director, Drayton Hall, National Trust for Historic Preservation, Charleston, South Carolina

Richard Marks, architectural conservator, Charleston, South Carolina

Antonio Martinez, community leader, Upper Rociada, New Mexico

David Martinez, terra cotta draftsman, Roseville, California

David Mason, dry stone wall mason, Starksboro, Vermont

Rick Mason, dry stone wall mason, Hinesburg, Vermont

John O'Connor, engineer, Universal Builders Supply, Cheverly, Maryland

David Overholt, restoration project manager, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

Albert D. Parra, adobe builder, Albuquerque, New Mexico

Theodore Pierre, Jr., brick mason, New Orleans, Louisiana

Konstantinos Pilarinos, Byzantine-style woodcarver, Astoria, New York

Panagiota Pylarinos, architect, Astoria, New York

Dennis Playdon, program manager, Cornerstones Community Partnerships, Santa Fe, New Mexico

Patrick Plunkett, stone carver, Takoma Park, Maryland

Joseph Pringle, blacksmith, Charleston, South Carolina

Nol Putnam, artist blacksmith, The Plains, Virginia

Clay Raley, restoration carpenter, Norman, Indiana

Brad Robinson, architectural blacksmith, Chantilly, Virginia

Steve Roy, historic preservation specialist, Portsmouth, New Hampshire

Brett Rugo, president, Rugo & Carosi, Woodbridge, Virginia

Laura Saeger, timber framer, Burbank, Ohio

George Salvador, restoration crew leader, Pueblo of Acoma, New Mexico

Eduardo Seara, vice-president, Lorton Contracting Company, Lorton, Virginia

Manuel Seara, president, Lorton Contracting Company, Lorton, Virginia

Tony Segreti, architect, Bethesda, Maryland

Carlton Simmons, blacksmith, Charleston, South Carolina

Philip Simmons, 1912-2009, blacksmith, Charleston, South Carolina

Louis Soublet, plasterer, New Orleans, Louisiana

Larry E. Stearns, coppersmith, Westford, Vermont

Ben Sturbaum, restoration carpenter, Owensburg, Indiana

Chris Sturbaum, restoration carpenter, Bloomington, Indiana

Arran Sturgis, timber framer, Eliot, Maine

Daniel Szwed, construction manager, Waldorf, Maryland

Mark Tamara, structural engineer, James Madison Cutts, Washington, D.C.

Lonn Taylor, historian, National Museum of American History, Smithsonian Institution, Washington, D.C.

Lloyd Tortalita, Adult, Higher Education director, former governor, Pueblo of Acoma, New Mexico

Roman Troyer, timber framer, Wooster, Ohio

Dexter Trujillo, adobe builder, mud preserver, Abiquiu, New Mexico

Mark Tsirigos, president, Universal Builders Supply, Cheverly, Maryland

George Void, masonry crew, Washington National Cathedral, Washington, D.C.

Chuck Wagner, owner, Wagner Roofing Company, Hyattsville, Maryland

Sheila Wagner, owner, Wagner Roofing Company, Hyattsville, Maryland

Tom Weddle, restoration carpenter, Bloomington, Indiana

Bob Wooldridge, slater, Mercersburg, Pennsylvania

Jeff Wooldridge, slater, project manager, Bethesda, Maryland

Bill Yeingst, curator, National Museum of American History, Smithsonian Institution, Washington, D.C.

Pauli Zmolek, decorative painter, Takoma Park, Maryland

INTERNATIONAL UNION OF BRICKLAYERS AND ALLIED CRAFTWORKERS (BAC), INTERNATIONAL MASONRY INSTITUTE (IMI)

Frank Baiocchi, marble mason, Mt. Airy, Maryland

Ed Bellucci, IMI deputy director of Apprenticeship and Training, Jefferson, Maryland

Robert Bernardon, marble mason, Suitland, Maryland

Lewis Carrara, mosaic worker, Fortville, Indiana

Raoul Cervantes, bricklayer, Claremont, California

Kurt Colo, bricklayer, New Baltimore, Michigan

Laird Donaldson, IMI regional director, Auburn, Washington

James Farris, stone mason, Stafford, Virginia

Richard Francescon, marble mason, South Easton, Massachusetts

Greg Hartseil, IMI Job Corps regional director, Lorida, Florida

Dennis Holloway, IMI Scola Training Center director, West Babylon, New York

Mike Kassman, IMI pointing, cleaning, and caulking instructor, Waynesboro, Pennsylvania

Tony Kassman, IMI National Safety, pointing, cleaning, and caulking coordinator, Tonawanda, New York

John Kitchen, bricklayer apprentice, Dryden, New York

Frank Koletar, refractory bricklayer, Orchard Park, New York

Annette Ludwig, tile layer, Bellevue, Washington

Nelson McMath, BAC Local 9 Michigan field representative, Saline, Michigan

Tom McQuaid, BAC Local 1 DC, MONA secretary, treasurer, Gettysburg, Pennsylvania

Steve Martini, IMI Strategic Programs director, Cascade, Maryland

Steve Mason, terrazzo apprentice, Washington, D.C.

Antoine Matthews, bricklayer, Baltimore, Maryland

Michael Menegazzi, IMI terrazzo instructor, South Gate, California

Bob Mion, IMI tile, marble, and terrazzo instructor, Binghamton, New York

Guillermo Moreno, stone mason, Hyattsville, Maryland

Colleen Muldoon, coordinator of Education Programs, bricklayer, Baltimore, Maryland

Clarence Nichols, IMI deputy director of Apprenticeship and Training, Cumberland, Maryland

Angela Olszewski, tile layer, Jersey City, New Jersey

Lester Parnell, bricklayer, Detroit, Michigan

Bob Perry, IMI regional director, Culver City, California

Darren Raines, tile layer, Chicago, Illinois

Matthew Redabaugh, IMI coordinator of Special Projects, Cascade, Maryland

Butch Rovder, BAC stone craft director, South Riding, Virginia

Joe Stewart, BAC pointing, cleaning, and caulking craft director, Pittsburgh, Pennsylvania

Gene Stinner, IMI director of Apprenticeship and Training, Cascade, Maryland

Dennis Studley, IMI Job Corps regional director, Yucaipa, California

Harold Sugg, refractory bricklayer, West Seneca, New York

Jimmy Ternent, marble mason, Westminster, Maryland

John Totten, IMI plaster instructor, Clintondale, New York

Drew Vecchione, IMI stone instructor, Flourtown, Pennsylvania

Battista Yon, bricklayer, Hyattsville, Maryland
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2001, Series 3
See more items in:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-2001-ref26

Metro Music

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
Washington, the capital city, has long been known for its official culture and public celebrations such as presidential inaugurations, Independence Day pageantry, military band concerts, state funerals, and embassy receptions. Yet it has another reality, one sometimes hidden behind official functions. Washington, the residential city, burgeons with cultures transplanted from beyond urban, state, and national boundaries as well as hybrid traditions newly rooted in an urban environment.

Metropolitan Washington, with over four million residents in 1993, was home to more than one million African Americans, 250,000 Hispanic Americans, nearly 250,000 Asian/Pacific Americans, and thousands of other peoples from around the world. The metropolitan area had been enriched by a continual influx of people from the South and, more recently, immigrants from Central America, the Caribbean, Southeast Asia, and the Horn of Africa. Viewing the city as an environment of distinctly American possibilities, people have flocked to Washington throughout its 200-year history, in search of refuge, a better life, and greater opportunities for freedom, education, power, respect, employment, and financial security. While some came with abundant wealth, others brought little more than themselves, their values, and their traditions to sustain themselves in their transition to a new situation.

Music was always among the most vital of the intangible traditional resources that helped to support these Washingtonians. Each community developed particular institutions and networks of support facilitating social interaction and exchange of information. Some of these communities were defined by geographical boundaries, such as a neighborhood, and traditions emerged out of that experience. Other communities might have lacked geographic definition but shared common characteristics such as age, ethnicity, occupation, social interests, or even family relationship. The sharing of values, perspectives, and experience created a basis for the existence and growth of tradition. Music provided a channel for the expression of community-based values, on display to Festival visitors in the Metro Music program.

Richard Kennedy and Thomas Vennum, Jr. were Program Coordinators. Metro Music was made possible with the support of the recording industries Music Performance Trust Funds.
Presenters:
Enrique Avilés, Philippa Jackson, Richard Kennedy, Michael Licht, Barry Lee Pearson, Jeff Place, Thomas Vennum, Jr.
Participants:
Participants

Baltimore Korean Dancers

Ji Eun Ahn, Baltimore, Maryland

Soon Hee Ahn, Baltimore, Maryland

Ayang By Chi, Baltimore, Maryland

Nanhui Kang, Baltimore, Maryland

Eun Soo Kim, Baltimore, Maryland

Hyum Joo Kim, Baltimore, Maryland

Jung Sook Lee, Baltimore, Maryland

Hye Sook Lim, Baltimore, Maryland

Jung Sook Park, Baltimore, Maryland

Chu Me Yu, Baltimore, Maryland

Ann Yim, Baltimore, Maryland

Jum Bok Yim, Baltimore, Maryland

Chu Me Yi, Baltimore, Maryland

Ann Yim, Baltimore, Maryland

Jum Bok Vim, Baltimore, Maryland

The Country Gentlemen

Charlie Waller, guitar, vocals, Gordonsville, Virginia

Jimmy Bowen, mandolin, vocals, Nashville, Tennessee

Greg Corbett, banjo, vocals, Troy, North Carolina

Ronnie Davis, bass, vocals, Charlottesville, Virginia

Ganga, Bengali Folk Music

Hitabrata Roy, 1927-, dotara, Falls Church, Virginia

Minati Basu Roy, 1931-, khamak, Falls Church, Virginia

Broto Roy, 1957-, tabla, Falls Church, Virginia

Krishnakali Roy, 1955-, ghungar, Falls Church, Virginia

The Gospel Pearls

Beatrice Cooper, Washington, D.C.

Paulette Goodlin, Capitol Heights, Maryland

Brenda Little, 1947-, Washington, D.C.

Verna Locus, 1950-, Washington, D.C.

Connie Monroe, 1946-, Washington, D.C.

Sam Hubbard and Reverb, Gospel

Sam Hubbard, 1937-, Washington, D.C.

Steve Langley, 1959-, Washington, D.C.

Reginald Moore, Washington, D.C.

Bruce O'Neal, 1966-, Washington, D.C.

Victor Pinkney, 1960-, Washington, D.C.

John Jackson, 1924-2002, Piedmont blues, Fairfax Station, Virginia

Johnson Mountain Boys

Tom Adams, banjo, Gettysburg, Pennsylvania

Dudley Connell, guitar, vocals, Germantown, Maryland

David McLaughlin, 1958-, mandolin, Winchester, Virginia

Eddie Stubbs, fiddle, Gaithersburg, Maryland

Earl Yager, bass, Spring Grove, Pennsylvania

Djimo Kouyate, Senegalese griot, Washington, D.C.

Little Bit A Blues

Warner Williams, guitar, Gaithersburg, Maryland

Jay Summerour, harmonica, Poolesville, Maryland

Andy Vorhees, bass, Poolesville, Maryland

Alfredo Mojica and His Orchestra, Latin Dance Music

Alfredo Mojica, Sr., band leader, Silver Spring, Maryland

Ralph Eskenazy, 1952-, keyboards, Wheaton, Maryland

Adrianne Galler Lastra, 1954-, bass, Wheaton, Maryland

José Lopez, 1959-, percussion, Gaithersburg, Maryland

Heather McKay, 1959-, guitar, Potomac, Maryland

Alfredo Mojica, Jr., 1958-, percussion, Bethesda, Maryland

Eugene Okonsky, piano, 1965-, Silver Spring, Maryland

Scott Young, saxophone, Wheaton, Maryland

Irish Music & Dance

Winifred Horan, dancer, New York, New York

Donna Long, piano, Baltimore, Maryland

Brendan Mulvihill, 1954-, fiddle, Alexandria, Virginia

Odadaa, Ghanaian Music & Dance

Yacub Addy, master drummer, Alexandria, Virginia

Siboney, Cuban Music

Nelson Rodriguez, director, Washington, D.C.

Veltones, Doo Wop

Joe Herndon, Washington, D.C.

Larry Jordan, 1947-, Washington, D.C.

Sunny Payton, Washington, D.C.

George Spann, Washington, D.C.

Moe Warren, 1947-, Bladensburg, Maryland
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1993, Series 4
See more items in:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1993-ref34

Festival Recordings: Evening Concert: Bluegrass on the Mall; Johnson Mountain Boys/Country Gentlemen

Creator:
Smithsonian Institution. Festival of American Folklife. American Social Dance Program 1993 Washington, D.C.  Search this
Place, Jeffrey (recorder)  Search this
Performer:
Connell, Dudley  Search this
Adams, Tom, (Banjoist)  Search this
Johnson Mountain Boys  Search this
Artist:
Johnson Mountain Boys  Search this
Country Gentlemen (Musical group)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
Maryland
Pennsylvania
Date:
1993 July 2
Local Numbers:
FP-1993-CT-0172
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Bluegrass music  Search this
Banjo  Search this
Mandolin  Search this
Guitar  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1993, Item FP-1993-CT-0172
See more items in:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife
Smithsonian Folklife Festival records: 1993 Festival of American Folklife / Series 4: Metro Music / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1993-ref655

Festival Recordings: Evening Concert: Bluegrass on the Mall; Johnson Mountain Boys/Country Gentlemen

Creator:
Smithsonian Institution. Festival of American Folklife. American Social Dance Program 1993 Washington, D.C.  Search this
Place, Jeffrey (recorder)  Search this
Artist:
Country Gentlemen (Musical group)  Search this
Johnson Mountain Boys  Search this
Performer:
Johnson Mountain Boys  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
Maryland
Pennsylvania
Date:
1993 July 2
Local Numbers:
FP-1993-CT-0173
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Bluegrass music  Search this
Guitar  Search this
Banjo  Search this
Mandolin  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1993, Item FP-1993-CT-0173
See more items in:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife
Smithsonian Folklife Festival records: 1993 Festival of American Folklife / Series 4: Metro Music / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1993-ref656

Festival Recordings: Music Stage: Johnson Mountain Boys; Bluegrass

Creator:
Smithsonian Institution. Festival of American Folklife. Metro Music Program 1993 Washington, D.C.  Search this
Performer:
Connell, Dudley  Search this
Adams, Tom, (Banjoist)  Search this
Johnson Mountain Boys  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
Maryland
Pennsylvania
Date:
1993 July 1
Local Numbers:
FP-1993-CT-0186
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 1, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Bluegrass music  Search this
Banjo  Search this
Guitar  Search this
Mandolin  Search this
Violin  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1993, Item FP-1993-CT-0186
See more items in:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife
Smithsonian Folklife Festival records: 1993 Festival of American Folklife / Series 4: Metro Music / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1993-ref665

Festival Recordings: Music Stage: Alfredo Mojica; Latin Dance Music: Johnson Mountain Boys; Bluegrass

Creator:
Smithsonian Institution. Festival of American Folklife. Metro Music Program 1993 Washington, D.C.  Search this
Performer:
Mojica, Alfredo, 1958-  Search this
Connell, Dudley  Search this
Adams, Tom, (Banjoist)  Search this
Johnson Mountain Boys  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Hispanic Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
Maryland
Pennsylvania
Date:
1993 July 5
Track Information:
101 Latin Dance Music / Alfredo Mojica. Trumpet.

102 Bluegrass / Johnson Mountain Boys, Dudley Connell, Tom Adams. Banjo,Guitar,Mandolin,Fiddle.
Local Numbers:
FP-1993-CT-0202
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
World music  Search this
Bluegrass music  Search this
Trumpet  Search this
Banjo  Search this
Guitar  Search this
Mandolin  Search this
Violin  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1993, Item FP-1993-CT-0202
See more items in:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife
Smithsonian Folklife Festival records: 1993 Festival of American Folklife / Series 4: Metro Music / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1993-ref681

Cecilia Beaux photographs and newsclippings

Creator:
Beaux, Cecilia, 1855-1942  Search this
Names:
Beaux, Cecilia, 1855-1942  Search this
Extent:
1 Microfilm reel (partial microfilm reel)
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
circa 1890-1912
Scope and Contents:
The microfilmed Cecilia Beaux photographs and newsclippings contain photographs of Beaux and her family, among them William F. Biddle, Rev. Aratus Kent, Ernesta Drinker, Emily Leavitt Biddle, Mr. and Mrs. Henry S. Drinker, and Eliza Leavitt; a glass negative of Beaux's residence, Green Alley; and news clippings about Beaux, including an interview, excerpts from Beaux's lectures, and untitled and undated gallery sheets on Beaux by Anne O'Hagan.
Biographical / Historical:
Cecilia Beaux (1855-1942) was a painter and art instructor in Philadelphia, New York, and Gloucester, Massachusetts. Born in Philadelphia, Beaux studied at the Pennsylvania Academy of the Fine Arts, where she later taught. She also studied under William Sartain and at the Académie Julian in Paris.
Related Materials:
The Archives of American Art also holds the Cecilia Beaux papers, 1863-1968; the Dorothea Gilder papers regarding Cecilia Beaux, 1897-1920; and the microfilmed Henry Drinker research material on Cecilia Beaux, circa 1880-1920.
Provenance:
Microfilmed from the Pennsylvania Academy of the Fine Arts archives in 1985. Additional family and Beaux memorabilia related to Beaux at the PAFA was not microfilmed.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Pennsylvania -- Philadelphia  Search this
Portrait painters -- Pennsylvania -- Philadelphia  Search this
Educators -- Pennsylvania -- Philadelphia  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women educators  Search this
Identifier:
AAA.beauceci3
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-beauceci3

Cecilia Beaux papers

Creator:
Beaux, Cecilia, 1855-1942  Search this
Names:
Andrew, A. Piatt (Abram Piatt), 1873-1936  Search this
Extent:
3.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Poems
Diaries
Date:
1863-1968
Summary:
The papers of the painter Cecilia Beaux measure 3.3 linear feet and date from 1863 to 1968. Papers document her education, career and personal life through family and professional correspondence, twelve diaries, lectures, essays, poems, notes, clippings, catalogs, pamphlets, exhibition records, business records, photographs, certificates, diplomas, and artifacts.
Scope and Content Note:
The papers of the painter Cecilia Beaux measure 3.3 linear feet and date from 1863 to 1968.

Biographical Materials include autobiographical notes written by Beaux, published biographical essays, and articles about Beaux. A lengthy correspondence from Beaux to her friend A. Piatt Andrew of Massachusetts is found, as well as correspondence with family and professional associates. Lengthy letters from Beaux to her family during trips to Europe contain scattered illustrations. Professional correspondents include other artists, teachers, patrons, critics, curators, dealers, and writers.

Writings include one early diary from the 1870s, and a series of eleven additional diaries dating from 1905 to 1913, which record daily activities related to her artwork and personal life. Numerous lectures and essays from her later career are found, often in multiple drafts, as are manuscripts of published and unpublished poems by Beaux. A single sketch, a study for a portrait, is also found.

A floor plan, lists of paintings, receipts, written bids, and other notes document the exhibition and sale of Beaux's artwork. Printed materials related to her career include exhibition catalogs and other ephemera, a scrapbook of primarily clippings related to her early career, and loose clippings related to her later career. Photographs include formal portraits of Cecilia Beaux and informal photographs of Beaux alone and with colleagues, friends, and family members in various settings including Concarneau, Pittsburgh, Philadelphia, Gloucester, and Malines, Belgium. Also found is a photograph of John Singer Sargent painting.
Arrangement:
The collection is arranged into 6 series, with multiple subseries in Series 2:

Missing Title

Series 1: Biographical Materials, circa 1893-1943 (Box 1, OV 4-5; 0.3 linear feet)

Series 2: Correspondence, circa 1863-1968 (Boxes 1-2; 1.2 linear feet)

Series 3: Writings, circa 1868-1954 (Boxes 2-3, OV 6; 0.8 linear feet)

Series 4: Personal Business Records, circa 1883-1936 (Box 3, OV 6; 0.2 linear feet)

Series 5: Printed Materials, circa 1874-1953 (Box 3, OV 6; 0.5 linear feet)

Series 6: Photographs, circa 1888-1919(Box 3; 0.3 linear feet)
Biographical Note:
Cecilia Beaux was born in Philadelphia in 1855. Her mother died just days after her birth, and Beaux and her sister went to live with their grandmother and aunts. Her adoptive family exposed her to fine art throughout her childhood and, once in school, Beaux excelled in her drawing classes and began training in the studio of Catherine A. Drinker, an artist and a cousin of her uncle Will Biddle. From 1881-1883 she attended life classes directed by William Sartain, who traveled to Philadelphia from New York to give criticisms. She also counted the Pennsylvania Academy of the Fine Arts master Thomas Eakins among her early influences, though she did not receive direct instruction from him.

Her first major success in painting was a double-portrait of her sister and nephew entitled Les Derniers Jours d'Enfance, exhibited first at the American Art Association, and in 1885 at the Pennsylvania Academy, where it won the Mary Smith Prize, the first of many prizes Beaux received during her lifetime. In 1887, the painting was exhibited at the Paris salon to critical acclaim. Beaux's reputation as a Philadelphia portraitist grew steadily with the execution of several portraits her in Chestnut Street studio, and in 1888 she traveled to Europe to continue her studio education.

In Paris, she joined the Academie Julien, where she received criticisms from Tony Robert Fleury and William Adolph Bougereau. She spent the summer in Concarneau, Brittany, where Alexander Harrison and Charles Lazar critiqued her work, and returned to Paris, where she attended the Academie Colarossi under and sought out private criticisms in the atelier of Benjamin Constant. She copied paintings and classical sculpture at the Louvre, and traveled throughout Europe to view the works of old masters. In England, she painted several portraits of her friends, the Darwins, before returning to Philadelphia in August of 1889. She traveled to Europe several more times in her life, including a trip in 1896 to see six of her paintings exhibited at the Salon de Champs de Mars. At the time this was an unprecedented number of paintings shown there by an American, and their strength earned her a membership in the Societé Nationale des Beaux-Arts.

In the 1890s, Beaux earned a living painting commissioned portraits at her Philadelphia studio, while experimenting with and refining her style and technique with portraits of friends and family such as Sita and Sarita, of her cousin Sarah Leavitt with her cat, The Dreamer, of her friend Caroline Smith, and Ernesta with Nurse, of her niece, who was a favorite sitter of Beaux's throughout her life. Beaux became the first full-time female faculty member at the Pennsylvania Academy of the Fine Arts in 1895, and continued teaching there until 1915.

In the late 1890s, Beaux painted several works for which she would be repeatedly honored, including Mother and Daughter, a double-portrait of Mrs. Clement A. Griscom and her daughter Frances, which won four gold medals at international exhibitions, and The Dancing Lesson, a double-portrait of Dorothea and Francesca Gilder, the daughters of Richard Watson Gilder, editor of Century Magazine and himself a devoted friend and supporter of Beaux. The Gilders, and especially Dorothea, were steady companions as well as sitters for Beaux throughout her adult life. In 1901 and 1902, Beaux painted Mrs. Theodore Roosevelt and her daughter Ethel in the White House, and in 1903, she was elected to the National Academy of Design.

By 1905 Beaux was living and working primarily in New York during the winter, and at "Green Alley," a home she built in Gloucester, Massachusetts, in the summer. She was introduced to Gloucester by her friend, the Harvard economist A. Piatt Andrew, and entertained a steady stream of intellectual, literary, and artistic friends such as Isabella Stuart Gardner, William James, and Thornton Oakley. Beaux continued to amass prizes and honors for her artwork, including an honorary doctorate at the University of Pennsylvania in 1908. She had solo exhibitions at Macbeth Gallery in 1910, the Corcoran Gallery in 1912, and M. Knoedler Gallery in 1915 and 1917. She had regular public speaking appearances, published articles, and interviews on such subjects as art education, women in art, and modernist art, the pervasive influence of which she eschewed as a passing fad.

In 1919, she traveled to war-torn Europe as the official portraitist of the United States War Portraits Commission painted the portraits of three European war heroes: Cardinal Mercier, Admiral Beatty, and Georges Clemenceau. In 1924, she broke her hip in Paris, and although she continued to paint, she would never again be the prolific painter of her earlier years due to the injury. She wrote her autobiography Background with Figures in 1930, and in 1935-1936, the American Academy of Arts and Letters held the largest exhibition of her work that was mounted during her lifetime. Beaux died in 1942 in Gloucester, at the age of 87.
Related Material:
The Pennsylvania Academy of the Fine Arts holds additional papers related to Cecilia Beaux, particularly personal photographs. Portions of these papers were loaned to the Archives of American Art for microfilming in 1985 and were microfilmed on reel 3658.

The Archives of American Art also holds the Dorothea Gilder papers regarding Cecilia Beaux.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reels 3425 and 3658) including a sketchbook and other related papers. Lent materials were returned to the lenders and are not described in the collection container inventory.
Provenance:
Portions of the papers were first lent for microfilming by Harrison Cultra in 1968. The bulk of the collection was donated in1970-1971 by Catherine Drinker Bowen, Beaux's niece, and by Cultra. In 1985, the sketchbook on reel 3425 was lent for microfilming by art dealer Jeffrey Brown with additional material by The Pennsylvania Academy of Fine Arts. A palette was donated by Helen Seely Wheelwright, whose former husband, Paul Seeley, was an artist and friend of Beaux. Awards and diplomas were gifted in 1995 by Cecilia Saltonstall, a descendant of Beaux. Material and a poster reproduction of Beaux's portrait of Rear-Admiral Sampson advertising an article in Century Magazine, 1899, was donated in 1991 by Alfred J. Walker, a dealer who organized a Beaux exhibition. He received the material along with artwork he exhibited from the estate of Richard Barker, who had received them from Harrison Cultra. Cultra had inherited them from Beaux's niece, Ernesta Drinker Barlow.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Pennsylvania -- Philadelphia  Search this
Portrait painters -- Pennsylvania -- Philadelphia  Search this
Educators -- Pennsylvania -- Philadelphia  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women educators  Search this
Art -- Economic aspects  Search this
Art -- Study and teaching  Search this
Genre/Form:
Photographs
Poems
Diaries
Citation:
Cecilia Beaux papers, 1863-1968. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.beauceci
See more items in:
Cecilia Beaux papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-beauceci
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Printed Materials

Collection Creator:
Beaux, Cecilia, 1855-1942  Search this
Extent:
0.5 Linear feet (Box 3, OV 6)
Type:
Archival materials
Date:
circa 1874-1953
Scope and Contents note:
This series contains printed materials related to Beaux's exhibitions and career as an artist, including catalogs, announcements, invitations, clippings, articles, pamphlets, broadsides, a poster, and prints of Beaux's paintings.

The Scrapbook contains clippings from her early career, as well as letters, telegrams, and notes from patrons, sitters, and other art world figures such as Clement A. Griscom, Russell Smith, the Pennsylvania Academy of Fine Arts, the National Academy of Design, the Art Club of Philadelphia, Horace Brodsky, Thomas Hovenden, J.C. Nicoll, and H.S. Morris. Loose clippings continue the chronological sequence of clippings and generally do not duplicate clippings in the scrapbook. Clippings include reviews and other articles related to her artwork and career. Pamphlets, broadsides, and other miscellany include a broadside of a poem, "Sargent," written by Beaux in 1925. Prints include an engraving of the painting "Mother and Daughter," a lithograph portrait of S. Weir Mitchell, and a Century magazine advertising poster featuring Beaux's sketch of Rear-Admiral Sampson.

Additional printed materials are found in the Biographical Materials series, and additional halftone prints of Beaux's paintings are found in the Writings series.
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Cecilia Beaux papers, 1863-1968. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.beauceci, Series 5
See more items in:
Cecilia Beaux papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-beauceci-ref131

The Garden Club of America collection

Creator:
Garden Club of America  Search this
Names:
New York Flower Show  Search this
Extent:
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
Type:
Collection descriptions
Archival materials
Slides
Lantern slides
Plans (drawings)
Brochures
Articles
Correspondence
Clippings
Slides (photographs)
Date:
circa 1920-present
Summary:
This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland.

A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.
Biographical/Historical note:
The Garden Club of America was established in 1913 in Philadelphia, Pennsylvania, when the Garden Club of Philadelphia and eleven other garden clubs met to create a national garden club. Its purpose is to foster the knowledge and love of gardening and to restore and protect the quality of the environment through educational programs and gardening and conservation efforts. The GCA was incorporated in Delaware in 1923, with its headquarters established in New York City. Today, local clubs are organized under twelve regional zones. The GCA continues its tradition of hosting flower shows and publishing material related to gardening in the United States.

The GCA's glass lantern slides were used by The GCA for presentations and lectures about notable gardens throughout the United States dating back to colonial times. An effort was made in the late 1980s, in preparation of the 75th anniversary of the Garden Club of America's founding, to collect the disbursed slides. These slides were to eventually form the Slide Library of Notable American Parks and Gardens. The informational value of this collection is extensive since a number of images of the more than 4,500 gardens represented show garden designs that have changed over time or no longer exist. While the majority of images document a range of designed upper and upper-middle class gardens throughout the U.S., the scope of the collection is expanding as volunteers photograph and document contemporary gardens including community and vernacular gardens.

The gardens illustrate the design work of dozens of landscape architects including Marian Coffin, Beatrix Farrand, Lawrence Halprin, Hare & Hare, Umberto Innocenti, Gertrude Jekyll, Jens Jensen, Warren Manning, the Olmsted Brothers, Charles Platt, Ellen Biddle Shipman, and Fletcher Steele. Because of their proximity to the gardens, works of notable architects and sculptors may also be featured in the images.
Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- France  Search this
Gardens -- Italy  Search this
Gardens -- Japan  Search this
Gardens -- Mexico  Search this
Flower shows  Search this
Gardening -- United States -- societies, etc  Search this
Gardens -- England  Search this
Landscape architecture  Search this
Gardens -- United States  Search this
Gardens -- Spain  Search this
Gardens -- Scotland  Search this
Genre/Form:
Plans (drawings)
Brochures
Articles
Correspondence
Clippings
Lantern slides
Slides (photographs)
Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA
See more items in:
The Garden Club of America collection
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_collection:sova-aag-gca
Online Media:

Milwaukee -- Pickerel Run

Provenance:
Green Tree Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Pickerel Run (Milwaukee, Wisconsin)
United States of America -- Wisconsin -- Milwaukee County -- Milwaukee
Scope and Contents:
The folder includes a work sheet, site plans, and narrative description.
General:
The decorative arts and architecture from 17th century New England served as inspiration for this garden. The site for the garden was prepared in fall of 1981 and built in spring 1982. The layout of the raised geometric beds, gravel paths, and picket fence was modeled after early Colonial designs. The central beds are devoted to herbs. The outer beds hold perennial flowers, similar to those of Colonial New England. By contrast, the garden beds around the house are filled with native plants. A knot garden of green velvet boxwood, inspired by an inlay design on an early 18th century Pennsylvania chest, was added to the kitchen terrace. The beds adjacent to the knot garden, composted only of green and white white, service as a "restful haven under the shade of the the surrounding giant oak trees."
Persons and firms associated with the garden include: Aimee Scott Sheets (horticulturist, 2001-?).
Related Materials:
Pickerel Run related holdings consist of 1 folder (22 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Wisconsin -- Milwaukee  Search this
Raised bed gardening  Search this
Formal gardens  Search this
Herb gardens  Search this
Woodland gardens  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File WI037
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Wisconsin
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref11677

Mason Neck -- Gunston Hall

Former owner:
Hertle, Louis  Search this
Mason, George, 1725-1792  Search this
Architect:
Buckland, William, 1734-1774  Search this
Restoration architect:
Kimball, Fiske, 1888-1955  Search this
Landscape architect:
Hopkins, Alden  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Gunston Hall (Mason Neck, Virginia)
United States of America -- Virginia -- Fairfax County -- Mason Neck
Scope and Contents:
Folders include worksheets, brochures, and copies of articles.

Five 35 mm. slides have not been catalogued. They include copies of images from Better Homes and Gardens America's Gardens (p. 22); brochure aerial view; and Historic Virginia Gardens (pp. 110-111, 300, and 301).
General:
George Mason built Gunston Hall between 1753 and 1755. The house and gardens remained in the Mason family until the 1860s. After the Civil War ended, owners worked to restore the house and gardens which were destroyed by troops. Louis Hertle added a perola, rose garden with hybrid tea roses, and a reflecting pool. By 1934, nothing remained of the eighteenth-century garden except for the box hedge. When the Garden Club of Virginia took over the garden restoration, the pools, fountains, figures, summer house, roses, and flowering cherry trees were removed. Four parterres along the boxwood walk were planted in dwarf box. Also, two Chinese Chippendale gazebos were built on the outer corners of the lower terrace. The gardens and museum are open to the public.
Persons associated with the property include: George Mason (former owner, 1755-1792); General Robert Gibson Smith or Colonel Edward Daniels (former owner, ca. 1870); Jospeh Specht (former owner); Paul Kester (former owner, 1907-1913); Louis Hertle (former owner, 1913-1949); Commonwealth of Virginia (owner); William Buckland (architect, ca. 1753); National Society of Colonial Dames (caretakers, 1932-present); Alden Hopkins (landscape designer, ca. 1950); Glenn Brown (architect for restorations of house and grounds, ca. 1912); Garden Club of Virginia (garden designers); William and Harvey Nursery (transplanting box, 1952); and Thurman Bushrod (gardener).
Related Materials:
Gunston Hall related holdings consist of 1 folder (12 glass lantern slides and 10 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Virginia -- Mason Neck  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File VA003
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Virginia
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref18938

Glass Lantern Slide and Lecture Scripts

Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
See more items in:
The Garden Club of America collection
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref32850
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Pennsylvania: Philadelphia Gardens Lecture Script and Lists

Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Glass Lantern Slide and Lecture Scripts
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref32866

Withyham -- Buckhurst Park

Architect:
Lutyens, Edwin Landseer Sir, 1869-1944  Search this
Garden designer:
Jekyll, Gertrude, 1843-1932  Search this
Former resident:
Benson, Robert Henry, 1850-1929  Search this
Benson, Evelyn Holford, 1857-1943  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Buckhurst Park (Withyham, East Sussex, England)
United Kingdom -- England -- East Sussex -- Withyham
Scope and Contents:
The folder includes worksheets and an essay.
General:
Buckhurst Park, the home on Buckhurst Estate, dates from 1603 and was visited during the Garden Club of America's 1929 tour to England. An addition to the estate was made by the British architect Sir Edwin Lutyens in the early twentieth century. Lutyens designed the gardens with the help of Gertrude Jekyll who assisted with plantings. The Buckhurst Estate served as inspiration for author A. A. Milne in the creation of Winnie the Pooh and the Hundred Acre Wood.
In 1902-1903, Lutyens and Jekyll created a terraced garden consisting of three levels for then-lessors Robert Henry Benson and Evelyn Benson. The top level contained a sunken lily pond. Lutyens also built two stone pergolas on the lowest level of the terrace. Revisiting the historic plantings for this garden, the current owner replanted the terrace in 2011 with lavender, salvia, alchemilla, gorse, digitalis, and various roses.
A complete copy of the GCA tour itinerary was printed in the Bulletin of the Garden Club of America (Fourth Series, No. 5), September 1929, pp. 6-25.
Persons associated with the garden include Robert Henry Benson and Evelyn Benson (former owners, 1920s), Sir Edward Lutyens (architect, 1902-1903) and Gertrude Jekyll (garden designer, 1902-1903).
Related Materials:
Buckhurst Park related holdings consist of 1 folder (4 lantern slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- England -- East Sussex -- Withyham  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File ENG004
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 2: International Garden Images / United Kingdom -- England
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref4493

Knoxville -- Rostrevor

Former owner:
Ross, William C.  Search this
Ross, William C., Mrs.  Search this
McNabb, Helen R.  Search this
Plantsman:
Adams, Paul  Search this
Architect:
Barber & McMurry  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Rostrevor (Knoxville, Tennessee)
United States of America -- Tennessee -- Knox County -- Knoxville
Scope and Contents:
The folder includes work sheets, copies of a talk by W. R. McNabb on Knoxville gardens, photocopies of correspondence regarding Rostrevor and other Knoxville gardens, copies of the "routine of work" for Rostrevor, and other information.
General:
Rostrevor was the garden of Mr. and Mrs. William C. Ross; its elements were installed primarily between 1911 and 1928. In the latter year the Rosses added a formal garden largely of their own design, said to be based on one they had admired at the Hill School in Pottstown, Pennsylvania. Terraces and a pergola provided the framework for plantings in bloom from March until November. The 12-acre site also included a rock garden made by Paul Adams, extensive lawns bordered by flowering shrubs, elms for shade, and a swimming pool. Most of the images are copies of originals commissioned about 1935 by Mrs. Ross.
Persons and organizations associated with the garden include: Mr. and Mrs. William C. Ross (former owners, 1911-1968); Helen R. McNabb (former owner, 1968-1972); Paul Adams (plantsman); and Barber & McMurry (architects, ca. 1911-1928).
Related Materials:
Rostrevor related holdings consist of 1 folder (24 35 mm. slides (photographs))
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Tennessee -- Knoxville  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File TN028
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Tennessee
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref10910

Pennsylvania

Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref16427

Philadelphia -- Cathedral Village

Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File PA734
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref16428

Abington Township -- Hidden Glen Farms

Former owner:
Conger, Fred  Search this
Conger, Betty  Search this
Landscape designer:
Gale, Charles H.  Search this
Architect:
Brumbaugh, G. Edwin  Search this
Milner, John  Search this
Landscape architect:
Peck, Frederick W. G.  Search this
Owen B. Schmidt & Sons  Search this
Provenance:
Huntingdon Valley Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Hidden Glen Farms (Meadowbrook, Pennsylvania)
United States of America -- Pennsylvania -- Montgomery County -- Abington Township -- Meadowbrook
Scope and Contents:
The folder includes a worksheet, a copy of the garden plan, and three photos of the original Charles H. Gale installation from ca. 1983 (two of the same view). The garden is noted for its incorporation of colonial (eighteenth-century) design elements in a contemporary setting.
General:
"This garden was designed to enhance an eighteenth-century landscape and house setting. Landscape architect Charles H. Gale, Sr., was inspired by the architectural and horticultural research done at Colonial Williamsburg. He created a half acre of colonial gardens terraced to separate the formal flower and herb garden from the vegetable and fruit garden. The upper tier is in geometric subdivisions using English boxwood to edge and enclose spring bulbs, annuals, biennials, and perennials. Included are lilies, aquilegia, digitalis, delphinium, coreopsis, gallardia, phlox, astilbe, stokesia, Shasta daisies, yarrow, candytuft, alyssum, veronica, comfrey, and medicinal as well as cooking, and sweet-smelling herbs, the latter lining one side of the garden fence.
In each of the four geometric shapes is a five-foot, classical lead statue made in England. . . . The center circle has an eighteenth-century sundial. Fieldstone retaining walls, which contain the hill, and a sitting niche and bench with herbs underfoot utilize eighteenth-century ideas of garden construction. The vegetable and fruit garden, four stone steps down, is bordered on two sides by espaliered dwarf apple trees and grape vines. The small hill on the side of the steps is covered with lilies and strawberries. In one corner the fences join a garden tool house, which has a cedar shingled roof to match the family house and pool house roofs. Williamsburg clay birdhouses hang from one side of this house. The sheep pasture is adjacent to the garden. Fields and lower orchard go behind the garden. The tennis court,pool, woods and creek follow the lawns to the right."
Persons associated with the property include: Fred and Betty Conger (former owners, 1937-1963); Frederick W. G. Peck (landscape designer, 1967); Charles H.Gale (landscape architect, 1982); G. Edwin Brumbaugh (architect, 1937, 1966, 1969); Owen B. Schmidt & Sons (landscape architects, 1968); and John Milner (architect, 1981 and 1989).
Related Materials:
Hidden Glen Farms related holdings consist of 1 folder (24 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Pennsylvania -- Meadowbrook  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File PA348
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref16429

Abington Township -- Hidden Glen

Former owner:
Conger, Fred  Search this
Conger, Betty  Search this
Architect:
Brumbaugh, G. Edwin  Search this
Milner, John  Search this
Landscape designer:
Gale, Charles H.  Search this
Landscape architect:
Peck, Frederick W. G.  Search this
Owen B. Schmidt & Sons  Search this
Provenance:
Huntingdon Valley Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Hidden Glen Farms (Meadowbrook, Pennsylvania)
United States of America -- Pennsylvania -- Montgomery County -- Abington Township -- Meadowbrook
Scope and Contents:
The folder includes a worksheet, a copy of the garden plan, and three photos of the original Charles Gale installation from ca. 1983 (two of the same view).
General:
Like its neighbor, Hidden Glen Farms (PA348), Hidden Glen features design work by landscape designer Charles Gale. Although a basic garden was in place at the time of Gale's 1983 design, he incorporated the vegetable garden into the overall site plan, while adding a side garden and improving planting around the foundation of the house. Folk art ornaments and sculptures of birds and animals accented the plant material. The garden is noted for its incorporation of colonial (eighteenth-century) design elements in a contemporary setting.
Persons associated with the property include: Charles Gale (landscape designer, 1982); G. Edwin Brumbaugh (architect, 1937, 1966, 1969); Owen B. Schmidt & Sons (landscape architects, 1968); and John Milner (architect, 1981 and 1989).
Related Materials:
Hidden Glen related holdings consist of 1 folder (24 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Pennsylvania -- Meadowbrook  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File PA350
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref16430

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