United States of America -- Wisconsin -- Ozaukee County -- Port Washington
Scope and Contents:
The folder includes a worksheet, historical pictures and information regarding previous owners, historical timeline of property, planting lists, planting plans, and landscape design.
General:
Afterglow Farm was established in 1929 on 119 acres in southeastern Wisconsin along Lake Michigan, and is still owned by members of the family. The house and outbuildings were designed in a Germanic style and built from timber and native stone. Originally some of the gardens were planted in food crops that were preserved in a root cellar for winter. Today Afterglow Farm runs a CSA (community supported agriculture) program, growing organic fruits and vegetables and eggs for local subscribers. An "engineered wetlands" was built alongside the CSA fields circa 2000 to clean waste water from the house and barn for reuse in the gardens, with a hillside planted with native wildflowers and grasses for filtration and water storage. The water is moved through troughs to various gardens, a recent innovation in land stewardship and sustainability that have always been important values for the owners of Afterglow Farm.
A former horse paddock was transformed into an ornamental circle in the cottage garden style circa 1930, and today has perennials, flowering trees and shrubs, bulbs and native wildflowers that provide blooms for spring, summer and fall. Other ornamental beds were designed in the New American Style, with sweeping planted beds of single species, using cultivars and native plants that are deer resistant. A new, fenced fruit orchard supplies the CSA members with apples and pears.
Ironwork gates and ornamental panels, and two bear sculptures were designed by the original owner. An old German poem is painted above the door of the farmhouse, which loosely translates to "This house is mine yet not mine. Whoever lived here before, it is not his. Whoever comes after me must also leave sometime. So tell me dear friend, whose house is this?"
Persons associated with the property include: Steve and Sandy Sandlin (caretakers and gardeners, 1995-present); Dean Wiegert (gardener, 2007-present); Christine Sobocinski (assistant gardener, 2007-present); Mark Hartzell (property manager, 2006-present); Jorgen Hansen, ALA (Port City Studio, architect and master planner, 1998-present); David Flowers, P.E. ("Engineered Wetlands" project leader, 2000-2002); Judith Z. Stark (Judith Z. Stark Landscape Design, terrace garden designer, 2005-2006) and Lynde B. Uihlein (terrace stonework designer, 2005-2006).
Related Materials:
Afterglow Farm related holdings consist of 1 folder (23 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Wisconsin -- Port Washington Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Wisconsin -- Milwaukee County -- Fox Point
Scope and Contents:
1 folder and 14 digital images. Images 001-014 were photographed by Sandy Dawson.
General:
Located on approximately five acres overlooking Lake Michigan, the owner of this garden had been gardening on the property since she was five years old. The original design included formal gardens, beds of iris and phlox, wildflowers in the surrounding ravines, and a large vegetable garden. Landscape architect Franz Lipp designed a circle of yews, two large hedged gardens, a boundary garden and a stone wall, all placed at a distance from the house to be visited as a pastime. In 1990 a garden room with French doors was built so a new rose garden could be seen and enjoyed from inside. A nine-foot tall dark green lattice fence was installed to protect the rose garden from deer. The design is formal with four parterres each centered by a rose standard with multiple bushes in each quadrant, climbing hydrangea on the fence, and a small central pool with a statue. Lush annual, perennial and shrub borders are maintained alongside the terrace, stone wall and another fountain with mature maple and crab apple dotting the lawns.
Favorite roses include Mr. Lincoln, Double Delight, Chicago Peace, Legends, and Drop Dead Red. The garden borders include day lilies and Asiatic lilies, peonies, boxwood, hosta, zinnias, dusty miller, marigolds, geraniums and more roses. Visitors include art students and members of the Garden Conservancy.
Persons associated with the garden include: Helen and William Van Dyke (former owners, 1926-1972); Olive V. D. Bryson (owner, 1972- ); Franz Lipp (1897-1996) (landscape architect, dates unknown); Judith Stark (landscape architect, 1990).
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States. Work Projects Administration Search this
Davis, Charles H. (Charles Harold), 1856-1933 Search this
Extent:
0.2 Linear feet ((on 11 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1930-1972
Scope and Contents:
Correspondence; writings and notes; scrapbooks; business material; biographical data; photographs; inventories; exhibition catalogs; and printed material.
REELS D222-D223: Manuscripts; notebooks entitled "Concepts of Substance" containing notes, essays, quotations, a diary, and reviews; scrapbooks; and publications.
REELS 1296-1302 & 1322(photos): Personal and business correspondence; notes and manuscripts of her many philosophical writings on light, space, and the infinite; poems by Pereira and by others; sales and loan receipts for her paintings; inventories of her paintings; paint formulas and technical data; biographical data; notes for the Design Laboratory of the WPA-Fine Arts Project; statements by her about her art and about the alleged suppression of her art by the Museum of Modern Art; exhibition catalogs; clippings; and photographs of her works and personal photos.
REEL 2395: Course outlines, an activity report, and printed material pertaining to the Design Laboratory school of industrial design in New York City. Also included are outlines, writings, and printed material pertaining to Pereira's lectures at Columbia University, the Brooklyn Museum, Smith College, the Artists League, the University of Michigan, and for the United American Artists.
REEL 3470: A letter to Juliet Gordon, New York City, October 15, 1969, protesting the denigration of women by -"a whole battalion of these American super artists," and condemning the Museum of Modern Art for devoutedly supporting their art. She writes, "Only when a society is expiring do such aberrations and betrayal of the female become the cultural mode."
Biographical / Historical:
Painter, writer, educator; New York, N.Y. Died 1971.
Provenance:
Material on reels D222-D223 lent for microfilming 1965 and material on reel 2395 donated 1965 by Irene Rice Pereira; material on reels 1296-1302, 1322 lent for microfilming, 1977 and reel 3470 donated 1978 by Djelloul Marbrook, nephew of Pereira.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Educators -- New York (State) -- New York Search this
Painters -- New York (State) -- New York Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York Search this
