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Catalog, Mount Desert Nurseries, Bar Harbor, Maine

Collection Creator:
W. Atlee Burpee Company  Search this
Burpee, W. Atlee (Washington Atlee), 1858-1915  Search this
Burpee, David, 1893-1980  Search this
James Vick's Sons (Rochester, N.Y.).  Search this
Wm. Henry Maule (Firm)  Search this
Container:
Box 276, Folder 14
Type:
Archival materials
Date:
circa 1920-1940
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, W. Atlee Burpee & Company Records.
See more items in:
W. Atlee Burpee & Company records
W. Atlee Burpee & Company records / Series 2: Business Records / 2.9: Burpee Library/Reference Materials / 2.9.A: Competitors' Catalogs and Trade Literature
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-bur-ref903

Contest Letters #4315-4338

Collection Creator:
W. Atlee Burpee Company  Search this
Burpee, W. Atlee (Washington Atlee), 1858-1915  Search this
Burpee, David, 1893-1980  Search this
James Vick's Sons (Rochester, N.Y.).  Search this
Wm. Henry Maule (Firm)  Search this
Extent:
1 Folder
Container:
Box 271, Folder 17
Type:
Archival materials
Date:
1924
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, W. Atlee Burpee & Company Records.
See more items in:
W. Atlee Burpee & Company records
W. Atlee Burpee & Company records / Series 2: Business Records / 2.3: Advertising and Promotions / 2.3.C: Customer Testimonials and Contest Letters / What Burpee Seeds Have Done for Me Contest
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-bur-ref1288
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Contest Letters #4315-4338 digital asset number 1

Contest Letters #738-Letter extracts

Collection Creator:
W. Atlee Burpee Company  Search this
Burpee, W. Atlee (Washington Atlee), 1858-1915  Search this
Burpee, David, 1893-1980  Search this
James Vick's Sons (Rochester, N.Y.).  Search this
Wm. Henry Maule (Firm)  Search this
Extent:
1 Folder
Container:
Box 271, Folder 29
Type:
Archival materials
Date:
1924
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, W. Atlee Burpee & Company Records.
See more items in:
W. Atlee Burpee & Company records
W. Atlee Burpee & Company records / Series 2: Business Records / 2.3: Advertising and Promotions / 2.3.C: Customer Testimonials and Contest Letters / What Burpee Seeds Have Done for Me Contest
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-bur-ref1300
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Contest Letters #738-Letter extracts digital asset number 1

Contest Letters (non-prize winners), 3945-4272

Collection Creator:
W. Atlee Burpee Company  Search this
Burpee, W. Atlee (Washington Atlee), 1858-1915  Search this
Burpee, David, 1893-1980  Search this
James Vick's Sons (Rochester, N.Y.).  Search this
Wm. Henry Maule (Firm)  Search this
Extent:
1 Folder
Container:
Box 271, Folder 32
Type:
Archival materials
Date:
1924
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, W. Atlee Burpee & Company Records.
See more items in:
W. Atlee Burpee & Company records
W. Atlee Burpee & Company records / Series 2: Business Records / 2.3: Advertising and Promotions / 2.3.C: Customer Testimonials and Contest Letters / What Burpee Seeds Have Done for Me Contest
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-bur-ref1302
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Contest Letters (non-prize winners), 3945-4272 digital asset number 1

Customer Log #8 (by city): Kentucky, Louisiana, Maine, Maryland, Massachusetts

Collection Creator:
W. Atlee Burpee Company  Search this
Burpee, W. Atlee (Washington Atlee), 1858-1915  Search this
Burpee, David, 1893-1980  Search this
James Vick's Sons (Rochester, N.Y.).  Search this
Wm. Henry Maule (Firm)  Search this
Container:
Box 166
Type:
Archival materials
Date:
circa 1885-1900
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, W. Atlee Burpee & Company Records.
See more items in:
W. Atlee Burpee & Company records
W. Atlee Burpee & Company records / Series 2: Business Records / 2.1: Office Files / 2.1.D: Sales and Contracts
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-bur-ref420

Mary McLeod Bethune

Artist:
Winold Reiss, 16 Sep 1886 - 29 Aug 1953  Search this
Sitter:
Mary McLeod Bethune, 10 Jul 1875 - 18 May 1955  Search this
Medium:
Pastel on board
Dimensions:
75.9 x 54.8cm (29 7/8 x 21 9/16"), Accurate
Frame: 89.5 × 68.4 × 3.3cm (35 1/4 × 26 15/16 × 1 5/16")
Type:
Drawing
Date:
c. 1925
Topic:
Costume\Jewelry\Brooch  Search this
Mary McLeod Bethune: Female  Search this
Mary McLeod Bethune: Education\Founder\School  Search this
Mary McLeod Bethune: Education\Educator\Teacher  Search this
Mary McLeod Bethune: Society and Social Change\Philanthropist  Search this
Mary McLeod Bethune: Education\Administrator\College\President  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Lawrence A. Fleischman and Howard Garfinkle with a matching grant from the National Endowment for the Arts
Object number:
NPG.72.75
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Exhibition:
The Struggle for Justice Refresh
On View:
NPG, West Gallery 220
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm439e0d1a8-54b9-4e58-b148-a4f45384c598
EDAN-URL:
edanmdm:npg_NPG.72.75

Masters of the Building Arts

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
From the soaring skyscrapers of New York City to the adobe churches of New Mexico, from the sturdy stone walls of New England to the majestic monuments of the nation's capital, master craftworkers in the building arts have brought enduring beauty to our built environment. Working in wood, stone, brick, and metal, in plaster, paint, glass, and clay, they transform designs on paper into three-dimensional works of art. Much depends on their workmanship and skill: on their deep understanding of raw materials, their careful selection and use of tools, their mastery of technique. The final product is the result not only of their knowledge and abilities, but also their creativity and care - their will to excellence.

Artisans in the building trades share a deep appreciation for the aesthetic value and expressive power of technical perfection. They delight in skill and find meaning and pleasure in the poetic qualities of workmanship - in their ability to craft objects of beauty and strength through their special touch. Their great pride and creative spirit, their love for their work, and their commitment to excellence are manifested in a lasting legacy of architectural achievement left behind for generations to come.

The 2000 Festival program celebrated the extraordinary artistry of craftspeople in the building arts and explored the many challenges they face today as they work to preserve our nation's past and build for the future. The Festival brought together a selection of master artisans - stone carvers, masons, carpenters, terra cotta artisans, plasterers, blacksmiths, stained glass artisans, and adobe builders - who have enriched our world with the work of their hands, and who educated and informed Festival visitors not only with their skills but also with their knowledge and lore.

Marjorie Hunt was Curator and James Deutsch was Program Coordinator; Betty Belanus was Education Specialist and Family Activity Guide Coordinator. An Advisory Committee included: J. Bryan Blundell, Kurt Dewhurst, William Dupont, Cynthia Field, Henry Glassie, Norman Koonce, Betty Monkman, Peter Nabokov, Joanna Reagan, Rex Scouten, William Seale, Chris Sturbaum, John Michael Vlach, and Ed Worthy.

The program was produced in collaboration with the International Union of Bricklayers and Allied Craftworkers and the International Masonry Institute, the National Trust for Historic Preservation, the National Building Museum, the American Institute of Architects, and the Preservation Trades Network. Major funding was provided by Homestore.com, the Marble Institute of America, Allied Stone Industries, the Building Stone Institute, the Indiana Limestone Institute, and the National Building Granite Quarries Association. Major contributors included Target Stores, the Associated General Contractors of America, the National Association of Realtors, and the Smithsonian Women's Committee. Additional donors included the School of the Building Arts, Duron, Inc., the Brick Industry Association, the Laborers' International Union of North America, the Smithsonian Educational Outreach Fund, and the Copper Development Association, Inc.
Researchers:
Jane Beck, Betty Belanus, Ray Brassieur, Amanda Dargan, James Deutsch, Kurt Dewhurst, Karen Duffy, Lynn Martin Graton, Dwight Pauahi Kauahikaua, Winnie Lambrecht, Tim Lloyd, Gregory Sharrow, Gary Stanton, David Taylor, Elaine Thatcher, John Michael Vlach
Presenters:
Betty Belanus, Barry Bergey, Ray Brassieur, Olivia Cadaval, Amanda Dargan, William Dupont, Brian Finnegan, Lynn Martin Graton, Tim Lloyd, Philip "Pete" Pederson, Clift Seferlis, Peter Seitel, Gregory Sharrow, Angelo Simone, Nick Spitzer, Gary Stanton, David Taylor, Elaine Thatcher, Cynthia Vidaurri, John Michael Vlach
Participants:
David Adams, historic preservation specialist, Portsmouth, New Hampshire

Robert Alger, stone carver, sculptor, Spencerville, Maryland

Joseph Alonso, stone mason, Vienna, Virginia

Onofre Anguiano, terra cotta hand presser, mold maker, Lincoln, Calif.

Walter S. Arnold, stone carver, Skokie, Illinois

Sam Baca, program director, Cornerstones Community Partnerships, Santa Fe, New Mexico

Earl A. Barthe, 1932-2010, plasterer, historian and consultant, New Orleans, Louisiana

Hurchail Barthe, plasterer, New Orleans, Louisiana

Terry Barthe, plasterer, historic housing specialist, New Orleans, Louisiana

Nick Benson, stone carver, letterer, Newport, Rhode Island

Johan Bjurman, decorative painter, Cheshire, Connecticut

Anna Bowen, stone carver, letterer, Newport, Rhode Island

Dan Boyle, timber framer, Dover, New Hampshire

Rory Brennan, historic plaster specialist, Putney, Vermont

Ron Brooks, decorative painter, Rockville, Maryland

John Canning, decorative painter, Cheshire, Connecticut

Jacqueline Canning-Riccio, decorative painter, Cheshire, Connecticut

Jesus Cardenas, terra cotta modeler, mold maker, Lincoln, California

Charles Cardine, architectural blacksmith, Chantilly, Virginia

Patrick Cardine, architectural blacksmith, Chantilly, Virginia

Carson Christian, timber framer, Wooster, Ohio

Rudy Christian, timber framer, Burbank, Ohio

Peter "Billy" Cleland, 1921-2010, stone mason, Clinton, Maryland

William R. Cleland, Jr., stone mason, Dunkirk, Maryland

Rose Concha, -- enjarrodoro -- (adobe plasterer), Taos, New Mexico

Brian Cox, carpenter, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

John Drew, carpenter, St. Leonard, Maryland

William Dupont, Graham Gund Architect of the National Trust, National Trust for Historic Preservation, Washington, D.C.

Cane Fields, Hawaiian dry stack mason, Kailua-Kana, Hawaii

Billy Fields, Hawaiian dry stack mason, Kailua-Kana, Hawaii

David Flaharty, ornamental plasterer, sculptor, Green Lane, Pennsylvania

lsidoro Flaim, stone mason, Camp Springs, Maryland

Tom Glynn, timber framer, South Berwick, Maine

Dieter Goldkuhle, 1938-2011, stained glass artisan, Reston, Virginia

Giles Harper, preservation carpenter, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

Adam Heller, stone carver, letterer, Newport, Rhode Island

Randy Herald, sheet metal craftsperson, Bethesda, Maryland

Randy Herald, Jr., sheet metal craftsperson, Bethesda, Maryland

Hans Herr, coppersmith, Holtwood, Pennsylvania

John Paul Huguley, president, School of the Building Arts, Charleston, South Carolina

Judy Jacob, architectural conservator, National Park Service, New York, New York

Raymond Johnson, terra cotta modeler, draftsman, Lincoln, California

Dean Kalomas, decorative painter, Washington, D.C.

Vikki Keys, deputy superintendent, National Park Service, Washington, D.C.

Rick King, dry stone wall mason, Holderness, New Hampshire

Scott King, dry stone wall mason, Holderness, New Hampshire

Naomi Kroll, architectural conservator, National Park Service, New York, New York

Wade Lawrence, assistant director, Drayton Hall, National Trust for Historic Preservation, Charleston, South Carolina

Elmo Leonardelli, scaffold erector, Baltimore, Maryland

Stephen Lorenzetti, chief of resource management, National Park Service, Washington, D.C.

Amber Lucero, -- enjarrodoro -- (adobe plasterer), Taos, New Mexico

Rick Lykins, restoration carpenter, Bloomington, Indiana

George McDaniel, director, Drayton Hall, National Trust for Historic Preservation, Charleston, South Carolina

Richard Marks, architectural conservator, Charleston, South Carolina

Antonio Martinez, community leader, Upper Rociada, New Mexico

David Martinez, terra cotta draftsman, Roseville, California

David Mason, dry stone wall mason, Starksboro, Vermont

Rick Mason, dry stone wall mason, Hinesburg, Vermont

John O'Connor, engineer, Universal Builders Supply, Cheverly, Maryland

David Overholt, restoration project manager, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

Albert D. Parra, adobe builder, Albuquerque, New Mexico

Theodore Pierre, Jr., brick mason, New Orleans, Louisiana

Konstantinos Pilarinos, Byzantine-style woodcarver, Astoria, New York

Panagiota Pylarinos, architect, Astoria, New York

Dennis Playdon, program manager, Cornerstones Community Partnerships, Santa Fe, New Mexico

Patrick Plunkett, stone carver, Takoma Park, Maryland

Joseph Pringle, blacksmith, Charleston, South Carolina

Nol Putnam, artist blacksmith, The Plains, Virginia

Clay Raley, restoration carpenter, Norman, Indiana

Brad Robinson, architectural blacksmith, Chantilly, Virginia

Steve Roy, historic preservation specialist, Portsmouth, New Hampshire

Brett Rugo, president, Rugo & Carosi, Woodbridge, Virginia

Laura Saeger, timber framer, Burbank, Ohio

George Salvador, restoration crew leader, Pueblo of Acoma, New Mexico

Eduardo Seara, vice-president, Lorton Contracting Company, Lorton, Virginia

Manuel Seara, president, Lorton Contracting Company, Lorton, Virginia

Tony Segreti, architect, Bethesda, Maryland

Carlton Simmons, blacksmith, Charleston, South Carolina

Philip Simmons, 1912-2009, blacksmith, Charleston, South Carolina

Louis Soublet, plasterer, New Orleans, Louisiana

Larry E. Stearns, coppersmith, Westford, Vermont

Ben Sturbaum, restoration carpenter, Owensburg, Indiana

Chris Sturbaum, restoration carpenter, Bloomington, Indiana

Arran Sturgis, timber framer, Eliot, Maine

Daniel Szwed, construction manager, Waldorf, Maryland

Mark Tamara, structural engineer, James Madison Cutts, Washington, D.C.

Lonn Taylor, historian, National Museum of American History, Smithsonian Institution, Washington, D.C.

Lloyd Tortalita, Adult, Higher Education director, former governor, Pueblo of Acoma, New Mexico

Roman Troyer, timber framer, Wooster, Ohio

Dexter Trujillo, adobe builder, mud preserver, Abiquiu, New Mexico

Mark Tsirigos, president, Universal Builders Supply, Cheverly, Maryland

George Void, masonry crew, Washington National Cathedral, Washington, D.C.

Chuck Wagner, owner, Wagner Roofing Company, Hyattsville, Maryland

Sheila Wagner, owner, Wagner Roofing Company, Hyattsville, Maryland

Tom Weddle, restoration carpenter, Bloomington, Indiana

Bob Wooldridge, slater, Mercersburg, Pennsylvania

Jeff Wooldridge, slater, project manager, Bethesda, Maryland

Bill Yeingst, curator, National Museum of American History, Smithsonian Institution, Washington, D.C.

Pauli Zmolek, decorative painter, Takoma Park, Maryland

INTERNATIONAL UNION OF BRICKLAYERS AND ALLIED CRAFTWORKERS (BAC), INTERNATIONAL MASONRY INSTITUTE (IMI)

Frank Baiocchi, marble mason, Mt. Airy, Maryland

Ed Bellucci, IMI deputy director of Apprenticeship and Training, Jefferson, Maryland

Robert Bernardon, marble mason, Suitland, Maryland

Lewis Carrara, mosaic worker, Fortville, Indiana

Raoul Cervantes, bricklayer, Claremont, California

Kurt Colo, bricklayer, New Baltimore, Michigan

Laird Donaldson, IMI regional director, Auburn, Washington

James Farris, stone mason, Stafford, Virginia

Richard Francescon, marble mason, South Easton, Massachusetts

Greg Hartseil, IMI Job Corps regional director, Lorida, Florida

Dennis Holloway, IMI Scola Training Center director, West Babylon, New York

Mike Kassman, IMI pointing, cleaning, and caulking instructor, Waynesboro, Pennsylvania

Tony Kassman, IMI National Safety, pointing, cleaning, and caulking coordinator, Tonawanda, New York

John Kitchen, bricklayer apprentice, Dryden, New York

Frank Koletar, refractory bricklayer, Orchard Park, New York

Annette Ludwig, tile layer, Bellevue, Washington

Nelson McMath, BAC Local 9 Michigan field representative, Saline, Michigan

Tom McQuaid, BAC Local 1 DC, MONA secretary, treasurer, Gettysburg, Pennsylvania

Steve Martini, IMI Strategic Programs director, Cascade, Maryland

Steve Mason, terrazzo apprentice, Washington, D.C.

Antoine Matthews, bricklayer, Baltimore, Maryland

Michael Menegazzi, IMI terrazzo instructor, South Gate, California

Bob Mion, IMI tile, marble, and terrazzo instructor, Binghamton, New York

Guillermo Moreno, stone mason, Hyattsville, Maryland

Colleen Muldoon, coordinator of Education Programs, bricklayer, Baltimore, Maryland

Clarence Nichols, IMI deputy director of Apprenticeship and Training, Cumberland, Maryland

Angela Olszewski, tile layer, Jersey City, New Jersey

Lester Parnell, bricklayer, Detroit, Michigan

Bob Perry, IMI regional director, Culver City, California

Darren Raines, tile layer, Chicago, Illinois

Matthew Redabaugh, IMI coordinator of Special Projects, Cascade, Maryland

Butch Rovder, BAC stone craft director, South Riding, Virginia

Joe Stewart, BAC pointing, cleaning, and caulking craft director, Pittsburgh, Pennsylvania

Gene Stinner, IMI director of Apprenticeship and Training, Cascade, Maryland

Dennis Studley, IMI Job Corps regional director, Yucaipa, California

Harold Sugg, refractory bricklayer, West Seneca, New York

Jimmy Ternent, marble mason, Westminster, Maryland

John Totten, IMI plaster instructor, Clintondale, New York

Drew Vecchione, IMI stone instructor, Flourtown, Pennsylvania

Battista Yon, bricklayer, Hyattsville, Maryland
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2001, Series 3
See more items in:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-2001-ref26

Festival Recordings: Main Stage?

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2001 June 30
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2001, Item FP-2001-CT-0024
See more items in:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival / Series 4: New York City at the Smithsonian / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-2001-ref689

Immigration Conversations: When Policy Meets the Personal

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (digital audio file)
Type:
Archival materials
Sound recordings
Date:
2017 July 04
Scope and Contents:
Perla Guerrera (presenter); Ted Gong; Brenda Perez; Kumera Genet; Perla Guerrero ;This session explores the cultural dimensions and personal impact of U.S. immigration policy on people's family histories and personal experiences. Session participants represent different generational perspectives and migration histories: Ted Gong from the 1882 Foundation, Kumera Genet from Kino Musica, and Brenda Pérez. How do migration experiences shape one's sense of identity, community, and personal choices?
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2017, Item SFF2017_0704_OTM_Story_Circle_0005
See more items in:
Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival / Series 4: On The Move / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-2017-ref974
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Immigration Conversations: When Policy Meets the Personal digital asset number 1

Circus Arts

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Description:
The modern circus has been a form of public entertainment since the late 18th century; President George Washington attended John Bill Ricketts' circus in Philadelphia in 1793. In the nineteenth and early twentieth centuries, the circus introduced towns and cities across the country to a wider world through the dazzling sights, sounds, and stunts of the circus artists.

With a history of more than 2 centuries, Circus Arts are considered a heritage and traditional art form; its varied skills have been passed down in families through generations. More recently, troupes and circus schools have been established to train new generations in the specific skills of circus arts. This traditional art form has finally received national recognition; the NEA awarded the aerialist Dolly Jacobs the National Heritage Fellowship in 2015. She is the first circus performer to receive this prestigious NHF award.

Circus members belong to a highly distinctive occupational group, including experts in any one of several clusters of both performance and material arts. Working and performing together, they create a spectacle which induces surprise and amazement in the spectators. It is not just the single acts, it is the entire production and business of the circus that was represented in the Circus Arts program of the 2017 Folklife Festival.

Circus performance arts have focused primarily on various aspects of physical movement, strength, and endurance. The artists work on the outer boundaries of the potential for the human body and physique. These performance arts encompass five main disciplines of circus arts: acrobatics, aerials, clowning, equilibristic, and object manipulation. For each of these performance categories, teams and individuals from around the country and around the world were invited to demonstrate and perform at the festival.

The material arts of the circus include aspects of painting and drawing, design, costuming, and tent making, as well as derivative arts inspired by the circus, such as toy making and miniatures. Workshops for modeling these skills were set up around the festival grounds to enable visitors to view the intricacies of their production. Panels also discussed the interplay between the material and performance arts.

In the Circus Science tent, demonstrations and discussions presented the synergies of science and skill in different circus art forms. The circus Cookhouse was set up to display the culinary skills of circus chefs. Multiple forums were scheduled where circus stories could be shared, including topics such as the social circus, circus families, the history of the circus in American culture, and the changing circus landscape. These forums provided opportunities for experiential exploration of the life and work of circus people, encompassing both the family and community structures in which they thrive.

The emerging concept of the social circus was everywhere on display during the Circus Arts program. The training opportunities focused on the future roles of these young actors beyond their personal growth. By removing themselves from the professional/commercial entertainment arena, they have become participants in social change. This new concept brings needed revitalization to the traditional circus arts in the same year that, coincidentally, the largest American circus, Ringling Brothers, Barnum and Bailey Circus announced its closure due to business concerns.

This presentation on the National Mall spotlighted the occupational culture of Circus Arts at a critical moment in 2017. The Circus Arts program not only helped expand and elevate visitors' understanding and appreciation of a distinctive occupational group. It also championed the vitality of Circus Arts around the world, paving the way for future collaborations. It is in this exploration that myths can be displayed, tough questions can be raised, and the sharing of deep knowledge can take place between Festival participants and visitors.
Production Staff & Participants:
Production

Director: Sabrina Lynn Motley

Curator: Preston Scott

Co-curators: James Deutsch, Cristina Díaz-Carrera

Program Coordinator: Nichole Procopenko

Foodways Coordinator: Arnie Malin

D.C. Circus Day Coordinator: Marissa Walker

Interns: Isabella Barrengos, Maia Daniel, Miranda DiMase-Nordling, Taylor Heagler, Maris Jones, Michaela Podolny, Laura Yee

Lead Volunteer: Zakiya Williams

Advisors and Presenters: Hovey Burgess, David Carlyon, Janet M. Davis, LaVahn Hoh, Rodney Huey, Dominique Jando, Jennifer Lemmer Posey, Linda Simon, Deborah Walk, Matthew Wittmann Big Top Artistic Director: Pedro Reis

Big Top Production Team: Henry Barragan, Jesse Cogswell, Joe D'Emilio, Luis S. Garcia, Leigh Ketchum, Devin Nee, Amanda Scarpa, Mark Wilson, Atos Zamperla

Participants

Stars of the CircusDolly Jacobs

Rafael Palacios

Ambra Zerbini Bauer

Joseph Dominic Bauer

Marina Luna

Ella Storme

Olesya Fedotova

Rony Gomez

Diosmani Aguero

Leosvel Almeida Gutierrez

Kenneth Kenny Raskin

Circus Arts ConservatoryBarry Lubin

Diosmani Aguero

Leosvel Almeida Gutierrez

Luna Storme

Olesya Fedotova

Karen Bell

Robin Eurich

Jaime Hernandez Carranza, student

Keith Phillips, student

Big Apple CircusRay Slizewski, circus cook

Bindlestiff Family Circus

Circus BellaCarlo Gentile

Gianluca "Gianni Magi" Gentile

Gioia Mei "Tatlo" Gentile

Giulia "Trixie Love" Gentile

Giuseppina "Guisi", Gentile

Orlene Gentile

Circus CenterSteve Smith

Circus CultureAmy Cohen

Circus Harmony

Circus JuventasDan Butler

Makenna Cook

Piper Gibbs

Sophie Bauer

Circus SmirkusJacqueline Davis

Jennifer Agans

Amity Stoddard

Cirque des VoixElla Storme

Marina Luna

Pedro Reis

Dolly Jacobs

Rafael Palacios

Matuni Vaiaoga

Barry Lubin

Clowns without Borders

Happenstance Theater

Hebei Golden Eagle Acrobatic Troupe

Listo Trapeze VolantMiguel Cáceres

Medical Clown Project

New England Center for Circus Arts (NECCA)

Sailor Circus

School of Acrobatics and New Circus ArtsIan Jagel

Tyler Henry

UniverSoul CircusBone Breakers, Contorionists

Caribbean Dynasty Dancers

Chain Reaction, Acrobats

Daniel "Lucky" Malatsi, Ringmaster

Fresh the Clowns

Veronica Blair, Aerialist

Carlos Pinto Morales, Acrobatics

Sherrie Silver, Dancer

Wallenda Family TroupeAlessandro Wallenda

Tomas Wallenda

Wenatchee Youth CircusRebecca Geren

Jillian Davis

Lily-Ann Geren

Martin Talbot

Wise Fool New MexicoAmy Christian

Lisa Smith

Band of Jugglers

Unaffiliated PerformersPatrik Elmnert, Juggler

Craig Quat, Juggler

David Tetrault, Calliope

Jeffrey Raz, Clown

Kim Hawkins, Clown

Thom Wall, Juggler

Dominique Jando, Scholar

LaVahn Hoh

Sarah Chapman, Circus Cook

Tim Mack, Ringmaster
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2017, Series 2
See more items in:
Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-2017-ref17

Seattle -- 310

Former owner:
Griffiths, M.  Search this
Jensen, William  Search this
Moseley, Furman  Search this
Moseley, Susan B.  Search this
Landscape designer:
Reckard, Terry  Search this
Welch, Terry  Search this
Link, Russell  Search this
Philip, Ken  Search this
Prendergast, Tim  Search this
Arborist:
Jacobson, Arthur Lee  Search this
Consultant:
Robson, Mary  Search this
Turnbull, Cass  Search this
Gardener:
Kane, Mike  Search this
Ames, Paula  Search this
Provenance:
Seattle Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
310 (Seattle, Washington)
United States of America -- Washington -- King County -- Seattle
Scope and Contents:
The folder includes a worksheet, a site plan, an abbreviated plant list, and additional descriptive information about the garden.
General:
This expansive, three-acre garden lies on the west shore of Lake Washington. The lawn stretches east from the house to the water. It is bordered by deep flower beds anchored by broadleaf evergreen and deciduous shrubs, flowering trees, and towering conifers. On the north side a separate vine-covered garage with living quarters above is finished with the same pale pink stucco as the main house. A butterfly garden and vegetable and fruit orchard lead to the water. A lushly planted path defines the south side of the property, opening out into a flower and shrub border that ends at the lake. A bamboo grove is placed here for privacy. A basalt fountain just outside the front door on the west side echoes the serenity felt throughout the property. The land slopes upward to the street above and is dominated by a large American hornbeam tree, spring bulbs, and camouflaged tennis courts.
Persons associated with the garden include: M. Griffiths (former owner, 1928-1946); William Jensen (former owner, 1946-1966); Furman and Susan B. Moseley (former owners, 1966-2000); Terry Reckard (landscape designer, late 1960s); Terry Welch (landscape designer, late 1960s); Russell Link (landscape designer, late 1980s); Ken Philip (landscape designer, late 1980s); Tim Prendergast (landscape designer, late 1980s); Arthur Lee Jacobson (arborist, 1989); Mary Robson (consultant, 1991); Mike Kane (gardener, 1990-2000); Cass Turnbull (consultant, 1999); and Paula Ames (gardener, 2000-).
Related Materials:
310 related holdings consist of 1 folder (21 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Washington (State) -- Seattle  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File WA009
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Washington
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref11418

[Agate Nursery]: walking path to main entry.

Photographer:
Frink, Noreen R.  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slide (col., 35mm)
Type:
Archival materials
Slides
Place:
Agate Nursery (Bainbridge Island, Washington)
United States of America -- Washington -- Kitsap County -- Bainbridge Island
Date:
1998 May.
Scope and Contents:
Walking path to main entry.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Washington (State) -- Bainbridge Island  Search this
Walkways, brick  Search this
Sheds  Search this
Benches, wooden  Search this
Garden borders  Search this
Container gardening  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item WA024003
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Washington / WA024: Bainbridge Island -- Agate Nursery
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref11432

[Froggy Bottom]: "Froggy Bottom" sculpture at main gateway embellished with iron cattails and plants.

Photographer:
Frink, Noreen R.  Search this
Provenance:
Seattle Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slide (col., 35 mm.)
Type:
Archival materials
Slides
Place:
Froggy Bottom (Bainbridge Island, Washington)
United States of America -- Washington -- Kitsap County -- Bainbridge Island
Date:
2005 Apr.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Washington (State) -- Bainbridge Island  Search this
Plants, Potted  Search this
Entrances  Search this
Garden tools  Search this
Frogs -- Design elements  Search this
Walkways  Search this
Walls, stone  Search this
Climbing plants  Search this
Gates  Search this
Ferns  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item WA036001
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Washington / WA036: Bainbridge Island -- Froggy Bottom
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref11452

[Hofius Garden, Sequim, Washington]: the main entrance of the house.

Photographer:
Frink, Noreen R.  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slide (col., 35 mm.)
Type:
Archival materials
Slides
Place:
Hofius Garden (Sequim, Washington)
United States of America -- Washington -- Clallam County -- Sequim
Date:
1999 Mar.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Washington (State) -- Sequim  Search this
Houses  Search this
Entrances  Search this
Grape arbors  Search this
Arbors  Search this
Benches, wooden  Search this
Walkways, concrete  Search this
Ornamental grasses  Search this
Sedum  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item WA025003
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Washington / WA025: Sequim -- Hofius Garden, Sequim, Washington
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref11559

[Hofius Garden, Sequim, Washington]: the main entrance of the house.

Photographer:
Frink, Noreen R.  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slide (col., 35 mm.)
Type:
Archival materials
Slides
Place:
Hofius Garden (Sequim, Washington)
United States of America -- Washington -- Clallam County -- Sequim
Date:
1998 Oct.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Washington (State) -- Sequim  Search this
Houses  Search this
Entrances  Search this
Grape arbors  Search this
Arbors  Search this
Benches, wooden  Search this
Walkways, concrete  Search this
Ornamental grasses  Search this
Sedum  Search this
Yucca  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item WA025004
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Washington / WA025: Sequim -- Hofius Garden, Sequim, Washington
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref11560

Lake Geneva -- House in the Woods

Former owner:
Bartlett, Adolphus Clay  Search this
Bartlett, Adolphus Clay, Mrs.  Search this
Spencer, William Marvin, colonel, Mr.  Search this
Spencer, William Marvin, colonel, Mrs.  Search this
Landscape architect:
Olmsted, John Charles, 1852-1920  Search this
Mariani Landscape  Search this
Architect:
Shaw, Howard Van Doren  Search this
Provenance:
Lake Geneva Garden Club  Search this
Arborist:
Bartlett Tree Experts  Search this
Creator:
Olmsted Brothers  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Digital images
Place:
House in the Woods (Lake Geneva, Wisconsin)
United States of America -- Wisconsin -- Walworth -- Lake Geneva
Scope and Contents:
The folder includes worksheets and articles about the house.
General:
Beauty without boundaries is the guiding principle for the more than 50 acre vacation estate. Since it was identified as one of the most beautiful country houses by Ladies Home Journal in 1912 and had gardens landscaped by John Charles Olmsted in 1905, the owners chose to restore rather than renovate when they purchased the property in 1971. The wooded shore of Lake Geneva with rockwork retaining walls transitions into an ornamentally landscaped estate. Drifts of hydrangea, hosta and buckeye at the gated entrance are succeeded by the original concrete driveway through woodland gardens with sugar maple, red oak, white oak, linden, boxwood, ground covers and perennial flowers that include daylilies, bleeding heart, phlox, and rugose roses. The formal drive circle at the house has a fountain in the center and a perimeter of flowering shrubs and variegated ivy topiaries. A grass terrace facing the lake features a rustic planted stone staircase. White roses and hydrangea are accented by a bell placed on an old tree stump. The children's garden has containers of vegetables, fruits, flowers and herbs with rustic wattle arches and furniture.
An enclosed courtyard for the swimming pool between the main house and guest house has clipped yew hedges, ground covers and perennials, trumpet, clematis and wisteria vines, and potted citrus trees. Near stands of mature trees planted more than 100 years ago there is a grotto, a mound of soil and stones topped by a statue with a stone bench nearby. One lawn is kept sculpted into a labyrinth. There is a mineral spring on the property, which is said to be restorative, that flows into a fieldstone basin surrounded by a planted rockwork wall. The other formal gardens include a rose garden planted in parterres and enclosed by espaliered apple trees and an organic potager with vegetable, herb and cutting flower beds laid out geometrically on either side of a wide path of stabilized degenerate granite with more espaliered fruit trees on the surrounding wire fence and covering a pergola.
Renovations were required for a disabled family member, including widened and level walkways with very gradual inclines, smooth stone patios and terraces with narrow joints, benches placed where there are good views of the lake, access to the house and swimming pool, and an elevator to the second floor inside the house. Trees in the woodland gardens were replaced as needed and tagged for future reference.
Persons associated with the garden include: Mr. and Mrs. Adolphus Clay Bartlett (former owners, 1905-1930); Colonel and Mrs. William Marvin Spencer (former owners, 1930-1971); John Charles Olmsted (landscape architect, 1905); Howard Van Doren Shaw (architect, 1905); Bartlett Tree Experts (arborists, 2011); Mariani Landscape (landscape architect, 1980- ).
The property was featured in "Ladies Home Journal" in 1909 when it was selected as one of the the twelve most beautiful homes in America.
Related Materials:
House in the Woods related holdings consist of 1 folder (3 35mm slides (photographs); and 21 digital images)
Records related to this site can be found at the Frederick Law Olmsted National Historic Site, Olmsted Job Number 03038, A. C. Bartlett.
See others in:
Richard Marchand historical postcard collection, circa 1900s-1970s, bulk 1920-1940s.

Eleanor Weller collection, circa 1978-2006.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Wisconsin -- Lake Geneva  Search this
Genre/Form:
Digital images
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File WI027
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Wisconsin
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref11667

Pewaukee -- Christopher Place

Former owner:
Schwartz, Albert  Search this
Meyer, Christopher J.  Search this
Meyer, Margaret D.  Search this
Meyer, Christopher J., Jr.  Search this
Landscape architect:
Stark, Judith Z.  Search this
Horticulturist:
Patzer, Robert  Search this
Priebe, Russell  Search this
Designer:
Meyer, Nicholas  Search this
Sculptor:
Meyer, Nicholas  Search this
Decorator:
Kuony, Madame John  Search this
Architect:
Kahler, David  Search this
Provenance:
Kettle Moraine Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Christopher Place (Pewaukee, Wisconsin)
United States of America -- Wisconsin -- Waukesha County -- Pewaukee
Scope and Contents:
The folders include worksheets, garden plans, and copies of publications featuring the garden.
General:
"This property includes three residences, each a specific style, with appropriate landscaping. A woodland setting with choice Wisconsin natives surrounds the sophisticated contemporary main house. Old-fashioned plants dominate the farmhouse and its cutting garden while simple, summer blooming annuals accent the lakeside cottage window boxes and pots."
Persons associated with the property include: Albert Schwartz (former owner, 1910-1939); Christopher J. Meyer (former owner, 1939-1955); Margaret D. Meyer (former owner, 1955-1970); Christopher J. Meyer, Jr. (former owner, 1955-1970); Judith Stark (landscape architect, 1972 to date); David Kahler (architect, 1969-1971); Robert Patzer (horticulturist, 1993 to date); Russell Priebe (horticulturist, 1995 to date); Nicholas Meyer (designer, sculptor, 1980-1999); Madame John Kuony (decorator, 1980 to date).
Related Materials:
Christopher Place related holdings consist of 2 folders (31 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Wisconsin -- Pewaukee  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File WI024
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Wisconsin
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref11682

Sheboygan Falls -- Homewood

Former owner:
Hansen, Horace J. Dr.  Search this
Hansen, Elizabeth Mrs.  Search this
Architect:
Baum, Dwight James, 1886-1939  Search this
Provenance:
Town and Country Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Homewood (Sheboygan Falls, Wisconsin)
United States of America -- Wisconsin -- Sheboygan County -- Sheboygan Falls
Scope and Contents:
The folder includes worksheets, photocopies of articles, and other information.
General:
Commissioned by the parents of the present owner, Homewood is truly a family home. It was built in 1937 from an architectural design modeled after the original Homewood at Johns Hopkins University in Baltimore, Maryland, built by Charles Carroll in 1801. The architectural plan was featured in the 1939 New York World's Fair as a model home featuring a modern take on the classic Colonial design customized to meet the needs of the average American family. The home was designated as a historic landmark of Sheboygan County in 1983 and was surveyed for the Historic Preservation Division of the State Historical Society of Wisconsin.
The vegetable gardens of Homewood date back to the World War II victory garden that the present owner helped to maintain as a child. The gardens have since evolved to address issues of pest control, shade, and to increase produce yield by incorporating raised beds, lattice supports, and additional fencing to help alleviate some the challenges of growing a large vegetable garden. The gardens in their current form were established beginning in 1990, when the present owners renovated the family home.
The main vegetable plot features protective plantings of cedar trees and bittersweet vine, a raspberry patch, and a revolving assortment of vegetable beds which include plantings of greens and lettuce mixes, beans, herbs, tomatoes, and peppers, to name a few, as well as perennials such as rhubarb and asparagus. An additional kitchen garden is located close to the house, where herbs, lettuces, and tomatoes are grown. The abundant vegetable plantings yield enough produce for sharing with friends and neighbors, and canning, freezing, pickling and storage of the crops allows the harvest to last throughout the year.
A sixteen foot long arbor serves as the entrance to the main fenced and gated vegetable garden. Clematis, grapevine, and climbing roses grow on the arbor, which features a crushed limestone path and a bench to provide seating. Additional features on the property include two native prairie areas, a native tree and shrub nursery, and a steep embankment on the back of the property includes maple, oak and ash trees and a wetland abutting an adjoining river.
Persons associated with the garden include: Dr. Horace J. Hansen and Mrs. Elizabeth Hansen (former owners, 1937-1992); and Dwight James Baum (architect, 1937).
Related Materials:
Homewood related holdings consist of 1 folder (20 35 mm slides (photographs); 17 digital images; and 20 photographic prints (reference))
Additional material regarding the property is located in the Sheboygan County Historical Research Center, Sheboygan Falls, Wisconsin.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Wisconsin -- Sheboygan Falls  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File WI040
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Wisconsin
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref11686
Online Media:

[House in the woods]: rockwork along the lakeshore and the nearby walkway with the main house in the distance.

Photographer:
Carlson, Robin  Search this
Provenance:
Lake Geneva Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Digital image (col., JPEG file.)
Type:
Archival materials
Digital images
Place:
House in the Woods (Lake Geneva, Wisconsin)
United States of America -- Wisconsin -- Walworth -- Lake Geneva
Date:
2011 Oct.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Wisconsin -- Lake Geneva  Search this
Trees  Search this
Lakeshores  Search this
Houses  Search this
Autumn  Search this
Rockwork  Search this
Genre/Form:
Digital images
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item WI027023
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Wisconsin / WI027: Lake Geneva -- House in the Woods
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref11716

Leesburg -- Little Oatlands

Former owner:
Carter, George  Search this
Carter, George Mrs.  Search this
Carter, George II  Search this
Eustis, William Corcoran  Search this
Eustis, William Corcoran Mrs  Search this
Finley, David E. Jr.  Search this
Finley, Margaret Morton Eustis  Search this
Williams, Dick  Search this
Williams, Joan, Mrs  Search this
Sculptor:
Righetti, Francesco  Search this
Hancock, Walter  Search this
Manship, Paul, 1885-1966  Search this
Finley, Margaret Eustis  Search this
Provenance:
Fauquier and Loudoun Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Little Oatlands (Leesburg, Virginia)
United States of America -- Virginia -- Loudoun -- Leesburg
Scope and Contents:
The folder includes worksheets, photocopies of articles and biographical information.
General:
Little Oatlands has a two-acre formal garden originally designed in the mid-1930's by the owners David and Margaret Finley, and the garden rooms, allées, stone walls, gazebo, statues and sculptures have been maintained with few changes for 80 years. The first garden room inside the main gate was installed in 1935 and has four parterres bordered with boxwood around a central fountain, originally a sundial. The original English boxwood borders have been replaced with Korean and American box cultivars in this and the other three rooms. Three more garden rooms were developed in 1937: two bisecting cedar allées that lead to a gazebo set over the stone wall, a flowering cherry allée that leads to a wall fountain, and another room with a large planted urn, a statue of St. Francis Assisi and a swath formerly used as a bowling green bordered by statues of the four seasons. A swimming pool was added in 1952. Boxwood hedges define the rooms within the perimeter of stone walls and ornamental iron gates provide entry to the different rooms. Some of the statues and fountains were copied from classical Italian pieces, and the gazebo was copied from one in England. Original sculptures include "Suzanna at the Bath" by Paul Manship and "The Little Shepherd Boy" by Walter Hancock. In addition to the main house there is a guest cottage on the property. Recent work in the gardens includes replanting long borders of ephemeral spring bulbs under the flowering cherry allée.
In the early 18th century this country house was a tenant farmer's stone cottage on the 63,093 acre estate known as Oatlands Plantation. In 1887 the Carter family was forced to sell the large property but continued to own a few cottages and 180 acres, and called it Little Oatlands. Members of the Eustis family have owned this property since 1927 and have enlarged this house and converted the Carter's vegetable garden into the existing formal garden. In 1965 Oatlands mansion, garden and more than 250 surrounding acres were deeded to the National Trust for Historic Preservation with easements for the family.
Persons associated with the garden include George Carter (former owner, 1798-1847); Mrs. George Carter (former owner, 1847-1897); George Carter II (former owner, 1897-1926); Mr. and Mrs. William Corcoran Eustis (former owner, 1927-1932); David E. Finley, Jr. (1890-1977) and Margaret Morton Eustis Finley (1903-1977) (former owners, 1932-1977); Dick and Joan Williams (former owners, 1977-2014); Paul Manship (sculptor, 1947); Francesco Righetti (sculptor); Walter Hancock (sculptor, c. 1960); Margaret Eustis Finley (sculptor, c. 1930)
Related Materials:
Little Oatlands related holdings consist of 2 folders (21 digital images)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Virginia -- Leesburg  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File VA445
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Virginia
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref18840

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