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Draft of condolence letter from Joseph Cornell to Teeny Duchamp

Creator:
Cornell, Joseph, 1903-1972  Search this
Duchamp, Alexina, 1906-1995  Search this
Subject:
Duchamp, Marcel  Search this
Type:
Correspondence
Date:
1968 Oct. 8
Topic:
Condolence notes  Search this
Death  Search this
Record number:
(DSI-AAA)13570
See more items in:
Joseph Cornell papers, 1804-1986, bulk bulk 1939-1972
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13570
Online Media:

Teeny Duchamp letter to Joseph Cornell

Creator:
Duchamp, Alexina, 1906-1995  Search this
Cornell, Joseph, 1903-1972  Search this
Subject:
Duchamp, Alexina  Search this
Duchamp, Marcel  Search this
Type:
Correspondence
Date:
1968 October 14
Topic:
Death  Search this
Record number:
(DSI-AAA)17676
See more items in:
Joseph Cornell papers, 1804-1986, bulk bulk 1939-1972
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17676
Online Media:

Naomi Savage Papers on Man Ray

Creator:
Savage, Naomi, 1927-2005  Search this
Names:
Galerie Anderson-Mayer  Search this
La Boetie, Inc.  Search this
Philadelphia Museum of Art  Search this
Prakapas Gallery  Search this
Ronny Van de Velde (Gallery : Antwerp, Belgium)  Search this
Serpentine Gallery  Search this
Vered Gallery  Search this
Zabriskie Gallery  Search this
Duchamp, Alexina, 1906-1995  Search this
Duchamp, Marcel, 1887-1968 -- Photographs  Search this
Greenbaum, Theodora S.  Search this
Hunter, Sam, 1923-  Search this
Kimmel, Roberta  Search this
Man Ray, Juliet, d. 1991  Search this
Noguchi, Isamu, 1904-1988  Search this
Ray, Man, 1890-1976  Search this
Savage, Naomi, 1927-2005  Search this
Serger, Helen  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1913-2005
Summary:
The Naomi Savage papers on Man Ray measure 1.6 linear feet and date from 1913-2005. The collection provides an overview of Man Ray's career as a photographer and painter through correspondence, exhibition files, writings, notes, artwork, printed material, and photographs.
Scope and Content Note:
The Naomi Savage papers on Man Ray measure 1.6 linear feet and date from 1913-2005. The collection provides an overview of Man Ray's career as a photographer and painter through correspondence, exhibition files, writings, notes, artwork, printed material, and photographs.

Correspondence primarily consists of incoming letters from art historians, students, publishers, museums, and galleries interested in obtaining biographical information, scheduling exhibitions, or seeking permission to reproduce artwork. Correspondents include Theodora Greenbaum, Sam Hunter, and Roberta Kimmel. Also found is a letter to Man Ray from Isamu Noguchi.

Exhibition files document some of Man Ray's solo and group exhibitions held at museums and galleries in the United States and abroad, including Galerie Anderson Mayer, the Philadelphia Museum of Art, Prakapas Gallery, Helen Serger, La Boetie, Inc., Ronny Van De Velde Gallery, Serpentine Gallery, Vered Gallery, and Zabriskie Gallery.

Writings and notes include typescripts of unpublished pieces on Man Ray and Surrealist photography and on Juliet Man Ray, miscellaneous writings, and Naomi Savage's list of Man Ray published work. Artwork consists of an artist's proof of a print by Paul Levitt.

Printed material houses news and periodical clippings on Man Ray and Juliet Man Ray, newsletters, reproductions of artwork, and miscellaneous printed material. Clippings provide documentation on Man Ray's early commercial photography for advertisements and fashion magazines as well as his experimental photographic work.

Photographs include portrait photographs of Man Ray and Juliet Man Ray. There are photographs of Man Ray and Juliet with family, friends, and colleagues, including photographs of Marcel Duchamp and Teeny Duchamp.
Arrangement:
The collection is arranged as 6 series:

Series 1: Naomi Savage Correspondence, 1939-1995 (Box 1; 0.1 linear feet)

Series 2: Man Ray Exhibition Files, 1941-1997 (Box 1, OV 4; 0.8 linear feet)

Series 3: Writings and Notes, 1974-1998 (Box 1, OV 4; 0.1 linear feet)

Series 4: Artwork, circa 1963 (Box 1; 1 folder)

Series 5: Printed Material, circa 1913-1998 (Boxes 1, 3; 0.2 linear feet)

Series 6: Photographs, 1913-1991 (Boxes 1-3; 0.4 linear feet)
Biographical Note:
Photographer Naomi Siegler Savage (1927-2007) lived and worked in Princeton, New Jersey. While a teenager, Savage attended a photography class taught by Berenice Abbott and pursued this interest at Bennington College in Vermont. In California, Savage apprenticed with her uncle Man Ray, who was a close friend as well as mentor to his niece.

Influenced by Man Ray's experimental techniques with film, Naomi Savage pioneered the use of the photographic metal plate which produced a three dimensional form with a metallic surface. One of her best-known photographic engravings is a magnesium mural for the Johnson Library and Museum in Austin, Texas, depicting the national elective offices held by President Johnson and the various Presidents under which he served. In later years, Savage continued to experiment with the photographic process by using digital cameras, color photocopiers, and computer imaging.

In 1952, Savage had her first exhibition at the Museum of Modern Art in New York. In addition to the Museum of Modern Art, Savage's work is also in the collections of the Art Institute of Chicago, the Fogg Museum at Harvard University, the International Center of Photography in New York, and the Museum of Fine Arts in Boston, Massachusetts.

Naomi Savage was married to the painter, sculptor, and architect, David Savage. Naomi Savage died in Princeton, New Jersey in 2007.

Man Ray (1890-1976) lived and worked in New York and Paris, France and was best known for his painting and photography.

Man Ray was born Emmanuel Radnitsky in Philadelphia, Pennsylvania in 1890. His family later moved to Brooklyn, New York. During this period, the family changed their name to Ray and Emmanuel shortened his first name to Man, gradually using Man Ray as his combined single name. Man Ray attended Boys High School from 1904-1908 where he developed an interest in painting. After high school, he worked as a commercial artist and technical illustrator in New York City while attending classes at the Art Students League, Ferrer School, and National Academy of Design.

Influenced by European artists, whose Modernist works were being shown at the 1913 Armory Show and Alfred Stieglitz's "292" Gallery, and other such venues, Man Ray began to incorporate elements of Cubism in his paintings and drawings. In 1915, Man Ray met Marcel Duchamp (1887-1968) and they formed a lifelong friendship and professional partnership. That same year, the Dada group, founded by a Tristan Tzara and other artists in Zurich, Switzerland also took root in New York; Man Ray, Marcel Duchamp and Francis Picabia were credited for starting the New York Dada movement.

By 1921, Man Ray moved to Paris and became part of the circle that formed the Dada group. He photographed many of the Dada poets and writers, including Louis Aragon, André Breton, and Paul Eluard. Man Ray's work for André Breton established his reputation as a portrait photographer of artists, writers, and other prominent individuals, including George Antheil, Salvador Dalí, James Joyce, Sinclair Lewis, Gertrude Stein, and Virginia Woolf. In that same period, Man Ray pioneered the photographic process of rayographs (named after him) and he also participated in the first Surrealist exhibition at the Galerie Pierre.

Man Ray moved to Los Angeles, California in 1940. There he met New York City-born Juliet Browner (1910-1991), a trained dancer and professional artists' model. They married in 1946 in a double wedding ceremony with their friends Max Ernst and Dorothea Tanning. In 1951, Man Ray and Juliet Man Ray returned to live in the Montparnasse section of Paris.

In addition to an autobiography, Self-Portrait, published in 1963, Man Ray wrote a number of monographs and articles on photography that included Electricité, a portfolio of ten gravure prints of rayographs commissioned by the Paris electric company, Compagnie Parisenne de Distribution d'Electricité, 1931.

Man Ray received an honorary Master of Fine Arts degree from Freemont University, Los Angeles, 1948 and the gold medal for photography at the Venice Photo Biennale, 1962. In 1967, Man Ray received an award from the Philadelphia Arts Festival honoring its native son for his accomplishments.

Man Ray died in Paris in 1976. Juliet Man Ray survived her husband and continued to live in Paris until her death in 1991.
Provenance:
The Naomi Savage papers were donated in 2007 by Lourie Savage Bates, Naomi Savage's daughter. Naomi Savage was Man Ray's niece.
Restrictions:
The collection is open for research. Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Naomi Savage papers on Man Ray are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- France -- Paris  Search this
Photography  Search this
Surrealism  Search this
Photographers -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Naomi Savage papers on Man Ray, 1913-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.savanaom
See more items in:
Naomi Savage Papers on Man Ray
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-savanaom

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