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Thomas Garvin Korean War Scrapbook

Creator:
Garvin, Thomas  Search this
Vines, Gail  Search this
Extent:
0.3 Cubic feet (1 folder)
Type:
Collection descriptions
Archival materials
Envelopes
Scrapbooks
Drawings
Date:
1951-1953
Scope and Contents:
One scrapbook of fourteen pages consisting of hand-drawn illustrations cut from envelopes and glued to the scrapbook pages.
Arrangement:
Collection is arranged into one series.
Biographical / Historical:
Thomas Garvin was a fighter pilot during the Korean War. During his tour he wrote letters home with a hand-drawn illustration on each envelope. He also edited an Air Force magazine calledAir Scoop.

According to an unidentified article sent by Gail Vines, Garvin's daughter:

"Thomas Garvin graduated from the Army Air Corps cadets as a second lieutenant in 1945. He served as a flight instructor at Perrin Field, Texas, and was then transferred to Williams AFB, Arizona. His next duty assignment was to Korea, where he served through 1952, flying 100 missions in F-86 and being credited with one confirmed MIG-15 kill and one probable kill.

"After Korean combat, he was assigned to the 50th Fighter Wing, Cannon AFB, New Mexico, and then to duty as operations officer of the 38th Squadron, Alexandria, Louisiana...."
Related Materials:
Of interest to researchers might be collection #755, Stephen A. Douglas World War II Envelopes, 1942-1945. Douglas used watercolors to decorate envelopes he sent home to his family during the war.

The Archives Center also has numerous collections containing scrapbooks and war related materials.
Provenance:
The scrapbook was donated to the Archives Center by Ms. Gail Vines, Garvin's daughter, in December 2000.
The collection was donated by Ms. Gail Vines, daughter of the artist.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
War in art  Search this
Korean War, 1950-1953 -- Art and war  Search this
Fighter pilots  Search this
Genre/Form:
Envelopes
Scrapbooks -- 1900-1950
Drawings -- 1930-1970
Citation:
Thomas Garvin Korean War Scrapbook, 1951-1953, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0756
See more items in:
Thomas Garvin Korean War Scrapbook
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep85b374cb3-134b-4311-8991-eb769a1941c9
EDAN-URL:
ead_collection:sova-nmah-ac-0756
Online Media:

Wilbur H. Burnham Studios records

Creator:
Wilbur H. Burnham Studios  Search this
Names:
American Art Expositions (Firm)  Search this
Joseph G. Reynolds Associates  Search this
Reynolds, Francis, and Rohnstock  Search this
Stained Glass Association of America  Search this
Burnham, Wilbur Herbert, 1887-1974  Search this
Burnham, Wilbur Herbert, Jr., 1913-1984  Search this
Connick, Charles J., 1875-1945  Search this
Portanova, Joseph Domenico, 1909-1979  Search this
Reynolds, Joseph G., 1886-1972  Search this
Extent:
40.3 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Photographs
Watercolors
Diaries
Sketchbooks
Scrapbooks
Date:
circa 1901-1991
Summary:
The records of nationally renowned Boston, Massachussetts, stained glass design company, Wilbur H. Burnham Studios, measure 40.3 linear feet and date from circa 1901-1991. The majority of the collection consists of project files for the studio's stained glass window contracts throughout the United States from the 1920s-1980s. In addition to project files, records include biographical material for the owners, correspondence relating to personal and studio business, general business and financial records, writings such as published articles by Wilbur H. Burnham, scrapbooks and other printed material documenting the history of the company, artwork including extensive watercolor design studies for stained glass, and photographic material. There is a 3.4 linear foot unprocessed addition to this collection donated in 2021 that includes sketches, awards, printed material, passports, biographical material, Christmas cards, photographs and negatives of Burnham and works of art, slides and postcards of stained glass windows, posthumous material, a bound ledger, legal papers, invoices and receipts, project files and glass plate negatives. Materials date from circa 1901-1991.
Scope and Content Note:
The records of nationally renowned Boston, Massachussetts, stained glass design company, Wilbur H. Burnham Studios, measure 40.3 linear feet and date from circa 1901-1991. The majority of the collection consists of project files for the studio's stained glass window contracts throughout the United States from the 1920s-1980s. In addition to project files, records include biographical material for the owners, correspondence relating to personal and studio business, general business and financial records, writings such as published articles by Wilbur H. Burnham, scrapbooks and other printed material documenting the history of the company, artwork including extensive watercolor design studies for stained glass, and photographic material. There is a 3.4 linear foot unprocessed addition to this collection donated in 2021 that includes sketches, awards, printed material, passports, biographical material, Christmas cards, photographs and negatives of Burnham and works of art, slides and postcards of stained glass windows, posthumous material, a bound ledger, legal papers, invoices and receipts, project files and glass plate negatives. Materials date from circa 1901-1991.

Biographical material includes resume details and autobiographical notes for Burnham and Burnham, Jr., in addition to membership and fellow certificates.

Correspondence documents general studio business and includes correspondence with current and prospective clients, correspondence related to exhibitions, Burnham, Jr.'s activities on the Executive Committee of the America Arts Exposition, Inc., and the 1940 annual meeting of the Stained Glass Association of America and related business. Also found is some personal correpondence with friends and colleagues. Of note are 4 letters from stained glass artist Charles J. Connick giving his opinions on other stained glass artists, including Burnham, and a letter written by sculptor and designer, Joseph D. Portanova.

General business files include personnel records, records relating to a studio apprenticeship in stained glass design, a 1932 inventory of the studios, and leases and other legal documentation.

Writings include published articles by Burnham, in addition to draft typescripts for a book on stained glass which was never published, and research notes used as background material for stained glass studies. These notes include a number of pencil sketches.

19 diaries and journals consist of travel diaries and date books containing notes on daily appointments, financial notes, and addresses.

Project files form the bulk of the collection and document projects in circa 250 locations throughout the United States and Bellau, France, from the 1920s-1980s through correspondence with clients, architects and builders, contracts, purchase orders, building plans, sketches, scattered photographs and some printed material. Of particular note are extensive files on stained glass for New York's Cathedral of Saint John the Divine, Saint Mary's Cathedral in Peoria, Illinois, Saint Martin's Church in Providence, Rhode Island, and the National Cathedral in Washington D. C. The series also includes a group of contract files for the company Reynolds, Francis & Rohnstock (later Joseph G. Reynolds), a contemporary of Wilbur H. Burnham Studios.

Financial records include payment and receipt journals, expense reports, bills, account books and general ledgers which provide finanical documentation from the 1930s to the 1980s.

Printed material includes news clippings about Burnham studios and stained glass in general, in addition to source material used in subject research.

Additional newsclippings about Burnham Studios can be found in three scrapbooks which also house announcements and invitations, and scattered photographs. One scrapbook contains photographs of windows designed by the studios for the Church of Saint Vincent De Paul in Los Angeles, California.

Artwork and sketchbooks include some artwork by Burnham, Jr., such as pencil and ink sketches, life drawings, and some watercolors. The bulk of the series consists of watercolor design studies on board for many of the studio's projects documented in the project files. Also found are some stained glass design sketches and cartoons, primarily in pencil and charcoal with scattered watercolors, as well as seven folders of material used in creating stained glass patterns and templates.

Photographic material includes photos of Burnham and Burnham, Jr., and of studio work in progress, as well as photographs of artwork, primarily of stained glass created for a significant number of the studio's contracts.
Arrangement:
The collection is arranged as 12 series:

Missing Title

Series 1: Biographical Materials, circa 1930s-circa 1970s (Boxes 1, 27; 4 folders)

Series 2: Correspondence, 1920s-1991 (Box 1; 0.9 linear feet)

Series 3: General Business Files, 1930s-1970 (Box 2; 0.38 linear feet)

Series 4: Writings and Notes, 1920s-1950s (Box 2; 6 folders)

Series 5: Diaries and Journals, circa 1920s-circa 1960s (Box 2; 4 folders)

Series 6: Project Files, 1916-1980s (Boxes 2-12, 42; 10.6 linear feet)

Series 7: Financial Records, 1928-1982 (Boxes 13-14; 1.14 linear feet)

Series 8: Printed Material, circa 1920s-1980s (Boxes 14-15, 27-28; 1.89 linear feet)

Series 9: Scrapbooks, circa 1920s-circa 1970s (Boxes 15-16, 28, OVs 48-49, BV 84; 1.05 linear feet)

Series 10: Artwork and Sketchbooks, circa 1920s-circa 1980s (Boxes 16-23, 29-39, OVs 50-73, 85, RD 83; 13.15 linear feet)

Series 11: Photographic Materials, circa 1904-circa 1980s (Boxes 23-26, 29, 40-41, 43-47, OVs 74-82; 5.8 linear feet)

Series 12: Unprocessed Addition, circa 1901-1991 (Boxes 86-88, 91-93 OVs 89-90, 94; 3.4 linear feet)
Historical Note:
Boston, Massachussets stained glass design firm, Wilbur H. Burnham Studios, was founded by master stained glass craftsman Wilbur H. Burnham, in 1922. Together with Charles J. Connick and Joseph G. Reynolds, Burnham studios became recognized as one of the most prominent stained glass design companies in the United States. Burnham took early commissions from influential American architect Ralph Adams Cram, and believed strongly in the medieval stained glass tradition. In the late 1930s his son, Wilbur H. Burnham, Jr., who had received an informal education on tours of Europe with his family, and a BFA from Yale University, joined the firm.

Some of the studio's most notable commissions included seventeen windows for the Washington National Cathedral in Washington, D. C., all the windows and murals for Saint Mary's Cathedral, Peoria, Illinois, ten windows for the Cathedral of Saint John the Divine in New York City, and five for the Riverside Church, also in New York City.

Both Burnham and Burnham, Jr., served as presidents of the Stained Glass Association of American from 1938-1941 and 1956-1957 respectively. Burnham, Jr., took over the studio in 1968 when his father retired, and sold the studios in 1982.
Provenance:
The Wilbur H. Burnham Studios records were donated in 8 accessions by Wilbur H. Burnham, Jr., from 1977-1981 and by Wilbur C. Burnham, grandson of the founder, in 1990-1991 and 2021. Scott McDaniel, co-owner of the firm, contributed to the 1990 donation.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Stained glass artists -- Massachusetts  Search this
Topic:
Church architecture -- United States  Search this
Church decoration and ornament -- United States  Search this
Decorative arts  Search this
Glass art  Search this
Genre/Form:
Sketches
Photographs
Watercolors
Diaries
Sketchbooks
Scrapbooks
Citation:
Wilbur H. Burnham Studios records, circa 1901-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wilbhbur
See more items in:
Wilbur H. Burnham Studios records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ad5178e0-def4-497b-855e-36fd04bf74ad
EDAN-URL:
ead_collection:sova-aaa-wilbhbur
Online Media:

Peapack-Gladstone -- Hamilton Farms

Landscape architect:
Shipman, Ellen Biddle, 1869-1950  Search this
Property manager:
Huyler  Search this
Dendrologist:
Blackburn, Benjamin  Search this
Gardener:
Bryant, Al  Search this
Former owner:
Brady, James C.  Search this
Cutting, Suydam, Mrs.  Search this
Brady family  Search this
Architect:
Flagg, Montague  Search this
Rosborg, F. G.  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Hamilton Farms (Gladstone, New Jersey)
Scope and Contents:
Hamilton Farms holdings consist of 1 folder, (5) 35 mm. slides and 1 photoprint. T)The folder includes an information sheet, copies of Ellen Biddle Shipman's plans (including plant lists), a tree list, and copies of articles and photographs concerning the garden.
General:
This Ellen Biddle Shipman-designed garden is notable for a number of features, including terraces, a tea house, a wall garden, and a pool. The property was the largest working farm in New Jersey at one point.The original house with 75 rooms burned down in 1923. A second house was built in 1924 on the foundation that remained. John C. Brady died in 1926. His widow remarried and became Mrs. Suydam Cutting. Twelve acres of the property are now occupied by the U.S. Equestrian Team. Photographs and Shipman's drawings for this garden are at Cornell University.
Persons associated with the property include Mrs. Suydam Cutting and the Brady family (former owners, 1926-1978); James C. Brady (former owner, 1900-1926); Montague Flagg and F. G. Rosborg (architects, 1925); Ellen Biddle Shipman (landscape architect, 1924); Huyler (estate manager, 1912-1968); Benjamin Blackburn (dendrologist, 1930-1970); Al Bryant (gardener).
See others in:
Archives of American Gardens' Maida Babson Adams American Garden Collection, ca. 1960-1994.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- New Jersey -- Gladstone  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File NJ124
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / New Jersey
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6bccf8c62-0b72-4be5-92f8-d71cf51e50ea
EDAN-URL:
ead_component:sova-aag-gca-ref20288

Lilian Swann Saarinen papers, circa 1909-1977

Creator:
Saarinen, Lilian Swann, 1912-1995  Search this
Subject:
Venturi, Robert  Search this
Saarinen, Loja  Search this
Kreis, Henry  Search this
Milles, Carl  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Saarinen, Eero  Search this
Saarinen, Eliel  Search this
Moholy-Nagy, László  Search this
Moholy-Nagy, Sibyl  Search this
Koch, Carl  Search this
Armitage, Merle  Search this
Crosby, Caresse  Search this
Weese, Harry  Search this
Midtown Galleries (New York, N.Y.)  Search this
Reynal & Hitchcock  Search this
G Place Gallery (Washington, D.C.)  Search this
Knoll Associates, inc.  Search this
Massachusetts Institute of Technology  Search this
Cambridge Art Center  Search this
Otava Publishing Company  Search this
Cranbrook Academy of Art  Search this
Type:
Blueprints
Diaries
Illustrations
Sketches
Photographs
Scrapbooks
Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Art -- Study and teaching  Search this
Illustrated books, Children's  Search this
Gateway Arch (Saint Louis, Mo.)  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Illustrators -- Massachusetts  Search this
Art, Municipal  Search this
Women sculptors  Search this
Women illustrators  Search this
Theme:
Women  Search this
Craft  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9049
(DSI-AAA_SIRISBib)211240
AAA_collcode_saarlili
Theme:
Women
Craft
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211240
Online Media:

Lilian Swann Saarinen papers

Creator:
Saarinen, Lilian Swann, 1912-1995  Search this
Names:
Cambridge Art Center  Search this
Cranbrook Academy of Art -- Faculty  Search this
G Place Gallery (Washington, D.C.)  Search this
Knoll Associates, inc.  Search this
Massachusetts Institute of Technology -- Faculty  Search this
Midtown Galleries (New York, N.Y.)  Search this
Otava Publishing Company  Search this
Reynal & Hitchcock  Search this
Armitage, Merle, 1893-1975  Search this
Crosby, Caresse, 1892-  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Koch, Carl  Search this
Kreis, Henry, 1899-1963  Search this
Milles, Carl, 1875-1955  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Saarinen, Eero, 1910-1961  Search this
Saarinen, Eliel, 1873-1950  Search this
Saarinen, Loja  Search this
Venturi, Robert  Search this
Weese, Harry, 1915-1998  Search this
Extent:
9 Linear feet
Type:
Collection descriptions
Archival materials
Blueprints
Diaries
Illustrations
Sketches
Photographs
Scrapbooks
Date:
circa 1909-1977
Summary:
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.
Scope and Contents:
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.

Biographical material consists of resumes and biographical sketches, as well as a 1951 blueprint for the Eero Saarinen and Associates Office Building in Bloomfield Hills, Michigan.

Correspondence documents Saarinen's personal and professional life through letters to and from Eero Saarinen and other family members, including six letters from Loja Saarinen; correspondence with artists and architects, including Merle Armitage, Charles and Ray Eames, Carl Koch, Henry Kreis, Carl Milles, Laszlo and Sibyl Moholy-Nagy, Robert Venturi, and Harry Weese; and friends and colleagues at the Cranbrook Academy of Art and Knoll Associates. Also documented is Saarinen's business relationship with Midtown Galleries and Caresse Crosby, and publishers and publications including Child Life, Interiors, Otava Publishing Company, and Reynal & Hitchcock, Inc.

Writings and Notes document Saarinen's work on several children's publications, including Picture Book Zoo (1935) and Who Am I? (1946), through correspondence, notes, manuscript drafts, and extensive sketches. This series also includes Saarinen's ideas for other publications and incorporates some early writings and notes, as well as typescripts of her reminiscences about Eliel Saarinen, the Saarinen family, and the Cranbrook Academy of Art.

Diaries consist of bound diary volumes, loose-leaf journal entries, and heavily annotated engagement calendars, documenting Saarinen's personal life, artistic aspirations, and career development from the 1930s-1970s. This material provides a deeply personal view of the emotional landscape of Saarinen's life, her struggles to balance her identity as a working artist with the roles of wife, mother, and homemaker, and the complex, and often competing, relationships within the renowned architectural family into which she married.

Project files document Saarinen's work on book cover designs, federal and post office commissions in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, reliefs for the Crow Island School in Winnetka, Illinois, and other important commissions including the Harbor National Bank Clock in Boston, Massachusetts, the KLM Airlines installation at JFK Airport, the Fountain of Noah sculpture at the Northland Center in Detroit, Michigan, and the interior of Toffenetti's restaurant in Chicago, Illinois. Also documented is her role in designs for the Gateway Arch in St. Louis, with Eero Saarinen.

Teaching files document Saarinen's "Language of Clay Course" which she taught at Cambridge Art Center and the Massachusetts Institute of Technology.

Financial records document exhibition and sales expenses for two exhibitions, including her show at G Place Gallery in 1944.

Printed material consists of clippings about Saarinen and her family, exhibition announcements and catalogs for herself and others, and reference files from the 1930s-1940s, primarily comprising clippings of animals.

Additional printed material documenting Saarinen's career can be found in one of two scrapbooks found in the collection. An additional scrapbook consists of clippings relating primarily to Saarinen's parents.

Artwork comprises extensive sketches, particularly animal and figure sketches, in graphite, crayon, ink, pastel, and watercolor. The sketches demonstrate in particular Saarinen's developing interest in and skill with animal portraiture from her childhood to the 1960s.

Photographs are primarily of artwork and Saarinen's 1944 exhibition at G Place Gallery. Also found are one negative of Saarinen, probably with Eero Saarinen, and a group photo including Lilian, Eero, and Eliel Saarinen with the model for the Detroit Civic Center, circa 1940s.
Arrangement:
The collection is arranged as 11 series.

Missing Title

Series 1: Biographical Material, circa 1930s-1960s (3 folders; Box 1, OV 12)

Series 2: Correspondence, 1920-1974 (1.9 linear feet; Boxes 1-2, 8, OV 12)

Series 3: Writings and Notes, 1920s-1973 (1.3 linear feet, Boxes 2-3, 8, OVs 13-16)

Series 4: Diaries, 1930-1973 (1.4 linear feet, Boxes 3-5, 8)

Series 5: Project Files, 1931-1966 (1.7 linear feet, Boxes 5-6, 8, OVs 17-19)

Series 6: Teaching Files, 1966-1970 (3 folders, Box 6)

Series 7: Financial Records, 1940s-1970s (2 folders, Box 6)

Series 8: Printed Material, circa 1930s-1970s (0.2 linear feet, Box 6)

Series 9: Scrapbooks, circa 1909-1974 (2 folders; Boxes 6, 9)

Series 10: Artwork, circa 1920s-circa 1960s (1.7 linear feet, Boxes 6-7, 9-10, OVs 20-27)

Series 11: Photographs, circa 1940s, 1977 (0.5 linear feet, Boxes 7, 11, OV 27)
Biographical / Historical:
Cambridge artist and sculptor, Lilian Swann Saarinen (1912-1995), studied at the Art Students League with Alexander Archipenko in 1928, and later with Albert Stewart and Heninz Warneke from 1934-1936, before moving to Michigan where she studied with Carl Milles at the Cranbrook Academy of Art from 1936-1940. Saarinen was an accomplished skier and a member of the 1936 US Olympic ski team.

At Cranbrook, Swann met architect Eero Saarinen, whom she married in 1939. She subsequently worked with Saarinen's design group on a variety of projects, including the Westward Expansion Memorial, which later became known as the "Gateway Arch" in St. Louis. Lilian and Eero had a son, Eric, and a daughter, Susie, before divorcing in 1953.

Saarinen, who had developed an affinity for drawing animals in childhood, specialized in animal portraits in a variety of sculptural media. In 1939, she exhibited her sculpture Night, which depicted Bagheera the panther from Rudyard Kipling's Jungle Book, at the World's Fair. The sculpture was placed in the Boston Public Garden in 1986. In the 1930s and 1940s Saarinen was commissioned to work on a variety of architectural projects, including reliefs for post offices in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, and the Crow Island School in Winnetka, Illinois. She also executed commissions for the Harbor National Bank in Boston, KLM (Royal Dutch Airlines) at JFK Airport, the Northland shopping Center in Detroit Michigan, and Toffenetti's Restaurant in Chicago.

Saarinen was a contributing author and illustrator for a variety of publications, including Child Life, Interiors and Portfolio: An Intercontinental Quarterly. In 1935 she illustrated Picture Book Zoo for the Bronx Zoo and in 1946 Reynal & Hitchcock, Inc. published Who Am I?, a children's book which Saarinen wrote and illustrated.

Saarinen taught ceramic sculpture to soldiers for the Red Cross Arts and Skills Unit rehabilitation program in 1945, served on the Visiting Committee to the Museum School at the Museum of Fine Arts, Boston, from 1959-1964, where she taught ceramics, and later taught a course entitled "The Language of Clay" at the Cambridge Art Center and the Massachusetts Institute of Technology. One of Saarinen's private students at Cambridge was her cousin, Edie Sedgwick.

Saarinen died in Cohasset, Massachusetts, in 1995 at the age of 83.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels 1152 and 1192) including a scrapbook containing clippings, copies of letters and telegrams received, and reproductions of Saarinen's work. There is a copy of Saarinen's book, "Who Am I?", and three albums containing photographs of Saarinen, photographs and reproductions of her work, a list of exhibitions, quotes about her, and writings by her about sculpture. Lent material was returned to the lender and is not described in the collection container inventory.
Provenance:
Lilian Swann Saarinen donated the collection in 1975. She lent additional materials for microfilming in 1976.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- Massachusetts -- Cambridge  Search this
Topic:
Women artists  Search this
Art -- Study and teaching  Search this
Illustrated books, Children's  Search this
Gateway Arch (Saint Louis, Mo.)  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Illustrators -- Massachusetts  Search this
Art, Municipal  Search this
Women sculptors  Search this
Women illustrators  Search this
Function:
Art commissions
Genre/Form:
Blueprints
Diaries
Illustrations
Sketches
Photographs
Scrapbooks
Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.saarlili
See more items in:
Lilian Swann Saarinen papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97f1e4305-3886-479a-9db7-48c98fd8d2dd
EDAN-URL:
ead_collection:sova-aaa-saarlili
Online Media:

Gladstone -- Hamilton Farms

Landscape architect:
Shipman, Ellen Biddle, 1869-1950  Search this
Creator:
Huyler, estate manager  Search this
Blackburn, Benjamin, dendrologist  Search this
Gardener:
Bryant, Al  Search this
Former owner:
Brady, James C.  Search this
Cutting, Suydam, Mrs.  Search this
Brady family  Search this
Architect:
Flagg, Montague  Search this
Rosborg, F. G.  Search this
Collection Creator:
Adams, Molly, 1918-2003  Search this
Type:
Archival materials
Place:
Hamilton Farms (Gladstone, New Jersey)
Scope and Contents:
The folder includes an information sheet, copies of Ellen Biddle Shipman's plans (including plant lists), a tree list, and copies of articles and photographs concerning the garden.
General:
This Ellen Biddle Shipman-designed garden is notable for a number of features, including terraces, a tea house, a wall garden, and a pool. The property was the largest working farm in New Jersey at one point.The original house with 75 rooms burned down in 1923. A second house was built in 1924 on the foundation that remained. John C. Brady died in 1926. His widow remarried and became Mrs. Suydam Cutting. Twelve acres of the property are now occupied by the U.S. Equestrian Team. Photographs and Shipman's drawings for this garden are at Cornell University.
Persons associated with the property include Mrs. Suydam Cutting and the Brady family (former owners, 1926-1978); James C. Brady (former owner, 1900-1926); Montague Flagg and F. G. Rosborg (architects, 1925); Ellen Biddle Shipman (landscape architect, 1924); Huyler (estate manager, 1912-1968); Benjamin Blackburn (dendrologist, 1930-1970); Al Bryant (gardener).
Related Materials:
Hamilton Farms related holdings consist of 2 folders (5 35 mm. slides and 1 photoprint)
See others in:
Garden Club of America Collection, ca. 1920-[ongoing].
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- New Jersey -- Gladstone  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM, File NJ124
See more items in:
Maida Babson Adams American garden collection.
Maida Babson Adams American garden collection. / Series 1: Garden Images / New Jersey
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6fde70556-f8b7-4fe1-8148-6ffe0cd302a1
EDAN-URL:
ead_component:sova-aag-adm-ref1234

Covered Basket

Collector:
Lt. U S N Howard B. Hutchinson  Search this
Donor Name:
Lt. U S N Howard B. Hutchinson  Search this
Height - Object:
8.5 cm
Culture:
Aleut (Unangax^ ; Unangan; Unangas)  Search this
Object Type:
Basket
Place:
Attu Island / Chichagof Bay, Aleutian Islands / Attu Quad, Alaska, United States, North America
Accession Date:
11 Jun 1976
Collection Date:
1935
Topic:
Ethnology  Search this
Accession Number:
323161
USNM Number:
E417767-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/3a6ca22df-1c5d-412f-a6ea-c9a7f061bdbe
EDAN-URL:
edanmdm:nmnhanthropology_8449475
Online Media:

Alan R. Solomon papers, 1907-1970, bulk 1944-1970

Creator:
Solomon, Alan R.  Search this
Subject:
Castelli, Leo  Search this
Louis, Morris  Search this
Segal, George  Search this
Fahlström, Öyvind  Search this
Poons, Larry  Search this
Duchamp, Marcel  Search this
Bontecou, Lee  Search this
Picasso, Pablo  Search this
Provinciali, Michele  Search this
Reed, Lou  Search this
Lichtenstein, Roy  Search this
Mulas, Ugo  Search this
Sonnabend, Ileana  Search this
Rosenquist, James  Search this
Sabol, Audrey  Search this
Grisi, Laura  Search this
Noland, Kenneth  Search this
Scull, Ethel  Search this
MacElroy, Robert R.  Search this
Namuth, Hans  Search this
Newman, Barnett  Search this
Finkelstein, Nat  Search this
Stella, Frank  Search this
Sisler, Mary  Search this
Greenberg, Jeanine  Search this
Oldenburg, Patty  Search this
Morris, Robert  Search this
Scull, Robert C.  Search this
Hay, Alex  Search this
Dine, Jim  Search this
Kron, Joan  Search this
Chamberlain, John  Search this
Greenberg, Clement  Search this
Oldenburg, Claes  Search this
Frankenthaler, Helen  Search this
Paxton, Steve  Search this
Moore, Peter  Search this
Whitman, Robert  Search this
Novick, Elizabeth  Search this
Rauschenberg, Robert  Search this
Redon, Odilon  Search this
Schute, Terry  Search this
Warhol, Andy  Search this
Hay, Deborah  Search this
Rainier, Yvonne  Search this
Childs, Lucinda  Search this
Johns, Jasper  Search this
Dunn, Judith  Search this
Leo Castelli Gallery  Search this
Expo 67 (Montre?al, Que?bec)  Search this
Pasadena Art Museum  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Albright-Knox Art Gallery  Search this
Art Gallery of Ontario  Search this
Velvet Underground (Musical group)  Search this
Biennale di Venezia  Search this
Artforum  Search this
Amsterdam (Netherlands). Stedelijk Museum  Search this
Jewish Museum (New York, N.Y.)  Search this
University of California (System)  Search this
Cornell University  Search this
San Francisco Art Institute  Search this
Centro de Artes Visuales (Asuncio?n, Paraguay)  Search this
Los Once (Artists' group)  Search this
Harvard University  Search this
Type:
Drawings
Transcripts
Photographs
Interviews
Lithographs
Place:
Italy -- Venice
Citation:
Alan R. Solomon papers, 1907-1970, bulk 1944-1970. Archives of American Art, Smithsonian Institution.
Topic:
Abstract expressionism  Search this
Art -- Study and teaching  Search this
Art -- Economic aspects  Search this
Art -- History -- Study and teaching  Search this
Performance art  Search this
Art, Abstract -- United States  Search this
Art -- Exhibitions  Search this
Art -- New York (State) -- New York  Search this
Sculptors  Search this
Art, Modern -- 20th century -- United States  Search this
Educators -- New York (State) -- New York  Search this
Curators -- New York (State) -- New York  Search this
Theater  Search this
Pop art  Search this
Museum directors -- New York (State) -- New York  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)7165
(DSI-AAA_SIRISBib)209301
AAA_collcode_soloalan
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209301
Online Media:

William Kienbusch papers, 1915-2001, bulk 1936-1980

Creator:
Kienbusch, William Austin, 1914-1980  Search this
Subject:
Maitland, Walter McClymonds  Search this
Rattner, Abraham  Search this
Poor, Henry Varnum  Search this
Tam, Reuben  Search this
Davis, Stuart  Search this
Kraushaar, Antoinette M.  Search this
Schrag, Karl  Search this
Clifford, Stanley  Search this
Type:
Photographs
Drawings
Drafts (documents)
Visitors' books
Sketchbooks
Notes
Notebooks
Citation:
William Kienbusch papers, 1915-2001, bulk 1936-1980. Archives of American Art, Smithsonian Institution.
Topic:
Landscape painters -- New York (State) -- New York  Search this
Painting, Abstract -- United States  Search this
Painting, American  Search this
World War, 1939-1945  Search this
Painting -- Technique  Search this
Painters -- New York (State) -- New York  Search this
Theme:
Diaries  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7726
(DSI-AAA_SIRISBib)209890
AAA_collcode_kienwill
Theme:
Diaries
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209890
Online Media:

James French Patton papers, 1930-1970

Creator:
Patton, James French, 1915-1971  Search this
Citation:
James French Patton papers, 1930-1970. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- Arizona  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8368
(DSI-AAA_SIRISBib)210541
AAA_collcode_pattjame
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210541

Philip Evergood papers, 1890-1971

Creator:
Evergood, Philip, 1901-1973  Search this
Subject:
Kent, Rockwell  Search this
Kleinholz, Frank  Search this
Kroll, Leon  Search this
Kuniyoshi, Yasuo  Search this
Miró, Joan  Search this
Smith, Charles Edward  Search this
Type:
Watercolors
Sound recordings
Transcripts
Scrapbooks
Sketches
Oil paintings
Photographs
Interviews
Citation:
Philip Evergood papers, 1890-1971. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York  Search this
Artists -- Political activity  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8865
(DSI-AAA_SIRISBib)211050
AAA_collcode_everphil
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211050
Online Media:

The mighty Eighth; units, men, and machines (a history of the US 8th Army Air Force) [By] Roger A. Freeman. With colour drawings by John B. Rabbets

Author:
Freeman, Roger A 1928-2005  Search this
Subject:
United States Army Air Forces Air Force, 8th  Search this
Physical description:
311 pages illustrations (part color), maps, portraits 29 cm
Type:
Pictorial works
Illustrated books
Illustrated works
Ouvrages illustrés
Place:
Western Front
United States
États-Unis
Front occidental
Western Front (World War (1939-1945))
Date:
1970
Topic:
World War, 1939-1945--Aerial operations, American  Search this
World War, 1939-1945--Campaigns  Search this
World War, 1939-1945--Regimental histories  Search this
Guerre mondiale, 1939-1945--Opérations aériennes américaines  Search this
Guerre mondiale, 1939-1945--Histoire des unités  Search this
Guerre mondiale, 1939-1945--Campagnes et batailles  Search this
Military campaigns  Search this
Military operations, Aerial--American  Search this
Regimental histories  Search this
Call number:
D790 .F655 1970X
D790.F655 1970X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_4702

Lehman, Robert - Old Masters Drawings Appraisal

Collection Creator:
Spark, Victor D. (Victor David), 1898-1991  Search this
Container:
Box 11, Folder 18
Type:
Archival materials
Date:
1970
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Victor D. Spark papers, circa 1830-1983, bulk 1930-1970. Archives of American Art, Smithsonian Institution.
See more items in:
Victor D. Spark papers
Victor D. Spark papers / Series 3: Client Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw955d26ba9-96df-4bca-8432-b1e3cba1a6e9
EDAN-URL:
ead_component:sova-aaa-sparvict-ref907

Untitled

Artist:
James Castle, born Garden Valley, ID 1899-died Boise, ID 1977  Search this
Medium:
found paper and soot
Dimensions:
9 1/8 x 10 1/4 in. (23.2 x 26.0 cm)
Type:
Drawing
Folk Art
Date:
ca. 1931-1977
Credit Line:
Smithsonian American Art Museum, Gift of the James Castle Collection and Archive and museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Object number:
2013.27.27
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
On View:
Smithsonian American Art Museum, 3rd Floor, East Wing
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk727cfef30-0ffa-468a-91c4-3121a8429aa0
EDAN-URL:
edanmdm:saam_2013.27.27

Untitled

Artist:
James Castle, born Garden Valley, ID 1899-died Boise, ID 1977  Search this
Medium:
found paper and soot
Dimensions:
5 x 6 1/2 in. (12.7 x 16.5 cm)
Type:
Drawing
Folk Art
Date:
ca. 1931-1977
Credit Line:
Smithsonian American Art Museum, Gift of the James Castle Collection and Archive and museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Object number:
2013.27.3
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
On View:
Smithsonian American Art Museum, 3rd Floor, East Wing
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7d9c3d51c-af18-4a95-9807-3b0108df5219
EDAN-URL:
edanmdm:saam_2013.27.3

Untitled

Artist:
James Castle, born Garden Valley, ID 1899-died Boise, ID 1977  Search this
Medium:
found paper
Dimensions:
12 × 16 in. (30.5 × 40.6 cm)
Type:
Graphic Arts
Folk Art
Date:
ca. 1931-1977
Topic:
Still life\written matter\newspaper  Search this
Still life\trompe l'oeil  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Driek and Michael Zirinsky in honor of Leslie and Ron Melnick
Object number:
2015.28.1
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
On View:
Smithsonian American Art Museum, 3rd Floor, East Wing
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk788b8c27f-bc81-43ce-8ec9-723f4ed3570c
EDAN-URL:
edanmdm:saam_2015.28.1

Marks of early American silversmiths with notes on silver, spoon types & list of New York City silversmiths 1815-1841 by Ernest M. Currier; illustrated with many of his original drawings. Edited with introductory note by Kathryn C. Buhler and including a publisher's foreword by Robert Alan Green

Author:
Currier, Ernest M. 1867-1936  Search this
Author:
Buhler, Kathryn C  Search this
Physical description:
ix, 179 pages illustrations, facsimiles, portrait 29 cm
Type:
Books
Place:
United States
États-Unis
Date:
1970
1938
Topic:
Hallmarks  Search this
Silversmiths  Search this
Orfèvres  Search this
Poinçons de garantie  Search this
Call number:
NK7112 .C78 1970X
NK7112.C78 1970X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_3259

Nude

Artist:
Arshile Gorky, American, b. Khorkom, Armenia, 1904–1948  Search this
Medium:
Oil on canvas
Dimensions:
50 1/8 × 38 1/8 in. (127.3 × 96.9 cm)
Type:
Painting
Date:
1946
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.2154
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2bfc23862-eab8-4b1d-88c6-03da8a68f495
EDAN-URL:
edanmdm:hmsg_66.2154

Yoram

Artist:
Herman Rose, American, b. Brooklyn, New York, 1909–2007  Search this
Medium:
Pencil on paper
Dimensions:
13 5/8 x 10 1/8 in. (34.6 x 25.7 cm)
Type:
Drawing
Date:
(n.d.)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1979
Accession Number:
79.206
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Realism (Mid-20th Century)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py27081d475-4f46-4d6b-8b58-898995a0bf81
EDAN-URL:
edanmdm:hmsg_79.206

Attalia

Artist:
Herman Rose, American, b. Brooklyn, New York, 1909–2007  Search this
Medium:
Pencil on paper
Dimensions:
12 3/16 x 9 7/8 in. (31 x 25 cm)
Type:
Drawing
Date:
(n.d.)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1979
Accession Number:
79.207
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Realism (Mid-20th Century)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py20bc29f99-4d2e-435c-b4d5-2d45537c6b52
EDAN-URL:
edanmdm:hmsg_79.207

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