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Ben Shahn papers

Creator:
Shahn, Ben, 1898-1969  Search this
Names:
Baskin, Leonard, 1922-2000  Search this
Delano, Jack  Search this
Evans, Walker, 1903-1975  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Rivera, Diego, 1886-1957  Search this
Robbins, Jerome  Search this
Soyer, Raphael, 1899-1987  Search this
Extent:
25.1 Linear feet
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Sketchbooks
Video recordings
Drawings
Sound recordings
Interviews
Date:
1879-1990
bulk 1933-1970
Summary:
The papers of social realist painter, photographer, printmaker, and teacher Ben Shahn (1898-1969) measure 25.1 linear feet and date from 1879-1990, with the bulk of the material dating from 1933-1970. The bulk of the collection consists of over 14 linear feet of incoming letters from artists, writers, colleagues, publishers, art organizations, galleries, and universities and colleges. Also found are biographical materials, project and source files, printed material, artwork by Shahn and others, photographs taken of and by Shahn, interview transcripts, sound recordings of interviews and a motion picture film.
Scope and Contents note:
The papers of social realist painter, photographer, illustrator, printmaker, and teacher Ben Shahn (1898-1969) measure 25.1 linear feet and date from 1879-1990, with the bulk of the material dating from 1933-1970. The bulk of the collection consists of over 14 linear feet of incoming letters from artists, writers, colleagues, publishers, art organizations, galleries, and universities and colleges. Also found are biographical materials, project and source files, printed material, artwork by Shahn and others, photographs taken of and by Shahn, interview transcripts, sound recordings of interviews and a motion picture film.

Biographical material and family records include a 1924 passport for Shahn and his first wife, Tillie, biographical sketches of Shahn, and award certificates received by him.

Letters are primarily written to Shahn from family members, artists, writers, colleagues, publishers, art organizations, galleries, and universities and colleges. Notable correspondents include Leonard Baskin, Alexander Calder, Dorothea Lange, Walker Evans, Joseph Hirsch, Leo Lionni, John Bartlow Martin, George and Marian Nakashima, Clifford Odets, Charles Olson, Robert Osborn, Diego Rivera, Jerome Robbins, Selden Rodman, James Thrall Soby, Raphael Soyer, and William Carlos Williams. A small number of scattered letters from Shahn can also be found throughout the series.

Project files document approximately twenty-one of Shahn's commissions, including murals for the community center at Jersey Homesteads, the Bronx Central Annex Post Office, the Social Security Building in Washington D.C. , and the William E. Grady Vocational High School. The files also document his involvement in the Franklin Delano Roosevelt Memorial in Roosevelt, in addition to projects for schools, temples and private homes.

Financial and legal records include consignment records, loan agreements, royalty statements and receipts for artwork sold.

Notes and writings are by Shahn and others including Alan Dugan, W. H. Ferry, Theodore Gusten, and John Bartlow Martin. They include lists of artwork, many of which are annotated.

Artwork includes a sketchbook and several unbound sketches and lettering by Shahn, in addition to drawings and prints by others including Shahn's children, Mario Casetta and Stefan Martin.

Source files contain printed material and photographs relating to topics depicted by Shahn in his artwork such as children, dams, farming, houses, industry, mines and miners, slums, war and workers. These files also contain scattered photographic prints by FSA and OWI photographers including Shahn, Jack Delano, Walker Evans, Dorothea Lange, Russell Lee, Carl Mydans, Marion Post Wolcott, Arthur Rothstein, and John Vachon.

Printed material includes news clippings covering Shahn and his career as well as subjects of interest to Shahn. Also found are exhibition catalogs and announcements for exhibitions for Shahn and others, and reproductions of Shahn's artwork including publications illustrated by him.

Photographs are of Shahn, his family and friends and colleagues including Alexander Calder, Jerome Robbins, Charles Sheeler, David Smith and William Zorach. Also included are photographs taken by Shahn of New York City and for the FSA in the 1930s, as well as photographs of artwork by Shahn. Photographs by others include one photo each by Walker Evans, Dorothea Lange, Russell Lee and Arthur Rothstein.

The collection also contains transcripts of eight radio, television and motion picture interviews of Shahn and a reel of 16mm motion picture film from the BBC-TV program "Monitor," in addition to sound recordings of interviews of Shahn by Tony Schwartz and Arlene Francis. Artifacts include a Christmas greeting in the form of a sock.
Arrangement note:
The collection is arranged as 12 series:

Missing Title

Series 1: Biographical and Family Records, 1879-1984 (Box 1, OV 36; 0.2 linear ft.)

Series 2: Letters, 1929-1990 (Boxes 1-25, 35, 43, OVs 36-38; 14.5 linear ft.)

Series 3: Project Files, 1933-1975 (Boxes 25-26; OVs 36-37; 1.03 linear ft.)

Series 4: Financial and Legal Records, 1934-1988 (Boxes 26-27, 35; 0.81 linear ft.)

Series 5: Notes and Writings, circa 1933-1988 (Boxes 27-28, 43; 1.72 linear ft.)

Series 6: Artwork, circa 1930s-1965 (Boxes 28, 35; 11 folders)

Series 7: Source Files, circa 1900s-1960s (Boxes 28-30, 35; 1.81 linear ft.)

Series 8: Printed Material, 1912-1988 (Boxes 30-33, 35, OV 39; 3.22 linear ft.)

Series 9: Photographs, circa 1900-1969 (Boxes 33-35; 0.86 linear ft.)

Series 10: Interview Transcripts, 1943-1968 (Box 34; 0.25 linear ft.)

Series 11: Audio and Video Recordings, 1959-1968 (Box 34; 0.25 linear ft.)

Series 12: Artifacts, circa 1930s-circa 1960s (Box 34; 2 items)
Biographical/Historical note:
Ben Shahn (1898-1969) was a social realist painter, muralist, printmaker, photographer, illustrator, and educator who worked primarily in Brooklyn, New York and New Jersey. He was most active in the 1930s through the 1950s and worked on several federally funded arts projects, including the Farm Security Administration's photographic documentation project of rural America during the Depression.

Ben Shahn was born in Kovno, Lithuania and immigrated with his family to the United States in 1906 where he settled in Brooklyn, and later Roosevelt, New Jersey, after becoming a naturalized citizen in 1918.

Following an apprenticeship as a lithographer from 1913-1917, Shahn studied at New York University, the City College of New York, and the National Academy of Design from 1919-1922. He married Tillie Goldstein in 1922 and they had two children, Judith and Ezra.

Two years after Shahn's first solo exhibition at the Downtown Gallery in 1930, his Passion of Sacco and Vanzetti, a series of 23 gouaches about the Sacco and Vanzetti trial of the 1920s, was exhibited at the Downtown Gallery to critical and public acclaim. The exhibition marked the beginning of Shahn's reputation as one of the most important social realist painters in America. Shahn's commitment to social and political justice found a natural outlet in mural painting when, in 1933, he was hired to assist Diego Rivera on the labor and industry mural Man at the Crossroads, for New York City's Rockefeller Center. The mural was destroyed amid controversy in 1933 before it was completed, but Shahn had learned much about the art of fresco painting during the project and was inspired by the potential of the mural as a unique art form for presenting life's struggles and stories to a large public audience. Between 1933 and 1937 Shahn worked on various murals for other buildings, including New York's Central Park Casino (circa 1934) and Riker's Island Prison (1934), none of which saw completion. In 1937, however, the Farm Security Administration (FSA) commissioned Shahn to execute a mural for the Community Center in the town of Jersey Homesteads, later Roosevelt, New Jersey, which Shahn completed in 1938. Shahn settled in Jersey Homesteads the following year and remained there for the rest of his life. Other important mural commissions followed for the Bronx Central Post office (1939) and the Social Security Building in Washington DC (1942).

One of Shahn's assistants on the Jersey Homesteads mural was Bernarda Bryson, whom he had met in 1933 when she came to New York to interview Rivera about the Rockefeller Center mural controversy for an Ohio newspaper. Shahn and Bryson became lifetime companions and had three children, Susanna, Jonathan and Abigail, although they did not marry until shortly before Shahn's death in 1969. Shahn and Tillie Goldstein were divorced in 1944.

Shahn had enrolled with the federal Public Works of Art Project in 1934, and between 1935 and 1938 he and Bryson travelled across country as Shahn photographed poverty-stricken areas and documented rural life for the Farm Security Administration (FSA) and the Resettlement Agency. Shahn's interest in photography developed in the early 1930s when, encouraged by his friendship with Walker Evans, he began photographing street scenes and people in New York City. He later used the images as the basis for many of his prints and paintings.

In 1942 Shahn began working for the Office of War Information (OWI) and was instructed to produce posters and pamphlets explaining to citizens the necessities of wartime, such as the need for secrecy and food rationing. Ultimately, only two of Shahn's posters were ever used; the rest were rejected as being too harsh for their intended audience. Shahn later worked for the Congress of Industrial Organization Political Action Committee (CIO-PAC), producing posters for the 1944 campaign to re-elect Roosevelt, who he believed in deeply. He was promoted to director of the CIO's Graphic Arts Division for the 1946 congressional campaign following Roosevelt's death, but that job ended when the election went poorly for the Democratic party.

Shahn returned increasingly to painting and a retrospective of his work was held at the Museum of Modern Art in 1947. He also became more active in academia as an accomplished writer, teacher and lecturer. He received honorary doctorates from Princeton University and Harvard University, and become the Charles Eliot Norton professor at Harvard in 1956. Shahn's Norton lectures were collected and published as the influential The Shape of Content in 1957. He also began to work as a commercial artist for a variety of companies and publications including CBS, Time, Harper's, and the Container Corporation of America. Shahn believed, however, that the artist's ideas and integrity must always be reflected in his commercial art. He refused to compromise on this point and was very selective in his choice of commercial commissions. Shahn illustrated many books and articles, designed sets for stage productions such as New York Export: Opus Jazz, choreographed by Jerome Robbins, and designed mural mosaics for synagogues, universities and private homes.

Since the 1930s Shahn had been represented by Edith Halpert at the Downtown Gallery, but his relationship with her was always contentious on the subject of payments Shahn received for commercial work, and became increasingly so as his income from such sources increased. Finally, in 1968, Shahn wrote to Halpert telling her that after ten years of "an accumulation of ill-feeling, discomfort and recrimination between us" he felt compelled to end their dealer-artist relationship.

By the time of Shahn's break with Halpert his health had begun to fail. He died of a heart attack following surgery in a New York City hospital on March 14, 1969.
Related Archival Materials note:
The Archives of American Art holds four oral history interviews with Ben Shahn: 1964 Apr. 14 interview conducted by Richard K. Doud for the Archives of American Art New Deal and the Arts Project in which Shahn speaks of his travels and work for the Farm Security Administration (FSA) and the American image as portrayed by FSA; 1965 Jan. 17 interview; 1965 Oct. 3. interview conducted by Harlan Phillips for the Archives of American Art New Deal and the Arts Project; and 1968 Sept. 27 interview conducted by Forrest Selvig. Most of these interviews have transcripts available online.

The Archives also holds the Bernarda Bryson Shahn papers, circa 1947-2005, and two oral history interviews with Bernarda Bryson Shahn: 1983 Apr. 29 and 1995 July 3.
Separated Materials note:
The Archives of American Art also holds material lent for microfilming (reel N70-6) including addresses and essays by Shahn, seven royalty statements, and three letters from publishers. Many of the writings found on this reel were included in subsequent donations. All other lent material was returned to the lender and is not described in the collection container inventory.
Provenance:
The Ben Shahn papers were donated to the Archives of American Art in several installments between 1967-1991 by Shahn's widow, Bernarda Bryson Shahn who also lent materials for microfilming in 1969. Jean Shahn, Ben Shahn's daughter-in-law and estate representative, donated additional material in 2018 and 2021.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Jersey -- Roosevelt  Search this
Painters -- New York (State) -- Brooklyn  Search this
Photographers -- New York (State) -- Brooklyn  Search this
Photographers -- New Jersey -- Roosevelt  Search this
Printmakers -- New Jersey -- Roosevelt  Search this
Printmakers -- New York (State) -- Brooklyn  Search this
Educators -- New York (State) -- Brooklyn  Search this
Educators -- New Jersey -- Roosevelt  Search this
Muralists -- New York (State) -- Brooklyn  Search this
Muralists -- New Jersey -- Roosevelt  Search this
Topic:
Social realism  Search this
Genre/Form:
Motion pictures (visual works)
Sketchbooks
Video recordings
Drawings
Sound recordings
Interviews
Citation:
Ben Shahn papers, 1879-1990, bulk 1933-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.shahben
See more items in:
Ben Shahn papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw983b06d9b-dd51-45bc-9b11-09b06a88f6c6
EDAN-URL:
ead_collection:sova-aaa-shahben
Online Media:

Parke, Davis Research Laboratory Records.

Author:
Parke, Davis Company  Search this
Collector:
National Museum of American History (U.S.). Division of Medical Sciences  Search this
Names:
Pfizer Inc.  Search this
Warner-Lambert/Parke-Davis  Search this
Warner-Lambert/Parke-Davis. Pharmaceutical Research Division  Search this
Davis, George S.  Search this
Duffield, Samuel P., Dr. (physician, pharmacist)  Search this
Parke, Hervey Coke , 1827-1899  Search this
Extent:
365 Cubic feet (510 boxes, 43 map folders)
Type:
Collection descriptions
Archival materials
Annual reports
Blueprints
Brochures
Catalogs
Correspondence
Employee records
Formulae, chemical
Lantern slides
Newsletters
Newspaper clippings
Notebooks
Price lists
16mm films
Sound recordings
Tracings
Trade literature
Date:
1866-1992
Summary:
The collection documents Parke, Davis and Company, one of the largest and oldest pharmaceutical firms in America.
Scope and Contents:
The collection documents Parke, Davis and Company, one of America's oldest and largest drug makers. Parke, Davis had the first research laboratory in the American pharmaceutical industry. The company played a major role in the development of some of the principle new drugs of the twentieth century and pioneered the field of drug standardization. They were one of the first American firms to produce antitoxins, hormones, and other biologicals. They introduced new and important drugs such as adrenalin, dilantin, chlorenpleniol, and other antibiotics. They also did important research on vitamins, disinfectants, and pencillin.

The collection contains complete documentaion of all the research activities done, including research laboratory notes, correspondence, and published papers. The collection also contains corporate, financial, advertising and sales materials, photographs, and audiovisual materials. The collection is important for those researchers interested in the history of public health, the history of biologicals, pharmaceutical manufacturing and business history.
Arrangement:
Collection is divided into 13 series.

Series 1: Corporate Materials, 1887-1951

Series 2: Financial Materials, 1880-1970

Series 3: Employee/Personnel Materials, 1900-1989

Series 4: Advertising/Sales Materials, 1868-1980

Series 5: Photographs, 1866-1992

Series 6: Notebooks, 1908-1968

Series 7: Control Department Records, 1884-1931

Series 8: Formulas, 1882-1967

Series 9: Equipment Data Files, 1922-1978

Series 10: Publications, 1968-1988

Series 11: Research Materials, 1920-1978

Series 12: Drawings, 1911-1971

Series 13: Addenda, 1867-1970

Series 14: Audio Materials, 1956-1957
Historical:
Parke, Davis and Company traces it's origins to Samuel Pearce Duffield (1833-1916), a physician and pharmacist. Duffield was born in Carlisle, Pennsylvania and his family moved to Detroit when he was an infant. Duffield graduated from the University of Michigan in 1854 and he attended medical school at the University of Pennsylvania, latter leaving for Germany where he studied chemistry and sought treatment for his eyesight. He subsequently earned a Doctor of Philosophy from Ludwig University at Giessen in Germany. Duffield returned to Detroit in 1858 and established a retail drugstore with a strong interest in manufacturing pharmaceuticals. Duffield sought financial partners for his retail and manufacturing venture with A.L. Patrick and Francis C. Conant. Both men retracted their investments and Duffield met Hervey Coke Parke (1927-1899), a native of Bloomfield Hills, Michigan.

Duffield and Parke formed a formal partnership in 1866. George S. Davis, a third partner and traveling salesman previously with Farrand, Sheley and Company, was added 1867. Augustus F. Jennings joined the company as a partner to head manufacturing. The company became known as Duffield, Parke, Davis, & Jennings Company. Duffield withdrew in 1869 and the name Parke, Davis & Company was adopted in 1871. The company incorporated in 1875 and began planning world-wide scientific expeditions to discover new vegetable drugs such as Guarana, Bearsfoot, Eucalyptus Globulus, and Coca. The company first showed a profit in 1876, and the first dividend paid to shareholders in 1878 and dividends paid until mid-1960s. Research was a major activity of the company.

In 1907, Parke, Davis and Company bought 340 acres in northeast Avon Township, Michigan, and called it Parkedale Farm. The farm was dedicated on October 8, 1908, and included sterilization rooms and a vaccine propagating building. By 1909 the farm included 200 horses, 25 to 50 cattle, 150 sheep, and employed 20 men. The horses produced the antitoxin for diphtheria and tetanus, the cattle produced a vaccine for smallpox preventatives, and the sheep made serum. Only the healthiest animals were used and all were well cared for. Exotic plants were also grown on the site and used for drugs. Parke-Davis' chief products were antitoxins and vaccines as well as farm crops for feeding the animals. The farm continued to produce vaccines for diphtheria, scarlet fever, tetanus, smallpox, anthrax, and in the 1950s, the Salk polio vaccine.

Due to a weakening financial position, the company became susceptible to take-over, and was purchased by Warner-Lambert in 1970. Warner Lambert, was then acquired by Pfizer in 2000. In 2007, Pfizer closed its research facilities in Ann Arbor, Michigan.

Source

Rochester Hills Museum at Voon Hoosen Farm (last accessed on September 29, 2021 https://www.rochesterhills.org/Museum/LocalHistory/ParkeDavisFarm.pdf)

Parke, Davis and Company. Parke-Davis At 100...progress in the past...promise for the future. Detroit, Michigan, 1966.
Related Materials:
Materials in the Archives Center, National Museum of American History

Alka-Seltzer Documentation and Oral History Project (NMAH.AC.0184)

N W Ayer Advertising Agency Records (NMAH.AC.0059)

Cover Girl Advertising Oral History Documentation Project (NMAH.AC.0374)

Garfield and Company Records (NMAH.AC.0820)

Albert W. Hampson Commercial Artwork Collection (NMAH.AC.0561)

Ivory Soap Advertising Collection (NMAH.AC.0791)

Kiehl's Pharmacy Records (NMAH.AC.0819)

Alan and Elaine Levitt Advertisement Collection (NMAH.AC.0303)

Medical Sciences Film Collection (NMAH.AC.0222)

Norwich Eaton Pharmaceutical, Inc. Collection (NMAH.AC.0395)

Procter & Gamble Company Product Packaging Collection (NMAH.AC.0836)

Sterling Drug Company Records (NMAH.AC.772)

Syntex Collection of Pharmaceutical Advertising (NMAH.AC.0821)

Warshaw Collection of Business Americana Subject Categories: Medicine (NMAH.AC.0060.S01.01.Medicine)

Warshaw Collection of Business Americana Subject Categories: Patent Medicines (NMAH.AC.0060.S01.01.PatentMedicines)

Materials at the Smithsonian Institution Libraries

Smithsonian Libraries Trade Literature Collection

Trade catalogs related to Parke, Davis & Co.; Warner-Lambert; Pfizer Pharmaceuticals; and Pfizer, Inc.

Materials at Other Organizations

Detroit Public Library, Special Collections

Parke, Davis & Company records, 1892-1959

Scrapbook of clippings, 1929-44; Excursions & Announcements, 1892-1902; and company newsletters.

University of California San Francisco

Drug Industry Documents was created by the University of California San Francisco Library in collaboration with faculty members C. Seth Landefeld, MD and Michael Steinman, MD. Originally established to house documents from an off-label marketing lawsuit against Parke-Davis (United States of America ex rel. David Franklin vs. Parke-Davis), the archive has grown to include documents from additional sources illustrating how the pharmaceutical industry, academic journals and institutions, continuing medical education organizations and regulatory/funding agencies operate in ways that are detrimental to public health.
Separated Materials:
Division of Medicine and Science, National Museum of American History

The division holds objects related to Parke, Davis that primarily include containers (boxes and glass bottles) that held phamrmaceuticals, biologicals (vaccines), crude drugs, and herb packages. See accessions: 1978.0882; 1982.0043; 1982.0043; 1984.0351; 1985.0475; 1988.3152; 1991.0415; 1992.3127; 2001.3066; 2012.0165; and 2018.5001.
Provenance:
The initial collection of approximately 185 cubic feet was donated by the Warner-Lambert Company, through Jerry A. Weisbach, Vice-President and President of the Pharmaceutical Research Division, on February 3, 1982.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
advertising  Search this
Antibiotics  Search this
Architectural Blueprints  Search this
Biologicals  Search this
Chemistry  Search this
Diseases  Search this
Drugs -- 1900-1950  Search this
Drug factories  Search this
Influenza Epidemic, 1918-1919  Search this
Laboratories  Search this
Medical scientists -- 1900-1950  Search this
Patents  Search this
Pharmaceutical industry -- 1900-1950  Search this
Pharmacology -- 1900-1950  Search this
Photographs  Search this
Vaccines  Search this
Genre/Form:
Annual reports -- 20th century
Blueprints -- 20th century
Brochures -- 20th century
Catalogs
Correspondence -- 19th-20th century
Employee records
Formulae, chemical
Lantern slides -- 1900-1950
Newsletters -- 20th century
Newspaper clippings
Notebooks -- 1900-1950
Price lists
16mm films
Sound recordings -- Audiotapes -- Open reel
Tracings
Trade literature
Citation:
Parke, Davis Research Laboratory Records, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0001
See more items in:
Parke, Davis Research Laboratory Records.
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8869c518d-5cbd-42cf-b508-e688de3bf14d
EDAN-URL:
ead_collection:sova-nmah-ac-0001
Online Media:

Evolution of a Community: 1972 Exhibition Records

Creator:
Anacostia Community Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Extent:
6 Linear feet (3 record boxes, 2 legal size clamshell boxes)
Type:
Collection descriptions
Archival materials
Exhibition catalogs
Contact sheets
Correspondence
Clippings
Photographic prints
Negatives
Exhibition records
Oral histories (document genres)
Place:
Anacostia (Washington, D.C.)
Date:
1898-1988
Scope and Contents:
The records of the Evolution of a Community: 1972 Exhibition presented by the Anacostia Community Museum measure 6 linear feet and date from 1898 to 1988. Included are exhibit administrative files, lists of images, press releases for the promotion of the exhibit, oral history transcripts and permission forms, and extensive research files into the Anacostia community in southeast Washington D.C.

The Research Files series contains news clippings, publications, unpublished articles, project files, and research material for the exhibitions. Subjects include local figures and the Barry's Farm neighborhood, unpublished historical narratives, and project records related to archaeological investigations and neighborhood development programs.

The Interview series consists of transcripts of the audio collected in 1970-1971 for the "Evolution of a Community" exhibits. This series also incliudes interview notes and thank you letters from the museum to the interviewees.

Exhibit File series includes an outline for exhibit themes and proposed layouts, drafts of the exhibit scripts, lists of exhibit objects, promotional press releases, and related correspondence.
Arrangement:
Evolution of a Community: 1972 exhibition records is arranged in 4 series.

Series 1: Research Files

Series 2: Interviews

Series 3: Exhibit Files

Series 4: Audiovisual Materials
Historical Note:
Three exhibitions were done by the Anacostia Neighborhood Museum between 1972 and 1975. The first exhibition was The Evolution of a Community, Part 1: 1608-1955 and was held from February 27, 1972 – August 31, 1972. This exhibition centered on the history of Anacostia from 1608 until shortly after World War II, drawing from the 1970 oral histories interviews with longtime residents. The second exhibition was The Evolution of a Community, Part 2: 1955-Present and was held from September 1, 1972 – December 31, 1972. This exhibition showcased Anacostia's history from 1955 to 1972 and was organized into five major topics: housing, unemployment, education, crime, and drugs. The last exhibition was Anacostia Today: The Evolution of a Community, Part 2: Continued and was held from March 1, 1973 – July 31, 1973. This exhibition was the same exhibition as The Evolution of a Community, Part 2: 1955-Present but brought back for the museum's fifth anniversary and continued its focus on its five major topics.
Related Materials:
Anacostia Story: 1608-1930 Exhibition Records, M03-039.
Anacostia Oral History Project, 1975
Provenance:
Records of the Evolution of a Community: 1972 Exhibition were created by the Anacostia Community Museum.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Museum exhibits  Search this
African American neighborhoods  Search this
African Americans  Search this
Genre/Form:
Exhibition catalogs
Contact sheets
Correspondence
Clippings
Photographic prints
Negatives
Exhibition records -- 1967-1989
Oral histories (document genres)
Citation:
Evolution of a Community: 1972 Exhibition Records, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-040
See more items in:
Evolution of a Community: 1972 Exhibition Records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa75cac2f00-94cc-479a-bf58-1c9a3dd1ced4
EDAN-URL:
ead_collection:sova-acma-03-040
Online Media:

Agency history, 1906-

Creator:
Smithsonian American Art Museum  Search this
Subject:
Marsh, George Perkins 1801-1882  Search this
Stanley, John Mix 1814-1872  Search this
King, Charles Bird 1785-1862  Search this
Catlin, George 1796-1872  Search this
Roosevelt, Theodore 1858-1919  Search this
Johnston, Harriet Lane 1830-1903  Search this
Evans, William T. 1843-1918  Search this
Holmes, William Henry 1846-1933  Search this
Tolman, Ruel P (Ruel Pardee) 1878-1954  Search this
Mellon, Andrew W (Andrew William) 1855-1937  Search this
Beggs, Thomas M  Search this
Scott, David W. 1916-  Search this
Davis, Robert Tyler  Search this
Taylor, Joshua C (Joshua Charles) 1917-1981  Search this
Lowe, Harry 1922-  Search this
Eldredge, Charles C  Search this
Broun, Elizabeth  Search this
Stebich, Stephanie A  Search this
National Collection of Fine Arts (U.S.)  Search this
National Museum of American Art (U.S.)  Search this
Corcoran Gallery of Art  Search this
Patent Office Building (Washington, D.C.)  Search this
National Institute  Search this
Library of Congress  Search this
United States Congress  Search this
District of Columbia Supreme Court  Search this
National Museum of Natural History Building (Washington, D.C.)  Search this
Renwick Gallery  Search this
National Gallery of Art (U.S. : 1906-1937)  Search this
Type:
Mixed archival materials
Date:
1906
1906-
Topic:
Art museums  Search this
Art, American  Search this
Local number:
SIA AH00007
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_217768

Agency history, 1921-

Creator:
Smithsonian Libraries and Archives Freer Gallery of Art and Arthur M. Sackler Gallery Library Research Center  Search this
Subject:
Nollman, Ellen Anne  Search this
Freer, Charles Lang 1856-1919  Search this
Parler, Grace A  Search this
Griffin, Grace C  Search this
Usilton, Bertha M  Search this
Olsen, Constance B  Search this
Kecskes, Lily  Search this
Smith, Priscilla P  Search this
Yoshimura, Reiko  Search this
Freer Gallery of Art  Search this
Arthur M. Sackler Gallery (Smithsonian Institution)  Search this
Freer Gallery of Art Library  Search this
Smithsonian Institution Libraries Freer Gallery of Art Branch  Search this
Smithsonian Institution Libraries Freer Gallery of Art and Arthur M. Sackler Gallery Branch  Search this
Smithsonian Institution Libraries Freer Gallery of Art and Arthur M. Sackler Gallery Library  Search this
Smithsonian Libraries Freer Gallery of Art and Arthur M. Sackler M. Sackler Gallery Library  Search this
Smithsonian Libraries and Archives Freer Gallery of Art and Arthur M. Sackler Gallery Library  Search this
Type:
Mixed archival materials
Date:
1921
1921-
Topic:
Art libraries  Search this
Museum libraries  Search this
Art, Asian  Search this
Art, Asian--Research  Search this
Local number:
SIA AH00194
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_229086

Rockwell Kent papers, circa 1840-1993, bulk 1935-1961

Creator:
Kent, Rockwell, 1882-1971  Search this
Subject:
Wildenstein, Felix  Search this
Phillips, Duncan  Search this
Hays, Lee  Search this
Untermeyer, Louis  Search this
Zigrosser, Carl  Search this
Robeson, Paul  Search this
DuBois, W.E.B. (William Edward Burghardt)  Search this
Roosevelt, Franklin D. (Franklin Delano)  Search this
Ruggles, Carl  Search this
Stefansson, Vilhjalmur  Search this
Nearing, Helen  Search this
Nearing, Scott  Search this
Pach, Walter  Search this
Rasmussen, Knud  Search this
Reeves, Ruth  Search this
Seeger, Pete  Search this
Daniel, Charles  Search this
Cleland, T. M. (Thomas Maitland)  Search this
Davies, Arthur B. (Arthur Bowen)  Search this
Chamberlain, J. E.  Search this
Boyesen, Bayard  Search this
Chase, William Merritt  Search this
Freuchen, Peter  Search this
Gellert, Hugo  Search this
Gottlieb, Harry  Search this
Hartley, Marsden  Search this
Fitzgerald, James  Search this
Keller, Charles  Search this
Miller, Kenneth Hayes  Search this
Henri, Robert  Search this
Jones, Dan Burne  Search this
United American Artists  Search this
United Office and Professional Workers of America  Search this
United Scenic Artists  Search this
National Farmers' Union (U.S.)  Search this
National Maritime Union of America  Search this
American Artists' Congress  Search this
Artists' Union (New York, N.Y.)  Search this
Artists League of America  Search this
Citizens' Committee for Government Arts Projects  Search this
Farmers Union of the New York Milk Shed  Search this
Federal Art Project  Search this
Federal Writers' Project  Search this
Macbeth Gallery  Search this
International Workers Order  Search this
Type:
Poems
Sketches
Business records
Photographs
Drawings
Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
Topic:
Designers -- New York (State)  Search this
Mural painting and decoration  Search this
Politics and culture  Search this
Authors -- New York  Search this
Art, Modern -- 20th century -- United States -- Political aspects  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustrators -- New York (State)  Search this
Illustration of books  Search this
Works of art  Search this
Art and war  Search this
Commercial art  Search this
World War, 1939-1945 -- Art and the war  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9557
(DSI-AAA_SIRISBib)211757
AAA_collcode_kentrock
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211757
Online Media:

Ian Hornak papers, 1955-1991

Creator:
Hornak, Ian, 1944-2002  Search this
Subject:
Blake, Amanda  Search this
De Kooning, Willem  Search this
Foote, John  Search this
Hartigan, Grace  Search this
Hornak, Ian  Search this
Kasle, Gertrude  Search this
Mitchell, Jack  Search this
Nesbitt, Lowell  Search this
Stella, Frank  Search this
Tillich, Hanna  Search this
Warhol, Andy  Search this
Tibor de Nagy Gallery  Search this
Type:
Drawings
Sketchbooks
Citation:
Ian Hornak papers, 1955-1991. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)13650
(DSI-AAA_SIRISBib)273147
AAA_collcode_hornian
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_273147

Vampire moths behaviour, ecology and taxonomy of blood-sucking Calyptra Hans Bänziger

Photographer:
Bänziger, H (Hans)  Search this
Physical description:
viii, 232 pages illustrations (chiefly color), portraits 27 cm
Type:
Books
Place:
Southeast Asia
Date:
2021
Topic:
Erebidae  Search this
Moths  Search this
Bloodsucking insects  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1147270

Blah-se-dah

Artist:
Elbridge Ayer Burbank, 1858 - 1949  Search this
Sitter:
Blah-se-dah, born late 19th century  Search this
Medium:
Crayon on paper
Dimensions:
34cm x 23.6cm (13 3/8" x 9 5/16"), Sight
Type:
Drawing
Date:
1905
Topic:
Blah-se-dah: Female  Search this
Portrait  Search this
Credit Line:
Owner: The Butler Institute of American Art
Object number:
912-D-596
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm46a5fd35c-1b81-4517-b46f-14962369cfc1
EDAN-URL:
edanmdm:npg_912-D-596

Cal-lah-hob-nah

Artist:
Elbridge Ayer Burbank, 1858 - 1949  Search this
Sitter:
Cal-lah-hob-nah, born mid 19th century  Search this
Medium:
Crayon on paper
Dimensions:
33.5cm x 23.5cm (13 3/16" x 9 1/4"), Sight
Type:
Drawing
Date:
1906
Topic:
Cal-lah-hob-nah: Male  Search this
Portrait  Search this
Credit Line:
Owner: The Butler Institute of American Art
Object number:
912-D-632
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4e71b3f09-8473-47b7-8f03-a2f7e188e228
EDAN-URL:
edanmdm:npg_912-D-632

Maxine Singer

Artist:
Jon R. Friedman, born 1947  Search this
Sitter:
Maxine Singer, born 1931  Search this
Medium:
Oil on gessoed paper
Dimensions:
Sheet: 75 × 105 cm (29 1/2 × 41 5/16")
Type:
Drawing
Date:
2012
Topic:
Costume\Jewelry\Necklace  Search this
Maxine Singer: Female  Search this
Maxine Singer: Science and Technology\Scientist\Biochemist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of the artist
Object number:
NPG.2013.11
Restrictions & Rights:
Usage conditions apply
Copyright:
©Jon R. Friedman
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4382d83b9-def0-4c66-9669-30a097c7778c
EDAN-URL:
edanmdm:npg_NPG.2013.11

Barney Frank

Artist:
Jon R. Friedman, born 1947  Search this
Sitter:
Barney Frank, born 31 Mar 1940  Search this
Medium:
Oil on paper
Dimensions:
Sheet: 55.6 × 76.2 cm (21 7/8 × 30")
Type:
Drawing
Date:
2012
Topic:
Home Furnishings\Furniture\Seating\Chair  Search this
Barney Frank: Male  Search this
Barney Frank: Politics and Government\US Congressman\Massachusetts  Search this
Barney Frank: Politics and Government\Politician  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of the artist, Jon R. Friedman
Object number:
NPG.2013.120
Restrictions & Rights:
Usage conditions apply
Copyright:
©Jon R. Friedman
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4e370fbd1-2be3-4530-8ae9-5e595b671c04
EDAN-URL:
edanmdm:npg_NPG.2013.120

Postal Breakdown

Artist:
Stanislaw Zagorski, born 1933  Search this
John Channel, active c. 1970  Search this
Medium:
Collage of painted paper, colored printed paper on paperboard
Dimensions:
30.5cm x 24.8cm (12" x 9 3/4"), Accurate
Type:
Drawing
Date:
1970
Topic:
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Time magazine
Object number:
NPG.78.TC105
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4bf7d84c3-600a-4bf7-b3be-85e3130978d8
EDAN-URL:
edanmdm:npg_NPG.78.TC105

Poverty in America

Artist:
Joseph Piccillo, born 1941  Search this
Medium:
Charcoal on artist board
Dimensions:
Sheet: 76.4 × 56.5 cm (30 1/16 × 22 1/4")
Type:
Drawing
Date:
1968
Topic:
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Time magazine
Object number:
NPG.78.TC106
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4d9102390-9eaf-43c0-9970-337bfe7f1b74
EDAN-URL:
edanmdm:npg_NPG.78.TC106

Gun in America (mechanicals)

Artist:
Roy Lichtenstein, 27 Oct 1923 - 29 Sept 1997  Search this
Medium:
Felt tip marker and graphite on paper
Dimensions:
Sheet: 60 x 41.9cm (23 5/8 x 16 1/2")
Type:
Drawing
Date:
1968
Topic:
Weapon\Gun  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Time magazine
Object number:
NPG.78.TC143
Restrictions & Rights:
Usage conditions apply
Copyright:
© Estate of Roy Lichtenstein
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm44ed53d1d-45c8-4f14-965f-901959516ef5
EDAN-URL:
edanmdm:npg_NPG.78.TC143

Gun in America (mechanicals)

Artist:
Roy Lichtenstein, 27 Oct 1923 - 29 Sept 1997  Search this
Medium:
Felt tip marker on paper
Dimensions:
Sheet: 61 × 43.3cm (24 × 17 1/16")
Type:
Drawing
Date:
1968
Topic:
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Time magazine
Object number:
NPG.78.TC143.1
Restrictions & Rights:
Usage conditions apply
Copyright:
© Roy Lichtenstein
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm45c3adee8-e5b1-4f8a-a599-c9b0f7e5ed45
EDAN-URL:
edanmdm:npg_NPG.78.TC143.1

Gun in America (mechanicals)

Artist:
Roy Lichtenstein, 27 Oct 1923 - 29 Sept 1997  Search this
Medium:
Printed dot collage and graphite on paper
Dimensions:
Sheet: 60.6 x 42.2cm (23 7/8 x 16 5/8")
Type:
Drawing
Date:
1968
Topic:
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Time magazine
Object number:
NPG.78.TC143.2
Restrictions & Rights:
Usage conditions apply
Copyright:
© Roy Lichtenstein
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4a2e74a6a-a69a-4d07-a7c4-0d8906980d8d
EDAN-URL:
edanmdm:npg_NPG.78.TC143.2

Gun in America (mechanicals)

Artist:
Roy Lichtenstein, 27 Oct 1923 - 29 Sept 1997  Search this
Medium:
Felt tip marker and graphite on paper
Dimensions:
Sheet: 61.6 x 43.2cm (24 1/4 x 17")
Type:
Drawing
Date:
1968
Topic:
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Time magazine
Object number:
NPG.78.TC143.3
Restrictions & Rights:
Usage conditions apply
Copyright:
© Roy Lichtenstein
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm49bbadb9a-3d34-4410-b73b-95d4574d5687
EDAN-URL:
edanmdm:npg_NPG.78.TC143.3

What Ails BBC?

Artist:
Vittorio Fiorucci, 2 Nov 1932 -30 Jul 2008  Search this
Medium:
Ink and watercolor on board
Dimensions:
51.8cm x 38cm (20 3/8" x 14 15/16"), Accurate
Type:
Drawing
Date:
1974
Topic:
Exterior  Search this
Home Furnishings\Television  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Time magazine
Object number:
NPG.78.TC180
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4fbc7d12d-4560-411c-a815-0f55bde0b5cd
EDAN-URL:
edanmdm:npg_NPG.78.TC180

World Inflation

Artist:
George Giusti, 1908 - 1991  Search this
Medium:
Colored ink on board
Dimensions:
Sight: 35.6 x 24.8cm (14 x 9 3/4")
Type:
Drawing
Date:
1974
Topic:
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Time magazine
Object number:
NPG.78.TC183
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4f07751dd-4555-41a7-a6ce-a2e828ba05d2
EDAN-URL:
edanmdm:npg_NPG.78.TC183

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