Search Results

Collection Creator:

Rowe, Basil Lee  Search this

Container:

Box 3, Folder 1, Item 1

Type:

Archival materials

Graphic Materials

Date:

bulk circa 1940

Scope and Contents:

Artist unknown; Rowe notes on an English language version of this cartoon appearing in Scrapbook S-145A (page 2, top left), "Cartoon which appeared in a Buenos Aires [Argentina] newspaper, July 20, 1920." Date is most likely circa 1940; Rowe joined Pan American Airlines (PAA) in late 1928.

Collection Restrictions:

No restrictions on access

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Collection Citation:

Basil Lee Rowe Collection, Acc. NASM.XXXX.0019, National Air and Space Museum, Smithsonian Institution.

See more items in:

Basil Lee Rowe Collection

Basil Lee Rowe Collection / Series 2: Loose Materials / Original Cartoon Drawings

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2a0cd3a57-06e9-42ff-9522-95d04e57fac6

EDAN-URL:

ead_component:sova-nasm-xxxx-0019-ref525

Collection Creator:

Rowe, Basil Lee  Search this

Container:

Box 3, Folder 1, Item 2

Type:

Archival materials

Graphic Materials

Date:

1942

Collection Restrictions:

No restrictions on access

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Collection Citation:

Basil Lee Rowe Collection, Acc. NASM.XXXX.0019, National Air and Space Museum, Smithsonian Institution.

See more items in:

Basil Lee Rowe Collection

Basil Lee Rowe Collection / Series 2: Loose Materials / Original Cartoon Drawings

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2abaf1d68-3276-4ec6-b5e7-dfed3ac985da

EDAN-URL:

ead_component:sova-nasm-xxxx-0019-ref526

Collection Creator:

Rowe, Basil Lee  Search this

Container:

Box 3, Folder 1, Item 3

Type:

Archival materials

Graphic Materials

Date:

1954

Collection Restrictions:

No restrictions on access

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Collection Citation:

Basil Lee Rowe Collection, Acc. NASM.XXXX.0019, National Air and Space Museum, Smithsonian Institution.

See more items in:

Basil Lee Rowe Collection

Basil Lee Rowe Collection / Series 2: Loose Materials / Original Cartoon Drawings

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2c223762a-4763-4806-9d9b-47ec59a4ff65

EDAN-URL:

ead_component:sova-nasm-xxxx-0019-ref527

Creator:

Asch, Moses  Search this

Distler, Marian, 1919-1964  Search this

Folkways Records  Search this

Names:

Courlander, Harold, 1908-1996  Search this

Guthrie, Woody, 1912-1967  Search this

Jenkins, Ella  Search this

Leadbelly, 1885-1949  Search this

Ramsey, Frederic, 1915-1995  Search this

Seeger, Pete, 1919-2014  Search this

Extent:

841 Cubic feet

Type:

Collection descriptions

Archival materials

Business records

Correspondence

Phonograph records

Photographic prints

Audiotapes

Date:

1926-1986

bulk 1948-1986

Summary:

This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.

Scope and Contents:

The Moses and Frances Asch Collection measures 841 cubic feet and dates from 1926-1987, with some contemporary, relevant correspondence, clippings, and ephemera added after 1987.

Most of the collection consists of audio recordings (commercial 78 rpm and long-playing records, open reel tapes, acetate discs, and test pressings), correspondence with recording artists and producers, artwork, photographs, ephemera, clippings, record production materials, writings, and business papers relating to Folkways Records. Materials relating to Folkways Records can be found primarily in the Correspondence, Folkways Production, Business Records, Photographs, Artwork, Sound Recordings, and Film series.

The collection also contains some biographical materials and personal correspondence, including materials related to Asch's first business, Radio Laboratories, located in the Biographical Materials series. Correspondence, ephemera, photographs, record production materials, business papers, and recordings relating to Asch's record labels before Folkways Records (Asch Recordings, Disc Company of America, Cub Records) are located in the Early Label Materials series as well as the Audio Recordings and Photographs series.

Arrangement note:

The collection is arranged in 10 series:

Series 1: Correspondence, 1942-1987

Series 2: Folkways Production, 1946-1987

Series 3: Business Records, 1940-1987

Series 4: Woody Guthrie papers, 1927-1985

Series 5: Early Label Materials, 1940-1949

Series 6: Biographical Materials, 1926-1987

Series 7: Photographs

Series 8: Artwork

Series 9: Audio Recordings

Series 10: Film

At this time, the collection is partially processed. Please contact rinzlerarchives@si.edu for more information.

Biographical/Historical note:

The son of Yiddish writer Sholem Asch, Moses Asch was born in Poland in 1905. His childhood was spent in Poland, France, Germany, and New York. While young, Asch developed an interest in radio electronics, which ultimately lead him to his life's work, recording the music and sounds of the world. He established several record labels in succession, sometimes partnering with other record companies. Two of his fist record companies, Asch Recordings and DISC Co. of America, went bankrupt. They were followed by his best-known label, Folkways Records, which was founded in 1948 with Marian Distler (1919-1964). He was still working on Folkways recordings when he died in 1986.

Folkways Records sought to document the entire world of sound. The 2,168 titles Asch released on Folkways include traditional and contemporary music from around the world, spoken word in many languages, and documentary recordings of individuals, communities, and current events. Asch's business practices revolved around the commitment to keep every recording issued by Folkways in print, despite low sales. Asch stayed afloat by cutting costs where he could (such as color printing) and offering a high-quality product, meticulously recorded and accompanied by extensive liner notes. In doing this, he could charge a slightly higher price than other commercial outfits. Despite a tenuous relationship with financial solvency, Folkways grew to be not only one of the most important independent record companies in the United States in the 20th century, but also one of the largest and most influential record companies in the world.

Moses Asch's record labels featured famous and lesser known American writers, poets, documentarians, ethnographers, and grass roots musicians on commercial recordings. American folk icon Woody Guthrie recorded on the Asch, Disc, and Folkways labels, and the Asch Collection includes some of his correspondence, lyrics, drawings, and writings. The collection also includes correspondence with other notable musicians and artists such as John Cage, Langston Hughes, Margaret Walker, Huddie "Lead Belly" Ledbetter, Pete Seeger, Peggy Seeger, Ewan MacColl, Alan Lomax, Henry Cowell, and Kenneth Patchen. Also in the collection are ethnographic field notes and photographs by as well as correspondence with Béla Barók, Sidney Robertson Cowell, Harold Courlander, Helen Creighton, Laura Boulton, and Samuel Charters. Asch hired various prominent artists and graphic designers including David Stone Martin, Ben Shahn, John Carlis, and Ronald Clyne to create album cover art for his recordings. Much of the original art and designs for these covers can be found in the Asch Collection.

Asch's output of recordings on various labels, including published recordings, open reel master tapes, outtakes, and acetate disks, in addition to his business papers, correspondence, photographs, and other files were acquired by the Smithsonian Institution in 1987. The collection came to the Smithsonian with the understanding that all 2168 titles under the Folkways label would be kept available in perpetuity.

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

Provenance:

Ralph Rinzler arranged the Smithsonian's acquisition of the Moses and Frances Asch Collection in 1987, beginning with Asch before his death in 1986 and continuing with extensive discussions between Rinzler and the Asch family. Since its acquisition, archivist Jeff Place and others have added contemporary, relevant correspondence with Folkways artists and related individuals.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk music  Search this

Folk dance music  Search this

Electronic music  Search this

Oral interpretation of poetry  Search this

Oral interpretation of fiction  Search this

Music -- 20th century  Search this

Music -- 19th century  Search this

Music -- 18th century  Search this

Jazz  Search this

Folk music -- United States  Search this

World music  Search this

Sounds  Search this

Vocal music  Search this

Popular music -- 20th century -- United States  Search this

Genre/Form:

Business records

Correspondence

Phonograph records

Photographic prints

Audiotapes

Citation:

Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.ASCH

See more items in:

Moses and Frances Asch Collection

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk533b8a927-559a-44ac-98d2-f32d871058b4

EDAN-URL:

ead_collection:sova-cfch-asch

Collection Creator:

National Air and Space Museum. Archives Division.  Search this

Type:

Archival materials

Collection Restrictions:

The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.

Identifier:

NASM.XXXX.1183.C, File CW-930015-01

See more items in:

National Air and Space Museum Technical Reference Files: Biographies

National Air and Space Museum Technical Reference Files: Biographies / Series C: Biographies: Individuals / Biographies W / Wright Brothers

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg26a1c598b-52c3-4199-b26b-51f07627ac5f

EDAN-URL:

ead_component:sova-nasm-xxxx-1183-c-ref74198

Collection Creator:

National Air and Space Museum. Archives Division.  Search this

Type:

Archival materials

Collection Restrictions:

The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.

Identifier:

NASM.XXXX.1183.C, File CW-930015-85

See more items in:

National Air and Space Museum Technical Reference Files: Biographies

National Air and Space Museum Technical Reference Files: Biographies / Series C: Biographies: Individuals / Biographies W / Wright Brothers

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2147bcc7f-6573-4ba1-9eb5-0406b7e5239c

EDAN-URL:

ead_component:sova-nasm-xxxx-1183-c-ref74201

Collection Creator:

National Air and Space Museum. Archives Division.  Search this

Type:

Archival materials

Collection Restrictions:

The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.

Identifier:

NASM.XXXX.1183.C, File CW-930015-80

See more items in:

National Air and Space Museum Technical Reference Files: Biographies

National Air and Space Museum Technical Reference Files: Biographies / Series C: Biographies: Individuals / Biographies W / Wright Brothers

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2c0000348-1dfc-4ec7-82e0-03dad3cda4fc

EDAN-URL:

ead_component:sova-nasm-xxxx-1183-c-ref74897

Collection Creator:

National Air and Space Museum. Archives Division.  Search this

Type:

Archival materials

Collection Restrictions:

The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.

Identifier:

NASM.XXXX.1183.C, File CW-930376-80

See more items in:

National Air and Space Museum Technical Reference Files: Biographies

National Air and Space Museum Technical Reference Files: Biographies / Series C: Biographies: Individuals / Biographies W / Wright, Orville

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg21be5bec6-f2d7-46e9-8ca4-b6647b7e3056

EDAN-URL:

ead_component:sova-nasm-xxxx-1183-c-ref75032

Collection Creator:

National Air and Space Museum. Archives Division.  Search this

Type:

Archival materials

Collection Restrictions:

The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.

Identifier:

NASM.XXXX.1183.C, File CW-930386-01

See more items in:

National Air and Space Museum Technical Reference Files: Biographies

National Air and Space Museum Technical Reference Files: Biographies / Series C: Biographies: Individuals / Biographies W / Wright, Wilbur

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2e5fef5ea-8a8f-4ae9-87d9-75ce7e768c46

EDAN-URL:

ead_component:sova-nasm-xxxx-1183-c-ref75092

Collection Creator:

National Air and Space Museum. Archives Division.  Search this

Type:

Archival materials

Collection Restrictions:

The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.

Identifier:

NASM.XXXX.1183.A, File A3U-717700-01

See more items in:

National Air and Space Museum Technical Reference Files: Aircraft

National Air and Space Museum Technical Reference Files: Aircraft / Series A3: Lighter than Air (LTA), Airships / USA, Navy, ZR-1 "Shenandoah"

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2c351c8de-8024-48d5-9288-72869f35dbaa

EDAN-URL:

ead_component:sova-nasm-xxxx-1183-a-ref65586

Creator:

Taylor, James E., 1839-1901 (artist and collector)  Search this

Names:

Geological Survey (U.S.)  Search this

United States. Army  Search this

Buffalo Bill, 1846-1917  Search this

Crook, George, 1829-1890  Search this

Custer, George Armstrong, 1839-1876  Search this

Hickok, Wild Bill, 1837-1876  Search this

Juárez, Benito, 1806-1872  Search this

Kinman, Seth  Search this

Miles, Nelson Appleton, 1839-1925  Search this

Powell, John Wesley, 1834-1902  Search this

Red Cloud, 1822-1909  Search this

Richard, Louis  Search this

Sheridan, Philip Henry, 1831-1888  Search this

Sitting Bull, 1831-1890  Search this

Spotted Tail, 1823-1881  Search this

Photographer:

Barry, D. F. (David Francis), 1854-1934  Search this

Easterly, Thomas M. (Thomas Martin), 1809-1882  Search this

Eaton, E. L. (Edric L.), b. ca. 1836  Search this

Ebell, Adrian J. (Adrian John), 1840-1877  Search this

Gardner, Alexander, 1821-1882  Search this

Hillers, John K., 1843-1925  Search this

Jackson, William Henry, 1843-1942  Search this

M'Clees, Jas. E. (James E.)  Search this

O'Sullivan, Timothy H., 1840-1882  Search this

Pywell, Wm. R. (William Redish), 1843-1886  Search this

Vannerson, Julian, 1827-  Search this

Whitney, Joel E. (Joel Emmons), 1822-1886  Search this

Extent:

4 Tintypes

3 Chromolithographs

3 Lithographs (3 chalk-manner lithographs)

1 Print (photogravure)

118 Pages (Scrapbook)

685 Prints (circa, albumen)

80 Items (circa 80 relief prints (including woodcuts and wood engraving))

30 Items (circa 30 intaglio prints (including etchings and engravings))

Culture:

Apache  Search this

Pueblo  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Cherokee  Search this

Niuam (Comanche)  Search this

Muskogee (Creek)  Search this

Apsáalooke (Crow/Absaroke)  Search this

Fox  Search this

A'aninin (Gros Ventre)  Search this

Kiowa  Search this

Modoc  Search this

Diné (Navajo)  Search this

Oglala Lakota (Oglala Sioux)  Search this

Anishinaabe (Chippewa/Ojibwa)  Search this

Omaha  Search this

Chaticks Si Chaticks (Pawnee)  Search this

Potawatomi  Search this

Indians of North America -- Plateau  Search this

Indians of North America -- Great Basin  Search this

Indians of North America -- Southwest, New  Search this

Ho-Chunk (Winnebago)  Search this

A:shiwi (Zuni)  Search this

Sauk  Search this

Shoshone  Search this

Ute  Search this

Indians of North America -- Great Plains  Search this

Indians of North America -- Southern States  Search this

Indians of North America -- Northeast  Search this

Type:

Collection descriptions

Archival materials

Tintypes

Chromolithographs

Lithographs

Prints

Pages

Photographs

Newspapers

Woodcuts

Place:

Mexico

Taos Pueblo (N.M.)

California

Oregon

Fort Davis (Tex.)

New Mexico

Fort Snelling (Minn.)

Arizona

Texas

San Juan Pueblo (N.M.)

Zuni (N.M.)

Kansas

Colorado

Date:

circa 1863-1900

Summary:

Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations.

Scope and Contents:

Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations. The album includes photographs (mostly albumen with three tintypes), newsclippings, wood engravings, and lithographs, some of which are reproductions of Taylor's own illustrations and paintings. Photographs depict American Indians, US Army soldiers and scouts, historical sites, forts, and scenery. Some were made on expeditions, including the Hayden and Powell surveys, and created from published stereographs. Many of Taylor's illustrations are signed, and some are inscribed with dates and "N. Y." The scrapbook also includes clippings from newspapers and other written sources relating to illustrations and photographs in the album.

Biographical Note:

James E. Taylor (1839-1901) was an artist-correspondent for Leslie's Illustrated Weekly Newspaper from 1863-1883. Born in Cincinatti, Ohio, he graduated from Notre Dame University by the age of sixteen. Taylor enlisted in the 10th New York Infantry in 1861 and the next year was hired by Leslie's Illustrated newspaper as a "Special Artist" and war correspondent. In 1864 he covered the Shenandoah Valley campaign, and was later one of the illustrator-correspondents at the 1867 treaty negotiations at Medicine Lodge, Kansas. He soon earned the moniker "Indian Artist" because of his vast number of drawings of American Indians. In 1883 Taylor retired from Leslie's to work as a freelance illustrator. Colonel Richard Irving Dodge used Taylor's drawings to illustrate his memoir, "Our Wild Indians: Thirty-three Years' Personal Experience among the Red Men of the Great West" (1882).

Local Call Number(s):

NAA Photo Lot 4605

Related Materials:

The National Anthropolgical Archives holds additional photographs by photographers represented in this collection (including original negatives for some of these prints), particularly in Photo Lot 24, Photo Lot 37, Photo Lot 60, Photo Lot 87.

Additional photographs by Whitney, Gardner, and Barry held in National Anthropological Archives Photo Lot 80-18.

Julian Vannerson and James E. McClees photographs held in National Anthropological Archives Photo Lot 4286.

Pywell photographs held in National Anthropological Archives Photo Lot 4498.

O'Sullivan photographs held in National Anthropological Archives Photo lot 4501.

Additional Hillers photographs held in National Anthropological Archives Photo Lot 83-18 and Photo Lot 87-2N.

Provenance:

Donated or transferred by John Witthoft from the Pennsylvania Historical and Museum Commission, April 14, 1961.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Church buildings  Search this

Mines and mineral resources  Search this

Dance  Search this

White River Massacre, Colo., 1879  Search this

Painting  Search this

Washita Campaign, 1868-1869  Search this

Mormon Church -- History  Search this

Genre/Form:

Photographs

Newspapers

Woodcuts

Tintypes

Citation:

MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS4605

See more items in:

James E. Taylor scrapbook of the American West

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw33fa281bf-1e72-4f26-ae86-8c8389244b4e

EDAN-URL:

ead_collection:sova-naa-ms4605

Creator:

Kent, Rockwell, 1882-1971  Search this

Subject:

Wildenstein, Felix  Search this

Phillips, Duncan  Search this

Hays, Lee  Search this

Untermeyer, Louis  Search this

Zigrosser, Carl  Search this

Robeson, Paul  Search this

DuBois, W.E.B. (William Edward Burghardt)  Search this

Roosevelt, Franklin D. (Franklin Delano)  Search this

Ruggles, Carl  Search this

Stefansson, Vilhjalmur  Search this

Nearing, Helen  Search this

Nearing, Scott  Search this

Pach, Walter  Search this

Rasmussen, Knud  Search this

Reeves, Ruth  Search this

Seeger, Pete  Search this

Daniel, Charles  Search this

Cleland, T. M. (Thomas Maitland)  Search this

Davies, Arthur B. (Arthur Bowen)  Search this

Chamberlain, J. E.  Search this

Boyesen, Bayard  Search this

Chase, William Merritt  Search this

Freuchen, Peter  Search this

Gellert, Hugo  Search this

Gottlieb, Harry  Search this

Hartley, Marsden  Search this

Fitzgerald, James  Search this

Keller, Charles  Search this

Miller, Kenneth Hayes  Search this

Henri, Robert  Search this

Jones, Dan Burne  Search this

United American Artists  Search this

United Office and Professional Workers of America  Search this

United Scenic Artists  Search this

National Farmers' Union (U.S.)  Search this

National Maritime Union of America  Search this

American Artists' Congress  Search this

Artists' Union (New York, N.Y.)  Search this

Artists League of America  Search this

Citizens' Committee for Government Arts Projects  Search this

Farmers Union of the New York Milk Shed  Search this

Federal Art Project  Search this

Federal Writers' Project  Search this

Macbeth Gallery  Search this

International Workers Order  Search this

Type:

Poems

Sketches

Business records

Photographs

Drawings

Citation:

Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.

Topic:

Designers -- New York (State)  Search this

Mural painting and decoration  Search this

Politics and culture  Search this

Authors -- New York  Search this

Art, Modern -- 20th century -- United States -- Political aspects  Search this

Dairy farms  Search this

Federal aid to the arts  Search this

Illustrators -- New York (State)  Search this

Illustration of books  Search this

Works of art  Search this

Art and war  Search this

Commercial art  Search this

World War, 1939-1945 -- Art and the war  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)9557

(DSI-AAA_SIRISBib)211757

AAA_collcode_kentrock

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211757

Maker:

Ali Omar Ermes, born 1945, Zliten, Libya  Search this

Medium:

Acrylic and ink on paper

Dimensions:

Frame: 153.7 x 181.6 x 8.3 cm (60 1/2 x 71 1/2 x 3 1/4 in.)

Type:

Painting

Geography:

Libya

Date:

1993

Topic:

Writing  Search this

Credit Line:

Purchased with funds provided by the Smithsonian Collections Acquisition Program

Object number:

96-22-1

Restrictions & Rights:

Usage conditions apply

Copyright:

© 1993 Ali Omar Ermes

See more items in:

National Museum of African Art Collection

On View:

NMAfA, Second Level Gallery (2193)

Data Source:

National Museum of African Art

GUID:

http://n2t.net/ark:/65665/ys7ec697767-729b-4289-8e29-0fe34d4623d2

EDAN-URL:

edanmdm:nmafa_96-22-1

Creator:

Kraushaar Galleries  Search this

Subject:

Wilson, Ralph L.  Search this

Fausett, Dean  Search this

Lasker, Joe  Search this

Murdock, Roland P.  Search this

Phillips, Duncan  Search this

Kuhn, Walt  Search this

Smith, Vernon  Search this

Robinson, Boardman  Search this

Lechay, James  Search this

Laurent, Robert  Search this

Hartell, John  Search this

Cantene, David  Search this

Schnakenberg, H. E. (Henry Ernest)  Search this

Kraushaar, Antoinette M.  Search this

Harrison, Preston  Search this

Heliker, John  Search this

Williams, Esther  Search this

Luks, George Benjamin  Search this

Glackens, Edith  Search this

Navas, Elizabeth S.  Search this

DeLonga, Leonard  Search this

Evett, Kenneth Warnock  Search this

Halberstadt, Ernst  Search this

Prendergast, Maurice Brazil  Search this

Morris, Carl  Search this

Ruellan, Andrée  Search this

Smalley, David  Search this

Flannery, Vaughn  Search this

Cowles, Russell  Search this

Penney, James  Search this

Beal, Gifford  Search this

Bacon, Peggy  Search this

Beal, Reynolds  Search this

Hardy, Thomas  Search this

Glackens, William J.  Search this

Prendergast, Charles  Search this

Demuth, Charles  Search this

Albrizio, Humbert  Search this

Lachaise, Gaston  Search this

Bignou, Etienne  Search this

Kirsch, Frederick D. (Frederick Dwight)  Search this

Sloan, John  Search this

Allard, J.  Search this

Bouché, Louis  Search this

Juley, Peter A.  Search this

Stanley, Alix W.  Search this

Arnest, Bernard  Search this

Brueming, Karen  Search this

Miller, Harriette  Search this

Kraushaar, John F.  Search this

Guillaume, Paul  Search this

Art Institute of Chicago  Search this

Toledo Museum of Art  Search this

Cleveland Museum of Art  Search this

Wichita Art Museum  Search this

Whitney Museum of American Art  Search this

New Britain Institute. Art Museum  Search this

Ernest Brown and Co.  Search this

Carnegie Institute  Search this

University of Nebraska--Lincoln. Department of Art  Search this

Museum of Modern Art (New York, N.Y.)  Search this

Type:

Photographs

Sketches

Drawings

Exhibition catalogs

Financial records

Notes

Sketchbooks

Citation:

Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.

Topic:

Works of art  Search this

Art, American  Search this

Artists -- United States  Search this

Depressions -- 1929  Search this

Theme:

Art Gallery Records  Search this

Art Market  Search this

Record number:

(DSI-AAA_CollID)7781

(DSI-AAA_SIRISBib)209946

AAA_collcode_kraugall

Theme:

Art Gallery Records

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209946

Interviewee:

Biddle, George, 1885-  Search this

Interviewer:

Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this

Subject:

Bacon, Peggy  Search this

Benton, Thomas Hart  Search this

Billings, Henry  Search this

Bruce, Edward  Search this

Cahill, Holger  Search this

Demuth, Charles  Search this

Evergood, Philip  Search this

Grosz, George  Search this

Halpert, Edith Gregor  Search this

Hartley, Marsden  Search this

Marsh, Reginald  Search this

Miller, Kenneth Hayes  Search this

Orozco, José Clemente  Search this

Rivera, Diego  Search this

Robinson, Boardman  Search this

Siqueiros, David Alfaro  Search this

Sterne, Maurice  Search this

Stieglitz, Alfred  Search this

Tamayo, Rufino  Search this

Weber, Max  Search this

Zorach, William  Search this

Cassatt, Mary  Search this

Pascin, Jules  Search this

Poor, Henry Varnum  Search this

Curry, John Steuart  Search this

Bouché, Louis  Search this

Kroll, Leon  Search this

Zorach, William  Search this

Public Works of Art Project  Search this

New Deal and the Arts Oral History Project  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with George Biddle, 1963. Archives of American Art, Smithsonian Institution.

Topic:

Art -- Censorship  Search this

Federal aid to the arts  Search this

Painters -- New York (State) -- New York -- Interviews  Search this

Sculptors -- New York (State) -- Interviews  Search this

Theme:

New Deal  Search this

Record number:

(DSI-AAA_CollID)12696

(DSI-AAA_SIRISBib)213269

AAA_collcode_biddle63

Theme:

New Deal

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_213269

Creator:

Crossfield, A. Scott (Albert Scott), 1921-  Search this

Names:

Eastern Air Lines  Search this

National Advisory Committee for Aeronautics (NACA)  Search this

North American Aviation, Inc.  Search this

Extent:

20.23 Cubic feet (42 boxes)

Type:

Collection descriptions

Archival materials

Photographs

Audiotapes

Correspondence

Manuscripts

Date:

1940 - 2004

Summary:

This collection consists of over nine cubic feet of material documenting Scott Crossfield's aviation career, with emphasis on his involvement with the North American X-15. The following types of material are included: correspondence; reel to reel tapes; papers, manuscripts; newspaper and magazine clippings; aviation manuals; photographs; film; and Crossfield's notes and reports.

Scope and Content note:

This collection encompasses the entirety of Albert Scott "Scotty" Crossfield, Jr.'s career as an engineer, test pilot, airline executive, and speaker and advocate for aerospace education. Records in the collection date from Crossfield's time at college in the 1940s through his death in 2006. Crossfield's papers were donated to the National Air and Space Museum (NASM) Archives by the Crossfield family in 2006 and a second batch of material was received in 2008. The collection was received without any apparent organizational scheme, but some items were received in labeled folders and these folder titles were retained when the collection was processed. One group of material was loaned by the family for copying and these items were photocopied and placed within the appropriate folder in the case of documents, or were scanned and entered into the National Air and Space Museum (NASM) Archives image database in the case of photographs.

After his retirement from North American Aviation, Inc., Crossfield gave his papers to a former secretary, Marion Brown, so that she could organize them for his use in future writing projects. In February 1973, a U.S. Navy Vought A-7E Corsair II crashed into the apartment building where Brown lived and all of Crossfield's papers in her possession were destroyed. Due to this incident, the collection has more material from Crossfield's time with Eastern Air Lines and onwards, although the prior years are still well represented through records that were either retained in Crossfield's possession or copies that were gathered after the fact. There is correspondence from Crossfield relating to the crash in Box 11 of the collection.

The archival materials in this collection are organized into four series. The first series is composed of personal materials and includes school records, correspondence, personal photographs, records relating to various organizations in which Crossfield was active, information relating to the publication of Crossfield's autobiography, Always Another Dawn, other writings by Crossfield, financial records, subject files assembled by Crossfield, philatelic materials (Crossfield was an active collector and was a founding member and officer of The Aviation Historical Foundation, a philatelic organization), and news clippings. The material in this series is largely organized chronologically. Personal photographs and subject files are organized by topic first and chronologically within each folder and organizations are arranged alphabetically by name first and also chronologically within the individual folders.

The second series contains items relating to Crossfield's professional life, organized chronologically by place of employment. This series includes materials relating to Crossfield's work at Boeing, the U.S. Navy, the Kirsten Wind Tunnel at the University of Washington Aeronautical Laboratory, the National Advisory Committee for Aeronautics (NACA), North American Aviation, Inc., Eastern Air Lines, Hawker Siddeley Aviation, Crossfield's work as an Independent Technical Advisor, Crossfield's application for the position of Director of the National Air and Space Museum, Crossfield's time as a member of the United States Organizing Committee, and his work with organizations such as the Scott Crossfield Foundation and The Wright Experience. During the later part of his life, Crossfield toured the country extensively giving speeches, presenting awards, etc. and there is a large amount of material relating to these appearances in this part of the collection. These materials arrived already organized chronologically by individual trip and this organizational scheme was retained. Specifically, the professional life series includes flight reports, manuals, drawings, business correspondence, administrative records, presentations and papers, travel itineraries, notebooks, calendars, speeches delivered by Crossfield, and career related photographs (which are broken out as their own subseries). The professional life series also includes a section of miscellaneous professional items including job seeking correspondence, information on the patent for a power wheel braking or driving unit designed by Crossfield, and a folder of Crossfield's résumés.

The third series consists of audiotapes and is organized first by tape format and then chronologically within each category. Subjects of the audiotapes include speeches, a large number of North American X-15 cockpit recordings and radio communications, tape produced for a television program, and autobiographical notes. A number of the audiotapes include no description. With a total of 65 examples in this series, the most common audiotape format in the collection is, by far, 7 inch reel to reel tapes. Other formats in this series include 5 inch reel to reel tapes, 3.125 by 3.5 inch metal audiotape cartridges, and Dictaphone recording belts. Please note that these audio recordings are unavailable to the researcher at the time of processing due to the format and fragility of the tapes.

The fourth series of this collection is comprised of oversized materials and additional materials including galley proofs, news clippings, drawings, charts, professional records, and photographs. The organization of this series mirrors the folder titles found in the rest of the collection.

The researcher should note that the collection also contains several motion picture films relating to the life and career of Albert Scott "Scotty" Crossfield, Jr. These films are not included in the container list but a NASM Archives staff person can assist you regarding access.

Arrangement:

The A. Scott Crossfield Papers are organized into the following series and subseries:

Series I: Personal Materials

1.1 School Records

1.2 Correspondence

1.3 Personal Photographs

1.4 Organizations

1.5 Information Related to the Publication of Always Another Dawn

1.6 Other Writings by Crossfield

1.7 Financial Records

1.8 Subject Files

1.9 Philatelic Materials

1.10 News Clippings

1.11 Miscellaneous Personal Records

Series II: Professional Life

2.1 Boeing

2.2 U.S. Navy

2.3 Kirsten Wind Tunnel, University of Washington Aeronautical Laboratory

2.4 National Advisory Committee for Aeronautics (NACA)

2.5 North American Aviation, Inc.

2.6 Eastern Air Lines

2.7 Hawker Siddeley Aviation

2.8 Independent Technical Advisor

2.9 Application for NASM Director Position

2.10 United States Organizing Committee

2.11 Scott Crossfield Foundation

2.12 The Wright Experience

2.13 Speaking Engagements and Professional Appearances

2.14 Career Related Photographs

2.14 Miscellaneous Professional Records

Series III: Audiotapes

Series IV: Oversized Materials

Biographical/Historical note:

Albert Scott "Scotty" Crossfield, Jr. was born on October 2, 1921, in California. As a young boy, Crossfield was often confined indoors due to health problems related to pneumonia and rheumatic fever. During this time, he dreamed of becoming a pilot and designed and constructed model airplanes. Crossfield took his first airplane ride in 1927, at six years old, in an Alexander Eaglerock A-1 piloted by family friend Charles "Carl" Lienesch. Lienesch also encouraged Crossfield to become an engineer as well as a pilot. Unbeknownst to Crossfield's parents, he began taking flying lessons at the age of 12 at Wilmington Airport under the tutelage of pilot Vaughn McNulty. The family later moved to Washington State and it was there, at the Chehalis Airport, that Crossfield made his first solo flight in a Curtiss Robin. It was not until the summer of 1941, however, that Crossfield officially soloed and earned his pilot's license under the Civil Aeronautics Authority (CAA), Civilian Pilot Training Program (CPTP).

Crossfield enrolled in the University of Washington in 1940 and worked at the Boeing plant in Seattle, beginning in the fall of 1941, while still pursuing his studies. Crossfield's first assignment at Boeing was as an assembly page clerk. He was later promoted to the position of production expediter and shop salvage engineer. After the bombing of Pearl Harbor in December 1941, Crossfield enlisted in the U.S. Army Air Corps and continued to work at Boeing while he waited for an opening in a cadet class. In February 1942, tired of waiting on the Air Corps and eager to get into combat, Crossfield enlisted in the U.S. Navy instead where he joined the cadet class of May 7, 1942. Crossfield first trained in Seattle, Washington, and later was sent to the Naval Air Training Center in Corpus Christi, Texas, where he earned his Naval Aviator's wings in 1942. During his time in the Navy, Crossfield never fulfilled his ambition to see combat because he was selected instead to remain at Corpus Christi as a flight and gunnery instructor. Crossfield eventually was sent to Hawaii to prepare and train for an invasion of Japan but the war ended before this became necessary. During his time in the U.S. Navy, Crossfield flew the Grumman F6F Hellcat, Vought F4U Corsair, and the North American SNJ Texan, among other aircraft. After he separated from active duty with the Service, Crossfield remained active in the Naval Reserves and was part of an aerobatic team at Sand Point Naval Air Station that flew Goodyear FG-1D Corsairs.

Crossfield returned to his studies at the University of Washington in 1946 and was employed doing tests at the Kirsten Wind Tunnel at the University's Aeronautical Laboratory. Crossfield earned his Bachelor of Science degree in aeronautical engineering in 1949 and his master's degree in aeronautical science in 1950. After obtaining his degrees, Crossfield joined the National Advisory Committee for Aeronautics (NACA) as a research pilot. During his time with NACA, Crossfield flew many aircraft including the Convair XF-92A, Bell X-1, Northrop X-4 Bantam, Douglas D-558-1 Skystreak, Bell X-5, Republic F-84F Thunderstreak, Convair F-102 Delta Dagger, North American F-86 Sabre, and the North American F-100A Super Sabre. Crossfield made history in the Douglas D-558-2 Skyrocket on November 20, 1953, as the first pilot to exceed Mach 2 (twice the speed of sound).

In 1955, Crossfield left NACA and joined North American Aviation, Inc. to work on the X-15 program where he would not only serve as the X-15 Project Pilot but also as a Design Specialist, a role in which he was an integral part of the design of both the aircraft and the pressure suit developed by the David Clark Company for the X-15 program. The suit served as a prototype for the spacesuits later worn by astronauts. Crossfield helped to develop the X-15's cockpit, control, and engine systems; structural design; propulsion system; engineered its escape system; and contributed to its handling quality requirements. He also developed the ground control test methodology that would later become standard on the Mercury, Gemini, and Apollo space programs. Crossfield piloted the North American X-15 on its first captive flight in March 1959, first glide flight in June 1959, and the first powered flight in September 1959, as well as numerous other test flights, before the X-15 was delivered to the U.S. Air Force (USAF) and the National Aeronautics and Space Administration (NASA) in February 1960. Crossfield also served as Chief Engineering Test Pilot at North American from 1955-1961 before moving to the Space and Information Systems Division first as the Director of Systems Test (1961) then as the Division Director of Test and Quality Assurance (1961-1966) where he was responsible for quality control in all North American projects including the Hounddog Missile (AGM-28, GAM-77), Paragliders for the Gemini program, Apollo Command and Service Module, and the Saturn V launch vehicles, second stage. Crossfield's final position with North American was as the Technical Director, Research, Engineering and Test from 1966-1967.

Crossfield joined Eastern Air Lines in Miami, Florida, as Division Vice President, Flight, Research, and Development, Flight Operations in 1967, a position he held until 1971 when he moved to Washington, DC, to serve as Staff Vice President, Transportation Systems Development (1971-1973). From 1974 to 1975, Crossfield served as Senior Vice President at Hawker Siddeley Aviation's U.S. subsidiary branch, an office he helped to establish. After leaving Hawker Siddeley, Crossfield served for many years as an independent technical advisor to the U.S. Congress. Crossfield also served on the United States Organizing Committee to plan the Air and Space Bicentennial. In the later part of his life, Crossfield traveled extensively to give talks, attend events, and make various professional appearances and it was on a return flight home from one such trip in 2006 that Crossfield was killed when the plane he was piloting was caught in a thunderstorm.

Crossfield was active in various organizations including the American Institute of Aeronautics and Astronautics (AIAA), the National Aeronautic Association (NAA), and the Society of Experimental Test Pilots (SETP), a group in which he was a founding member. Crossfield also created the Scott Crossfield Foundation to support aerospace education. Crossfield was the recipient of numerous awards and honors including the Sperry (Lawrence B.) Memorial Award (1954) and Chanute (Octave) Award (AIAA, 1958), Kincheloe Award (SETP, 1960), Harmon Trophy (1960), Collier (Robert J.) Trophy (1961), NASA Distinguished Service Medal (1993), and the National Air and Space Museum (NASM) Trophy for Lifetime Achievement (2000).

Crossfield published his autobiography, Always Another Dawn, in 1960 with Clay Blair, Jr. and is the author of numerous other publications, articles, and technical papers.

Provenance:

Alice Crossfield, Gift, 2006

Restrictions:

No restrictions on access.

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Topic:

North American X-15  Search this

Air pilots  Search this

Aeronautics  Search this

Aeronautics -- Records  Search this

Genre/Form:

Photographs

Audiotapes

Correspondence

Manuscripts

Citation:

A. Scott Crossfield Papers, Accession number 2006-0041, National Air and Space Museum, Smithsonian Institution.

A. Scott Crossfield Papers, Acc. 2006-0041, National Air and Space Museum, Smithsonian Institution.

Identifier:

NASM.2006.0041

See more items in:

A. Scott Crossfield Papers

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg28d41031c-4569-4e2e-b114-8a32f81be51e

EDAN-URL:

ead_collection:sova-nasm-2006-0041

Creator:

Dale, Dianne  Search this

Polk, P. H., 1898-1985  Search this

Names:

Barry, Marion, 1936-2014  Search this

Dale, Almore M., 1911-1984  Search this

Dale, Dianne  Search this

Dale, John Henry, Jr., 1888-1973  Search this

Dale, Lucille Emma Patterson, 1889-1973  Search this

Dale, Marie Howard, 1914-2011  Search this

Dale, Norman Edward, 1908-1991  Search this

Garner, Araminta Dale, 1913-1987  Search this

Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this

Patterson, Wilhelmina Bessie, 1888-1962  Search this

Extent:

6 Linear feet (9 boxes)

Type:

Collection descriptions

Archival materials

Photographs

Programs

Clippings

Correspondence

Ephemera

Postcards

Place:

Anacostia (Washington, D.C.)

Date:

1866 - 1990.

Summary:

The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.

Scope and Contents note:

The Dale-Patterson family papers, which date from 1866 to 1990 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892. The collection is comprised of correspondence, photographs, clippings, and ephemera.

Arrangement note:

The collection is arranged in four series:

Series 1: Dale-Patterson Family papers Series 2: Charles Qualls papers Series 3: Community Organizations Series 4: Subject Files

Biographical/Historical note:

The Dale family came to Washington, DC in 1886 when John Henry Dale, Sr., a gifted self-taught man, obtained a position as clerk in the newly contracted Pension Bureau building at 5th and G Streets, NW. First they lived near 13th Street and Florida Avenue, NW, then moved to Howard Road in Anacostia. Dale built a house at 2619 Nichols Avenue, now Martin Luther King, Jr. Avenue, drawing the plans and supervising the construction. The Dales and only one other family lived in this solidly built house for 100 years before it was sold to a church group and demolished.

General Note:

Finding Aid Note: This finding aid is associated with a MARC collection-level record.361883

Provenance:

The Dale-Patterson Family collection was donated to the Anacostia Community Museum on April 07, 2013.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.

Rights:

The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Topic:

African Americans  Search this

African American families  Search this

Genre/Form:

Photographs

Programs

Clippings

Correspondence

Ephemera

Postcards

Citation:

Dale-Patterson Family collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Dianne Dale.

Identifier:

ACMA.06-074

See more items in:

Dale-Patterson Family collection

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa7c29572e9-2bd6-4b2a-8982-b527693b7885

EDAN-URL:

ead_collection:sova-acma-06-074

Creator:

McKlusky, David  Search this

Names:

Sully, Alfred, 1821-1879  Search this

Extent:

1 Drawing (pencil and ink on linen-backed paper, laminated, 23 x 17.5 inches)

Container:

Folder 5967

Culture:

Ho-Chunk (Winnebago)  Search this

Dakota (Eastern Sioux)  Search this

Type:

Collection descriptions

Archival materials

Graphic Materials

Drawings

Works of art

Pictographs

Place:

North Dakota

North America

Date:

1869

Scope and Contents:

The collection consists of a pictographic drawing depicting a conflict between the forces of General Sully, including Winnebago scouts and the Dakota Sioux. The drawing is inscribed "Winnebago Sout white hill Fight three over soldar--one Campain" (Winnebago Scout, White Hill Fight. 83 soldiers--1 company) and signed David McKlusky and David M. At lower right, in different handwriting, is further explanation of the picture.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Biographical Note:

David McClusky (also known as David McKlusky, Standing Buffalo and Che-nah-zhi-gah) was Ho-Chunk leader and a private in Stufft's Independent Company Indian Scouts. Commanded by Captain Christian Stufft, the company was part of Brigadier General Alfred Sully's 1864 Expedition against the Sioux.

Local Numbers:

NAA MS 5967

NAA INV 08594000

Variant Title:

Drawing of Battle between General Sully's company of soldiers and Winnebago scouts, and the Sioux (Dakota), at "Hard River" (Heart River?)

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Genre/Form:

Works of art

Drawings

Pictographs

Citation:

MS 5967 David McClusky pictographic drawing of 1864 battle at Heart River, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS5967

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw35e7ea06c-69db-4b69-a31d-e021b212f9f8

EDAN-URL:

ead_collection:sova-naa-ms5967

Print Maker:

Francesco Bartolozzi, Italian, active England, 1727–1815  Search this

After:

Angelica Kauffmann, (Swiss, 1741–1807)  Search this

Medium:

Stipple engraving and etching in sanguine ink on paper

Dimensions:

35.8 × 27.4 cm (14 1/8 × 10 13/16 in.)

Object Name:

Print

Type:

Print

Made in:

England

Date:

1783

Credit Line:

Bequest of George Campbell Cooper

Accession Number:

1896-3-324

Restrictions & Rights:

CC0

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq4c651bad3-9cd5-4788-a20a-31bd141352c8

EDAN-URL:

edanmdm:chndm_1896-3-324

Print Maker:

Francesco Bartolozzi, Italian, active England, 1727–1815  Search this

After:

Angelica Kauffmann, (Swiss, 1741–1807)  Search this

Medium:

Stipple engraving in sanguine ink on paper

Dimensions:

33 × 26.6 cm (13 in. × 10 1/2 in.)

Object Name:

Print

Type:

Print

Made in:

England

Date:

ca. 1780

Credit Line:

Bequest of George Campbell Cooper

Accession Number:

1896-3-327

Restrictions & Rights:

CC0

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq40d16612a-80ed-43bb-8174-830bdff78b79

EDAN-URL:

edanmdm:chndm_1896-3-327