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Collection Creator:

Guild Art Gallery  Search this

Container:

Box 1, Folder 12

Type:

Archival materials

Date:

circa 1935-1936

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Guild Art Gallery records, circa 1933-1937. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care and Preservation Fund. Funding for the digitization of the collection was provided in part by Rosina Rubin.

See more items in:

Guild Art Gallery records

Guild Art Gallery records / Series 2: Exhibition Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c1364f87-9e2b-4cc8-a142-ac70d2b26f32

EDAN-URL:

ead_component:sova-aaa-guilart-ref29

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2013-10-22T15:40:17.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

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smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_56qo9sinSdc

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2016-05-13T16:34:41.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

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smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_9ihcqriIVmY

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2019-07-25T14:04:52.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

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smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_JG8PPLP3ROM

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2013-12-05T20:49:57.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

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smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt__u5elQFBl7A

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2013-10-01T19:02:01.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

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smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_mtUjmi3ewPU

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2019-09-24T14:47:29.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

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smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_o_GGfqWNVsM

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2019-08-20T16:09:36.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

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smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_z3IUgPvIupc

Creator:

Hirshhorn Museum and Sculpture Garden  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2022-12-08T02:21:01.000Z

YouTube Category:

Entertainment  Search this

Topic:

Art, modern  Search this

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hirshhornmuseum

Data Source:

Hirshhorn Museum and Sculpture Garden

YouTube Channel:

hirshhornmuseum

EDAN-URL:

edanmdm:yt_xMDVtXlY3Nc

Creator:

Smithsonian Institution  Search this

Type:

YouTube Videos

Uploaded:

2009-12-22T17:59:55.000Z

YouTube Category:

Music  Search this

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SmithsonianVideos

Data Source:

Smithsonian Institution

YouTube Channel:

SmithsonianVideos

EDAN-URL:

edanmdm:yt_vszWrR5YjMM

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2011-06-20T19:46:40.000Z

YouTube Category:

Education  Search this

Topic:

Cultural property  Search this

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smithsonianfolklife

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolklife

EDAN-URL:

edanmdm:yt_z-iW84vmwjA

Creator:

Smithsonian Education  Search this

Type:

Lectures

YouTube Videos

Uploaded:

2021-04-19T21:46:11.000Z

YouTube Category:

Entertainment  Search this

Topic:

Education  Search this

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SmithsonianEducation

Data Source:

Smithsonian Education

YouTube Channel:

SmithsonianEducation

EDAN-URL:

edanmdm:yt_7b6CjZegE9o

Creator:

Smithsonian Education  Search this

Type:

YouTube Videos

Uploaded:

2013-04-10T18:58:38.000Z

YouTube Category:

Education  Search this

Topic:

Education  Search this

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SmithsonianEducation

Data Source:

Smithsonian Education

YouTube Channel:

SmithsonianEducation

EDAN-URL:

edanmdm:yt_zoDp7jVe5RY

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

YouTube Videos

Uploaded:

2015-10-22T00:24:47.000Z

YouTube Category:

Education  Search this

Topic:

Design  Search this

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cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt_3RP80tq3zOE

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

YouTube Videos

Uploaded:

2012-06-13T18:32:40.000Z

YouTube Category:

Education  Search this

Topic:

Art, Asian  Search this

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FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_-fhius5R3IQ

Creator:

National Zoo  Search this

Type:

YouTube Videos

Uploaded:

2023-07-12T21:05:46.000Z

YouTube Category:

Pets & Animals  Search this

Topic:

Zoology;Animals;Veterinary medicine;Animal health  Search this

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SmithsonianNZP

Data Source:

National Zoo

YouTube Channel:

SmithsonianNZP

EDAN-URL:

edanmdm:yt_jyKZB5znrEk

Creator:

Stewart, Jack, 1926-2005  Search this

Names:

New York City Transit Authority  Search this

World Trade Center (New York, N.Y.)  Search this

Yale University -- Students  Search this

Baxter, Violet  Search this

Egan, Charles, 1911-  Search this

Gold, Nancy  Search this

Goulet, Lorrie, 1925-  Search this

Kahn, Wolf, 1927-  Search this

Romano, Clare  Search this

Thomas, Steffen, 1906-  Search this

Toney, Anthony  Search this

Townsend, Rodman  Search this

Walker, Herbert Brooks, 1927-  Search this

Weiner, Sam  Search this

Extent:

9.9 Linear feet

7.31 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Drawings

Sound recordings

Paintings

Sketchbooks

Interviews

Transcripts

Video recordings

Date:

1926-2010

Summary:

The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet and 7.31 GB. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed and digital material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.

Scope and Content Note:

The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet and 7.31 GB. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed and digital material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.

Biographical materials include a "Video Archive" in digital format, consisting mainly of Jack Stewart being interviewed on several occasions by Nancy Gold for her television show, "What It Takes." In addition to discussions about Stewart's career, the shows include examples of his paintings and murals along with views of him at work.

Correspondence mostly documents Stewart's artistic career and work as an educator and administrator; there is some personal correspondence, as well. Of particular note are letters to Rodman Townsend who commissioned a mural about the human brain; they discuss the details of the project and its evolution, brain research, and subsequent exhibitions of related paintings. Illustrated letters and greeting cards with original artwork are from Violet Baxter, Lorrie Goulet, Wolf Kahn, Clare Romano, Anthony Toney, and Sam Weiner. Herbert Brooks Walker sent several pieces of mail art and, while in Italy, collected graffiti information for Stewart. Letters Stewart wrote to his mother span decades; the best represented periods are the years he served in the U.S. Army and studied at Yale University.

Writings and notes consist of Stewart's dissertation ("Subway Graffiti: An Aesthetic Study of Graffiti on the Subway"), miscellaneous writings and notes, and art and architecture notebooks. Dissertation documentation includes the manuscript, drafts, and related records. Among the miscellaneous writings and notes - published and unpublished - are shorter pieces, articles, student papers, and teaching notes. Of particular interest are notes/instructions for a performance piece titled "Endless Subway," "Memories of Steffan Thomas" and "My Recollection of Charles Egan." Also found are minutes of Cooper Union adjunct faculty meetings (1965-1966), and reports written when provost of the Rhode Island School of Design. Art and architecture notebooks (5 volumes) were compiled while at Yale University.

Research files on graffiti contain many sound recordings and some transcripts of interviews with graffiti writers, voluminous lists of graffiti writers' names/tags, correspondence, notes, photographs, and a wide variety of printed material. Some of the material is in digital format. Stewart began collecting these materials as his interest in graffiti developed. They were used for his dissertation and material continued to be added after the dissertation was completed.

Printed material mentioning Stewart or containing reproductions of his work includes exhibition catalogs, posters, and newsletters.

Artwork by Jack Stewart consists of drawings, paintings, and one etching; also found are designs and plans for tables, murals, and other projects. Drawings include figure studies, heads, and landscapes; most are in pencil and some in ink. The small number of paintings are oil on canvas (removed from stretchers), and gouache on paper and board. Sketchbooks (44 volumes) contain mostly pencil drawings and sketches, and a few studies for paintings and murals. Two volumes include writings about travels and events; of particular interest are "Notes on Kline's funeral May 1962," "Visit to Roman Bronze Art Foundry," and "Notes on My Development."

Photographic materials consist mainly photographs, but also include digital images and 35-mm color slides. Images of Stewart include views of him with paintings and working in his studio. Identified individuals with whom he appears are: Regina Stewart (wife), Brandon Stewart (son), Lil Stewart (mother), Ninalee Craig, Irving Sandler, and students in Urbino, Italy. Photographs of artwork document murals such as Raw Material (composed of shirt labels), and Versailles Hotel in Miami Beach; among the paintings documented are State of the Union, Icons of Western Art and Revelation XVI-16 (both with keys to individuals portrayed). Exhibition openings and installations are shown in photographs, color slides, and video recordings. Also found are photographs of the World Trade Center site taken by Stewart in December 2001.

Arrangement:

The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Materials, 1926-circa 2009 (Boxes 1,11; 0.6 linear foot, ER01-ER02, 3.92 GB)

Series 2: Correspondence, 1944-2009 (Boxes 1-2; 0.7 linear foot)

Series 3: Writings and Notes, circa 1947-2003 (Boxes 2-5; 3.1 linear foot)

Series 4: Research Files on Graffiti, 1972-2010 (Boxes 5-7,11; 2.8 linear foot, ER03-ER05, 3.18 GB)

Series 5: Printed Material, circa 1945-2002 (Boxes 8, 11, OV 13; 0.7 linear foot)

Series 6: Scrapbooks, circa 1990-2003 (Box 8; 0.2 linear foot)

Series 7: Artwork, 1946-2000 (Boxes 8, 11, OV 12; 0.3 linear foot)

Series 8: Sketchbooks, 1951-2004 (Boxes 8-9; 1.3 linear foot)

Series 9: Photographic Materials, circa 1950s-2010 (Boxes 10-11; 0.4 linear foot, ER06-ER07, 0.208 GB)

Biographical Note:

Jack Stewart (1926-2005) was a painter, muralist, designer, educator and administrator in New York City. After developing an interest in graffiti in the 1970s, Stewart eventually wrote a dissertation on the subject, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989) and was recognized as an expert on mass transit art.

Jack Stewart began studying art at the High Museum School in his hometown of Atlanta when he was 10 years old. At age 14, he began a 4 year apprenticeship with painter and sculptor Steffen Thomas. After serving in World War II, he enrolled at Yale University (B.F.A. 1951) as a sculpture student, but soon switched to the painting department where he studied with Josef Albers and Willem de Kooning. After graduation, Stewart began receiving mural commissions and enrolled in classes at Columbia University School of Architecture (1951-1953). His interest in architecture was tied to understanding how to work effectively with architects on mural projects. Later, Stewart developed an interest in graffiti which he pursued through graduate study at New York University (M.A., 1975 and Ph.D., 1989).

Stewart created murals in ceramic tile, mixed media and stained glass. In addition to mosaic murals, he designed tables with mosaic tops. As an outgrowth of his mosaic work, Stewart developed a technique for laminating stained glass onto plate glass that, by eliminating the need for lead, opened new design possibilities. Mural commissions included work for Hamilton Hotel in Chicago, Versailles Hotel in Miami Beach, Public School 28 in New York City, and several ocean liners. The most unusual mural, Raw Material commissioned by Cluett Peabody and Company, was composed of shirt labels embedded in acrylic.

Beginning in 1950 Stewart participated regularly in group shows and enjoyed solo exhibitions mainly in the New York City area. He also showed in Philadelphia, Georgia, Rhode Island, Mexico and Italy, and was included in exhibitions circulated by the American Federation of Arts.

Stewart taught at the college level for nearly thirty years, including: The New School (art and architecture, 1953-1958); Pratt Institute (interior architectural design, 1955-1960); The Cooper Union for the Advancement of Science and Art (painting, drawing, human anatomy, art history, 1960-1976; Art Department Chairman, 1971-1976); International Center of Mythymna, American Division, Lesbos, Greece (summer school, 1962-1965); Columbia University (M.F.A. program instructor, 1966-1976); and New York University (drawing, 1967-1975). In 1976 he was appointed Vice President and Provost of the Rhode Island School of Design.

Stewart was active in several professional organizations. He served as New York Artists Equity Association Secretary (1986-1987) and President (1987-1989); President of the National Society of Mural Painters (1996-2000); member of the advisory board of the Steffen Thomas Museum and Archives, Buckhead, GA (1997- 2000s); and President of the Fine Arts Federation of New York (2003-2004). The National Academy of Design elected Jack Stewart an Academician in 1995.

Jack Stewart and Margot Schwarzhaupt, an artist, were married in 1947; they had one son, Brandon. Painter and arts administrator, Regina Serniak, became Jack Stewart's wife in 1976.

Jack Stewart died in New York City in 2005.

Related Materials:

Jack Stewart papers, 1926-2015, are located at Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library.

Provenance:

Donated in 2010 by Regina Stewart, widow of Jack Stewart.

Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. This collection is copyright restricted.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Arts administrators -- New York (State) -- New York  Search this

Topic:

Street art  Search this

Muralists -- New York (State) -- New York  Search this

Mail art  Search this

Art -- Study and teaching  Search this

Painters -- New York (State) -- New York  Search this

Graffiti art  Search this

Designers -- New York (State) -- New York  Search this

Genre/Form:

Drawings

Sound recordings

Paintings

Sketchbooks

Interviews

Transcripts

Video recordings

Citation:

Jack Stewart papers, 1926-2010. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.stewjack

See more items in:

Jack Stewart papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw99c355e0c-59b2-47e7-ab80-c8ea7d8bf859

EDAN-URL:

ead_collection:sova-aaa-stewjack

Creator:

Pennsylvania Railroad.  Search this

Architect:

McKim, Mead & White  Search this

Collector:

National Museum of American History (U.S.). Division of History of Technology  Search this

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

National Museum of American History (U.S.). Division of Work and Industry  Search this

Names:

Pennsylvania Station  Search this

Photographer:

Dreyer, Louis H.  Search this

Extent:

10.5 Cubic feet (23 boxes)

Type:

Collection descriptions

Archival materials

Glass plate negatives

Photographs

Stereographs

Date:

1904-1910

Summary:

Collection documents the construction of Penn Station and the Pennsylvania Railroad's work in New York City, including the station foundations and the East and Hudson River tunnels.

Scope and Contents:

Photographs, stereographs, and glass plate negatives documenting the construction progress of the Pennsylvania Terminal, including the Pennsylvania Station Site, from pre-existing structures through the foundation construction; construction of Sunnyside Yard; Construction of Sunnyside Yard Power House; and all aspects of the construction of the East River tunnels. The photographs depict machinery, equipment, techniques, and the men working on the site. The collection is also strong in depicting streets, buildings and the clothes worn by people at that time.

Arrangement:

The collection is arannged into three series.

Series 1: Photographs, 1904-1909

Series 2: Steregraph Cards, 1904-1909

Series 3: Glass Plate Negatives, 1908-1910

Series 4: Contract Material Vouchers, 1907-1908

Historical:

Pennsylvania Station, also known as Penn Station, is a railroad station located in New York City between Seventh and Eighth Avenues and 31st and 33rd Streets. It was named for the Pennsylvania Railroad (PRR), and the project was initiated and lead by Alexander Johnston Cassatt (1839-1906), the seventh president of the PRR. Cassatt's vision was to construct tunnels under the Hudson River, bringing the PRR's line into New York City which enabled Pennsylvania Railroad trains to enter from New Jersey for the first time.

"Beginning with a double-track line across New Jersey's marshy Hackensack Meadows, they would dig two tunnels through Bergen Cliffs, continue down under the mile-wide Hudson, emerging deep underneath a great terminal. From there two tunnels, each with two tracks, would continue under and through Manhattan, becoming four separate tunnels under the East River. Two would be for the LIRR (Long Island Railroad), and would thus create a through ride all the way from the mainland to Long Island. The two other tunnels would serve the PRR, whose empty trains would terminate in Sunnyside, Queens." (Jonnes, page 84)

Construction of the tunnels began in 1904 and opened for service in 1910. The architects of the station building were McKim, Mead & White. The station's building was demolished (1963-1966) and Madison Square Gardens was built above the station, opening in 1968.

Sources

"Completion of the Pennsylvania Railroad Tunnels and Terminal Station," Scientific American, Vol. 102, No. 20 (May 14, 1910), pp. 398-401.

Historic American Buildings Survey, Engineering Record, Landscapes Survey, (HABS) No. NY-5471, "Pennsylvania Station," 1968.

Jonnes, Jill. Conquering Gotham: A Gilded Age Epic: The Construction of Penn Station and Its Tunnels. New York: Viking Penguin Group, 2007.

Related Materials:

Materials at Other Organizations

New York Historical Society

McKim Mead & White Architectural Records Collection, circa 1875-1950

Columbia University, Avery Architectural and Fine Arts Library

McKim Mead & White architectural records and drawings, 1879-1958

Progress photographs taken by L. H. Dreyer and others during the construction of the Pennsylvania Terminal (Penn Station), New York City, 1907-1910

Hagley Museum and Library

Pennsylvania Railroad Company records, 1813-1968

Provenance:

The photographs and stereograph cards were purchased from Charles Lloyd, III, a dealer, in 1980.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Railroads  Search this

Railroads -- 20th century  Search this

Railroad stations  Search this

Tunnels -- New York  Search this

Genre/Form:

Glass plate negatives

Photographs -- Black-and-white negatives -- 20th century

Photographs -- 20th century

Stereographs -- 1900-1910

Citation:

Penn Station, New York, Photographs, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.1048

See more items in:

Penn Station, New York, Photographs

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8087277d0-5bf6-463e-abfe-b77174e97db9

EDAN-URL:

ead_collection:sova-nmah-ac-1048

Culture/People:

Diné (Navajo)  Search this

Artist/Maker:

Baje Whitethorne, Sr., Diné (Navajo), 1950-2023  Search this

Previous owner:

R. E. Mansfield (Richard E. Mansfield), Non-Indian, 1937-2007  Search this

Donor:

R. E. Mansfield (Richard E. Mansfield), Non-Indian, 1937-2007  Search this

Title:

Cedar Springs Hogan

Object Name:

Painting

Media/Materials:

Paper, watercolor, wood

Techniques:

Painted, framed

Dimensions:

49.5 x 60 cm

Object Type:

Painting/Drawing/Print

Place:

Flagstaff; Coconino County; Arizona; USA

Date created:

1999

Catalog Number:

26/3984

Barcode:

263984.000

See related items:

Diné (Navajo)

Painting/Drawing/Print

Data Source:

National Museum of the American Indian

GUID:

http://n2t.net/ark:/65665/ws6e2e9aa68-679c-4f21-a2f7-7484926b2ba9

EDAN-URL:

edanmdm:NMAI_280137

Culture/People:

Diné (Navajo)  Search this

Artist/Maker:

Baje Whitethorne, Sr., Diné (Navajo), 1950-2023  Search this

Previous owner:

R. E. Mansfield (Richard E. Mansfield), Non-Indian, 1937-2007  Search this

Donor:

R. E. Mansfield (Richard E. Mansfield), Non-Indian, 1937-2007  Search this

Title:

White Moon Dancers

Object Name:

Painting

Media/Materials:

Paper, watercolor, wood

Techniques:

Painted, framed

Dimensions:

47.8 x 40.2 cm

Object Type:

Painting/Drawing/Print

Place:

Flagstaff; Coconino County; Arizona; USA

Date created:

2000

Catalog Number:

26/3992

Barcode:

263992.000

See related items:

Diné (Navajo)

Painting/Drawing/Print

Data Source:

National Museum of the American Indian

GUID:

http://n2t.net/ark:/65665/ws68336b2ab-505c-4e6e-b075-dcd9386a5a6f

EDAN-URL:

edanmdm:NMAI_280145