The papers of Wisconsin painter, educator, and draftsman John Wilde measure 21.3 linear feet and 0.008 GB and date from 1935 to 2011. The papers consist of biographical material, correspondence, interviews, writings and notes, 27 journals, personal business records, exhibition files, two scrapbooks, photographic materials, six sketchbooks, artwork, and nearly 90 limited edition, letterpress artist collaboration books – many that include artwork contributed by Wilde.
Scope and Contents:
The papers of Wisconsin painter, educator, and draftsman John Wilde measure 21.3 linear feet and 0.008 GB and date from 1935 to 2011. The papers consist of biographical material, correspondence, interviews, writings and notes, 27 journals, personal business records, exhibition files, two scrapbooks, photographic materials, six sketchbooks, artwork, and nearly 90 limited edition, letterpress artist collaboration books – many that include artwork contributed by Wilde.
Biographical materials include certificates and awards, a diploma from the University of Wisconsin, curriculum vitae, memorials, and membership files. Correspondence is with family and friends, and colleagues Karl Priebe, Gertrude Abercrombie, Sylvia Fein, Dudley Huppler, Marshall Glasier, Robert Cozzolino, Theodore Wolff, Peter and Helga Gardetto, Andrew Balkin Editions, Warrington Colescott, Tandem Press, Harvey Littleton, and others. Letters from Walter Hamady are access restricted and housed separately.
There are interviews with Wilde from Harry Bouras' radio show Critics Choice, as well as an interview with Gertrude Abercrombie by Studs Terkel's for Terkel's WFMT radio show broadcast in Chicago.
Wilde discusses his artwork and other topics in 27 journals spanning seven decades. Additional writings by Wilde include term papers, his thesis titled "A Survey of the Development of Surrealism in Painting and Its Chief Innovations with Special Emphasis on the Life and Work of Max Ernst," transcriptions for gallery talks and speeches, notes, and various other writings. Writings about Wilde are by Theodore Wolff, Michael Seefeldt, and other authors. Wilde's personal business records include account books, appraisals, donation papers, inventory books and lists, and a draft of Wilde's last will and testament.
There are exhibition files for Leaders in Wisconsin Art (1982), John Wilde: Drawings 1940-1984 (1984), Wildeworld: The Art of John Wilde (1999), John Wilde: Recent Work (2003), With Friends: Six Magical Realists (2005), and others.
Printed materials include art auction catalogs, calendars, clippings, exhibition catalogs and announcements, invitations, magazines and journals, poetry booklets, press releases, programs, and an annual report. There are also two scrapbooks containing clippings and other printed materials compiled by Wilde. There are photographs of Wilde, his studio and estate, his close friends and fellow artists, and of works of art by Wilde and others. Few photographs are in digital format.
A series of nearly 90 artists collaboration books, many illustrated by Wilde, include Five Poems by Khatchik Minasian, Poems for Self Therepy by George Economou, Six Poems by J.D. Whitney, John's Apples by Reeve Lindbergh and 44 Wilde 1944, What His Mother's Son Hath Wrought (WHMSHW), The Story of Jane and Joan, and A Hamady Wilde Sampler/Salutations 1995. Other books are by Walter Hamady, Mary Laird Hamady, and others.
Six sketchbooks contain drawings and studies, as well as sketches of himself, his friends, and of his first wife Helen. Interspersed througout the sketchbooks are lists of artworks, accounting notes, and other notes and writings. Additional artwork includes files marked as preparatory drawings by Wilde, a large collage by Jerome Karidis titled Homage to the Queen Gertrude Abercrombie, and a few drawings by others.
Arrangement:
The collection is arranged as 13 series.
Missing Title
Series 1: Biographical Materials, 1939-2006 (0.5 linear feet; Box 1)
Series 2: Correspondence, 1935-2011 (9.6 linear feet; Boxes 1-9, 21, 25-27)
Series 3: Interviews, circa 1959-circa 1975 (0.2 linear feet; Box 9)
Series 4: Journals, 1935-2006 (1.5 linear feet; Boxes 9-11)
Series 5: Writings and Notes, 1936-2006 (0.5 linear feet; Box 11)
Series 6: Personal Business Records, 1940-2006 (0.5 linear feet; Box 12)
Series 7: Exhibition Files, 1963-2010 (0.5 linear feet; Boxes 12-13)
Series 8: Printed Materials, 1940-2010 (0.5 linear feet; Boxes 13-14, 21)
Series 9: Scrapbooks, 1948-1963 (0.4 linear feet; Box 21)
Series 10: Photographic Materials, circa 1940-2000s (3.5 linear feet; Boxes 14-17, 21, 0.008 GB; ER01)
Series 11: Artists Collaboration Books, circa 1970-circa 2000 (4.0 linear feet; Box 17-20, 22)
Series 12: Sketchbooks, 1940-1985 (0.2 linear feet; Box 20, 22)
Series 13: Artwork, circa 1943-circa 2000 (0.3 linear feet; Box 20, OVs 23-24)
Biographical / Historical:
John Wilde (1919-2006) was a painter, educator, and draftsman who specialized in silver point and was associated with Magic Realism. He lived and worked in Wisconsin.
Wilde was born near Milwaukee, Wisconsin on December 12, 1919. He lived his whole life in Wisconsin except when he served in the U.S. Army during World War II. He attended the University of Wisconsin in Madison for his bachelor and master degrees in art and art history. While at university, Wilde, along with Marshall Glasier, Sylvia Fein, Karl Priebe, Dudley Huppler, and Gertrude Abercrombie, formed a close-knit circle of friends who shared similar ideas on art and painted in the style of Magic Realism. They often met at Priebe's studio in Milwaukee or Abercrombie's house in Chicago. Wilde also met his first wife and fellow art student, Helen Ashman, during this time. Wilde later married Shirley Grilley after Helen's death in 1966.
Wilde completed artwork for several books published by Perishable Press, a publishing company owned by Walter Hamady. He contributed illustrations to John's Apples by Reeve Lindbergh, 1985- The Twelve Months by Hamady, and Five Poems by Khatchik Minasian. Wilde also wrote and illustrated 44 Wilde 1944, What His Mother's Son Hath Wrought (WHMSHW), The Story of Jane and Joan, and co-authored A Hamady Sampler, Salutations 1995 with Hamady. In addition to his collaborations with Perishable Press, Wilde worked with Warrington Colescott, Harvey Littleton, Tandem Press, and Andrew Balkin Editions on various projects.
The Elvehjem Museum of Art, now the Chazen Museum of Art, located at the University of Wisconsin in Madison where Wilde taught art for 35 years, held several exhibitions of Wilde's work including John Wilde: Drawings 1940-1984 (1984), Wildeworld: The Art of John Wilde (1999), and With Friends: Six Magical Realists (2005).
The Tory Folliard Gallery in Milwaukee, Wisconsin began representing Wilde in 1993 and continued to represent Wilde's work after his death in Cooksville, Wisconsin on March 9, 2006.
Related Materials:
An interview with John Wilde conducted in 1979 by Michael Danoff for the Archives of American Art and the collection, Maurice W. Berger correspondence with John Wilde, 1952-1959, are also found in the Archives of American Art.
Separated Materials:
Also avaialbe at the Archives of American Art are materials lent for microfilming (reel 5661 and 4710) including letters from Walter Hamaday. Lent material was returned to the lender and is not described in the collection container inventory.
Portions of the loaned material on reel 4710 were subsequently donated, but a comparison of the film and papers was not completed.
Provenance:
The John Wilde papers were donated incrementally between 1975 and 2015 by John Wilde and his estate. Portions were previously lent for microfilming. Additional letters from Walter Hamady were lent for microfilming by John Wilde in December 1999.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The papers of Timothy Casper measure 3.4 linear feet and date from 1943-1981, with bulk dates from 1950-1969. The papers document Casper's career and life which was cut short when he died from a car crash at age twenty-one. Included are biographical material; correspondence between Casper and his mother Elise Casper Ott, and from Elise to others regarding Timothy's artistsic legacy; writings; exhibition files; personal business records; printed material; photographic material and artwork.
Scope and Contents:
The papers of Timothy Casper measure 3.4 linear feet and date from 1943-1981, with bulk dates from 1950-1969. The papers document Casper's career and life which was cut short when he died from a car crash at age twenty-one. Included are biographical material; correspondence; writings; exhibition files; personal business records; printed material; photographic material and artwork. Biographical material includes Casper's birth and baptism certificates, his social security card, materials related to Casper's education and resumes and biographic summaries. Correspondence contains letters from Timothy Casper to his mother Elise Ott Casper, and from Elise to others regarding Timothy's artistsic legacy. Writing by Timothy Casper include a diary, an eight grade essay on monoprinting, travel notes and a draft of an New York University course schedule. Writings by others include teacher feedback notes, an annotated list of Casper's artwork, writings related to the planning and publishing of a book on Timothy Casper including a introduction outline, lists of artworks to be featured and correspondence. Exhibition files document six memorial exhibitions of Casper's work. Items include guest and address lists, agendas, writings, invoices, artwork insurance policies, correspondence and printed material. Personal business records include Timothy Casper's estate papers and life insurance documentation, alphabetized artwork title cards with corresponding loan and sale information and an invoice for napkins from Casper's printing business "Casper Studios". Printed Material includes exhibition flyers and newspaper clippings, primarily related to Casper's memorial exhibitions; a copy of Timothy F. Casper 1943-1964 a retrospective book on the life and career of Casper; a program for an elementary school play Casper participated in; brochures for different museums; New York University Graduate School bulletin publications; postcards from different locations in Washington D.C and miscellanea. Photographic material contains portraits of Timothy Casper as a child as well as photographs of his artwork. Also found are three family photo albums of the Caspers, their family and various places they visited, along with a photo album of Casper attending Woodcraft summer camp. Artwork consists of seven sketchbooks, loose and matted sketches, paintings, etching and linocut prints, a woven basket and bracelets. Also found is an extensive amount of Timothy Casper's childhood artwork including drawings, paintings, a molded plaster sculpture and a ceramic monogram.
Arrangement:
The collection is arranged as eight series
Series 1: Biographical Material, 1943-1966 (0.3 Linear feet Box 1, OV 5)
Series 2: Correspondence, 1943-1981 (1 Linear foot Box 1-2)
Series 3: Writings, 1953-1969 (0.2 Linear feet Box 2)
Series 4: Exhibition Files, 1965-1967 (0.2 Linear feet Box 2)
Series 5: Personal Business, 1956-1967 (0.4 Linear feet Box 2-3)
Series 6: Printed Material, 1956-1960 (0.1 Linear feet Box 3)
Series 7: Photographic Material, circa 1943-1965 (0.4 Linear feet Box 3)
Series 8: Artwork, circa 1945-1964 (0.9 Linear feet Box 3- 4, OV 6)
Biographical / Historical:
Timothy Casper (1943-1964) was a printmaker and draftsman from Milwaukee, Wisconsin whose artistic ability was recognized at a young age by artist and professor Gerald Landt, leading to Casper enrolling in special art classes at the Milwaukee Art Institute in 1953. From there Casper continued studying art throughout high school at the Putney School in Vermont, going on to start his bachelor's degree in art history at New York University in 1962. During his short life Casper managed to travel across Europe and the East Coast of the United States, visiting art museums and historical landmarks, including a fateful trip to Paris in 1964 where Casper died as a result of injuries sustained in a car accident. After his death, his mother Elise Ott Casper organized a series of memorial exhibitions across the United States as well as at the Galerie Wolfgang Gurlitt in Munich, Germany.
Provenance:
Bequest of Elise Ott Casper, mother of Tim Casper, in 1998.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Draftsmen (artists) -- Wisconsin -- Milwaukee Search this
Timothy Casper papers, 1943-1981. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Files on artists John Wilde, Elizabeth Layton, Evan Lindquist, Bruce McCombs, Siegfried Reinhardt, and Werner Wilder, containing letters, photographs, and printed material.
The Wilde file, 1966-1992, contains 40 letters from Wilde concerning his exhibitions and sales of work to Ray and others, an exhibition catalog, and, and photographs of art work. The Layton file, 1983-1993, consists of 7 letters from Layton, clippings, and photographs of art work. Included in the Reinhardt file, 1968-1984, are clippings, exhibition announcements and catalogs,brochures, reproductions of art work, photographs of art work, and 3 photographs of Reinhardt, 2 of them with Ray. The Wildner file, 1962-1975, contains clippings, 3 exhibition catalogs, and photographs of art work. The Lindquist file includes letters from Lindquist to Ray, 1969-1994; a comprehensive list of prints, May 21, 1994; a typescript by Lindquist, "Prints: Beginnings and and Ends," 1987; a sample copy of Lindquist's "Certificate of Authenticity"; 2 exhibition catalogs, 1970 and 1975; photographs of 106 prints by Lindquist in the Ray Collection; and 3 photographs of Lindquist. The McCombs file consists of one exhibition catalog, 1986.
Biographical / Historical:
Art collector; St. Joseph, Mo. Born 1924. Ray, the former director of the Albrecht Art Museum in St. Joseph, Missouri, is a major collector of John Wilde's art work.
Provenance:
Donated by James M. Ray, 1993-1994.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
