National Museum of American History (U.S.). Division of Domestic Life Search this
Extent:
3.5 Cubic feet (9 boxes, 1 oversize folder)
Type:
Collection descriptions
Archival materials
Clippings
Genealogical tables
Account books
Financial records
Correspondence
Family papers
Wills
Legal documents
Obituaries
Tickets
Manuscripts
Insurance policies
Place:
Alexandria (Va.) -- 18th century
Virginia -- 18th century
Date:
1749-1924; 1957
Summary:
An extensive range of papers relating to the Ramsay family of Alexandria, Virginia.
Scope and Contents:
Original and photocopied correspondence, financial papers, newspaper clippings, legal documents, insurance policies, account book, genealogical notes, wills, lottery tickets, and currency, documenting the activities of the Ramsay family of Alexandria, Virginia and related families.
Arrangement:
The collection is arranged topically.
Biographical / Historical:
William Ramsay (1716-1785), a Scottish Presbyterian minister, played a major role in the establishment of Alexandria, Virginia and later served as its mayor. His son, Dennis, also served as mayor and as a colonel in the Continental Army. Other descendants remained active in local affairs.
Provenance:
Collection donated by Heirs of William and Dennis Ramsay,1962, April 30.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topics: Air shows. George "Buck" Weaver's Aviation Activities. Progress of Waco Aircraft Company (advertisements). Letters. Travels. Personalities (including Katherine Stinson).
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
The collection consists of one series that includes videotaped interviews with six southern African American folk artists (listed below), five filmstrips covering topics in African American history, and one audiotape. The videotaping project was funded by the South Carolina Commission for the Arts.
Interviewees
Mary Jane Bennett, Low Country Basket Sewer
Irene Brown
Alvina Moultrie
Scrape Nelson, Netmaker
Nellie Mae Rowe, Folk Artist
Phillip Simmons, Blacksmith
Biographical / Historical:
The history of the collection is unknown.
Provenance:
Transferred from the Division of Community Life in February 1986.
Restrictions:
Collection is open for research. Reference copies, when available, must be used. Access to this collection is limited because of the condition of the existing reference copies and the format of the original videotapes. A digital reference copy for Phillip Simmons: Blacksmith can be found in the Smithsonian Instsitution's Digital Asset Management System (DAMS).
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American artists -- South Carolina Search this
104 Film reels (black-and-white color silent sound; 57,400 feet, 16mm)
Linear feet
Type:
Collection descriptions
Archival materials
Film reels
Sound films
Place:
Europe
Andalusia (Spain)
Date:
1969-1982
Scope and Contents:
Edited films films by Jerome Mintz made in Casa Viejas, Andalusia, Spain: Pepe's Family, The Shoemaker, Romeria: Day of the Virgin, Carnaval de Pueblo, The Shepherd's Family, Perico: the Bowlmaker and film outtakes associated with these six titles. Collection also contains audio tapes and still photographs.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or Anthropology Archives, but is available in its original form to facilitate research.
Biographical / Historical:
Jerome R. Mintz was a professor of anthropology and Jewish studies at Indiana University. He earned a B.A. from Brooklyn College, an M.A. from the City University of New York, and a Ph.D. from Indiana University. Mintz received the National Jewish Book Award in 1993 for "Hasidic People: A Place in the New World." He also received international recognition for his work in Andalusia, Spain. His book "The Anarchists of Casas Viejas" (1982) is considered the most comprehensive account of the tragic events surrounding the 1933 uprising in the small rural town of Casas Viejas. Mintz produced six films on tradition and change in Andalusia, Spain.
Related Materials:
The Jerome R. Mintz papers are in the National Anthropological Archives, Smithsonian Institution.
Provenance:
Received from Carla Aviva Mintz Tavel and Betty Mintz in 2011.
Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Film footage shot primarily by Roy Galloway of family activities and world travels. Galloway was an employee of National Carbon Co. in Calcutta, India, where he, his wife and, eventually, four children lived an American expatriate life. On home leaves they often travelled to other locales on their way to or on their return the United States. In the U.S. they often stayed at Sherwood Forest, a resort community in Maryland, and visited family in other locations. Home movie footage in India includes the Galloways and their first born, a daughter, relocating to India (visit to New Orleans, travel by ocean liner, arrival at Calcutta, Independence day, street scenes); birthdays (one with Chinese dollmaker); christenings; Christmas; swim club (Tetje Royal Calcutta Swimming Club). Footage taken in and around Calcutta includes Durga Puja, Kali Temple, Calcutta water front; American Men's Club, locust swarms, holy man, Camper Down sports meet, Jeriwalla Plant and tiger shoot from elephants. Travel footage includes visiting Darjeeling, Delhi, Agra, Jaipur, Benares, Kashmir, Dal Lake (houseboats and water taxis), Srinagar (rug factory), Kashmir, Ceylon, Turkey (Istanbul), Himalayas (flying in the Pilatus Porter aircraft used to supply Hillary expedition), Nepal (Kathamandu), Switzerland (Geneva), France (Nice), Holland, Italy (Naples, Sorrento, Pompeii, Capri, Florence, Genoa), Russia (Moscow, Lenin grad), Belgium (Brussels Fair), Greece (Crete, Rhodes, Delos, Mykonos, Athens), Austria (Vienna), Germany (Heidelberg), Spain, Denmark (Copenhagen); Sweden (Stockholm), England (London, Marlborough Hall, Stratford-on-Avon, Anne Hathaway cottage, Stonehenge), Mexico, New York City (zoo, Times Square), Nova Scotia (Halifax), Hong Kong, Japan, Hawaii, Egypt (Alexandria), Suez Canal, Burma, Thailand, and Lebanon (Beirut). Footage also includes Chesapeake Bay bridge; Washington College graduation; Bennington, VT; travel on the ship SS Biancamano and a solar eclipse.
Supplementary materials: partial annotation by Roy Galloway.
Legacy keywords: Domestic and family life ; Domestic relations ; Transportation ; Resorts ; Architecture ; Tourism ; Rites and ceremonies
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or Anthropology Archives, but is available in its original form to facilitate research.
Local Numbers:
HSFA 2011.16.1
Related Materials:
8mm film shot in southeast Asia by Roy Galloway in 1940s is in the Screen Archive South East, United Kingdom.
Provenance:
Received from Fred Galloway in 2011.
Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Rights:
Contact the repository for terms of use.
Genre/Form:
Travelogues (Motion pictures)
silent films
Citation:
Roy Galloway travel films and home movies, Human Studies Film Archives, Smithsonian Institution
Tobey, Alton S. (Alton Stanley), 1914-2005 Search this
Extent:
2.8 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Photographs
Date:
1913-2000
Summary:
The Abraham Joel Tobias papers date from 1913 to 2000 and measure 2.8 linear feet. Through project and exhibition files, printed material, correspondence, and photographs, the collection provides an overview of Tobias's career as a painter and muralist in New York City.
Scope and Content Note:
The Abraham Joel Tobias papers date from 1913 to 2000 and measure 2.8 linear feet. Through project and exhibition files, printed material, correspondence, and photographs, the collection provides an overview of Tobias's career as a painter and muralist in New York City.
Project files document murals such as: The Four Freedoms, Midwood High School, Brooklyn, New York, honoring students and teachers who died in World War II (circa 1946); Birth for the maternity ward at Mount Sinai Hospital, New York City (1951-1953); and Medical Science and Medical Research, Long Island Jewish Hospital (1954). The Science and Engineering project file (1958) contains a patent certificate for striated plastic, a material Tobias used in two murals. Also of interest is correspondence with the Harman Foundation regarding a documentary film about Tobias's use of ethyl silicate for outdoor murals. Among the exhibitions documented are: "Plastics U.S.A.," "New York WPA Artists Then and Now," and "Abraham Joel Tobias: Sculptural Paintings of the 1930s."
Printed material consists of announcements, invitations, solo and group exhibition catalogs, and clippings relating to Tobias's artistic career. Also found are pamphlets he designed for the Congress of Industrial Organizations. Photographs are of Tobias's artwork and the artist with friends and family. There is a video recording of an interview with Tobias conducted by Brendan Gill in 1995.
Arrangement:
The collection is arranged as 8 series:
Missing Title
Series 1: Biographical Materials, 1913-1996 (Boxes 1, 4; 0.3 linear feet)
Series 2: Correspondence, 1933-1997 (Box 1; 0.4 linear feet)
Series 3: Project and Exhibition Files, 1938-2000 (Boxes 1, 2, 4, OV 5; 1.6 linear feet)
Series 4: Writings, circa 1928-1992 (Box 2; 0.1 linear feet)
Series 5: Printed Material, 1913-1999 (Boxes 3, 4; 0.3 linear feet)
Series 6: Artwork, circa 1990s (Box 3; 1 folder)
Series 7: Photographs, 1929-1970 (Box 3; 0.1 linear feet)
Series 8: Video Recording, 1995 (Box 3, 1 folder)
Biographical Note:
Abraham Joel Tobias (1913-1996) was a painter, muralist, and educator in New York City. He was a pioneer in the use of shaped canvases.
A native of Rochester, New York, Tobias came to New York City to study at the Cooper Union School of Art, 1930-1931, and at the Art Students League, 1930-1933. He worked for the Federal Arts Project,1938-1940, where he continued his training as a muralist, working with artist and technicians.
During World War II, Tobias served in the armed forces. He was an art director with the Intelligence Division, Army Air Force, and in 1945 was employed as a graphic designer for the Office of Strategic Services (OSS). Tobias was artist-in-residence and served as instructor in painting and drawing at Adelphia College, Garden City, Long Island, 1947-1957. He also was was a visiting lecturer at various schools including Howard University, Brooklyn Museum Art School, Pratt Institute Art School, as well as at colleges in Illinois and Kansas.
Tobias completed over ten mural commissions for governmental agencies and educational institutions, including: United States Post Office, Clarendon, Arkansas; Howard University, Washington, D.C.; James Madison High School, Brooklyn, New York; Beth Israel Hospital, New York City; Domestic Relations Court Building, Brooklyn, New York; and Adelphi College, Garden City, New York. In 1962, Tobias began The History of Science mural for the lobby of the Polytechnic Institute of Brooklyn; it was never completed.
Tobias experimented with diverse materials such as terrazzo and mosaic for mural application. He also broke new ground with the use of ethyl silicate paint as a permanent medium for outdoor murals. In 1958, he patented striated plastic, a pliable material used to achieve an effect similar to stained glass.
He participated in many solo and group exhibitions. In 1935, Tobias presented his shaped canvas painting in the "Sculptural Painting" exhibition at Delphic Studios in New York City. In 1987, Tobias was recognized for his earlier pioneering work with a retrospective exhibition, "Abraham Joel Tobias: Sculptural Paintings" at The Jane Voorhees Zimmerli Art Museum of Rutgers University. Other exhibitions included: "Plastics U.S.A.," the United States Information Service's exhibition in Moscow (1961); "New York City WPA Art," Parsons School of Design, New York City (1977); "For a Permanent Public Art," Tweed Gallery, New York City (1989); and "The Technological Muse," Katonah Museum of Art, New York (1991).
Tobias's professional memberships included the Architectural League of New York, National Society of Mural Painters, and New York Artists Equity Association. He served on the Board of Directors for the Fine Arts Federation of New York from 1988-1996. He won the Architectural League Award in 1952. The Art Commission of the City of New York recognized Tobias, posthumously, for distinguished service to public art.
Abraham Joel Tobias married Carolyn Pratt in 1949; the couple had one daughter. Abraham Joel Tobias died in Rego Park, New York, in 1996 at the age of 82.
Provenance:
The papers were donated in 2001 by Carolyn Tobias, the widow of Abraham Joel Tobias.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Abraham Joel Tobias papers, 1913-2000. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Abraham Joel Tobias papers, 1913-2000. Archives of American Art, Smithsonian Institution.
The collection is open for research but is stored offsite. Arrangements must be made with the Archives Center staff two weeks prior to a scheduled research visit.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Reproduction restricted due to copyright or trademark.
Collection Citation:
Donald J. Stubblebine Collection of Musical Theater and Motion Picture Music and Ephemera, 1866-2009, Archives Center, National Museum of American History, Smithsonian Institution.
Some items are in fragile condition. Please seek assistance with the following items of correspondence:
Byrd, Charlene Hodges: General Correspondence, 1946 May 15; 1946 July.
Cummings, Grace E. Shimm: Cummings, Charles Gilmor, 1907 May 13; 1907 May 20; John W, 1890 July 28.
Shimm, Sarah A: General Correspondence, 1881 May 6.
Other Correspondence: William P. Ryder, 1877.
Collection Rights:
This collection is subject to all copyright laws.
Collection Citation:
Charlene Hodges Byrd collection, circa 1750-2009. National Museum of African American History and Culture, Smithsonian Institution.
Sponsor:
This project received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Some items are in fragile condition. Please seek assistance with the following items of correspondence:
Byrd, Charlene Hodges: General Correspondence, 1946 May 15; 1946 July.
Cummings, Grace E. Shimm: Cummings, Charles Gilmor, 1907 May 13; 1907 May 20; John W, 1890 July 28.
Shimm, Sarah A: General Correspondence, 1881 May 6.
Other Correspondence: William P. Ryder, 1877.
Collection Rights:
This collection is subject to all copyright laws.
Collection Citation:
Charlene Hodges Byrd collection, circa 1750-2009. National Museum of African American History and Culture, Smithsonian Institution.
Sponsor:
This project received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
1 Film reel (33 minutes, black-and-white sound; 1206 feet, 16mm)
Type:
Archival materials
Film reels
Date:
1978
Scope and Contents:
Edited film follows a shoemaker who had always assumed that he would spend his last years in his native village, Casa Viejas, Andalusia, Spain. When his children leave to work in a tourist town, the shoemaker follows. Separated from his network of family and friends, he struggles to adapt to the isolation. Sound track consists of Spanish language interviews with English voice over. Spanish title is El Zapatero.
Legacy Keywords: Language and culture ; Aging ; Moving, Household ; Occupations ; Shoes ; Domestic relations ; Domestic and family life ; Family Spain ; Cities and towns ; Tourism
Local Number:
HSFA 2011.8.1
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Jerome Mintz films of Andalusia, Spain, Human Studies Film Archives, Smithsonian Institution
Sponsor:
Processing of the Jerome Mintz film collection was supported by the Wenner-Gren Foundation for Anthropological Research.
2 Film reels (41 minutes, black-and-white sound; 1426 feet, 16mm)
Type:
Archival materials
Film reels
Date:
1978
Scope and Contents:
Edited film shot in Casa Viejas, Andalusia, Spain, documents a migrant laborer's concerns when he needs to confront moving his large family to the town in Germany where he has found work. Film explores his social networks and the challenging decision he must make when his father refuses to leave his rural community.
Legacy Keywords: Language and culture ; Domestic relations ; Family Spain ; Social isolation ; Social interaction ; Occupations ; Rural-urban migration
Local Number:
HSFA 2011.8.2
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Jerome Mintz films of Andalusia, Spain, Human Studies Film Archives, Smithsonian Institution
Sponsor:
Processing of the Jerome Mintz film collection was supported by the Wenner-Gren Foundation for Anthropological Research.
2 Film reels (58 minutes, color sound; 2098 feet, 16mm)
Type:
Archival materials
Film reels
Date:
1987
Scope and Contents:
Edited film documents events leading up to carnaval (carnival) and the carnaval in Casa Viejas Pueblo, Andalusia, Spain. A primary feature of carnaval are the irreverent songs about local affairs and social criticism about national events. A controversary is created when one song names a parent of an illegitimate child which is followed by the villagers discussing an individual's privacy and what results in insult versus entertainment.
Legacy Keywords: Language and culture ; Domestic relations ; Family Spain ; Rites and ceremonies ; Music ; Songs
Local Number:
HSFA 2011.8.4
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Jerome Mintz films of Andalusia, Spain, Human Studies Film Archives, Smithsonian Institution
Sponsor:
Processing of the Jerome Mintz film collection was supported by the Wenner-Gren Foundation for Anthropological Research.
Edited film looks at the changing roles of a craftsman in Casa Vieja Pueblo, Andalusia, Spain, and the societal and personal factors that shape his occupation. Film also captures the making of wooden bowls, difficulties in marketing his goods and off season work during the cork harvest.
Legacy Keywords: Language and culture ; Domestic relations ; Family Spain ; Social interaction ; Occupations ; Cork industry Spain
Local Number:
HSFA 2011.8.5
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Jerome Mintz films of Andalusia, Spain, Human Studies Film Archives, Smithsonian Institution
Sponsor:
Processing of the Jerome Mintz film collection was supported by the Wenner-Gren Foundation for Anthropological Research.
1 Film reel (22 minutes, black-and-white sound; 700 feet, 16mm)
Type:
Archival materials
Film reels
Date:
1978
Scope and Contents:
Edited film is a portrayal of a family in Casa Viejas, Andalusia, Spain, that maintains its ties to the land and the community through the traditional occupation of sheperding a flock of sheep. The children are shown supplementing the family income by gathering snails, picking cotton and hoeing.
Legacy Keywords: Language and culture ; Domestic relations ; Family Spain ; Sheep ; Social interaction ; Occupations ; Shepherds Spain ; Children Spain
Local Number:
HSFA 2011.8.2 [sic]
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Jerome Mintz films of Andalusia, Spain, Human Studies Film Archives, Smithsonian Institution
Sponsor:
Processing of the Jerome Mintz film collection was supported by the Wenner-Gren Foundation for Anthropological Research.
35 Film reels (black-and-white silent; 24,600 feet, 16mm)
Type:
Archival materials
Film reels
Date:
1969-1976
Scope and Contents:
Outtakes from Jerome Mintz' film project in Casa Viejas, Andalusia, Spain. Edited films made from this project are: "The Shoemaker", "Pepe's Family", "The Sheperd's Family" and "Perico the Bowlmaker".
Legacy Keywords: Language and culture ; Domestic relations ; Family Spain ; Social interaction ; Occupations ; Rural-urban migration
Local Number:
HSFA 2011.8.7
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Jerome Mintz films of Andalusia, Spain, Human Studies Film Archives, Smithsonian Institution
Sponsor:
Processing of the Jerome Mintz film collection was supported by the Wenner-Gren Foundation for Anthropological Research.
Outtakes from Jerome Mintz' film project in Casa Viejas, Andalusia, Spain. Edited films made from this project are: "Carnaval de Pueblo" and "Romeria: Day of the Virgin".
Legacy Keywords: Language and culture ; Domestic relations ; Family Spain ; Social interaction ; Religious beliefs ; Festival
Local Number:
HSFA 2011.8.2 [sic]
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Jerome Mintz films of Andalusia, Spain, Human Studies Film Archives, Smithsonian Institution
Sponsor:
Processing of the Jerome Mintz film collection was supported by the Wenner-Gren Foundation for Anthropological Research.
Film reels (30 minutes, color silent; 1200 feet, 16mm)
Type:
Archival materials
Film reels
Date:
1971
Scope and Contents:
Full film record documenting the pastoralist Kuvale people of the Mocamedes Desert, Mbambi region, southwestern Angola. Footage documents the organization of Kuvale homesteads and styles of dress and adornment. Various leisure, child-rearing, and domestic activities include: hairdressing, women grinding grain and milking cows, men butchering animals, and prepartion of meals. Includes sound recordings, annotation, filming logs.
Legacy Keywords: Language and culture ; Domestic relations ; Homesteads domestic groups marriage ; Adornment women hair styles ; Clothing and dress ; Child rearing ; Food preparation cooking ; Food crops g ; Milking ; Butchering
Local Number:
HSFA 1983.5.5
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Gordon Gibson films, Human Studies Film Archives, Smithsonian Institution
Sponsor:
Cataloging supported by Smithsonian Institution Women's Committee
