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A deeply game dog the sweet science of breeding champions text by Gnasser and California Jack ; illustrated and printed by Sara Press

Author:
Press, Sara 1974-  Search this
Author:
California Jack  Search this
Gnasser  Search this
Deeply Game Publications  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Physical description:
[44] pages illustrations 17 x 22 cm
Type:
Books
Artists' books (books).)
Artists' books (books)
Artists' books
Place:
California
Pasedena
Date:
2005
Topic:
Dogfighting  Search this
Dogs in art  Search this
Fighting dogs  Search this
Pit bull terriers  Search this
Artists' books  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_991313

Robert Rosenblum Papers

Creator:
Rosenblum, Robert  Search this
Names:
Columbia University -- Faculty  Search this
Harry N. Abrams, Inc.  Search this
Los Angeles County Museum of Art  Search this
Musée d'Orsay  Search this
National Museum of American Art (U.S.)  Search this
New York University -- Faculty  Search this
Princeton University -- Faculty  Search this
Solomon R. Guggenheim Museum  Search this
University of Michigan -- Faculty  Search this
Yale University -- Faculty  Search this
Becraft, Melvin E.  Search this
Ingres, Jean-Auguste-Dominique, 1780-1867  Search this
Kramer, Hilton  Search this
Rockwell, Norman, 1894-1978  Search this
Rosenquist, James, 1933-  Search this
Extent:
38.3 Linear feet
1.17 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Collages
Sound recordings
Sketches
Interviews
Transcripts
Date:
circa 1927-2009
bulk 1950-2006
Summary:
The papers of art historian, curator, and professor Robert Rosenblum measure 38.3 linear feet and 1.17 GB and date from circa 1927 to 2009, with the bulk dating from 1950 to 2006. They include biographical material, extensive personal and professional correspondence; lectures, writings, and writing project files by Rosenblum and others; exhibition files; research reference files; teaching files; personal business records; printed and digital material; photographs; and artwork.
Scope and Contents:
The papers of art historian, curator, and professor Robert Rosenblum measure 38.3 linear feet and 1.17 GB and date from circa 1927 to 2009, with the bulk dating from 1950 to 2006. They include biographical material, extensive personal and professional correspondence; lectures, writings, and writing project files by Rosenblum and others; exhibition files; research reference files; teaching files; personal business records; printed and digital material; photographs; and artwork.

Biographical materials include Rosenblum's bibliography and resume materials, various school related ephemera and diplomas, a transcript of an interview with Amy Newman for Artforum, and a digital video recording of a Josef Levi interview. Extensive personal and professional correspondence is with friends, family, colleagues, publishers, museums, and others. Some of the correspondents include Melvin Becraft, the Guggenheim, Harry Abrams, Inc., Hilton Kramer, the Los Angeles County Museum of Art, and the National Museum of American Art. Also found are numerous postcards.

Lectures, writings, and writing project files document Rosenblum's prolific writing and speaking career, and include notes, copies, and manuscript drafts of lectures, articles, catalog essays, and books, as well as additional materials related to the writings and the publication of books, such as as correspondence, editing feedback, photographs, and lists of photographs. There are manuscript, notes, and other materials related to many of Rosenblum's notable books, including Transformations in Late Eighteenth-Century Art, Paintings in the Musee D'Orsay, 19th-Century Art, The Dog in Art, Ingres, Modern Painting and the Northern Tradition, and others. Also found are Rosenblum's dissertation and other student writings. There is also a series containing writings by or about others, such as students and colleagues.

Rosenblum planned and facilitated numerous exhibitions that are well-documented within the exhibition files, including French Painting, 1774-1830: The Age of Revolution (1974), 1900: Art at the Crossroads (2000), Norman Rockwell: Pictures for the American People (2001), Best in Show: Dogs in Art from the Renaissance to the Present (2006), and Citizens and Kings: Portraits in the Age of Revolution, 1760-1830 (2007), among many others. Contents of each exhibition file vary considerably but often include correspondence, lists of artwork, proposals, notes, catalog drafts and outlines (see also series 3), and printed materials. There are a few sound cassettes, including a recorded interview with James Rosenquist with transcripts. Also included are digital photographs of Norman and Irma Braman Collection exhibition.

Research reference files cover a wide variety of art related topics, but are arranged within a separate series because they are not related to specific named projects as are the files in Series 3. These files contain research notes, bibliographies, and syllabi kept by Rosenblum presumably for a variety of publications, research interests, and teaching references.

Teaching files and class notes document Rosenblum's professorial career at Columbia University, New York University, Princeton University, University of Michigan, Yale College, and Yale University, and include a variety of course materials.

Personal business records consist of various financial and legal documents, expense and income records, publishing and speaking contracts, and royalties received.

The papers also include a variety of printed materials, photographs, student sketches by Rosenblum, and an unidentified collage.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, 1927-2006 (0.5 linear feet; Box 1, 1.00 GB; ER02)

Series 2: Correspondence, circa 1927-2006 (4.5 linear feet; Boxes 1-5)

Series 3: Lectures, Writings, and Writing Project Files, 1940-2006 (13.5 linear feet; Boxes 5-16, OV 39-41, 0.063 GB; ER01)

Series 4: Writings by Others, circa 1954-2006 (2.9 linear feet; Boxes 16-19)

Series 5: Exhibition Files, circa 1965-circa 2006 (5.2 linear feet; Boxes 19-24, 0.109 GB; ER03)

Series 6: Research Files, circa 1927-2006 (2.9 linear feet; Boxes 24-27)

Series 7: Teaching Files and Class Notes, 1955-2006 (4.3 linear feet; Boxes 27-31)

Series 8: Personal Business Records, 1951-2009 (4.4 linear feet; Boxes 31-36)

Series 9: Printed Material, 1927-2009 (2.4 linear feet; Boxes 36-38)

Series 10: Photographs, circa 1950s-circa 2000 (0.3 linear feet; Box 38, OV 41)

Series 11: Artwork, circa 1940s-circa 1980s (0.1 linear feet; Box 38)
Biographical / Historical:
Robert Rosenblum (1927-2006) was an art historian, curator, and professor who worked primarily in New York City.

Rosenblum received his B.A. from Queens College, his M.A. from Yale, and his Ph.D. from the Institute of Fine Art at New York University in 1956. He spent a year teaching art at the University of Michigan before becoming an associate professor at Princeton, ultimately accepting a Professor of Fine Arts position at NYU in 1966, where he spent the rest of his professorial career interspersed with visiting professorships at Oxford University and Yale University. Rosenblum was named Henry Ittleson, Jr. Professor of Modern European Art at NYU in 1976, and received the Frank Jewett Mather Award for Distinction in Art Criticism in 1981. After being appointed Stephen and Nan Swid Curator of 20th-Century Art at the Solomon R. Guggenheim Museum in 1996, Rosenblum went on to curate such exhibitions as 1900: Art at the Crossroads (2000) and Norman Rockwell: Pictures for the American People (2001). Prior to this appointment, he was one of the organizers of the Metropolitan Museum of Art's French Painting, 1774-1830: The Age of Revolution (1974). He received a Distinguished Teaching Award from NYU in 2005, and continued to curate, lecture, teach, and write.

Rosenblum was a prolific author, and his seminal works include: Cubism and Twentieth-Century Art (1959), Transformations in Late Eighteenth-Century Art (1967), Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko (1975), and 19th-Century Art (co-authored with H.W. Janson, 1984).

Rosenblum married Jane Kaplowitz in 1978. He died in New York City in 2006.
Provenance:
The papers were donated in multiple accessions by Robert Rosenblum between 1986 and 2003, and by his widow, Jane Kaplowitz between 2010 and 2013.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Art museum curators  Search this
Topic:
Art -- Study and teaching  Search this
Art -- 19th century  Search this
Art -- 18th century  Search this
Painting, Modern  Search this
Portraits  Search this
Dogs in art  Search this
Painting, French  Search this
Photographs  Search this
Educators -- New York (State) -- New York  Search this
Genre/Form:
Video recordings
Collages
Sound recordings
Sketches
Interviews
Transcripts
Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.roserobe
See more items in:
Robert Rosenblum Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-roserobe
Online Media:

Lectures, Writings, and Writing Project Files

Collection Creator:
Rosenblum, Robert  Search this
Extent:
13.5 Linear feet (Boxes 5-16, OV 39-41)
0.063 Gigabytes (ER01)
Type:
Archival materials
Gigabytes
Date:
1940-2006
Scope and Contents:
Lectures, writings, and writing project files document Rosenblum's prolific writing and speaking career, and include notes, copies, and manuscript drafts of lectures, articles, catalog essays, and books, as well as additional materials related to the writings and the publication of books, such as as correspondence, editing feedback, and lists of photographs, and photographs. There are manuscript, notes, and and other materials related to several of Rosenblum's most notable books, including Transformations in Late Eighteenth-Century Art, Paintings in the Musee D'Orsay, 19th-Century Art, The Dog in Art, Ingres, Modern Painting and the Northern Tradition, and several others. Rosenblum's dissertation, "The International Style of 1800: A Study in Linear Abstraction," is also included.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.roserobe, Series 3
See more items in:
Robert Rosenblum Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-roserobe-ref12

Exhibition Files

Collection Creator:
Rosenblum, Robert  Search this
Extent:
5.2 Linear feet (Boxes 19-24)
0.109 Gigabytes (ER03)
Type:
Archival materials
Gigabytes
Date:
circa 1965-circa 2006
Scope and Contents:
Primarily reflecting Rosenblum's work as Stephen and Nan Swid Curator of 20th-Century Art at the Guggenheim, exhibition files are comprised of a variety of materials, including correspondence, lists of works, two sound recordings and transcripts of interviews with James Rosenquist, photographs, proposals, reference materials, two digital art inventory lists, catalog drafts and outlines, and clippings of reviews. Notable exhibitions include French Painting, 1774-1830: The Age of Revolution (1974), Picasso and the War Years: 1937-1945 (1998), 1900: Art at the Crossroads (2000), Norman Rockwell: Pictures for the American People (2002), Best in Show: Dogs in Art from the Renaissance to the Present (2006), and Citizens and Kings: Portraits in the Age of Revolution, 1760-1830 (2007). Also included are digital photographs of Norman and Irma Braman Collection exhibition.

A few files of exhibitions curated by others are also found in this series and may have been compiled because Rosenblum was consulted about artwork selections, or contributed to the planning of the exhibition.
Arrangement:
Files are arranged chronologically by exhibition date.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.roserobe, Series 5
See more items in:
Robert Rosenblum Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-roserobe-ref14

The Dog in Art: From Rocco to Post-Modernism, Contract

Collection Creator:
Rosenblum, Robert  Search this
Container:
Box 7, Folder 10
Type:
Archival materials
Date:
1987
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Rosenblum Papers
Robert Rosenblum Papers / Series 3: Lectures, Writings, and Writing Project Files / Books
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-roserobe-ref144

The Dog in Art: From Rocco to Post-Modernism, Manuscript Drafts

Collection Creator:
Rosenblum, Robert  Search this
Container:
Box 7, Folder 11-12
Type:
Archival materials
Date:
circa 1986-circa 1988
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Rosenblum Papers
Robert Rosenblum Papers / Series 3: Lectures, Writings, and Writing Project Files / Books
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-roserobe-ref145

The Dog in Art: From Rocco to Post-Modernism, Mock-Layout

Collection Creator:
Rosenblum, Robert  Search this
Container:
Box 7, Folder 13
Type:
Archival materials
Date:
1986
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Rosenblum Papers
Robert Rosenblum Papers / Series 3: Lectures, Writings, and Writing Project Files / Books
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-roserobe-ref146

The Dog in Art: From Rocco to Post-Modernism, Photographs and Reference Materials

Collection Creator:
Rosenblum, Robert  Search this
Container:
Box 7, Folder 14-17
Type:
Archival materials
Date:
circa 1986-circa 1988
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Rosenblum Papers
Robert Rosenblum Papers / Series 3: Lectures, Writings, and Writing Project Files / Books
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-roserobe-ref147

The Dog in Art: From Rocco to Post-Modernism, Proof

Collection Creator:
Rosenblum, Robert  Search this
Container:
Box 7, Folder 18
Type:
Archival materials
Date:
1988
Scope and Contents:
Oversized material housed in OV 39.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Rosenblum Papers
Robert Rosenblum Papers / Series 3: Lectures, Writings, and Writing Project Files / Books
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-roserobe-ref148

The Dog in Art: From Rocco to Post-Modernism, Reviews

Collection Creator:
Rosenblum, Robert  Search this
Container:
Box 7, Folder 19-20
Type:
Archival materials
Date:
1988-1989
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Rosenblum Papers
Robert Rosenblum Papers / Series 3: Lectures, Writings, and Writing Project Files / Books
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-roserobe-ref149

Oversized Proof, Books, The Dog in Art: From Rocco to Post-Modernism, Proof from Box 7, Folder 18

Collection Creator:
Rosenblum, Robert  Search this
Container:
Oversize 39
Type:
Archival materials
Date:
1988
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Rosenblum Papers
Robert Rosenblum Papers / Series 3: Lectures, Writings, and Writing Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-roserobe-ref159

Best in Show: Dogs in Art from the Renaissance to the Present (2006)

Collection Creator:
Rosenblum, Robert  Search this
Container:
Box 22, Folder 22-28
Type:
Archival materials
Date:
circa 1983-circa 2006
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Rosenblum Papers
Robert Rosenblum Papers / Series 5: Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-roserobe-ref476

Publishing Contracts and Royalties, Dog in Art

Collection Creator:
Rosenblum, Robert  Search this
Container:
Box 35, Folder 4-6
Type:
Archival materials
Date:
1986-2003
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Rosenblum Papers
Robert Rosenblum Papers / Series 8: Personal Business Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-roserobe-ref687

A-Z of Staffordshire dogs : a potted history / Clive Mason Pope

Title:
Staffordshire dogs
Author:
Pope, Clive Mason  Search this
Physical description:
168 p. : col. ill. ; 21 x 22 cm
Type:
Catalogs
Place:
England
Staffordshire
Date:
1996
1990
Topic:
Pottery figures, Victorian  Search this
Dogs in art  Search this
Staffordshire pottery  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_518134

Good Night Harvard [sheet music]

Publisher:
Loomis' Temple of Music  Search this
Names:
Harvard University -- 1910-1920  Search this
Yale University -- 1910-1920  Search this
Series Creator:
DeVincent, Sam, 1918-1997  Search this
Extent:
1 Item
Type:
Archival materials
Sheet music
Date:
1913
Scope and Contents:
Cover image: Yale bulldog saying "Good Night" to the Harvard mule <?>.
Local Numbers:
AC0300-0000734.tif (AC scan no.)
General:
Subseries 7.4, box 6, folder J.
Series Restrictions:
Collection is open for research.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Football -- Songs and music -- 1910-1920  Search this
Sports -- Songs and music -- 1910-1920  Search this
Bulldogs -- 1910-1920  Search this
Dogs in art -- 1910-1920  Search this
Genre/Form:
Sheet music -- 1910-1920
Series Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Sam DeVincent Collection of Illustrated American Sheet Music, Series 7: Sports
Sam DeVincent Collection of Illustrated American Sheet Music, Series 7: Sports / 7.4: Football / General Songs / Yale U.
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0300-s07-ref833

Yale University March [sheet music]

Composer:
Bergen, Mertie Bamber  Search this
Names:
Yale University -- 1900-1910  Search this
Series Creator:
DeVincent, Sam, 1918-1997  Search this
Extent:
1 Item
Type:
Archival materials
Sheet music
Date:
1913
Scope and Contents:
Cover illustration: Yale University football player and a bulldog mascot.
Local Numbers:
AC0300-0000737.tif (AC scan no.)

90-17385 (OPPS Neg.)
General:
Subseries 7.4, box 6, folder J.
Series Restrictions:
Collection is open for research.
Rights:
Public domain; copyright expired. Order copies from neg. no. 90-17385. Fees for commercial use.
Topic:
Football -- Songs and music -- 1900-1910  Search this
Sports -- Songs and music -- 1900-1910  Search this
Bulldogs -- 1900-1910  Search this
Dogs in art -- 1900-1910  Search this
Genre/Form:
Sheet music -- 1900-1910
Series Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Sam DeVincent Collection of Illustrated American Sheet Music, Series 7: Sports
Sam DeVincent Collection of Illustrated American Sheet Music, Series 7: Sports / 7.4: Football / General Songs / Yale U.
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0300-s07-ref836

Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006

Creator:
Rosenblum, Robert, 1927-2006  Search this
Subject:
Rosenquist, James  Search this
Rockwell, Norman  Search this
Kramer, Hilton  Search this
Ingres, Jean-Auguste-Dominique  Search this
Becraft, Melvin E.  Search this
Harry N. Abrams, Inc.  Search this
Los Angeles County Museum of Art  Search this
Yale University  Search this
Solomon R. Guggenheim Museum  Search this
Princeton University  Search this
Musée d'Orsay  Search this
Columbia University  Search this
University of Michigan  Search this
National Museum of American Art (U.S.)  Search this
New York University  Search this
Type:
Video recordings
Collages
Sound recordings
Sketches
Interviews
Transcripts
Topic:
Art -- Study and teaching  Search this
Art -- 19th century  Search this
Art -- 18th century  Search this
Painting, Modern  Search this
Portraits  Search this
Dogs in art  Search this
Painting, French  Search this
Photographs  Search this
Educators -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)8191
(DSI-AAA_SIRISBib)210362
AAA_collcode_roserobe
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210362
Online Media:

Sit! : the dog portraits of Thierry Poncelet : paintings / by Thierry Poncelet ; text by Bruce McCall

Author:
Poncelet, Thierry  Search this
McCall, Bruce  Search this
Subject:
Poncelet, Thierry  Search this
Physical description:
93 p. : col. ill. ; 27 cm
Type:
Caricatures and cartoons
Date:
1993
C1993
Topic:
Portraits  Search this
Belgian wit and humor, Pictorial  Search this
Dogs in art  Search this
Call number:
N40.1.P7953 M2 1993
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_457780

Xun guo Wu Quanlun = No country for canine : Wu Chuan-Lun

Title:
馴國 : 吳權倫 = No country for canine : Wu Chuan-Lun
No country for canine Wu Chuan-Lun
Wu Quanlun
吳權倫
Author:
Wu, Chuan-Lun  Search this
Subject:
Wu, Chuan-Lun  Search this
Physical description:
128 pages illustrations (some color) 21 cm
Type:
Exhibitions
Date:
2019
Topic:
Dogs in art  Search this
Call number:
N7668 .D6 W83 2019
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1117890

Pound portraits

Title:
Shelter dogs and their caregivers
Author:
Brown, Deborah 1955-  Search this
Boettger, Suzaan 1948-  Search this
Cheryl Pelavin Fine Arts  Search this
Subject:
Brown, Deborah 1955-  Search this
Physical description:
[16] p. : col. ill. ; 28 cm
Type:
Exhibitions
Date:
2003
[2003?]
Topic:
Dogs in art  Search this
Call number:
ND237.B873 A4 2003
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_704633

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