Skip to main content Smithsonian Institution

Search Results

Collections Search Center
240 documents - page 1 of 12

Charles Cajori papers

Creator:
Cajori, Charles, 1921-2013  Search this
Names:
New York Studio School of Drawing, Painting and Sculpture  Search this
Tanager Gallery (New York, N.Y.)  Search this
Dodd, Lois, 1927-  Search this
Finkelstein, Louis  Search this
Extent:
7.4 Linear feet
0.07 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Interviews
Video recordings
Transcripts
Date:
1928-2018
Summary:
The papers of New York painter, Charles Cajori measure 7.4 linear feet and 0.070 GB and date from 1928-2018. The collection documents Cajori's activities as a painter, educator, and co-founder of the Tanager Gallery, located on the Lower East Side in New York, through biographical material; correspondence; writings and notes; interviews, talks, and panel discussions on art and artists; printed materials; and photographic materials.
Scope and Content Note:
The papers of New York painter, Charles Cajori measure 7.4 linear feet and 0.070 GB and date from 1928-2018. The collection documents Cajori's activities as a painter, educator, and co-founder of the Tanager Gallery, located on the Lower East Side in New York, through biographical material; correspondence; writings and notes; interviews, talks, and panel discussions on art and artists; printed materials; and photographic materials.

Biographical material consists of Charles Cajori's high school records, air force records, passports and other travel documents, material related to his 90th birthday celebration, resumes, exhibition lists, a few drawings, obituaries, memorial service information, conservation reports on paintings, and other material.

Correspondence is personal and professional and consists of mostly incoming letters to Cajori from artists, friends, family, art historians, and academic institutions. There are a few letters from Charles Cajori, including draft of his letters. Among the correspondents are Pat Adams, Leland Bell, Bernard Chaet, Cooper Union, Cleve Gray, Barbara Grossman, Louis Finkelstein, Philip Pearlstein, Sidney Simon, Norman Turner, and the University of California at Berkeley. Of interest, are letters from the founders of the Tanager Gallery, such as Lois Dodd, Angelo Ippolito, and William King. Correspondence also documents Cajori's dealings with galleries and museums as well as his involvement in arts organizations; included are letters from American University, Watkins Gallery; Bertha Schaffer Gallery; Colorado Springs Fine Arts Center; Gallery Association of New York; Museum of Modern Art; Roko Gallery; Stable Gallery; and the Whitney Museum of American Art. There are also condolences to Barbara regarding Cajori's death.

Cajori's writings include drafts on painting and drawing that Cajori prepared for classroom lectures and panel discussions; essays on Paul C├ęzanne and Chaim Soutine; and his account of the founding of the Tanager Gallery. Cajori's writings also include a biographical account and an artist's statement. There are writings by Louis Finkelstein, Andrew Forge, and Mercedes Matter about Cajori's work. Included are several guest registers for Cajori's exhibitions at the David Findlay Gallery, Lohin Geduld Gallery, and the New York Studio School. There are also some class notes and essays that are probably from Cajori's college days, as well as some undated writings that include notes on art and artist statements.

Interviews, talks, and panel discussions include a transcript of an interview with Charles Cajori, audiotaped and videotaped as well as born digital interviews with Charles Cajori, and panel discussions with Cajori and others. Panel discussions with Cajori and others cover such topics as the New York school artists and Chaim Soutine. Many of recordings focus on Cajori's association with the Tanager Gallery, the art scene in New York during the 1950s, and his reflections on art. Also included are miscellaneous videotaped recordings. One panel discussion is digitized.

Printed material contains exhibition catalogs, checklists, announcements, invitations, press releases, clippings, reviews, brochures, and miscellaneous printed material. There are files of printed materials on the New York Studio School as well as Tanager Gallery that include exhibition catalogs and clippings.

Photographic material includes photographs, slides, and negatives of Charles Cajori, his studio, family and friends, black and white and color photographs of works of art, events and exhibition installations.
Arrangement:
The collection is arranged as 6 series:

Series 1: Biographical Material, 1928-2018 (Box 5; 0.4 linear feet)

Series 2: Correspondence, 1929-2015 (Boxes 1-2, 5-6; 1.8 linear feet)

Series 3: Writings and Notes, 1940-2012 (Boxes 2, 6, 8; 0.4 linear feet)

Series 4: Interviews, Talks, and Panel Discussions, 1983-2012 (Boxes 2-3, 6; 1.3 linear feet, ER01; 0.070 GB)

Series 5: Printed Material, 1943-2018 (Boxes 3-4, 6, 8, OV 9; 2 linear feet)

Series 6: Photographic Material, circa 1928-2015 (Boxes 6-8; 1.6 linear feet)
Biographical Note:
Painter and teacher Charles Cajori (1921-2013) worked in New York City and Connecticut.

Born in Palo Alto, California in 1921, Charles Cajori studied painting at Colorado College and the Cleveland Art School. Cajori served in the United States Air Force during World War II. Upon his return, he attended Columbia University and then spent two years at the Skowhegan School of Painting and Sculpture.

Charles Cajori was one of the founding members of the Tanager Gallery, an early artists' cooperative gallery, originally located at 90 East Tenth Street in New York, which provided a venue for contemporary artists to exhibit their work. Through Tanager Gallery, Cajori became acquainted with Franz Kline, Willem de Kooning, and other Abstract Expressionist artists. In 1956, Charles Cajori had his first solo exhibition at the Tanager Gallery and since then, he continuously showed his work in numerous solo and group exhibitions in the United States and abroad including American University, Bertha Schaeffer Gallery, David Findlay Jr. Gallery, El Museo de Bellas Artes de Caracas, Ingber Gallery, Lohin Geduld Gallery, Mattatuck Museum, New Arts Gallery, Paesaggio Gallery, Sala di Esposizione della Biblioteca Americana, Stable Gallery, and the Whitney Museum of American Art. Charles Cajori's work is represented in a number of public and private collections including the Ciba-Geigy Corporation, the Metropolitan Museum of Art, the National Academy of Design, Walker Art Center, and the Weatherspoon Museum.

In conjunction with his activities as an artist, Charles Cajori taught painting and drawing at major academic institutions and art schools: Colorado Springs Fine Arts Center, Cooper Union, Cornell University, the University of California at Berkeley and Queens College (CUNY) where he taught for 20 years. Cajori was a co-founder of the New York Studio School, where he continued to serve on the faculty and the Board.

Charles Cajori received many honors for his work including the 1959 Distinction in the Arts, Yale University; Benjamin Altman, Figure Prize at the National Academy, 1983, 1987; the Childe Hassam Purchase Award by the Institute of Art and Letters Award, 1975-1976, 1980; and the Louis Comfort Tiffany Award, 1979. Also, Cajori was awarded a Fulbright grant to Italy, 1952-1953, and a grant from the National Endowment for the Arts in 1981, as well as a Guggenheim Fellowship in 2001.

Charles Cajori was married to the painter Barbara Grossman and they lived in Watertown, Connecticut.
Provenance:
The Charles Cajori papers were donated to the Archives of American Art by Charles Cajori in 2011 and by Barbara Grossman in 2015 and 2021.
Restrictions:
This collection is open for research. Access to original papers requires an appointments and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sound recordings
Interviews
Video recordings
Transcripts
Citation:
Charles Cajori papers, 1928-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cajochar
See more items in:
Charles Cajori papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f4683c60-e4b6-49e4-8bc3-1f44de6b3349
EDAN-URL:
ead_collection:sova-aaa-cajochar

Lois Dodd papers, 1945-2013

Creator:
Dodd, Lois, 1927-  Search this
Subject:
Mainardi, Patricia  Search this
Type:
Photographs
Interviews
Citation:
Lois Dodd papers, 1945-2013. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Women artists  Search this
Women educators  Search this
Women painters  Search this
Women art dealers  Search this
Artists' studios -- Photographs  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7562
(DSI-AAA_SIRISBib)209722
AAA_collcode_doddlois
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209722
Online Media:

Tanager Gallery records

Creator:
Tanager Gallery  Search this
Names:
Arnold, Anne, 1926-  Search this
Brooks, James, 1906-1992  Search this
Burkhardt, Rudy  Search this
Cajori, Charles, 1921-2013  Search this
Cherry, Herman  Search this
Dodd, Lois, 1927-  Search this
Fine, Perle, 1908-1988  Search this
Frankenthaler, Helen, 1928-2011  Search this
Geist, Sidney  Search this
Guston, Philip, 1913-1980  Search this
Hazelet, Sally  Search this
Hofmann, Hans, 1880-1966  Search this
Ippolito, Angelo  Search this
Katz, Alex, 1927-  Search this
King, William, 1925-2015  Search this
Pearlstein, Philip, 1924-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rivers, Larry, 1925-2002  Search this
Stamos, Theodoros, 1922-1997  Search this
Wesselmann, Tom, 1931-2004  Search this
Extent:
2.6 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Scrapbooks
Photographs
Sketches
Date:
1952-1979
Summary:
The records of contemporary New York City Tanager Gallery measure 2.6 linear feet and date from 1952 to 1979. Found are administrative files, financial and legal records including detailed receipt books, scattered correspondence, artists' files for circa 70 artists that include price lists and biographies, two scrapbooks of printed materials, newsclippings, exhibition announcements and other printed materials, and five photographs of openings at the gallery and of the exterior of the building.
Scope and Content Note:
The records of contemporary New York City Tanager Gallery measure 2.6 linear feet and date from 1952 to 1979. Found are administrative files, financial and legal records including detailed receipt books, scattered correspondence, artists' files for circa 70 artists that include price lists and biographies, two scrapbooks of printed materials, newsclippings, exhibition announcements and other printed materials, and five photographs of openings at the gallery and of the exterior of the building.

Administrative files include four day books, lists of artists and exhibitions, historical sketches, and an address book. There are two ledger books of expenses for shows and four receipt books from 1959-1962 which are organized by date and list artist, and artwork, buyer, and price. Correspondence is arranged chronologically and comprised mainly of copies of letters sent by the Gallery to artists as invitations to exhibit. Also found are scattered letters from museums and artists.

There are artists' files for circa 70 artists that contain a variety of materials, including price lists and biographies or resumes. Artists files are found for Anne Arnold, James Brooks, Charles Cajori, Herman Cherry, Lois Dodd, Sally Hazelet Drummond, Perle Fine, Helen Frankenthaler, Sidney Geist, Philip Guston, Hans Hofmann, Angelo Ippolito, Philip Pealstein, Alex Katz, William King, Robert Rauschenberg, Larry Rivers, Theordore Stamos, and Tom Wesselmann among many others.

The collection includes two scrapbooks containing mostly newsclippings and exhibition announcements, as well as additional loose newsclippings, numerous exhibition announcements and catalogs, and press releases. There are five photographs of gallery openings and the exterior of the building, the latter taken by Rudy Burkhardt.
Arrangement:
The collection is arranged as 7 series:

Missing Title

Series 1: Administrative Files, 1952-1979 (Boxes 1, 4; 0.5 linear feet)

Series 2: Financial and Legal Records, 1952-1962 (Box 1; 0.5 linear feet)

Series 3: Correspondence, 1952-1967 (Boxes 1-2; 0.3 linear feet)

Series 4: Artists Files, circa 1952- circa 1962 (Box 2; 0.1 linear feet)

Series 5: Scrapbooks, circa 1962 (Boxes 2-3; 0.3 linear feet)

Series 6: Printed Material, 1952-1971 (Boxes 2, 4; 0.3 linear feet)

Series 7: Photographs, circa 1952-circa 1959 (Box 2; 2 folders)
Historical Note:
The Tanager Gallery operated from 1952-1962 in New York City. The gallery was one of the first artist cooperative galleries formed on 10th Street in Manhattan to provide an alternative to the larger upscale galleries of Madison Avenue.

In 1952, the artist cooperative Tanager Gallery opened at 90 East 10th Street in Manhattan. Co-founders included Charles Cajori, Lois Dodd, Angelo Ippolito, William King, and Fred Mitchell. The Tanager offered open spaces for young artists to show their work and to sell art on their own terms. Membership at the Tanager included American Realists Alex Katz and Philip Pearlstein, and the Pop art/found-art collagist Tom Wesselmann. Later artists to join the cooperatiive included Mary Abbott, Perle Fine, Sidney Geist, Joseph Groell, Nanno de Groot, Sally Hazelet, Ben Isquith, Lester Johnson, Nicholas Marsicano, George Earl Ortman, Charlotte Park, Philip Pearlstein, Frank Stout, Raymond Rocklin, and Sal Sirugo. From 1952 to 1962, the Tanager Gallery exhibited works from about 250 artists.

The opening of Tanager and other 10th Street galleries was a radical change for the New York arts scene and for emerging New York artists who generally found representation with uptown gallery owners and/or art dealers on 57th Street or Madison Ave. In the 1950s, Manhattan's 10th Street was a gathering place for young artist-bohemians. The galleries were often the centers for anything avant-garde or new, such as art installations, happenings, poetry readings, jazz sessions, and performance art. For example, Tanager Gallery hosted a series of forums with local artists who would discuss their work and objectives.

Tanager Gallery received attention and respect from the more established art galleries and critics in New York, including Dore Ashton, Leo Castelli, Tom Hess, Martha Jackson, and Dorothy Miller. The Tanager Gallery closed in 1962.
Related Material:
Among the holdings of the Archives of American Art are the Lois Dodd papers, 1952-2001 and an oral history interview with Lois Dodd by Barbara Shikler from 1988.
Provenance:
Lois Dodd, co-founder of the Tanager Gallery, donated the Tanager Gallery records in several increments between 1972 and 1989.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Abstract -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Diaries
Scrapbooks
Photographs
Sketches
Citation:
Tanager Gallery records, 1952-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tanagall
See more items in:
Tanager Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a7ad7a8a-89a2-4860-8b0c-15787f0f057f
EDAN-URL:
ead_collection:sova-aaa-tanagall
Online Media:

Shelly Jordan to Lois Dodd

Creator:
Jordan, Shelly  Search this
Dodd, Lois, 1927-  Search this
Type:
Correspondence
Date:
1986 November 15
Citation:
Shelly Jordan. Shelly Jordan to Lois Dodd, 1986 November 15. Lois Dodd papers, 1945-2013. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)5698
See more items in:
Lois Dodd papers, 1945-2013
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5698

Oral history interview with Lois Dodd, 1988 October 10-November 7

Interviewee:
Dodd, Lois, 1927-  Search this
Interviewer:
Shikler, Barbara  Search this
Subject:
Cajori, Charles  Search this
Katz, Alex  Search this
King, William  Search this
Club (New York, N.Y.)  Search this
Tanager Gallery (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Lois Dodd, 1988 October 10-November 7. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)11891
(DSI-AAA_SIRISBib)212451
AAA_collcode_dodd88
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212451

Jean Cohen papers

Creator:
Cohen, Jean  Search this
Names:
Dodd, Lois, 1927-  Search this
Katz, Alex, 1927-  Search this
Extent:
0.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1928-2012
Summary:
The papers of painter and educator Jean Cohen measure 0.8 linear feet and date from 1928-2012. The collection consists of limited biographical material, a small amount of printed material, photographs of family and friends including Cohen's former husband, painter, Alex Katz, and a long correspondence with painter, Lois Dodd.
Scope and Contents:
The papers of painter and eduator Jean Cohen measure 0.8 linear feet and date from 1928-2012. The collection consists of limited biographical material, a small amount of printed material, photographs of family and friends including Cohen's former husband, painter, Alex Katz, and a long correspondence with painter, Lois Dodd.
Arrangement:
The collection is arranged as 6 series.

Missing Title

Series 1: Biographical Material, circa 1961-2011 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1970-2011 (Box 1; 0.1 linear feet)

Series 3: Writings, 1960s-1970s (Box 1; 1 folder)

Series 4: Subject Files, circa 1962-circa 1998 (Box 1; 0.2 linear feet)

Series 5: Printed Materials, circa 1962-2001 (Boxes 1-2; 0.2 linear feet)

Series 6: Photographs, 1935-2012 (Box 2; 0.2 linear feet)
Biographical / Historical:
Jean Cohen (1927-2013), an abstract painter, studied and worked in the New York area and was involved with the 1950s avant garde art scene.

Born in Brooklyn, New York, she was educated at Pratt Institute, Cooper Union, and the Skowhegan School of Painting in Maine. During the 1950s and 1960s she lived on Tenth Street in Manhattan and was a member of the Tenth Street Artists Galleries, also showing at the Tanger Gallery.

From 1950 to 1956 Cohen was married to painter, Alex Katz. She lived with painter, John Grillo, from 1957 to 1962. She later married photographer, Bill Miller in the 1970s. Cohen taught art at many institutions, including the Philadelphia College of Art, and had paintings in public collections such as the Metropolitan Museum of Art. Later in life, she moved to eastern Long Island, New York, where she continued to teach and work.
Provenance:
The papers were donated to the Archives of American Art in 2013 by Philip Douglas Heilman of Philip Douglas Fine Art, Cohen's dealer.
Restrictions:
Use of original materials requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- New York (State)  Search this
Topic:
Painters -- New York (State) -- New York  Search this
Women artists  Search this
Women educators  Search this
Women painters  Search this
Genre/Form:
Photographs
Citation:
Jean Cohen papers, 1928-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cohejean
See more items in:
Jean Cohen papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ea67a851-8694-4bc9-bc2c-9a9ded0ca18b
EDAN-URL:
ead_collection:sova-aaa-cohejean
Online Media:

Lyrical landscapes / essays by Mark Doty & Ann Finholt

Author:
Doty, Mark  Search this
Finholt, Ann  Search this
Anderson, Lennart 1928-  Search this
Dodd, Lois 1927-  Search this
Mangold, Sylvia Plimack 1938-  Search this
Resika, Paul  Search this
York, Albert 1928-  Search this
Widener Gallery  Search this
Subject:
Anderson, Lennart 1928-  Search this
Dodd, Lois 1927-  Search this
Mangold, Sylvia Plimack 1938-  Search this
Resika, Paul  Search this
York, Albert 1928-  Search this
Physical description:
51 p. : ill. ; 22 x 28 cm
Type:
Exhibitions
Place:
United States
Connecticut
Hartford
Date:
2003
C2003
20th century
Topic:
Landscape painters  Search this
Landscape painting, American  Search this
Call number:
ND1351.6 .L97 2003
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_720559

An exhibition of paintings by Dodd - Groell - Gelber / notes by Lawrence Campbell

Author:
Campbell, Lawrence 1914-1998  Search this
Sewall Art Gallery  Search this
Summit Art Center  Search this
Subject:
Gelber, Samuel  Search this
Dodd, Lois 1927-  Search this
Groell, Theophil  Search this
Physical description:
15, [2] p. : ill. : 17 x 22 cm
Type:
Exhibitions
Date:
1970
1976
[1974?]
20th century
Topic:
Painting, American  Search this
Call number:
ND212 .E88
N40.1.D633 C2
N40.1.D633C2
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_89699

Ada Katz papers

Creator:
Katz, Ada, 1928-  Search this
Names:
Bladen, Ronald, 1918-1988  Search this
Dodd, Lois, 1927-  Search this
Drummond, Sally Hazelet  Search this
Held, Al, 1928-  Search this
Katz, Alex, 1927-  Search this
King, William, 1925-2015  Search this
Pearlstein, Philip, 1924-  Search this
Sugarman, George, 1912-1999  Search this
Extent:
10 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Interviews
Date:
1974-1977
Scope and Contents:
Typescripts of eight interviews by Katz, 1974-75, which she edited into monologue form. Interviewed are artists who were active in the cooperative art galleries on New York City's Tenth street in the early and middle 1950's. Included are Ronald Bladen, Lois Dodd, Sally Hazelet Drummond, Al Held, Alex Katz, William King, Phillip Pearlstein, and George Sugarman. Also included are an introduction by Ada Katz, and 29 pages from her diary, 1976-1977.
Biographical / Historical:
Wife of painter Alex Katz.
Provenance:
Donated 1980 by Ada Katz.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Sculptors  Search this
Topic:
Painting, American  Search this
Sculpture, American  Search this
Genre/Form:
Interviews
Identifier:
AAA.katzada
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw994a72101-2475-4c88-ad7f-cc8596afb0b8
EDAN-URL:
ead_collection:sova-aaa-katzada

Photographs

Collection Creator:
Dodd, Lois, 1927-  Search this
Extent:
0.3 Linear feet (Box 2)
Type:
Archival materials
Date:
1952-circa 1990
Scope and Contents note:
There are personal snapshots and professional portraits of Lois Dodd and of Dodd with Bill and Eli King, Ann Arnold, Lee Bontecon, Angelo Ippolito, and others. Also found are photos of Dodd with her artwork and in her studio, and of works of art by Dodd and others.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Lois Dodd papers, 1945-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.doddlois, Series 7
See more items in:
Lois Dodd papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ba93f2f7-33ad-4929-bc34-b8f1e41767ae
EDAN-URL:
ead_component:sova-aaa-doddlois-ref127

Perle Fine

Collection Creator:
Dodd, Lois, 1927-  Search this
Container:
Box 3, Folder 10
Type:
Archival materials
Date:
1958
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Lois Dodd papers, 1945-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Lois Dodd papers
Lois Dodd papers / Series 8: Addition to the Lois Dodd Papers / 8.2: Correspondence / By Name
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw979572138-4397-4928-af40-779507d52e63
EDAN-URL:
ead_component:sova-aaa-doddlois-ref175

Chronological Correspondence

Collection Creator:
Dodd, Lois, 1927-  Search this
Container:
Box 4, Folder 11-12
Type:
Archival materials
Date:
1992
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Lois Dodd papers, 1945-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Lois Dodd papers
Lois Dodd papers / Series 8: Addition to the Lois Dodd Papers / 8.2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b5f5d906-a067-4292-9417-2c13789d9a02
EDAN-URL:
ead_component:sova-aaa-doddlois-ref204

Travel Papers

Collection Creator:
Dodd, Lois, 1927-  Search this
Extent:
2 Folders
Container:
Box 1, Folder 7-8
Type:
Archival materials
Date:
1949-1960
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Lois Dodd papers, 1945-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Lois Dodd papers
Lois Dodd papers / Series 1: Biographical Information
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9580882bc-9ff5-47d1-9a00-9af99b5fa653
EDAN-URL:
ead_component:sova-aaa-doddlois-ref21

Chronological Correspondence

Collection Creator:
Dodd, Lois, 1927-  Search this
Container:
Box 5, Folder 10-11
Type:
Archival materials
Date:
1998
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Lois Dodd papers, 1945-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Lois Dodd papers
Lois Dodd papers / Series 8: Addition to the Lois Dodd Papers / 8.2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw981e2bade-5a51-4cee-ade8-b97f16979427
EDAN-URL:
ead_component:sova-aaa-doddlois-ref211

Artwork

Collection Creator:
Dodd, Lois, 1927-  Search this
Container:
Box 7, Folder 1-2
Type:
Archival materials
Date:
1950s-2000s
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Lois Dodd papers, 1945-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Lois Dodd papers
Lois Dodd papers / Series 8: Addition to the Lois Dodd Papers / 8.7: Photographic Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9660843fb-168f-4c22-b2c8-e8cadc1ba447
EDAN-URL:
ead_component:sova-aaa-doddlois-ref246

Sketchbook, "Water Gap and Maine Night Walks"

Collection Creator:
Dodd, Lois, 1927-  Search this
Container:
Box 7, Folder 8
Type:
Archival materials
Date:
1991
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Lois Dodd papers, 1945-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Lois Dodd papers
Lois Dodd papers / Series 8: Addition to the Lois Dodd Papers / 8.8: Sketchbooks
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93ee975d1-1d3b-4e7f-83c2-5ccccacb1aaa
EDAN-URL:
ead_component:sova-aaa-doddlois-ref252

Sketchbook, "Maine, Vermont, 1995; Trip West, 1996"

Collection Creator:
Dodd, Lois, 1927-  Search this
Container:
Box 8, Folder 5
Type:
Archival materials
Date:
1995-1996
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Lois Dodd papers, 1945-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Lois Dodd papers
Lois Dodd papers / Series 8: Addition to the Lois Dodd Papers / 8.8: Sketchbooks
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c39efab9-33ed-4f40-ad16-655bcd5fe0f1
EDAN-URL:
ead_component:sova-aaa-doddlois-ref257

Contracts

Collection Creator:
Dodd, Lois, 1927-  Search this
Container:
Box 1, Folder 13
Type:
Archival materials
Date:
1989
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Lois Dodd papers, 1945-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Lois Dodd papers
Lois Dodd papers / Series 2: Personal Business Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96a091b8a-3d81-4df3-a31d-93d778bb46df
EDAN-URL:
ead_component:sova-aaa-doddlois-ref28

Correspondence

Collection Creator:
Dodd, Lois, 1927-  Search this
Extent:
0.7 Linear feet (Box 1)
Type:
Archival materials
Date:
1952-1990
Scope and Contents note:
Found are incoming and drafts of outgoing correspondence, the majority of which focuses on Dodd's painting career. Some personal correspondence may also be found. Notable correspondents include Lucien Day, Rackstraw Downes, James McGarrell, James Lentz, and Sidney Simon. Invitations to serve as art juror and to exhibit are found at the end of the series. Correspondence is also found in the project and teaching files.
Arrangement note:
Correspondence is arranged chronologically.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Lois Dodd papers, 1945-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.doddlois, Series 3
See more items in:
Lois Dodd papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c4a9125a-b2c6-40dc-aa32-306e40e4a7f6
EDAN-URL:
ead_component:sova-aaa-doddlois-ref41

Correspondence

Collection Creator:
Dodd, Lois, 1927-  Search this
Container:
Box 1, Folder 28
Type:
Archival materials
Date:
1958
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Lois Dodd papers, 1945-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Lois Dodd papers
Lois Dodd papers / Series 3: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98aea89d3-6c9f-4ca7-a442-e45589646ce0
EDAN-URL:
ead_component:sova-aaa-doddlois-ref43

Modify Your Search







or


Narrow By