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Morris Louis and Morris Louis Estate papers, circa 1910s-2007, bulk 1965-2000

Creator:
Louis, Morris, 1912-1962  Search this
Subject:
Brenner, Marcella  Search this
Bocour, Leonard  Search this
Frankenthaler, Helen  Search this
Faatz, Anita J. (Anita Josephine)  Search this
Noland, Kenneth  Search this
Greenberg, Clement  Search this
Truitt, Anne  Search this
Robert Pierce/Films, Inc.  Search this
Hirshhorn Museum and Sculpture Garden  Search this
André Emmerich Gallery  Search this
Type:
Video recordings
Sound recordings
Interviews
Photographs
Topic:
Transcripts  Search this
Washington Color School (Group of artists)  Search this
Painters -- United States  Search this
Law and art -- United States  Search this
Color-field painting  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century  Search this
Abstract expressionism -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)7040
(DSI-AAA_SIRISBib)209173
AAA_collcode_louimorr
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209173
Online Media:

Morris Louis and Morris Louis Estate papers

Artist:
Louis, Morris, 1912-1962  Search this
Names:
André Emmerich Gallery  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Robert Pierce/Films, Inc.  Search this
Bocour, Leonard, 1910-1993  Search this
Brenner, Marcella, 1912-2007  Search this
Faatz, Anita J. (Anita Josephine)  Search this
Frankenthaler, Helen, 1928-2011  Search this
Greenberg, Clement, 1909-1994  Search this
Noland, Kenneth, 1924-2010  Search this
Truitt, Anne, 1921-2004  Search this
Extent:
17.8 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Sound recordings
Interviews
Photographs
Date:
circa 1910s-2007
bulk 1965-2000
Summary:
The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, documentation of PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists discussing Morris Louis conducted by Anita Faatz.
Scope and Contents:
The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and posthumous project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz.

Within the Morris Louis papers (circa 3 linear feet) are scattered biographical materials for Morris Louis and Marcella Brenner. Correspondence is with family friends, artists, and galleries, the bulk of which consists of photocopies. Of note are letters from Helen Frankenthaler, Clement Greenberg, Leonard Bocour, Kenneth Noland, and Anne Truitt. Business records include lists of artwork, receipts for art supplies, and scattered tax records. Six notebooks belonging to Morris Louis contain miscellaneous notes about students, studio rental payments, addresses, travel expenses, and a short list of paintings. There is one notebook of Marcella Brenner's containing notes about expenses and addresses. Also found are printed materials, one canvas sample, and one embossing stamp. Photographs are of Morris Louis, Marcella Brenner, and the Bernstein family.

The majority of the collection (circa 15 linear feet) consists of records created and maintained by Marcella Brenner in the course of managing Louis' estate and posthumous exhibitions and projects. There are numerous gallery exhibition records for many posthumous and retrospective exhibitions between 1965 through 2002, including those held at the Andre Emmerich Gallery, the Hirshhorn Museum, and numerous other U.S. and international galleries and museums. Louis' artwork is documented in highly detailed inventory lists and cards. Legal records document the lawsuit brought by the Bernstein family against Marcella Brenner which began in 1964 and ended in 1970 in favor of Brenner. Financial records document sales.

Printed materials include clippings, exhibition catalogs and announcements, and other miscellaneous materials. Writings include essays about Louis and manuscript copies of the book Trustee for the Human Race: Litigation over the Morris Louis Paintings written by Ruth S. Blau under contract for Marcella Brenner. Photographs are primarily of artwork depicted in exhibition installations. Project files are found for several posthumous documentary film projects and a catalog raisonne, and include a series of audio recordings of interviews of 27 artists conducted by Anita Faatz in 1970-1971. Artists interviewed include Clement Greenberg, Leonard Bocour, Andre Emmerich, Helen Frankenthaler, Kenneth Noland, and many others.
Arrangement:
This collection is arranged as 2 series.

Series 1: Morris Louis Papers, circa 1910s-1998 (2.9 linear feet; Boxes 1-3)

Series 2: Morris Louis Estate Papers, 1947-2007 (14.9 linear feet; Boxes 3-19, OV 20)
Biographical / Historical:
Morris Louis (1912-1962) was one of the earliest American Color Field painters, and, along with other Washington, D.C., painters, formed the movement known as the Washington Color School.

Born in Baltimore, M.D., to Russian immigrants Louis Bernstein and Cecelia Luckman, Morris Louis attended the Maryland Institute of Fine and Applied Arts from 1927-1932 and served as president of the Baltimore Artists' Association in 1935. During the Depression, he worked in New York City on the steering committee of the Easel Division of the Federal Arts Projects of the Works Project Administration (WPA). He exhibited Broken Bridge at the WPA Pavilion of the New York World's Fair in 1939.

In 1947, Louis married Marcella (Siegel) Brenner, and moved to Silver Spring, Maryland, a close suburb of Washington, D.C., where he taught private art classes and continued painting, using his apartment bedroom as a studio. In 1948, Louis participated in the Maryland Artists, 16th Annual Exhibition at the Baltimore Museum of Art, and began using Leonard Bocour's Magna acrylic paint, which he would use exclusively for the rest of his painting career.

In 1952, Morris Louis and Marcella Brenner moved to Washington, D.C. and set up a studio in his home where he would complete his most notable canvases. He began teaching at the Washington Workshop Center for the Arts and met artist Kenneth Noland who was also exploring Color Field painting. Through Noland, Louis met art critic Clement Greenberg in 1953, and they visited artist studios in New York City to study abstract expressionist works, including those by Helen Frankenthaler, Jackson Pollock, and Franz Kline. Louis and Noland were greatly influenced by Frankenthaler's staining technique, and Louis began experimenting with staining methods upon his return to Washington. Clement Greenberg became a life-long advocate for Louis and, in 1954, included Louis in the seminal group exhibition, "Emerging Talent," organized by Greenberg for the Kootz Gallery. In 1960, Andre Emmerich became his dealer in the United States and Lawrence Rubin represented him in Paris.

Using thinned Magna paint and unstretched, unprimed canvases, Louis created his works by rotating the canvas as the paint moved across and soaked in. Between 1958 and 1962 Louis produced three major series of paintings—the Veils, the Unfurleds, and the Stripes. Each series numbered more than one hundred canvases. Louis never documented his exact painting methods and would not allow anyone to watch him work, including his wife. His own worst critic, Louis destroyed many of his paintings that did meet his standards, including a large number of his earliest works and many created between 1954 and 1957. He also designated numerous surviving works for destruction prior to his death.

Louis was diagnosed with lung cancer on July 1, 1962 and died a few months later. The Andre Emmerich Gallery held a previously scheduled exhibition as planned, a month following Louis' death, as a memorial exhibition.
Related Materials:
Also found at the Archives of American Art are the Marcella Brenner journals, 1962-2000. The Maryland Institute College of Art (MICA) also holds papers of Morris Louis and the Morris Louis Estate in their Morris Louis Study Collection.
Provenance:
The Morris Louis and Morris Louis Estate papers were donated by Marcella Brenner in several installments in 1976, 1986, and 1988. Subsequent donations in 2009 and 2012 were donated by Marcella Brenner via Ann M. Garfinkle, Executor. The Anita Faatz interviews were donated in 1976 by Marcella Brenner.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Many of the audio recordings and transcripts of interviews with 26 artists conducted by Anita Faatz in 1970-1971 are access restricted and written permission is required from the person interviewed. Please contact reference services for more information. Any use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Morris Louis and Morris Louis Estate papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Transcripts  Search this
Washington Color School (Group of artists)  Search this
Painters -- United States  Search this
Law and art -- United States  Search this
Color-field painting  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century  Search this
Abstract expressionism -- New York (State) -- New York  Search this
Genre/Form:
Video recordings
Sound recordings
Interviews
Photographs
Citation:
Morris Louis and Morris Louis Estate Papers, circa 1910s-2007, bulk 1965-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.louimorr
See more items in:
Morris Louis and Morris Louis Estate papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-louimorr
Online Media:

The freshest kids / QD3 Entertainment presents ; a Brotherhood Films production ; a film by Israel ; executive producer, Quincy "QD3" Jones III ; produced & directed by Israel

Title:
Fresh, the freshest kids : a history of the b-boy
History of the b-boy
Author:
QD III 1968-  Search this
Israel (Director)  Search this
Brenner, Eric N  Search this
Colon, Richie  Search this
QD3 Entertainment (Firm)  Search this
Brotherhood Films (Firm)  Search this
Image Entertainment (Firm)  Search this
Physical description:
1 videodisc (97 min.) : sound, color with black and white sequences ; 4 3/4 in
Type:
Folklore
Dance films
Documentary films
History
Nonfiction films
Dance
Documentary videos
Place:
United States
New York (N.Y.)
Los Angeles (Calif.)
Date:
2002
©2002
Topic:
Break dancing  Search this
Break dancing--History  Search this
Hip-hop--History  Search this
Dance  Search this
Call number:
video 001544
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1090692

Norman Rockwell [videorecording] : painting America / a co-production of Thirteen/WNET and NHK ; produced, written and directed by Elena Mannes ; senior producer, Tamar Hacker ; executive producer, Susan Lacy

Title:
Painting America
American masters. Norman Rockwell, painting America
Author:
Mannes, Elena  Search this
Hacker, Tamar  Search this
Lacy, Susan  Search this
Herrmann, Edward 1943-  Search this
Marling, Karal Ann  Search this
Rockwell, Peter 1936-  Search this
Spielberg, Steven 1946-  Search this
Buechner, Thomas S  Search this
Andracke, Gregory  Search this
Small, Michael  Search this
WNET (Television station : New York, N.Y.)  Search this
Nihon Hōsō Kyōkai  Search this
Fox Lorber Home Video (Firm)  Search this
Fox Lorber CentreStage (Firm)  Search this
WinStar TV and Video (Firm)  Search this
Subject:
Rockwell, Norman 1894-1978  Search this
Physical description:
1 videodisc (88 min.) : sd., col. with b&w sequences ; 1/2 in
Type:
Videorecordings
Biography
Documentary videos
Documentary television programs
Place:
United States
Date:
1999
C1999
Topic:
Painters  Search this
Illustrators  Search this
Americana in art--History  Search this
Call number:
video 001322
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1021041

Edward Hopper [videorecording] / a National Gallery of Art film presentation ; produced by the Department of Exhibition Programs, National Gallery of Art, Washington, in conjunction with the exhibit Edward Hopper ; produced, written and directed by Carroll Moore

Title:
Hopper
Author:
Martin, Steve 1945-  Search this
National Gallery of Art (U.S.)  Search this
National Gallery of Art (U.S.) Department of Exhibition Programs  Search this
Subject:
Hopper, Edward 1882-1967  Search this
Moore, Carroll  Search this
Physical description:
1 videodisc (30 min.) : sd., col. with b&w sequences ; 4 3/4 in
Type:
Videorecordings
Biography
Documentary videos
Biographical videos
Documentary film
Biographical films
Films for the hearing impaired
Video recordings for the hearing impaired
Art
Place:
United States
Date:
2007
C2007
20th century
Topic:
Painters  Search this
Painting, American  Search this
Call number:
ND237.H75 E39 2007
video 001321
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1021043

William J. and Jane Brown papers

Creator:
Brown, William J. (William Joseph), 1923-1992  Search this
Brown, Jane Brennan, 1931-  Search this
Names:
Haystack Mountain School of Crafts  Search this
Penland School of Crafts  Search this
Bailey, Dan  Search this
Berensohn, Paulus  Search this
Brennan, Harold James, 1903-1989  Search this
Ebendorf, Robert, 1938-  Search this
Ehle, John, 1925-  Search this
Hallman, Ted, 1933-  Search this
Lipofsky, Marvin, 1938-2016  Search this
Morgan, Lucy, 1889-1981  Search this
Perisho, Flossie  Search this
Takaezu, Toshiko  Search this
Extent:
7.9 Linear feet
0.32 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Photographs
Sketches
Sound recordings
Video recordings
Date:
circa 1940-2014
Summary:
The papers of William J. and Jane Brown date from circa 1940-2014 and measure 7.9 linear feet and 0.32 gigabytes. The collection is comprised of biographical material, correspondence, interviews, writings and notes, printed material and documentaries, photographs and moving images, and administrative records from the Penland School of Crafts where William served as director from 1962 to 1983.
Scope and Contents:
The papers of William J. and Jane Brown date from circa 1940-2014 and measure 7.9 linear feet. The collection is comprised of biographical material, correspondence, interviews, writings and notes, printed material and documentaries, photographs and moving images, and administrative records from the Penland School of Crafts where William served as director from 1962 to 1983.

Biographical materials consists of awards, business cards, annotated calendars, consignment forms, material from Haystack Mountain School of Crafts, resumes, sketches, and student documents. Correspondence is with artists, former students, instructors, local residents, Paulus Berensohn, Robert Ebendorf, Theodore Hallman, Lucy Morgan, Toshiko Takaezu, and others.

Sound and video recordings are of interviews with Bill and Jane Brown, Lucy Morgan, and "Flossie" Perisho regarding personal and Penland history. One transcript of Marvin Lipofsky's conversation with Bill is also included. Bill's writings are on industrial design, directing Penland, and mankind. Two notebooks contain daily logs, sketches, and other notes. Notes by Bill and Jane are on inventions, John Ehle, metal history, poems, and other topics. Other writings are about Bill and a manuscript on craftsman education by Harold J. Brennan.

Penland's administrative records contain files documenting the board of trustees, residents program, a special 2-week session, artwork, Bill Brown's Glass Studio dedication ceremony schedule, a certificate of incorporation, financial material, grant proposals, and maps. Also found are records of Penland's 50th birthday celebration, including a video recording of "A Quest" by Dan Bailey.

Books, booklets, four documentary video recordings, exhibition catalogs and announcements, flyers, pamphlets, periodicals, postcards, posters, and stickers and patches designed by Bill are in printed materials. Photographs and slides are of Bill and Jane; family and friends; works of art; and of Penland's grounds, students, and faculty along with photographs and video recordings documenting Penland's history.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Materials, 1948-2011 (0.6 linear feet; Boxes 1, 9)

Series 2: Correspondence, 1949-2014 (1.8 linear feet; Boxes 1-3, 9)

Series 3: Interviews, 1968-1991 (0.4 linear feet; Box 3)

Series 4: Writings and Notes, circa 1950-2005 (0.2 linear feet; Box 3)

Series 5: Penland School of Crafts Administrative Records, 1954-1995 (1.1 linear feet; Boxes 3-4, 9)

Series 6: Printed Materials and Documentaries, 1942-2005 (1.8 linear feet, 0.32 GB; Boxes 4-6, 9; ER01)

Series 7: Photographic Materials and Moving Images, circa 1940-2011 (2.0 linear feet; Boxes 6-10, RD 11)
Biographical / Historical:
William "Bill" J. Brown (1923-1992) was a designer and educator who was married to Jane Brown (1932- ), an arts administrator. They lived in Bakersville, North Carolina.

Bill Brown was born in Flint, Michigan in 1923. He studied at the Cranbrook Academy of Art receiving a bachelor of fine art in 1949, a master of fine art in 1950, and was chosen to work at Corning Glass Works for a summer. After his studies, he taught at the Haystack Mountain School of Crafts and at the University of Delaware. In 1962 Lucy Morgan, who founded the Penland School of Crafts in 1929 in North Carolina, retired and offered the position of director to Bill. At the time, the school focused on traditional mountain crafts. As director, Bill changed the emphasis of the school to the advancement of professional craftsmen and the expansion of media to include iron and glass. He began a resident artist program that allowed artists to develop their skills at a low cost. Together, Bill and Jane created a supportive community of craftsmen that attracted renowned artists to teach and work at Penland. Bill resigned as director in 1983 but remained a respected member of the arts community. He earned several awards including the North Carolina Award in the Fine Arts in 1991.

Jane Brown graduated from the University of Delaware with a bachelor of arts in education and a master's degree in special education. Jane studied the Alexander Technique, a technique that can be used to improve the performance of dancers and musicians.

Bill Brown died in 1992. After his death, Jane participated in the dedication of the Bill Brown Glass Studio at Penland during a Glass Arts Society conference in 1995. She continues to live in Bakersville, North Carolina.
Related Materials:
Also found at the Archives of American Art is an oral history interview with William J. Brown and his wife Jane Brown conducted on January 19, 1991 and March 2, 1991 by Jane Kessler.
Provenance:
The portions of the William J. and Jane Brown papers that were lent for microfilming in 1991 by Jane Brown were subsequently donated by Jane Brown 1995 and 2015 along with additional papers.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Topic:
Art schools--North Carolina  Search this
Art -- Study and teaching  Search this
Artisans--North Carolina  Search this
Arts administrators--North Carolina  Search this
Design, Industrial  Search this
Handicraft--Study and teaching--United States  Search this
Handicraft--United States  Search this
Genre/Form:
Interviews
Photographs
Sketches
Sound recordings
Video recordings
Citation:
William J. and Jane Brown papers, circa 1940-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.browwill
See more items in:
William J. and Jane Brown papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-browwill

Philip Pearlstein papers

Creator:
Pearlstein, Philip, 1924-  Search this
Names:
WBAI Radio (New York, N.Y.)  Search this
WRFM (Radio station : New York, N.Y.)  Search this
Barnet, Will, 1911-2012  Search this
Blaine, Michael  Search this
Cantor, Dorothy  Search this
Close, Chuck, 1940-  Search this
Downes, Rackstraw  Search this
Dückers, Alexander, 1939-  Search this
Field, Richard  Search this
Haas, Richard, 1936-  Search this
Hampleman, Jean  Search this
Kelly, W. J.  Search this
Levine, Jack, 1915-2010  Search this
McCarthy, David, 1960-  Search this
Shaman, Sanford Sivitz  Search this
Storr, Robert  Search this
Tamburini, Fernando  Search this
Tsao, Vivian, 1950-  Search this
Updike, John  Search this
Viola, Jerome  Search this
Wallin, Leland  Search this
Ward, John  Search this
Warhol, Andy, 1928- -- Photographs  Search this
Witkin, Jerome  Search this
Yezzi, David  Search this
Extent:
31.8 Linear feet
16.68 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketches
Slides (photographs)
Sound recordings
Transcripts
Video recordings
Date:
circa 1940-2008
Summary:
The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.
Scope and Contents:
The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.

Biographical material includes appointment books, several awards, annotated calendars, a catalogue raisonné working list, identification card, membership files, resumes, and one sound recording. Correspondence is with Will Barnet, Chuck Close, Rackstraw Downes, Richard Haas, Jack Levine, Robert Storr, John Updike, Leland Wallin, Jerome Witkin, family, galleries and museums, students, colleagues, artists, arts organizations, and includes a digital recording.

Also found are sound recordings and transcripts of interviews with Pearlstein by Vivian Tsao, Michael Blaine, Sanford Sivitz Shaman, David McCarthy, and broadcast stations WRFM and WBAI. Writing projects and lectures by Pearlstein consist of student work, numerous articles and essays, sound and video recordings of lectures and speeches, letters, memorials, miscellaneous manuscripts and notes, and a U.S. and U.S.S.R. Workshop Exchange project proposal. Writings by others about Pearlstein are by W.J. Kelly, Alexander Dückers, Richard Field, John Ward, Jerome Viola, Robert Storr, and David Yezzi.

Personal business records contain agreements, consignment and loan documents, donations, financial material, exhibition files, insurance and inventories, recommendations written by Pearlstein, reproduction permissions, digital recordings, and teaching files for various institutions. Art reproductions, clippings, exhibition announcements and catalogs for exhibitions of artwork by Pearlstein and others, magazines and journals, newsletters, postcards, and publicity files that include one digital recording are in printed materials.

Two scrapbooks are of Egyptian and Roman architecture and objects accompanied by notes and a small amount of sketches, and one scrapbook is printed material regarding Pearlstein's work and exhibitions. Artwork is by Jean Hampleman, Fernando Tamburini, and unidentified artists. Photographs and moving images that include video recordings and motion picture film of Pearlstein in the studio, portraits, and candids; personal photographs of family, travel, and classmates including Andy Warhol and Dorothy Cantor; artist's models; events and exhibitions; and works of art.

Completed and unedited video and sound recordings, computer graphics footage, soundtrack material, and administrative records for the 1985 documentary video production Philip Pearlstein Draws the Artist's Model are also in this collection.
Arrangement:
The collection is arranged as 10 series.

Series 1: Biographical Material, 1964-2008 (0.8 linear feet; Boxes 1, 36, OV42)

Series 2: Correspondence, circa 1955-2008 (8.5 linear Feet; Boxes 1-10, OVs 42-43, 0.168 GB; ER01)

Series 3: Interviews and Transcripts, 1957-2003 (0.5 linear Feet; Box 10)

Series 4: Writing Projects and Lectures, circa 1945-2008 (2.5 linear Feet; Boxes 10-13, 37-38, 8.26 GB: ER02-ER13)

Series 5: Personal Business Records, 1955-2007 (1 linear Feet; Boxes 13-14, 3.77 GB: ER14-ER15)

Series 6: Printed Materials, 1946-2008 (3.0 linear Feet; Boxes 14-21, 36, OVs 42-43)

Series 7: Scrapbooks, circa 1953-1970s (0.4 linear Feet; Box 22)

Series 8: Artwork, undated, 1967-2004 (0.2 linear Feet; Box 22, OV 42)

Series 9: Photographs and Moving Images, 1940s-2008 (3.3 linear Feet; Boxes 22, 37, 39-41, 4.18 GB; ER16-ER18)

Series 10: Philip Pearlstein Draws the Artist's Model, Documentary Production Material, 1983-1991 (8.5 linear Feet; Boxes 23-30, SAV 31-35)
Biographical / Historical:
Philip Pearlstein (1924- ) is a painter and educator based in New York, N.Y.

Pearlstein was born in Pittsburgh, Pennsylvania, and he attended classes at the Carnegie Museum of Art as a child. While still in high school, his paintings were reproduced in Life magazine after winning Scholastic magazine's high school art competition. After graduating from high school Pearlstein enrolled in the Carnegie Institute of Technology's (CIT) art school, but left after a year to serve in the Army during World War II. He gained knowledge of printing, drafting, and sign painting while stationed in Florida and Italy. After the war he returned to CIT as a student and became art editor of the engineering school's Carnegie Technical magazine. During this time Pearlstein met his wife, Dorothy Cantor, and became close friends with Andy Warhol, both classmates at CIT. Pearlstein moved to New York City with Warhol after receiving his Bachelor of Fine Arts in 1949. In 1955, he completed his thesis on Francis Picabia and received a Master of Arts in art history from New York University's Institute of Fine Arts.

As Pearlstein's career evolved, he became known for his realistic nudes and landscapes. Many of Pearlstein's paintings were inspired by his travels to the western United States, Peru, Egypt, and to Italy as a 1958 Fulbright Grant recipient. His work has been exhibited throughout the United States and internationally, and he has worked closely with the Tanager and Alan Frumkin Galleries in New York. In addition to his painting career, Pearlstein was an instructor at Pratt Institute from 1959 to 1963 and at Brooklyn College from 1963 to 1988. He is also a member of the National Academy of Design and the American Academy of Arts and Letters, serving as president from 2003 to 2006.

Pearlstein continues to work and live in New York, N.Y.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Philip Pearlstein conducted by Paul Cumming, June 8 to August 10, 1972.
Provenance:
The papers were donated in multiple installments by Philip Pearlstein from 1975 to 2009.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Rights:
Authorization for commercial use of audiovisual material for the documentary Philip Pearlstein Draws the Artists' Model requires prior arrangement with Pearlstein or his heirs.
Topic:
Architecture -- Egypt  Search this
Architecture, Roman  Search this
Art -- Study and teaching  Search this
Art teachers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketches
Slides (photographs)
Sound recordings
Transcripts
Video recordings
Citation:
Philip Pearlstein papers, circa 1940-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pearphil
See more items in:
Philip Pearlstein papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pearphil

Judith Wilson papers, 1966-2010

Creator:
Wilson, Judith, 1952-  Search this
Subject:
Thompson, Bob  Search this
Type:
Video recordings
Sound recordings
Photographs
Topic:
Interviews  Search this
African American artists  Search this
Record number:
(DSI-AAA_CollID)16064
(DSI-AAA_SIRISBib)322805
AAA_collcode_wilsjudi
Theme:
Women
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_322805
Online Media:

Edited Documentary

Collection Creator:
Wiegand, Robert, 1934-1993  Search this
Extent:
1 videocassettes (vhs) (Duration 8 minutes, 30 seconds, Index card states "Master Documentary video by Bob Wiegand, performance by Pamela Stockwell, Colette Miller, Peggy Vignon")
Container:
Box 9, Folder 3
Type:
Archival materials
Moving Images [31027000762811]
Videocassettes (vhs)
Date:
1989
Collection Restrictions:
Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Use of original papers requires an appointment.
Collection Rights:
Authorization to publish, quote or reproduce requires permission from Lynn Braswell, 320 Riverside Dr., New York, N.Y. 10025.
Collection Citation:
Robert Wiegand papers and video art, 1953-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Wiegand papers and video art, 1953-1994
Robert Wiegand papers and video art, 1953-1994 / Series 7: Other Video Recordings / Independent Projects / Pamela Stockwell's Tompkins Square Police Riot
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-wiegrobe-ref190

Judith Wilson papers

Creator:
Wilson, Judith, 1952-  Search this
Names:
Thompson, Bob, 1937-1966  Search this
Extent:
11.2 Linear feet
27.94 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Sound recordings
Photographs
Date:
1966-2010
Summary:
The papers of African American art historian Judith Wilson measure 11.2 linear feet and 27.94 GB and date from 1966 to 2010. Wilson's career is documented through correspondence with friends, colleagues, artists, universities, and art organizations; notebooks; files on writing projects, conferences, lectures, symposia and other professional activities; and a small amount of printed material. Also found is research material on artist Bob Thompson, including photographs, printed material, correspondence, notebooks and a documentary video recording. Additionally, the collection includes sound recordings of 71 interviews of artists and art collectors and six video recordings. Some of the materials are in digital format.
Scope and Contents:
The papers of art historian Judith Wilson measure 11.2 linear feet and 27.94 GB and date from 1966 to 2010. Wilson's career is documented through correspondence with friends, colleagues, artists, universities, and art organizations; notebooks; files on writing projects, conferences, lectures, symposia and other professional activities; and a small amount of printed material. Also found is research material on artist Bob Thompson, including photographs, printed material, correspondence, notebooks and a documentary video recording. Additionally, the collection includes sound recordings of 71 interviews of artists and art collectors and six video recordings. Some of the materials are in digital format.
Arrangement:
The collection is arranged as 9 series.

Series 1: Correspondence, 1975-2009 (1.3 linear feet; Boxes 1-2)

Series 2: Notebooks, 1977-2008 (1.7 linear feet; Boxes 2-3)

Series 3: Writing Projects, 1972-2010 (1.7 linear feet; Boxes 4-5)

Series 4: Conferences, Lectures, and Symposia, 1978-2009 (2.0 linear feet; Boxes 5-7, 17.11 GB; ER01-ER05)

Series 5: Professional Records, 1979-2009 (1.0 linear foot; Boxes 7-9)

Series 6: Research Material on Bob Thompson, 1966-2006 (1.8 linear feet; Boxes 8-10, 1.70 GB; ER06-ER07)

Series 7: Printed Material, 1981-2010 (0.5 linear feet; Box 10)

Series 8: Interviews, 1978-2008 (1.0 linear foot; Boxes 11-12, 0.697 GB; ER08-ER09)

Series 9: Video Recordings, 1979-2007 (4 folders; Box 12, 8.42 GB; ER10-ER15)
Biographical / Historical:
Judith Wilson (1952- ) is an African American art historian in San Francisco, California. Wilson began her career as an editor for Ms. Magazine in 1975. In 1979 she wrote a profile of Alma Thomas for that magazine, after which she began writing regularly about visual art and cultural politics, reviewing exhibitions, writing feature articles, and serving as guest editor for several publications. Her research interests included African American art and black visual culture. She received her Ph.D. in art history from Yale University with a dissertation on the artist Bob Thompson. Her teaching career included full-time positions in art history at University of Virginia, Yale, and the University of California, Irvine, as well as part-time and visiting professorships at several other schools. In 2006 she retired from the University of California, Irvine after eight years. During her career Wilson served on editorial and advisory boards for art publications and wrote many catalog essays, contributed to anthologies, and presented numerous conference papers, many of which were later published.
Provenance:
The collection was donated in 2012 by Judith Wilson-Pates.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Office. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Judith Wilson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art historians -- California -- San Francisco  Search this
Topic:
Interviews  Search this
African American artists  Search this
Genre/Form:
Video recordings
Sound recordings
Photographs
Citation:
Judith Wilson papers, 1966-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wilsjudi
See more items in:
Judith Wilson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wilsjudi
Online Media:

BlueCrabs: The Soul Of Chesapeake Bay

Creator:
Smithsonian Environmental Research Center  Search this
Type:
Youtube videos
Uploaded:
2014-07-08T16:18:54Z
Topic:
Animal health;Environmental Sciences;Coastal ecology  Search this
Youtube Category:
Science & Technology  Search this
See more by:
SmithsonianSERC
YouTube Channel:
SmithsonianSERC
Data Source:
Smithsonian Environmental Research Center
EDAN-URL:
edanmdm:yt_iUOMVPo4tRk

Productions, 1986-2013

Creator:
Smithsonian Astrophysical Observatory Science Media Group  Search this
Uniform title:
A Private Universe (Video recording)  Search this
Looking at Learning...Again (Video recording)  Search this
Case Studies in Science Education (Video recording)  Search this
Science in Focus: Energy (Video recording)  Search this
The Next Move, Assessment in Math and Science (Video recording)  Search this
Principles for Principals (Video recording)  Search this
Shedding Light on Science (Video recording)  Search this
Science in Focus: Force and Motion (Video recording)  Search this
Essential Science for Teachers (Video recording)  Search this
Technical Difficulties (Video recording)  Search this
Cosmic Questions (Video recording)  Search this
SportSmarts (Video recording)  Search this
NASA Forum on the Structure and Evolution of the Universe (Video recording)  Search this
Welcome to the Smithsonian (Video recording)  Search this
Smithsonian Job Talks (Video recording)  Search this
Mind, Brain, and Education (Video recording)  Search this
Chemistry: Challenges and Solutions (Video recording)  Search this
Physics for the 21st Century (Video recording)  Search this
Understandings of Consequence Project (Video recording)  Search this
Lighthouse of the Skies (Video recording)  Search this
Science and Engineering in the Lives of Students (Video recording)  Search this
Eye on the Sky (Video recording)  Search this
Factors Influencing College Science Success (Video recording)  Search this
Science in Focus: Force and Motion (Video recording)  Search this
Youth Astronomy Apprenticeship (Video recording)  Search this
Private Universe Project in Math Workshops (Video recording)  Search this
Subject:
Schneps, Matthew H  Search this
Sadler, Philip Michael  Search this
Annenberg/CPB  Search this
Smithsonian Astrophysical Observatory  Search this
Harvard College Observatory  Search this
Physical description:
45.5 cu. ft. (45 record storage boxes) (1 document box)
Type:
Manuscripts
Collection descriptions
Brochures
Compact discs
Digital images
Digital versatile discs
Electronic records
Floppy disks
Drawings
Color photographs
Audiotapes
Motion pictures (visual works)
Sound recordings
Videotapes
Date:
1986
1986-2013
Topic:
Scientists  Search this
Mathematics teachers  Search this
Science teachers  Search this
Students  Search this
Lectures and lecturing  Search this
Science--Study and teaching  Search this
Motion pictures--Production and direction  Search this
Video recordings--Production and direction  Search this
Documentary videos  Search this
Documentary films  Search this
Local number:
SIA Acc. 16-090
Restrictions & Rights:
Restrictions pertaining to the use of these materials may apply (based on contracts/copyright). Access restrictions may also apply if viewing/listening copies are not currently available. Viewing/listening copies can be made for a fee. Contact reference staff for details
See more items in:
Productions 1982-2013 [Smithsonian Astrophysical Observatory Science Media Group]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_379872

Black in Latin America / presented and written by Henry Louis Gates Jr. ; produced and directed by Ricardo Pollack ; a production of Inkwell Films, Wall to Wall Media LTD and Thirteen in association with WNET.org

Screenwriter:
Gates, Henry Louis Jr.  Search this
Film director:
Pollack, Ricardo  Search this
Petterle, Diene  Search this
Trachtman, Ilana  Search this
Cinematographer:
Smith, Graham  Search this
Film editor:
Carey, Joe  Search this
Follows, Nick  Search this
Jones, Lisa M.  Search this
Composer:
D'Oliveira, Miguel  Search this
Author:
PBS Distribution (Firm)  Search this
Inkwell Films (Firm)  Search this
Wall to Wall (Firm)  Search this
WNET (Television station : New York, N.Y.)  Search this
Physical description:
2 videodiscs (approximately 240 min.) : sound, color with black and white sequences ; 4 3/4 in
Type:
Video recordings
Video recordings for people with visual disabilities
Video recordings for the hearing impaired
Television programs
Documentary television programs
Nonfiction television programs
Place:
Latin America
United States
Date:
2011
Topic:
Blacks--Race identity  Search this
Blacks  Search this
African Americans  Search this
Civilization  Search this
African influences  Search this
Social life and customs  Search this
Race relations  Search this
Call number:
video 001503
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1081549

P4510-10-98: The Continuation of Principals Workshop Documentary Videos, 10/26/1998-10/28/1998

Collection Creator::
Smithsonian Astrophysical Observatory. Department of Contracts, Grants and Property Management  Search this
Container:
Box 7 of 39
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 05-050, Smithsonian Astrophysical Observatory, Department of Contracts, Grants and Property Management, Grant Proposals
See more items in:
Grant Proposals
Grant Proposals / Box 7
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa05-050-refidd1e3848

P4588-4-99: Two (2) Twenty Minute Documentary Videos, 04/02/1999-04/05/1999

Collection Creator::
Smithsonian Astrophysical Observatory. Department of Contracts, Grants and Property Management  Search this
Container:
Box 9 of 39
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 05-050, Smithsonian Astrophysical Observatory, Department of Contracts, Grants and Property Management, Grant Proposals
See more items in:
Grant Proposals
Grant Proposals / Box 9
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa05-050-refidd1e4746

Oral History Interview with Eddie Becker

Interviewer:
Meghelli, Samir  Search this
Creator:
Anacostia Community Museum  Search this
Extent:
1 sound recording (MP3)
Type:
Archival materials
Sound recordings
Oral histories (document genres)
Interviews
Place:
Adams Morgan (Washington, D.C.)
Smithsonian Institution (Washington (D.C.)
Date:
2016 December 27
Scope and Contents:
Interview created as part of the research for the Anacostia Community Museum's "A Right to the City" exhibition.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Documentary videos  Search this
Neighborhoods -- Washington, D.C. -- History  Search this
Genre/Form:
Oral histories (document genres)
Interviews -- 21st century
Citation:
Interview with Eddie Becker, Anacostia Community Museum Archives, Smithsonian Institution.
See more items in:
A Right to the City Exhibition Records
A Right to the City Exhibition Records / Series I: Oral History Interviews
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-119-ref30

Productions

Topic:
American Encounters (Video recording)
To Coexist: Diversity and Development (Video recording : 1989)
Diversity Endangered (Video recording : 1987)
Beauty and Diversity of Our Planet (Video recording)
Pueblo Resistance (Video recording : 1992)
Many Voices (Video recording : 1992)
Hispanic Resistance (Video recording : 1992)
Matachines Spanish: Bernalillo (Video recording : 1992)
Matachines Indian: San Juan (Video recording : 1992)
Only Death Will Take Me from This Place (Video recording : 1994)
Spreading Beauty Wherever I Go (Video recording : 1994)
Corn Is Who We Are (Video recording : 1994)
Our Biosphere: The Earth in Our Hands (Motion picture : 1989)
Creator::
Smithsonian Press/Smithsonian Productions  Search this
Extent:
5 cu. ft. (5 record storage boxes)
Type:
Collection descriptions
Archival materials
Floppy disks
Electronic records
Audiotapes
Video recordings
Place:
New Mexico
Date:
1987, 1989, 1991-1993, 1997
Descriptive Entry:
This accession consists of audiovisual records created during the production of "American Encounters," "To Coexist: Diversity and Development," "Diversity Endangered," and "The Beauty and Diversity of Our Planet." "American Encounters" is a series of eight videos about Hispanic and Native American culture in New Mexico. The first five videos were produced in 1992 and shown in the permanent exhibition "American Encounters." These videos include "Pueblo Resistance" (14:14); "Many Voices" (9:29); "Hispanic Resistance" (11:20); "Matachines Spanish: Bernalillo" (8:19); and "Matachines Indian: San Juan" (8:01). In 1994, three 20-minute videos were added to the series to be distributed for educational purposes. These videos include "Only Death Will Take Me From This Place," a look at village life in northern New Mexico; "Spreading Beauty Wherever I Go," on the "lowrider" cars of New Mexico; and "Corn Is Who We Are," dealing with Pueblo Indian food. "To Coexist: Diversity and Development" was produced in 1989 for the U.S. Agency for International Development (USAID). The 30-minute program depicts how development professionals can take biological diversity into account when planning their projects. "Diversity Endangered" is a 10-minute video production demonstrating the interrelatedness of living organisms and the part that man plays in disturbing or preserving the crucial balance. The video was produced in 1987. "The Beauty and Diversity of Our Planet" is a 30-second public service announcement done by Robert Redford. This was possibly done in conjunction with "Our Biosphere: The Earth in Our Hands" which Redford narrated. Materials in this accession include original video, dub masters, window dubs, edited masters, and sound mixes on 1" magnetic tape, 3/4" U-Matic tape, Betacam SP, digital Betacam, and DAT tapes. Some materials are in electronic format.
Restrictions:
Restrictions pertaining to the use of these materials may apply (based on contracts/copyright). Access restrictions may also apply if viewing/listening copies are not currently available. Viewing/listening copies can be made for a fee. Contact reference staff for details.
Topic:
Hispanic Americans  Search this
Pueblo Indians  Search this
Biological diversity  Search this
Video recordings -- Direction and production  Search this
Documentary videos  Search this
Museum exhibits  Search this
Genre/Form:
Floppy disks
Electronic records
Audiotapes
Video recordings
Citation:
Smithsonian Institution Archives, Accession 02-202, Smithsonian Press/Smithsonian Productions, Productions
Identifier:
Accession 02-202
See more items in:
Productions
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa02-202

Productions

Topic:
Mirror of Kings: Tales from Kalila Wa Dimna (Motion picture : 1982)
Ancient Japan (Video recording : 1992)
Life of a Japanese Painting (Video recording : 1997)
Creator::
Smithsonian Press/Smithsonian Productions  Search this
Extent:
1 cu. ft. (1 record storage box)
Type:
Collection descriptions
Archival materials
Electronic records
Audiotapes
Motion pictures (visual works)
Videotapes
Date:
circa 1982-1997
Descriptive Entry:
This accession consists of audiovisual materials created during the production of films and videos for Freer Gallery of Art and Arthur M. Sackler Gallery exhibitions. Also included is a recording of a live music performance. Materials include film, videotapes, and an audiotape. Some materials are masters. Some materials were created by the predecessor unit, Office of Telecommunications.
Restrictions:
Restrictions pertaining to the use of these materials may apply (based on contracts/copyright). Access restrictions may also apply if viewing/listening copies are not currently available. Viewing/listening copies can be made for a fee. Contact reference staff for details.
Topic:
Art, Asian  Search this
Art museums  Search this
Motion pictures -- Production and direction  Search this
Museum exhibits  Search this
Video recordings -- Production and direction  Search this
Documentary films  Search this
Documentary videos  Search this
Genre/Form:
Electronic records
Audiotapes
Motion pictures (visual works)
Videotapes
Citation:
Smithsonian Institution Archives, Accession 14-233, Smithsonian Press/Smithsonian Productions, Productions
Identifier:
Accession 14-233
See more items in:
Productions
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa14-233

Productions

Creator::
Smithsonian Press/Smithsonian Productions  Search this
Extent:
2 cu. ft. (2 record storage boxes)
Type:
Collection descriptions
Archival materials
Electronic records
Videotapes
Date:
1997-1998
Descriptive Entry:
This accession consists of audiovisual elements created during the production of video to accompany the National Museum of African Art exhibition "The Poetics of Line: Seven Artists of the Nsukka Group, Nigeria." Materials include masters, edited masters, color corrected masters, clones, and related materials on videotape. Some materials are in electronic format.
Restrictions:
Restrictions pertaining to the use of these materials may apply (based on contracts/copyright). Access restrictions may also apply if viewing copies are not currently available. Viewing copies can be made for a fee. Contact reference staff for details.
Topic:
Museum exhibits  Search this
Art museums  Search this
Art, Nigerian  Search this
Video recordings -- Production and direction  Search this
Documentary videos  Search this
Genre/Form:
Electronic records
Videotapes
Citation:
Smithsonian Institution Archives, Accession 15-007, Smithsonian Press/Smithsonian Productions, Productions
Identifier:
Accession 15-007
See more items in:
Productions
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa15-007

Productions

Topic:
Crow Fair (Video recording : 1991)
Montserrat (Video recording : 1991)
Corn and Potato (Video recording : 1991)
Old Ways, New Visions: Hispanic and Native American Traditions in New Mexico (Video recording : 1997)
Creator::
Smithsonian Press/Smithsonian Productions  Search this
Extent:
4 cu. ft. (4 record storage boxes)
Type:
Collection descriptions
Archival materials
Audiotapes
Videotapes
Place:
Montana
Montserrat
Date:
circa 1990-1997
Descriptive Entry:
This accession consists of audiovisual elements created during the production of videos marking the Quincentenary of Christopher Columbus's arrival in the New World.

"Montserrat" (8:15), "Crow Fair" (6:56), and "Corn and Potato" (2:16) all accompanied the National Museum of Natural History exhibition "Seeds of Change" which opened in 1991. "Montserrat" documents the history and culture of the island of the same name which is used in the exhibition to exemplify the effect of the sugar industry on native life. "Crow Fair" documents the Crow event, held annually in Montana since 1904, for which the horse (introduced by the Europeans) serves as a central symbol. "Corn and Potato" documents the introduction of New World crops to the Old World.

"Old Ways, New Visions: Hispanic and Native American Traditions in New Mexico" accompanied the permanent National Museum of American History exhibition "American Encounters" which opened to coincide with the Quincentenary in 1992. This particular video was not produced until 1997 and a version was made for distribution via the Public Broadcasting Service (PBS).

Materials include videotapes, audiotape, and magnetic tape. Many of the videotapes are masters. Many of the materials were created by the predecessor unit, Office of Telecommunications.
Restrictions:
Restrictions pertaining to the use of these materials may apply (based on contracts/copyright). Access restrictions may also apply if viewing/listening copies are not currently available. Viewing/listening copies can be made for a fee. Contact reference staff for details.
Topic:
Columbus Quincentenary, 1992-1993  Search this
Crow Indians  Search this
Museum exhibits  Search this
Horses  Search this
Indians of the West Indies  Search this
Indigenous peoples  Search this
Sugar trade  Search this
Natural history museums  Search this
Hispanic Americans  Search this
Indians of North America -- New Mexico  Search this
Video recordings -- Production and direction  Search this
Documentary videos  Search this
Genre/Form:
Audiotapes
Videotapes
Citation:
Smithsonian Institution Archives, Accession 14-209, Smithsonian Press/Smithsonian Productions, Productions
Identifier:
Accession 14-209
See more items in:
Productions
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa14-209

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