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The highway as habitat : a Roy Stryker documentation, 1943-1955 / essay and picture selection by Ulrich Keller

Author:
Keller, Ulrich 1944-  Search this
University of California, Santa Barbara University Art Museum  Search this
University of Louisville Photographic Archives  Search this
Subject:
Stryker, Roy Emerson 1893-1975  Search this
Standard Oil Company of New Jersey  Search this
Physical description:
207 p. : ill. ; 23 x 31 cm
Type:
Exhibitions
Photograph Collections
Pictorial works
Place:
United States
Date:
1986
1986, c1985
Topic:
Documentary photography  Search this
Roads in art  Search this
Roads  Search this
Social life and customs  Search this
Call number:
TR820.5 .K29 1986
TR820.5.K29 1986
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_300162

Corporate patronage of art & architecture in the United States, late 19th century to the present edited by Monica E. Jovanovich and Melissa Renn

Title:
Corporate patronage of art and architecture in the United States, late 19th century to the present
Editor:
Jovanovich, Monica  Search this
Renn, Melissa  Search this
Physical description:
xiv, 285 pages, 8 unnumbered pages of plates illustrations (some color) 24 cm
Type:
Books
Place:
United States
USA
Date:
2019
Topic:
Art patronage  Search this
Art and business  Search this
Kulturpolitik  Search this
Kunst  Search this
Kunstförderung  Search this
Kunsthandel  Search this
Kunstmarkt  Search this
Mäzenatentum  Search this
Politik  Search this
Unternehmen  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1114537

Power and Prose in Documentary Photography: Sharon Farmer, Miguel Gandert, Jim Hubbard, Rick Vargas

Creator:
National Museum of American History (U.S.)  Search this
Extent:
1 Sound cassette (analog.)
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Local Numbers:
FP-1990-CT-0103
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, April 5, 1990.
General:
tape 1/2
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Topic:
Meeting notes  Search this
Documentary  Search this
Documentation  Search this
Photography  Search this
Identifier:
CFCH.AVPR, Item FP-1990-CT-0103
See more items in:
CFCH Audiovisual Projects
CFCH Audiovisual Projects / Audio Recordings
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5b5dd1870-e694-4a12-aeb8-0dbe3b68e60d
EDAN-URL:
ead_component:sova-cfch-avpr-ref599

Roy Stryker, the humane propagandist : [exhibition] / [editor, James C. Anderson]

Author:
Stryker, Roy Emerson 1893-1975  Search this
Anderson, James Cletus 1943-  Search this
University of Louisville Photographic Archives  Search this
Subject:
Stryker, Roy Emerson 1893-1975  Search this
United States Farm Security Administration  Search this
Physical description:
63 p. : ill. ; 22 x 28 cm
Type:
Exhibitions
Date:
1977
C1977
Topic:
Documentary photography  Search this
Call number:
TR647.S924 A54 1977
TR820.5.R69X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_95197

Untitled, Chicago, Illinois

Artist:
Gordon Parks, born Fort Scott, KS 1912-died New York City 2006  Search this
Medium:
gelatin silver print
Dimensions:
sheet and image: 13 1/2 x 9 1/2 in. (34.3 x 24.1 cm.)
Type:
Photography-Photoprint
Date:
1950
Topic:
African American  Search this
Recreation\leisure\smoking  Search this
Figure male\full length  Search this
Cityscape\Illinois\Chicago  Search this
Architecture Interior\commercial\tavern  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Horace W. Goldsmith Foundation
Copyright:
© 1950, Gordon Parks Foundation
Object number:
1998.121.2
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk732188e62-2e5f-4110-b849-a084a106fc01
EDAN-URL:
edanmdm:saam_1998.121.2

Publications

Topic:
Before and After the Horizon: Anishinaabe Artists of the Great Lakes (Monograph). 2013.
For a Love of His People: The Photography of Horace Poolaw (Monograph). 2014.
Extent:
0.5 cu. ft. (1 document box)
Type:
Collection descriptions
Archival materials
Books
Place:
Great Lakes Region (North America)
Date:
2013-2014
Descriptive Entry:
This accession consists of the publications: Before and After the Horizon: Anishinaabe Artists of the Great Lakes and For a Love of His People: The Photography of Horace Poolaw. Before and After the Horizon: Anishinaabe Artists of the Great Lakes was published in conjunction with the exhibition of the same name at the George Gustav Heye Center and explores how Anishinaabe (also known in the United States as Ojibwa or Chippewa) artists express their connection with the Great Lakes region. For a Love of His People: The Photography of Horace Poolaw was published in conjunction with the exhibition of the same name at the George Gustav Heye Center and takes a look at the work of Horace Poolaw, photographer and Kiowa Indian, which documented Native America of the southern plains during the mid-twentieth century.
Topic:
Ojibwa artists  Search this
Ojibwa art  Search this
Indians of North America -- Great Plains  Search this
Kiowa Indians  Search this
Documentary photography  Search this
Indian photographers  Search this
Museum publications  Search this
Genre/Form:
Books
Citation:
Smithsonian Institution Archives, Accession 14-032, National Museum of the American Indian. Office of Education and Museum Programs. Publications Office, Publications
Identifier:
Accession 14-032
See more items in:
Publications
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa14-032

Oral history interview with Allan Sekula

Interviewee:
Sekula, Allan  Search this
Interviewer:
Panzer, Mary  Search this
Names:
Artforum  Search this
California Institute of the Arts  Search this
Ohio State University -- Faculty  Search this
Rhode Island School of Design  Search this
Students for a Democratic Society (U.S.)  Search this
University of California, San Diego  Search this
Altoon, John, 1925-  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Ascott, Roy  Search this
Baldessari, John, 1931-  Search this
Barthes, Roland  Search this
Becker, Howard  Search this
Bercovitch, Sacvan  Search this
Beveridge, Karl  Search this
Brach, Paul, 1924-  Search this
Braderman, Joan  Search this
Burch, Noël, 1932-  Search this
Burn, Ian, 1939-1993  Search this
Captain Beefheart  Search this
Charlesworth, Sarah, 1947-2013  Search this
Chayefsky, Paddy, 1923-1981  Search this
Conde, Carol  Search this
Connell, Brian  Search this
Diddley, Bo, 1928-2008  Search this
Evans, Walker, 1903-1975  Search this
Farber, Manny  Search this
Feldman, Ronald, 1938-  Search this
Folks, Homer, 1867-1963  Search this
Fox, Terry, 1943-  Search this
Fried, Howard, 1946-  Search this
Ginsberg, Allen, 1926-1997  Search this
Graham, Dan, 1942-  Search this
Graves, Michael, 1934-2015  Search this
Halleck, DeeDee  Search this
Hanhardt, John G.  Search this
Hassan, Ihab, 1925-2015  Search this
Hayes, Woody, 1913-1987  Search this
Heinecken, Robert, 1931-  Search this
Higgins, Dick, 1938-1998  Search this
Hine, Lewis Wickes, 1874-1940  Search this
Kienholz, Edward, 1927-  Search this
Kirschenbaum, Baruch David, 1931-  Search this
Knowles, Alison, 1933-  Search this
Kosuth, Joseph.  Search this
Kozloff, Max  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
König, Kasper  Search this
Liebling, Jerome  Search this
Lifson, Ben  Search this
Little Richard, 1932-  Search this
Lonidier, Fred  Search this
Lord, Catherine, 1949-  Search this
Lunn, Harry, 1933-1998  Search this
Mac Low, Jackson  Search this
Mandel, Mike  Search this
Matta, 1912-2002  Search this
Mayer, Grace M.  Search this
Michelson, Annette  Search this
O'Doherty, Brian  Search this
Pommer, Richard  Search this
Ramsden, Mel  Search this
Raskin, Jef  Search this
Reagan, Ronald  Search this
Rosler, Martha  Search this
Ross, David A., 1949-  Search this
Ruby, Jay  Search this
Ruscha, Edward  Search this
Salle, David, 1952-  Search this
Salvesen, Britt  Search this
Schimmel, Paul  Search this
Segalove, Ilene, 1950-  Search this
Stein, Sally  Search this
Steinmetz, Philip  Search this
Sultan, Larry  Search this
Van Riper, Peter  Search this
Wakoski, Diane  Search this
Wall, Jeff, 1946-  Search this
Extent:
12 Items (Sound recording: 12 sound files (6 hr.,14 min.), digital, wav)
143 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2011 August 20-2012 February 14
Scope and Contents:
An interview with Allan Sekula conducted 2011 August 20-2012 February 14, by Mary Panzer, for the Archives of American Art at Sekula's studio and home in Los Angeles, California and at the Museum of Modern Art in New York, New York.
Sekula speaks of his career and some of the mediums he works in; language and contemporary art; Roland Barthes; his relation to contemporary art; west coast conceptualism; genre switches; realism; documentary photography; Belgium and the industrial revolution; Meunier; minor figures; art history and marginalism; Roberto Matta; World War I; Homer Folks; Fish Story; historic cinema; economic factors of art shows and publication; galleries and the art world; growing up and his family; his father and moving; Ohio; his brothers and sisters; San Pedro; demographics of students at school; sports at school; Vietnam; protests; cross country and swimming; California; fishing; college; U.C. system; declaring a major; John Altoon; Ed Kienholz; exposure to art; visiting museums; Marcuse's classes; Baldessari's classes; course work and student life; student demonstrations; working in a library and exposure to books; father losing his job; science and working as a chemical technician; politics; his uncle committing suicide; moving away from his father; the draft; John Birch; Students for a Democratic Society; his mother; politics of his parents; Aerospace Folk Tales, autodidacts and scholarship; San Diego and Mexico; obtaining a camera and starting to use it; art school; CalArts; UCSD; Meditations on a Triptych; David Salle; Fred Lonidier; Phel Steinmetz; MFA and art training; poets; story of Allen Ginsberg and one of Sekula's sculptures; production and the audience; A Photograph is Worth a Thousand Questions, photography and the burden of tradition; pictorialism; moving to New York; Artforum; October; New York music scene; Captain Beefheart; Bo Diddley; Little Richard; Steichen and aerial photography; origins of October; New Criterion; Art Critic's Grant; teaching at Ohio State; television; technological historians; New York subway and getting a ticket for using French money; RISD lectures; Long Beach; photography; collages; Metro Pictures; New Topographics; School as a Factory; moral choice and the viewer; work method and the audience; Social Criticism and Art Practice; east and west coasts; Ed Ruscha; documentary; film, Los Angeles; cinema and social history; Ohio State Department of Photography and Cinema; Los Angeles Plays Itself; Committee in Solidarity with the People of El Salvador; Ohio State campus, anti-Semitism; Ronald Reagan and protest; influences and colleagues; intellectual genealogy; Michael Graves and Ohio State architecture; Bad Ohio; tenure; University Exposed; AIDS issue of October; The Body and the Archive; making film; Korean War; collectors and images. Sekula also recalls Eleanor Antin, Jeff Wall, Terry Fox, Lewis Hine, Walker Evans, Paul Saltman, Marcuse, Baldessari, Sacvan Bercovitch, Stanley Miller, Jef Raskin, Paul Brach, David Antin, Howard Fried, Peter Van Riper, Alison Knowles, Dick Higgins, Manny Farber, Ihab Hassan, Diane Wakoski, Jackson Mac Low, Martha Rosler, Lenny Neufeld, Joshua Neufeld, David Wing, Brian Connell, Max Kozloff, Ian Burn, Mel Ramsden, Carole Conde, Karl Beveridge, Barry Rosens, Tom Crow, John Copeland, Harry Lunn, Hilton Kramer, Grace Mayer, Carol Duncan, Eva Cockroft, Richard Pommer, Rosalind Krauss, Sally Stein, Paddy Chayefsky, John Hanhardt, Mel Ramsden, Sarah Charlesworth, Jospeh Kosuth, Baruch Kirschenbaum, Robert Heinecken, Brian O'Doherty, Howard Becker, Jay Ruby, Jerry Liebling, Anna Wilkie, Ronald Feldman, John Gibson, David Ross, Britt Salvesen, Larry Sultan, Mike Mandel, Roy Ascott, Ilene Segalove, Paul Schimmel, DeeDee Halleck, Noel Burch, Joan Braderman, Woody Hayes, Thom Andersen, John Quigley, Ron Green, Kasper Koenig, Dan Graham, Jonathan Green, Christa Wolf, Catherine Lord, Ben Lifson, and Annette Michelson.
Biographical / Historical:
Allan Sekula (1951-2013) was a photographer, filmmaker, and writer, based at the California Institute of the Arts in Valencia, California. Mary Panzer (1955- ) is a historian from New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Photographers -- California  Search this
Filmmakers -- California  Search this
Authors -- California  Search this
Topic:
Activism  Search this
Antisemitism  Search this
Architecture  Search this
Art -- Exhibitions -- Economic aspects  Search this
Art -- History  Search this
Art, Modern -- 20th century  Search this
Art -- Study and teaching  Search this
Conceptual art  Search this
Documentary photography  Search this
Korean War, 1950-1953  Search this
Music -- New York (State) -- New York  Search this
Photography  Search this
Realism  Search this
World War, 1914-1918  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.sekula11
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d657e5da-cd1b-4366-9fe9-1852a4c5be81
EDAN-URL:
ead_collection:sova-aaa-sekula11
Online Media:

Leonard Nadel Photographs and Scrapbooks

Photographer:
Nadel, Leonard, 1916-1990  Search this
Author:
Galarza, Ernesto  Search this
Extent:
3 Cubic feet (10 boxes)
Type:
Collection descriptions
Archival materials
Photographic prints
Photographs
Black-and-white photographs
Scrapbooks
Place:
Mexico
Texas -- 20th century
Texas
California
Date:
1950-2006
bulk 1956-1960
Summary:
Photographer Leonard Nadel's supplemental material relating to and photographs of the Mexican braceros (manual laborers). They were photographed in California, Texas, and Mexico for the Ford Foundation's Fund for the Republic during the late 1950s and early 1960s in support of a report entitled Strangers in Our Fields by Dr. Ernesto Galarza.
Scope and Contents:
The collection is divided into three series. Each series is arranged chronologically.

Series 1: Scrapbooks, 1950-1968, contains scrapbooks of clippings of magazine articles and newspaper stories written by Nadel and others as well as magazines and newspaper articles making use of his photographs. The material is from a variety of specialty and mainstream publications and varies in subject matter. The scrapbooks are not only focused on Nadel's work for the Ford Foundation's Fund for the Republic but also offer a broad sampling of his work throughout the 1950s and 1960s. Material in the scrapbooks are arranged in rough chronological order. There is also a sample custom cover from one of the scrapbooks.

Series 2: Photographs, 1956-1960, undated, contains photographs printed from his negatives of the braceros. This series also contains a complete run of 8" x 10" contact sheets from his negatives of the bracero. The negatives themselves are in this series but not available for research per donor request. There are photographs ranging in size from 8" x 10" to large format photographs (10 1/2" x 13 1/2") that are keyed to frames on the contact sheets for easy reference. Negatives are arranged chronologically and captions are keyed to the negative numbers. These images have been digitized and may be found by searching "Nadel" on the collections section of the National Museum of American History website or by contacting the Archives Center.

Series 3: Publications and Supplemental Materials, 1956-2006, undated, contains correspondence, copies of Strangers in Our Fields, the publication making use of Nadel's bracero photographs, and other publications citing Nadel's work or based on it. This series also contains correspondence and written material from Evelyn De Wolfe Nadel, wife of Leonard Nadel; material relating to Nadel's photographic archive and captions for a selection of the bracero photographs. There is a selection of assorted loose news clippings.
Arrangement:
This collection is divided into three series:

Series 1: Scrapbooks, 1950-1968

Series 2: Photographs, 1956-1960, undated

Series 3: Publications and Supplemental Materials, 1956-2006, undated
Biographical / Historical:
Primarily known as a freelance photographer and photojournalist, Leonard Nadel (1916-1990) was born in Harlem, New York to Austro-Hungarian immigrant parents. He attended the City College of New York. Entering the Army during World War II, he trained at the Army Signal Corps Photographic Center. During the war he served in Australia, New Guinea, and the Philippines. After the war he returned to New York and received his master's degree in education from Teachers College, Columbia University. He moved to Los Angeles, California and studied at the Art Center College of Design.

In Los Angeles, Nadel photographed both the Pueblo del Rio and Aliso Village housing projects. He was also hired by the Housing Authority of the City of Los Angeles (HACLA) to document living conditions in the city's slums and their new post-World War II housing projects. Nadel continued his employment with HACLA until 1953, when he resigned because his HACLA colleague, Frank Wilkinson, was blacklisted by the House Committee on Un-American Activities (HUAC) and forced to resign.

Between 1953 and 1980 Nadel worked as a freelance photographer for such publications as the Los Angeles Times, Harvester News, Life, Business Week, and other major publications. His work with the Ford Foundation's Fund for the Republic resulted in his work documenting the bracero program. These photographs were taken by Leonard Nadel in connection with a survey of braceros done by Ernesto Galarza for the Fund for the Republic in 1956 in support of the publication, Strangers in Our Fields. During World War II, the United States and Mexico entered an agreement to alleviate the US labor shortage created by the war by importing Mexican workers. This arrangement outlasted the end of the war and by the time of Nadel's photographs nearly half a million Mexican contract workers, in the common vernacular of the time known as "drybacks," were legally imported to the United States annually working on short term labor contracts predominately in agriculture. These workers were also known as braceros, in Spanish translated as "manual laborer".

Nadel wrote of his work with the braceros, "I covered 5,000 miles during a circuit that took me from California to Mexico to Texas. It would have been easy enough just to turn over to the Fund the finished collection of photographs from the 2,000 images I took in attempting to accurately document the story of Strangers in Our Fields. But the conditions I had witnessed stirred me deeply. I felt that it was as much my responsibility to help 'sell' the picture story."

Nadel's photographs were the subject of the National Museum of American History (NMAH) exhibition, "Bittersweet Harvest: The Bracero Program, 1942-1964" in 2009-2010. Nadel's photographs are featured in NMAH's "America on the Move" exhibit. This quote from the "America on the Move" exhibition website gives the history of the photographs as well as the bracero program.

"In 1956, Leonard Nadel was hired by the Fund for the Republic, an anti-McCarthy liberal spin off of the Ford Foundation, to document the Bracero Program. In the 1990s, the Smithsonian Institution acquired the Nadel images. The collection contains 64 captioned photographic prints and 1730 original 35mm negatives (with corresponding contact sheets). The images document life in Mexico, men's experiences of crossing the border, and work and life in the US.

"The Bracero Program came into existence in 1942. Growers argued that labor shortages in the United States resulting from World War II required the recruitment of Mexican nationals. Mexico saw the program as a contribution to the war effort. Although the program began as a temporary war measure, it became a fixture of agricultural work landscape until it was finally terminated in 1964.

"Over the course of its lifetime, the Bracero Program became the largest and most significant U.S. labor guest worker program of the 20th century. In all, over 4.5 million contracts were awarded through the twenty-two years of the program. Despite the well-intentioned contracts, the program did not escape controversy. Some point out the widespread abuses of many of the contract's protective provisions and the violation of the legal rights and civil liberties of the braceros while others describe the program as an opportunity for Mexican nationals to make a living and improve the conditions of their families. Regardless of one's opinion of the program, it had a profound effect on Mexican American settlement patterns in the U.S. and numerous Latino families have ancestors who were involved in the Bracero Program."

Nadel married Los Angeles Times staff writer Evelyn De Wolfe in August 1961. She was Brazilian by birth and after their marriage she resigned from the Times and collaborated with Nadel on many projects that covered both national and international subjects. Nadel died in 1990.
Related Materials:
Materials in Other Organizations

The collections of the Los Angeles Public Library and the Southern California Library for Social Studies and Research each contain photographic images made by Leonard Nadel during the time he worked for The Housing Authority of the City of Los Angeles (HACLA). The Photo Collection of the Los Angeles Public Library contains approximately 290 copy negatives and corresponding black-and-white copy prints made from original materials held by HACLA. The Housing Authority of the City of Los Angeles Photograph Collection, held at the Southern California Library for Social Studies and Research, contains 225 black-and-white photographs produced by HACLA, forty-two of which were taken by Nadel.

The Getty Research Institute, Special Collections, Los Angeles, California, contain 8.75 linear feet (14 boxes) of Leonard Nadel photographs and other material relating to housing and urban redevelopment in Los Angeles, 1947-1998. The collection is described as, "Consisting primarily of photographic material by Leonard Nadel from 1947 to 1957, the collection records early efforts by the Housing Authority of the City of Los Angeles (HACLA) to promote integrated public housing for the city's growing multi-ethnic population, and also documents several areas of the city that the Community Redevelopment Agency (CRA) had targeted for commercial revitalization. Nadel's black-and-white negatives, contact prints and two unpublished photographic books form the bulk of the collection, supplemented by handwritten notes and related documents."
Provenance:
The collection was purchased with funds from the Jackson Fund in 2000. All rights were transferred to the National Museum of American History in 2000-2001.
Restrictions:
This collection is open for research use. Photographic negatives are not available for research at the donor's request, but contact sheets of the negatives are available in the collection. Some images are restricted for publication, but may be viewed in the Archives Center's reading room.

Gloves must be worn when handling unprotected photographs, negatives, and slides.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Farmers -- Mexico  Search this
Agriculture -- Research  Search this
Agriculture -- Photographs -- 20th century  Search this
Labor  Search this
Agricultural laborers  Search this
Labor and laboring classes -- Photographs  Search this
Documentary photography -- United States  Search this
Photographers -- 1950-1980  Search this
Bracero Program  Search this
Genre/Form:
Photographic prints
Photographs -- 1950-1960 -- Black-and-white photoprints -- Silver gelatin
Photographs -- 1950-2000
Black-and-white photographs
Scrapbooks -- 20th century
Citation:
Leonard Nadel Photographs and Scrapbooks, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1313
See more items in:
Leonard Nadel Photographs and Scrapbooks
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8b054fe8c-7f40-4865-9b3d-b623e3e5ac43
EDAN-URL:
ead_collection:sova-nmah-ac-1313
Online Media:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960

Creator:
McCausland, Elizabeth, 1899-1965  Search this
McCausland, Elizabeth, 1899-1965  Search this
Subject:
Hartley, Marsden  Search this
Abbott, Berenice  Search this
Hawthorne, Charles Webster  Search this
Henri, Robert  Search this
Henry, Edward Lamson  Search this
Dove, Arthur Garfield  Search this
Kleinholz, Frank  Search this
Morgan, Barbara Brooks  Search this
Stieglitz, Alfred  Search this
Weegee  Search this
Hine, Lewis Wickes  Search this
Inness, George  Search this
Lawrence, Jacob  Search this
Maurer, Alfred Henry  Search this
Weston, Edward  Search this
American Art Research Council  Search this
Federal Art Project (U.S.)  Search this
United States. Farm Security Administration  Search this
Barnard College  Search this
Type:
Scrapbooks
Prints
Drawings
Photographs
Watercolors
Place:
New York N.Y. -- Pictorial works -- photographs
Topic:
Springfield Republican  Search this
Federal aid to the arts  Search this
Art criticism -- United States  Search this
Documentary photography -- United States  Search this
Art -- Exhibitions -- United States  Search this
Art -- History -- Study and teaching  Search this
Art, Modern -- 20th century -- United States  Search this
Modernism (Art)  Search this
Art, American  Search this
Theme:
Diaries  Search this
Art Theory and Historiography  Search this
Photography  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)7839
(DSI-AAA_SIRISBib)210006
AAA_collcode_mccaeliz
Theme:
Diaries
Art Theory and Historiography
Photography
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210006
Online Media:

Oral history interview with Russell and Jean Lee

Interviewee:
Lee, Russell, 1903-1986  Search this
Lee, Jean  Search this
Interviewer:
Doud, Richard Keith  Search this
Names:
New Deal and the Arts Oral History Project  Search this
United States. Farm Security Administration.Historical Section.Photographs  Search this
Evans, Walker, 1903-1975  Search this
Rothstein, Arthur, 1915-1985  Search this
Vachon, John, 1914-1975  Search this
Vanderbilt, Paul  Search this
Extent:
36 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 June 2
Scope and Contents:
An interview of Russell and Jean Lee conducted 1964 June 2, by Richard Doud, for the Archives of American Art.
Russell speaks of his background and education; his early interest in photography; meeting Roy Stryker and Ben Shahn; early assignments with FSA covering floods and droughts in the Midwest; overcoming technical problems while traveling around; cameras he experimented with; working in small towns and rural areas; working under Roy Stryker. He recalls John Vachon, Arthur Rothstein, and Walker Evans. Jean speaks of her first association with the FSA and working under Paul Vanderbilt. Both give personal opinions of the value of the work produced by the FSA, and speak of feelings toward the rural people who were the focus of the FSA project.
Biographical / Historical:
Russell Lee (1903-1986) was a photographer with the Farm Security Administration. Jean Russell was an administrator under Paul Vanderbilt with the Farm Security Administration of Austin, Tex.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 44 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Occupation:
Arts administrators -- Texas -- Austin -- Interviews  Search this
Topic:
Photography, Artistic  Search this
Documentary photography  Search this
Photographers -- Texas -- Austin -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lee64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97f57852d-099f-4a40-878f-c72b56598ea8
EDAN-URL:
ead_collection:sova-aaa-lee64
Online Media:

Oral history interview with Paul Vanderbilt

Interviewee:
Vanderbilt, Paul  Search this
Interviewer:
Doud, Richard Keith  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
United States. Farm Security Administration. Historical Section  Search this
Rosskam, Edwin, 1903-1985  Search this
Stryker, Roy Emerson, 1893-1975  Search this
Extent:
27 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 November 10
Scope and Contents:
An interview of Paul Vanderbilt conducted 1964 November 10, by Richard Doud, for the Archives of American Art.
Vanderbilt speaks of his background and education in art history at Harvard, his work with books and in libraries before getting involved with the Farm Security Administration project; starting with the FSA and developing a plan to get its work organized; the goals and philosophies of the FSA, and the realities of its accomplishments; what the photographs produced by the project say about America; and the project's relevance to current times. He recalls Edwin Rosskam and Roy Stryker.
Biographical / Historical:
Paul Vanderbilt (1905-1992) was a librarian and archivist from Madison and Middleton, Wisconsin.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 38 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Topic:
Documentary photography  Search this
Archivists -- Wisconsin -- Madison -- Interviews  Search this
Librarians -- Wisconsin -- Madison -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.vander64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw907bd7280-4ef0-443a-b328-712eaa3a1a2c
EDAN-URL:
ead_collection:sova-aaa-vander64
Online Media:

Oral history interview with Ben Shahn

Interviewee:
Shahn, Ben, 1898-1969  Search this
Interviewer:
Doud, Richard Keith  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
United States. Farm Security Administration. Historical Section  Search this
Evans, Walker, 1903-1975  Search this
Lange, Dorothea  Search this
Rosskam, Edwin, 1903-1985  Search this
Rothstein, Arthur, 1915-1985  Search this
Stryker, Roy Emerson, 1893-1975  Search this
Extent:
29 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 April 14
Scope and Contents:
An interview of Ben Shahn conducted 1964 April 14, by Richard K. Doud, for the Archives of American Art New Deal and the Arts Project.
Shahn speaks of his travels and work for the Farm Security Administration (FSA); the American image as portrayed by FSA photographs; techniques and materials; exhibitions and publications of his work; and the effectiveness of the FSA project overall. He recalls Roy Stryker, Walker Evans, Arthur Rothstein, Edwin Rosskam and Dorothea Lange.
Biographical / Historical:
Ben Shahn (1898-1969) was a painter and photographer from Roosevelt, N.J.
General:
Originally recorded 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 23 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New Jersey -- Interviews  Search this
Topic:
Documentary photography  Search this
Federal aid to the arts  Search this
Photographers -- New Jersey -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.shahn64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw988bc9cc3-2f76-4e17-a315-11bcef420595
EDAN-URL:
ead_collection:sova-aaa-shahn64
Online Media:

Oral history interview with Charlotte Aiken and Helen Wool, 1964 April 17

Interviewee:
Aiken, Charlotte C.  Search this
Aiken, Charlotte C.  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Wool, Helen D  Search this
Stryker, Roy Emerson  Search this
United States. Farm Security Administration.Historical Section.Photographs  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Women arts administrators  Search this
Documentary photography  Search this
Theme:
Photography  Search this
New Deal  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)11653
(DSI-AAA_SIRISBib)213233
AAA_collcode_aiken64
Theme:
Photography
New Deal
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213233
Online Media:

Oral history interview with Jack and Irene Delano, 1965 June 12

Interviewee:
Delano, Jack, 1914-1997  Search this
Delano, Jack, 1914-1997  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Delano, Irene, 1919-  Search this
Stryker, Roy Emerson  Search this
United States. Farm Security Administration.Historical Section.Photographs  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Documentary photography  Search this
Photographers -- Interviews  Search this
Theme:
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)13026
(DSI-AAA_SIRISBib)213391
AAA_collcode_delano65
Theme:
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213391
Online Media:

Oral history interview with Dorothea Lange, 1964 May 22

Interviewee:
Lange, Dorothea, 1895-1965  Search this
Lange, Dorothea, 1895-1965  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Evans, Walker  Search this
Rothstein, Arthur  Search this
Stryker, Roy Emerson  Search this
Vachon, John  Search this
Vanderbilt, Paul  Search this
United States. Farm Security Administration.Historical Section.Photographs  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
New Deal art  Search this
Federal aid to the arts  Search this
Documentary photography -- United States  Search this
Women artists  Search this
Women photographers  Search this
Theme:
New Deal  Search this
Women  Search this
Photography  Search this
Record number:
(DSI-AAA_CollID)11757
(DSI-AAA_SIRISBib)213615
AAA_collcode_lange64
Theme:
New Deal
Women
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213615
Online Media:

Oral history interview with Russell and Jean Lee, 1964 June 2

Interviewee:
Lee, Russell Werner, 1903-1986  Search this
Lee, Russell Werner, 1903-1986  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Lee, Jean  Search this
Evans, Walker  Search this
Rothstein, Arthur  Search this
Vachon, John  Search this
Vanderbilt, Paul  Search this
United States. Farm Security Administration.Historical Section.Photographs  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Photography, Artistic  Search this
Documentary photography  Search this
Photographers -- Texas -- Austin -- Interviews  Search this
Theme:
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)12176
(DSI-AAA_SIRISBib)213619
AAA_collcode_lee64
Theme:
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213619
Online Media:

Oral history interview with Carl Mydans, 1964 Apr. 29

Interviewee:
Mydans, Carl, 1907-2004  Search this
Mydans, Carl, 1907-2004  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Stryker, Roy Emerson  Search this
United States. Farm Security Administration. Historical Section  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Documentary photography  Search this
Photographers -- United States -- Interviews  Search this
Theme:
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)12389
(DSI-AAA_SIRISBib)213679
AAA_collcode_mydans64
Theme:
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213679

Oral history interview with Gordon Parks, 1964 Dec. 30

Interviewee:
Parks, Gordon, 1912-2006  Search this
Parks, Gordon, 1912-2006  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Stryker, Roy Emerson  Search this
United States. Farm Security Administration  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Art and race  Search this
Documentary photography  Search this
Photography  Search this
African American artists  Search this
African American photographers  Search this
Theme:
African American  Search this
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)11480
(DSI-AAA_SIRISBib)213717
AAA_collcode_parks64
Theme:
African American
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213717
Online Media:

Oral history interview with Edwin and Louise Rosskam, 1965 August 3

Interviewee:
Rosskam, Edwin, 1903-1985  Search this
Rosskam, Edwin, 1903-1985  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Rosskam, Louise, 1910-2003  Search this
Lange, Dorothea  Search this
Stryker, Roy Emerson  Search this
Vachon, John  Search this
Wolcott, Marion Post  Search this
Wright, Richard  Search this
United States. Farm Security Administration. Historical Section  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Documentary photography  Search this
Photographers -- New Jersey -- Roosevelt -- Interviews  Search this
Theme:
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)13112
(DSI-AAA_SIRISBib)213752
AAA_collcode_rosska65
Theme:
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213752
Online Media:

Oral history interview with Arthur Rothstein, 1964 May 25

Interviewee:
Rothstein, Arthur, 1915-1985  Search this
Rothstein, Arthur, 1915-1985  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Evans, Walker  Search this
Lee, Russell  Search this
Mydans, Carl  Search this
Shahn, Ben  Search this
Stryker, Roy Emerson  Search this
United States. Farm Security Administration.Historical Section.Photographs  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Interviews
Sound recordings
Topic:
Documentary photography -- United States  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Theme:
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)13317
(DSI-AAA_SIRISBib)213781
AAA_collcode_rothst64
Theme:
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213781
Online Media:

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