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Oral history interview with Charlotte Aiken and Helen Wool, 1964 April 17

Interviewee:
Aiken, Charlotte C.  Search this
Aiken, Charlotte C.  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Stryker, Roy Emerson  Search this
United States. Farm Security Administration.Historical Section.Photographs  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Women arts administrators  Search this
Documentary photography  Search this
Theme:
Photography  Search this
New Deal  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)11653
(DSI-AAA_SIRISBib)213233
AAA_collcode_aiken64
Theme:
Photography
New Deal
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213233
Online Media:

Oral history interview with Romana Javitz, 1965 Feb. 23

Interviewee:
Javitz, Romana, 1903-1980  Search this
Javitz, Romana, 1903-1980  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Evans, Walker  Search this
United States. Farm Security Administration  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Documentary photography  Search this
Women artists  Search this
Theme:
New Deal  Search this
Women  Search this
Photography  Search this
Record number:
(DSI-AAA_CollID)12963
(DSI-AAA_SIRISBib)213590
AAA_collcode_javitz65
Theme:
New Deal
Women
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213590

Oral history interview with Charlotte Aiken and Helen Wool

Interviewee:
Aiken, Charlotte, C.  Search this
Wool, Helen D.  Search this
Interviewer:
Doud, Richard Keith  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
United States. Farm Security Administration.Historical Section.Photographs  Search this
Stryker, Roy Emerson, 1893-1975  Search this
Extent:
56 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 April 17
Scope and Contents:
An interview of Charlotte Aiken and Helen Wool conducted 1964 April 17, by Richard Doud, for the Archives of American Art.
Both women discuss working for the Farm Security Administration under Roy Stryker.
Biographical / Historical:
Charlotte Aiken was an accountant and Helen Wool was Roy Stryker's secretary in the Farm Security Administration; both are from Washington, D.C. Stryker was director of the FSA photographic survey of rural and urban America during the depression.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hrs., 27 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Arts administrators -- Washington (D.C.)  Search this
Topic:
Women arts administrators  Search this
Documentary photography  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.aiken64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-aiken64

Oral history interview with Romana Javitz

Interviewee:
Javitz, Romana, 1903-1980  Search this
Interviewer:
Doud, Richard Keith  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
United States. Farm Security Administration  Search this
Evans, Walker, 1903-1975  Search this
Extent:
1 Sound tape (Sound recording: 1 sound tape, 7 in.)
20 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tapes
Pages
Sound recordings
Interviews
Date:
1965 Feb. 23
Scope and Contents:
An interview of Romana Javitz conducted 1965 Feb. 23, by Richard Doud, for the Archives of American Art, February 23, 1965. Javitz speaks of her views on photographs; Farm Security Administration Photo File; Walker Evans; opinion of federal government being involved with photographs; and her background as an artist.
Biographical / Historical:
Romana Javitz (1903-1980) was a librarian and artist who represented the New York Public Library's Picture Collection from 1928-1968..
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Artists -- New York (State) -- New York  Search this
Topic:
Federal aid to the arts  Search this
Documentary photography  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.javitz65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-javitz65

Roy Emerson Stryker papers [microfilm]

Creator:
Stryker, Roy Emerson, 1893-1975  Search this
Names:
United States. Farm Security Administration. Historical Section  Search this
Collier, John, Jr., 1913-1992  Search this
Delano, Jack  Search this
Evans, Walker, 1903-1975  Search this
Lange, Dorothea  Search this
Lee, Russell, 1903-1986  Search this
Locke, Edwin  Search this
Rothstein, Arthur, 1915-1985  Search this
Vachon, John, 1914-1975  Search this
Wolcott, Marion Post, 1910-1990  Search this
Extent:
9 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Place:
United States -- Economic conditions -- 1918-1945
United States -- Social conditions -- 1933-1945
Date:
1932-1964
Scope and Contents:
Papers documenting Stryker's career as the head of the Farm Security Administration's photographic section, including correspondence with John Collier, Jack Delano, Walker Evans, Dorothea Lange, Russell Lee, Edwin Locke, Arthur Rothstein, John Vachon, Marion Post Wolcott and others; reports; articles on Stryker and the FSA; publications; speeches; photographs and miscellaneous materials.
Biographical / Historical:
Director of the Farm Security Administration Historical Section; Washington, D.C. Under Stryker the Photographic project of the FSA documented the drought, poverty and despair of rural and urban America during the Depression.
Provenance:
Papers lent for microfilming 1963-1966 by Roy Stryker.
Topic:
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Federal aid to the public welfare  Search this
Art and state  Search this
Documentary photography -- United States  Search this
Identifier:
AAA.stryroyp
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stryroyp

Elizabeth McCausland papers

Topic:
Springfield Republican
Creator:
McCausland, Elizabeth, 1899-1965  Search this
Names:
American Art Research Council  Search this
Barnard College -- Faculty  Search this
Federal Art Project (U.S.)  Search this
United States. Farm Security Administration  Search this
Abbott, Berenice, 1898-1991  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Hartley, Marsden, 1877-1943  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Henri, Robert, 1865-1929  Search this
Henry, Edward Lamson, 1841-1919  Search this
Hine, Lewis Wickes, 1874-1940  Search this
Inness, George, 1825-1894  Search this
Kleinholz, Frank, 1901-  Search this
Lawrence, Jacob, 1917-2000  Search this
Maurer, Alfred Henry, 1868-1932  Search this
Morgan, Barbara Brooks, 1900-1992  Search this
Stieglitz, Alfred, 1864-1946  Search this
Weegee, 1899-1968  Search this
Weston, Edward, 1886-1958  Search this
Extent:
45 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Prints
Drawings
Photographs
Watercolors
Place:
New York N.Y. -- Pictorial works -- Photographs
Date:
1838-1995
bulk 1920-1960
Summary:
The papers of art critic, writer, and historian Elizabeth McCausland measure 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1960. The collection provides a vast accumulation of research data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material donated later from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.
Scope and Content Note:
The papers of art critic, writer, and historian Elizabeth McCausland measure approximately 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1995. The collection provides a vast accumulation of data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.

McCausland's personal papers consist of appointment books and engagement calendars, scrapbooks, student papers, works printed on her private press, financial records, biographical material, and scattered memorabilia, which together document other aspects of her life apart from her work. Correspondence includes incoming and outgoing letters along with enclosures, dating from McCausland's time as a journalist for The Springfield Republican in the 1920s and 1930s to her time as a freelance writer, art critic, and historian (1940s-1960s) and mostly concerning professional matters. Also included is a substantial amount of correspondence with artists, particularly Arthur Dove and Alfred Stieglitz, and some personal correspondence with her mother. General writings consists primarily of copies of McCausland's speeches and lectures on various art topics in addition to her early poems (dating from the 1930s) and scattered essays and articles.

The most extensive part of the collection is comprised of McCausland's research and writing files pertaining to large research and curatorial projects, such as ones on the artists Alfred H. Maurer and Marsden Hartley (which was begun by the American Art Research Council and subsequently taken over by McCausland), and one for the American Processional exhibition at the Corcoran Gallery in 1950. A wide variety of smaller projects are also well-documented in the series Other Research and Writing Files, including ones on E. L. Henry, Lewis Hine, George Inness, her collaborative work with Berenice Abbott on the Changing New York book and series of photographs. Numerous other artists and art topics are covered as well, such as Arthur Dove, Robert Henri, Jacob Lawrence, Charles Hawthorne, film, and photography. Files for her book Careers in Art (1950), her many speaking and lecture engagements, and editing work are also found in this series. Files consist primarily of correspondence, notes, research material, manuscripts, bibliographies, photographs of works of art, completed research forms for works of art, card index files, and printed material.

Also found are subject files containing printed material, scattered notes and correspondence, and photographs, which may have been used for reference and/or collected in the course of McCausland's research activities; files relating to various exhibitions organized by McCausland from 1939 to 1944, including ones of silk screen prints and modern photography; files relating to courses on art history taught by McCausland, especially the one she taught at Barnard College in 1956; and files stemming from her participation in various art organizations and committees, especially during the time period just before and during the Second World War.

Printed material consists primarily of clippings and tear sheets of McCausland's newspaper articles and columns, which document her contributions to The Springfield Republican from 1923 to 1946, in addition to scattered exhibition catalogs, announcements, books, and miscellaneous publications. Photographs include ones of various artists and works of art, ones from the Farm Security Administration, and ones by photographers, such as Berenice Abbott (including ones from the Federal Art Project book, Changing New York), Barbara Morgan, Weegee, and Edward Weston, among others. Photographs, sometimes annotated or including notes, are scattered throughout her research files. Also included are photographs of McCausland, dating from her childhood. Art work found in the collection includes drawings, prints, and watercolors that were either given to McCausland by the artist or collected by her in the course of her work as an art critic and historian.

Additional material belonging to Elizabeth McCausland and donated by the estate of Berenice Abbott includes biographical material; business and personal correspondence; professional project files and writings, including drafts and research materials related to the book projects Art in America, Conversations with March, and Frank Kleinholz; and printed materials, including reprints of critical essays and articles by McCausland.
Arrangement:
The collection is arranged as 15 series:

Series 1: Personal Papers, 1838, 1920-1951 (Boxes 1-2, 34; 1.5 linear feet)

Series 2: Correspondence, 1923-1960 (Boxes 2-5; 2.9 linear feet)

Series 3: General Writings, circa 1930-1954 (Boxes 5-6; 0.9 linear feet)

Series 4: Alfred H. Maurer, 1851-1951, bulk 1948-1950 (Boxes 6-9; 3.7 linear feet)

Series 5: American Processional, 1949-1951 (Boxes 10-11; 1.8 linear feet)

Series 6: Marsden Hartley, 1900-1964, bulk 1944-1964 (Boxes 11-21, OV 37; 10 linear feet)

Series 7: Other Research and Writing Files, 1896, 1926-1958 (Boxes 21-25, 31; 4.6 linear feet)

Series 8: Subject Files, 1927-1954 (Boxes 25-26; 1.0 linear feet)

Series 9: Other Exhibition Files, 1939-1941, 1944 (Box 26; 0.1 linear feet)

Series 10: Teaching Files, 1939-1965 (Box 27; 0.5 linear feet)

Series 11: Committee Files, 1936-1960 (Box 27; 0.5 linear feet)

Series 12: Printed Material, 1923-1953 (Boxes 28-32, 34, OV 38, BV 44-47; 4.6 linear feet)

Series 13: Photographs, circa 1905-1950 (Boxes 32-36, OV 37; 1.4 linear feet)

Series 14: Art Work, 1887-1942 (Boxes 33-34, OV 39-43; 0.7 linear feet)

Series 15: Elizabeth McCausland Material from the Estate of Berenice Abbott, 1920-1995 (Boxes 48-53; 5.4 linear feet)
Biographical Note:
Elizabeth McCausland, the art critic and writer, was born in Wichita, Kansas in 1899. She attended Smith College, receiving her Bachelor's degree in 1920 and her Master's in 1922. Beginning in 1923, she worked as a general reporter for The Springfield Republican (Springfield, Massachusetts). After several years, she began to review art exhibitions and soon became an established art critic. In the course of her work, she began to develop friendships with artists, such as Alfred Stieglitz and Arthur Dove. During these early years, she also wrote poetry and designed and printed limited edition publications on her private press.

McCausland moved to New York in 1935, but continued to contribute a weekly art column to The Springfield Republican until it suspended publication in 1946. From the mid-1930s on, she worked primarily as a freelance writer and art critic, contributing articles to publications such as Parnassas, The New Republic, and Magazine of Art. In the latter part of her career, her writings focused more on art history and special studies on artists.

In the late-1930s, McCausland collaborated with the photographer Berenice Abbott on the Federal Art Project book, Changing New York, for which she provided the text to Abbott's now-famous photographs of New York City neighborhoods, architecture, and street scenes. She studied and wrote about photography, including numerous articles on the photographer Lewis Hine (of whose work she organized a retrospective exhibition at the Riverside Museum in 1939), and was appointed to the Advisory Committee of the Museum of Modern Art's Department of Photography in 1944.

McCausland went on to organize other exhibitions, including a show of contemporary work, "The World of Today" (Berkshire Museum, 1939), shows of silk screen prints (Springfield Museum of Fine Arts, March 1940 and New York State Museum, Summer 1940), and a photography show, "Photography Today" (A.C.A. Gallery, 1944). In the late 1930s, she embarked upon a study of "the status of the artist in America from colonial times to the present, with especial attention to the relation between art and patronage," which continued over twenty years (and was never completed) and for which she received a Guggenheim fellowship in 1943.

In addition to her other writing, during the 1940s, McCausland carried out studies on the artists, E. L. Henry and George Inness, which resulted in exhibitions at the New York State Museum in 1942 and the George Walter Vincent Smith Art Museum in 1946, respectively and publications (a report on Henry and a book on Inness). From 1948 to 1949, she carried out an extensive study of the painter, Alfred H. Maurer, organizing an exhibition, "A. H. Maurer: 1868-1932," which showed at the Walker Art Center and the Whitney Museum of American Art in 1949, and publishing the biography, A. H. Maurer, in 1951. In 1950, she worked as a special consultant on the American Processional exhibition at the Corcoran Gallery and as editor of the accompanying book. Shortly thereafter, she began a study of Marsden Hartley for a monograph, which was published in 1952, and she helped organize the Hartley exhibition at the University of Minnesota that same year. She continued the Hartley study on larger scale for a planned biography and catalogue raisonne; although she continued to work on it off and on for the next decade, the project was never completed.

McCausland published other books, including Careers in the Arts (1951), and undertook other research and consulting projects, such as photo-editing Carl Sandburg's Poems of the Midwest (1946), conducting surveys of art and advertising for an article in Magazine of Art and of art education for Cooper Union Art School, and contributing yearly articles on art to various encyclopedias. At different times throughout her career, she supplemented her income by taking teaching positions. She taught courses on art history at Sarah Lawrence College from 1942 to 1944 and at Barnard College in 1956, as well as courses at the Design Laboratory (1939) and the New School for Social Research (1946). She also gave numerous lectures and speeches on various art topics, and regularly participated in conferences and symposiums. Towards the end of her career, she was publishing less, but was still involved in many projects, most notably the Hartley study.

McCausland was a tireless promoter of the arts, and often an advocate for artists. Even though her work was well-known among certain art circles, she never received the recognition as a writer that she deserved. Nor was she ever able to free herself from the pressure of writing for a living. Continually suffering from poor health, she died on May 14, 1965.
Related Material:
Related material found in the Archives includes a sound recording from a symposium on Marsden Hartley, of which McCausland was a participant, held at the Portland Museum of Art in 1961. The Frank Kleinholz papers contain a recorded interview of McCausland done in 1944-1945 for radio station WNYC. Some of McCausland's correspondence is found in the G. Alan Chidsey papers; Chidsey served as a trustee of the Marsden Hartley estate.
Separated Material:
Material separated from the collection includes some issues of Camera Work (Vol. 30, 47, 49/50), which were combined with other issues in an artificial collection created by the Archives at some earlier point.
Provenance:
Elizabeth McCausland donated the bulk of her papers in several installments from 1956 to 1961. An unknown donor, perhaps her literary executor, donated additional papers sometime after her death in 1965. It appears that McCausland originally donated her research files on Marsden Hartley, measuring 10 linear feet, to the Whitney Museum, who then lent them to the Archives for microfilming in 1966, and donated them sometime thereafter. McCausland originally donated files of newspaper clippings and offprints of her articles to the The New York Public Library, who gave them to the Archives in 1968. Additional McCausland material from the estate of Berenice Abbott was donated to the Archives in 2009.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Topic:
Federal aid to the arts  Search this
Art criticism -- United States  Search this
Documentary photography -- United States  Search this
Authors -- New York (State) -- New York  Search this
Art -- Exhibitions -- United States  Search this
Art -- History -- Study and teaching  Search this
Art, Modern -- 20th century -- United States  Search this
Modernism (Art)  Search this
Art, American  Search this
Function:
Arts organizations
Genre/Form:
Scrapbooks
Prints
Drawings
Photographs
Watercolors
Citation:
Elizabeth McCausland papers, 1838-1995, bulk 1920-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccaeliz
See more items in:
Elizabeth McCausland papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mccaeliz
Online Media:

Oral history interview with Gordon Parks

Creator:
Parks, Gordon, 1912-2006  Search this
New Deal and the Arts Oral History Project  Search this
Interviewer:
Doud, Richard Keith  Search this
Names:
New Deal and the Arts Oral History Project  Search this
United States. Farm Security Administration  Search this
Stryker, Roy Emerson, 1893-1975  Search this
Extent:
19 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 Dec. 30
Scope and Contents:
An interview of Gordon Parks conducted 1964 Dec. 30, by Richard Doud, for the Archives of American Art, in New York, N.Y.
Parks speaks of his background; his early interest in photography; influences on him; his early career as a fashion photographer; joining the Farm Security Administration; his early impressions of the FSA; Roy Stryker's influence and guidance; how being Black and the experience of racism influenced his ability to relate to his subjects; memorable people he met during the FSA years; his post-FSA career, including his novels and his work for LIFE; and his opinions about the FSA's impact on people and on photography.
Biographical / Historical:
Gordon Parks (1912-2006) was a filmmaker, author, photographer, and composer from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 1 hr., 1 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Photographers -- New York (State) -- New York  Search this
Filmmakers -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Composers -- New York (State) -- New York  Search this
Topic:
Art and race  Search this
Documentary photography  Search this
Photography  Search this
African American artists  Search this
African American photographers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.parks64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-parks64

Oral history interview with C. B. (Calvin Benhan) Baldwin

Interviewee:
Baldwin, Calvin Benham, 1902-1975  Search this
Interviewer:
Doud, Richard Keith  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
United States. Farm Security Administration  Search this
Stryker, Roy Emerson, 1893-1975  Search this
Tugwell, Rexford G. (Rexford Guy), 1891-1979  Search this
Extent:
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 February 25
Scope and Contents:
An interview of C.B. Baldwin conducted 1965 February 25, by Richard K. Doud, for the Archives of American Art. Baldwin speaks of his family's influence on his development; working in Washington, D.C. with Rexford Tugwell for the Department of Agriculture; the New Deal projects which led to the formation of the Farm Security Administration; the photography project of the Farm Security Administration; finding photographers for the project; the usefulness of the work produced by the FSA. He recalls Roy Stryker.
Biographical / Historical:
C. B. (Calvin Benhan) Baldwin (1902-1975) was an administrator with the Farm Security Administration. The Farm Security Administration, under its Historic Section photographed the harsh living conditions of poverty-stricken rural and urban America during the late 1930s through the 1940s.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 5 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Topic:
Documentary photography -- United States  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.baldwi65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-baldwi65

Oral history interview with Allan Sekula, 2011 August 20-2012 February 14

Interviewee:
Sekula, Allan, 1951-2013  Search this
Sekula, Allan, 1951-2013  Search this
Interviewer:
Panzer, Mary, 1955-  Search this
Subject:
Altoon, John  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Ascott, Roy  Search this
Braderman, Joan  Search this
Baldessari, John  Search this
Barthes, Roland  Search this
Becker, Howard  Search this
Bercovitch, Sacvan  Search this
Beveridge, Karl  Search this
Diddley, Bo  Search this
Brach, Paul  Search this
Burch, Noël  Search this
Burn, Ian  Search this
Captain Beefheart  Search this
Charlesworth, Sarah  Search this
Chayefsky, Paddy  Search this
Conde, Carol  Search this
Connell, Brian  Search this
Evans, Walker  Search this
Farber, Manny  Search this
Feldman, Ronald  Search this
Folks, Homer  Search this
Fox, Terry  Search this
Fried, Howard  Search this
Ginsberg, Allen  Search this
Graham, Dan  Search this
Graves, Michael  Search this
Halleck, DeeDee  Search this
Hanhardt, John G.  Search this
Hassan, Ihab  Search this
Hayes, Woody  Search this
Heinecken, Robert  Search this
Higgins, Dick  Search this
Hine, Lewis Wickes  Search this
Kienholz, Edward  Search this
Kirschenbaum, Baruch David  Search this
Knowles, Alison  Search this
König, Kasper  Search this
Kosuth, Joseph.  Search this
Kozloff, Max  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
Liebling, Jerome  Search this
Lifson, Ben  Search this
Little Richard  Search this
Lonidier, Fred  Search this
Lord, Catherine  Search this
Lunn, Harry  Search this
Mac Low, Jackson  Search this
Mandel, Mike  Search this
Matta  Search this
Mayer, Grace M.  Search this
Michelson, Annette  Search this
O'Doherty, Brian  Search this
Pommer, Richard  Search this
Ramsden, Mel  Search this
Raskin, Jef  Search this
Reagan, Ronald  Search this
Rosler, Martha  Search this
Ross, David A.  Search this
Ruby, Jay  Search this
Ruscha, Edward  Search this
Salle, David  Search this
Salvesen, Britt  Search this
Schimmel, Paul  Search this
Segalove, Ilene  Search this
Stein, Sally  Search this
Steinmetz, Philip  Search this
Sultan, Larry  Search this
Van Riper, Peter  Search this
Wakoski, Diane  Search this
Wall, Jeff  Search this
Artforum  Search this
California Institute of the Arts  Search this
Ohio State University  Search this
Rhode Island School of Design  Search this
Students for a Democratic Society (U.S.)  Search this
University of California, San Diego  Search this
Type:
Interviews
Sound recordings
Topic:
Activism  Search this
Antisemitism  Search this
Architecture  Search this
Art -- Exhibitions -- Economic aspects  Search this
Art -- History  Search this
Art, Modern -- 20th century  Search this
Art -- Study and teaching  Search this
Conceptual art  Search this
Documentary photography  Search this
Korean War, 1950-1953  Search this
Music -- New York (State) -- New York  Search this
Photography  Search this
Realism  Search this
World War, 1914-1918  Search this
Record number:
(DSI-AAA_CollID)16239
(DSI-AAA_SIRISBib)370420
AAA_collcode_sekula11
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_370420
Online Media:

Oral history interview with Allan Sekula

Interviewee:
Sekula, Allan  Search this
Interviewer:
Panzer, Mary  Search this
Names:
Artforum  Search this
California Institute of the Arts  Search this
Ohio State University -- Faculty  Search this
Rhode Island School of Design  Search this
Students for a Democratic Society (U.S.)  Search this
University of California, San Diego  Search this
Altoon, John, 1925-  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Ascott, Roy  Search this
Baldessari, John, 1931-  Search this
Barthes, Roland  Search this
Becker, Howard  Search this
Bercovitch, Sacvan  Search this
Beveridge, Karl  Search this
Brach, Paul, 1924-  Search this
Braderman, Joan  Search this
Burch, Noël, 1932-  Search this
Burn, Ian, 1939-1993  Search this
Captain Beefheart  Search this
Charlesworth, Sarah, 1947-2013  Search this
Chayefsky, Paddy, 1923-1981  Search this
Conde, Carol  Search this
Connell, Brian  Search this
Diddley, Bo, 1928-2008  Search this
Evans, Walker, 1903-1975  Search this
Farber, Manny  Search this
Feldman, Ronald, 1938-  Search this
Folks, Homer, 1867-1963  Search this
Fox, Terry, 1943-  Search this
Fried, Howard, 1946-  Search this
Ginsberg, Allen, 1926-1997  Search this
Graham, Dan, 1942-  Search this
Graves, Michael, 1934-2015  Search this
Halleck, DeeDee  Search this
Hanhardt, John G.  Search this
Hassan, Ihab, 1925-2015  Search this
Hayes, Woody, 1913-1987  Search this
Heinecken, Robert, 1931-  Search this
Higgins, Dick, 1938-1998  Search this
Hine, Lewis Wickes, 1874-1940  Search this
Kienholz, Edward, 1927-  Search this
Kirschenbaum, Baruch David, 1931-  Search this
Knowles, Alison, 1933-  Search this
Kosuth, Joseph.  Search this
Kozloff, Max  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
König, Kasper  Search this
Liebling, Jerome  Search this
Lifson, Ben  Search this
Little Richard, 1932-  Search this
Lonidier, Fred  Search this
Lord, Catherine, 1949-  Search this
Lunn, Harry, 1933-1998  Search this
Mac Low, Jackson  Search this
Mandel, Mike  Search this
Matta, 1912-2002  Search this
Mayer, Grace M.  Search this
Michelson, Annette  Search this
O'Doherty, Brian  Search this
Pommer, Richard  Search this
Ramsden, Mel  Search this
Raskin, Jef  Search this
Reagan, Ronald  Search this
Rosler, Martha  Search this
Ross, David A., 1949-  Search this
Ruby, Jay  Search this
Ruscha, Edward  Search this
Salle, David, 1952-  Search this
Salvesen, Britt  Search this
Schimmel, Paul  Search this
Segalove, Ilene, 1950-  Search this
Stein, Sally  Search this
Steinmetz, Philip  Search this
Sultan, Larry  Search this
Van Riper, Peter  Search this
Wakoski, Diane  Search this
Wall, Jeff, 1946-  Search this
Extent:
12 Items (Sound recording: 12 sound files (6 hr.,14 min.), digital, wav)
143 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2011 August 20-2012 February 14
Scope and Contents:
An interview with Allan Sekula conducted 2011 August 20-2012 February 14, by Mary Panzer, for the Archives of American Art at Sekula's studio and home in Los Angeles, California and at the Museum of Modern Art in New York, New York.
Sekula speaks of his career and some of the mediums he works in; language and contemporary art; Roland Barthes; his relation to contemporary art; west coast conceptualism; genre switches; realism; documentary photography; Belgium and the industrial revolution; Meunier; minor figures; art history and marginalism; Roberto Matta; World War I; Homer Folks; Fish Story; historic cinema; economic factors of art shows and publication; galleries and the art world; growing up and his family; his father and moving; Ohio; his brothers and sisters; San Pedro; demographics of students at school; sports at school; Vietnam; protests; cross country and swimming; California; fishing; college; U.C. system; declaring a major; John Altoon; Ed Kienholz; exposure to art; visiting museums; Marcuse's classes; Baldessari's classes; course work and student life; student demonstrations; working in a library and exposure to books; father losing his job; science and working as a chemical technician; politics; his uncle committing suicide; moving away from his father; the draft; John Birch; Students for a Democratic Society; his mother; politics of his parents; Aerospace Folk Tales, autodidacts and scholarship; San Diego and Mexico; obtaining a camera and starting to use it; art school; CalArts; UCSD; Meditations on a Triptych; David Salle; Fred Lonidier; Phel Steinmetz; MFA and art training; poets; story of Allen Ginsberg and one of Sekula's sculptures; production and the audience; A Photograph is Worth a Thousand Questions, photography and the burden of tradition; pictorialism; moving to New York; Artforum; October; New York music scene; Captain Beefheart; Bo Diddley; Little Richard; Steichen and aerial photography; origins of October; New Criterion; Art Critic's Grant; teaching at Ohio State; television; technological historians; New York subway and getting a ticket for using French money; RISD lectures; Long Beach; photography; collages; Metro Pictures; New Topographics; School as a Factory; moral choice and the viewer; work method and the audience; Social Criticism and Art Practice; east and west coasts; Ed Ruscha; documentary; film, Los Angeles; cinema and social history; Ohio State Department of Photography and Cinema; Los Angeles Plays Itself; Committee in Solidarity with the People of El Salvador; Ohio State campus, anti-Semitism; Ronald Reagan and protest; influences and colleagues; intellectual genealogy; Michael Graves and Ohio State architecture; Bad Ohio; tenure; University Exposed; AIDS issue of October; The Body and the Archive; making film; Korean War; collectors and images. Sekula also recalls Eleanor Antin, Jeff Wall, Terry Fox, Lewis Hine, Walker Evans, Paul Saltman, Marcuse, Baldessari, Sacvan Bercovitch, Stanley Miller, Jef Raskin, Paul Brach, David Antin, Howard Fried, Peter Van Riper, Alison Knowles, Dick Higgins, Manny Farber, Ihab Hassan, Diane Wakoski, Jackson Mac Low, Martha Rosler, Lenny Neufeld, Joshua Neufeld, David Wing, Brian Connell, Max Kozloff, Ian Burn, Mel Ramsden, Carole Conde, Karl Beveridge, Barry Rosens, Tom Crow, John Copeland, Harry Lunn, Hilton Kramer, Grace Mayer, Carol Duncan, Eva Cockroft, Richard Pommer, Rosalind Krauss, Sally Stein, Paddy Chayefsky, John Hanhardt, Mel Ramsden, Sarah Charlesworth, Jospeh Kosuth, Baruch Kirschenbaum, Robert Heinecken, Brian O'Doherty, Howard Becker, Jay Ruby, Jerry Liebling, Anna Wilkie, Ronald Feldman, John Gibson, David Ross, Britt Salvesen, Larry Sultan, Mike Mandel, Roy Ascott, Ilene Segalove, Paul Schimmel, DeeDee Halleck, Noel Burch, Joan Braderman, Woody Hayes, Thom Andersen, John Quigley, Ron Green, Kasper Koenig, Dan Graham, Jonathan Green, Christa Wolf, Catherine Lord, Ben Lifson, and Annette Michelson.
Biographical / Historical:
Allan Sekula (1951-2013) was a photographer, filmmaker, and writer, based at the California Institute of the Arts in Valencia, California. Mary Panzer (1955- ) is a historian from New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Photographers -- California  Search this
Filmmakers -- California  Search this
Authors -- California  Search this
Topic:
Activism  Search this
Antisemitism  Search this
Architecture  Search this
Art -- Exhibitions -- Economic aspects  Search this
Art -- History  Search this
Art, Modern -- 20th century  Search this
Art -- Study and teaching  Search this
Conceptual art  Search this
Documentary photography  Search this
Korean War, 1950-1953  Search this
Music -- New York (State) -- New York  Search this
Photography  Search this
Realism  Search this
World War, 1914-1918  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.sekula11
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sekula11

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960

Creator:
McCausland, Elizabeth, 1899-1965  Search this
McCausland, Elizabeth, 1899-1965  Search this
Subject:
Hartley, Marsden  Search this
Abbott, Berenice  Search this
Hawthorne, Charles Webster  Search this
Henri, Robert  Search this
Henry, Edward Lamson  Search this
Dove, Arthur Garfield  Search this
Kleinholz, Frank  Search this
Morgan, Barbara Brooks  Search this
Stieglitz, Alfred  Search this
Weegee  Search this
Hine, Lewis Wickes  Search this
Inness, George  Search this
Lawrence, Jacob  Search this
Maurer, Alfred Henry  Search this
Weston, Edward  Search this
American Art Research Council  Search this
Federal Art Project (U.S.)  Search this
United States. Farm Security Administration  Search this
Barnard College  Search this
Type:
Scrapbooks
Prints
Drawings
Photographs
Watercolors
Place:
New York N.Y. -- Pictorial works -- photographs
Topic:
Springfield Republican  Search this
Federal aid to the arts  Search this
Art criticism -- United States  Search this
Documentary photography -- United States  Search this
Authors -- New York (State) -- New York  Search this
Art -- Exhibitions -- United States  Search this
Art -- History -- Study and teaching  Search this
Art, Modern -- 20th century -- United States  Search this
Modernism (Art)  Search this
Art, American  Search this
Theme:
Diaries  Search this
Art Theory and Historiography  Search this
Photography  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)7839
(DSI-AAA_SIRISBib)210006
AAA_collcode_mccaeliz
Theme:
Diaries
Art Theory and Historiography
Photography
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210006
Online Media:

Oral history interview with Theodor Jung, 1965 Jan. 19

Interviewee:
Jung, Theodor, 1906-1996  Search this
Jung, Theodor, 1906-1996  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
United States. Farm Security Administration. Historical Section  Search this
United States. Federal Emergency Relief Administration  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Documentary photography  Search this
Photographers -- Interviews  Search this
Theme:
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)13179
(DSI-AAA_SIRISBib)213576
AAA_collcode_jung65
Theme:
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213576

Oral history interview with Dorothea Lange, 1964 May 22

Interviewee:
Lange, Dorothea, 1895-1965  Search this
Lange, Dorothea, 1895-1965  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Evans, Walker  Search this
Rothstein, Arthur  Search this
Stryker, Roy Emerson  Search this
Vachon, John  Search this
Vanderbilt, Paul  Search this
United States. Farm Security Administration.Historical Section.Photographs  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Documentary photography -- United States  Search this
Photographers -- California -- Interviews  Search this
Women artists  Search this
New Deal art  Search this
Theme:
New Deal  Search this
Women  Search this
Photography  Search this
Record number:
(DSI-AAA_CollID)11757
(DSI-AAA_SIRISBib)213615
AAA_collcode_lange64
Theme:
New Deal
Women
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213615
Online Media:

Oral history interview with Russell and Jean Lee, 1964 June 2

Interviewee:
Lee, Russell Werner, 1903-1986  Search this
Lee, Russell Werner, 1903-1986  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Evans, Walker  Search this
Rothstein, Arthur  Search this
Vachon, John  Search this
Vanderbilt, Paul  Search this
United States. Farm Security Administration.Historical Section.Photographs  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Photography, Artistic  Search this
Documentary photography  Search this
Photographers -- Texas -- Austin -- Interviews  Search this
Theme:
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)12176
(DSI-AAA_SIRISBib)213619
AAA_collcode_lee64
Theme:
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213619
Online Media:

Oral history interview with Carl Mydans, 1964 Apr. 29

Interviewee:
Mydans, Carl, 1907-2004  Search this
Mydans, Carl, 1907-2004  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Stryker, Roy Emerson  Search this
United States. Farm Security Administration. Historical Section  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Documentary photography  Search this
Photographers -- United States -- Interviews  Search this
Theme:
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)12389
(DSI-AAA_SIRISBib)213679
AAA_collcode_mydans64
Theme:
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213679

Oral history interview with Gordon Parks, 1964 Dec. 30

Interviewee:
Parks, Gordon, 1912-2006  Search this
Parks, Gordon, 1912-2006  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Stryker, Roy Emerson  Search this
United States. Farm Security Administration  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Art and race  Search this
Documentary photography  Search this
Photography  Search this
African American artists  Search this
African American photographers  Search this
Theme:
African American  Search this
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)11480
(DSI-AAA_SIRISBib)213717
AAA_collcode_parks64
Theme:
African American
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213717
Online Media:

Oral history interview with Edwin and Louise Rosskam, 1965 August 3

Interviewee:
Rosskam, Edwin, 1903-1985  Search this
Rosskam, Edwin, 1903-1985  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Lange, Dorothea  Search this
Stryker, Roy Emerson  Search this
Vachon, John  Search this
Wolcott, Marion Post  Search this
Wright, Richard  Search this
United States. Farm Security Administration. Historical Section  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Documentary photography  Search this
Photographers -- New Jersey -- Roosevelt -- Interviews  Search this
Theme:
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)13112
(DSI-AAA_SIRISBib)213752
AAA_collcode_rosska65
Theme:
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213752
Online Media:

Oral history interview with Arthur Rothstein, 1964 May 25

Interviewee:
Rothstein, Arthur, 1915-1985  Search this
Rothstein, Arthur, 1915-1985  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Evans, Walker  Search this
Lee, Russell  Search this
Mydans, Carl  Search this
Shahn, Ben  Search this
Stryker, Roy Emerson  Search this
United States. Farm Security Administration.Historical Section.Photographs  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Interviews
Sound recordings
Topic:
Documentary photography -- United States  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Theme:
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)13317
(DSI-AAA_SIRISBib)213781
AAA_collcode_rothst64
Theme:
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213781
Online Media:

Oral history interview with Ben Shahn, 1964 April 14

Interviewee:
Shahn, Ben, 1898-1969  Search this
Shahn, Ben, 1898-1969  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Evans, Walker  Search this
Lange, Dorothea  Search this
Rosskam, Edwin  Search this
Rothstein, Arthur  Search this
Stryker, Roy Emerson  Search this
United States. Farm Security Administration. Historical Section  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Documentary photography  Search this
Federal aid to the arts  Search this
Photographers -- New Jersey -- Interviews  Search this
Theme:
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)12760
(DSI-AAA_SIRISBib)213825
AAA_collcode_shahn64
Theme:
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213825
Online Media:

Oral history interview with Rexford Tugwell, 1965 January 21

Interviewee:
Tugwell, Rexford G. (Rexford Guy), 1891-1979  Search this
Tugwell, Rexford G. (Rexford Guy), 1891-1979  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
United States. Farm Security Administration. Historical Section  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Documentary photography  Search this
Arts administrators -- Washington (D.C.) -- Interviews  Search this
Theme:
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)11714
(DSI-AAA_SIRISBib)213955
AAA_collcode_tugwel65
Theme:
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213955
Online Media:

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