Search Results

Interviewee:

Sekula, Allan  Search this

Interviewer:

Panzer, Mary  Search this

Names:

Artforum  Search this

California Institute of the Arts  Search this

Rhode Island School of Design  Search this

Students for a Democratic Society (U.S.)  Search this

The Ohio State University -- Faculty  Search this

University of California, San Diego  Search this

Altoon, John, 1925-  Search this

Antin, David  Search this

Antin, Eleanor  Search this

Ascott, Roy  Search this

Baldessari, John, 1931-  Search this

Barthes, Roland  Search this

Becker, Howard  Search this

Bercovitch, Sacvan  Search this

Beveridge, Karl  Search this

Bo Diddley, 1928-2008  Search this

Brach, Paul, 1924-  Search this

Braderman, Joan  Search this

Burch, Noël, 1932-  Search this

Burn, Ian, 1939-1993  Search this

Captain Beefheart  Search this

Charlesworth, Sarah, 1947-2013  Search this

Chayefsky, Paddy, 1923-1981  Search this

Conde, Carol  Search this

Connell, Brian  Search this

Evans, Walker, 1903-1975  Search this

Farber, Manny  Search this

Feldman, Ronald, 1938-  Search this

Folks, Homer, 1867-1963  Search this

Fox, Terry, 1943-  Search this

Fried, Howard, 1946-  Search this

Ginsberg, Allen, 1926-1997  Search this

Graham, Dan, 1942-  Search this

Graves, Michael, 1934-2015  Search this

Halleck, DeeDee  Search this

Hanhardt, John G.  Search this

Hassan, Ihab, 1925-2015  Search this

Hayes, Woody, 1913-1987  Search this

Heinecken, Robert, 1931-  Search this

Higgins, Dick, 1938-1998  Search this

Hine, Lewis Wickes, 1874-1940  Search this

Kienholz, Edward, 1927-  Search this

Kirschenbaum, Baruch David, 1931-  Search this

Knowles, Alison, 1933-  Search this

Kosuth, Joseph.  Search this

Kozloff, Max  Search this

Kramer, Hilton  Search this

Krauss, Rosalind E.  Search this

König, Kasper  Search this

Liebling, Jerome  Search this

Lifson, Ben  Search this

Little Richard, 1932-  Search this

Lonidier, Fred  Search this

Lord, Catherine, 1949-  Search this

Lunn, Harry, 1933-1998  Search this

Mac Low, Jackson  Search this

Mandel, Mike  Search this

Matta, 1912-2002  Search this

Mayer, Grace M.  Search this

Michelson, Annette  Search this

O'Doherty, Brian  Search this

Pommer, Richard  Search this

Ramsden, Mel  Search this

Raskin, Jef  Search this

Reagan, Ronald  Search this

Rosler, Martha  Search this

Ross, David A., 1949-  Search this

Ruby, Jay  Search this

Ruscha, Edward  Search this

Salle, David, 1952-  Search this

Salvesen, Britt  Search this

Schimmel, Paul  Search this

Segalove, Ilene, 1950-  Search this

Stein, Sally  Search this

Steinmetz, Philip  Search this

Sultan, Larry  Search this

Van Riper, Peter  Search this

Wakoski, Diane  Search this

Wall, Jeff, 1946-  Search this

Extent:

12 Items (Sound recording: 12 sound files (6 hr.,14 min.), digital, wav)

143 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Interviews

Sound recordings

Date:

2011 August 20-2012 February 14

Scope and Contents:

An interview with Allan Sekula conducted 2011 August 20-2012 February 14, by Mary Panzer, for the Archives of American Art at Sekula's studio and home in Los Angeles, California and at the Museum of Modern Art in New York, New York.

Sekula speaks of his career and some of the mediums he works in; language and contemporary art; Roland Barthes; his relation to contemporary art; west coast conceptualism; genre switches; realism; documentary photography; Belgium and the industrial revolution; Meunier; minor figures; art history and marginalism; Roberto Matta; World War I; Homer Folks; Fish Story; historic cinema; economic factors of art shows and publication; galleries and the art world; growing up and his family; his father and moving; Ohio; his brothers and sisters; San Pedro; demographics of students at school; sports at school; Vietnam; protests; cross country and swimming; California; fishing; college; U.C. system; declaring a major; John Altoon; Ed Kienholz; exposure to art; visiting museums; Marcuse's classes; Baldessari's classes; course work and student life; student demonstrations; working in a library and exposure to books; father losing his job; science and working as a chemical technician; politics; his uncle committing suicide; moving away from his father; the draft; John Birch; Students for a Democratic Society; his mother; politics of his parents; Aerospace Folk Tales, autodidacts and scholarship; San Diego and Mexico; obtaining a camera and starting to use it; art school; CalArts; UCSD; Meditations on a Triptych; David Salle; Fred Lonidier; Phel Steinmetz; MFA and art training; poets; story of Allen Ginsberg and one of Sekula's sculptures; production and the audience; A Photograph is Worth a Thousand Questions, photography and the burden of tradition; pictorialism; moving to New York; Artforum; October; New York music scene; Captain Beefheart; Bo Diddley; Little Richard; Steichen and aerial photography; origins of October; New Criterion; Art Critic's Grant; teaching at Ohio State; television; technological historians; New York subway and getting a ticket for using French money; RISD lectures; Long Beach; photography; collages; Metro Pictures; New Topographics; School as a Factory; moral choice and the viewer; work method and the audience; Social Criticism and Art Practice; east and west coasts; Ed Ruscha; documentary; film, Los Angeles; cinema and social history; Ohio State Department of Photography and Cinema; Los Angeles Plays Itself; Committee in Solidarity with the People of El Salvador; Ohio State campus, anti-Semitism; Ronald Reagan and protest; influences and colleagues; intellectual genealogy; Michael Graves and Ohio State architecture; Bad Ohio; tenure; University Exposed; AIDS issue of October; The Body and the Archive; making film; Korean War; collectors and images. Sekula also recalls Eleanor Antin, Jeff Wall, Terry Fox, Lewis Hine, Walker Evans, Paul Saltman, Marcuse, Baldessari, Sacvan Bercovitch, Stanley Miller, Jef Raskin, Paul Brach, David Antin, Howard Fried, Peter Van Riper, Alison Knowles, Dick Higgins, Manny Farber, Ihab Hassan, Diane Wakoski, Jackson Mac Low, Martha Rosler, Lenny Neufeld, Joshua Neufeld, David Wing, Brian Connell, Max Kozloff, Ian Burn, Mel Ramsden, Carole Conde, Karl Beveridge, Barry Rosens, Tom Crow, John Copeland, Harry Lunn, Hilton Kramer, Grace Mayer, Carol Duncan, Eva Cockroft, Richard Pommer, Rosalind Krauss, Sally Stein, Paddy Chayefsky, John Hanhardt, Mel Ramsden, Sarah Charlesworth, Jospeh Kosuth, Baruch Kirschenbaum, Robert Heinecken, Brian O'Doherty, Howard Becker, Jay Ruby, Jerry Liebling, Anna Wilkie, Ronald Feldman, John Gibson, David Ross, Britt Salvesen, Larry Sultan, Mike Mandel, Roy Ascott, Ilene Segalove, Paul Schimmel, DeeDee Halleck, Noel Burch, Joan Braderman, Woody Hayes, Thom Andersen, John Quigley, Ron Green, Kasper Koenig, Dan Graham, Jonathan Green, Christa Wolf, Catherine Lord, Ben Lifson, and Annette Michelson.

Biographical / Historical:

Allan Sekula (1951-2013) was a photographer, filmmaker, and writer, based at the California Institute of the Arts in Valencia, California. Mary Panzer (1955- ) is a historian from New York, New York.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Occupation:

Photographers -- California  Search this

Filmmakers -- California  Search this

Authors -- California  Search this

Topic:

Activism  Search this

Antisemitism  Search this

Architecture  Search this

Art -- Exhibitions -- Economic aspects  Search this

Art -- History  Search this

Art, Modern -- 20th century  Search this

Art -- Study and teaching  Search this

Conceptual art  Search this

Documentary photography  Search this

Korean War, 1950-1953  Search this

Music -- New York (State) -- New York  Search this

Photography  Search this

Realism  Search this

World War, 1914-1918  Search this

Genre/Form:

Interviews

Sound recordings

Identifier:

AAA.sekula11

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9d657e5da-cd1b-4366-9fe9-1852a4c5be81

EDAN-URL:

ead_collection:sova-aaa-sekula11

Interviewee:

Lange, Dorothea  Search this

Interviewer:

Doud, Richard Keith  Search this

Creator:

New Deal and the Arts Oral History Project  Search this

Names:

New Deal and the Arts Oral History Project  Search this

United States. Farm Security Administration.Historical Section.Photographs  Search this

Evans, Walker, 1903-1975  Search this

Rothstein, Arthur, 1915-1985  Search this

Stryker, Roy Emerson, 1893-1975  Search this

Vachon, John, 1914-1975  Search this

Vanderbilt, Paul  Search this

Extent:

23 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1964 May 22

Scope and Contents:

An interview of Dorothea Lange conducted 1964 May 22, by Richard Doud, for the Archives of American Art.

Lange speaks of her decision of photography as a career; working in commercial photography; the development of her individual style; the organization of the Farm Security Administration and her association with it; camaraderie among the FSA staff; Roy Stryker's influence and guidance and political abilities; the subjects of photographs and their reactions to being photographed; the people she encountered and her feelings about them, including migratory workers and Dust Bowl farmers; opinions of her colleagues; what made the FSA a success; trends in the field of photography and photojournalism and its future.

She recalls Walker Evans, Arthur Rothstein, John Vachon and Paul Vanderbilt.

Biographical / Historical:

Dorothea Lange (1895-1965) was a photographer in California. Lange worked on FSA photograph project during the Depression.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 51 min.

Provenance:

This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Photographers -- California  Search this

Topic:

New Deal art  Search this

Federal aid to the arts  Search this

Documentary photography -- United States  Search this

Women artists  Search this

Women photographers  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.lange64

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw99fdbe30d-7ffd-4e1a-b27c-9535ff20e3db

EDAN-URL:

ead_collection:sova-aaa-lange64

Interviewee:

Lee, Russell, 1903-1986  Search this

Lee, Jean  Search this

Interviewer:

Doud, Richard Keith  Search this

Names:

New Deal and the Arts Oral History Project  Search this

United States. Farm Security Administration.Historical Section.Photographs  Search this

Evans, Walker, 1903-1975  Search this

Rothstein, Arthur, 1915-1985  Search this

Vachon, John, 1914-1975  Search this

Vanderbilt, Paul  Search this

Extent:

36 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1964 June 2

Scope and Contents:

An interview of Russell and Jean Lee conducted 1964 June 2, by Richard Doud, for the Archives of American Art.

Russell speaks of his background and education; his early interest in photography; meeting Roy Stryker and Ben Shahn; early assignments with FSA covering floods and droughts in the Midwest; overcoming technical problems while traveling around; cameras he experimented with; working in small towns and rural areas; working under Roy Stryker. He recalls John Vachon, Arthur Rothstein, and Walker Evans. Jean speaks of her first association with the FSA and working under Paul Vanderbilt. Both give personal opinions of the value of the work produced by the FSA, and speak of feelings toward the rural people who were the focus of the FSA project.

Biographical / Historical:

Russell Lee (1903-1986) was a photographer with the Farm Security Administration. Jean Russell was an administrator under Paul Vanderbilt with the Farm Security Administration of Austin, Tex.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 44 min.

Provenance:

This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Occupation:

Arts administrators -- Texas -- Austin -- Interviews  Search this

Topic:

Photography, Artistic  Search this

Documentary photography  Search this

Photographers -- Texas -- Austin -- Interviews  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.lee64

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw97f57852d-099f-4a40-878f-c72b56598ea8

EDAN-URL:

ead_collection:sova-aaa-lee64

Interviewee:

Javitz, Romana, 1903-1980  Search this

Interviewer:

Doud, Richard Keith  Search this

Creator:

New Deal and the Arts Oral History Project  Search this

Names:

New Deal and the Arts Oral History Project  Search this

United States. Farm Security Administration  Search this

Evans, Walker, 1903-1975  Search this

Extent:

1 Sound tape (Sound recording: 1 sound tape, 7 in.)

26 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Sound tapes

Pages

Sound recordings

Interviews

Date:

1965 Feb. 23

Scope and Contents:

An interview of Romana Javitz conducted 1965 Feb. 23, by Richard Doud, for the Archives of American Art, February 23, 1965. Javitz speaks of her views on photographs; Farm Security Administration Photo File; Walker Evans; opinion of federal government being involved with photographs; and her background as an artist.

Biographical / Historical:

Romana Javitz (1903-1980) was a librarian and artist who represented the New York Public Library's Picture Collection from 1928-1968..

Provenance:

Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Restrictions:

This interview is open for research. Contact Reference Services for more information.

Occupation:

Artists -- New York (State) -- New York  Search this

Librarians -- New York (State) -- New York  Search this

Topic:

Federal aid to the arts  Search this

Documentary photography  Search this

Women artists  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.javitz65

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ae16b507-e173-4d63-8914-fcdf5137bc6e

EDAN-URL:

ead_collection:sova-aaa-javitz65

Creator:

Stryker, Roy Emerson, 1893-1975  Search this

Names:

United States. Farm Security Administration. Historical Section  Search this

Collier, John, Jr., 1913-1992  Search this

Delano, Jack  Search this

Evans, Walker, 1903-1975  Search this

Lange, Dorothea  Search this

Lee, Russell, 1903-1986  Search this

Locke, Edwin  Search this

Rothstein, Arthur, 1915-1985  Search this

Vachon, John, 1914-1975  Search this

Wolcott, Marion Post, 1910-1990  Search this

Extent:

9 Microfilm reels

Type:

Collection descriptions

Archival materials

Microfilm reels

Place:

United States -- Economic conditions -- 1918-1945

United States -- Social conditions -- 1933-1945

Date:

1932-1964

Scope and Contents:

Papers documenting Stryker's career as the head of the Farm Security Administration's photographic section, including correspondence with John Collier, Jack Delano, Walker Evans, Dorothea Lange, Russell Lee, Edwin Locke, Arthur Rothstein, John Vachon, Marion Post Wolcott and others; reports; articles on Stryker and the FSA; publications; speeches; photographs and miscellaneous materials.

Biographical / Historical:

Director of the Farm Security Administration Historical Section; Washington, D.C. Under Stryker the Photographic project of the FSA documented the drought, poverty and despair of rural and urban America during the Depression.

Provenance:

Papers lent for microfilming 1963-1966 by Roy Stryker.

Topic:

New Deal, 1933-1939  Search this

Federal aid to the arts  Search this

Federal aid to the public welfare  Search this

Art and state  Search this

Documentary photography -- United States  Search this

Identifier:

AAA.stryroyp

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9e4dd9941-9e7d-4a9d-b65e-e4f4f5e840b9

EDAN-URL:

ead_collection:sova-aaa-stryroyp

Interviewee:

Shahn, Ben, 1898-1969  Search this

Interviewer:

Doud, Richard Keith  Search this

Creator:

New Deal and the Arts Oral History Project  Search this

Names:

New Deal and the Arts Oral History Project  Search this

United States. Farm Security Administration. Historical Section  Search this

Evans, Walker, 1903-1975  Search this

Lange, Dorothea  Search this

Rosskam, Edwin, 1903-1985  Search this

Rothstein, Arthur, 1915-1985  Search this

Stryker, Roy Emerson, 1893-1975  Search this

Extent:

29 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1964 April 14

Scope and Contents:

An interview of Ben Shahn conducted 1964 April 14, by Richard K. Doud, for the Archives of American Art New Deal and the Arts Project.

Shahn speaks of his travels and work for the Farm Security Administration (FSA); the American image as portrayed by FSA photographs; techniques and materials; exhibitions and publications of his work; and the effectiveness of the FSA project overall. He recalls Roy Stryker, Walker Evans, Arthur Rothstein, Edwin Rosskam and Dorothea Lange.

Biographical / Historical:

Ben Shahn (1898-1969) was a painter and photographer from Roosevelt, N.J.

General:

Originally recorded 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 23 min.

Provenance:

This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Painters -- New Jersey -- Interviews  Search this

Topic:

Documentary photography  Search this

Federal aid to the arts  Search this

Photographers -- New Jersey -- Interviews  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.shahn64

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw988bc9cc3-2f76-4e17-a315-11bcef420595

EDAN-URL:

ead_collection:sova-aaa-shahn64

Interviewee:

Rothstein, Arthur, 1915-1985  Search this

Interviewer:

Doud, Richard Keith  Search this

Creator:

New Deal and the Arts Oral History Project  Search this

Names:

New Deal and the Arts Oral History Project  Search this

United States. Farm Security Administration.Historical Section.Photographs  Search this

Evans, Walker, 1903-1975  Search this

Lee, Russell, 1903-1986  Search this

Mydans, Carl  Search this

Shahn, Ben, 1898-1969  Search this

Stryker, Roy Emerson, 1893-1975  Search this

Extent:

31 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Interviews

Sound recordings

Date:

1964 May 25

Scope and Contents:

An interview of Arthur Rothstein conducted in New York, N.Y., 1964 May 25, by Richard Doud, for the Archives of American Art.

Rothstein speaks of the development of his interest in photography as a hobby while in pre-medical school during the Depression; meeting Roy Stryker and his early impressions of Stryker; the Resettlement Administration and its growth into the Farm Security Administration (FSA); the educational experience of working under Stryker's guidance; the influence of Ben Shahn and Walker Evans; the traveling experience and its influence on him; early assignments; developing as a photographer; documenting the Dust Bowl; the "skull" series and the controversy surrounding it; usage of the FSA works; the FSA's contribution to Rothstein's life and personal development; and going to work for LOOK magazine. He recalls Carl Mydans and Russell Lee.

Biographical / Historical:

Arthur Rothstein (1915-1985) was a photographer from New York, N.Y.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 11 min.

Provenance:

This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Restrictions:

Transcript available on the Archives of American Art website.

Topic:

Documentary photography -- United States  Search this

Photographers -- New York (State) -- New York -- Interviews  Search this

Genre/Form:

Interviews

Sound recordings

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.rothst64

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9bf7545fb-dd5d-44c4-953c-274df0133fea

EDAN-URL:

ead_collection:sova-aaa-rothst64

Creator:

Vanderbilt, Paul  Search this

Names:

Graphic History Society of America  Search this

Library of Congress. Prints and Photographs Division  Search this

Philadelphia Museum of Art  Search this

State Historical Society of Wisconsin. Division of Archives and Manuscripts  Search this

Union Library Catalogue of the Philadelphia Metropolitan Area  Search this

United States. Farm Security Administration. Historical Section  Search this

Allen, Mary North  Search this

Blake, William  Search this

Conniff, Gregory, 1944-  Search this

Crane, Barbara, 1928-  Search this

Guthrie, Woody, 1912-1967  Search this

Haywood, Carl  Search this

Holzhueter, Jack  Search this

Lange, Dorothea  Search this

Lesy, Michael, 1945-  Search this

Newhall, Beaumont, 1908-1993  Search this

Pilling, Arnold R.  Search this

Plunkett, Jane  Search this

Shera, Jesse Hauk, 1903-1982  Search this

Stryker, Roy Emerson, 1893-1975  Search this

Talbot, George  Search this

Vanderbilt, Julia  Search this

Extent:

25.2 Linear feet

Type:

Collection descriptions

Archival materials

Diaries

Interviews

Photographs

Sound recordings

Date:

1854-1992

bulk 1945-1992

Summary:

The papers of librarian, curator, and photographer Paul Vanderbilt (1905-1992) measure 25.2 linear feet and date from 1854 to 1992 with the bulk of the material dating from 1945 to 1992. The papers are comprised of biographical materials, personal and business correspondence, interviews, writings and notes, fourteen diaries and two diary fragments, reference and project files, photographic materials, sound recordings, and professional files.

Scope and Contents:

The papers of librarian, curator, and photographer Paul Vanderbilt (1905-1992) measure 25.2 linear feet and date from 1854 to 1992 with the bulk of the material dating from 1945 to 1992. The papers are comprised of biographical materials, personal and business correspondence, interviews, writings and notes, fourteen diaries and two diary fragments, reference and project files, photographic materials, sound recordings, and professional files.

Biographical materials include seven appointment books, family letters and documents, and an honorary degree from the University of Wisconsin.

Vanderbilt's correspondence is with colleagues, and organizations including Dorothea Lange, Beaumont Newhall, Roy Stryker, and Julia Vanderbilt.

Sound recordings of interviews of Vanderbilt conducted by Mary North Allen, Barbara Crane, Carl Haywood, Jack Holzhueter, and Jane Plunkett. Other recordings are of Vanderbilt discussing his personal and professional life.

Writings by Paul Vanderbilt include drafts of Between the Landscape and its Other, poems, lectures, student papers, and notes on a variety of subjects. Writings by others are found for William Blake, Gregory Conniff, Woody Guthrie, Michael Lesy, Arnold R. Pilling, Jesse H. Shera, and Roy Stryker.

Fourteen of Vanderbilt's personal diaries and two diary fragments date from 1926 to 1990.

Reference files consist of printed materials on art, art historians, book reviews, library and information studies, photography and microphotography techniques, and other themes of interest to Vanderbilt. Project files include material from Vanderbilt's various projects, including a guide to the iconography of Iran, the reclassification of FSA photographs, and the Union Library Catalog of Philadelphia.

Included in professional files are administrative records, correspondence, exhibition files, project files, printed material, and research files created during Vanderbilt's career at the Library of Congress, Graphic History Society, State Historical Society of Wisconsin, Philadelphia Museum of Art, and the Farm Security Administration. Also found are materials for Vanderbilt's work as a consultant for several organizations, lecture documents, and art-related workshops.

Photographs are by and of Paul Vanderbilt, the staff of the Library of Congress, and George Talbot. Negatives include images for the Farm Security Administration. Bibliography cards and photographs of artwork from the Library of Congress can be found on microfilm reels within the collection.

Also found are fourteen unidentified sound recordings.

Arrangement:

The collection is arranged as 10 series.

Missing Title

Series 1: Biographical Materials, 1894-1992 (0.5 linear feet; Box 1)

Series 2: Correspondence, 1933-1992 (1.5 linear feet; Box 1-2)

Series 3: Interviews, 1967-1992 (1.5 linear feet; Box 2-4)

Series 4: Writings and Notes, 1887-1992 (4.0 linear feet; Box 4-8)

Series 5: Diaries, 1926-1990 (0.5 linear feet; Box 8)

Series 6: Reference Files, 1877-1992 (2.5 linear feet; Box 8-10, 26)

Series 7: Project Files, 1935-1990 (3.0 linear feet; Box 10-13)

Series 8: Professional Files, 1854-1991 (11.7 linear feet; Box 13-24)

Series 9: Photographic Materials, 1912-1980s (0.5 linear feet; Box 24)

Series 10: Sound Recordings, circa 1980s (0.5 linear feet; Box 24-25)

Biographical / Historical:

Paul Vanderbilt (1905-1992) was a librarian, curator, and photographer active in Philadelphia, Pennsylvania, Washington, D.C. and Madison, Wisconsin.

Paul Vanderbilt was born in Cambridge, Massachusetts and educated in Germany, Switzerland, and Massachusetts. He attended Amherst College from 1923 to 1925 before transferring to Harvard where he graduated with a BA in art history in 1927. After graduation, Vanderbilt traveled to Europe where he studied at the American School of Librarianship in Paris and the Institut de Psychologie Bibliogique in Lausanne. In 1929, he returned to the United States and became a librarian at the Philadelphia Museum of Art and director of the Union Library Catalog project for the Philadelphia area.

In 1941 Vanderbilt began working under Roy Stryker cataloging the extensive photographic survey collection of the Farm Security Administration and U.S. Office of War Information. The collection is a rich resource of images of American life between 1935 and 1944. In 1943, the FSA photograph collection was transferred to the Library of Congress and Vanderbilt went with it as the curator of the newly formed Prints and Photographs Division, eventually becoming the Division chief of fine arts.

During the early 1950s, Vanderbilt also served as the director of the Graphic History Society of America. There he published a quarterly bulletin Eye to Eye and developed a guide to iconography in Iran. In 1954, he became the Curator of Iconographic Collections at the State Historical Society of Wisconsin and worked there until he retired in 1972.

Vanderbilt remained active after retirement. He became an artist-in-residence at the Apeiron Workshops, worked as a photographer for the Seagram courthouse project and the George Eastman House, and was a presenter at multiple conferences. Vanderbilt devoted much of his later life to working on his book titled Between the Landscape and its Other which was published posthumously after Vanderbilt's death in 1992.

Related Materials:

Also found at the Archives of American Art is an oral history interview with Paul Vanderbilt conducted by Richard Doud on November 10, 1964.

Provenance:

The collection was donated in 1981 by Paul Vanderbilt and in 1993 by his estate through John W. Winn, executor.

Restrictions:

Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art historians -- United States  Search this

Topic:

Curators -- United States  Search this

Documentary photography -- United States  Search this

Photography  Search this

Photomicrography  Search this

Graphic arts -- Historiography  Search this

Graphic arts -- Iran  Search this

Librarians  Search this

Photographers  Search this

Genre/Form:

Diaries

Interviews

Photographs

Sound recordings

Citation:

Paul Vanderbilt papers, 1854-1992, bulk 1945-1992. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund

Identifier:

AAA.vandpaul

See more items in:

Paul Vanderbilt papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f5292a20-c4ee-4b9e-95fe-8eb16871962c

EDAN-URL:

ead_collection:sova-aaa-vandpaul

Collection Creator:

Hills, Patricia  Search this

Container:

Box 34, Folder 21

Type:

Archival materials

Date:

circa 1990, 2015

Collection Restrictions:

This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.

Collection Citation:

Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Patricia Hills papers

Patricia Hills papers / Series 8: Writings / 8.1: Essays, Articles, and Book Chapters

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c5e5a383-171c-4263-8112-57ad12d1bdde

EDAN-URL:

ead_component:sova-aaa-hillspat-ref1224

Artist:

Linda Rich, born Cleveland, OH 1949-died Los Angeles, CA 1998  Search this

Medium:

gelatin silver print

Dimensions:

sheet: 10 7/8 in. × 14 in. (27.6 × 35.6 cm) image: 8 3/8 × 10 3/8 in. (21.3 × 26.4 cm)

Type:

Photography

Date:

1978

Topic:

Figure group  Search this

Architecture Interior\domestic\house  Search this

Credit Line:

Smithsonian American Art Museum, Gift of the East Baltimore Documentary Photography Project

Object number:

2020.68.2

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk76326bae1-4035-4f69-8e78-0a111fad0f3f

EDAN-URL:

edanmdm:saam_2020.68.2

Author:

Muluneh, Aïda 1974-  Search this

Boutmans, Eddy 1948-  Search this

Njami, Simon 1962-  Search this

Physical description:

141 pages illustrations (some color) 25 cm

Type:

Books

Date:

2009

Topic:

Documentary photography  Search this

Photography, Artistic  Search this

Photographie documentaire  Search this

Photographie artistique  Search this

documentary photography  Search this

art photography  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1117956

Author:

Livingston, Jane  Search this

Fralin, Frances  Search this

Haun, Declan  Search this

National Geographic Society (U.S.)  Search this

Corcoran Gallery of Art  Search this

Subject:

National Geographic Society (U.S.) Photograph collections  Search this

Physical description:

363 p. : ill. ; 31 cm

Type:

Exhibitions

Date:

1988

C1988

Topic:

Travel photography  Search this

Documentary photography  Search this

Call number:

TR790.L58 1988X

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_358354

Interviewee:

Sekula, Allan, 1951-2013  Search this

Interviewer:

Panzer, Mary, 1955-  Search this

Subject:

Altoon, John  Search this

Antin, David  Search this

Antin, Eleanor  Search this

Ascott, Roy  Search this

Braderman, Joan  Search this

Baldessari, John  Search this

Barthes, Roland  Search this

Becker, Howard  Search this

Bercovitch, Sacvan  Search this

Beveridge, Karl  Search this

Bo Diddley  Search this

Brach, Paul  Search this

Burch, Noël  Search this

Burn, Ian  Search this

Captain Beefheart  Search this

Charlesworth, Sarah  Search this

Chayefsky, Paddy  Search this

Conde, Carol  Search this

Connell, Brian  Search this

Evans, Walker  Search this

Farber, Manny  Search this

Feldman, Ronald  Search this

Folks, Homer  Search this

Fox, Terry  Search this

Fried, Howard  Search this

Ginsberg, Allen  Search this

Graham, Dan  Search this

Graves, Michael  Search this

Halleck, DeeDee  Search this

Hanhardt, John G.  Search this

Hassan, Ihab  Search this

Hayes, Woody  Search this

Heinecken, Robert  Search this

Higgins, Dick  Search this

Hine, Lewis Wickes  Search this

Kienholz, Edward  Search this

Kirschenbaum, Baruch David  Search this

Knowles, Alison  Search this

König, Kasper  Search this

Kosuth, Joseph.  Search this

Kozloff, Max  Search this

Kramer, Hilton  Search this

Krauss, Rosalind E.  Search this

Liebling, Jerome  Search this

Lifson, Ben  Search this

Little Richard  Search this

Lonidier, Fred  Search this

Lord, Catherine  Search this

Lunn, Harry  Search this

Mac Low, Jackson  Search this

Mandel, Mike  Search this

Matta  Search this

Mayer, Grace M.  Search this

Michelson, Annette  Search this

O'Doherty, Brian  Search this

Pommer, Richard  Search this

Ramsden, Mel  Search this

Raskin, Jef  Search this

Reagan, Ronald  Search this

Rosler, Martha  Search this

Ross, David A.  Search this

Ruby, Jay  Search this

Ruscha, Edward  Search this

Salle, David  Search this

Salvesen, Britt  Search this

Schimmel, Paul  Search this

Segalove, Ilene  Search this

Stein, Sally  Search this

Steinmetz, Philip  Search this

Sultan, Larry  Search this

Van Riper, Peter  Search this

Wakoski, Diane  Search this

Wall, Jeff  Search this

Artforum  Search this

California Institute of the Arts  Search this

The Ohio State University  Search this

Rhode Island School of Design  Search this

Students for a Democratic Society (U.S.)  Search this

University of California, San Diego  Search this

Type:

Interviews

Sound recordings

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Allan Sekula, 2011 August 20-2012 February 14. Archives of American Art, Smithsonian Institution.

Topic:

Activism  Search this

Antisemitism  Search this

Architecture  Search this

Art -- Exhibitions -- Economic aspects  Search this

Art -- History  Search this

Art, Modern -- 20th century  Search this

Art -- Study and teaching  Search this

Conceptual art  Search this

Documentary photography  Search this

Korean War, 1950-1953  Search this

Music -- New York (State) -- New York  Search this

Photography  Search this

Realism  Search this

World War, 1914-1918  Search this

Record number:

(DSI-AAA_CollID)16239

(DSI-AAA_SIRISBib)370420

AAA_collcode_sekula11

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_370420

Author:

Baert, Thomas  Search this

Dussart-Desart, Roland  Search this

Lagrange, Charles  Search this

Maselis, Patrick 1961-  Search this

Editor:

Mattelaer, Johan J. 1937-  Search this

Torck, Mathieu  Search this

Author:

Nuyens, François 1878-1956 Diaries Selections (2020) English  Search this

Spruyt, Adolphe 1871-1956 Works Selections (2020) English  Search this

Spruyt, Philippe 1868-1908 Works Selections (2020) English  Search this

Subject:

Nuyens, François 1878-1956  Search this

Spruyt, Adolphe 1871-1956  Search this

Spruyt, Philippe 1868-1908  Search this

Physical description:

304 pages illustrations (some color) 23 x 31 cm

Type:

Books

Diaries

Correspondence

Pictorial works

Ouvrages illustrés

History

Personal correspondence

Illustrated works

Place:

China

Chine

Belgium

Date:

2020

20th century

20e siècle

1861-1912

1912-1928

Guangxu, 1875-1908

Xuantong, 1908-1912

1875-1908 (Guangxu)

1908-1912 (Xuang tong)

Topic:

Railroads--History  Search this

Documentary photography--History  Search this

Photographie documentaire--Histoire  Search this

Antiquities  Search this

Documentary photography  Search this

International relations  Search this

Railroads  Search this

Relations  Search this

History  Search this

Histoire  Search this

Antiquités  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1161014

Photographer:

Nadel, Leonard, 1916-1990  Search this

Author:

Galarza, Ernesto  Search this

Extent:

3 Cubic feet (10 boxes)

Type:

Collection descriptions

Archival materials

Photographic prints

Photographs

Black-and-white photographs

Scrapbooks

Place:

Mexico

Texas -- 20th century

Texas

California

Date:

1950-2006

bulk 1956-1960

Summary:

Photographer Leonard Nadel's supplemental material relating to and photographs of the Mexican braceros (manual laborers). They were photographed in California, Texas, and Mexico for the Ford Foundation's Fund for the Republic during the late 1950s and early 1960s in support of a report entitled Strangers in Our Fields by Dr. Ernesto Galarza.

Scope and Contents:

The collection is divided into three series. Each series is arranged chronologically.

Series 1: Scrapbooks, 1950-1968, contains scrapbooks of clippings of magazine articles and newspaper stories written by Nadel and others as well as magazines and newspaper articles making use of his photographs. The material is from a variety of specialty and mainstream publications and varies in subject matter. The scrapbooks are not only focused on Nadel's work for the Ford Foundation's Fund for the Republic but also offer a broad sampling of his work throughout the 1950s and 1960s. Material in the scrapbooks are arranged in rough chronological order. There is also a sample custom cover from one of the scrapbooks.

Series 2: Photographs, 1956-1960, undated, contains photographs printed from his negatives of the braceros. This series also contains a complete run of 8" x 10" contact sheets from his negatives of the bracero. The negatives themselves are in this series but not available for research per donor request. There are photographs ranging in size from 8" x 10" to large format photographs (10 1/2" x 13 1/2") that are keyed to frames on the contact sheets for easy reference. Negatives are arranged chronologically and captions are keyed to the negative numbers. These images have been digitized and may be found by searching "Nadel" on the collections section of the National Museum of American History website or by contacting the Archives Center.

Series 3: Publications and Supplemental Materials, 1956-2006, undated, contains correspondence, copies of Strangers in Our Fields, the publication making use of Nadel's bracero photographs, and other publications citing Nadel's work or based on it. This series also contains correspondence and written material from Evelyn De Wolfe Nadel, wife of Leonard Nadel; material relating to Nadel's photographic archive and captions for a selection of the bracero photographs. There is a selection of assorted loose news clippings.

Arrangement:

This collection is divided into three series:

Series 1: Scrapbooks, 1950-1968

Series 2: Photographs, 1956-1960, undated

Series 3: Publications and Supplemental Materials, 1956-2006, undated

Biographical / Historical:

Primarily known as a freelance photographer and photojournalist, Leonard Nadel (1916-1990) was born in Harlem, New York to Austro-Hungarian immigrant parents. He attended the City College of New York. Entering the Army during World War II, he trained at the Army Signal Corps Photographic Center. During the war he served in Australia, New Guinea, and the Philippines. After the war he returned to New York and received his master's degree in education from Teachers College, Columbia University. He moved to Los Angeles, California and studied at the Art Center College of Design.

In Los Angeles, Nadel photographed both the Pueblo del Rio and Aliso Village housing projects. He was also hired by the Housing Authority of the City of Los Angeles (HACLA) to document living conditions in the city's slums and their new post-World War II housing projects. Nadel continued his employment with HACLA until 1953, when he resigned because his HACLA colleague, Frank Wilkinson, was blacklisted by the House Committee on Un-American Activities (HUAC) and forced to resign.

Between 1953 and 1980 Nadel worked as a freelance photographer for such publications as the Los Angeles Times, Harvester News, Life, Business Week, and other major publications. His work with the Ford Foundation's Fund for the Republic resulted in his work documenting the bracero program. These photographs were taken by Leonard Nadel in connection with a survey of braceros done by Ernesto Galarza for the Fund for the Republic in 1956 in support of the publication, Strangers in Our Fields. During World War II, the United States and Mexico entered an agreement to alleviate the US labor shortage created by the war by importing Mexican workers. This arrangement outlasted the end of the war and by the time of Nadel's photographs nearly half a million Mexican contract workers, in the common vernacular of the time known as "drybacks," were legally imported to the United States annually working on short term labor contracts predominately in agriculture. These workers were also known as braceros, in Spanish translated as "manual laborer".

Nadel wrote of his work with the braceros, "I covered 5,000 miles during a circuit that took me from California to Mexico to Texas. It would have been easy enough just to turn over to the Fund the finished collection of photographs from the 2,000 images I took in attempting to accurately document the story of Strangers in Our Fields. But the conditions I had witnessed stirred me deeply. I felt that it was as much my responsibility to help 'sell' the picture story."

Nadel's photographs were the subject of the National Museum of American History (NMAH) exhibition, "Bittersweet Harvest: The Bracero Program, 1942-1964" in 2009-2010. Nadel's photographs are featured in NMAH's "America on the Move" exhibit. This quote from the "America on the Move" exhibition website gives the history of the photographs as well as the bracero program.

"In 1956, Leonard Nadel was hired by the Fund for the Republic, an anti-McCarthy liberal spin off of the Ford Foundation, to document the Bracero Program. In the 1990s, the Smithsonian Institution acquired the Nadel images. The collection contains 64 captioned photographic prints and 1730 original 35mm negatives (with corresponding contact sheets). The images document life in Mexico, men's experiences of crossing the border, and work and life in the US.

"The Bracero Program came into existence in 1942. Growers argued that labor shortages in the United States resulting from World War II required the recruitment of Mexican nationals. Mexico saw the program as a contribution to the war effort. Although the program began as a temporary war measure, it became a fixture of agricultural work landscape until it was finally terminated in 1964.

"Over the course of its lifetime, the Bracero Program became the largest and most significant U.S. labor guest worker program of the 20th century. In all, over 4.5 million contracts were awarded through the twenty-two years of the program. Despite the well-intentioned contracts, the program did not escape controversy. Some point out the widespread abuses of many of the contract's protective provisions and the violation of the legal rights and civil liberties of the braceros while others describe the program as an opportunity for Mexican nationals to make a living and improve the conditions of their families. Regardless of one's opinion of the program, it had a profound effect on Mexican American settlement patterns in the U.S. and numerous Latino families have ancestors who were involved in the Bracero Program."

Nadel married Los Angeles Times staff writer Evelyn De Wolfe in August 1961. She was Brazilian by birth and after their marriage she resigned from the Times and collaborated with Nadel on many projects that covered both national and international subjects. Nadel died in 1990.

Related Materials:

Materials in Other Organizations

The collections of the Los Angeles Public Library and the Southern California Library for Social Studies and Research each contain photographic images made by Leonard Nadel during the time he worked for The Housing Authority of the City of Los Angeles (HACLA). The Photo Collection of the Los Angeles Public Library contains approximately 290 copy negatives and corresponding black-and-white copy prints made from original materials held by HACLA. The Housing Authority of the City of Los Angeles Photograph Collection, held at the Southern California Library for Social Studies and Research, contains 225 black-and-white photographs produced by HACLA, forty-two of which were taken by Nadel.

The Getty Research Institute, Special Collections, Los Angeles, California, contain 8.75 linear feet (14 boxes) of Leonard Nadel photographs and other material relating to housing and urban redevelopment in Los Angeles, 1947-1998. The collection is described as, "Consisting primarily of photographic material by Leonard Nadel from 1947 to 1957, the collection records early efforts by the Housing Authority of the City of Los Angeles (HACLA) to promote integrated public housing for the city's growing multi-ethnic population, and also documents several areas of the city that the Community Redevelopment Agency (CRA) had targeted for commercial revitalization. Nadel's black-and-white negatives, contact prints and two unpublished photographic books form the bulk of the collection, supplemented by handwritten notes and related documents."

Provenance:

The collection was purchased with funds from the Jackson Fund in 2000. All rights were transferred to the National Museum of American History in 2000-2001.

Restrictions:

This collection is open for research use. Photographic negatives are not available for research at the donor's request, but contact sheets of the negatives are available in the collection. Some images are restricted for publication, but may be viewed in the Archives Center's reading room.

Gloves must be worn when handling unprotected photographs, negatives, and slides.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Farmers -- Mexico  Search this

Agriculture -- Research  Search this

Agriculture -- Photographs -- 20th century  Search this

Labor  Search this

Agricultural laborers  Search this

Labor and laboring classes -- Photographs  Search this

Documentary photography -- United States  Search this

Photographers -- 1950-1980  Search this

Bracero Program  Search this

Genre/Form:

Photographic prints

Photographs -- 1950-1960 -- Black-and-white photoprints -- Silver gelatin

Photographs -- 1950-2000

Black-and-white photographs

Scrapbooks -- 20th century

Citation:

Leonard Nadel Photographs and Scrapbooks, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.1313

See more items in:

Leonard Nadel Photographs and Scrapbooks

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8b054fe8c-7f40-4865-9b3d-b623e3e5ac43

EDAN-URL:

ead_collection:sova-nmah-ac-1313

Photographer:

Goldblatt, David  Search this

Writer of supplementary textual content:

Goldblatt, Brenda  Search this

James, Erwin  Search this

Physical description:

111 pages illustrations, portraits 36 x 30 cm

Type:

Portraits

Pictorial works

Ouvrages illustrés

Place:

South Africa

England

Johannesburg

Afrique du Sud

Angleterre

Date:

2018

Topic:

Portrait photography  Search this

Ex-convicts  Search this

Criminals  Search this

Black people  Search this

Afrikaners  Search this

South Africans  Search this

Post-apartheid era  Search this

Documentary photography  Search this

Black-and-white photography  Search this

Photography, Artistic  Search this

Portraits (Photographie)  Search this

Ex-détenus  Search this

Criminels  Search this

Sud-Africains  Search this

Ère post-apartheid  Search this

Photographie documentaire  Search this

Photographie en noir et blanc  Search this

Photographie artistique  Search this

black-and-white photography  Search this

art photography  Search this

Race relations  Search this

Relations raciales  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1158563

Extent:

XXX Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Digital images

Place:

Anacostia (Washington, D.C.)

Adams Morgan (Washington, D.C.)

Chinatown (Washington, D.C.)

Maryland -- Baltimore

Date:

2011-2019

Historical Note:

Since 1968, the Anacostia Community Museum's staff photographers have created a visual record of life in contemporary urban communities, including documentary photography of residents and their activities, neighborhood events and landmarks, foodways, festivals, and public spaces.

Photographs in this collection were taken by Susana Raab who has worked at the Anacostia Community Museum from 2010-2019 and also maintains a personal practice.

Historical:

Since 1968, the Anacostia Community Museum's staff photographers have created a visual record of life in contemporary urban communities, including documentary photography of residents and their activities, neighborhood events and landmarks, foodways, festivals, and public spaces.

Provenance:

Created by Anacostia Community Museum, Smithsonian Institution.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.

Rights:

Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.

Topic:

Festivals  Search this

Carnivals  Search this

Cityscapes  Search this

Urban Development  Search this

Urban renewal  Search this

Portraits, Group  Search this

Storefronts  Search this

Genre/Form:

Digital images

Citation:

Community Documentation Photographs, Anacostia Community Museum Archives, Smithsonian Institution.

Identifier:

ACMA.CDC.1

See more items in:

Community Documentation Photographs

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa7a1d7e57b-0069-4c72-8403-71df90a600ee

EDAN-URL:

ead_collection:sova-acma-cdc-1

Author:

Flaherty, Robert Joseph 1884-1951  Search this

Author:

Vancouver Art Gallery  Search this

Subject:

Flaherty, Robert J. 1884-1951  Search this

Flaherty, Robert Joseph (1884-1951) Catalogues d'exposition  Search this

Physical description:

96 pages illustrations 31 cm

Type:

Exhibitions

Expositions

Biography

Biographies

Exhibition catalogues

Exhibition catalogs

Place:

Canada

Northwest Territories

Territoires du Nord-Ouest

Territoires du Nord-Ouest (Canada)

Date:

1979

Topic:

Documentary photography  Search this

Inuit  Search this

Photographers  Search this

Cinematographers  Search this

Inuit--Portraits  Search this

Inuits--Portraits  Search this

Photographie documentaire  Search this

Inuits  Search this

Directeurs de la photographie  Search this

Photographie documentaire--Catalogues d'exposition  Search this

Photographes--Biographies  Search this

Réalisateurs de cinéma--Biographies  Search this

Inuits--Portraits--Catalogues d'exposition  Search this

Call number:

N40.1.F578 V2

TR820.5 .F52 1979X

E99.E7 F56 1979

TR647.F57V2

TR820.5.F52 1979X

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_136479

Writer of added text:

McCausland, Elizabeth 1899-1965  Search this

Writer of preface:

Miller, Sarah M (Art historian)  Search this

Contributor:

Van Haaften, Julia  Search this

Van Zante, Gary  Search this

Author:

Abbott, Berenice 1898-1991 Changing New York  Search this

Physical description:

xxiii, 311 pages illustrations, (some color) 24 cm

Type:

Books

Pictorial works

Ouvrages illustrés

History

Illustrated works

Place:

New York (State)

New York

New York (État)

New York (N.Y.)

Date:

2020

1898-1951

Topic:

Documentary photography  Search this

Photographie documentaire  Search this

History  Search this

Histoire  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1158445

Author:

Palma, Silvana  Search this

Smithsonian Libraries African Art Index Project DSI  Search this

Type:

Congresses

Sources

Place:

Africa

Date:

1992

Topic:

Documentary photography  Search this

History  Search this

Call number:

DT1 .A252

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_547756