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Christina Patoski Holiday Photoprints

Photographer:: Patoski, Christina Search this

Extent:: 1 Cubic foot (2 boxes, 16" x 20")

Type:: Collection descriptions; Archival materials; Photographs; Dye destruction process; Cibachrome (tm); Dye destruction photoprints

Place:: Santa Fe (N.M.) -- Holiday decorations; Brooklyn (N.Y.) -- Holiday decorations; Minneapolis (Minn.) -- Holiday decorations; Sun Valley (Idaho) -- Holiday decorations; New York (N.Y.) -- Holiday decorations; Corpus Christi (Texas) -- Holiday decorations; Denver (Colo.) -- Holiday decorations; Fort Worth (Tex.) -- Holiday decorations; New Orleans (La.) -- Holiday decorations; Dallas (Texas); Fort Lauderdale (Fla.) -- Holiday decorations

Date:: circa 1973-1992

Summary:: Fourteen color photographic prints by Christina Patoski, depicting front-lawn and front-porch holiday displays (primarily Christmas) in various U.S. cities.

Scope and Contents:: The fourteen photographs in this group are Cibachrome prints from 35mm. Kodachrome slides, documenting front-lawn and front-porch holiday displays (primarily Christmas) in various U.S. cities, including a variety of economic, ethnic, and regional groups, architectural genres, and decorating styles, documenting a "unique seasonal custom found only in America." Several images suggest attempts to broaden the cultural/religious basis of the celebration, combining Jewish traditions with the Christmas decorating tradition. Cities documented are Denver, Fort Worth, Minneapolis, Sun Valley (Idaho), Manhattan and Brooklyn, N.Y., Corpus Christi, Dallas, Ft. Lauderdale, New Orleans, and Santa Fe.

The Cibachrome prints are horizontal on 16" x 20" paper, with 22" x 28" mats, except for "Holiday Spectacular," which was used on an introductory panel in ta national Museum of American History exhibition, without a mat.

Arrangement:: Collection is unarranged.

Biographical / Historical:: Photographer, documentary producer, and journalist, Christina Patoski began photographing front-lawn and front-porch Christmas displays in 1973, in Fort Worth, Texas, beginning with a house on Diaz Street in the Como neighborhood. She called the photograph "Red Extravaganza," and it inspired her to photograph other houses. Driving up and down Fort Worth Streets at Christmastime with her saxophonist husband Johnny Reno, she worked exclusively at night. Concentrating at first on the most elaborate displays, she later sought simpler, more personal decorations, and became more discriminating. She repeated in many areas of the country as part of an ongoing project spread over many years. She is interested in documenting "unusual" elements of popular culture within a variety of topical fields.

She told the Fort Worth Star-Telegram, "I've seen so much, that for me to stop and take a photo now, it has to be something special… I've noticed, though, that there are a lot of houses decorated this year. And to me, that indicates a sense of optimism… when people decorate, there's a sense of good feeling."

Her photographic technique is simple, employing two fifteen-year-old 35mm cameras and low-speed Kodachrome film, using commercial processing. She has been photographing since she was a child, when her father encouraged her. Graduating from the University of Minnesota School of Journalism, she spent several years in Minneapolis as a dancer, choreographer, and television editor. She returned to Fort Worth in 1976 to work in television news, but since 1979 has been a free-lance writer, radio reporter (contributing to National Public Radio's "All Things Considered), and a producer and writer.

She is interested in documenting unusual elements of popular culture (what she calls "weirdness"), such as her Texas Monthly story, illustrated with her portraits, on Texas women with "big" hair. She maintains files on longhorn steer, pyromaniacs, tornadoes, and cheerleading, and considers herself a "Margaret Mead of popular culture."

Sources Jackie Koszczuk and Janet Tyson, "A Sense of the festive: Photographer captures home-grown Christmas Art," Fort Worth Star-Telegram, Section E, December 25, 1993, pp. 1, 4.

Provenance:: Collection donated by Christina Patoski, December 14, 1994.

Restrictions:: Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:: Christina Patoski retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:: Christianity and other religions -- Judaism -- Holiday decorations -- 1970-2000 Search this; Judaism -- Customs and practices Search this; Christmas decorations -- 1970-2000 Search this; Hanukkah decorations -- 1970-2000 Search this; Housing -- 1950-2000 -- U.S. Search this; Decorations -- Holiday -- 1950-2000 -- U.S. Search this; Holiday decorations -- 1970-2000 Search this

Genre/Form:: Photographs -- Color photoprints -- 1950-2000; Dye destruction process; Cibachrome (TM); Dye destruction photoprints

Citation:: [Photograph title], Christina Patoski Holiday Photoprints, 1973-1992, Archives Center, National Museum of American History. Copyright Christina Patoski. Gift of the artist.

Identifier:: NMAH.AC.0508

See more items in:: Christina Patoski Holiday Photoprints

Archival Repository:: Archives Center, National Museum of American History

EDAN-URL:: ead_collection:sova-nmah-ac-0508

Joe Adams Papers

Creator:: Adams, Joe, 1922- Search this; Morehead, Howard, 1926-2003 Search this

Names:: Charles, Ray, 1930-2004 Search this

Extent:: 1 Cubic foot (3 boxes and 1 oversize folder)

Type:: Collection descriptions; Archival materials; Photographs; Letters (correspondence); Scrapbooks

Date:: 1948-1980

Summary:: Photographs, scrapbooks, and other materials documenting the career of Joe Adams, a Los Angeles radio announcer and movie and television actor, who later became Ray Charles's manager.

Scope and Contents:: The collection is comprised of photographs, correspondence, certificates, magazines and scrapbooks of newspaper clippings dating from 1947-1980. The materials document Adams's career in radio and film, as well as touching upon his military experience with the Tuskegee Airmen. Various documents and newspaper features depict Adams's relationship with a multitude of local and national celebrities; of particular note is the long list of musicians represented, such as Ella Fitzgerald and Frank Sinatra. Public figures, including several former mayors of Los Angeles and members of law enforcement, also appear.

The collection also includes magazines featuring articles on Adams and other celebrities and public figures. Adams appears in many advertisements for a variety of products that sponsored his radio shows. There are photographs, programs and advertisements for the movies, shows and plays in which Joe Adams appeared, including Disc Jockey and Carmen Jones. There is correspondence from public relations employees during the Ray Charles tour and from other radio personalities and journalists. There are also several certificates given in appreciation for Adams's community service. Newspaper articles and photographs feature "Joe Adams Day," declared by the mayor of Los Angeles, and document Adams's overseas USO tour to entertain the men and women of the Armed Forces, which was also broadcasted on Armed Forces Radio.

Series 1, Photographs, circa 1947-1980; undated, documents Joe Adams's personal and professional life. The photographs are arranged by subject, including Adams's work in radio and film, his public appearances, celebrities, Joe Adams Day, his work with the military and his later years. There is some overlap among the subject categories. The majority of the photographs cannot be dated. Featured programs, places, organizations and celebrities include the 7th United States Infantry Division, Emma Adams, Jim Ameche, Armed Forces Radio, Milton Berle, Eugene Biscailuz, Ruth Bowen, Fletcher Bowron, Tom Bradley, Tommy Butler, California Artichoke Foundation, Ray Charles, Nat King Cole, Paul Compton, Billy Daniels, Disc Jockey, the movie, Egyptian Shriners, Duke Ellington, Ella Fitzgerald, Suzette Gomez, Amos Green, Lionel Hampton, Eddie Harbin, Shirley Haven, Hollywood Foreign Correspondents Association, Lena Horne, Jamaica, the Broadway play, Joe Adams Day, Danny Kaye, KDAY radio, Korea, KOWL Radio, Joe Lewis, Julie London, Nellie Lutcher, Will Martin, Clarence Metcalf, Husky Miller, MGM Studios, Roy Milton, David "Fathead" Newman, One Night Stand radio program, Pantages Nightclub, Pigalle Nightclub, Pub of Pittsburg, Pa., Lillian Randolph, Willis Reed, "Sugar Ray" Robinson, Kenny Rogers, Timmie Rogers, Ruth Bowen Agency, Wylie "Captain Death" Seldon Jr., Lionel "Chico" Sesma, George "Geo" Shearing, Frank Sinatra, "Star of Stars" Charity Show, Barry Sullivan, The Trenier Twins, The Tuskegee Airmen, USO, Viscount Airlines, Ches Washington, Dinah Washington, and Ben Webster.

Series 2, Scrapbooks, circa 1947-1954; undated, consists of newspaper articles, photographs, advertisements, and playbills. The scrapbooks document Adams's start in radio, his permanent appointment to KOWL, his service in the military and the inner-city community, his unique perspective and his philanthropy. They contain newspaper advertisements for Adams's radio shows on KOWL and the Armed Forces Radio Broadcasts. The scrapbooks include advertisements for his television shows as well as events and benefits where Adams was the featured emcee. Ink drawings of Adams used to advertise various products also appear in the newspaper articles. There are news stories on Joe Adams Day, a bus accident involving Lionel Hampton, the release of Ray Charles's song "Georgia" (1979), and advertisements for the movies Carmen Jones and The Manchurian Candidate. Numerous photographs document Adams's broadcasts and musical performances domestically and abroad as well as his interactions with many celebrities in the musical world. Aside from some newspaper clippings that include the date of publication, the contents of the scrapbooks are not dated. Featured programs, places, organizations and figures include Emma Adams, Ira Adams, Don Allen, Armed Forces Radio, Pearl Bailey, George A. Baron, Count Basie, Harry Belafonte, Irvin Berman, Eugene Biscailuz, Manny Borun, Fletcher Bowron, Charley Browning, Carmen Jones, the movie, Ray Charles, Club de Lisa, Arthur Croghan, Clay Cunningham, Dorothy Dandridge, Sammy Davis Jr., Warren Dorn, Billy Eckstine, Egyptian Shriners, Bob Ellis, Kay Francis, Robert D. Funk, Georgia (by Ray Charles), Lee Gillette, Golden Grooves radio show, Curley Hamner, Lionel Hampton, Hunter Hancock, Addie Hansen, Leon Helflin, Billie Holiday, H. Claude Hudson, Jamaica, the Broadway play, Al Jarvis, Herb Jeffries, Joe Adams Day, Leon King, KOWL Radio, June Kristy, Chuck Landis, Mauri Lyn, The Manchurian Candidate, MGM Studios, Husky Miller, Lucky Millinder, Tim Moor, Otto Preminger, Paul Price, Lillian Randolph, Leonard J. Roach, Caesar Romero, Nina Russell, Lionel "Chico" Sesma, Jerry Simons, Mike Thompson, Sonny Tufts, Sarah Vaughan, T-Bone Walker, Dinah Washington, Leon H. Washington Jr. and Artie Wayne.

Series 3, Other Materials, 1948-1980; undated, includes magazines, correspondence, certificates and newspaper articles. The magazine cover stories are dedicated to fashion or to public figures such as John F. Kennedy, but they each contain a feature on Joe Adams and his involvement in the broadcast industry and the jazz music scene. There are fashion photographic spreads using musical stars that Adams knew well such as Nat King Cole. Two certificates thank Adams for community service to the Hollywood Canteen and the Hollywood Junior Chamber of Commerce (the "Out of this World series" celebrity baseball game). The correspondence is from other members of the broadcasting industry and pertains to matters in and outside of the business realm. The series also contains publicity concerning Ray Charles's tour through South Africa and the story of how Adams came to be his manager. Aside from magazines and newspaper clippings where the date of publication is featured, the majority of these materials are not dated. Featured programs, places, organizations and figures include Ami Artzi, Eddie Chamblee, Ray Charles, The Ray Charles Band, Nat King Cole, Madi Comfort, The Cotton Club, Arthur Croghan, Hilary Falkow, Roberta Flack, Joe Greene, Hollywood Canteen, Hollywood Junior Chamber of Commerce, Lena Horne, Charlotte Moton Hubbard, Karen Hutchinson, Jamaica, the Broadway play, Lyndon B. Johnson, James Earl Jones, Danny Kaye, John F. Kennedy, Lew Lauria, Robert Lewis, Sonny Liston, Paul R. McClure, Ricardo Montalban, Willa Moultrie, Lee Harvey Oswald, Breau Palmer, and Jack Ruby.

Arrangement:: The collection is divided into three series.

Series 1, Photographs, circa 1947-1980

Series 2, Scrapbooks, circa 1947-1954; undated

Series 3, Other Materials, 1948-1980; undated

Biographical / Historical:: Joe Adams was born on April 11, 1924. A native of Los Angeles, California, he wanted to work in radio at a very young age. Despite the racial discrimination that existed in the radio and television industry, Adams pressed on, practicing public speaking in vacant lots. He also gained confidence serving domestically as a pilot with the 332nd Tuskegee Airmen Fighter Group during World War II. After his time in the service, Adams was able to get occasional radio work at Hollywood stations such as KFWB, KPAS, KFOX, and KGFJ. In 1946, Adams got the chance to host a fifteen minute radio show at KOWL. He also married his wife, Emma Millhouse, that year.

Within two years, Joe Adams was hosting the number one-rated live radio show in Los Angeles, and the show had expanded from fifteen minutes to five hours. Adams was also able to sign on fifty-six sponsors for his show, a number previously unheard of. This was the beginning of a career that would last for more than twenty years.

During the 1940s and 1950s, Adams garnered success both on the radio, the small screen, and the big screen. He had two television shows, Adams Alley and Joe Adams Presents, made famous for the many music and film stars that Adams featured. Some of the celebrities Adams hosted included Jerry Lewis, Duke Ellington, The Trenier Twins, Ella Fitzgerald, Billie Holiday and Count Basie. Ellington played two themes for Adams's shows, "Take the 'A' Train" and "Smada" ("Adams" backwards). Both songs were written by jazz great, Billy Strayhorn. In 1954, Adams fronted a band that was part of the first USO tour to entertain troops stationed in Korea. Among the band members was actress-turned-singer, Shirley Haven.

Adams opened a nightclub, Pigalle, which was wildly popular in Los Angeles. In addition to being one of the first radio personalities to do a simulcast radio and live show by appearing live at the Paramount Theater in downtown Los Angeles, Adams was the first African American to be featured in an on-air, West Ccoast network radio show.

Adams appeared in nearly thirty movies, including the hit Carmen Jones (1954), where he played Husky Miller, and the original version of The Manchurian Candidate (1962). In 1958, Adams became the first African American to receive the Foreign Correspondents Award for Outstanding New Actors from the Hollywood Foreign Correspondents Association. The Foreign Correspondents Award would later be called The Golden Globe. In 1957, Adams retired from radio and television to star in the Broadway play, Jamaica, with Lena Horne and Ricardo Montalban.

Adams made many famous friends during his career in broadcasting and film; one of the best known was Ray Charles. After inviting Adams on tour in 1959, Charles asked Adams to become his manager. Adams agreed (although to date, Adams humorously claims, he was never formally hired), and he managed Charles until the musician's death in 2004. Adams helped position Charles for fame through such venues as a long line of Pepsi commercials and the creation of both a Ray Charles studio and a company. Adams even arranged for Charles to tour in South Africa, and he served as both the producer of the Ray Charles Show and the wardrobe designer for Charles and his backup singers, the Raelettes.

Adams also acquired expertise outside the broadcasting and music business. He became a licensed commercial pilot and an authority in law. His philanthropy and his tireless work for African Americans and inner-city communities have been recognized by many organizations, from the Egyptian Shriners to the Urban League. Even his home town of Los Angeles has recognized Adams's efforts, making March 14th the official "Joe Adams Day."

Sources

The National Visionary Leadership Project. "Joe Adams." http://www.visionaryproject. org/adamsjoe (accessed June 20, 2008).

Ray Charles Official Website. "Joe Adams." http://www.raycharles.com/the_legacy_ joe_adams.html (accessed June 28, 2008).

Separated Materials:: The Division of Culture and the Arts holds artifacts related to this collection, including three jackets and one blue tuxedo worn by Joe Adams during his onstage career with Ray Charles and two scripts from the movie The Manchurian Candidate (1962) and the Broadway musical, Jamaica. See accession number 2005.3098.

Provenance:: Collection donated by Joe Adams.

Restrictions:: Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:: Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:: Radio broadcasting Search this; African American radio stations Search this; Broadcasting Search this

Genre/Form:: Photographs -- 20th century; Letters (correspondence) -- 20th century.; Scrapbooks -- 20th century

Citation:: Joe Adams Papers, 1948-1980, Archives Center, National Museum of American History.

Identifier:: NMAH.AC.0908

See more items in:: Joe Adams Papers

Archival Repository:: Archives Center, National Museum of American History

EDAN-URL:: ead_collection:sova-nmah-ac-0908

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Lilian Swann Saarinen papers

Creator:: Saarinen, Lilian Swann, 1912-1995 Search this

Names:: Cambridge Art Center Search this; Cranbrook Academy of Art -- Faculty Search this; G Place Gallery (Washington, D.C.) Search this; Knoll Associates, inc. Search this; Massachusetts Institute of Technology -- Faculty Search this; Midtown Galleries (New York, N.Y.) Search this; Otava Publishing Company Search this; Reynal & Hitchcock Search this; Armitage, Merle, 1893-1975 Search this; Crosby, Caresse, 1892- Search this; Eames, Charles Search this; Eames, Ray Search this; Koch, Carl Search this; Kreis, Henry, 1899-1963 Search this; Milles, Carl, 1875-1955 Search this; Moholy-Nagy, László, 1895-1946 Search this; Moholy-Nagy, Sibyl, 1905- Search this; Saarinen, Eero, 1910-1961 Search this; Saarinen, Eliel, 1873-1950 Search this; Saarinen, Loja Search this; Venturi, Robert Search this; Weese, Harry, 1915-1998 Search this

Extent:: 9 Linear feet

Type:: Collection descriptions; Archival materials; Blueprints; Diaries; Illustrations; Sketches; Photographs; Scrapbooks

Date:: circa 1909-1977

Summary:: The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.

Scope and Contents:: The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.

Biographical material consists of resumes and biographical sketches, as well as a 1951 blueprint for the Eero Saarinen and Associates Office Building in Bloomfield Hills, Michigan.

Correspondence documents Saarinen's personal and professional life through letters to and from Eero Saarinen and other family members, including six letters from Loja Saarinen; correspondence with artists and architects, including Merle Armitage, Charles and Ray Eames, Carl Koch, Henry Kreis, Carl Milles, Laszlo and Sibyl Moholy-Nagy, Robert Venturi, and Harry Weese; and friends and colleagues at the Cranbrook Academy of Art and Knoll Associates. Also documented is Saarinen's business relationship with Midtown Galleries and Caresse Crosby, and publishers and publications including Child Life, Interiors, Otava Publishing Company, and Reynal & Hitchcock, Inc.

Writings and Notes document Saarinen's work on several children's publications, including Picture Book Zoo (1935) and Who Am I? (1946), through correspondence, notes, manuscript drafts, and extensive sketches. This series also includes Saarinen's ideas for other publications and incorporates some early writings and notes, as well as typescripts of her reminiscences about Eliel Saarinen, the Saarinen family, and the Cranbrook Academy of Art.

Diaries consist of bound diary volumes, loose-leaf journal entries, and heavily annotated engagement calendars, documenting Saarinen's personal life, artistic aspirations, and career development from the 1930s-1970s. This material provides a deeply personal view of the emotional landscape of Saarinen's life, her struggles to balance her identity as a working artist with the roles of wife, mother, and homemaker, and the complex, and often competing, relationships within the renowned architectural family into which she married.

Project files document Saarinen's work on book cover designs, federal and post office commissions in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, reliefs for the Crow Island School in Winnetka, Illinois, and other important commissions including the Harbor National Bank Clock in Boston, Massachusetts, the KLM Airlines installation at JFK Airport, the Fountain of Noah sculpture at the Northland Center in Detroit, Michigan, and the interior of Toffenetti's restaurant in Chicago, Illinois. Also documented is her role in designs for the Gateway Arch in St. Louis, with Eero Saarinen.

Teaching files document Saarinen's "Language of Clay Course" which she taught at Cambridge Art Center and the Massachusetts Institute of Technology.

Financial records document exhibition and sales expenses for two exhibitions, including her show at G Place Gallery in 1944.

Printed material consists of clippings about Saarinen and her family, exhibition announcements and catalogs for herself and others, and reference files from the 1930s-1940s, primarily comprising clippings of animals.

Additional printed material documenting Saarinen's career can be found in one of two scrapbooks found in the collection. An additional scrapbook consists of clippings relating primarily to Saarinen's parents.

Artwork comprises extensive sketches, particularly animal and figure sketches, in graphite, crayon, ink, pastel, and watercolor. The sketches demonstrate in particular Saarinen's developing interest in and skill with animal portraiture from her childhood to the 1960s.

Photographs are primarily of artwork and Saarinen's 1944 exhibition at G Place Gallery. Also found are one negative of Saarinen, probably with Eero Saarinen, and a group photo including Lilian, Eero, and Eliel Saarinen with the model for the Detroit Civic Center, circa 1940s.

Arrangement:: The collection is arranged as 11 series.

Series 1: Biographical Material, circa 1930s-1960s (3 folders; Box 1, OV 12)

Series 2: Correspondence, 1920-1974 (1.9 linear feet; Boxes 1-2, 8, OV 12)

Series 3: Writings and Notes, 1920s-1973 (1.3 linear feet, Boxes 2-3, 8, OVs 13-16)

Series 4: Diaries, 1930-1973 (1.4 linear feet, Boxes 3-5, 8)

Series 5: Project Files, 1931-1966 (1.7 linear feet, Boxes 5-6, 8, OVs 17-19)

Series 6: Teaching Files, 1966-1970 (3 folders, Box 6)

Series 7: Financial Records, 1940s-1970s (2 folders, Box 6)

Series 8: Printed Material, circa 1930s-1970s (0.2 linear feet, Box 6)

Series 9: Scrapbooks, circa 1909-1974 (2 folders; Boxes 6, 9)

Series 10: Artwork, circa 1920s-circa 1960s (1.7 linear feet, Boxes 6-7, 9-10, OVs 20-27)

Series 11: Photographs, circa 1940s, 1977 (0.5 linear feet, Boxes 7, 11, OV 27)

Biographical / Historical:: Cambridge artist and sculptor, Lilian Swann Saarinen (1912-1995), studied at the Art Students League with Alexander Archipenko in 1928, and later with Albert Stewart and Heninz Warneke from 1934-1936, before moving to Michigan where she studied with Carl Milles at the Cranbrook Academy of Art from 1936-1940. Saarinen was an accomplished skier and a member of the 1936 US Olympic ski team.

At Cranbrook, Swann met architect Eero Saarinen, whom she married in 1939. She subsequently worked with Saarinen's design group on a variety of projects, including the Westward Expansion Memorial, which later became known as the "Gateway Arch" in St. Louis. Lilian and Eero had a son, Eric, and a daughter, Susie, before divorcing in 1953.

Saarinen, who had developed an affinity for drawing animals in childhood, specialized in animal portraits in a variety of sculptural media. In 1939, she exhibited her sculpture Night, which depicted Bagheera the panther from Rudyard Kipling's Jungle Book, at the World's Fair. The sculpture was placed in the Boston Public Garden in 1986. In the 1930s and 1940s Saarinen was commissioned to work on a variety of architectural projects, including reliefs for post offices in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, and the Crow Island School in Winnetka, Illinois. She also executed commissions for the Harbor National Bank in Boston, KLM (Royal Dutch Airlines) at JFK Airport, the Northland shopping Center in Detroit Michigan, and Toffenetti's Restaurant in Chicago.

Saarinen was a contributing author and illustrator for a variety of publications, including Child Life, Interiors and Portfolio: An Intercontinental Quarterly. In 1935 she illustrated Picture Book Zoo for the Bronx Zoo and in 1946 Reynal & Hitchcock, Inc. published Who Am I?, a children's book which Saarinen wrote and illustrated.

Saarinen taught ceramic sculpture to soldiers for the Red Cross Arts and Skills Unit rehabilitation program in 1945, served on the Visiting Committee to the Museum School at the Museum of Fine Arts, Boston, from 1959-1964, where she taught ceramics, and later taught a course entitled "The Language of Clay" at the Cambridge Art Center and the Massachusetts Institute of Technology. One of Saarinen's private students at Cambridge was her cousin, Edie Sedgwick.

Saarinen died in Cohasset, Massachusetts, in 1995 at the age of 83.

Separated Materials:: The Archives of American Art also holds material lent for microfilming (reels 1152 and 1192) including a scrapbook containing clippings, copies of letters and telegrams received, and reproductions of Saarinen's work. There is a copy of Saarinen's book, "Who Am I?", and three albums containing photographs of Saarinen, photographs and reproductions of her work, a list of exhibitions, quotes about her, and writings by her about sculpture. Lent material was returned to the lender and is not described in the collection container inventory.

Provenance:: Lilian Swann Saarinen donated the collection in 1975. She lent additional materials for microfilming in 1976.

Restrictions:: Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Rights:: The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:: Sculptors -- Massachusetts -- Cambridge Search this

Topic:: Women artists -- Massachusetts Search this; Art -- Study and teaching Search this; Illustrated books, Children's Search this; Gateway Arch (Saint Louis, Mo.) Search this; Sculpture, Modern -- 20th century -- United States Search this; Illustrators -- Massachusetts Search this; Art commissions Search this; Art, Municipal Search this

Genre/Form:: Blueprints; Diaries; Illustrations; Sketches; Photographs; Scrapbooks

Citation:: Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.

Sponsor:: Funding for the processing and digitization of this collection was provided by The Walton Family Foundation; and John R. & Barbara Robinson and Deborah Schmidt Robinson & Dr. R. Perry Robinson, The Widgeon Point Charitable Foundation.

Identifier:: AAA.saarlili

See more items in:: Lilian Swann Saarinen papers

Archival Repository:: Archives of American Art

EDAN-URL:: ead_collection:sova-aaa-saarlili

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Elbert Hubbard's Scrapbook Containing the Inspired and Inspiring Selections Gathered During a Life Time of Discriminating Reading for his own Use, by Elbert Hubbard,

Collection Creator:: Stanley Home Products Search this; Beveridge, Frank Stanley Search this; O'Brien, Catherine L. Search this

Collection Donor:: Perkins, Homer Search this

Container:: Box 16, Folder 5

Type:: Archival materials

Date:: 1923

Collection Restrictions:: Collection is open for research but the audio discs in box 48 are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:: Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:: Stanley Home Products Collection, 1931-1999, Archives Center, National Museum of American History.

See more items in:: Stanley Home Products Collection; Stanley Home Products Collection / Series 10: Publications

Archival Repository:: Archives Center, National Museum of American History

EDAN-URL:: ead_component:sova-nmah-ac-0788-ref395

James Arthur Clock and Watch Collection

Creator:: New York University Search this; Arthur, James, 1842-1912 ((machine shop owner)) Search this

Names:: Jones, Ezekiel Search this

Extent:: 15 Cubic feet (32 boxes)

Type:: Collection descriptions; Archival materials; Photographs; Reports; Sales catalogs; Advertisements; Publications; Clippings; Business records; Inventories; Patents; Manuscripts; Press releases

Date:: 1743-1967.

Scope and Contents note:: These records contain material on the Arthur collection of clocks and watches. Includes publications, inventories, manuscripts, reports, photographs, advertisements, catalogues, newspaper clippings, patents, and business records; correspondence files of NYU curators concerning the administration of the collection; a watch record book of sales of Ezekiel Jones, carried on bookkeeping, 1822 and 1825; and a copy of the Smithsonian-NYU permanent loan agreement, 1964.

Arrangement:: The collection is divided into 10 series.

Series 1, Correspondence, 1937-1964 (bulk 1950-1957)

Series 2, Subject Files

Series 3, Organizations

Series 4, The Arthur Collection at New York University, 1930-1968

Series 5, Patent Specification (Unprocessed)

Series 6, Horological Pamphlets and Articles, 1743-1947 (Unprocessed)

Series 7, Miscellaneous, 1825-1966 (Unprocessed)

Series 8, Clock Makers Directory, 15 volumes (Unprocessed)

Series 9, Press Clippings about watches and clocks (Unprocessed)

Series 10, Photographs (Unprocessed)

Biographical/Historical note:: James Arthur owned and operated a New York machine shop for patent models. He came to the United States from Scotland in 1871. Fourteen years later he established Arthur Machine Works in New York City for the construction of original and special machinery. He was a skillful, ingenious, highly trained mechanic. While not technically a clockmaker or a watchmaker, he was especially interested in horology and timekeeping devices. From boyhood, clocks and watches were his hobby and he was a discriminating collector.

For more than forty years, he collected watches and clocks from many countries and periods. Arthur was quick to recognize any features of a clock or watch that gave it a distinctive character. His fondness for the fine points of the machinery did not blind him to distinctions of form and beauty in the cases, to originality in the maker, or to the historical significance of the work. He was devoted to the science no less than to the art of timekeeping. Arthur's collection contained some 1,200 watches, 300 clocks, and numerous accessories.

Provenance:: Collection donated by New York University, 1964.

Restrictions:: Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:: Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:: Watches Search this; Collectors and collecting Search this; Clocks and watches Search this; Horology Search this; Models (Patents) Search this

Genre/Form:: Photographs -- 1850-1900; Reports; Sales catalogs; Advertisements; Publications; Clippings; Business records -- 19th century; Inventories; Patents; Manuscripts -- 19th century; Press releases; Photographs -- 20th century

Citation:: James Arthur Clock and Watch Collection, 1743-1967, Archives Center, National Museum of American History. Lent by New York University.

Identifier:: NMAH.AC.0130

See more items in:: James Arthur Clock and Watch Collection

Archival Repository:: Archives Center, National Museum of American History

EDAN-URL:: ead_collection:sova-nmah-ac-0130

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Glass Lantern Slide and Lecture Scripts

Collection Creator:: Garden Club of America Search this

Type:: Archival materials

Collection Restrictions:: Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:: Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Collection Citation:: Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

See more items in:: The Garden Club of America collection

Archival Repository:: Archives of American Gardens

EDAN-URL:: ead_component:sova-aag-gca-ref32850

1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center

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ICC. Discrimination. Reply Brief for Complainant the Commercial Cable Co.

Collection Creator:: United Telegraph Workers. Search this; Western Union Telegraph Company Search this

Container:: Box B-18

Type:: Archival materials

Series Restrictions:: This subseries is in storage off-site. Contact Archives Center for terms of access.

Collection Rights:: Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.