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Roy De Forest papers

Creator:
De Forest, Roy, 1930-2007  Search this
Names:
Dilexi Gallery  Search this
Loujon Press  Search this
Nixon, Bruce  Search this
Strohl, Audrey  Search this
Uccello, Paolo, 1397-1475  Search this
Zack, David, 1938-  Search this
Extent:
11.2 Linear feet
111.86 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Drawings
Interviews
Sketchbooks
Sound recordings
Video recordings
Date:
1916-2015
bulk 1948-2007
Summary:
The papers of artist Roy De Forest measure 11.2 linear feet and 111.86 gigabytes and date from 1916 to 2015, with the bulk of the collection dating from 1948 to 2007. The collection documents De Forest's painting career and involvement in the funk art movement through biographical material, correspondence, writings, professional records, printed material, photographic material, artwork, digital audio and video recordings, and artifacts.
Scope and Contents:
The papers of artist Roy De Forest measure 11.2 linear feet and 111.86 gigabytes and date from 1916 to 2015, with the bulk of the collection dating from 1948 to 2007. The collection includes documents De Forest's painting career and involvement in the funk art movement through biographical material, correspondence, writings, professional records, printed material, photographic material, artwork, digital audio and video recordings, and artifacts.

Biographical material includes early school materials, resumes, a recording of an interview, membership materials, identification documents, certificates and awards, and family history and genealogy material. Also included in this series are obituaries, letters of condolence, and materials, including born-digital photographs and recordings, related to memorial services celebrating De Forest's life and work.

Correspondence includes letters and postcards to and from family, friends, colleagues, and arts institutions. This series also includes a few folders of greeting cards.

The writings series contains essays, lectures, exhibition texts, notes, and other materials written by Roy De Forest, including an essay, The Vision of Paolo Uccello, and his famous "dog lecture." Also included are writings by others, such as a student dissertations on Roy De Forest, essays by Bruce Nixon, and poetry and an essay by David Zack.

Professional records include materials related to a book of memories (never published) organized by Dilexi Gallery and the Loujon Press, exhibition planning documents, an exhibition recording, materials related to the James Talcott Inc. Computer Arts program, and materials related to print documentation.

Financial records contain inventory and stock files; sales and consignment records; receipts and invoices; tax, estate, and insurance paperwork; and account books and ledgers.

Printed material includes exhibition announcements, catalogs, and posters; material related to other projects; blank cards with Roy De Forest art; clippings; press releases; newsletters and journals; books; and source material.

Photographic material includes digital and print photographs, negatives, transparencies, and slides of Roy De Forest and other individuals, as well as travel photos, images of his pets (primarily dogs), and images of his studio and works of art.

Artwork includes drawings by De Forest and others, as well as four sketchbooks.

The artifacts series contains a tote bag, t-shirt, and a puzzle, all featuring Roy De Forest artwork. Also included in the series is a patterned shirt and an "art critic" baseball cap.
Arrangement:
The collection is arranged in nine series.

Series 1: Biographical Material, 1930-2008 (Boxes 1-2, OV 12, RD 17, ER01-ER03; 1.7 linear feet)

Series 2: Correspondence, circa 1948-2014 (Boxes 2-3; 1 linear foot)

Series 3: Writings, circa 1952-2005 (Box 3, OV 12, ER04; 0.3 linear feet)

Series 4: Professional Records, 1968-circa 2007, 2014 (Box 3, OV 12; 0.4 linear feet)

Series 5: Financial Records, 1963-circa 2014 (Boxes 3-5; 1.4 linear feet)

Series 6: Printed Material: 1916-1936, 1951-2007 (Boxes 5-7, OV 13-14, ER05-ER07; 2.8 linear feet)

Series 7: Photographic Material: 1926, circa 1943-2007 (Boxes 7-9, OV 15, ER08-ER12; 2 linear feet)

Series 8: Artwork, circa 1947-circa 2007 (Boxes 9-10, OV 16; 0.6 linear feet)

Series 9: Artifacts, circa 2007-circa 2009 (Box 11; 1 linear foot)
Biographical / Historical:
Roy De Forest (1930-2007) was a painter, sculptor, and educator in Port Costa, California. A notable figure in the funk art movement, he coined the term "nut art" to describe art that embraced humor and created a fantasy world.

Born in North Platte, Nebraska, Roy De Forest grew up in Yakima, Washington where he attended Yakima Junior College and graduated in 1950. He went on to study at the California School of Fine Arts (now San Francisco Art Institute) and San Francisco State College (now San Francisco State University). He taught at Yakima Junior College from 1958 to 1960 after graduating from San Francisco State College, and later taught at the University of California, Davis from 1965 until his retirement as professor emeritus in 1992.

De Forest's first solo exhibition was in 1955 at the East & West Gallery in San Francisco. From then until his death in 2007, he exhibited frequently, especially at the Allan Frumkin Gallery in New York and the Hansen Fuller Gallery in San Francisco.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Roy De Forest conducted by Lynn Robert Matteson, April 7-June 30, 2004.
Provenance:
The Roy De Forest papers were donated in several installments from 1974 to 2019. Some materials were loaned for microfilming in 1974 and subsequently donated in 1977 and 1979 by Roy De Forest. Additional materials were donated in 2009, 2016 and 2019 by Gloria Marchant, Roy De Forest's widow.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Occupation:
Painters -- California  Search this
Topic:
Art, Modern -- 20th century -- California  Search this
Educators -- California  Search this
Sculptors -- California  Search this
Funk  Search this
Genre/Form:
Drawings
Interviews
Sketchbooks
Sound recordings
Video recordings
Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.deforoy
See more items in:
Roy De Forest papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-deforoy
Online Media:

Dilexi Gallery

Collection Creator:
De Forest, Roy, 1930-2007  Search this
Container:
Box 2, Folder 15
Type:
Archival materials
Date:
1959-1969
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Roy De Forest papers
Roy De Forest papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-deforoy-ref209

Oral history interview with Ron Nagle, 2003 July 8-9

Interviewee:
Nagle, Ron, 1939-  Search this
Interviewer:
Berkson, Bill, 1939-2016  Search this
Subject:
Voulkos, Peter  Search this
San Francisco State University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Ceramics -- Study and teaching  Search this
Ceramics -- Technique  Search this
Ceramicists -- California -- San Francisco -- Interviews  Search this
Jewelry making  Search this
Beat generation  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)13019
(DSI-AAA_SIRISBib)242177
AAA_collcode_nagle03
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_242177
Online Media:

Oral history interview with Roy De Forest, 2004 April 7-June 30

Interviewee:
De Forest, Roy, 1930-2007  Search this
Interviewer:
Matteson, Lynn Robert, 1939-  Search this
Type:
Sound recordings
Interviews
Topic:
Abstract expressionism  Search this
Painting -- Equipment and supplies  Search this
Painting -- Technique  Search this
Record number:
(DSI-AAA_CollID)13232
(DSI-AAA_SIRISBib)248953
AAA_collcode_defore04
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_248953
Online Media:

Oral history interview with Rena Bransten, 2014 May 29-2015 July 10

Interviewee:
Bransten, Rena  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Viola Frey Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Art dealers -- California -- San Francisco -- Interviews  Search this
Record number:
(DSI-AAA_CollID)16173
(DSI-AAA_SIRISBib)366679
AAA_collcode_branst14
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_366679
Online Media:

Oral history interview with Irving Petlin

Interviewer:
Petlin, Irving, 1934-2018  Search this
McElhinney, James Lancel, 1952-  Search this
Extent:
6 Items (sound files (4 hrs., 27 min.), digital, wav)
103 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2016 September 13-15
Scope and Contents:
An interview with Irving Petlin conducted 2016 September 13 and 15, by James McElhinney, for the Archives of American Art at Petlin's home in New York, New York.
Petlin speaks of his childhood in Chicago, where he attended the Art Institute Children's school; his grandparents; his early artistic influences, including Munch, Van Gogh, Redon, Matta, and Gorky; the influence of the Chicago Imagists; studying art at Yale University; his military service in Army Intelligence; his studio on the Monkey Block in San Francisco; the Dilexi Gallery; living and working in Paris; working as a visiting artist at UCLA; his decision to use primarily pastels in his work; his series on Edmond Jabes, Primo Levi, and others; his witnessing of the Paris protests against the Algerian War; his involvement in protests and artworks against the Vietnam War in the U.S.; his involvement in the Art Workers Coalition; and his practice of working in series. Petlin also recalls Leon Golub, Claes Oldenberg, Nancy Spero, Joseph Randall Shapiro, Josef Albers, Varujan Boghosian, William Bailey, Richard Diebenkorn, Elmer Bischoff, Jim Newman, Eva Hesse, Robert Birmelin, R.B. Kitaj, Ed Kienholz, John Weber, Virginia Dwan, Mark di Suvero, Leo Castelli, and others.
Biographical / Historical:
Interviewee Irving Petlin (1934-2018 ) was a painter in New York, New York. Interviewer James McElhinney (1952- ) is a painter and educator of New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.petlin16
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-petlin16

Oral history interview with Rena Bransten

Interviewee:
Bransten, Rena, 1933-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Viola Frey Oral History Project  Search this
Names:
Viola Frey Oral History Project  Search this
Extent:
5 Items (sound files (3 hrs., 57 min.), digital, wav)
99 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2014 May 29-2015 July 10
Scope and Contents:
An interview with Rena Bransten conducted 2014 May 29- 2015 July 10, by Mija Riedel, for the Archives of American Art's Viola Frey Oral History Project at Bransten's home in San Francisco, California.
Bransten speaks of attending the Dalton School; her childhood; her father's interest in illuminated manuscripts; her parents; attending Smith College; attending art museums as a kid; college studies; getting married and moving to California; art history at Berkely; Massimoo Zanetti Beverage; being on various museum boards; differences and similarities in art tastes between her and her husband; going to galleries; Ruth Braunstein Gallery; Quay Ceramics; the Elizabeth Arden Building; gallery locations in San Francisco; ceramics; Ron Nagle; travels and collecting; her daughter Trisha; eclectic collecting; buying with your heart; Vik Muniz; her sons; John Baldessari; the 1970s and 1980s; gallery visitors; video art; Dara Birnbaum; Viola Frey; Hung Liu; touring exhibitions; common threads in shows exhibited; gallery publications; art critics; Viola Frey's life and work; changes in the art world; investment collecting; working with Andy Warhol; art fairs; ARCO; art fair fatigue; online sales; impact of the Internet; Watermark; photography; Dawoud Bey; Birmingham Project; changes in the city; art buying as philanthropy; Creative Growth; Art Dealers Association of America; San Francisco Art Dealers Association; finding artists to exhibit; gallery clientele; gallery assistants; influence of museums; Gustave Courbet; Don Ed Hardy; Ruth Asawa; Black Mountain College; gallery shows that stand out; American art; future of the gallery. In the final session Branston recalls her relationship with Viola Frey; Frey's childhood; Frey's relationship with Betty Woodman; Frey's experimental nature and techniques; and Frey's multiple shows at the Quay Gallery. Bransten also recalls the Smith College Art Museum, Henry-Russell Hitchcock, Phyllis Lehmann, Barbara Jakobson, Sarah Charlesworth, Marina Abramovic, Yerba Buena, Betty Asher, Virginia Zabriskie, Ruth Braunstein; Peter Voulkos, Richard Shaw, Dilexi Gallery, Markus Lupertz, Hermann Albert, Peter Chevalier, Thomas Schindler, Tony DeLap, John Caldwell, Stephen Wirtz, John Baldessari, William T. Wiley, Peter Vandenburg, Sandy Shannonhouse, Dara Birnbaum, Jim Campbell, Betty Woodman, Hung Liu, Fred Wilson, Garth Clark, Ann Kohs, Manuel Neri, Rupert Garcia, Judith Golden, Walter Maciel, Vernon Coykendall, John Waters, Doug Hall, Phyllis Kind, Ed Thorpe, Jenny Baie, and Markus Lüpertz.
Biographical / Historical:
Interviewee Rena Bransten (1933- ) is an art dealer in San Francisco, California who collected Viola Frey's works of art. Interviewer Mija Riedel (1958- ) is an independent scholar in San Francisco, California.
General:
Originally recorded as 6 sound files. Duration is 3 hr., 57 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art dealers -- California -- San Francisco -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.branst14
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-branst14

Oral history interview with Ron Nagle

Creator:
Nagle, Ron  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Interviewer:
Berkson, Bill  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
San Francisco State University -- Students  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
84 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2003 July 8-9
Scope and Contents:
An interview of Ron Nagle conducted 2003 July 8-9, by Bill Berkson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in San Francisco, California.
Nagle speaks of his childhood in San Francisco and growing up in the "Outer Mission"; his early creative influences, including his father who "could build anything," his mother, who ran a ceramics club in their basement, and his high school friend Steve Archer, who customized cars; making and selling jewelry while in high school; the Beat scene in San Francisco; teaching his high school friend Rick Gomez about jewelry in exchange for lessons in throwing clay on the wheel; attending San Francisco State University, initially as an English major then switching to art; learning about Peter Voulkos from Gomez; taking a summer course with Henry Takemoto at the Art Institute [now the California School of Fine Arts]; his "manic" interest in art magazines; studying with Charles McKee at San Francisco State; working as a studio assistant for Peter Voulkos at the University of California at Berkeley, after his graduate school application was rejected; making connections in the Los Angeles art scene through friend and sculptor Ed Bereal; the influence of Kenneth Price, James Melchert, Peter Voulkos, 16th and 17th century Japanese ceramics, popular culture, and painters such as Giorgio Morandi, Albert Pinkham Ryder, Josef Albers, Philip Guston, Billy Al Bengston, and others; his first show at the Dilexi Gallery, "Works in Clay by Six Artists," 1968; teaching for 42 years; the relation between music and "studio art"; playing the piano and his broad interest in music; his band Mystery Trend; creating sound effects for the film, "The Exorcist;" his use of color; exhibitions at Garth Clark Gallery and showing internationally; his use of porcelain in the early 1990s; the idea of craft vs. art; the meditative and playful qualities of working with clay; his references to male and female physiology in his work; and his process.
Biographical / Historical:
Ron Nagle (1939- ) is a cermacist of San Francisco, California. Bill Berkson (1939- ) is a poet.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 3 hrs., 27 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Musicians -- California -- San Francisco  Search this
Topic:
Ceramics -- Study and teaching  Search this
Ceramics -- Technique  Search this
Ceramicists -- California -- San Francisco -- Interviews  Search this
Jewelry making  Search this
Beat generation  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.nagle03
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nagle03

Oral history interview with Roy De Forest

Creator:
De Forest, Roy, 1930-2007  Search this
Interviewer:
Matteson, Lynn Robert  Search this
Extent:
80 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 April 7-June 30
Scope and Contents:
An interview of Roy De Forest conducted 2004 April 7-June 30, by Lynn Robert Matteson, for the Archives of American Art, in Port Costa, California.
De Forest speaks of an early interest in painting and drawing; acceptance to California School of Fine Arts; his time spent in San Francisco; working at the San Francisco Museum of Modern Art; studying and teaching at Junior College in Yakima, California School of Fine Arts, San Francisco State, and the University of California, Davis; his relationship with other artists including Allan Stone, Allan Frumkin, Jim Newman; gallery shows at Dilexi Gallery, King Ubu Gallery, Six Gallery; time spent in the army; teaching at San Quentin State Prison; his opinions on and influence of Abstract Expressionism in his work; the influence of Paolo Uccello, Guieseppe Acrimboldo, and Piet Mondrian in his work; having a traveling show through the Whitney Museum of American Art in New York City; West Coast versus East Coast artists; artists' interest in history of art; techniques in art; types of paint and motives of use, specifically between water-based paint over oil; paint technology; the durability of pieces as a result of using particular types of paint; art restoration; sculpture and frame constructions; the history of his casting period; pieces he was working on at the time of the interview; his work with tile and ceramics; his book, "Journey to the Canine Territory"; his period in scroll painting; references and iconography in his work and influences from previous artists, pieces, and periods; opinions on artists including Agnes Martin, Eva Hesse, Cy Twombly, and Joan Brown; poetical influences and his poetic preferences; Surrealist elements in pieces; his use of animals in paintings; philosophical influences; the influences of technology such as television and computers; his printmaking career; scale and size in his pieces; painting "streaks"; the creation of characters and figures in his paintings; the influence of travel on his art; the nature and attitude of contemporary artists; modern architecture and museum spaces; architects including Frank Gehry and Richard Meier; his hobbies of model creation and woodworking; and his perception of himself. De Forest recalls Hassel Smith, Richard Crozier, Robert Duncan, John Guttman, George Adams, Robert Arneson, Lucian Pompili, John Humphrey, Peter Saul, and others.
Biographical / Historical:
Interviewee Roy De Forest (1930-2007) was a painter and sculptor from Port Costa, California. Interviewer Lynn Robert Matteson (1939- ) is an art historian from Santa Barbara, California.
General:
Originally recorded on 4 sound discs and 1 sound cassette. Reformatted in 2010 as 10 digital wav files. Duration is 4 hr., 17 min.
Microphone was not working during last session, 2004 June 30. Interview equipment was replaced with an analog recorder and the sound for the last forty-five minutes is not as clear as the rest of the interview. It is difficult to hear the interviewer during this session.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Abstract expressionism  Search this
Painting -- Equipment and supplies  Search this
Painting -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.defore04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-defore04

Oral history interview with James Newman

Interviewee:
Newman, James, 1933-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Dilexi Gallery  Search this
Anderson, Jeremy, 1921-1982  Search this
Hopps, Walter  Search this
Kauffman, Craig, 1932-2010  Search this
Wiley, William T., 1937-  Search this
Extent:
47 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1974 May 13
Scope and Contents:
An interview of James Newman conducted 1974 May 13, by Paul Karlstrom, for the Archives of American Art. Newman speaks of his initial interest in art at Stanford University; meeting Walter Hopps and opening his first gallery with him in the 1950s; the history of the Dilexi Gallery in San Francisco; and his philosophy of collecting. He recalls Robert Craig Kauffman, William T. Wiley, and Jeremy Anderson.
Biographical / Historical:
James Newman (1933- ) is an art dealer from San Francisco, Calif.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 48 min.
Related Materials:
Also in the Archives of American Art are the records of the Dilexi Gallery, 1957-1971, founded and directed by James Newman.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Art dealers -- California -- San Francisco -- Interviews  Search this
Function:
Art galleries, Commercial -- California -- San Francisco
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.newman74
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-newman74

Correspondence

Collection Creator:
Spohn, Clay Edgar, 1898-1977  Search this
Extent:
(boxes 2-5, 4.7 linear feet)
Type:
Archival materials
Date:
1925-1981, undated
Scope and Contents note:
Correspondence is between Spohn and his colleagues, including two letters from Alexander Calder, eight letters from Mark Rothko, and twenty-eight letters from Clyfford Still.

See Appendix for an alphabetical list of correspondents from Series 2.2.
Appendix: Alphabetical List of Correspondents in 2.2:
Abend, George and Kitty Parker Abend (artists): 1950-1960 (4 letters)

Abingdon Square Painters: 1958 (1 letter)

Addison Gallery of American Art: 1958 (2 letters)

American Artists' Congress: 1938 (1 letter)

American Library of Color Slides: 1941 (1 letter)

Anderson, Claude J. K.: 1958 (1 letter)

Anderson, Wendell (poet): 1955-1956 (2 letters)

Archives of American Art: 1964 (4 letters)

Art Academy of Cincinnati: 1958-1959 (3 letters)

Art Association of Newport: 1958 (1 letter)

Art Career School: 1958 (1 letter)

Artists Equity Association: 1950 (1 letter)

Arts and Architecture: 1963 (1 letter)

Art Students League: 1958-1964 (2 letters)

Art Times: 1959 (1 letter)

Art Workshop of the Rivington Neighborhood Asociation, Inc.: 1958 (1 letter)

Ashton, Dore: 1969 (1 letter)

Ayer, Phyllis: 1956 (1 letter)

Bachels, Andrew: 1969 (1 letter)

Barnett, Rici: 1973 (1 letter)

Barron, John N.: 1966 (1 letter)

Beasley, David and Viola: 1963-1978 (11 letters)

Bender: Albert M. Bender Memorial Trust: 1947-1951 (2 letters)

Bethers, Peggy: 1940 (1 letter)

Blesh, Rudi: 1960 (1 letter)

Board of Education, City of New York: 1958-1965 (2 letters)

Booth, James W. (family friend): 1943-1956 (7 letters)

Borgenight: Grace Borgenight Gallery, Inc.: 1965 (1 letter)

Boru, Sorcha: 1932-1933 (12 letters)

Brandenburg, Helen: 1970 (1 letter)

Braunstein/Quay Gallery: 1977 (1 letter)

Briggs, Ernie: 1967-1977 (2 letters)

Bright, Beatrice: 1971-1973 (2 letters)

Brock, Midu: 1954 (1 letter)

Brooklyn Society for Ethical Culture: 1966 (1 letter)

Brown, Lesley: 1955 (1 letter)

Burke, Bob: 1971 (1 letter)

Burnham, Janet B.: 1950 (1 letter)

Bute, Janey: 1971 (1 letter)

Calcagno, Lawrence: 1969-1977 (5 letters)

Calder, Alexander: 1970-1972 (2 letters)

California Palace of the Legion of Honor: 1964 (1 letter)

California School of Fine Arts: 1955-1964 (2 letters)

California: University of California at Berkeley: 1940 (1 letter)

California: University of California at Santa Clara: 1975-1976 (2 letters)

Carewe, Sylvia: 1969 (1 letter)

Carr, James F.: 1967 (1 letter)

Chase Manhattan Bank: 1971 (2 letters)

Chisholm, Stuart (landscape architect): 1925 (1 letter)

Clayton, Janice: undated and 1965-1974 (6 letters)

Clifton, Jim and Mary (owners of a Spohn painting): 1956 (1 letter)

College Art Association: 1949 (1 letter)

Colorado Springs Fine Arts Center: 1952-1970 (4 letters)

Cooke, Regina: 1955 (1 letter)

Cooley, Anne: 1941 (1 letter)

Corbett, Ed and Steff, and Rosamond Tirana: undated and 1951-1977(47 letters, including a 1962 wedding announcement for Corbett and Tirana, and a letter dated Mar 21, 1963 enclosing a photograph of Ed with an amputated foot)

Craig, Jeanne: 1963 (2 letters)

Crawford, Jane and Ernie: 1958 (3 letters)

Crehan, Hub and Anne: 1960 (1 letter)

Crewe, Sylvia: 1969 (1 letter)

Crews, Judson and Mildred (publishers of poetry magazine in Taos): 1952-1969 (4 letters)

Cumming, Ann (and Jennifer Sutcliffe): 1956 (1 letter)

Cunningham, Ben: 1950 (1 letter)

D'Arcangelo, Allan and Sylvia: 1965 (1 letter)

Dasburg, Andrew: 1961 (1 letter)

DePuy, John: 1964 (1 letter)

Diebenkorn, Richard: 1951 (1 letter)

Dilexi Gallery (L. James Newman): 1965 (1 letter)

Dixon, Budd (J.B.) and Peggy: 1954-1970 (5 letters)

Dowell-Kahl Gallery (Leone Kahl, director): 1963 (1 letter)

Drumm, Steve: 1953 (1 letter)

Durham, Charlotte: 1968-1970 (3 letters)

D'Vorzon, Berenice and Randal Goya: 1965 (1 letter)

East Hampton Gallery: undated (1 letter)

Edwards, Tom L.: 1945-1974 (2 letters)

Egri, Ted and Kit: 1958-1971

Elster, Grace-Marion: 1926 (1 letter)

Ely, Georgette and Wolcott: 1958-1969 (38 letters)

Finichel, Lilly: 1954 (1 letter)

Forster, Bertrand Dixon: 1961 (1 letter)

Forster, Paul and Else: undated and 1943-1974 (15 letters)

Fort Worth Art Center Museum: 1971 (1 letter)

Foss, Florence: 1958 (1 letter)

Fran, Ford: 1971 (1 letter)

Fryworth, Teressa (Terry) (Registrar at California School of Fine Arts): 1950-1978 (72 letters)

Fuller, Mary: see McChesney, Mary

Fuller, Patti (Ed Corbett's niece): 1955 (2 letters)

Furse, Roger: 1928-1953 (4 letters)

Gallery of Modern Art, Taos, N.M.: 1972 (1 letter)

Garcia, Enos: 1954 (1 letter)

Georgiadis, Alex: 1951 (1 letter)

Gettell, Mrs. Richard Glenn: 1958 (an invitation to meet Col. George Lincoln)

Gluck, Heidi: 1977 (1 letter)

Gomez, Dorothy Massey (mother of anthropologist Bill Massey): 1950 (1 letter)

Gomez, Joe: undated and 1971 (2 letters)

Grant, Bob: 1953-1972 (2 letters)

Grant, Carolyn: 1969 (1 letter)

Great Neck Board of Education: 1960 (1 letter)

Grimm, Marjorie: 1973 (1 letter)

Grossmann, Nancy: 1966 (1 letter)

Guggenheim: John Simon Guggenheim Memorial Foundation: 1953-1954 (2 letters)

Harwood Foundation: 1953-1956 (2 letters)

Harris, Roger: 1973 (1 letter)

Hawley, W. R.: 1977 (1 letter enclosing an exhibition catalog "Unemployed Wizards")

Heischman, R. L.: undated (1 letter)

Hill, Dorothy: 1967 (2 letters)

Hocks, Fred: 1952 (1 letter)

Howard, Ellen and Galen: 1957 (1 letter)

Howard, Robert Boardman and Adaline Kent (San Francisco sculptors): 1951-1955 (2 letters)

Howard, Madge Knight and Charles H.: 1946-1954 (21 letters)

Hultburg, John and Lynne: 1959-1974 (5 letters)

Huntsville Museum of Art: see Braunstein/Quay Gallery

Hurst, Tricia: 1977 (1 letter)

Hutchinson, Mrs. D. H.: 1925 (1 letter)

Illinois: University of Illinois at Urbana: 1952 (2 letters)

Jackson: Martha Jackson Gallery: 1965 (1 letter)

Jacobson, Art (artist) and Ursula: 1950-1960 (9 letters)

Jonson Gallery: 1969-1970 (2 letters)

Kadish, Reuben: 1958 (1 letter)

Kahl: Leone Kahl Gallery: 1964 (1 letter)

Karnes, Marion Watson: undated and 1947-1954 (80 letters from Spohn)

Keeney, James: 1963 (1 letter)

Kieve, Rudolph: 1971 (3 letters)

King, Vivie and Rufus: 1977 (1 letter)

Kingman, Dong: undated calling card

Kuhlman, Walt: 1957 (2 letters)

Kultberg, Lynne and John: 1965 (1 letter)

Labaudt, Lucien: 1943 (1 letter)

Labaudt, Marcelle: 1956 (1 letter)

Landgren, Paula: undated (1 letter)

Lannan, J. Patrick (The Susquehanna Corporation/ The Lannan Foundation): 1966-1971 (4 letters); see Personal Business Records for correspondence pertaining to the Foundation's support of Spohn, 1961-1962

LaPlante, John (Stanford University): 1949 (1 letter)

Lazarus, Rosalind: 1960 (1 letter)

LeBow-Gould Associates: 1958 (3 letters)

Lee, Martha: 1957 (1 letter)

Lehman, Margarett: 1957 (1 letter)

Letter Shop: 1956 (1 letter)

Library of Congress Copyright Office: 1932 (1 letter concerning the trisection of an arbitrary angle)

Lippincott, Janet (artist): 1955-1956 (5 letters)

Lockwood, Ward: 1952 (1 letter)

MacAgy, Douglas and Betty: undated and 1945-1973 (13 letters)

MacAgy, Jermayne (Jerry): 1945-1948 (2 letters)

Macdowell Colony: 1975 (1 letter)

Machcinski, Barbara: 1971 (1 letter)

MacIntyre, Carlyle F.: 1945 (1 letter)

Maes, Virginia: 1941 (1 letter)

Mare, Doris and Emil: 1969 (1 letter)

Marse, John J.: 1962 (1 letter)

Marter, Joan: 1977 (3 letters)

Martin, Agnes: 1958-1975 (3 letters)

Massey, Ellen DeSelms: 1940 (2 letters)

McCarthy, Francis Joseph (AIA): 1950 (1 change of address card)

McChesney, Mary (Fuller) and Mac: 1952-1977 (62 letters, including one dated May 21, 1968 decorated with a lizard skin, one dated Jun 08, 1973 enclosing a wooden Yalalag Indian good luck charm, and one dated May 26, 1976 enclosing a photograph of group and McChesney art work at Temko mansion in Berkeley)

McCormick, Herbert: 1951 (1 letter)

McDonald, Katharyn: 1963-1964 (2 letters)

Merlin Development Company: 1962 (1 letter)

Merrick, Barbara: 1975 (1 letter)

Meyer, Fleur Cowler: 1968 (1 letter)

Miller, Dorothy (Museum of Modern Art): 1952-1977 (8 letters)

Moore Dry Dock Company: 1942 (2 letters)

Murphy, Jack W. and Dori (owners of some of Spohn's work): 1951-1976 (7 letters)

Mygatt, Tony: 1954 (1 letter)

National Collection of Fine Arts: 1977 (1 letter)

Neininger, Urban and Jeanne: 1950-1976 (48 letters)

New Mexico Highlands University: 1958-1969 (3 letters)

New Mexico: Museum of New Mexico Art Gallery: 1952-1957 (3 letters)

New Mexico: University of New Mexico at Albuquerque: 1957-1970 (2 letters)

New York City Transit Authority: 1962-1963 (2 letters)

New York Saucer Information Bureau: 1962-1965 (2 letters)

New York University: 1958-1960 (3 letters)

Oakland Museum (Terry St. John): 1970-1977 (33 letters)

O'Connor, Francis V.: 1979 (1 letter)

Ohio State University: 1958 (1 letter)

Oldfield, Otis: 1942 (1 letter of recommendation for Spohn for Albert M. Bender Grants-in-Aid)

Olmsted, Frederick: 1943 (1 letter)

Oregon: University of Oregon: 1974-1975 (2 letters)

Ortman, George: 1964 (2 letters)

Otto, Curtis, Roberta, and Adrienne: 1957 (1 letter)

Oxford University Press: 1949 (1 letter)

Parrett, Fred C.: undated and 1954 (2 letters)

Peale, Norman Vincent (office of): 1975 (1 letter)

Pepsi-Cola Annual Art Competition: 1947 (2 letters)

Peterson, Arline? and Pete: 1955-1957 (2 letters)

Petrovo, Miriam: 1961-1971 (11 letters)

Pitney, Peggy and Ed: 1948 (1 letter)

Queens College: 1958 (2 letters)

Ramsay, Anna R.: 1954 (1 letter)

Rankine, Vivie (Mrs. Paul Scott Rankine): 1964-1981 (5 letters)

Remington, Deborah: 1963 (1 letter)

Reminick, Harry: 1954 (1 letter)

Reynal, Jeanne: 1941 (an invitation to a reception for Arshile Gorky) and 1952 (1 letter)

Ribak, Louis and Bea: 1954-1976 (5 letters)

Richards, Tally: 1971-1980 (5 letters)

Ridiman, Bob: 1963-1970 (4 letters)

Rogoway, Marjorie and Rog: undated and 1953-1968 (15 letters)

Rosebury, Amy and Ted: 1954 (1 letter)

Rosen, Michael: 1970-1974 (4 letters)

Roswell Museum and Art Center: 1977-1978 (6 letters)

Rothko Foundation: 1971-1975 (4 letters)

Rothko, Mark and Mell: 1946-1958 (8 letters)

Rusnell, Wesley: 1972-1979 (13 letters)

Sachs Gallery: undated and 1968 (2 letters)

St. John's College: 1969 (1 letter)

Salzer, Oscar: 1955 (1 letter)

Sanders, Una and John: 1975-1977 (6 letters)

Sands, Louis: 1948 (1 letter)

San Francisco Art Association: 1939-1955 (19 letters)

San Francisco Museum of Art: 1949-1977 (18 letters)

Saxe, Suzanne: 1972-1973 (2 letters)

Scarpitta, Pat and Sal: 1968 (1 letter)

Schneiderwirth, Joan (friend of Ed Corbett): 1955 (1 letter)

School of Visual Arts: 1964-1970 (86 letters)

Schubart, Pauline: 1950 (1 letter)

Shoemaker, Peter (former student of Spohn): 1955-1958 (5 letters)

Shiras, Mary: 1958-1965 (10 letters)

Sihvonen, Oli: 1953-1977 (66 letters)

Slivka, David: 1954 (1 letter)

Smith, Hassel: 1948 (1 letter)

Spoerri, John: 1965-1977 (10 letters)

Stables Art Gallery (Leone Kahl, director): 1956-1965 (14 letters)

Stanford University: 1946 (1 letter)

Stephens, Dick and Carolyn: 1960-1965 (3 letters)

Stevens: Arthur Stevens Book Club: 1968 (1 letter)

Still, Clyfford: 1948-1968 (28 letters, including one dated Nov 1950 to Ed Corbett, and one dated Nov 29, 1963 enclosing a hand-drawn map to Still's home)

Strehler, Allen (Sociologist): 1954 (1 letter)

Summers, Al: 1952 (1 letter)

Sutcliffe, Jennifer (beautiful English girl who passed through Taos with Ann Cumming): 1956 (2 letters)

Sznajderman, Marius: 1967 (1 letter)

Taggart, Bill, Sandy, and Sean: 1968 (1 letter)

Taos Artist's Association (Taos Art Association): 1956-1964 (6 letters)

Taos Realty: 1968-1969 (3 letters)

Tatarsky, Hy and Muriel: 1952-1957 (2 letters)

Tatarsky, Stephanie: 1963-1964 (7 letters)

Taylor, Gene: 1925 (letter of introduction to Erskine Gwynne)

Temianka, Henri: 1941 (1 letter)

Tensan, Keith and Gene: 1957 (1 letter)

Terrain Gallery: 1960 (1 letter)

Terry Art Institute: 1951-1952 (7 letters)

Third Street Gallery (Helen Kaye, Director): 1950 (1 letter)

Thomas, Corine (owner of a Spohn painting): 1954-1957 (7 letters)

Tirana, Rosamond: undated and 1958-1962 (10 letters); see Corbett, Edward for additional letters

Van Duren, Allan and Betsy: 1953 (1 letter)

Van Ingen, Pat: 1973 (2 letters)

Varda, Yantoo?: 1949 (1 letter)

Visual Arts Gallery: 1967 (2 letters)

Vollmer, George A.: 1945-1948 (3 letters)

Von Herberg, Charlotte: 1950-1958 (2 letters)

Wakefield, Ruth Cravath: 1943 (1 letter of recommendation for Spohn)

Wandell, Walt and Doreen: 1958 (1 letter)

Wasley, Emily (aunt) and Sarah Rhoads (cousin): 1946-1955 (14 letters)

Wehrer, Anne: 1974 (1 letter)

Whaley, Bill: 1974 (1 letter)

White, Minor: 1963 (1 letter)

Who's Who In American Art: 1952-1969 (5 letters)

Who's Who In The Midwest: 1959 (1 letter)

Who's Who In The West: 1959 (1 letter)

Willard, Charlotte: 1960-1967 (3 letters)

Williams, Matilda A.: 1958 (1 letter)

Wilmans, Margery and Steve: 1974 (1 letter)

Winston, James W.: 1941 (1 letter)

Wise: Howard Wise Gallery: 1962 (1 letter)

Woelffer, Emerson and Diana: 1955-1958 (5 letters)

Wood, Ralph: 1960-1970 (5 letters)

Wright, Dorothy: 1926 (1 letter)

Wurlitzer: Helene Wurlitzer Foundation: 1954-1957 (3 letters)

Young-Hunter, Mrs. John: 1959 (1 letter)
Collection Restrictions:
The collection is open for research. Use of unfilmed material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Clay Spohn Papers, circa 1862-1985, bulk 1890-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.spohclay, Subseries 2.2
See more items in:
Clay Spohn papers
Clay Spohn papers / Series 2: Clay Spohn Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-spohclay-ref47

Dilexi Gallery; Los Angeles, Calif.

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 8, Folder 37
Type:
Archival materials
Date:
1962-1963
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-leocast-ref8451

Dilexi Gallery

Collection Creator:
Gore, Marian L.  Search this
Container:
Box 3, Folder 8
Type:
Archival materials
Date:
circa 1962-1964
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
KPFK "Art Scene" interviews, 1950-1969. Archives of American Art, Smithsonian Institution.
See more items in:
Marian Gore "Art Scene" interviews and papers
Marian Gore "Art Scene" interviews and papers / Series 3: Printed Materials
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-goremari-ref101

Danes, Gibson A. - Dorfman, Ralph

Collection Creator:
Howard Wise Gallery  Search this
Container:
Box 1, Folder 18
Type:
Archival materials
Date:
1957-1964
Scope and Contents note:
Danes, Gibson A.

D'Arcy Advertising Agency

D'Arcy Galleries

Davenport, Leroy

David Anderson Gallery (see: Anderson Gallery, David)

Davidson, Barbara

Davis, Abram D.

Day, Lucien

Day Nursery Association of Cleveland

deAenllie Gallery, Roland

Deitsch, Peter H.

Delgado Museum of Fine Arts

Dempsey, Jeanette

Denny, Joann

De Sauzé, Emile B.

Des Moines Art Center

Design Research

Detroit Institute of Arts

Dewey, Joseph

Diamond, Harold

Dickens,Charles

Dietz, David

Dilexi Gallery

Dill, Bayard

Dorfman, Ralph
Collection Restrictions:
The collection is open for research. Use requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Howard Wise Gallery records, 1943-1969. Archives of American Art, Smithsonian Institution.
See more items in:
Howard Wise Gallery records
Howard Wise Gallery records / Series 1: Correspondence / 1.1: Correspondence, A-Z
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-howawisg-ref39

Dilexi Gallery, Forty-Six Works from New York (1964)

Collection Creator:
Deem, George, 1932-2008  Search this
Container:
Box 14, Folder 24
Type:
Archival materials
Date:
circa 2013
Collection Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
George Deem papers, 1904-2015, bulk 1960-2008. Archives of American Art, Smithsonian Institution.
See more items in:
George Deem papers
George Deem papers / Series 6: Exhibition Files / Group Shows
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-deemgeor-ref1348

Biographical Material

Collection Creator:
Alexander, Robert  Search this
Temple of Man (Venice, Calif.)  Search this
Extent:
0.2 Linear feet (Box 1)
Type:
Archival materials
Date:
1938-1988
Scope and Contents:
Biographical material documents Bob Alexander's activities as Temple of Man reverend and director, co-founder of Dilexi Gallery, and as a fixture in the community bringing people together through, art, poetry, and roller-skating. Items include articles, a high school publication, Alexander's ordination certificate, his marriage certificate and certificates for marriages he officiated, tributes, obituaries, and condolence letters to Alexander's widow, Anita Alexander.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Alexander papers and Temple of Man records, 1938-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.alexbob, Series 1
See more items in:
Robert Alexander papers and Temple of Man records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-alexbob-ref1

Les Kerr papers, 1955-1996

Creator:
Kerr, Leslie William, 1934-1992  Search this
Subject:
Kerr, Mary  Search this
Type:
Video recordings
Place:
North Beach (San Francisco, Calif.)
Topic:
The Beach: San Francisco's North Beach, 1950s  Search this
Beat generation  Search this
Record number:
(DSI-AAA_CollID)6534
(DSI-AAA_SIRISBib)215806
AAA_collcode_kerrles
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215806

Les Kerr papers

Topic:
The Beach: San Francisco's North Beach, 1950s
Creator:
Kerr, Leslie William, 1934-1992  Search this
Names:
Kerr, Mary, 1937-  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Place:
North Beach (San Francisco, Calif.)
Date:
1955-1996
Scope and Contents:
Biographical material, photographs of Kerr, (1957-1969); correspondence (1961); list of artwork (1959-1992); exhibition announcements (1958-1984); clippings (1955-1984); slides of artwork; photocopies from exhibition catalogs (1960-1984); and a video, "The Beach : San Francisco's North Beach, 1950s" directed and produced by Kerr's wife, Mary, c1995 (1 hr.).
Biographical / Historical:
Painter; San Francisco, Los Angeles, and New York; b. 1934, d. 1992. Les Kerr was an artist active in New York, Los Angeles, and the Bay Area in the 1950s and 1960s. Formally trained as an painter at UCLA, he studied under William Brice and John Paul Jones in the 1950s. His oeuvre included small sculptures and mixed media boxes, however, Kerr referred to himself as an "abstract" painter mainly within the Beat circle, principally in the North Beach area of San Francisco. Despite the fact that Kerr did not actively exhibit within the mainstream galleries, he did exhibit extensively with the Syndall Gallery, Dilexi Galleries (Los Angeles and San Francisco), and the Ferus Gallery in Los Angeles, mostly noted for showing the works of Beat and assemblage artists such as Ed Moses and Craig Kauffman.
Provenance:
Donated 1994 and 1996 by Mary Kerr, widow of Les Kerr.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
PUBLICATION RESTRICTION for video "The Beach." written permission required.
Occupation:
Painters -- California -- San Francisco  Search this
Topic:
Beat generation  Search this
Genre/Form:
Video recordings
Identifier:
AAA.kerrles
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kerrles

Oral history interview with Irving Petlin, 2016 September 13-15

Interviewee:
Petlin, Irving, 1934-2018  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Type:
Interviews
Sound recordings
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)17411
(DSI-AAA_SIRISBib)382894
AAA_collcode_petlin16
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_382894
Online Media:

Ed Moses papers

Creator:
Moses, Ed, 1926-  Search this
Extent:
2 Reels (ca. 1,000 items (on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Reels
Date:
1954-1980
Scope and Contents:
Biographical material; correspondence with artists, galleries, and museums; photographs of Moses, Charles Eames, Frank Gehry, Kenneth Price, H. C. Westermann, members of the Tamarind Lithograph Workshop, 1968, and others; exhibition catalogs and announcements; and clippings.
Correspondents include Akron Art Institute, Alan Gallery, Albright-Knox Gallery, Brooke Alexander Inc., Allen Memorial Art Museum, Aquinas College (Mich.), Galleria dell 'Ariete, Jason Aver Gallery, Barone Gallery, Larry Bell, Billy Al Bengston, John Berggruen Gallery, Tony Berlant, Wally Berman, Irving Blum, Bocour Artist Colors, Inc., Brooklyn Museum, Dorothy Brown, Lydis Brown, Robert D. Brown, California State University (L.A), Vija Celmins, Norman Colp, Contemporary Arts Center, Corcoran Gallery of Art, James Corcoran Gallery, Roy De Forest, Mark Di Suvero, Dilexi Gallery, Documenta 5 (Greece), Dootson/Calderhead Gallery (Seattle, Wa.), Downey Museum of Art, Dunkelman Gallery, Editions Alecto of American, Ltd., Edizioni O (Milan), Robert Elkon Gallery, Everett Ellin Gallery, Sam Francis, Grapestake Gallery, Marcia Hafif, Hansen Fuller Gallery, Harry Holtzman, Walter Hopps, International Institute of Experimental Printmaking (Santa Cruz, Ca.), Ithaca College, Martha Jackson Gallery, Bernard Jacobson, Ltd. (London), Robert C. Kauffman, Leslie Kerr, Phyllis Kind Gallery, Robert Kinmont, Krikhaar Art Dealers (Amsterdam), La Jolla Museum of Contemporary Art, La Tortue Gallery, Galerie Dorothea Leonhart (Munich), Lippincott, Inc., Penny Little Fine Arts Service (Calif.), Los Angeles County Museum of Art, Alan Lynch, Christophe De Minel, Richard Minsky, Margaret Muller Galerie (Stuttgart), Multiples, Inc.,Hans Neuendorf Galerie (Hamburg), Newark Museum, Barnett Newman,Fine Arts Patrons of Newport Harbor, Oakland Museum, Mike Olodort, Constance Perkins, Philadelphia Museum of Art, Peter Plagens, Kenneth Price, Ad Reinhardt, Bruce Reynolds, Cesar Romero, Courtney Sale Gallery (Dallas), Alan D. Shean, Michael and Ileana Sonnabend, Galerie Darthea Speyer (Paris), Gene Sturman, Simon W. Taylor, Morgan Thomas, University of California at Los Angeles, U.C.L.A. Oral History Program (Michael Auping), University of New Mexico at Albuquerque, Larry Urrutia, H. C. Westermann, Nicholas Wilder Gallery, Malcolm Winton, and Theo Wujeik.
Biographical / Historical:
Painter; Venice, California. Moses was born in Long Beach, Calif., 1926. He studied, and later taught at the University of California, Los Angeles. He also taught at the Skowhegan School of Painting and Sculpture (Me.), and California State College.
Provenance:
Lent for microfilming 1980 by Ed Moses.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- California  Search this
Art teachers -- California  Search this
Painters -- California -- Venice  Search this
Function:
Art galleries, Commercial
Art museums
Identifier:
AAA.moseed
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-moseed

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