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Indiana, Robert (correspondence)

Collection Creator:
Stable Gallery  Search this
Container:
Box 1, Folder 45
Type:
Archival materials
Date:
circa 1962-1968
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Stable Gallery records, 1916-1999, bulk 1953-1970. Archives of American Art, Smithsonian Institution.
See more items in:
Stable Gallery records
Stable Gallery records / Series 2: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9489afab4-dd6f-4573-9f87-a3799eb0c7ba
EDAN-URL:
ead_component:sova-aaa-stabgall-ref154
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Indiana, Robert (correspondence)

Collection Creator:
Stable Gallery  Search this
Container:
Box 1, Folder 46
Type:
Archival materials
Date:
1962-1963
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Stable Gallery records, 1916-1999, bulk 1953-1970. Archives of American Art, Smithsonian Institution.
See more items in:
Stable Gallery records
Stable Gallery records / Series 2: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw945091f37-c45b-4fa3-9d71-fa45ae1cf1e3
EDAN-URL:
ead_component:sova-aaa-stabgall-ref155
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Dilexi Gallery records, 1959-1969

Creator:
Dilexi Gallery  Search this
Subject:
Hopps, Walter  Search this
Blum, Irving  Search this
Newman, James  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
Citation:
Dilexi Gallery records, 1959-1969. Archives of American Art, Smithsonian Institution.
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)7546
(DSI-AAA_SIRISBib)209706
AAA_collcode_dilegall
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209706

Ed Moses papers, 1954-1980

Creator:
Moses, Ed, 1926-  Search this
Citation:
Ed Moses papers, 1954-1980. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8019
(DSI-AAA_SIRISBib)210189
AAA_collcode_moseed
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210189

Roy De Forest papers, 1916-2015, bulk 1948-2007

Creator:
De Forest, Roy, 1930-  Search this
Subject:
Nixon, Bruce  Search this
Strohl, Audrey  Search this
Uccello, Paolo  Search this
Zack, David  Search this
Dilexi Gallery  Search this
Loujon Press  Search this
Type:
Drawings
Interviews
Sketchbooks
Sound recordings
Video recordings
Citation:
Roy De Forest papers, 1916-2015, bulk 1948-2007. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 20th century -- California  Search this
Educators -- California  Search this
Sculptors -- California  Search this
Funk  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9298
(DSI-AAA_SIRISBib)211493
AAA_collcode_deforoy
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211493
Online Media:

Les Kerr papers, 1955-1996

Creator:
Kerr, Leslie William, 1934-1992  Search this
Subject:
Kerr, Mary  Search this
Type:
Video recordings
Place:
North Beach (San Francisco, Calif.)
Citation:
Les Kerr papers, 1955-1996. Archives of American Art, Smithsonian Institution.
Topic:
The Beach: San Francisco's North Beach, 1950s  Search this
Beat generation  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6534
(DSI-AAA_SIRISBib)215806
AAA_collcode_kerrles
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215806

Oral history interview with Ron Nagle, 2003 July 8-9

Interviewee:
Nagle, Ron, 1939-  Search this
Interviewer:
Berkson, Bill, 1939-2016  Search this
Subject:
Voulkos, Peter  Search this
San Francisco State University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ron Nagle, 2003 July 8-9. Archives of American Art, Smithsonian Institution.
Topic:
Ceramicists -- California -- San Francisco -- Interviews  Search this
Jewelry making  Search this
Beat generation  Search this
Decorative arts  Search this
Ceramics  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13019
(DSI-AAA_SIRISBib)242177
AAA_collcode_nagle03
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_242177
Online Media:

Oral history interview with Ron Nagle

Creator:
Nagle, Ron  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Interviewer:
Berkson, Bill  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
San Francisco State University -- Students  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
84 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2003 July 8-9
Scope and Contents:
An interview of Ron Nagle conducted 2003 July 8-9, by Bill Berkson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in San Francisco, California.
Nagle speaks of his childhood in San Francisco and growing up in the "Outer Mission"; his early creative influences, including his father who "could build anything," his mother, who ran a ceramics club in their basement, and his high school friend Steve Archer, who customized cars; making and selling jewelry while in high school; the Beat scene in San Francisco; teaching his high school friend Rick Gomez about jewelry in exchange for lessons in throwing clay on the wheel; attending San Francisco State University, initially as an English major then switching to art; learning about Peter Voulkos from Gomez; taking a summer course with Henry Takemoto at the Art Institute [now the California School of Fine Arts]; his "manic" interest in art magazines; studying with Charles McKee at San Francisco State; working as a studio assistant for Peter Voulkos at the University of California at Berkeley, after his graduate school application was rejected; making connections in the Los Angeles art scene through friend and sculptor Ed Bereal; the influence of Kenneth Price, James Melchert, Peter Voulkos, 16th and 17th century Japanese ceramics, popular culture, and painters such as Giorgio Morandi, Albert Pinkham Ryder, Josef Albers, Philip Guston, Billy Al Bengston, and others; his first show at the Dilexi Gallery, "Works in Clay by Six Artists," 1968; teaching for 42 years; the relation between music and "studio art"; playing the piano and his broad interest in music; his band Mystery Trend; creating sound effects for the film, "The Exorcist;" his use of color; exhibitions at Garth Clark Gallery and showing internationally; his use of porcelain in the early 1990s; the idea of craft vs. art; the meditative and playful qualities of working with clay; his references to male and female physiology in his work; and his process.
Biographical / Historical:
Ron Nagle (1939- ) is a cermacist of San Francisco, California. Bill Berkson (1939- ) is a poet.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 3 hrs., 27 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Musicians -- California -- San Francisco  Search this
Topic:
Ceramicists -- California -- San Francisco -- Interviews  Search this
Jewelry making  Search this
Beat generation  Search this
Decorative arts  Search this
Ceramics  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.nagle03
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw913c17d68-530f-421b-88cc-f3be55021fe0
EDAN-URL:
ead_collection:sova-aaa-nagle03
Online Media:

Oral history interview with Roy De Forest, 2004 April 7-June 30

Interviewee:
De Forest, Roy, 1930-  Search this
Interviewer:
Matteson, Lynn Robert, 1939-  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Roy De Forest, 2004 April 7-June 30. Archives of American Art, Smithsonian Institution.
Topic:
Abstract expressionism  Search this
Painting -- Equipment and supplies  Search this
Painting -- Technique  Search this
Record number:
(DSI-AAA_CollID)13232
(DSI-AAA_SIRISBib)248953
AAA_collcode_defore04
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_248953
Online Media:

Oral history interview with Roy De Forest

Creator:
De Forest, Roy, 1930-2007  Search this
Interviewer:
Matteson, Lynn Robert  Search this
Extent:
80 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 April 7-June 30
Scope and Contents:
An interview of Roy De Forest conducted 2004 April 7-June 30, by Lynn Robert Matteson, for the Archives of American Art, in Port Costa, California.
De Forest speaks of an early interest in painting and drawing; acceptance to California School of Fine Arts; his time spent in San Francisco; working at the San Francisco Museum of Modern Art; studying and teaching at Junior College in Yakima, California School of Fine Arts, San Francisco State, and the University of California, Davis; his relationship with other artists including Allan Stone, Allan Frumkin, Jim Newman; gallery shows at Dilexi Gallery, King Ubu Gallery, Six Gallery; time spent in the army; teaching at San Quentin State Prison; his opinions on and influence of Abstract Expressionism in his work; the influence of Paolo Uccello, Guieseppe Acrimboldo, and Piet Mondrian in his work; having a traveling show through the Whitney Museum of American Art in New York City; West Coast versus East Coast artists; artists' interest in history of art; techniques in art; types of paint and motives of use, specifically between water-based paint over oil; paint technology; the durability of pieces as a result of using particular types of paint; art restoration; sculpture and frame constructions; the history of his casting period; pieces he was working on at the time of the interview; his work with tile and ceramics; his book, "Journey to the Canine Territory"; his period in scroll painting; references and iconography in his work and influences from previous artists, pieces, and periods; opinions on artists including Agnes Martin, Eva Hesse, Cy Twombly, and Joan Brown; poetical influences and his poetic preferences; Surrealist elements in pieces; his use of animals in paintings; philosophical influences; the influences of technology such as television and computers; his printmaking career; scale and size in his pieces; painting "streaks"; the creation of characters and figures in his paintings; the influence of travel on his art; the nature and attitude of contemporary artists; modern architecture and museum spaces; architects including Frank Gehry and Richard Meier; his hobbies of model creation and woodworking; and his perception of himself. De Forest recalls Hassel Smith, Richard Crozier, Robert Duncan, John Guttman, George Adams, Robert Arneson, Lucian Pompili, John Humphrey, Peter Saul, and others.
Biographical / Historical:
Interviewee Roy De Forest (1930-2007) was a painter and sculptor from Port Costa, California. Interviewer Lynn Robert Matteson (1939- ) is an art historian from Santa Barbara, California.
General:
Originally recorded on 4 sound discs and 1 sound cassette. Reformatted in 2010 as 10 digital wav files. Duration is 4 hr., 17 min.
Microphone was not working during last session, 2004 June 30. Interview equipment was replaced with an analog recorder and the sound for the last forty-five minutes is not as clear as the rest of the interview. It is difficult to hear the interviewer during this session.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Abstract expressionism  Search this
Painting -- Equipment and supplies  Search this
Painting -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.defore04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw991a93108-d830-4b1b-ab86-e65a2583ed71
EDAN-URL:
ead_collection:sova-aaa-defore04
Online Media:

Jay DeFeo papers

Creator:
DeFeo, Jay, 1929-1989  Search this
Names:
Berman, Wallace, 1926-1976  Search this
Blum, Irving, 1930-  Search this
Conner, Bruce, 1933-2008  Search this
Hedrick, Wally, 1928-2003  Search this
Terrill, Ruth  Search this
Extent:
1.5 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Date:
circa 1940s-1979
Summary:
The papers of California painter Jay DeFeo measure 1.5 linear feet and date from circa 1940s to 1979. The collection provides scattered documentation of DeFeo's career, and details on her seminal work, The Rose, through biographical material, correspondence with friends and colleagues, personal business records, writings by others, printed material, photographs highlighting DeFeo's prominent role in her community, and artwork.
Scope and Contents:
The papers of California painter Jay DeFeo measure 1.5 linear feet and date from circa 1940s to 1979. The collection provides scattered documentation of DeFeo's career, and details on her seminal work, The Rose, through biographical material, correspondence with friends and colleagues, personal business records, writings by others, printed material, photographs highlighting DeFeo's prominent role in her community, and artwork.

Correspondence, while scattered, contains some significant and illuminating letters. The series includes documentation of Bruce Conner's assistance in managing the moving and conservation of The Rose, correspondence with the Pasadena Art Museum regarding the first public showing of the work, and correspondence with the San Francisco Museum of Art and Tony Rockwell regarding its conservation. Other correspondents of note include Wallace Berman, Irving Blum and Ferus Gallery, Mark Green, Frank Lobdell, Fred Martin, David Simpson, Ruth Terrill, and Eleanor (Nell) Sinton. Throughout the series letters both to and from DeFeo provide details on her thoughts about her work, personal and professional challenges and decisions at various stages of her career, and her artistic growth as she developed her interest in photography and other media.

Writings are by others and include reflections by Fred Martin on art and travel, and poems from Wallace Berman's self-published journal, Semina. Personal business records contain significant documentation of preservation costs for The Rose, the purchase of DeFeo's work, Incision, and the lease of the flat that was the site of DeFeo's personal and artistic growth and community for over a decade. Printed material includes scattered articles on artwork by DeFeo and others, posters announcing DeFeo's group and solo exhibitions at Ferus Gallery, and announcements and catalogs for others.

Photographs provide important documentation of DeFeo's pivotal role in the San Francisco art community and include some of the most reproduced images of her and others including Wally Hedrick and Joan Brown, taken by photographers such as Jerry Burchard, Wallace Berman, Wally Hedrick, and DeFeo. Many other personal photographs of group trips to the beach and parties at the Fillmore Street flat capture the camaraderie and vitality of the community to which DeFeo belonged.

Also found are several collages made by DeFeo, and artwork by others including Wallace Berman, and sketches by Al Wong.
Arrangement:
The collection is arranged as 7 series

Missing Title

Series 1: Biographical material, 1948-1969 (2 folders; Box 1)

Series 2: Correspondence, circa 1950-1979 (0.4 linear feet; Box 1, OV 3)

Series 3: Writings, circa 1950s-circa 1960s (0.1 linear feet; Box 1, OV 3)

Series 4: Personal Business Records, 1955-1974 (3 folders; Box 1)

Series 5: Printed Material, 1956-1975 (0.2 linear feet; Box 1, OV 3)

Series 6: Photographs, circa 1940s-circa 1970s (0.5 linear feet; Boxes 1-2, OV 3)

Series 7: Artwork, circa 1950s-circa 1960s (0.3 linear feet; Box 2)
Biographical / Historical:
Expressionist and symbolist painter, photographer, and educator Jay DeFeo (1929-1989) was a central figure in the progressive community of artists, poets, and musicians of the San Francisco Bay Area in the 1950s-1960s. She devoted eight years to producing her most celebrated painting, The Rose, and was known for her endlessly experimental cross-disciplinary work in painting, drawing, photography, and collage.

DeFeo was born in Hanover, New Hampshire, and was three years old when her family moved to the San Francisco Bay Area. She attended the University of California Berkeley and earned bachelor's and master's degrees in studio art in 1950-1951. She then traveled for eighteen months on a scholarship to France, Spain, North Africa, and Italy and spent six months in Florence producing her first significant body of work.

DeFeo returned to San Francisco in 1953 and married fellow artist Wally Hedrick in 1954. The couple rented a Victorian flat at 2322 Fillmore Street and actively participated in Beat counterculture, throwing large parties for their friends including artists, musicians, painters, poets, and photographers. Joan and Bill Brown were neighbors and the four artists shared ideas and space to such an extent that they cut a door in an adjoining wall so they could come and go between their two apartments with ease.

DeFeo's first solo exhibition was held at the Dilexi Gallery in 1959, and Dorothy Miller selected her work for her landmark Sixteen Americans exhibition the same year. After an exhibition at Ferus Gallery in 1960, DeFeo turned down other gallery affiliations to work almost exclusively on The Rose. Completed in the Fillmore Street flat in 1966, DeFeo's monumental work was first exhibited at the Pasadena Art Museum in 1969, and was later moved to the San Francisco Art Institute to await conservation.

DeFeo and Hedrick divorced in 1969, and DeFeo moved to Larkspur in Marin County to regroup from personal set-backs and the draining experience of working on The Rose. She taught part-time at various art institutions in California, and in 1981 moved to Oakland and joined the art faculty at Mills College, becoming a tenured professor in 1986. She worked prolifically as an artist to the end of her life.

The Rose underwent extensive conservation and in 1995 was purchased by the Whitney Museum of American Art for the museum's permanent collection. DeFeo's work has been exhibited extensively in the United States and Europe and can be found in the collections of major museums throughout the United States and abroad.
Related Materials:
The Archives of American Art has an oral history interview with DeFeo conducted 1975 June 3-1976 January 23 by Paul Karlstrom for the Archives of America Art. An 83 page transcript is available online. The Bancroft Library at the University of California, Berkeley holds some of DeFeo's archival materials.
Provenance:
Donated between 1975-1981 by Jay DeFeo.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- San Francisco  Search this
Photographers -- California -- San Francisco  Search this
Topic:
Women artists  Search this
Women photographers  Search this
Women painters  Search this
Expressionism (Art)  Search this
Symbolism  Search this
Beat generation  Search this
Genre/Form:
Drawings
Citation:
Jay DeFeo papers, circa 1940s-1970s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.defejay
See more items in:
Jay DeFeo papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dff5ea0d-1d76-490d-a136-3ef1e7eeaec4
EDAN-URL:
ead_collection:sova-aaa-defejay
Online Media:

Exhibition, Dilexi Gallery

Collection Creator:
DeFeo, Jay, 1929-1989  Search this
Container:
Box 1, Folder 62
Type:
Archival materials
Date:
1958
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jay DeFeo papers, circa 1940s-1970s. Archives of American Art, Smithsonian Institution.
See more items in:
Jay DeFeo papers
Jay DeFeo papers / Series 6: Photographs
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b89b7f79-2ab5-4c4e-9f7a-c65bfafe2925
EDAN-URL:
ead_component:sova-aaa-defejay-ref621

Dilexi Gallery; Los Angeles, Calif.

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 8, Folder 37
Type:
Archival materials
Date:
1962-1963
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw919f819f5-138d-411b-a532-ca160196b1b0
EDAN-URL:
ead_component:sova-aaa-leocast-ref8451

Dilexi Gallery [Folder]

Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Place:
San Francisco (Calif.)
Topic:
Art Organizations  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_97872

Jay DeFeo price list

Creator:
Dilexi Gallery  Search this
Subject:
DeFeo, Jay  Search this
Dilexi Gallery  Search this
Type:
Financial Records
Date:
between 1959 and 1971
Citation:
Dilexi Gallery. Jay DeFeo price list, between 1959 and 1971. Dilexi Gallery records, 1959-1969. Archives of American Art, Smithsonian Institution.
Topic:
Art galleries, Commercial  Search this
Record number:
(DSI-AAA)9437
See more items in:
Dilexi Gallery records, 1959-1969
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9437

Oral history interview with James Newman, 1974 May 13

Interviewee:
Newman, James, 1933-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Anderson, Jeremy  Search this
Hopps, Walter  Search this
Kauffman, Craig  Search this
Wiley, William T.  Search this
Dilexi Gallery  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with James Newman, 1974 May 13. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA_CollID)12790
(DSI-AAA_SIRISBib)212061
AAA_collcode_newman74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212061

Oral history interview with Rena Bransten, 2014 May 29-2015 July 10

Interviewee:
Bransten, Rena  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Viola Frey Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Rena Bransten, 2014 May 29-2015 July 10. Archives of American Art, Smithsonian Institution.
Topic:
Art dealers -- California -- San Francisco -- Interviews  Search this
Record number:
(DSI-AAA_CollID)16173
(DSI-AAA_SIRISBib)366679
AAA_collcode_branst14
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_366679
Online Media:

Oral history interview with Irving Petlin, 2016 September 13-15

Interviewee:
Petlin, Irving, 1934-2018  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Irving Petlin, 2016 September 13-15. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)17411
(DSI-AAA_SIRISBib)382894
AAA_collcode_petlin16
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_382894
Online Media:

Roy De Forest papers

Creator:
De Forest, Roy, 1930-2007  Search this
Names:
Dilexi Gallery  Search this
Loujon Press  Search this
Nixon, Bruce  Search this
Strohl, Audrey  Search this
Uccello, Paolo, 1397-1475  Search this
Zack, David, 1938-  Search this
Extent:
11.2 Linear feet
111.86 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Drawings
Interviews
Sketchbooks
Sound recordings
Video recordings
Date:
1916-2015
bulk 1948-2007
Summary:
The papers of artist Roy De Forest measure 11.2 linear feet and 111.86 gigabytes and date from 1916 to 2015, with the bulk of the collection dating from 1948 to 2007. The collection documents De Forest's painting career and involvement in the funk art movement through biographical material, correspondence, writings, professional records, printed material, photographic material, artwork, digital audio and video recordings, and artifacts.
Scope and Contents:
The papers of artist Roy De Forest measure 11.2 linear feet and 111.86 gigabytes and date from 1916 to 2015, with the bulk of the collection dating from 1948 to 2007. The collection includes documents De Forest's painting career and involvement in the funk art movement through biographical material, correspondence, writings, professional records, printed material, photographic material, artwork, digital audio and video recordings, and artifacts.

Biographical material includes early school materials, resumes, a recording of an interview, membership materials, identification documents, certificates and awards, and family history and genealogy material. Also included in this series are obituaries, letters of condolence, and materials, including born-digital photographs and recordings, related to memorial services celebrating De Forest's life and work.

Correspondence includes letters and postcards to and from family, friends, colleagues, and arts institutions. This series also includes a few folders of greeting cards.

The writings series contains essays, lectures, exhibition texts, notes, and other materials written by Roy De Forest, including an essay, The Vision of Paolo Uccello, and his famous "dog lecture." Also included are writings by others, such as a student dissertations on Roy De Forest, essays by Bruce Nixon, and poetry and an essay by David Zack.

Professional records include materials related to a book of memories (never published) organized by Dilexi Gallery and the Loujon Press, exhibition planning documents, an exhibition recording, materials related to the James Talcott Inc. Computer Arts program, and materials related to print documentation.

Financial records contain inventory and stock files; sales and consignment records; receipts and invoices; tax, estate, and insurance paperwork; and account books and ledgers.

Printed material includes exhibition announcements, catalogs, and posters; material related to other projects; blank cards with Roy De Forest art; clippings; press releases; newsletters and journals; books; and source material.

Photographic material includes digital and print photographs, negatives, transparencies, and slides of Roy De Forest and other individuals, as well as travel photos, images of his pets (primarily dogs), and images of his studio and works of art.

Artwork includes drawings by De Forest and others, as well as four sketchbooks.

The artifacts series contains a tote bag, t-shirt, and a puzzle, all featuring Roy De Forest artwork. Also included in the series is a patterned shirt and an "art critic" baseball cap.
Arrangement:
The collection is arranged in nine series.

Series 1: Biographical Material, 1930-2008 (Boxes 1-2, OV 12, RD 17, ER01-ER03; 1.7 linear feet)

Series 2: Correspondence, circa 1948-2014 (Boxes 2-3; 1 linear foot)

Series 3: Writings, circa 1952-2005 (Box 3, OV 12, ER04; 0.3 linear feet)

Series 4: Professional Records, 1968-circa 2007, 2014 (Box 3, OV 12; 0.4 linear feet)

Series 5: Financial Records, 1963-circa 2014 (Boxes 3-5; 1.4 linear feet)

Series 6: Printed Material: 1916-1936, 1951-2007 (Boxes 5-7, OV 13-14, ER05-ER07; 2.8 linear feet)

Series 7: Photographic Material: 1926, circa 1943-2007 (Boxes 7-9, OV 15, ER08-ER12; 2 linear feet)

Series 8: Artwork, circa 1947-circa 2007 (Boxes 9-10, OV 16; 0.6 linear feet)

Series 9: Artifacts, circa 2007-circa 2009 (Box 11; 1 linear foot)
Biographical / Historical:
Roy De Forest (1930-2007) was a painter, sculptor, and educator in Port Costa, California. A notable figure in the funk art movement, he coined the term "nut art" to describe art that embraced humor and created a fantasy world.

Born in North Platte, Nebraska, Roy De Forest grew up in Yakima, Washington where he attended Yakima Junior College and graduated in 1950. He went on to study at the California School of Fine Arts (now San Francisco Art Institute) and San Francisco State College (now San Francisco State University). He taught at Yakima Junior College from 1958 to 1960 after graduating from San Francisco State College, and later taught at the University of California, Davis from 1965 until his retirement as professor emeritus in 1992.

De Forest's first solo exhibition was in 1955 at the East & West Gallery in San Francisco. From then until his death in 2007, he exhibited frequently, especially at the Allan Frumkin Gallery in New York and the Hansen Fuller Gallery in San Francisco.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Roy De Forest conducted by Lynn Robert Matteson, April 7-June 30, 2004.
Provenance:
The Roy De Forest papers were donated in several installments from 1974 to 2019. Some materials were loaned for microfilming in 1974 and subsequently donated in 1977 and 1979 by Roy De Forest. Additional materials were donated in 2009, 2016 and 2019 by Gloria Marchant, Roy De Forest's widow.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Occupation:
Painters -- California  Search this
Topic:
Art, Modern -- 20th century -- California  Search this
Educators -- California  Search this
Sculptors -- California  Search this
Funk  Search this
Genre/Form:
Drawings
Interviews
Sketchbooks
Sound recordings
Video recordings
Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.deforoy
See more items in:
Roy De Forest papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98f8cb345-ff69-413b-a1bd-5f97a28699a4
EDAN-URL:
ead_collection:sova-aaa-deforoy
Online Media:

Resume and Biography

Collection Creator:
De Forest, Roy, 1930-2007  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1972-2005
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Roy De Forest papers
Roy De Forest papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a74705a6-cd3f-4e99-ba60-fbc9f0831626
EDAN-URL:
ead_component:sova-aaa-deforoy-ref10
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