Search Results

Creator:

Asch, Moses  Search this

Distler, Marian, 1919-1964  Search this

Folkways Records  Search this

Names:

Courlander, Harold, 1908-1996  Search this

Guthrie, Woody, 1912-1967  Search this

Jenkins, Ella  Search this

Leadbelly, 1885-1949  Search this

Ramsey, Frederic, 1915-1995  Search this

Seeger, Pete, 1919-2014  Search this

Extent:

841 Cubic feet

Type:

Collection descriptions

Archival materials

Business records

Correspondence

Phonograph records

Photographic prints

Audiotapes

Date:

1926-1986

bulk 1948-1986

Summary:

This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.

Scope and Contents:

The Moses and Frances Asch Collection measures 841 cubic feet and dates from 1926-1987, with some contemporary, relevant correspondence, clippings, and ephemera added after 1987.

Most of the collection consists of audio recordings (commercial 78 rpm and long-playing records, open reel tapes, acetate discs, and test pressings), correspondence with recording artists and producers, artwork, photographs, ephemera, clippings, record production materials, writings, and business papers relating to Folkways Records. Materials relating to Folkways Records can be found primarily in the Correspondence, Folkways Production, Business Records, Photographs, Artwork, Sound Recordings, and Film series.

The collection also contains some biographical materials and personal correspondence, including materials related to Asch's first business, Radio Laboratories, located in the Biographical Materials series. Correspondence, ephemera, photographs, record production materials, business papers, and recordings relating to Asch's record labels before Folkways Records (Asch Recordings, Disc Company of America, Cub Records) are located in the Early Label Materials series as well as the Audio Recordings and Photographs series.

Arrangement note:

The collection is arranged in 10 series:

Series 1: Correspondence, 1942-1987

Series 2: Folkways Production, 1946-1987

Series 3: Business Records, 1940-1987

Series 4: Woody Guthrie papers, 1927-1985

Series 5: Early Label Materials, 1940-1949

Series 6: Biographical Materials, 1926-1987

Series 7: Photographs

Series 8: Artwork

Series 9: Audio Recordings

Series 10: Film

At this time, the collection is partially processed. Please contact rinzlerarchives@si.edu for more information.

Biographical/Historical note:

The son of Yiddish writer Sholem Asch, Moses Asch was born in Poland in 1905. His childhood was spent in Poland, France, Germany, and New York. While young, Asch developed an interest in radio electronics, which ultimately lead him to his life's work, recording the music and sounds of the world. He established several record labels in succession, sometimes partnering with other record companies. Two of his fist record companies, Asch Recordings and DISC Co. of America, went bankrupt. They were followed by his best-known label, Folkways Records, which was founded in 1948 with Marian Distler (1919-1964). He was still working on Folkways recordings when he died in 1986.

Folkways Records sought to document the entire world of sound. The 2,168 titles Asch released on Folkways include traditional and contemporary music from around the world, spoken word in many languages, and documentary recordings of individuals, communities, and current events. Asch's business practices revolved around the commitment to keep every recording issued by Folkways in print, despite low sales. Asch stayed afloat by cutting costs where he could (such as color printing) and offering a high-quality product, meticulously recorded and accompanied by extensive liner notes. In doing this, he could charge a slightly higher price than other commercial outfits. Despite a tenuous relationship with financial solvency, Folkways grew to be not only one of the most important independent record companies in the United States in the 20th century, but also one of the largest and most influential record companies in the world.

Moses Asch's record labels featured famous and lesser known American writers, poets, documentarians, ethnographers, and grass roots musicians on commercial recordings. American folk icon Woody Guthrie recorded on the Asch, Disc, and Folkways labels, and the Asch Collection includes some of his correspondence, lyrics, drawings, and writings. The collection also includes correspondence with other notable musicians and artists such as John Cage, Langston Hughes, Margaret Walker, Huddie "Lead Belly" Ledbetter, Pete Seeger, Peggy Seeger, Ewan MacColl, Alan Lomax, Henry Cowell, and Kenneth Patchen. Also in the collection are ethnographic field notes and photographs by as well as correspondence with Béla Barók, Sidney Robertson Cowell, Harold Courlander, Helen Creighton, Laura Boulton, and Samuel Charters. Asch hired various prominent artists and graphic designers including David Stone Martin, Ben Shahn, John Carlis, and Ronald Clyne to create album cover art for his recordings. Much of the original art and designs for these covers can be found in the Asch Collection.

Asch's output of recordings on various labels, including published recordings, open reel master tapes, outtakes, and acetate disks, in addition to his business papers, correspondence, photographs, and other files were acquired by the Smithsonian Institution in 1987. The collection came to the Smithsonian with the understanding that all 2168 titles under the Folkways label would be kept available in perpetuity.

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

Provenance:

Ralph Rinzler arranged the Smithsonian's acquisition of the Moses and Frances Asch Collection in 1987, beginning with Asch before his death in 1986 and continuing with extensive discussions between Rinzler and the Asch family. Since its acquisition, archivist Jeff Place and others have added contemporary, relevant correspondence with Folkways artists and related individuals.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk music  Search this

Folk dance music  Search this

Electronic music  Search this

Oral interpretation of poetry  Search this

Oral interpretation of fiction  Search this

Music -- 20th century  Search this

Music -- 19th century  Search this

Music -- 18th century  Search this

Jazz  Search this

Folk music -- United States  Search this

World music  Search this

Sounds  Search this

Vocal music  Search this

Popular music -- 20th century -- United States  Search this

Genre/Form:

Business records

Correspondence

Phonograph records

Photographic prints

Audiotapes

Citation:

Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.ASCH

See more items in:

Moses and Frances Asch Collection

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk533b8a927-559a-44ac-98d2-f32d871058b4

EDAN-URL:

ead_collection:sova-cfch-asch

Creator:

Artists Talk on Art  Search this

Names:

Barnet, Will, 1911-2012  Search this

Bourgeois, Louise, 1911-2010  Search this

Christo, 1935-  Search this

De Niro, Robert, Sr., 1922-1993  Search this

Denes, Agnes  Search this

Goldberg, Michael, 1924-2007  Search this

Jeanne-Claude, 1935-2009  Search this

Longo, Robert  Search this

Mendieta, Ana, 1948-1985  Search this

Morris, Robert, 1931-2018  Search this

Murray, Elizabeth, 1940-  Search this

Neel, Alice, 1900-1984  Search this

Pavia, Philip, 1915-2005  Search this

Sleigh, Sylvia  Search this

Wilke, Hannah  Search this

Wojnarowicz, David  Search this

Extent:

64.4 Linear feet

317.43 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Photographs

Sound recordings

Scrapbooks

Transcripts

Video recordings

Date:

circa 1974-2018

Summary:

The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

Scope and Contents:

The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

ATOA's recordings chronicle the American art world, covering critical discussions and significant art world issues over five decades. Thousands of artists such as Will Barnet, Louise Bourgeois, Christo and Jeanne-Claude, Robert De Niro, Agnes Denes, Michael Goldberg, Robert Longo, Ana Mendieta, Robert Morris, Elizabeth Murray, Alice Neel, Philip Pavia, Howardena Pindell, Larry Rivers, Sylvia Sleigh, Kahinde Wiley, Hannah Wilke, David Wojnarowicz, and others speak about their work. The original recordings exist in a variety of formats, including U-Matic and VHS videotape, MiniDVs, sound cassettes and sound tape reels. ATOA digitized most of the video and sound recordings prior to donating the collection.

The collection also includes printed histories, board and program committee meeting minutes, financial statements, general correspondence files of the president and chair, attendance statistics, grant files, panel participant release forms, sixteen panel transcripts, a complete set of panel flyers (many are annotated) and other printed materials, three dismantled scrapbooks, as well as photographs, slides, and negatives of panels and panel participants.

Arrangement:

The records are arranged into nine series.

Series 1: Adminstrative Files, 1974-2013 (0.4 linear feet, Box 1)

Series 2: Director's and Chairman's Correspondence, 1977-2006 (0.4 linear feet, Box 1)

Series 3: Grant Files, 1977-2009 (1 linear foot, Boxes 1-2)

Series 4: Panel Release Forms, 1978-2012 (1 linear foot, Boxes 2-3)

Series 5: Panel Transcripts, 1981, 1986, 1988, 2017-2018 (1 folder, Box 3; 0.002 GB, ER01)

Series 6: Printed Materials, 1975-2015 (0.8 linear feet, Boxes 3-4; 0.434 GB, ER02)

Series 7: Scrapbooks, 1975-1989 (0.2 linear feet, Box 4)

Series 8: Photographic Materials, circa 1975-circa 2000 (1 linear foot, Boxes 4-5)

Series 9: Video and Sound Recordings of Events, 1977-2016 (59 linear feet, Boxes 6-65; 317.43 GB, ER03-ER04)

Biographical / Historical:

Established in 1974 and still active in New York, Artists Talk on Art is the art world's longest running and most prolific aesthetic panel discussion series organized by artists for artists. Founded by Lori Antonacci, Douglas I. Sheer, and Robert Wiegand, the forum has presented 6,000 artists in nearly 1,000 documented panels or dialogues. ATOA held its first panel, "Whatever Happened to Public Art," on January 10, 1975 and it drew a "crowd" of 77 people. In the decades that followed, ATOA presented dozens of panels or dialogues a year, tackling such diverse topics as "What is Happening with Conceptual Art," with Louise Lawler and Lawrence Weiner; "Painting and Photography: Defining the Difference," with Sarah Charlesworth, Jack Goldstein, Joseph Kosuth, Barbara Kruger, and Robert Mapplethorpe; "Organizing Arts Activism," with Lucy Lippard; "The Artist and the Epidemic—an information panel about AIDS"; "Cross-generational Views of Feminism"; and hundreds more.

Provenance:

The Artists Talk on Art (ATOA) records, including digital files of the video and sound recordings, were donated to the Archives in 2016 by Douglas Sheer, Chairman of ATOA.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art critics  Search this

Art dealers  Search this

Art historians  Search this

Artists  Search this

Topic:

Art, American  Search this

Historians  Search this

Genre/Form:

Photographs

Sound recordings

Scrapbooks

Transcripts

Video recordings

Citation:

Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.artitalk

See more items in:

Artists Talk on Art records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c4de66ef-397b-4e6e-9fde-d6deca12fa3a

EDAN-URL:

ead_collection:sova-aaa-artitalk

Creator:

Gordon, Elizabeth, 1906-2000  Search this

Names:

Claiborne, Craig  Search this

Gordon, Elizabeth, 1906-2000  Search this

Leach, Bernard, 1887-1979  Search this

Extent:

3 Linear feet

Type:

Collection descriptions

Archival materials

Periodicals

Photographs

Correspondence

Personal papers

Place:

Japan

Date:

1958-1987

Summary:

Papers, 1959-1987, of Elizabeth Gordon, editor of the periodical, House Beautiful from 1941-1964, mostly related to her research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; notes; drafts for articles and lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; drawings of paper and foil art; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.

Scope and Contents:

The Elizabeth Gordon Papers measure 4.5 linear feet and span the years 1959-1987. The collection mainly documents Ms. Gordon's research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; research notes and materials; articles; lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; article materials; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.

Arrangement note:

This collection is organized into eight series. 1. Biographical data, 2. Shibui research, 3. Shibui issues of, House Beautiful, 4. Correspondence, 5. Shibui promotion, 6. Exhibition files, 7. Printed materials, and 8. Photographs.

Biographical Information:

Born in Logansport, Indiana in 1906, Elizabeth Gordon served as editor of House Beautiful magazine 1941 to 1964. Ms. Gordon first became interested in Japanese aesthetics during the mid-1950s. As a result she began to read and study Japanese art, history and culture. In 1959, Gordon travelled to Japan with three staff people from, House Beautiful. In Kyoto she met Eiko Yuasa, a young woman then employed by the City of Kyoto to handle foreign V.I.P.s, who was assigned to assist Gordon during her stay there. It was Ms. Yuasa who, in the course of discussions of Japanese aesthetics, introduced the term "shibui." Around that term and its related concepts ("iki", "jimi", "hade") the theme for the issue began to crystallize. In August and September, 1960, House Beautiful, under the editorial control of Ms. Gordon, published two extremely popular issues devoted to the subject of "shibui". Due to the popularity of the issues, museum exhibits devoted to the concept of "shibui" travelled around the United States. Ms. Gordon died in Adamstown, Maryland in 2000.

Biographical Overview

1906 -- Born in Logansport, Indiana

1920s -- Attended the University of Chicago

1930s -- Moved to New York to work as a promotional copywriter for several newspapers

1930s -- Syndicated columnist on home maintenance for The New York Herald Tribune

1930s -- Editor at Good Housekeeping (here for 8 years)

1937 -- More House for your Money by Elizabeth Gordon and Dorothy Ducas published by W. Morrow and Company: New York.

1937 -- Married Carl Hafey Norcross

1939 -- Appointed editor of House Beautiful

1964 -- Left the magazine world

1972 -- Published a special issue on Scandinavian design and awarded the insignia of a knight, first class, in the Finnish Order of the Lion

1987 -- American Institute of Architects made her an honorary member

1988 -- Carl Hafey Norcross died

September 3, 2000 -- Died in Adamstown, MD

(The following biography of Elizabeth Gordon comes courtesy of curator Louise Cort. Written in consultation with Elizabeth Gordon, October 23, 1987)

The research papers, memoranda, magazines, books, photographs and color transparencies and other materials in this archives are related to the publication by Elizabeth Gordon (Mrs. Carl Norcross), editor of House Beautiful from 1941 to 1964 and creator of the August, 1960 issue of the magazine on the special theme of the Japanese aesthetic concept of "shibui". The "shibui issue" was followed by the September, 1960, issue of the same publication on the theme, "How to be shibui with American things." As a by-product of the issues, a "Shibui Exhibition" travelled to eleven museums in the United States during 1961-1964. Each exhibition was opened with a slide lecture by Elizabeth Gordon.

Miss Gordon first became curious about Japanese aesthetics in the mid-1950s when she began to see Japanese objects being displayed and used in the homes of Americans who had spent time in Japan during the Occupation and Japanese influence began to appear in wholesale showrooms of home furnishings manufacturers. It was clear that the time had come: she HAD to go to Japan!

She read for five years before going to Japan - history, social mores, art history. (Many of the books on Japan that she collected during this time have been presented to the library at the University of Maryland, College Park.)

An important bit of advice came from Alice Spaulding Bowen, owner of Pacifica, the highest quality shop of Asian antiquities in Honolulu, who told her, "Be sure to read, The Tale of Genji - then you'll understand everything."

She made her first trip to Japan in April, 1959, accompanied by three staff people from, House Beautiful. In Kyoto she met Eiko Yuasa, a young woman then employed by the City of Kyoto to handle foreign V.I.P.s, who was assigned to assist Miss Gordon during her stay there. It was Ms. Yuasa who, in the course of discussions of Japanese aesthetics, introduced the term "shibui." Around that term and its related concepts ("iki", "jimi", "hade") the theme for the issue began to crystallize.

Miss Gordon came home, planning to spend the summer researching "shibui" with the aid of the Japan Society. But she found virtually nothing written in English on the concept. So she returned to Japan in December, 1959 together with staff member Marion Gough, to dig deeper and to work out details and get better educated with Eiko Yuasa. One of their devices was to walk through department stores and discuss with sales personnel whether objects for sale were "shibui", or were "jimi" or "hade", and why. Between themselves, they did the same for the costumes of women they saw on the streets.

Lacking printed sources for information on "shibui", Miss Gordon sought out and interviewed experts, including Douglas Overton, head of the Japan Society in New York. In Japan in December, 1959, she met Yanagi Soetsu, founder of Japan's Folk Craft Movement and head of the Craft Museum in Tokyo (with an introduction from Tonomura Kichinosuke, head of the Craft Museum in Kurashiki). She met the chef Tsuji Kaichi, who was commissioned to write an article on "kaiseki" (that could not be used because of an inadequate English translation) and Frances Blakemore. She met several times with Bernard Leach and attended his lecture at Bonnier's while he was in New York in March, 1960. (He would later write a "fan letter" for the issue)

As the concept of "the shibui issue" began to take shape, a third trip in the spring of 1960 focused on photography - to produce the shooting script decided on the preceding December. This was executed by the noted photographer Ezra Stoller of Rye, New York, and John DeKoven Hill, House Beautiful's Editorial Director. (Mr. Hill worked with Frank Lloyd Wright except for the ten years that he was a member of the House Beautiful editorial staff)

Miss Gordon was back in Japan in Mid-August 1960 as the "shibui issue" was causing a sensation. Altogether she spent sixteen months in Japan.

As one of the experiences that influenced her strong interest in Japanese costumes and textiles, Miss Gordon remembers a spectacularly thorough exhibition at the Tokyo National Museum in Ueno on, 1200 Years of Japanese Costume. She saw it on the last day of its exhibition (possibly 1964).

The August 1960 issue sold out quickly. Copies of the magazine, which sold for fifty cents, were sold on the "black market" for ten dollars.

The publication of the August 1960 issue was followed by an unprecedented avalanche of "fan mail". Many department heads in colleges and universities, including the Harvard-Yenching Institute and the Oriental Institute of the University of Chicago (where Miss Gordon had worked as an undergraduate) wrote to comment on the issue. Many people in other fields of endeavor wrote: heads of firms concerned with interior design, landscape architecture, and related areas expressed their interest in the concept of "shibui" Other writers include Bernard Leach, Gertrude Natzler, Laura Gilpin, Mainbocher, the architect Yoshimura Junzo, the textile artist Marianne Strengell, Walter Kerr, Craig Claiborne, and Oliver Statler.

The "shibui issue" was followed immediately by the September issue dealing with the use of non-Japanese objects to express the concept of "shibui." (Miss Gordon convinced her advertisers, who had been skeptical about the potential success of the August issue, by promising the September issue dealing with American products.) Four American firms were involved in the production of an integrated line of paints, wallpaper, furniture and carpets expressive of the concept. Products were designed by the firms' designers following the clues offered by objects and fabrics purchased by Miss Gordon in Japan in December 1959 and spring 1960. Miss Gordon has expressed her dissatisfaction with the September issue, although public opinion was positive. She feels that some of the firms failed in the "shibui" project, though some "caught" the message: namely the paint company and the fabric/wallpaper company.

In response to strong public interest, the House Beautiful staff prepared a travelling exhibition to introduce the concept of "shibui" through a series of vignettes, mixing fabrics and objects, colors and textures. The museum installation was designed by John Hill of House Beautiful. Japan Air Lines underwrote shipping costs.

The exhibition began in Philadelphia in late 1961. Ezra Stoller was sent to photograph the installation in considerable detail at the Dallas Museum of Fine Arts in January, 1962, so that his photographs cold serve as guidelines for installations at the other museums, which included the San Francisco Museum of Art (April 1962), the Newark Pubic Library, and the Honolulu Academy of Art. Miss Gordon presented a lecture on "shibui" at each of the museum installations.

In appreciation of her work to introduce Americans to the concept of "shibui", the city of Kyoto presented a bolt of especially "shibui" kimono fabric executed by a Living National Treasure textile artist. Miss Gordon eventually tailored the fabric into a dress and jacket. She received the 1961 Trail Blazer Award from the New York Chapter of the National Home Fashions League, Inc. In June, 1987, Miss Gordon was named an honorary member of the American Institute of Architects, with her introduction of the concept of "shibui" and her promotion of an understanding of other culture cited as her major contributions to American architecture.

Provenance:

Elizabeth Gordon donated her papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1988.

Elizabeth Gordon donated her papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1988.

Restrictions:

Collection is open for research.

Rights:

No restrictions on use.

Topic:

Interior decoration -- Periodicals  Search this

Landscape gardening  Search this

Art, Japanese  Search this

Aesthetics, Japanese  Search this

House funishings  Search this

Interior decoration  Search this

Museum exhibits  Search this

Interior decorators  Search this

Gardens -- Japan  Search this

Genre/Form:

Periodicals -- 1940-1970

Photographs

Correspondence

Personal papers -- 1950-2000

Citation:

The Elizabeth Gordon Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Elizabeth Gordon, 1988

Identifier:

FSA.A1988.03

See more items in:

Elizabeth Gordon Papers

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3bd5683e5-f956-4a04-9d0c-4565a6b761b7

EDAN-URL:

ead_collection:sova-fsa-a1988-03

Creator:

Smith, Myron Bement, 1897-1970  Search this

Names:

Aga-Oglu, Mehmet, 1896-1949  Search this

Ettinghausen, Richard  Search this

Field, Henry  Search this

Herzfeld, Ernst, 1879-1948  Search this

Kuban, Dogan  Search this

Moe, Henry Allen  Search this

Pope, Arthur Upham, 1881-1969  Search this

Former owner:

Blake, Marion Elizabeth  Search this

Extent:

192 Linear feet

Type:

Collection descriptions

Archival materials

Date:

circa 1910-1970

Summary:

The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.

Scope and Contents:

The Myron Bement Smith Collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. The papers include some biographic material about Myron but little about his wife. Information on his academic and professional experience is sketchy and his diaries and appointment books often contain only sporadic entries. The papers contain substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Correspondence comprises the largest and most potentially useful part of the papers. Letters describe the milieu in which he operated in Rochester, NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime.

The Islamic Archives, formally entitled The Archive for Islamic Culture and Art, was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Most of the latter consists of photographs and slides. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture. The core collection of the Archives consists of Smith's original photographs and architectural sketches of Iranian Islamic monuments made during his field research in the 1930s. He meticulously photographed the interior and exterior of monuments, including their decorative detail. Some of the photographic materials subsequently loaned, purchased, or donated to the Archives may enable scholars to document sites over time but in many cases the materials are poorly preserved or reproduced. A notable exception to this is the glassplate negatives and prints of 19th century Iranian photographer Antoin Sevruguin.

Arrangement:

The collection is arranged into 2 major series with further subseries. A third series inventories the outsized and miscellaneous materials.

Series 1: Papers

Subseries 1.1: Biographic Materials

Subseries 1.2: Professional Experience

Subseries 1.3: Notebooks, Journals and Appointment Books

Subseries 1.4: Correspondence

Subseries 1.5: Published and Unpublished Materials

Subseries 1.6: Italy Research 1925, 1927-1928

Subseries 1.7: Iran Research 1933-1937

Subseries 1.8: Katharine Dennis Smith Papers and Correspondence

Series 2: The Islamic Archives

Subseries 2.1: Islamic Archives History, Collection Information

Subseries 2.2: Resource Materials Iran

Subseries 2.3: Resource Materials Other Islamic World and General

Subseries 2.4: Myron Bement Smith Architectural Sketches, Plans and Notes, Iran, 1933-1937

Subseries 2.5: Myron Bement Smith Iran Photographs, Notebooks and Negative Registers

Subseries 2.6: Country Photograph File

Subseries 2.7: Lantern Slide Collection

Subseries 2.8: Myron Bement Smith 35 mm Color Slides

Subseries 2.9: Country 35 mm Color Slide File

Subseries 2.10: Myron Bement Smith Negatives

Subseries 2.11: Country Photograph Negatives

Subseries 2.12: Antoin Sevruguin Photographs

Series 3: Outsize and Miscellaneous Items

Subseries 3.1: Map Case Drawers

Subseries 3.2: Rolled Items

Subseries 3.3 Items in Freezer

Subseries 3.4 Smithsonian Copy Negatives

Biographical Note:

Myron Bement Smith was born in Newark Valley, New York in 1897 and grew up in Rochester, New York. He died in Washington D.C. in 1970. He showed an early interest in drawing, and after graduation from high school, he worked as a draftsman for a Rochester architect. He served in the US Army Medical Corps in France during World War I and on return again worked as an architectural draftsman. He studied at Yale University from 1922 to 1926, earning a Bachelor of Fine Arts degree. During summer vacations, he worked as draftsman or designer for architectural firms in New York City. After graduation, he received a John Simon Guggenheim Memorial Foundation grant and spent two years in Italy doing research on northern Italian brick and stone work. He used photography as an tool for his research and published several well-illustrated articles. On return he joined an architectural firm in Philadelphia and in 1931 became a registered architect in New York. He enrolled in Harvard University graduate school in 1929 pursuing a Master of Fine Arts degree.

In April 1930, Smith was appointed Secretary of the newly created American Institute for Persian Art and Archaeology founded by Arthur Upham Pope and located in New York City. He had no prior academic or work experience in Islamic art or architecture, and his job entailed designing publications, arranging lectures, organizing exhibitions and fund raising. That summer he arranged an independent study course at Harvard University on Persian art and subsequently studied Persian language at Columbia University and attended graduate courses at the Institute of Fine Arts at New York University. His work and academic credentials enabled him to compete successfully for a research fellowship from the American Council of Learned Societies in 1933 to study Iranian Islamic architecture.

Accompanied by his new bride Katharine Dennis, Smith left for Iran in 1933. They suffered a horrendous motor vehicle accident in Iraq en route and required a lengthy recuperation in Lebanon and Cyprus. The Smiths eventually arrived in Isfahan, Iran, where they established their "Expedition House," as Smith called it, in a rented faculty house at Stuart College. Smith's research consisted of meticulous photographic documentation of Islamic monuments and architectural sketches and drawings of many of them. He concentrated on the Isfahan area but also documented monuments elsewhere in Iran. Smith outfitted his station wagon as a combination camper and research vehicle in which he and his staff traveled widely. Katharine sometimes traveled with him but generally she remained in Isfahan managing the household and logistics for the "expedition." The Smiths left Iran in 1937.

Smith published several articles about Iran's Islamic monuments based on his field research and in 1947 completed his PhD thesis for The Johns Hopkins University on the vault in Persian architecture. His professional career from 1938 until his death in 1970 consisted of a series of temporary academic positions, contract work and government or academic sponsored lecture tours and photographic exhibits. He had a long lasting relationship with the Library of Congress where he served as an Honorary Consultant from 1938 to 1940 and again from 1948 to 1970; from 1943 to 1944 he was Chief of the Iranian Section at the Library. Despite his lack of published material, Smith was well-known among academic, government and private citizens who worked, traveled or were otherwise interested Iran and the Islamic world.

Smith developed an extensive network of professional and social contacts that dated from his early student days and increased markedly during his time at the Persian Institute and later in Iran. He kept in touch with them and they touted him to others who were interested in Iran or Islamic art and architecture. This network served him well in realizing his ambition of creating a resource for scholars that relied on photographs to document Islamic architecture. The Islamic Archives began with his own collection of photographs from his Iran research and grew to include all manner of photographic and other materials not only on the Islamic world but also other areas. Creating and managing the Archives became the main focus of Smith's professional life and career. In 1967 he received a grant from the National Endowment for the Humanities to revise his PhD thesis as a publishable manuscript but died before he could complete it.

Related Materials:

The Antoin Sevruguin Photgraphs

Ernst Herzfeld Papers

Lionel B. Bier Drawings

Lionel D. Bier and Carol Bier Photographs

Provenance:

Gift of Katherine Dennis Smith, transfered from National Anthropological Archives.

Restrictions:

Collection is open for research.

Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Islamic architecture  Search this

Islamic Architecture-Turkey  Search this

Iran-description and travel  Search this

Iran-History 20th Century  Search this

Islamic Architecture-Middle East  Search this

Iran-social life and customs  Search this

United States-Social life and customs  Search this

Mosques  Search this

Architecture -- Iran  Search this

Citation:

The Myron Bement Smith Collection. FSA.A.04. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Katherine Dennis Smith.

Identifier:

FSA.A.04

See more items in:

Myron Bement Smith Collection

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3c8c950fe-250b-40df-b8c7-bcf788073968

EDAN-URL:

ead_collection:sova-fsa-a-04

Creator:

Garden Club of America  Search this

Names:

New York Flower Show  Search this

Extent:

37,000 Slides (35mm slides)

33 Linear feet ((garden files))

3,000 Lantern slides

37,000 Slides (35mm slides)

33 Linear feet ((garden files))

3,000 Lantern slides

Type:

Collection descriptions

Archival materials

Slides

Lantern slides

Plans (drawings)

Brochures

Articles

Correspondence

Clippings

Slides (photographs)

Date:

circa 1920-present

Summary:

This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland.

A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.

Biographical/Historical note:

The Garden Club of America was established in 1913 in Philadelphia, Pennsylvania, when the Garden Club of Philadelphia and eleven other garden clubs met to create a national garden club. Its purpose is to foster the knowledge and love of gardening and to restore and protect the quality of the environment through educational programs and gardening and conservation efforts. The GCA was incorporated in Delaware in 1923, with its headquarters established in New York City. Today, local clubs are organized under twelve regional zones. The GCA continues its tradition of hosting flower shows and publishing material related to gardening in the United States.

The GCA's glass lantern slides were used by The GCA for presentations and lectures about notable gardens throughout the United States dating back to colonial times. An effort was made in the late 1980s, in preparation of the 75th anniversary of the Garden Club of America's founding, to collect the disbursed slides. These slides were to eventually form the Slide Library of Notable American Parks and Gardens. The informational value of this collection is extensive since a number of images of the more than 4,500 gardens represented show garden designs that have changed over time or no longer exist. While the majority of images document a range of designed upper and upper-middle class gardens throughout the U.S., the scope of the collection is expanding as volunteers photograph and document contemporary gardens including community and vernacular gardens.

The gardens illustrate the design work of dozens of landscape architects including Marian Coffin, Beatrix Farrand, Lawrence Halprin, Hare & Hare, Umberto Innocenti, Gertrude Jekyll, Jens Jensen, Warren Manning, the Olmsted Brothers, Charles Platt, Ellen Biddle Shipman, and Fletcher Steele. Because of their proximity to the gardens, works of notable architects and sculptors may also be featured in the images.

Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- France  Search this

Gardens -- Italy  Search this

Gardens -- Japan  Search this

Gardens -- Mexico  Search this

Flower shows  Search this

Gardening -- United States -- societies, etc  Search this

Gardens -- England  Search this

Landscape architecture  Search this

Gardens -- United States  Search this

Gardens -- Spain  Search this

Gardens -- Scotland  Search this

Genre/Form:

Plans (drawings)

Brochures

Articles

Correspondence

Clippings

Lantern slides

Slides (photographs)

Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA

See more items in:

The Garden Club of America collection

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb617385372-1028-4cb7-b07d-04fea2e51c47

EDAN-URL:

ead_collection:sova-aag-gca

Landscape architect:

Zumwalt, A. Rex  Search this

Provenance:

Tacoma Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Chase Garden (Orting, Washington)

United States of America -- Washington -- Pierce County -- Orting

Scope and Contents:

The folder includes worksheets, a garden plan, copies of articles and brochures about the garden, and other information.

General:

This 4.5 acre garden is on a seven-acre site developed and maintained over the years by the property's owners. The site was purchased in 1943, but moved there in 1959. The area immediately around the house was designed by A. Rex Zumwalt in 1962 and evokes the spirit of a Japanese garden, while the adjacent second-growth woodland of fir, western red cedar, and hemlock hosts a variety of native plants. Other features include a meadow, mixed shrub beds, an allée of Lewisia cotyledon, cultivated pines and firs, and a magnificent view of Mount Rainier. The property is affiliated with The Garden Conservancy.

Persons associated with the garden include: A. Rex Zumwalt (landscape architect, 1962).

Related Materials:

Chase Garden related holdings consist of 1 folder (7 35 mm. slides)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Washington (State) -- Orting  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File WA034

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb69feb0872-85f9-490c-9a65-b43b62e0fd78

EDAN-URL:

ead_component:sova-aag-gca-ref11413

Former owner:

Brauer, Uno Noll, b. 1860  Search this

Brauer, Sara Elizabeth Peterson, b. 1870  Search this

Fluke, John  Search this

Landscape contractor:

Robinson, Daniel  Search this

Gardener:

Kelly, Denise  Search this

Landscape designer:

Yamasaki, Dick  Search this

Provenance:

Seattle Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Elverhøj (Poulsbo, Washington)

United States of America -- Washington -- Kitsap County -- Poulsbo

Scope and Contents:

The folder includes a worksheet, site plans, and copies of articles about the garden and the Brauers.

General:

Established in 1980, this ca. 2.5 acre garden lies on a peninsula jutting into Liberty Bay, an arm of Puget Sound. The site was originally homesteaded in 1889. The garden is informal and incorporates as many different species of trees and shrubs as possible, including many dwarf trees. Several large grassy areas include a meadow that is cut two times a year. Above the beach is a long, winding perennial garden that is gradually evolving into a shade garden. Because many of the trees and shrubs are grown from seeds or cutting from friends of the owner or exchanges, the feeling of the garden is changing all the time; it may even eventually evolve into a mixed forest. Challenges with which the owners have had to contend in developing the garden include brush, junk left from previous uses, soil consisting of heavy blue clay and fine glacial silt, and a constant struggle to maintain the view of the sound and the Olympic Mountains. Raised planting areas, a variety of plants resulting in year-round bloom, and the use of evergreen ground covers and dwarf shrubs in many different hues and textures have led to a result that respects and builds on the natural setting, yet incorporates such highlights as water features and a bonsai collection.

Persons associated with the garden include: Uno Noll Brauer and Sara Elizabeth Peterson Brauer and family (former owners, 1889-1975); John Fluke (former owner, 1975-1979); Daniel Robinson (landscape contractor, 1982-1983); Dick Yamasaki (landscape designer, 1980-1981); and Denise Kelly (gardener, 1983 to date).

Related Materials:

Elverhøj related holdings consist of 1 folder (22 35 mm. slides)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Washington (State) -- Poulsbo  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File WA027

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb66c99c861-dd38-448e-8ec1-eb9c3a81dc65

EDAN-URL:

ead_component:sova-aag-gca-ref11414

Former owner:

Stimson, Charles W. Mrs  Search this

Pigott, Paul  Search this

McCone, John Mrs  Search this

Architect:

Cutter, Kirkland Kelsey  Search this

Landscape architect:

Sturtevant, Butler Stevens  Search this

Olmsted Brothers  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Norcliffe (Seattle, Washington)

United States of America -- Washington -- King County -- Seattle

Scope and Contents:

The folder includes work sheets and copies of articles.

General:

The house at Norcliffe was completed in 1914. The gardens at this time were designed by Olmsted Brothers. During the late 1930s or 1940s, the Pigott's hired Butler Stertevant of San Francisco as their landscape architect. A vegetable garden, cutting garden, and perennial border were added.

Persons associated with the garden include: Charles and Harriet Stimson (former owners, 1914-1936); Mr. and Mrs. Paul Pigott (former owners, 1936-1961); Mrs. John McCone (former owner and formerly Mrs. Paul Pigott, -1993); Olmsted (landscape architect, 1914); Butler Sturtevant (landscape architect, 1945-1948); and Kirkland Kelsey Cutter (architect, 1914).

Related Materials:

Norcliffe related holdings consist of 1 folder (24 35 mm. slides and 1 glass lantern slide)

Records related to this site can be found at the Frederick Law Olmsted National Historic Site, Olmsted Job Number 03491, C. D. Stimson; The Highlands.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Washington (State) -- Seattle  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File WA004

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb669c1a5c8-765b-4250-9be7-922c37b54e0d

EDAN-URL:

ead_component:sova-aag-gca-ref11417

Former owner:

Griffiths, M.  Search this

Jensen, William  Search this

Moseley, Furman  Search this

Moseley, Susan B.  Search this

Landscape designer:

Reckard, Terry  Search this

Welch, Terry  Search this

Link, Russell  Search this

Philip, Ken  Search this

Prendergast, Tim  Search this

Arborist:

Jacobson, Arthur Lee  Search this

Consultant:

Robson, Mary  Search this

Turnbull, Cass  Search this

Gardener:

Kane, Mike  Search this

Ames, Paula  Search this

Provenance:

Seattle Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

310 (Seattle, Washington)

United States of America -- Washington -- King County -- Seattle

Scope and Contents:

The folder includes a worksheet, a site plan, an abbreviated plant list, and additional descriptive information about the garden.

General:

This expansive, three-acre garden lies on the west shore of Lake Washington. The lawn stretches east from the house to the water. It is bordered by deep flower beds anchored by broadleaf evergreen and deciduous shrubs, flowering trees, and towering conifers. On the north side a separate vine-covered garage with living quarters above is finished with the same pale pink stucco as the main house. A butterfly garden and vegetable and fruit orchard lead to the water. A lushly planted path defines the south side of the property, opening out into a flower and shrub border that ends at the lake. A bamboo grove is placed here for privacy. A basalt fountain just outside the front door on the west side echoes the serenity felt throughout the property. The land slopes upward to the street above and is dominated by a large American hornbeam tree, spring bulbs, and camouflaged tennis courts.

Persons associated with the garden include: M. Griffiths (former owner, 1928-1946); William Jensen (former owner, 1946-1966); Furman and Susan B. Moseley (former owners, 1966-2000); Terry Reckard (landscape designer, late 1960s); Terry Welch (landscape designer, late 1960s); Russell Link (landscape designer, late 1980s); Ken Philip (landscape designer, late 1980s); Tim Prendergast (landscape designer, late 1980s); Arthur Lee Jacobson (arborist, 1989); Mary Robson (consultant, 1991); Mike Kane (gardener, 1990-2000); Cass Turnbull (consultant, 1999); and Paula Ames (gardener, 2000-).

Related Materials:

310 related holdings consist of 1 folder (21 35 mm. slides)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Washington (State) -- Seattle  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File WA009

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6b9d75454-cfdd-4813-a91d-29279aaf99f7

EDAN-URL:

ead_component:sova-aag-gca-ref11418

Landscape designer:

Platt, Charles A. (Charles Adams), 1861-1933  Search this

Architect:

Platt, Charles A. (Charles Adams), 1861-1933  Search this

Landscape architect:

Church, Thomas Dolliver  Search this

Shipman, Ellen, 1869-1950  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

The Merrill House (Seattle, Washington)

United States of America -- Washington -- King County -- Seattle

Scope and Contents:

The folders include work sheets, narrative history by Mrs. Corydon (Eulalie) Wagner and copies of articles.

Reproduction Note:

Two slides copied from Washington State Historical Society collections, Tacoma, Washington; four from Mrs. Corydon Wagner collection; two from Treasury of American Gardens; one from The American Woman's Garden; and three from unknown sources. One photoprint is copy of original 1928 photoprint.

General:

According to Mrs. Corydon (Eulalie) Wagner, the one acre, European-style garden, was seen at its best when seen from above. A city garden enclosed by high cement walls, it consisted of formal pathways of white pebbles; eight flower beds outlined with dwarf box; and a round pool surrounded by a square qrass bed and parterres. The beds displayed various color schemes of tulips, followed by a "Mille Fleur" perennial garden in the summer. Tea roses were added during the 1920s. After the death of Mrs. Merrill in the 1930s, the family opened the house for charitable organizations, particularly those in which she took an active part. During World War II, Victory Garden vegetables filled in where lilies and holly-hocks grew. The perennial borders were slightly transformed by using annuals, and after the bay trees died in the wooden boxes, they were replaced with tree-tiered topiaries of Ficus. During the 1960s, the Merrill family visited Versailles and its box borders. In order to eliminate the upkeep of the "Mille Fleur" summer garden, Thomas Church designed a box parterre, a miniature version of those at Villandry--eliminating much of Shipman's perennial borders. Kevin Harvey currently plants strongly-shaped and colored perennials into the gravel beds to add year-round interest.

Persons associated with the garden include: Richard Dwight Merrill (former owner, 1910-1964); Eulalie Wagner (former owner, ?-1991); The Merrill Foundation (owners of 1/2 the original property); Charles A. Platt (architect, landscape designer, 1910); Ellen Biddle Shipman (landscape architect, 1915); Thomas Dolliver Church (landscape architect, 1960s); and Kevin Harvey (gardener and designer, 2004).

Related Materials:

The Merrill House related holdings consist of 1 folder (12 35 mm. slides and 4 photoprints)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Washington (State) -- Seattle  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File WA012

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6f4404b30-75d0-43bb-bf3c-7eb08ef47549

EDAN-URL:

ead_component:sova-aag-gca-ref11419

Architect:

Lament, David  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Miller Garden (Seattle, Washington)

United States of America -- Washington -- King County -- Seattle

Scope and Contents:

The folder includes worksheets, site plans, photo copies of articles about the project, and other information.

Varying Form:

Elisabeth C. Miller Botanical Garden.

General:

Located on a four-acre site purchased in 1948, this garden is situated on a bluff edging the Puget sound within view of the Olympic Mountain Range. The property descends two hundred feet from woodland to an open arid area at the top of the bluff. The garden was developed in 1950 as a collector's garden. In 1977, it held over 5,000 different species endemic to thirty-five countries from the arctic to subtropical region. Of interest are the ericaceae and evergreen oak collections and heavy use of Northwest native plantings. In 1994 the Elisabeth Carey Miller Trust was established to preserve and continue the Miller Garden, now referred to as the Elisabeth C. Miller Botanical Garden.

Elizabeth Carey Miller was born in Montana and attended the University of Washington. A word-renowned horticulturist, she was a member of twenty-five horticultural organizations and was instrumental in the creation of the Center for Urban Horticulture and the Elisabeth C. Miller Library at the University of Washington Botanical Gardens as well as the Seattle Chinese Garden. Miller was a founder of the Northwest Horticultural Society and an active member of the Garden Club of America and served on numerous boards and as a facilitator of civic projects.

Persons associated with the property include Elizabeth C. Miller (horticulturist and former owner, 1948-), John W. Fieker (sp?) (landscape designer, 1950-1907), Steven Blint (sp?) (landscape designer, 1958-1987), Daniel E. Lament (architect, date unknown).

Related Materials:

Miller Garden related holdings consist of 1 folder (31 photographs (slides))

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Washington (State) -- Seattle  Search this

Botanical gardens  Search this

Woodland gardens  Search this

Native plant gardens  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File WA013

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb61f1902f0-c629-4bf2-9053-991f92ad32a1

EDAN-URL:

ead_component:sova-aag-gca-ref11420

Former owner:

Jerome, Timothy  Search this

Jerome, Timothy, Mrs.  Search this

Clarke, Casper Mrs.  Search this

Garden designer:

Gambrill, Kenneth  Search this

Sonneman, Lynn  Search this

Lighting designer:

Gambrill, Kenneth  Search this

Berger, Tom  Search this

Gardener:

Lawley, Frank  Search this

Provenance:

Seattle Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Halewood (Seattle, Washington)

United States of America -- Washington -- King County -- Seattle

Scope and Contents:

The folder includes a work sheet and site plan.

General:

The garden is a collection of plants that the owner has acquired in travels as well as from friends. To the east of the house lies a sloping Heather bed with year-round bloom supported beyond by Rhododendrons and a small pinetum. To the north are formal herbaceous borders flanked by lawn. A lilac walk north to the road is under planted with Hellebores, Snowdrops, and Lily of the Valley. To the west is a former orchard planted with trees emphasizing fall color. Some apple trees have been retained here from a previous orchard.

Persons associated with the garden include: Mr. and Mrs. Timothy Jerome (former owners, 1923-1945); Mrs. Casper Clarke (former owner, 1945-1957); Kenneth Gambrill (garden designer, 1987); Lynn Sonneman (garden designer, 1990); Tom Berger and Ken Gambrill (lighting design, 1991); and Frank Lawley (gardener, 1988-present).

Related Materials:

Halewood related holdings consist of 1 folder (15 35 mm. slides)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Washington (State) -- Seattle  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File WA031

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6a35b7a69-e02f-40e6-be1d-7c0bb684886b

EDAN-URL:

ead_component:sova-aag-gca-ref11422

Architect:

Silk, Stuart  Search this

Landscape consultant:

Kennedy, Anne  Search this

Landscape designer:

Kemper Iversen, Ltd.  Search this

Provenance:

Seattle Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Digital images

Place:

Green Garden (Seattle, Washington)

United States of America -- Washington -- King County -- Seattle

Scope and Contents:

The folder includes worksheets.

General:

When their collection of more than 200 species of rhododendron outgrew their previous garden, the owners had a new mediterranean style house built on a steep ¾-acre parcel with views of Lake Washington. The rhododendrons were dug up, wrapped, and stored at a nursery while the site was prepared for planting in 2002. Preparations included three terraces built with basalt rock and stabilized with trees. There are three distinct gardens with different soil mixtures: the azalea and rhododendron garden at the upper level, a tropical garden that includes a patio, and a perennial garden that uses blue geraniums as ground cover under pastel pink, peach, coral, and yellow peonies; roses; and camellias. A basalt rock retaining wall along one side of the property is softened with shade plants including ivy, dicentra, and ferns. Along the other side is a woodland garden with walkways and basalt stone stairs down to the street at the bottom of the property.

Persons associated with the garden include: Stuart Silk (architect, circa 2000); Kemper Iversen, Ltd. (landscape designers, 2002); and Anne Kennedy (landscape consultant, 2017).

Related Materials:

Green Garden related holdings consist of 1 folder (30 digital images)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Washington (State) -- Seattle  Search this

Genre/Form:

Digital images

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File WA061

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb64930b4bb-fc64-414b-9173-a9d27ea65331

EDAN-URL:

ead_component:sova-aag-gca-ref11423

Former owner:

Thorne, Chester Mr Mrs  Search this

Palmer, Perry  Search this

Palmer, Connie  Search this

Architect:

Cutter, Kirkland Kelsey  Search this

Landscape architect:

Olmsted, John Charles, 1852-1920  Search this

Olmsted Brothers  Search this

Provenance:

Tacoma Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Thornewood (Tacoma, Washington)

United States of America -- Washington -- Pierce County -- Tacoma

Scope and Contents:

The folders include work sheets and copies of articles.

Reproduction Note:

Three slides reproduced from American Country Houses To-Day; six slides reproduced from hand-colored photographs by Asahel Curtis; four slides reproduced from collections in Washington State Historical Society; one slide reproduced from House Beatuiful (1926); and three slides reproduced from Lewis and Shelon Plate (1921).

General:

A 400 year old Elizabethan manor in England was purchased by Mr. Thorne and dismantled and shipped brick by brick from England to be included in the building of Thornewood. Thornewood, built in 1911, once covered 100 acres, from the American Lake shore to the Tacoma Country and Golf Club. The mountain served as the inspiration for the landscape design. "The mountain at a distance has been brought into the picture by means of long, horizontal lines, by the general contrivance of walks, borders, boundary walls, by the preservation of certain natural trees..." (Howe, 1915) The garden terminated with two arbors united with balustrades. A Japanese garden was planted in two corners near a water garden. Most of the estate was divided into 30 home sites in 1959. In 1982, the house was named to the National Register of Historic Places. By 1988, the property was reduced to three acres on the lake. The current owners use the house, "Thornewood Castle," and property as a bed and breakfast.

Persons associated with the garden include: Mr. Chester Thorne (former owner, 1910-1927 ); Perry and Connie Palmer (former owners, 1965-1988?); John C. Olmsted of Olmsted Brothers, Landscape Architects (landscape architect, 1910).

Tacoma Garden Club facilitated the documentation of the 1990s photographs of this garden.

Related Materials:

Thornewood related holdings consist of 2 folders (35 35 mm. slides, 12 photoprints and 43 glass lantern slides)

Records related to this site can be found at the Frederick Law Olmsted National Historic Site, Olmsted Job Number 03494, Chester Thorne.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Washington (State) -- Seattle  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File WA005

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb62a47bcef-790d-4432-92cd-2a7e4bbc16ce

EDAN-URL:

ead_component:sova-aag-gca-ref11425

Landscape designer:

Schwageral, E. O.  Search this

Browne, George Elmer, 1871-1946  Search this

Roberts, Ebeneezer R.  Search this

Former owner:

City Of Tacoma  Search this

Owner:

Metropolitan Park District of Tacoma  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

United States of America -- Washington -- Pierce County -- Tacoma

Scope and Contents:

9 35mm slides and 1 folder. The folder includes brochures and a history of the park.

General:

Established in 1886, Wright Park is an arboretum featuring 102 varieties of trees that represent four continents. Located in the park is the W. W. Seymour Botanical Conservatory, one of three Victorian-style conservatories on the West coast.

Persons associated with the urban park include: E.O. Schwageral (landscape designer), George Browne (landscape designer), Ebeneezer R. Roberts (landscape designer), Rasmussen & Hobbs (architect of the Wright Park Community Center, 1980).

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Washington (State) -- Tacoma  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File WA008

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6924dc916-3145-4e31-8171-37a3c070e3ae

EDAN-URL:

ead_component:sova-aag-gca-ref11426

Landscape designer:

Shephard, Frank  Search this

Gardener:

Garner, Randy  Search this

Provenance:

The Portland Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Helene Schoen Garden (Vancouver, Washington)

United States of America -- Washington -- Clark County -- Vancouver

Scope and Contents:

The folder includes a worksheet, a garden plan, and 15 color photographs.

General:

This 1.5-acre garden site was established in 1944. Located within sight of the Columbia River, it is constructed along a hillside with several paths taking the garden visitor down the hill. Plantings include a collection of rhododendrons and magnolias and other flowering shrubs, a collection of bulbs, and a very well maintained rose garden. A swimming pool is on the second level surrounded by conifers and Japanese maples.

Persons associated with the garden include: Frank Shephard (landscape designer, 1944-?) and Randy Garner (gardener, 1979 to date).

Related Materials:

Helene Schoen Garden related holdings consist of 1 folder (19 35 mm. slides)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Washington (State) -- Vancouver.  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File WA026

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb60c5b9184-49b3-4ef2-a282-c6ab249bf118

EDAN-URL:

ead_component:sova-aag-gca-ref11428

Photographer:

Davis, Mary  Search this

Sculptor:

Davis, Mary  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slide (col., 35mm)

Type:

Archival materials

Slides

Place:

Washington -- Gig Harbor

United States of America -- Washington -- Pierce County -- Gig Harbor

Date:

1993 May.

General:

The grounds are designed in patterns of groundcover to house a collection of over 50 Japanese maples and pieces of outdoor sculpture.

Sculpture "Bridge over dry stream" by Mary Davis.

Birds nest spruce; Ajuga reptans, Burgundy; Apple tree, Gravenstein; Brown Mexican river rock.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Sculpture  Search this

Sculpture gardens  Search this

Azaleas  Search this

Apples  Search this

Bridges  Search this

Rocks  Search this

Ground cover plants  Search this

Spruce  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item WA023010

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington / WA023: Gig Harbor -- Pampas Point Garden

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6a158b560-7002-4248-86fa-78fc53cd54bd

EDAN-URL:

ead_component:sova-aag-gca-ref11488

Sculptor:

Ecklund, Don  Search this

Photographer:

Davis, Mary  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slide (col., 35mm)

Type:

Archival materials

Slides

Place:

Washington -- Gig Harbor

United States of America -- Washington -- Pierce County -- Gig Harbor

Date:

1992, May.

General:

The grounds are designed in patterns of groundcover to house a collection of over 50 Japanese maples and pieces of outdoor sculpture.

Azalea, Hino crimson. Vertical slide.

Sculpture "Lily" by Don Ecklund. (Bronze)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Sculpture  Search this

Sculpture gardens  Search this

Azaleas  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item WA023011

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington / WA023: Gig Harbor -- Pampas Point Garden

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb64737ff00-ec7a-4292-a7da-2bf5be23b980

EDAN-URL:

ead_component:sova-aag-gca-ref11489

Photographer:

Davis, Mary  Search this

Sculptor:

Ecklund, Don  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slide (col., 35mm)

Type:

Archival materials

Slides

Place:

Washington -- Gig Harbor

United States of America -- Washington -- Pierce County -- Gig Harbor

Date:

1992 May.

General:

The grounds are designed in patterns of groundcover to house a collection of over 50 Japanese maples and pieces of outdoor sculpture.

Sculpture "Cleopatra & Mark" by Altina.(Fiberglass)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Sculpture  Search this

Sculpture gardens  Search this

Azaleas  Search this

Walls, brick  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item WA023012

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington / WA023: Gig Harbor -- Pampas Point Garden

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb60bd8a9e6-225e-4f7f-a097-fc7e916c5277

EDAN-URL:

ead_component:sova-aag-gca-ref11490

Photographer:

Davis, Mary  Search this

Sculptor:

Davis, Mary  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slide (col., 35mm)

Type:

Archival materials

Slides

Place:

Washington -- Gig Harbor

United States of America -- Washington -- Pierce County -- Gig Harbor

Date:

1994 May.

General:

The grounds are designed in patterns of groundcover to house a collection of over 50 Japanese maples and pieces of outdoor sculpture.

Sculpture "The Triangle" by Mary Davis. (Wood)

Ground cover - Sagins subulata - Scotch moss. Vertical slide.

Vertical slide.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Sculpture gardens  Search this

Ground cover plants  Search this

Mosses  Search this

Sculpture  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item WA023013

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington / WA023: Gig Harbor -- Pampas Point Garden

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb60d5d5e11-2470-42c5-afb5-bbefefb5c6c7

EDAN-URL:

ead_component:sova-aag-gca-ref11491