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Albert Kahn papers

Creator:
Kahn, Albert, 1869-1942  Search this
Names:
Bacon, Henry, 1839-1912  Search this
Barlow, Myron, 1873-1937  Search this
Kahlo, Frida  Search this
Kahn, Ernestine Krolik  Search this
Mason, George D.  Search this
Milles, Carl, 1875-1955  Search this
Rivera, Diego, 1886-1957  Search this
Stoughton, Arthur A.  Search this
Toscanini, Arturo, 1867-1957  Search this
Trowbridge, Alexander Buell, 1868-1950  Search this
Extent:
7.02 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Watercolors
Scrapbooks
Renderings
Lithographs
Photographs
Motion pictures (visual works)
Notebooks
Drawings
Sound recordings
Awards
Sketchbooks
Etchings
Notes
Typescripts
Lectures
Date:
1875-1970
Summary:
The papers of architect Albert Kahn date from 1875-1970, bulk 1875-1945, and measure 7.02 linear feet. Found within the papers is biographical material, correspondence, personal business records, nine sketchbooks, art work, notes and writings, two scrapbooks, printed material, photographs and photograph albums, artifacts, and motion picture film.
Scope and Content Note:
The papers of architect Albert Kahn date from 1875-1970, bulk 1875-1945, and measure 7.02 linear feet. Found within the papers are biographical material, correspondence, personal business records, nine sketchbooks, art work, notes and writings, two scrapbooks, printed material, photographs and photograph albums, artifacts, a sound recording and motion picture film.

Biographical material includes a biographical account, marriage certificate, architect's licenses, calling cards for the Kahns, passports, identification cards, letters of introduction, award certificates and medals, membership cards and certificates, a sound recording concerning Albert Kahn's life, and an address book.

Correspondence consists of letters between Albert Kahn, family members, and colleagues including Myron Barlow, George D. Mason, Carl Milles and Arthur A. Stoughton. There is one letter each from Henry Bacon and Alexander Trowbridge, and condolence letters to Kahn's widow.

Personal business records include records of stocks and income, lists of expenses and receipts for construction, property records, price lists for paintings by others, and miscellaneous receipts.

Art work includes nine sketchbooks and drawings by Albert Kahn, a paper silhouette portrait of Kahn, and drawings, watercolors, etchings, lithographs, and a sketchbook of Cornwall by others.

Notes and writings include Ernestine Kahn's diary, notebooks, guest registers and records concerning Albert Kahn's funeral, and typescripts of speeches and lectures.

Two scrapbooks contain clippings, small drawings, photographs of architecture, and letters of tribute.

Printed material includes clippings, exhibition catalogs for others, programs, booklets, books, reproductions of art work, travel brochures, picture postcards, and miscellaneous printed material.

Photographs are of Albert Kahn, members of his family, and colleagues including Myron Barlow, Frida Kahlo, Diego Rivera, Arturo Toscanini, residences, and travel scenes. Moving images include five reels of 16mm motion picture film of the Kahn family at the farm and at various family gatherings.

Artifacts primarily consist of the tools used by Albert Kahn during his career including t-squares and portable tripod supports for drawing boards used on construction sites.
Arrangement:
The collection is arranged as 9 series. Glass plate negative housed separately and closed to researchers.

Missing Title

Series 1: Biographical Material, 1896-1945 (Box 1, 6, OV 10; 19 folders)

Series 2: Correspondence, 1891-1970 (Box 1-3, 6; 3.3 linear feet)

Series 3: Personal Business Records, 1891-1943 (Box 3; 7 folders)

Series 4: Art Work, 1890-1936 (Box 3, 6, OV 11-12; 20 folders)

Series 5: Notes and Writings, 1899-1943 (Box 3-4; 29 folders)

Series 6: Scrapbooks, 1890-1942 (Box 7; 0.3 linear feet)

Series 7: Printed Material, 1897-1968 (Box 4-6, OV 10; 0.8 linear feet)

Series 8: Photographs and Moving Images, 1875-1944 (Box 5-6, 8, FC 13-17, MGP 2; 1.5 linear feet)

Series 9: Artifacts, circa 1942 (Box 5, 9; 0.4 linear feet)
Biographical Note:
Albert Kahn (1869-1942) of Detroit, Michigan, was an architect, primarily known for designing industrial buildings with the pioneering use of reinforced concrete that allowed large unobstructed interiors.

Albert Kahn was born on March 21, 1869 in Rhaunen, Rhineland-Palatinate, Germany, the oldest son of rabbi Joseph Kahn and Rosalie Cohn Kahn. The family immigrated to the United States in 1881 and settled in Detroit, Michigan.

Albert Kahn worked as an office boy in an architect's office and studied drawing in Sunday classes conducted by sculptor Julius Melchers. Melchers found Kahn a position in the architectural offices of Mason and Rice where he worked for several years. In 1890, Kahn won a scholarship to travel in Europe to study architecture and in 1895 he opened his own architectural office, Albert Kahn Associates, hiring his younger brothers, Louis, Moritz, and Felix. In the following year, Kahn married Ernestine Krolik.

In 1903, Kahn was awarded his first two important commissions: to design the University of Michigan's engineering building and the Palm Apartments in Detroit, built with the early use of reinforced concrete. In the following year, he built the first reinforced concrete factory for the Packard Motor Company. Because of the industrial growth in Detroit at that time, Kahn was in demand to design various automobile factories including the General Motors Building, textile, business machine, and chemical plants. He became an authority on concrete construction and by the beginning of the First World War, his firm provided construction for the military aviation section of the Army.

Kahn later moved from using concrete to steel and glass. In 1927, his company finished a large building for the Fisher Brothers of Detroit for which he was awarded a medal by the Architectural League of New York for the year's outstanding contribution to architecture. In the following year his firm was given full charge of the entire heavy industrial building program of Russia's first five-year plan, and they constructed an estimated two billion dollars worth of factories in Russia.

During World War II, Kahn's firm was constantly busy constructing naval air bases, airplane engine plants, tank arsenals including the Detroit Arsenal Tank Plant, and other government defense projects. In June 1942 Kahn was given the honorary degree of Doctor of Fine Arts by Syracuse University.

Albert Kahn died on December 8, 1942 in Detroit, Michigan.
Provenance:
The Albert Kahn papers were donated by Kahn's children, Mrs. Lydia Winston Malbin, Mrs. Rosalie Butzel, and Dr. Edgar A. Kahn, in 1974.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Architecture, American  Search this
Architects -- Michigan -- Detroit  Search this
Genre/Form:
Diaries
Watercolors
Scrapbooks
Renderings
Lithographs
Photographs
Motion pictures (visual works)
Notebooks
Drawings
Sound recordings
Awards
Sketchbooks
Etchings
Notes
Typescripts
Lectures
Citation:
Albert Kahn papers, 1875-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kahnalbp
See more items in:
Albert Kahn papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw998c9d20d-7eac-4264-8dd4-21511423e9a1
EDAN-URL:
ead_collection:sova-aaa-kahnalbp
Online Media:

Richard E. Filipowski papers, circa 1940-1998

Creator:
Filipowski, Richard E., 1923-2008  Search this
Filipowski, Richard E., 1923-2008  Search this
Subject:
Agoos, Herbert M.  Search this
Anderson, Lawrence B. (Lawrence Bernhart)  Search this
Belluschi, Pietro  Search this
Davis, Stuart  Search this
Kepes, Gyorgy  Search this
Moholy-Nagy, László  Search this
Gropius, Walter  Search this
Kepes, Gyorgy  Search this
Eckbo, Garrett  Search this
Bauhaus  Search this
Harvard University  Search this
Institute of Design (Chicago, Ill.)  Search this
Massachusetts Institute of Technology  Search this
Boston Arts Festival  Search this
Type:
Christmas cards
Photographs
Sketchbooks
Sketches
Slides (photographs)
Sound recordings
Topic:
Art -- Study and teaching  Search this
Art and industry  Search this
Industrial design  Search this
Educators -- Massachusetts  Search this
Industrial designers  Search this
Painting, Modern -- 20th century  Search this
Theme:
Sketches & Sketchbooks  Search this
Art Materials, Techniques, and Studio Art Education  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)9644
(DSI-AAA_SIRISBib)211852
AAA_collcode_filirich
Theme:
Sketches & Sketchbooks
Art Materials, Techniques, and Studio Art Education
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211852
Online Media:

Florence Knoll Bassett papers, 1932-2000

Creator:
Bassett, Florence Knoll, 1917-2019  Search this
Bassett, Florence Knoll, 1917-2019  Search this
Subject:
Miller, R. Craig  Search this
Knoll, Walter C.  Search this
Johnson, Philip  Search this
Helm, John  Search this
Graham, Katharine  Search this
Gandhi, Indira  Search this
Eames, Charles  Search this
Cheek, Leslie  Search this
Raseman, Rachel de Wolfe  Search this
Milles, Carl  Search this
Saarinen, Eero  Search this
Reagan, Nancy  Search this
Slavin, Maeve  Search this
Saarinen, Eliel  Search this
Knoll International, inc.  Search this
Knoll Associates, inc.  Search this
Hans G. Knoll Furniture Company  Search this
Cranbrook Kingswood School (Bloomfield Hills, Mich.)  Search this
Cranbrook Academy of Art  Search this
Type:
Sketches
Drawings
Photographs
Sketchbooks
Topic:
Interior decoration firms  Search this
Interior decoration  Search this
Industrial design  Search this
Women artists  Search this
Women architects  Search this
Women designers  Search this
Theme:
Sketches & Sketchbooks  Search this
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6312
(DSI-AAA_SIRISBib)224053
AAA_collcode_knolflor
Theme:
Sketches & Sketchbooks
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_224053
Online Media:

Landor Design Collection

Creator:
Landor Associates  Search this
Landor, Walter  Search this
Names:
Mair, Francis M., 1916-1991 (commercial artist)  Search this
Extent:
146 Cubic Feet
Type:
Collection descriptions
Archival materials
Audiovisual materials
Business letters
Business records
Personal papers
Videotapes
Interviews
Oral history
Date:
circa 1930-1994
Scope and Contents:
Collection documents the career of designer Walter Landor and the significant body of commercial imagery and packaging produced by Landor Associates design firm. Contains corporate and business records of Landor Associates, personal papers of Landor, oral history interviews, films, videotapes, and other audiovisual resources.
Arrangement:
Subgroup 1: Landor Associates Business Records

Series 1: Historical Background and Project Administrations Files

Series 2: Newsletter, 1978-84

Series 3: Scrapbooks

Series 4: Memoranda, 1956-1979

Series 5: News stories and Newsclippings

Series.6: Corporate Subject files

Series 7: Walter Landor reading files

Series 8: New Brochure

Series 9: International files

Series I0: Promo files

Series I 1: Conventions and seminars

Series 12: Awards

Series 13: Tours, presentations, parties

Series 14: Communication films (a Landor subsidiary)

Series 15: Client files

Series 16: The Ferryboat Klamath and the Museum of Packaging Antiquities

Subgroup 2: Walter Landor Papers

Series 17: Papers

Series 18: Trip files

Series 19: Speeches

Series 20: Corporate reference

SUBGROUP 3: Photographic and Other Audiovisual Materials

Series 2 1: Photographs

Series 22: Slides

Series 23: Publications

Series 24: Videos

Series 25: Films

Series 26: Speeches/interviews/discussion sessions on audiocassette

Series 27: Oversize materials

Subgroup 4: Landor Archives Project

Series 28: Associates files

Subseries 28.1: Lillian Sader

Subseries 28.2: Ed Scubic

Subseries 28.3: Other associates

Subseries 28.4: Audiovisual materials - client projects

Series 29: Oral History Interviews
Biographical / Historical:
Walter Landor, son of Jewish Bauhaus architect Fritz Landauer, came to the United States in 1938 with the design team for the British Pavilion at the 1939 World's Fair in New York City. He emigrated to the United States in 1941, launching a small design firm in San Francisco. Landor started out doing package design for a largely local and regional clientele (including many West Coast wineries and breweries), although he soon developed a client list that included some of the world's largest and most prestigious corporations. In addition to his own considerable design abilities, Landor had a gift for inspiring and organizing the creativity of a group of associates, and for developing lasting and productive relationships with his clients. The firm developed particular strength in its portfolio of airlines, financial institutions and consumer goods, and prided itself on a network of international clients. From the beginning, Landor linked design to research in consumer behavior, developing increasingly sophisticated methods for evaluating the effectiveness of his designs. This collection documents Walter Landor's remarkable career, the significant body of corporate identity, packaging and other commercial imagery produced by Landor Associates, and the interplay between industrial design and American consumer culture.
Provenance:
Personal papers donated to Archives Center in 1993 by Josephine Landor, widow of Walter Landor; business records donated to Archives Center in 1993 by Landor Associates.
Restrictions:
Collection is open for research.
Rights:
The Archives Center makes no guarantees concerning copyright restrictions.,Reproduction permission from Archives Center: fees for commercial use.
Topic:
Design, Industrial  Search this
advertising  Search this
Industrial designers  Search this
Marketing  Search this
Genre/Form:
Audiovisual materials
Business letters
Business records -- 20th century
Personal papers -- 20th century
Videotapes
Interviews -- 1980-2000
Oral history
Citation:
Landor Design Collection, ca. 1930-1994, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0500
See more items in:
Landor Design Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0500
Online Media:

Albert Kahn papers, 1875-1970

Creator:
Kahn, Albert, 1869-1942  Search this
Kahn, Albert, 1869-1942  Search this
Subject:
Kahlo, Frida  Search this
Barlow, Myron  Search this
Bacon, Henry  Search this
Trowbridge, Alexander Buell  Search this
Toscanini, Arturo  Search this
Stoughton, Arthur A.  Search this
Rivera, Diego  Search this
Milles, Carl  Search this
Mason, George D.  Search this
Kahn, Ernestine Krolik  Search this
Type:
Diaries
Watercolors
Scrapbooks
Renderings
Lithographs
Photographs
Motion pictures (visual works)
Notebooks
Drawings
Sound recordings
Awards
Sketchbooks
Etchings
Notes
Typescripts
Lectures
Topic:
Architecture, American  Search this
Architects -- Michigan -- Detroit  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7638
(DSI-AAA_SIRISBib)209801
AAA_collcode_kahnalbp
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209801
Online Media:

[Trade catalogs from Redy-Bilt Homes]

Company Name:
Redy-Bilt Homes  Search this
Notes content:
factory built ready-made homes ;
Includes:
Trade catalog
Black and white images
Physical description:
1 piece; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Elkhart, Indiana, United States
Date:
1900s
Topic (Romaine term):
Real Estate  Search this
Architectural designs and building materials  Search this
Topic:
"Decoration and ornament, Architectural"  Search this
Architectural design  Search this
Building materials  Search this
Commercial real estate  Search this
Industrial real estate  Search this
Real estate business  Search this
Real property  Search this
Record ID:
SILNMAHTL_9773
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_9773

[Trade catalogs from Mac & Mac, Inc.]

Company Name:
Mac & Mac, Inc.  Search this
Notes content:
"New Orleans Sophisticate" homes ; home builders ; house builders ; interior decorations by Beck's Charter Oaks ; kitchens by Kitchen Sales , Inc. ; lumber and millwork by Chartiers Lumber Co.
Includes:
Trade catalog
Black and white images
Color images
Physical description:
1 piece; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Mt. Lebanon, Pennsylvania, United States
Date:
1900s
Topic (Romaine term):
Architectural designs and building materials  Search this
Furniture and furnishings  Search this
Real Estate  Search this
Topic:
"Decoration and ornament, Architectural"  Search this
Architectural design  Search this
Building materials  Search this
Commercial real estate  Search this
Furniture industry and trade  Search this
House furnishings  Search this
Industrial real estate  Search this
Interior decoration  Search this
Real estate business  Search this
Real property  Search this
Record ID:
SILNMAHTL_29024
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_29024

[Trade catalogs from Reis Homes]

Variant company name:
Established 1923  Search this
Company Name:
Reis Homes  Search this
Notes content:
custom home builders ;
Includes:
Trade catalog and price lists
Black and white images
Physical description:
3 pieces; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
River Edge, New Jersey, United States
Date:
1900s
Topic (Romaine term):
Architectural designs and building materials  Search this
Real Estate  Search this
Topic:
"Decoration and ornament, Architectural"  Search this
Architectural design  Search this
Building materials  Search this
Commercial real estate  Search this
Industrial real estate  Search this
Real estate business  Search this
Real property  Search this
Record ID:
SILNMAHTL_10128
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_10128

[Trade catalogs from F. W. Dodge Corp.]

Company Name:
F. W. Dodge Corp.  Search this
Notes content:
aid for selecting building materials, equipment, and furnishings for those planning their own homes ; includes brochures and catalogs from many mfrs.
Includes:
Trade catalog
Black and white images
Color images
Physical description:
3 pieces; 2 boxes
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
New York, New York, United States
Date:
1900s
Topic (Romaine term):
Appliances (household)  Search this
Architectural designs and building materials  Search this
Construction and earth-moving machinery  Search this
Furnaces and boilers  Search this
Furniture and furnishings  Search this
Heating; ventilation and air conditioning  Search this
Plumbing supplies and fixtures  Search this
Real Estate  Search this
Topic:
"Decoration and ornament, Architectural"  Search this
Air conditioning  Search this
Architectural design  Search this
Boilers  Search this
Building materials  Search this
Commercial real estate  Search this
Construction equipment  Search this
Earthmoving machinery  Search this
Furnaces  Search this
Furniture industry and trade  Search this
Heating  Search this
Heating and ventilation industry  Search this
House furnishings  Search this
Household appliances  Search this
Industrial real estate  Search this
Interior decoration  Search this
Plumbing equipment industry  Search this
Plumbing fixtures  Search this
Real estate business  Search this
Real property  Search this
Ventilation  Search this
Record ID:
SILNMAHTL_10216
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_10216

Rudolph Schaeffer papers

Creator:
Schaeffer, Rudolph  Search this
Names:
East & West Gallery (San Francisco, Calif.)  Search this
Rudolph Schaeffer School of Design  Search this
Adams, Ansel, 1902-1984  Search this
Cunningham, Imogen, 1883-1976 -- Photographs  Search this
Frey, Caroline  Search this
Frey, Fred  Search this
Tobey, Mark  Search this
Wright, Frank Lloyd, 1867-1959 -- Photographs  Search this
Extent:
13.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Diaries
Christmas cards
Designs
Interviews
Sketchbooks
Sketches
Sound recordings
Transcripts
Place:
Japan -- Description and Travel
Date:
1880s-1997
Summary:
The collection measures 13.3 linear feet, dates from the 1880s-1997 and documents the life and varied career of Rudolph Schaeffer, artist, designer, teacher, writer, collector of Asian art, and pioneer in the field of color study who founded the Rudolph Schaeffer School of Design in San Francisco in 1926. The papers include biographical information, correspondence, subject files, writings, diaries, journals, artwork, scrapbooks, sound recordings, and photographs.
Scope and Content Note:
The collection measures 13.3 linear feet, dates from the 1880s-1997, and documents the life and varied career of Rudolph Schaeffer, artist, designer, teacher, writer, collector of Asian art, and pioneer in the field of color study who founded the Rudolph Schaeffer School of Design in San Francisco in 1926. The papers include biographical information, correspondence, subject files, writings, diaries, journals, artwork, scrapbooks, sound recordings, and photographs.

Correspondence documents Schaeffer's personal and professional activities as well as the Rudolph Schaeffer School of Design. Subject files contain various combinations of correspondence, photographs, printed material, and drawings reflecting Schaeffer's activities, projects, and interests. Within the subject files is correspondence with artists, including Mark Tobey. Extensive writings include manuscripts for published and unpublished articles and drafts, notes, and manuscripts of several unpublished books including Collected Lectures of Rudolph Schaeffer on Color and Design, Color and Design, Prismatic Color Theory, and Rhythmo-Chromatics, all undated. Diaries include a volume recording Schaeffer's 1936 trip to Japan. 42 volumes of journals, compiled between 1954 and 1987, contain entries on a wide range of subjects including lists of errands, invitation lists, class notes, drafts of letters, notes including staff assignments and staff meetings, autobiographical notes and reminiscences, and musings on religion and philosophy.

The Artwork series houses artwork by Schaeffer and his students. Found are hand-made Christmas cards, designs, sketches, and sketchbooks. Seven scrapbooks document Rudolph Schaeffer's career, his school and former students, and the San Francisco art scene. They contain printed material, photographs, letters, and a small amount of artwork. Volume 3 is devoted to East West Gallery, and volume 7 documents Rudolph Schaeffer's 90th Birthday and the 50th Anniversary of the Rudolph Schaeffer School of Design.

Most untranscribed sound recordings (audio cassettes and reels) are of lectures by Schaeffer and others delivered at the Rudolph Schaeffer School of Design.

Miscellaneous records includes a series of hand-baticked fabric samples from the Wiener Werkstatte, as well as transcripts of an oral history with Schaeffer and other interviews.

Printed material concerns the career of Rudolph Schaeffer, his school and former students, the San Francisco art scene, and general art topics. Included are articles and a book by Schaeffer, catalogs and other items produced by the Rudolph Schaeffer School of Design, and miscellaneous items about or mentioning Schaeffer and his school. Items of note are announcements of courses taught by Schaeffer in Piedmont and San Francisco prior to the opening of his school, and theatre programs from productions with sets and some costumes designed by Schaeffer in the early 1920s.

Photographs are of artwork, people, places, events, stage designs, and miscellaneous subjects. Artwork includes some designs by Rudolph Schaeffer; people include Schaeffer, his family, friends, and students. Of particular note are a photograph of Frank Lloyd Wright's visit to the Rudolph Schaeffer School of Design, and one of Rudolph Schaeffer and Imogen Cunningham. Places include interior and exterior views of the Rudolph Schaeffer School of Design at its St. Anne Street and Mariposa Street locations. Also included are photographs by Ansel Adams of the home of Ed and Caroline Fey.
Arrangement:
The collection is arranged as 10 series:

Missing Title

Series 1: Biographical Information, 1900-1988 (Box 1; 0.1 linear ft.)

Series 2: Correspondence, 1906-1989 (Box 1, 19; 0.5 linear ft.)

Series 3: Subject Files, 1907-1988 (Boxes 1-2, OV 16; 1.3 linear ft.)

Series 4: Writings, circa 1910-1987 (Boxes 2-6, 15, 19, 21; 4.2 linear ft.)

Series 5: Artwork, 1911-1957 (Boxes 6-15, 19, 21 OV 17; 0.6 linear ft.)

Series 6: Scrapbooks, 1933-1976 (Boxes 6, 14, 19; 0.6 linear ft.)

Series 7: Sound Recordings, 1949-1986 (Boxes 11-13; 1.2 linear ft.)

Series 8: Miscellaneous Records, 1905-1986 (Box 7, 19, 22; 0.8 linear ft.)

Series 9: Printed Material, 1906-1994 (Boxes 7-8, 15, 19, 22; 1.2 linear ft.)

Series 10: Photographs, 1880s-circa 1988 (Boxes 8-10,15, 20, 22, OV 18; 1.8 linear ft.)
Biographical Note:
Rudolph Schaeffer (1886-1988), a proponent of the Arts and Crafts movement, aspired to unite technology, science, and lifestyle in order to live in harmony with nature. An individual with many talents and interests, he was best known for his work in the field of color study and as a teacher and the founder of the Rudolph Schaeffer School of Design in San Francisco.

Born on a farm in Clare, Michigan in 1886, Rudolph Schaeffer displayed musical and artistic talent from a young age. Although he initially wanted to become a professional musician, he began focusing more on art when his musical abilities were compromised by an improperly set broken wrist. Schaeffer received his first formal art training as a high school student and then attended the Thomas Normal Training School in Detroit, where he studied music, art, and design. He continued studying independently, developing interests in calligraphy and metal craft.

In 1907, Schaeffer taught manual training courses in the Columbus, Ohio, public schools. The following summer he traveled to Paris and London. While in London he saw an exhibition of Josef Hoffman's modern interiors that had a great impact on his own design ideas. He then returned to Michigan and taught in schools close to home. In 1909, Schaeffer attended a design course in Minneapolis taught by A. E. Batchelder, director of Throop Polytechnic Institute in Pasadena. Both Batchelder and his course were strong influences on Schaeffer, as was Ralph Johnot, a proponent of Arthur Wesley Dow's design principles. In 1910 Schaeffer joined the faculty of Throop Polytechnic Institute, where he remained for five years.

The U. S. Commission on Education selected Schaeffer to be part of a delegation of twenty-five American teachers sent to Munich for several months in 1914 to investigate the exemplary industrial design curriculum offered in their secondary schools. Schaeffer subsequently expected to begin teaching at the Manual Arts High School in Los Angeles at the start of the 1914 school year, but World War I erupted while he was in Germany and his return to the United States was delayed so long that another teacher had to be hired to fill his place.

In 1915 Schaeffer was a manual training instructor at the California College of Arts and Crafts (formerly the Hopkins School), and taught design and metal crafts at the University of California Berkeley. For a number of years afterwards, he did free lance design work, taught private classes, and ran a small summer school in his Piedmont studio. Schaeffer was a visiting professor at Stanford University in 1918 when he was drafted and sent to drafting and surveying courses by the Army. Between 1917 and 1924 Schaeffer was on the faculty of the California College of Arts and Crafts where he taught design, color, handicrafts, and interior design. During this period he developed a new approach to teaching color and design based on the prismatic color wheel.

During the early 1920s Schaeffer worked as a set designer and as Art Director of Greek Theatre at the University of California at Berkeley, Schaeffer began applying prismatic color theory to set and costume design. He also designed sets for productions in Detroit. In 1925, Schaeffer saw the Paris Exposition and researched interior and stage design while in France.

The Rudolph Schaeffer School of Design which, in its early days was called the Rudolph Schaeffer School of Rhythmo-Chromatic Design, opened on St. Anne Street in San Francisco's Chinatown in 1926. In 1951 the school then moved to Union Street on Telegraph Hill where it remained for nearly a decade. In 1960, the school purchased a former boys' school on Mariposa Street, Portero Hill. Rudolph Schaeffer lived in a small cottage built for him at the rear of the property where he designed and tended a remarkable "Peace Garden."

The Rudolph Schaeffer School of Design was best known for its courses in color and interior design. Schaeffer was the first person in the United States to teach prismatic color theory, is credited with being the first to use the term "interior design" rather than "interior decoration" and the first to incorporate the use of models into interior design coursework. In 1959 the school's courses were expanded from 2 to 3-year programs and a diploma was awarded. Former students include many successful interior designers, textile designers, furniture designers, industrial designers, commercial artists, color consultants, teachers, and master flower arrangers.

In addition to the interior design and color diploma courses, the school offered a summer session, classes for children, a brief lecture series for the general public, and a wide variety of classes including advertising art, architecture and design, art history, art in public schools, calligraphy, color design, color for television, color for weavers, color theory, design, drawing, environmental aesthetics, fashion design, fashion illustration, flower arrangement, industrial design, interior design, Notan, sculpture, space planning, textile design, and weaving. Always struggling financially and sometimes lacking adequate enrollment, the school nevertheless managed to stay open for nearly 60 years. In 1984, the Board of Directors voted to remove Schaeffer from the board and close the school. Two years earlier the board had forced Schaeffer to retire, appointed him Director Emeritus, and brought in a new director charged with making the institution financially solvent, reorganizing the curriculum, and working toward accreditation. Unable to separate himself from the school (though he had done so legally when it was incorporated in 1953), Schaeffer balked and refused to cooperate with plans for revitalizing the institution.

One of the aims of the Rudolph Schaeffer School of Design was to interpret Asian esthetic principles. To this end the East West Gallery was established at the school in 1950. A membership organization, it offered exhibitions, lectures, concerts, and other programs that encouraged cultural integration. Exhibitions alternated between East (Asian art and artifacts from Rudolph Schaeffer's collection or other sources) and West (student work or work of local artists illustrating the influence of the Asian esthetic on contemporary art and design). East West Gallery was a membership organization, the first space of its kind in San Francisco for Asian art and operated in each of the school's locations.

In addition to running the school Schaeffer was involved in many other activities. He wrote several articles about flower arrangement, color, and color theory that were published in popular magazines. In 1935, he published Flower Arrangement Folio I (said to be the first on the subject published in this country) and in 1942 edited and wrote the introduction to Sunset's Flower Arrangement Book by Nell True Welch. Over a period of many years, he worked on several monographs on color, design, and "rhythmo-chromatics." None were ever published.

A sought-after speaker on the subjects of color, interior design, flower arrangement, and myriad other art topics, Schaeffer frequently served as a juror for art exhibitions and flower shows. From the 1930s on, the San Francisco department store Emporium used his services as a color consultant, as did Dutch Boy paints, and numerous textile and clothing manufacturers. Builders also asked Schaeffer to select interior and exterior colors for suburban housing developments.

Schaeffer worked on planning and designing the decorative arts exhibition at the 1939-40 Golden Gate International Exposition. In 1943-44, he participated in the Red Cross's Arts and Skills program, using color therapy with shell-shocked soldiers in a psychiatric unit.

The Rudolph Schaeffer Collection of Asian Art began as a collection of ceramics, both historical and contemporary examples chosen for their form and color, which he used for flower arrangements and in set-ups for still life classes. It soon expanded to include color prints, paintings, screens, and other works of art and portions were exhibited frequently in the East West Gallery. Selections from this collection were exhibited in Kansas City in 1960 and at the Asian Art Museum of San Francisco in 1976.

The City of San Francisco declared June 26, 1986, Schaeffer's 100th birthday, "Rudolph Schaeffer Day" and it was observed with great fanfare. He died at home on March 5, 1988, a few months before his 102nd birthday.
Provenance:
The Rudolph Schaeffer papers were donated in 1991 by Rudolph Schaeffer and the Rudolph Schaeffer School of Design administrator Peter Docili, and in 1999 and 2000 by James Alexander, a friend of both Schaeffer and Docili, who had been storing portions of Docili's estate after his death in 1998, with the assistance of Frances Valesco, a fiber artist and researcher. An addition was received in 2007 by William Woodworth, a close friend and caretaker of Schaeffer's and in 2017 and 2018 by Frances Valesco.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- California -- San Francisco  Search this
Topic:
Artists -- California -- San Francisco  Search this
Designers -- California -- San Francisco  Search this
Art -- Collectors and collecting -- California -- San Francisco  Search this
Art, Asian  Search this
Art -- Study and teaching  Search this
Artists -- California -- San Francisco  Search this
Authors -- California -- San Francisco  Search this
Color -- Study and teaching  Search this
Genre/Form:
Photographs
Scrapbooks
Diaries
Christmas cards
Designs
Interviews
Sketchbooks
Sketches
Sound recordings
Transcripts
Citation:
Rudolph Schaeffer papers, 1880s-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.scharudo
See more items in:
Rudolph Schaeffer papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e577bb5b-7a69-4e35-a266-06d309085a6a
EDAN-URL:
ead_collection:sova-aaa-scharudo

Donald Deskey collection

Creator:
Deskey, Donald, 1894-  Search this
Names:
Brunswick-Balke-Collender Company  Search this
Centre de recherche en économie et statistique (Paris, France)  Search this
Charak Furniture Company  Search this
Cooper-Hewitt Design Archive  Search this
Deskey Associates, Inc.  Search this
Deskey-Vollmer, Inc.  Search this
Donald Deskey Associates, Inc.  Search this
Johnson & Johnson, Inc.  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Procter & Gamble Company  Search this
Radio City Music Hall (New York, N.Y.)  Search this
Widdicomb Furniture Company  Search this
Deskey, Donald, 1894-  Search this
Extent:
75 Cubic feet
Type:
Collection descriptions
Archival materials
Proposals
Labels
Clippings
Renderings
Slides
Stationery
Letters patent
Financial records
Photographs
Drawings
Client lists
Correspondence
Organizational charts
Reviews
Patents
Lantern slides
Technical reports
Date:
1927-1989
Summary:
Project files containmagazine and newspaper clippings, reviews, correspondence, renderings, floor plans, perspective drawings, site plans, sketches, preliminary drawings, patents, stationery, labels, and technical reports. There is an extensive collection of photographs and slides of many of Deskey's packaging designs, interiors, furnishings, and exhibition installations. The files of Donald Deskey Associates include organizational charts, client files, proposals, and financial records. Some of Deskey's personal correspondence, speeches, articles, and family photographs are included. Materials cover the period from 1927-1975.
Arrangement note:
Arranged into six records groups: 1) architecture/interiors projects; 2)Donald Deskey Associates; 3) industrial design projects; 4) reference; 5) Donald Deskey's personal papers; and 6) photographs. A special collection of more than one thousand slides of Deskey's work are boxed separately.
Biographical/Historical note:
Industrial, interior, and packaging designer. Born Blue Earth, Minnesota, November 23, 1894. By 1943, he had established Donald Deskey Associates in New York. Along with Dreyfuss, Bel Geddes, and Loewy, Deskey was one of the great industrial design pioneers in the 1930s.

He is best known for his designs for the furnishings and interiors of Radio City Music Hall in 1932, and for his work for companies such as: Widdicomb Furniture Company, Grand Rapids, Michigan; W & J Sloane, New York; and Estey Manufacturing Company, Owosso, Michigan. Deskey is also known for his familiar packaging designs for Procter & Gamble products, such as Crest toothpaste, Prell shampoo, and Tide detergent.

Donald Deskey Associates also was responsible for lamppost #10, the streetlight still in use today in New York City. Materials from this archival collection were featured in Cooper-Hewitt's 1994 exhibition and accompanying book, "Packaging the New: Design and the American Consumer, 1925- 1975."
Location of Other Archival Materials Note:
Cooper-Hewitt, National Design Museum, Drawings and Prints Department. Approximately 3,000 drawings for furniture and textile designs.
Cooper-Hewitt, National Design Museum, Applied Arts Department. Two tables, handles, and a glass bottle and box designed by Deskey.
Cooper-Hewitt, National Design Museum, Textiles Department. One textile designed by Deskey.
Other sources of archival information on Deskey include, the Procter & Gamble Archive, Cincinnati, Ohio, and Deskey Associates, New York City.
Provenance:
The Deskey collection was donated to the museum in three installments.

In 1975, Deskey deposited at Cooper-Hewitt, National Design Museum,, hundreds of drawings, 3 four-drawer file cabinets of material, and several oversized packages comprising the bulk of his papers covering the period from 1927-1965. These items were officially donated to the museum in 1988.

In 1992, Deskey Associates of New York made an additional gift consisting of, approximately 1,000 35mm slides that documented projects from the 1960s through 1980s, and focused primarily on designs for packaging.

In 1994, Donald Deskey's nephew, Robert Deskey presented the Museum with, 120 postcards, letters, and family photographs.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph materials.
Occupation:
Packaging designers -- United States  Search this
Interior designers -- United States  Search this
Industrial designers -- United States  Search this
Topic:
Packaging -- Design  Search this
Street lighting -- New York (State) -- New York  Search this
Buildings, Prefabricated -- United States  Search this
Plastics -- Design  Search this
Interior decoration -- United States -- 20th century  Search this
Design, Industrial -- United States  Search this
Furniture design -- United States  Search this
Art deco -- United States  Search this
Genre/Form:
Proposals
Labels
Clippings
Renderings
Slides
Stationery
Letters patent
Financial records
Photographs
Drawings
Client lists
Correspondence
Organizational charts
Reviews
Patents
Lantern slides
Technical reports
Identifier:
SIL-CH.1975-11-77
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc2dc69717a-7af5-4385-91a8-73b28e077a18
EDAN-URL:
ead_collection:sova-sil-ch-1975-11-77

Don Wallance collection

Creator:
Wallance, Don, 1909-1990  Search this
Names:
Cooper-Hewitt Design Archive  Search this
Design Laboratory School (New York, N.Y.)  Search this
H.E. Lauffer Co.  Search this
Hard Manuacturing Company  Search this
Lincoln Center Theater (New York, N.Y.)  Search this
National Youth Administration  Search this
Towle Mfg. Company  Search this
United States. Army -- Barracks and quarters  Search this
Wallance, Don, 1909-1990  Search this
Extent:
6 Cubic feet
Type:
Collection descriptions
Archival materials
Correspondence
Clippings
Invoices
Patents
Photographs
Blueprints
Speeches
Press releases
Drawings
Articles
Sketches
Date:
1936-1990
Summary:
This collection documents Wallance's career from his enrollment in the Design Laboratory School in 1936 to his death in 1990.Included are his designs for tableware, furniture, and household accessories, as well as material on his research and writings. This collection consists of sketches, drawings, photographs, correspondence, and reference materials, in addition to publicity and promotional materials. Extensive documentation exists on Wallance's pioneering designs for stainless steel flatware for H. E. Lauffer Company and his experimental furniture for the U.S. Army, Philharmonic Hall at Lincoln Center, and the Hard Manufacturing Company. Thorough documentation of his research for his landmark book, "Shaping America's Products," is included. The collection also contains a substantial amount of information on the Design Laboratory School, the first industrial design school in the United States to be patterned after the Bauhaus.
Arrangement note:
This collection is arranged into eight record groups: 1) Industrial Design Projects; 2) "Shaping America's Products"; 3) Other Activities; 4) General Correspondence; 5) Business Records; 6) Biographical Material; 7) Reference Material; and 8) Photographs and Slides. Within each record group, materials are arranged by client, or in lieu of a client, by project name.

Letter size, legal size, and oversized materials, photographs, slides, film, and video are all boxed separately. Where possible, subjects have been cross referenced between the various sizes and types of material.
Biographical/Historical note:
Metalworker, furniture and industrial designer. Born New York City, September 26, 1909. Wallance graduated New York University in 1930 with a B.A. in English Literature. He traveled to northern Europe where he was exposed to the International Style in architecture and design. Upon returning to the United States, he went to work in his father's furniture store and saw the need for more inventive designs in retail furnishings. He attended Design Laboratory School in New York City from its inception in 1936 until it closed its doors in 1940.

From 1941-2, Wallance served as the state of Louisiana's technical and design director for the National Youth Administration, established in 1940 by President Roosevelt to help build a young, technically capable work force. During World War II, Wallance designed mass-produced furniture for servicemen's families living abroad for the Office of the Quartermaster General, Washington. He began designing tableware, cutlery, and accessories for H.E. Lauffer in 1951.

Among his most recognizable designs for Lauffer were Design One, a highly sculptural, brushed stainless steel flatware created in 1953, and Design Ten, a colored plastic flatware created in 1978-79. Both designs are now produced by Towle Manufacturing Company. ln addition, Wallance designed auditorium seating in steel and upholstered polyurethane foam for Philharmonic Hall at Lincoln Center in 1964 and hospital furniture in steel and plastics for Hard Manufacturing Company in 1965. Wallance is best known for his book, "Shaping America's Products", 1956, which remains a seminal study of the relationship of craftsmanship to industry.
Location of Other Archival Materials Note:
Cooper-Hewitt, National Design Museum, Applied Arts Department. Approximately 100 items, consisting of models, prototypes, and production pieces of flatware, cutlery, and other items.
Provenance:
These materials were donated to Cooper-Hewitt, National Design Museum, in 1991 by David M. and Gregory J. Wallance, sons of the designer.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph materials.
Occupation:
Industrial designers -- United States  Search this
Furniture designers -- United States  Search this
Topic:
Design, Industrial -- United States  Search this
Shaping America's Products  Search this
Furniture design -- United States -- History -- 20th century  Search this
Cookware  Search this
Flatware -- United States  Search this
Stainless steel tableware  Search this
Genre/Form:
Correspondence
Clippings
Invoices
Patents
Photographs
Blueprints
Speeches
Press releases
Drawings
Articles
Sketches
Identifier:
SIL-CH.1991-81-1
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc2c748cfca-efd6-4a03-85bc-1086ca3fd24d
EDAN-URL:
ead_collection:sova-sil-ch-1991-81-1

Henry Dreyfuss collection

Topic:
McCall's magazine
Creator:
Dreyfuss, Henry, 1904-1972  Search this
Names:
Bell Telephone Laboratories  Search this
Cooper-Hewitt Design Archive  Search this
Deere & Company  Search this
General Electric Company  Search this
Henry Dreyfuss Associates  Search this
Honeywell, Inc.  Search this
Hoover Company  Search this
Industrial Designers Society of America  Search this
Lockheed Aircraft Corporation  Search this
New York Central Railroad Company  Search this
Polaroid Corporation  Search this
Royal Typewriter Company  Search this
Singer Manufacturing Company  Search this
Westclox  Search this
Dreyfuss, Henry, 1904-1972  Search this
Extent:
130 Cubic feet
Type:
Collection descriptions
Archival materials
Biographies
Slides
Drawings
Photographs
Reports
Clippings
Client lists
Correspondence
Book drafts
Mechanicals
Renderings
Journal
Speeches
Date:
1927-1972
Summary:
This material does not cover all clients and projects undertaken by Dreyfuss. This collection consists of theater design materials, industrial design materials, primarily, though not exclusively, from the 1950s and 60s, draft copies of his books, including extensive research files for the "Symbol Sourcebook," texts of lectures delivered by Dreyfuss, and biographical material. Included is Dreyfuss's Brown Book which provides an outline of his achievements. Photographs and slides of many of his designs are included. Materials relating to three publications include original drafts of the books with author notes, drawings, photographs, correspondence, and research materials. Also contains materials relating to the symbols exhibition held at the Hallmark Gallery in New York City in 1972.This collection was the source of many of the objects and issues addressed in Cooper-Hewitt's 1997 exhibition, "Henry Dreyfuss: Directing Design", and companion book, "Henry Dreyfuss, Industrial Designer: The Man in the Brown Suit", both conceived by Russell Flinchum. 311 reels of microfilm documenting most of the projects undertaken by Dreyfuss Associates were created by the firm and added to the collection later.
Arrangement note:
Materials are arranged into four record groups: 1) Biographical information; 2) Theater design; 3) Industrial design; and 4) Publications.

The biographical material is arranged into four sub groups:1) Lectures and Articles by Dreyfuss; 2) Articles about Dreyfuss; 3) Dreyfuss firm promotional mailings; and 4) Other material (photos, awards, etc.).Each sub-group is filed chronologically.

The Industrial Design records are divided into two sub groups:Early Industrial Design, 1929-1935, and Industrial Design, 1936-1969, and arearranged alphabetically by client name.

The publication materials arearranged alphabetically by title of publication.
Biographical/Historical note:
Industrial and stage designer. Born New York, March 2, 1904. Attended Society for Ethical Culture High School in New York. Apprenticed to designer Norman Bel Geddes, 1922-1924. Established his own industrial design firm in 1929. His clients included Bell Telephone Laboratories, Deere & Company, Honeywell, Inc., Polaroid Corporation, General Electric, the 1939-40 and 1964-65 New York World's Fairs, New York Central Railroad, Hoover Company, Singer Sewing Machine Company, Royal Typewriter Co., Lockheed Aircraft, McCall's magazine, and others.

Dreyfuss was a founding member of the Society of Industrial Designers, and the first president of the Industrial Designers Society of America. He is best known for his designs for the Bell 500 and Trimline telephones, the Westclox Big Ben alarm clock, Deere & Company tractors, Polaroid's Automatic 100, Swinger, and SX-70 Land Cameras, and New York Central Railroad's 1938 Twentieth Century Limited. In the 1950s, Dreyfuss was one of the pioneers in the application of anthropometrics (the study of human dimensions and capabilities) in his designs. In 1969, Dreyfuss retired from his firm, but remained active as a corporate consultant. He was the author of several important books including: "Designing for People", 1955; "Measure of Man", 1959; and "Symbol Sourcebook", 1972.
Location of Other Archival Materials Note:
Cooper-Hewitt, National Design Museum, Applied Arts Department. Models and realized objects including control knobs for GM and Deere vehicles, plastic plates and various ceramic pieces with international symbols, Trimline telephones, an RCA Victor radio, a Westclox "Big Ben" alarm clock, and a Presco "AirClip" hair clipper.
Cooper-Hewitt, National Design Museum, Drawings and Prints Department. Hundreds of drawings of designs for tractors, train, plane, and ship interiors, television and radio cabinets, product labels, logos, packaging, office buildings, and costumes.
Other archival repositories containing Dreyfuss materials include: AT&T Archives, Warren, New Jersey; Deere & Co. Archives, Moline, Iowa; Honeywell Archives, Minneapolis, MN; Hoover Company, Canton, Ohio; Polaroid Archives, Cambridge, MA; Billy Rose Theater Collection, New York Public Library; Ethical Culture/Fieldson School Archives, New York; New York Central System Historical Society, Inc.
United Scenic Artists Local 829 Archives, New York; New York World's Fair 1939-40 Archives, Manuscript Division, New York Public Library; and San Diego Aerospace Museum Archives.
Provenance:
Henry Dreyfuss and Doris Marks donated his papers to Cooper-Hewitt, National Design Museum, in the fall of 1972.

Additional materials were transferred to the museum in 1973 from the University of California at Los Angeles, which held a small collection of material deeded by Henry Dreyfuss in 1962.

311 reels of microfilm were donated to the museum in 1992.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph material.
Occupation:
Theater designers -- United States  Search this
Industrial designers -- United States  Search this
Topic:
Measure of Man  Search this
Symbol Sourcebook  Search this
Trimline telephone  Search this
Designing for People  Search this
anthropometry  Search this
Design, Industrial -- United States  Search this
Thermostats  Search this
Tractors -- United States -- History  Search this
20th Century Limited (Express train)  Search this
Human engineering  Search this
telephone  Search this
Signs ad symbols  Search this
Set design -- United States  Search this
Genre/Form:
Biographies
Slides
Drawings
Photographs
Reports
Clippings
Client lists
Correspondence
Book drafts
Mechanicals
Renderings
Journal
Speeches
Identifier:
SIL-CH.1972-88-332-4
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc203430ed5-d8e7-42b8-b16b-839393b39d1d
EDAN-URL:
ead_collection:sova-sil-ch-1972-88-332-4

Raymond Loewy papers

Creator:
Loewy, Raymond, 1893-1986  Search this
Names:
American Society of Industrial Designers  Search this
Coca-Cola Company  Search this
Cooper-Hewitt Design Archive  Search this
Exxon Corporation  Search this
Gestetner Duplicating Machine Company  Search this
Hallicrafter  Search this
Hupp Motor Company  Search this
International Business Machines Corporation  Search this
Raymond Loewy Associates  Search this
Raymond Loewy/William Snaith, Inc.  Search this
Sears, Roebuck and Co.  Search this
Shell Oil Company  Search this
Studebaker Corporation  Search this
United Air Lines, Inc.  Search this
United States. National Aeronautics and Space Administration  Search this
Loewy, Raymond, 1893-1986  Search this
Snaith, William, 1908-1974  Search this
Extent:
3 Boxes (2 letter sized boxes, 1 legal sized box.)
Type:
Collection descriptions
Archival materials
Clippings
Press releases
Speeches
Photographs
Date:
[mid-1940s-early 1960s]
Summary:
This collection spans the period from the mid-1940s to the early-1960s and consists ofnewspaper and magazine articles by and about Loewy, including the 1949 TIME magazine on which he appeared on the cover. Extensive clippings exist pertaining to his designs for automobiles. Also includes many articles and speeches written by and about William Snaith, a partner in the firm which was renamed Raymond Loewy/William Snaith, Inc. in 1961. A catalog from the exhibition, "Ten Automobiles," which took place at the Museum of Modern Art in New York City in 1953, is included. Other materials include brochures printed and designed by the firm, press releases, a listing of projects, honors, and membership. Some photographs of Loewy and his design team are included. The collection does not contain any original design materials or project files.
Arrangement note:
Unprocessed.
Biographical/Historical note:
Industrial Designer. Born Paris, France, November 8, 1893, Loewy initially studied electrical engineering, and by 1909, he has designed and sold a successful airplane model. He immigrated to the United States in 1919 and became a naturalized citizen in 1938. Loewy began working as a freelance window display designer for Macy's and Saks Fifth Avenue, and as an illustrator for Vogue, Harper's Bazaar, and others, from 1919.

He designed the trademark for Neiman-Marcus in 1923. Loewy is identified as one of the founding fathers of industrial design. In 1929, he started Raymond Loewy Associates in New York, and by 1947, he appeared on the cover of TIME magazine. Loewy's designs always stressed the importance of the clean, functional, dynamic design of products. His schooling in electrical engineering translated into his designs for automobiles, trains, airplanes, ships, and spacecraft for NASA. He also designed interiors for many hotels, offices, and supermarkets. He is best known for his designs for the 1947 Studebaker Starlight Coupe; the 1953 Starliner Coupe; the 1961 Avanti; the 1947 line of Hallicrafter radio recievers; the 1929 Gestetner duplicating machine; the 1934 Sears Coldspot refrigerator; and the S-I steam locomotive for the Pennsylvania Railroad.

He also designed logos for Exxon and Shell oil companies, and bottles and refrigerated vending machines for Coca Cola. He became President of the American Society of Industrial Designers in 1946. Loewy established Compagnie de l'Esthetique Industrielle in Paris in 1952. His work has been featured in many exhibitions, including: "An Exhibition for Modern Living", Detroit Institute of Arts, 1949; "The Designs of Raymond Loewy", Renwick Gallery of the National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., 1975; and "The Machine Age in America", Brooklyn Museum, 1986, among others. He authored, "The Locomotive: Its Esthetics", 1937; "Never Leave Well Enough Alone", 1951; and "Industrial Design", 1979. In 1961, Loewy went into semi-retirement, became partners with William Snaith, and renamed the company Raymond Loewy/William Snaith, Inc. Loewy died in Monte Carlo, July 14, 1986.
Location of Other Archival Materials Note:
Library of Congress, Washington, D.C. The Raymond Loewy Collection. Drawings, blueprints, sketches, phtographs, slides, and audio and video recordings, covering the period from 1929-1988.
Canadian Center for Architecture, Special Collections. Vertical file docmenting Loewy's work.
Provenance:
The materials in this collection were donated to Cooper-Hewitt by Betty Reese, Loewy's publicist.
Restrictions:
Unprocessed; access is limited. Permission of Library Director required for use.
Occupation:
Industrial designers  Search this
Interior designers  Search this
Packaging designers  Search this
Topic:
Radio -- Receivers and reception -- Design and construction  Search this
Packaging -- Design  Search this
Corporate image -- Design  Search this
Logos (Symbols) -- Design  Search this
Interior decoration -- United States  Search this
Automobiles -- Design and construction  Search this
Design, Industrial -- United States  Search this
Supermarkets -- Design  Search this
Coldspot refrigerator  Search this
Transportation -- Design  Search this
Genre/Form:
Clippings
Press releases
Speeches
Photographs
Identifier:
SIL-CH.XXXX-0001
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc2e29ec5f7-bae5-442b-bab5-6535771b849c
EDAN-URL:
ead_collection:sova-sil-ch-xxxx-0001

Ladislav Sutnar collection

Creator:
Sutnar, Ladislav  Search this
Names:
Addo-X Business Machines  Search this
Bauhaus -- Influence  Search this
Carr's Department Stores  Search this
Cooper-Hewitt Design Archive  Search this
J.C. Penny Co.  Search this
McGraw-Hill Book Company, Inc.  Search this
Printex Corporation  Search this
RCA Corporation  Search this
Sweet's Catalog Service  Search this
Vera (Company)  Search this
Sutnar, Ladislav  Search this
Extent:
85 Cubic feet
Type:
Collection descriptions
Archival materials
Advertisements
Layouts
Brochures
Correspondence
Sketches
Sales catalogs
Photographs
Date:
1927-1976
Summary:
Material relates to Sutnar's career including exhibitions, designs for corporate clients, designs for books on packaging design and catalog information. Little office correspondence and personal information is provided.The major part of the collection consists of Sutnar's designs, including logos, letterheads, catalogs, and advertising campaigns for a large number of clients, notably Addo-X, Carr's Department Stores, JC Penney, RCA, and Vera, as well as product and catalog design for Sweet's Catalog Service. Also included are drafts of books, sketches, over 5,000 photographs, photoprints, and photonegatives. Other materials include clippings, page layouts, brochures and booklets about package design and magazine layouts.
Arrangement note:
Arranged by client account and by material size. A picture reference file is boxed separately.
Biographical/Historical note:
Graphic, display, and industrial designer. Born Pilsen, Austro- Hungary (now Plzen, Czech Republic), 9 November 1897. Sutnar immigrated to the United States in 1939. He was inspired by the Bauhaus and was an advocate for a constructivist and functional approach in graphic design stressing simplicity, order, and precision. He was the art editor of the Prague publishing house, "Druzstevni Prace." Sitmar was head designer for the Czech pavilion at 1939 New York World's Fair.

He served as art director for Sweet's Catalog Service from 1941 to 1960. Due to his belief that designers need to be capable of working in many fields of design, Sutnar established his own "full-service" firm in New York City in 1951. He developed a new typography called "information graphics". He was author of "Design for Point of Sale", 1952, "Package Design: The Force of Selling", 1953, and "Visual Design in Action", 1961. Sutnar also created corporate image products for McGraw-Hill and Printex. Died 1976.
Location of Other Archival Materials Note:
Cooper-Hewitt National Design Museum, Drawings and Prints Department.Seven posters, one magazine cover, two designs for glassware, and some duplicates of the archival material.
Cooper-Hewitt, National Design Museum, Applied Arts Department. One ceramic coffee service, one glass tea service.
Archives of American Art, Washington, D.C.Business and personal correspondence, biographical data, sketches, photographs, clippings, and other print miscellany, circa 1927-1976.
Rochester Institute of Technology, Rochester, N.Y.Approximately 215 items dating from 1940 to 1970 include printed samples of Sutnar's designs for periodical covers, advertisements, catalogs, books, displays, and posters.
Getty Research Institute for the History of Art and the Humanities, Special Collections, Los Angeles, C.A.Papers relating to Sutnar's designs and exhibitions, 1928-1969.
Provenance:
The Sutnar Papers were donated to Cooper-Hewitt, National Design Museum, in 1977 by Radoslav L. Sutnar and Citislav Sutnar.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph material.
Topic:
Corporate image -- Design  Search this
Letterheads -- Design  Search this
Graphic arts -- United States  Search this
Design, Industrial -- United States  Search this
Logos (Symbols) -- Design  Search this
Glassware -- Czech Republic -- Bohemia  Search this
Porcelain -- Czech Republic  Search this
Packaging -- Design  Search this
Graphic arts -- Czech Republic  Search this
Genre/Form:
Advertisements
Layouts
Brochures
Correspondence
Sketches
Sales catalogs
Photographs
Identifier:
SIL-CH.2001-26-1
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc24bdec8cb-8083-4b6f-9928-6bf3813f1e2a
EDAN-URL:
ead_collection:sova-sil-ch-2001-26-1

Nathan Horwitt collection

Creator:
Horwitt, (George) Nathan, 1889-1990.  Search this
Names:
Braquette, Inc.  Search this
Cooper-Hewitt Design Archive  Search this
Design Engineers, Inc.  Search this
Howard Miller Clock Company  Search this
Movado Watch Corporation  Search this
Horwitt, (George) Nathan, 1889-1990.  Search this
Extent:
4 Cubic feet
Type:
Collection descriptions
Archival materials
Blueprints
Clippings
Financial records
Speeches
Drawings
Articles
Photographs
Audiocassettes
Advertisements
Patents
Correspondence
Brochures
Videocassettes
Sketches
Negatives
Slides
Legal correspondence
Plans
Date:
[193-]-[196-]
Summary:
This collection documents Horwitt's major projects from the 1930s to the 1960s.Project files include drawings, sketches, blueprints, correspondence, patents, legal correspondence, clippings, financial reports, and advertisements for Horwitt's projects. Samples of logos and letterheads he designed are included as well. The most thorough documentation pertains to the Braquette, the Cyclometer, the Museum Watch, and the Beta Chair. Drawings, sketches, blueprints, and plans are boxed separately, mostly flat. Interviews with individuals who worked with and knew Horwitt are on audio cassettes, "Recollections of Nathan Horwitt." Two short videos, "The Legend behind the Museum Watch" and "Movado Worldwide Museum" are stored on 3/4 in. video cassettes.
Arrangement note:
Arranged in six record groups; 1) Project files; 2) Drawings, sketches, and blueprints; 3) Film and video; 4) Photographs and Transparencies; 5) Sound Recordings; and 6) Reference Material.
Biographical/Historical note:
Industrial designer. Born Romania, 1889. Horwitt studied at City University of New York, New York University, and the Art Students' League, New York. In the 1920s, Horwitt formed his own, short-lived company, Design Engineers, Inc. He served as an advertising copywriter for the pharmaceutical company, E.R. Squibb, after serving in World War II.

Horwitt is best known for his design of a numberless black-face watch that has become known as the "Museum Watch" and was produced by the Movado Watch Company. He also designed the 1930 Beta chair and the Braquette, a frameless picture frame. His innovative designs for timepieces incorporated the classic elements of modern design while retaining some of the traditional elements of telling time, such as the circular face.
Location of Other Archival Materials Note:
Cooper-Hewitt, National Design Museum, Applied Arts Department. Models and prototypes of approximately 25 objects, including models of the Museum Clock, the Cyclox clock, the Braquette, and the Beta Chair.
Cooper-Hewitt, National Design Museum, Drawings and Prints Department. Three drawings of Horwitt's designs for perfume bottles.
Movado Web Page. Information on Horwitt's work for the Movado Watch Company can be found on the company's web site, http://www.movado.ch/nhorwit.html.
Provenance:
Hank Horwitt, the designer's son, gave Cooper-Hewitt all his relevant design materials from his home studio in Stockbridge, Massachusetts, in 1991.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph materials.
Occupation:
Industrial designers -- United States  Search this
Topic:
Postage stamp design -- United States  Search this
Radio -- Receivers and reception  Search this
Museum Watch  Search this
Logos (Symbols) -- United States  Search this
Letterheads -- Design  Search this
Lamps -- Design  Search this
Clocks and watches -- Design  Search this
Chair design  Search this
Beta Chair  Search this
Museum Clock  Search this
Braquette  Search this
Design, Industrial -- United States  Search this
Genre/Form:
Blueprints
Clippings
Financial records
Speeches
Drawings
Articles
Photographs
Audiocassettes
Advertisements
Patents
Correspondence
Brochures
Videocassettes
Sketches
Negatives
Slides
Legal correspondence
Plans
Identifier:
SIL-CH.1991-127-1
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc2a10b3406-05a4-40be-ba41-00d32216dece
EDAN-URL:
ead_collection:sova-sil-ch-1991-127-1

Cocamalayo

Designer:
Jilly Simons, American  Search this
Medium:
Lithograph on paper
Type:
graphic design
Booklet
Object Name:
Booklet
Place:
USA
Date:
1994
Credit Line:
Gift of Jilly Simons
Accession Number:
1995-74-1
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© Jilly Simons, Concrete
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq470ac6eea-7406-4bba-94b6-fa3fd7f4e3fd
EDAN-URL:
edanmdm:chndm_1995-74-1
Online Media:

Alfons Bach Papers

Creator:
Bach, Alfons, 1904-1999  Search this
Names:
Bigelow-Sanford Carpet Company  Search this
Callaway Mills  Search this
Cooper-Hewitt Design Archive  Search this
General Electric Company  Search this
Heywood-Wakefield Company  Search this
Palm Trail Plaza  Search this
Philco Corporation  Search this
Ridgeway Center  Search this
Sach's New York  Search this
Seneca Textile Building  Search this
Extent:
6 Cubic feet (5 boxes)
Type:
Collection descriptions
Archival materials
Slides
Clippings
Aerial photographs
Sketches
Photographs
Plans
Proposals
Exhibition catalogs
Writings
Speeches
Awards
Scrapbooks
Certificates
Date:
1934 - 1992
Scope and Contents:
Biographical files cover the period from 1938-1989 and include resumes, clippings, correspondence, certificates, awards, speeches, brochures for exhibitions, and artwork. Project files cover the period from 1934-1961 and contain clippings, catalogs, brochures, and scrapbooks. This collection documents Bach's work as an industrial designer, architect, and painter from 1934-1992.

The files on the Ridgeway Center mall are particularly extensive. Photographs cover the period from 1937-1961 and document Bach's design projects, particularly the Ridgeway Center, his house in Stamford, and the Miami and New York offices of Callaway Mills. Portraits of Bach and his family are included as well. Glass lantern slides document of seven of Bach's interior and exterior design projects. Also included are several signed and numbered prints of Bach's watercolor scenes of the Riviera.
Arrangement:
Materials are arranged chronologically within four series.

Series 1: Biographical files, 1938-1989

Series 2: Project files, 1934-1961

Series 3: Photogaphs, 1937-1961

Series 4: Glass Slides
Biographical / Historical:
Industrial designer, architect, and painter. Born in Germany, 1904. Bach studied film directing and design in Europe. He turned to industrial design upon immigrating to the United States in 1926. His design work from 1932-53 include a Philco radio, furniture for Heywood-Wakefield, carpets for Bigelow-Sanford, and appliances for General Electric. Bach designed and built his own home in Stamford, Connecticut, in 1938.

In the late 1940s, he developed a plan for one of the first shopping malls in America, the Ridgeway Center of Stamford. He remodeled the interior and exterior of Sach's furniture store, 1948-49, and redesigned the Seneca Textile Building on 34th Street in Manhattan in 1952. Bach moved to Florida in 1959, where he designed the Palm Trail Plaza, a marina apartment complex in Delray Beach, completed in 1961. In addition, Bach was also a noted painter. His watercolors were featured in numerous exhibitions in the United States and Europe.
Related Archival Materials:
431 drawings of designs for furniture, textiles, lamps, pianos, clocks, appliances, and retail, office, and home interiors.,Cooper-Hewitt, National Design Museum, Drawings and Prints Department.
Provenance:
All materials were donated by Alfons Bach in 1993.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Industrial designers -- United States  Search this
Architects -- United States  Search this
Topic:
Design, Industrial -- United States  Search this
Display of merchandise  Search this
Furniture design -- United States  Search this
Radio -- Receivers and reception  Search this
Carpets -- United States  Search this
Interior decoration -- United States  Search this
Architecture -- Designs and plans  Search this
Shopping malls -- United States  Search this
Watercolor painting -- United States  Search this
Apartment houses  Search this
Genre/Form:
Slides
Clippings
Aerial Photographs
Sketches
Photographs -- 20th century
Plans
Proposals
Exhibition catalogs
Writings
Speeches
Awards
Scrapbooks
Certificates
Citation:
Alfons Bach Papers, 1934-1992, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1272
See more items in:
Alfons Bach Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep86cb7a712-7b15-4d1a-aa64-98e3e57e1c61
EDAN-URL:
ead_collection:sova-nmah-ac-1272

Saul Nesbitt Papers

Creator:
Nesbitt, Saul, 1920-1993  Search this
Names:
Archway Cookies, Inc.  Search this
Borden's Farm Products Co. of Illinois  Search this
Campbell Soup Company  Search this
Cooper-Hewitt Design Archive  Search this
Eastman Kodak Company  Search this
Florists' Telegraph Delivery Association  Search this
Franco American Food Co.  Search this
Lever Brothers and Unilever, ltd.  Search this
National Distillers and Chemical Corporation  Search this
Nesbitt Associates, Ltd.  Search this
P. Ballantine & Sons  Search this
Philip Morris Incorporated  Search this
Revlon, Inc.  Search this
Schick (Firm)  Search this
Scott Paper Company  Search this
Seagram Company  Search this
Collector:
Cooper-Hewitt Design Archive  Search this
Extent:
3.5 Cubic feet
Type:
Collection descriptions
Archival materials
Slides
Sketches
Transparencies
Press releases
Correspondence
Photographs
Media lists
Blueprints
Drawings
Clippings
Client lists
Date:
1951-1984
Scope and Contents:
Background and biographical information consists of Nesbitt's resume, an artist/designer statement, list of clients and accomplishments of Nesbitt Associates, Ltd., press releases, articles, and photographs of the designer.,The materials in this collection document Nesbitt's work from 1951 through 1984.
The records of the office of public relations cover the years 1955-1963 and include press releases and clippings describing some Nesbitt's products, his theories on consumer motivation, and the results of his surveys, as well as correspondence with members of the press. General office correspondence is boxed separately.
Color slides, color and black & white transparencies, and black & white photographs of most of Nesbitt's designs for packaging from 1951-1981 are included. Oversized materials include books jackets and booklets designed by Nesbitt, as well as some renderings for packaging designs done in color.
Three samples of fitted presentation boxes designed by Nesbitt are included, as well as a prototype for a design award for Parsons School of Design in New York, and two "Multiplication" cubes commissioned by the Museum of Modern Art in New York.
Arrangement:
This collection has been reboxed in archivally-sound containers, but the materials have only been partially processed and arranged. Record groups include: 1) Backgound and Biographical Information; 2) Records of the Public Relations Office, 1955-1963; 3) Correspondence; 4) Slides, Transparencies, and Photographs; 5) Oversized Materials; and 6) Samples.
Biographical / Historical:
Packaging, industrial, and graphic designer. Born in New York City, August 10, 1920. Nesbitt was a student of sculptor Chaim Gross and studied art at many New York institutions including: Art Students League; New York University; Columbia University; Pratt Institute of Art; and the New School.

He served in the U.S. Army from 1942 to 1945 where he worked as a cartographer and as the head of the visual aid section in a military intelligence training center. In 1945, he joined the staff of Harper's Bazaar magazine where he was an illustrator assisting art director Alexey Brodovich. In 1946, Nesbitt was hired by the industrial design studio of Raymond Loewy as a handletterer and packaging designer.

He worked with Lippincott Industrial Design from 1948 to 1951. Nesbitt opened his own design studio, Nesbitt Associates, Ltd. in 1951. The firm specialized in package design, trademarks, and corporate identities. Some of his most recognizable designs were for the label for Campbell's Soup and the Florists' Telegraph Delivery (F.T.D.) Winged Mercury 'Interflora' figure, still used today. Nesbitt's other clients included: Franco American; Revlon; Ballantine Beer; Borden; Champion spark plugs; Kodak; Philip Morris cigarettes; Schick razors; and Archway cookies. In addition, Nesbitt developed the "Karry Kit" for Ballantine Beer which came to be widely used and known as the six pack.

Nesbitt was known for his revealing studies and surveys of the buying needs and preferences of the "average American housewife" and consumers in general. His opinions on what he referred to as "underpackaging" were widely publicized in professional magazines and journals. In 1984, Nesbitt retired from the design field and went to California to resume his career as a sculptor until his death in 1993.
Provenance:
Collection donated by the designer's wife, Mrs. Saul Nesbitt, in 1994.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Industrial designers  Search this
Packaging designers  Search this
Graphic designers  Search this
Topic:
Consumers -- Research  Search this
Consumers' preferences -- United States  Search this
Housewives as consumers  Search this
Labels -- Design  Search this
Corporate image -- Design  Search this
Logos (Symbols) -- Design  Search this
Graphic arts -- United States  Search this
Design, Industrial -- United States  Search this
Packaging -- Design  Search this
Genre/Form:
Slides
Sketches
Transparencies
Press releases
Correspondence
Photographs -- 20th century
Media lists
Blueprints
Drawings
Clippings
Client lists
Citation:
Saul Nesbitt Papers, 1951-1984, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1275
See more items in:
Saul Nesbitt Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep857e2f039-d3d5-4307-a474-a5e5072e4e74
EDAN-URL:
ead_collection:sova-nmah-ac-1275

Seymour Robins collection

Creator:
Robins, Seymour, 1913-2011  Search this
Names:
AT & T (Firm)  Search this
Cooper-Hewitt Design Archive  Search this
Creative playthings, Inc.  Search this
Diamond International Corporation  Search this
Genesco, Inc.  Search this
Kimberly-Clark Corporation  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Mohawk Paper Mills (Cohoes, N.Y.)  Search this
Museum of Fine Arts, Boston  Search this
Neenah Paper (Firm)  Search this
Philadelphia Museum of Art  Search this
Smithsonian Institution  Search this
Whitney Museum of American Art  Search this
Extent:
0.5 Cubic feet
Type:
Collection descriptions
Archival materials
Trade catalogs
Date:
1962 - 1992
Scope and Contents:
Materials consist of project catalogs for Mohawk Paper Mills and Neenah Paper, a division of Kimberly-Clark. The collection documents Robins' work as a graphic and industrial designer.
Biographical / Historical:
Seymour Robins is a graphic and industrial designer.,Born in Canada, he has lived most of his life in New York City and had his design practice there. Although locking together slotted pieces of paper has been done for many years, in the two decades that Robins has been designing these shapes that become forms when opened, he has developed them into a unique art form in itself. Robins' interlocking paper sculptures have been called "magic". He has had successful design assignments for AT&T, Diamond International Corporation, Genesco, Mohawk Paper Mills, Neenah Paper, Creative Playthings, and a host of other names in American industry. Robins designed the complex and precise Armillary Sphere for the Smithsonian, and has done paper sculptures for the Metropolitan Museum of Art in New York, The Whitney Museum, The Museum of Fine Arts in Boston, The Philadelphia Museum, and others. Over the years his demands and guidance for perfection in production have forced graphic arts suppliers into innovative improvements that have raised the level of die-makers' and the die-cutters' crafts. His work appears regularly in international design journals and is in the permanent collection at the Cooper-Hewitt Archives. He now lives and works in Sheffield, Massachusetts, in a barn he has converted into a studio and home.
Provenance:
All materials were donated by Mr. Robins in 1992. Transferred to the Archives Center in 2012.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Industrial designers -- United States  Search this
Topic:
Design, Industrial -- Sources -- History -- 20th century -- United States  Search this
Graphic arts -- Sources -- History -- 20th century -- United States  Search this
Genre/Form:
Trade catalogs
Citation:
Seymour Robins Papers, 1962-1992, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1270
See more items in:
Seymour Robins collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8299c24ef-53b0-4bdf-9037-8e2202371519
EDAN-URL:
ead_collection:sova-nmah-ac-1270

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