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Donald Deskey

Artist:
Alfred J. Frueh, 1880 - 14 Sep 1968  Search this
Publication:
New Yorker, founded 1925  Search this
Sitter:
Donald Deskey, 23 Nov 1894 - 29 Apr 1989  Search this
Medium:
Ink on board
Dimensions:
Image: 17.5 x 11.3 cm (6 7/8 x 4 7/16")
Board: 31.8 x 23.5 cm (12 1/2 x 9 1/4")
Type:
Drawing
Date:
1933
Topic:
Personal Attribute\Facial Hair\Mustache  Search this
Caricature  Search this
Costume\Dress Accessory\Tie\Necktie  Search this
Donald Deskey: Male  Search this
Donald Deskey: Visual Arts\Designer\Interior Designer  Search this
Donald Deskey: Visual Arts\Designer\Industrial Designer  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of the children of Al Frueh - Barbara Frueh Bornemann, Robert Frueh and Alfred Frueh, Jr.
Object number:
NPG.93.176
Restrictions & Rights:
Usage conditions apply
Copyright:
© Condé Nast
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4751ec31d-c128-4102-9597-5755c763e62f
EDAN-URL:
edanmdm:npg_NPG.93.176

Raymond Loeway

Artist:
Yousuf Karsh, 23 Dec 1908 - 13 Jul 2002  Search this
Sitter:
Raymond Fernand Loeway, 5 Nov 1893 - 14 Jul 1986  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 27.9 x 21.5 cm (11 x 8 7/16")
Sheet: 35.3 x 27.4 cm (13 7/8 x 10 13/16")
Mount: 40.7 x 33.1 cm (16 x 13 1/16")
Type:
Photograph
Date:
1950
Topic:
Personal Attribute\Facial Hair\Mustache  Search this
Equipment\Smoking Implements\Cigarette  Search this
Costume\Jewelry\Cufflinks  Search this
Costume\Dress Accessory\Tie\Necktie  Search this
Raymond Fernand Loeway: Male  Search this
Raymond Fernand Loeway: Visual Arts\Designer\Industrial Designer  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Estrellita Karsh in memory of Yousuf Karsh
Object number:
NPG.2012.77.67
Restrictions & Rights:
Usage conditions apply
Copyright:
© Estate of Yousuf Karsh
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4d110dcad-20cd-4572-b061-582f8888efed
EDAN-URL:
edanmdm:npg_NPG.2012.77.67

Everyday art quarterly [microform]

Author:
Walker Art Center  Search this
Physical description:
28 v. : ill. ; 29 cm
Type:
Microforms
Periodicals
Date:
1946
1953
1946-1953
Topic:
Decorative arts  Search this
Industrial arts  Search this
Industrial design  Search this
Call number:
mfm 003217
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_674513

Aesthetics and clothing; an annotated bibliography

Author:
American Home Economics Association Textiles and Clothing Section  Search this
Physical description:
viii, 159 pages 28 cm
Type:
Bibliography
Bibliographies
Date:
1972
[1972]
Topic:
Clothing and dress  Search this
Aesthetics  Search this
bibliographies  Search this
kleding  Search this
clothing  Search this
ontwerp  Search this
design  Search this
mode  Search this
Fashion  Search this
industrie  Search this
industry  Search this
Bibliographies (General)  Search this
Call number:
Z5691 .A44X
Z5691.A44X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_19273

Il design in Italia, 1945-1972

Author:
Fossati, Paolo 1938-  Search this
Physical description:
xiv, 255 pages 101 plates (some color) 21 cm
Type:
Books
Place:
Italy
Italie
Italien
Date:
1972
[1972]
Topic:
Industrial design  Search this
Dessin industriel  Search this
Design  Search this
Call number:
T79 .F57 1972
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1111624

Enzo Mari [text, Francesca Valente, Enzo Mari]

Author:
Mari, Enzo 1932-2020  Search this
Author:
Valente, Francesca  Search this
Instituto Italiano di Cultura (San Francisco, California)  Search this
Physical description:
63 pages color illustrations 16 x 21 cm
Type:
Exhibitions
Exhibition catalogs
History
Place:
Italy
Date:
2008
21st century
Topic:
Design--History  Search this
Industrial design--History  Search this
Design  Search this
Industrial design  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1111774

National Endowment for the Humanities (Grant Proposal)

Designer:
Henry Dreyfuss, American, 1904–1972  Search this
Medium:
B&W Printed Material
Type:
archive
Archive folder
Object Name:
Archive folder
Date:
11/6/1968
Credit Line:
Henry Dreyfuss Archive, gift of Various Donors
Accession Number:
Dreyfuss Symbol Sourcebook Working Papers Folder 090
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Archives Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4fa085189-580e-42a4-b078-4e3be1386469
EDAN-URL:
edanmdm:chndm_Dreyfuss_Symbol_Sourcebook_Working_Papers_Folder_090

Cocamalayo

Designer:
Jilly Simons, American  Search this
Medium:
Lithograph on paper
Type:
graphic design
Booklet
Object Name:
Booklet
Place:
USA
Date:
1994
Credit Line:
Gift of Jilly Simons
Accession Number:
1995-74-1
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© Jilly Simons, Concrete
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq470ac6eea-7406-4bba-94b6-fa3fd7f4e3fd
EDAN-URL:
edanmdm:chndm_1995-74-1
Online Media:

Artists for Victory, Inc.

Collection Creator:
Gellert, Hugo, 1892-1985  Search this
Container:
Box 3, Folder 37
Type:
Archival materials
Date:
1941-1942
Scope and Contents note:
Box 3, folders 37-41 include letters of Rockwell Kent, Chester Price, John Taylor Arms, Marie Kirkwood, Jim Eglern, Thomas C. Parker, and Erwin Barrie
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hugo Gellert papers, 1916-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Hugo Gellert papers
Hugo Gellert papers / Series 4: Organizational Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9008826e0-8b03-4f89-929c-af8b3cecd23c
EDAN-URL:
ead_component:sova-aaa-gellhugo-ref118
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Henry Dreyfuss collection

Topic:
McCall's magazine
Creator:
Dreyfuss, Henry, 1904-1972  Search this
Names:
Bell Telephone Laboratories  Search this
Cooper-Hewitt Design Archive  Search this
Deere & Company  Search this
General Electric Company  Search this
Henry Dreyfuss Associates  Search this
Honeywell, Inc.  Search this
Hoover Company  Search this
Industrial Designers Society of America  Search this
Lockheed Aircraft Corporation  Search this
New York Central Railroad Company  Search this
Polaroid Corporation  Search this
Royal Typewriter Company  Search this
Singer Manufacturing Company  Search this
Westclox  Search this
Dreyfuss, Henry, 1904-1972  Search this
Extent:
130 Cubic feet
Type:
Collection descriptions
Archival materials
Biographies
Slides
Drawings
Photographs
Reports
Clippings
Client lists
Correspondence
Book drafts
Mechanicals
Renderings
Journal
Speeches
Date:
1927-1972
Summary:
This material does not cover all clients and projects undertaken by Dreyfuss. This collection consists of theater design materials, industrial design materials, primarily, though not exclusively, from the 1950s and 60s, draft copies of his books, including extensive research files for the "Symbol Sourcebook," texts of lectures delivered by Dreyfuss, and biographical material. Included is Dreyfuss's Brown Book which provides an outline of his achievements. Photographs and slides of many of his designs are included. Materials relating to three publications include original drafts of the books with author notes, drawings, photographs, correspondence, and research materials. Also contains materials relating to the symbols exhibition held at the Hallmark Gallery in New York City in 1972.This collection was the source of many of the objects and issues addressed in Cooper-Hewitt's 1997 exhibition, "Henry Dreyfuss: Directing Design", and companion book, "Henry Dreyfuss, Industrial Designer: The Man in the Brown Suit", both conceived by Russell Flinchum. 311 reels of microfilm documenting most of the projects undertaken by Dreyfuss Associates were created by the firm and added to the collection later.
Arrangement note:
Materials are arranged into four record groups: 1) Biographical information; 2) Theater design; 3) Industrial design; and 4) Publications.

The biographical material is arranged into four sub groups:1) Lectures and Articles by Dreyfuss; 2) Articles about Dreyfuss; 3) Dreyfuss firm promotional mailings; and 4) Other material (photos, awards, etc.).Each sub-group is filed chronologically.

The Industrial Design records are divided into two sub groups:Early Industrial Design, 1929-1935, and Industrial Design, 1936-1969, and arearranged alphabetically by client name.

The publication materials arearranged alphabetically by title of publication.
Biographical/Historical note:
Industrial and stage designer. Born New York, March 2, 1904. Attended Society for Ethical Culture High School in New York. Apprenticed to designer Norman Bel Geddes, 1922-1924. Established his own industrial design firm in 1929. His clients included Bell Telephone Laboratories, Deere & Company, Honeywell, Inc., Polaroid Corporation, General Electric, the 1939-40 and 1964-65 New York World's Fairs, New York Central Railroad, Hoover Company, Singer Sewing Machine Company, Royal Typewriter Co., Lockheed Aircraft, McCall's magazine, and others.

Dreyfuss was a founding member of the Society of Industrial Designers, and the first president of the Industrial Designers Society of America. He is best known for his designs for the Bell 500 and Trimline telephones, the Westclox Big Ben alarm clock, Deere & Company tractors, Polaroid's Automatic 100, Swinger, and SX-70 Land Cameras, and New York Central Railroad's 1938 Twentieth Century Limited. In the 1950s, Dreyfuss was one of the pioneers in the application of anthropometrics (the study of human dimensions and capabilities) in his designs. In 1969, Dreyfuss retired from his firm, but remained active as a corporate consultant. He was the author of several important books including: "Designing for People", 1955; "Measure of Man", 1959; and "Symbol Sourcebook", 1972.
Location of Other Archival Materials Note:
Cooper-Hewitt, National Design Museum, Applied Arts Department. Models and realized objects including control knobs for GM and Deere vehicles, plastic plates and various ceramic pieces with international symbols, Trimline telephones, an RCA Victor radio, a Westclox "Big Ben" alarm clock, and a Presco "AirClip" hair clipper.
Cooper-Hewitt, National Design Museum, Drawings and Prints Department. Hundreds of drawings of designs for tractors, train, plane, and ship interiors, television and radio cabinets, product labels, logos, packaging, office buildings, and costumes.
Other archival repositories containing Dreyfuss materials include: AT&T Archives, Warren, New Jersey; Deere & Co. Archives, Moline, Iowa; Honeywell Archives, Minneapolis, MN; Hoover Company, Canton, Ohio; Polaroid Archives, Cambridge, MA; Billy Rose Theater Collection, New York Public Library; Ethical Culture/Fieldson School Archives, New York; New York Central System Historical Society, Inc.
United Scenic Artists Local 829 Archives, New York; New York World's Fair 1939-40 Archives, Manuscript Division, New York Public Library; and San Diego Aerospace Museum Archives.
Provenance:
Henry Dreyfuss and Doris Marks donated his papers to Cooper-Hewitt, National Design Museum, in the fall of 1972.

Additional materials were transferred to the museum in 1973 from the University of California at Los Angeles, which held a small collection of material deeded by Henry Dreyfuss in 1962.

311 reels of microfilm were donated to the museum in 1992.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph material.
Occupation:
Theater designers -- United States  Search this
Industrial designers -- United States  Search this
Topic:
Measure of Man  Search this
Symbol Sourcebook  Search this
Trimline telephone  Search this
Designing for People  Search this
anthropometry  Search this
Design, Industrial -- United States  Search this
Thermostats  Search this
Tractors -- United States -- History  Search this
20th Century Limited (Express train)  Search this
Human engineering  Search this
telephone  Search this
Signs ad symbols  Search this
Set design -- United States  Search this
Genre/Form:
Biographies
Slides
Drawings
Photographs
Reports
Clippings
Client lists
Correspondence
Book drafts
Mechanicals
Renderings
Journal
Speeches
Identifier:
SIL-CH.1972-88-332-4
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc203430ed5-d8e7-42b8-b16b-839393b39d1d
EDAN-URL:
ead_collection:sova-sil-ch-1972-88-332-4

Nathan Horwitt collection

Creator:
Horwitt, (George) Nathan, 1889-1990.  Search this
Names:
Braquette, Inc.  Search this
Cooper-Hewitt Design Archive  Search this
Design Engineers, Inc.  Search this
Howard Miller Clock Company  Search this
Movado Watch Corporation  Search this
Horwitt, (George) Nathan, 1889-1990.  Search this
Extent:
4 Cubic feet
Type:
Collection descriptions
Archival materials
Blueprints
Clippings
Financial records
Speeches
Drawings
Articles
Photographs
Audiocassettes
Advertisements
Patents
Correspondence
Brochures
Videocassettes
Sketches
Negatives
Slides
Legal correspondence
Plans
Date:
[193-]-[196-]
Summary:
This collection documents Horwitt's major projects from the 1930s to the 1960s.Project files include drawings, sketches, blueprints, correspondence, patents, legal correspondence, clippings, financial reports, and advertisements for Horwitt's projects. Samples of logos and letterheads he designed are included as well. The most thorough documentation pertains to the Braquette, the Cyclometer, the Museum Watch, and the Beta Chair. Drawings, sketches, blueprints, and plans are boxed separately, mostly flat. Interviews with individuals who worked with and knew Horwitt are on audio cassettes, "Recollections of Nathan Horwitt." Two short videos, "The Legend behind the Museum Watch" and "Movado Worldwide Museum" are stored on 3/4 in. video cassettes.
Arrangement note:
Arranged in six record groups; 1) Project files; 2) Drawings, sketches, and blueprints; 3) Film and video; 4) Photographs and Transparencies; 5) Sound Recordings; and 6) Reference Material.
Biographical/Historical note:
Industrial designer. Born Romania, 1889. Horwitt studied at City University of New York, New York University, and the Art Students' League, New York. In the 1920s, Horwitt formed his own, short-lived company, Design Engineers, Inc. He served as an advertising copywriter for the pharmaceutical company, E.R. Squibb, after serving in World War II.

Horwitt is best known for his design of a numberless black-face watch that has become known as the "Museum Watch" and was produced by the Movado Watch Company. He also designed the 1930 Beta chair and the Braquette, a frameless picture frame. His innovative designs for timepieces incorporated the classic elements of modern design while retaining some of the traditional elements of telling time, such as the circular face.
Location of Other Archival Materials Note:
Cooper-Hewitt, National Design Museum, Applied Arts Department. Models and prototypes of approximately 25 objects, including models of the Museum Clock, the Cyclox clock, the Braquette, and the Beta Chair.
Cooper-Hewitt, National Design Museum, Drawings and Prints Department. Three drawings of Horwitt's designs for perfume bottles.
Movado Web Page. Information on Horwitt's work for the Movado Watch Company can be found on the company's web site, http://www.movado.ch/nhorwit.html.
Provenance:
Hank Horwitt, the designer's son, gave Cooper-Hewitt all his relevant design materials from his home studio in Stockbridge, Massachusetts, in 1991.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph materials.
Occupation:
Industrial designers -- United States  Search this
Topic:
Postage stamp design -- United States  Search this
Radio -- Receivers and reception  Search this
Museum Watch  Search this
Logos (Symbols) -- United States  Search this
Letterheads -- Design  Search this
Lamps -- Design  Search this
Clocks and watches -- Design  Search this
Chair design  Search this
Beta Chair  Search this
Museum Clock  Search this
Braquette  Search this
Design, Industrial -- United States  Search this
Genre/Form:
Blueprints
Clippings
Financial records
Speeches
Drawings
Articles
Photographs
Audiocassettes
Advertisements
Patents
Correspondence
Brochures
Videocassettes
Sketches
Negatives
Slides
Legal correspondence
Plans
Identifier:
SIL-CH.1991-127-1
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc2a10b3406-05a4-40be-ba41-00d32216dece
EDAN-URL:
ead_collection:sova-sil-ch-1991-127-1

Don Wallance collection

Creator:
Wallance, Don, 1909-1990  Search this
Names:
Cooper-Hewitt Design Archive  Search this
Design Laboratory School (New York, N.Y.)  Search this
H.E. Lauffer Co.  Search this
Hard Manuacturing Company  Search this
Lincoln Center Theater (New York, N.Y.)  Search this
National Youth Administration  Search this
Towle Mfg. Company  Search this
United States. Army -- Barracks and quarters  Search this
Wallance, Don, 1909-1990  Search this
Extent:
6 Cubic feet
Type:
Collection descriptions
Archival materials
Correspondence
Clippings
Invoices
Patents
Photographs
Blueprints
Speeches
Press releases
Drawings
Articles
Sketches
Date:
1936-1990
Summary:
This collection documents Wallance's career from his enrollment in the Design Laboratory School in 1936 to his death in 1990.Included are his designs for tableware, furniture, and household accessories, as well as material on his research and writings. This collection consists of sketches, drawings, photographs, correspondence, and reference materials, in addition to publicity and promotional materials. Extensive documentation exists on Wallance's pioneering designs for stainless steel flatware for H. E. Lauffer Company and his experimental furniture for the U.S. Army, Philharmonic Hall at Lincoln Center, and the Hard Manufacturing Company. Thorough documentation of his research for his landmark book, "Shaping America's Products," is included. The collection also contains a substantial amount of information on the Design Laboratory School, the first industrial design school in the United States to be patterned after the Bauhaus.
Arrangement note:
This collection is arranged into eight record groups: 1) Industrial Design Projects; 2) "Shaping America's Products"; 3) Other Activities; 4) General Correspondence; 5) Business Records; 6) Biographical Material; 7) Reference Material; and 8) Photographs and Slides. Within each record group, materials are arranged by client, or in lieu of a client, by project name.

Letter size, legal size, and oversized materials, photographs, slides, film, and video are all boxed separately. Where possible, subjects have been cross referenced between the various sizes and types of material.
Biographical/Historical note:
Metalworker, furniture and industrial designer. Born New York City, September 26, 1909. Wallance graduated New York University in 1930 with a B.A. in English Literature. He traveled to northern Europe where he was exposed to the International Style in architecture and design. Upon returning to the United States, he went to work in his father's furniture store and saw the need for more inventive designs in retail furnishings. He attended Design Laboratory School in New York City from its inception in 1936 until it closed its doors in 1940.

From 1941-2, Wallance served as the state of Louisiana's technical and design director for the National Youth Administration, established in 1940 by President Roosevelt to help build a young, technically capable work force. During World War II, Wallance designed mass-produced furniture for servicemen's families living abroad for the Office of the Quartermaster General, Washington. He began designing tableware, cutlery, and accessories for H.E. Lauffer in 1951.

Among his most recognizable designs for Lauffer were Design One, a highly sculptural, brushed stainless steel flatware created in 1953, and Design Ten, a colored plastic flatware created in 1978-79. Both designs are now produced by Towle Manufacturing Company. ln addition, Wallance designed auditorium seating in steel and upholstered polyurethane foam for Philharmonic Hall at Lincoln Center in 1964 and hospital furniture in steel and plastics for Hard Manufacturing Company in 1965. Wallance is best known for his book, "Shaping America's Products", 1956, which remains a seminal study of the relationship of craftsmanship to industry.
Location of Other Archival Materials Note:
Cooper-Hewitt, National Design Museum, Applied Arts Department. Approximately 100 items, consisting of models, prototypes, and production pieces of flatware, cutlery, and other items.
Provenance:
These materials were donated to Cooper-Hewitt, National Design Museum, in 1991 by David M. and Gregory J. Wallance, sons of the designer.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph materials.
Occupation:
Industrial designers -- United States  Search this
Furniture designers -- United States  Search this
Topic:
Design, Industrial -- United States  Search this
Shaping America's Products  Search this
Furniture design -- United States -- History -- 20th century  Search this
Cookware  Search this
Flatware -- United States  Search this
Stainless steel tableware  Search this
Genre/Form:
Correspondence
Clippings
Invoices
Patents
Photographs
Blueprints
Speeches
Press releases
Drawings
Articles
Sketches
Identifier:
SIL-CH.1991-81-1
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc2c748cfca-efd6-4a03-85bc-1086ca3fd24d
EDAN-URL:
ead_collection:sova-sil-ch-1991-81-1

Raymond Loewy papers

Creator:
Loewy, Raymond, 1893-1986  Search this
Names:
American Society of Industrial Designers  Search this
Coca-Cola Company  Search this
Cooper-Hewitt Design Archive  Search this
Exxon Corporation  Search this
Gestetner Duplicating Machine Company  Search this
Hallicrafter  Search this
Hupp Motor Company  Search this
International Business Machines Corporation  Search this
Raymond Loewy Associates  Search this
Raymond Loewy/William Snaith, Inc.  Search this
Sears, Roebuck and Co.  Search this
Shell Oil Company  Search this
Studebaker Corporation  Search this
United Air Lines, Inc.  Search this
United States. National Aeronautics and Space Administration  Search this
Loewy, Raymond, 1893-1986  Search this
Snaith, William, 1908-1974  Search this
Extent:
3 Boxes (2 letter sized boxes, 1 legal sized box.)
Type:
Collection descriptions
Archival materials
Clippings
Press releases
Speeches
Photographs
Date:
[mid-1940s-early 1960s]
Summary:
This collection spans the period from the mid-1940s to the early-1960s and consists ofnewspaper and magazine articles by and about Loewy, including the 1949 TIME magazine on which he appeared on the cover. Extensive clippings exist pertaining to his designs for automobiles. Also includes many articles and speeches written by and about William Snaith, a partner in the firm which was renamed Raymond Loewy/William Snaith, Inc. in 1961. A catalog from the exhibition, "Ten Automobiles," which took place at the Museum of Modern Art in New York City in 1953, is included. Other materials include brochures printed and designed by the firm, press releases, a listing of projects, honors, and membership. Some photographs of Loewy and his design team are included. The collection does not contain any original design materials or project files.
Arrangement note:
Unprocessed.
Biographical/Historical note:
Industrial Designer. Born Paris, France, November 8, 1893, Loewy initially studied electrical engineering, and by 1909, he has designed and sold a successful airplane model. He immigrated to the United States in 1919 and became a naturalized citizen in 1938. Loewy began working as a freelance window display designer for Macy's and Saks Fifth Avenue, and as an illustrator for Vogue, Harper's Bazaar, and others, from 1919.

He designed the trademark for Neiman-Marcus in 1923. Loewy is identified as one of the founding fathers of industrial design. In 1929, he started Raymond Loewy Associates in New York, and by 1947, he appeared on the cover of TIME magazine. Loewy's designs always stressed the importance of the clean, functional, dynamic design of products. His schooling in electrical engineering translated into his designs for automobiles, trains, airplanes, ships, and spacecraft for NASA. He also designed interiors for many hotels, offices, and supermarkets. He is best known for his designs for the 1947 Studebaker Starlight Coupe; the 1953 Starliner Coupe; the 1961 Avanti; the 1947 line of Hallicrafter radio recievers; the 1929 Gestetner duplicating machine; the 1934 Sears Coldspot refrigerator; and the S-I steam locomotive for the Pennsylvania Railroad.

He also designed logos for Exxon and Shell oil companies, and bottles and refrigerated vending machines for Coca Cola. He became President of the American Society of Industrial Designers in 1946. Loewy established Compagnie de l'Esthetique Industrielle in Paris in 1952. His work has been featured in many exhibitions, including: "An Exhibition for Modern Living", Detroit Institute of Arts, 1949; "The Designs of Raymond Loewy", Renwick Gallery of the National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., 1975; and "The Machine Age in America", Brooklyn Museum, 1986, among others. He authored, "The Locomotive: Its Esthetics", 1937; "Never Leave Well Enough Alone", 1951; and "Industrial Design", 1979. In 1961, Loewy went into semi-retirement, became partners with William Snaith, and renamed the company Raymond Loewy/William Snaith, Inc. Loewy died in Monte Carlo, July 14, 1986.
Location of Other Archival Materials Note:
Library of Congress, Washington, D.C. The Raymond Loewy Collection. Drawings, blueprints, sketches, phtographs, slides, and audio and video recordings, covering the period from 1929-1988.
Canadian Center for Architecture, Special Collections. Vertical file docmenting Loewy's work.
Provenance:
The materials in this collection were donated to Cooper-Hewitt by Betty Reese, Loewy's publicist.
Restrictions:
Unprocessed; access is limited. Permission of Library Director required for use.
Occupation:
Industrial designers  Search this
Interior designers  Search this
Packaging designers  Search this
Topic:
Radio -- Receivers and reception -- Design and construction  Search this
Packaging -- Design  Search this
Corporate image -- Design  Search this
Logos (Symbols) -- Design  Search this
Interior decoration -- United States  Search this
Automobiles -- Design and construction  Search this
Design, Industrial -- United States  Search this
Supermarkets -- Design  Search this
Coldspot refrigerator  Search this
Transportation -- Design  Search this
Genre/Form:
Clippings
Press releases
Speeches
Photographs
Identifier:
SIL-CH.XXXX-0001
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc2e29ec5f7-bae5-442b-bab5-6535771b849c
EDAN-URL:
ead_collection:sova-sil-ch-xxxx-0001

Ladislav Sutnar collection

Creator:
Sutnar, Ladislav  Search this
Names:
Addo-X Business Machines  Search this
Bauhaus -- Influence  Search this
Carr's Department Stores  Search this
Cooper-Hewitt Design Archive  Search this
J.C. Penny Co.  Search this
McGraw-Hill Book Company, Inc.  Search this
Printex Corporation  Search this
RCA Corporation  Search this
Sweet's Catalog Service  Search this
Vera (Company)  Search this
Sutnar, Ladislav  Search this
Extent:
85 Cubic feet
Type:
Collection descriptions
Archival materials
Advertisements
Layouts
Brochures
Correspondence
Sketches
Sales catalogs
Photographs
Date:
1927-1976
Summary:
Material relates to Sutnar's career including exhibitions, designs for corporate clients, designs for books on packaging design and catalog information. Little office correspondence and personal information is provided.The major part of the collection consists of Sutnar's designs, including logos, letterheads, catalogs, and advertising campaigns for a large number of clients, notably Addo-X, Carr's Department Stores, JC Penney, RCA, and Vera, as well as product and catalog design for Sweet's Catalog Service. Also included are drafts of books, sketches, over 5,000 photographs, photoprints, and photonegatives. Other materials include clippings, page layouts, brochures and booklets about package design and magazine layouts.
Arrangement note:
Arranged by client account and by material size. A picture reference file is boxed separately.
Biographical/Historical note:
Graphic, display, and industrial designer. Born Pilsen, Austro- Hungary (now Plzen, Czech Republic), 9 November 1897. Sutnar immigrated to the United States in 1939. He was inspired by the Bauhaus and was an advocate for a constructivist and functional approach in graphic design stressing simplicity, order, and precision. He was the art editor of the Prague publishing house, "Druzstevni Prace." Sitmar was head designer for the Czech pavilion at 1939 New York World's Fair.

He served as art director for Sweet's Catalog Service from 1941 to 1960. Due to his belief that designers need to be capable of working in many fields of design, Sutnar established his own "full-service" firm in New York City in 1951. He developed a new typography called "information graphics". He was author of "Design for Point of Sale", 1952, "Package Design: The Force of Selling", 1953, and "Visual Design in Action", 1961. Sutnar also created corporate image products for McGraw-Hill and Printex. Died 1976.
Location of Other Archival Materials Note:
Cooper-Hewitt National Design Museum, Drawings and Prints Department.Seven posters, one magazine cover, two designs for glassware, and some duplicates of the archival material.
Cooper-Hewitt, National Design Museum, Applied Arts Department. One ceramic coffee service, one glass tea service.
Archives of American Art, Washington, D.C.Business and personal correspondence, biographical data, sketches, photographs, clippings, and other print miscellany, circa 1927-1976.
Rochester Institute of Technology, Rochester, N.Y.Approximately 215 items dating from 1940 to 1970 include printed samples of Sutnar's designs for periodical covers, advertisements, catalogs, books, displays, and posters.
Getty Research Institute for the History of Art and the Humanities, Special Collections, Los Angeles, C.A.Papers relating to Sutnar's designs and exhibitions, 1928-1969.
Provenance:
The Sutnar Papers were donated to Cooper-Hewitt, National Design Museum, in 1977 by Radoslav L. Sutnar and Citislav Sutnar.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph material.
Topic:
Corporate image -- Design  Search this
Letterheads -- Design  Search this
Graphic arts -- United States  Search this
Design, Industrial -- United States  Search this
Logos (Symbols) -- Design  Search this
Glassware -- Czech Republic -- Bohemia  Search this
Porcelain -- Czech Republic  Search this
Packaging -- Design  Search this
Graphic arts -- Czech Republic  Search this
Genre/Form:
Advertisements
Layouts
Brochures
Correspondence
Sketches
Sales catalogs
Photographs
Identifier:
SIL-CH.2001-26-1
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc24bdec8cb-8083-4b6f-9928-6bf3813f1e2a
EDAN-URL:
ead_collection:sova-sil-ch-2001-26-1

Donald Deskey collection

Creator:
Deskey, Donald, 1894-  Search this
Names:
Brunswick-Balke-Collender Company  Search this
Centre de recherche en économie et statistique (Paris, France)  Search this
Charak Furniture Company  Search this
Cooper-Hewitt Design Archive  Search this
Deskey Associates, Inc.  Search this
Deskey-Vollmer, Inc.  Search this
Donald Deskey Associates, Inc.  Search this
Johnson & Johnson, Inc.  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Procter & Gamble Company  Search this
Radio City Music Hall (New York, N.Y.)  Search this
Widdicomb Furniture Company  Search this
Deskey, Donald, 1894-  Search this
Extent:
75 Cubic feet
Type:
Collection descriptions
Archival materials
Proposals
Labels
Clippings
Renderings
Slides
Stationery
Letters patent
Financial records
Photographs
Drawings
Client lists
Correspondence
Organizational charts
Reviews
Patents
Lantern slides
Technical reports
Date:
1927-1989
Summary:
Project files containmagazine and newspaper clippings, reviews, correspondence, renderings, floor plans, perspective drawings, site plans, sketches, preliminary drawings, patents, stationery, labels, and technical reports. There is an extensive collection of photographs and slides of many of Deskey's packaging designs, interiors, furnishings, and exhibition installations. The files of Donald Deskey Associates include organizational charts, client files, proposals, and financial records. Some of Deskey's personal correspondence, speeches, articles, and family photographs are included. Materials cover the period from 1927-1975.
Arrangement note:
Arranged into six records groups: 1) architecture/interiors projects; 2)Donald Deskey Associates; 3) industrial design projects; 4) reference; 5) Donald Deskey's personal papers; and 6) photographs. A special collection of more than one thousand slides of Deskey's work are boxed separately.
Biographical/Historical note:
Industrial, interior, and packaging designer. Born Blue Earth, Minnesota, November 23, 1894. By 1943, he had established Donald Deskey Associates in New York. Along with Dreyfuss, Bel Geddes, and Loewy, Deskey was one of the great industrial design pioneers in the 1930s.

He is best known for his designs for the furnishings and interiors of Radio City Music Hall in 1932, and for his work for companies such as: Widdicomb Furniture Company, Grand Rapids, Michigan; W & J Sloane, New York; and Estey Manufacturing Company, Owosso, Michigan. Deskey is also known for his familiar packaging designs for Procter & Gamble products, such as Crest toothpaste, Prell shampoo, and Tide detergent.

Donald Deskey Associates also was responsible for lamppost #10, the streetlight still in use today in New York City. Materials from this archival collection were featured in Cooper-Hewitt's 1994 exhibition and accompanying book, "Packaging the New: Design and the American Consumer, 1925- 1975."
Location of Other Archival Materials Note:
Cooper-Hewitt, National Design Museum, Drawings and Prints Department. Approximately 3,000 drawings for furniture and textile designs.
Cooper-Hewitt, National Design Museum, Applied Arts Department. Two tables, handles, and a glass bottle and box designed by Deskey.
Cooper-Hewitt, National Design Museum, Textiles Department. One textile designed by Deskey.
Other sources of archival information on Deskey include, the Procter & Gamble Archive, Cincinnati, Ohio, and Deskey Associates, New York City.
Provenance:
The Deskey collection was donated to the museum in three installments.

In 1975, Deskey deposited at Cooper-Hewitt, National Design Museum,, hundreds of drawings, 3 four-drawer file cabinets of material, and several oversized packages comprising the bulk of his papers covering the period from 1927-1965. These items were officially donated to the museum in 1988.

In 1992, Deskey Associates of New York made an additional gift consisting of, approximately 1,000 35mm slides that documented projects from the 1960s through 1980s, and focused primarily on designs for packaging.

In 1994, Donald Deskey's nephew, Robert Deskey presented the Museum with, 120 postcards, letters, and family photographs.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph materials.
Occupation:
Packaging designers -- United States  Search this
Interior designers -- United States  Search this
Industrial designers -- United States  Search this
Topic:
Packaging -- Design  Search this
Street lighting -- New York (State) -- New York  Search this
Buildings, Prefabricated -- United States  Search this
Plastics -- Design  Search this
Interior decoration -- United States -- 20th century  Search this
Design, Industrial -- United States  Search this
Furniture design -- United States  Search this
Art deco -- United States  Search this
Genre/Form:
Proposals
Labels
Clippings
Renderings
Slides
Stationery
Letters patent
Financial records
Photographs
Drawings
Client lists
Correspondence
Organizational charts
Reviews
Patents
Lantern slides
Technical reports
Identifier:
SIL-CH.1975-11-77
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc2dc69717a-7af5-4385-91a8-73b28e077a18
EDAN-URL:
ead_collection:sova-sil-ch-1975-11-77

The NAMES Performers Celebrate the Music Industry -- Spoken Word: (Presented by Lindsay Tauscher; Mary Bowman, JT Bullock) -- The NAMES Performers: The Start of the AIDS Epidemic --The NAMES Performers Celebrate the Design Industry

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2012 June 29
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2012 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2012, Item FP-2012-CT-0078
See more items in:
Smithsonian Folklife Festival records: 2012 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2012 Smithsonian Folklife Festival / Series 4: Creativity and Crisis: Unfolding the AIDS Memorial Quilt / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5fe9232e3-50a7-4842-8ab7-5435027d5cc0
EDAN-URL:
ead_component:sova-cfch-sff-2012-ref739

The NAMES Performers Celebrate the Design Industry -- The NAMES Performers: Call My Name -- Spoken Word -- Arts and Advocacy

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2012 June 29
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2012 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2012, Item FP-2012-CT-0079
See more items in:
Smithsonian Folklife Festival records: 2012 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2012 Smithsonian Folklife Festival / Series 4: Creativity and Crisis: Unfolding the AIDS Memorial Quilt / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5b98181df-c131-49ff-8da8-a24c223eb9ea
EDAN-URL:
ead_component:sova-cfch-sff-2012-ref740

Seymour Robins collection

Creator:
Robins, Seymour, 1913-2011  Search this
Names:
AT & T (Firm)  Search this
Cooper-Hewitt Design Archive  Search this
Creative playthings, Inc.  Search this
Diamond International Corporation  Search this
Genesco, Inc.  Search this
Kimberly-Clark Corporation  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Mohawk Paper Mills (Cohoes, N.Y.)  Search this
Museum of Fine Arts, Boston  Search this
Neenah Paper (Firm)  Search this
Philadelphia Museum of Art  Search this
Smithsonian Institution  Search this
Whitney Museum of American Art  Search this
Extent:
0.5 Cubic feet
Type:
Collection descriptions
Archival materials
Trade catalogs
Date:
1962 - 1992
Scope and Contents:
Materials consist of project catalogs for Mohawk Paper Mills and Neenah Paper, a division of Kimberly-Clark. The collection documents Robins' work as a graphic and industrial designer.
Biographical / Historical:
Seymour Robins is a graphic and industrial designer.,Born in Canada, he has lived most of his life in New York City and had his design practice there. Although locking together slotted pieces of paper has been done for many years, in the two decades that Robins has been designing these shapes that become forms when opened, he has developed them into a unique art form in itself. Robins' interlocking paper sculptures have been called "magic". He has had successful design assignments for AT&T, Diamond International Corporation, Genesco, Mohawk Paper Mills, Neenah Paper, Creative Playthings, and a host of other names in American industry. Robins designed the complex and precise Armillary Sphere for the Smithsonian, and has done paper sculptures for the Metropolitan Museum of Art in New York, The Whitney Museum, The Museum of Fine Arts in Boston, The Philadelphia Museum, and others. Over the years his demands and guidance for perfection in production have forced graphic arts suppliers into innovative improvements that have raised the level of die-makers' and the die-cutters' crafts. His work appears regularly in international design journals and is in the permanent collection at the Cooper-Hewitt Archives. He now lives and works in Sheffield, Massachusetts, in a barn he has converted into a studio and home.
Provenance:
All materials were donated by Mr. Robins in 1992. Transferred to the Archives Center in 2012.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Industrial designers -- United States  Search this
Topic:
Design, Industrial -- Sources -- History -- 20th century -- United States  Search this
Graphic arts -- Sources -- History -- 20th century -- United States  Search this
Genre/Form:
Trade catalogs
Citation:
Seymour Robins Papers, 1962-1992, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1270
See more items in:
Seymour Robins collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8299c24ef-53b0-4bdf-9037-8e2202371519
EDAN-URL:
ead_collection:sova-nmah-ac-1270

Albert Kahn papers

Creator:
Kahn, Albert, 1869-1942  Search this
Names:
Bacon, Henry, 1839-1912  Search this
Barlow, Myron, 1873-1937  Search this
Kahlo, Frida  Search this
Kahn, Ernestine Krolik  Search this
Mason, George D.  Search this
Milles, Carl, 1875-1955  Search this
Rivera, Diego, 1886-1957  Search this
Stoughton, Arthur A.  Search this
Toscanini, Arturo, 1867-1957  Search this
Trowbridge, Alexander Buell, 1868-1950  Search this
Extent:
7.02 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Watercolors
Scrapbooks
Renderings
Lithographs
Photographs
Motion pictures (visual works)
Notebooks
Drawings
Sound recordings
Awards
Sketchbooks
Etchings
Notes
Typescripts
Lectures
Date:
1875-1970
Summary:
The papers of architect Albert Kahn date from 1875-1970, bulk 1875-1945, and measure 7.02 linear feet. Found within the papers is biographical material, correspondence, personal business records, nine sketchbooks, art work, notes and writings, two scrapbooks, printed material, photographs and photograph albums, artifacts, and motion picture film.
Scope and Content Note:
The papers of architect Albert Kahn date from 1875-1970, bulk 1875-1945, and measure 7.02 linear feet. Found within the papers are biographical material, correspondence, personal business records, nine sketchbooks, art work, notes and writings, two scrapbooks, printed material, photographs and photograph albums, artifacts, a sound recording and motion picture film.

Biographical material includes a biographical account, marriage certificate, architect's licenses, calling cards for the Kahns, passports, identification cards, letters of introduction, award certificates and medals, membership cards and certificates, a sound recording concerning Albert Kahn's life, and an address book.

Correspondence consists of letters between Albert Kahn, family members, and colleagues including Myron Barlow, George D. Mason, Carl Milles and Arthur A. Stoughton. There is one letter each from Henry Bacon and Alexander Trowbridge, and condolence letters to Kahn's widow.

Personal business records include records of stocks and income, lists of expenses and receipts for construction, property records, price lists for paintings by others, and miscellaneous receipts.

Art work includes nine sketchbooks and drawings by Albert Kahn, a paper silhouette portrait of Kahn, and drawings, watercolors, etchings, lithographs, and a sketchbook of Cornwall by others.

Notes and writings include Ernestine Kahn's diary, notebooks, guest registers and records concerning Albert Kahn's funeral, and typescripts of speeches and lectures.

Two scrapbooks contain clippings, small drawings, photographs of architecture, and letters of tribute.

Printed material includes clippings, exhibition catalogs for others, programs, booklets, books, reproductions of art work, travel brochures, picture postcards, and miscellaneous printed material.

Photographs are of Albert Kahn, members of his family, and colleagues including Myron Barlow, Frida Kahlo, Diego Rivera, Arturo Toscanini, residences, and travel scenes. Moving images include five reels of 16mm motion picture film of the Kahn family at the farm and at various family gatherings.

Artifacts primarily consist of the tools used by Albert Kahn during his career including t-squares and portable tripod supports for drawing boards used on construction sites.
Arrangement:
The collection is arranged as 9 series. Glass plate negative housed separately and closed to researchers.

Missing Title

Series 1: Biographical Material, 1896-1945 (Box 1, 6, OV 10; 19 folders)

Series 2: Correspondence, 1891-1970 (Box 1-3, 6; 3.3 linear feet)

Series 3: Personal Business Records, 1891-1943 (Box 3; 7 folders)

Series 4: Art Work, 1890-1936 (Box 3, 6, OV 11-12; 20 folders)

Series 5: Notes and Writings, 1899-1943 (Box 3-4; 29 folders)

Series 6: Scrapbooks, 1890-1942 (Box 7; 0.3 linear feet)

Series 7: Printed Material, 1897-1968 (Box 4-6, OV 10; 0.8 linear feet)

Series 8: Photographs and Moving Images, 1875-1944 (Box 5-6, 8, FC 13-17, MGP 2; 1.5 linear feet)

Series 9: Artifacts, circa 1942 (Box 5, 9; 0.4 linear feet)
Biographical Note:
Albert Kahn (1869-1942) of Detroit, Michigan, was an architect, primarily known for designing industrial buildings with the pioneering use of reinforced concrete that allowed large unobstructed interiors.

Albert Kahn was born on March 21, 1869 in Rhaunen, Rhineland-Palatinate, Germany, the oldest son of rabbi Joseph Kahn and Rosalie Cohn Kahn. The family immigrated to the United States in 1881 and settled in Detroit, Michigan.

Albert Kahn worked as an office boy in an architect's office and studied drawing in Sunday classes conducted by sculptor Julius Melchers. Melchers found Kahn a position in the architectural offices of Mason and Rice where he worked for several years. In 1890, Kahn won a scholarship to travel in Europe to study architecture and in 1895 he opened his own architectural office, Albert Kahn Associates, hiring his younger brothers, Louis, Moritz, and Felix. In the following year, Kahn married Ernestine Krolik.

In 1903, Kahn was awarded his first two important commissions: to design the University of Michigan's engineering building and the Palm Apartments in Detroit, built with the early use of reinforced concrete. In the following year, he built the first reinforced concrete factory for the Packard Motor Company. Because of the industrial growth in Detroit at that time, Kahn was in demand to design various automobile factories including the General Motors Building, textile, business machine, and chemical plants. He became an authority on concrete construction and by the beginning of the First World War, his firm provided construction for the military aviation section of the Army.

Kahn later moved from using concrete to steel and glass. In 1927, his company finished a large building for the Fisher Brothers of Detroit for which he was awarded a medal by the Architectural League of New York for the year's outstanding contribution to architecture. In the following year his firm was given full charge of the entire heavy industrial building program of Russia's first five-year plan, and they constructed an estimated two billion dollars worth of factories in Russia.

During World War II, Kahn's firm was constantly busy constructing naval air bases, airplane engine plants, tank arsenals including the Detroit Arsenal Tank Plant, and other government defense projects. In June 1942 Kahn was given the honorary degree of Doctor of Fine Arts by Syracuse University.

Albert Kahn died on December 8, 1942 in Detroit, Michigan.
Provenance:
The Albert Kahn papers were donated by Kahn's children, Mrs. Lydia Winston Malbin, Mrs. Rosalie Butzel, and Dr. Edgar A. Kahn, in 1974.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Architecture, American  Search this
Architects -- Michigan -- Detroit  Search this
Genre/Form:
Diaries
Watercolors
Scrapbooks
Renderings
Lithographs
Photographs
Motion pictures (visual works)
Notebooks
Drawings
Sound recordings
Awards
Sketchbooks
Etchings
Notes
Typescripts
Lectures
Citation:
Albert Kahn papers, 1875-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kahnalbp
See more items in:
Albert Kahn papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw998c9d20d-7eac-4264-8dd4-21511423e9a1
EDAN-URL:
ead_collection:sova-aaa-kahnalbp
Online Media:

Women in the Design Industry: 1951

Collection Creator:
Diamond, Freda, 1905-  Search this
Container:
Box 1, Folder 18
Type:
Archival materials
Date:
undated
1956
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Freda Diamond Collection, 1945-1984, Archives Center, National Museum of American History.
See more items in:
Freda Diamond Collection
Freda Diamond Collection / Series 4: Articles / 4.2: Articles Featuring Freda Diamond
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8a1fe19be-6078-4224-80f9-dce8b15afb02
EDAN-URL:
ead_component:sova-nmah-ac-0616-ref138

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