Search Results

Creator:

Berg, Siri, 1921-2020  Search this

Names:

American Abstract Artists  Search this

Extent:

1.1 Linear feet

Type:

Collection descriptions

Archival materials

Video recordings

Date:

1966-1998

Summary:

The papers of Swedish-born painter and collagist Siri Berg measure 1.1 linear feet and date from 1966 to 1998. The bulk of the collection consists of studies for artwork, and may include paint color choices and samples, sketches, plans, and notes. Also found are scattered correspondence, photographs, printed material, and a video recording of Berg in her SoHo studio.

Scope and Contents:

The papers of Swedish-born painter and collagist Siri Berg measure 1.1 linear feet and date from 1966 to 1998. The bulk of the collection consists of studies for artwork, and may include paint color choices and samples, sketches, plans, and notes. Also found are scattered correspondence, photographs, printed material, and a video recording of Berg in her SoHo studio.

Studies for artworks include Berg's The Black Series, Cosmic Veil, Kabala Series, La Ronde, and Tops of Kites. Photographs depict Berg, exhibitions, and works of art.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Siri Berg (1921-2020) was a collagist, abstract painter, and educator active in New York City, who was known for making collages of geometric shapes on paper she printed herself.

Berg was born in Stockholm, Sweden, and studied art in Brussels, Belgium, before immigrating to the United States in 1940. Berg began her career working in window design for the New York City fashion industry. Later, in the 1970s, Berg began to focus on commissioned work and moved to a studio in SoHo. She exhibited her works throughout New York City and Philadelphia and was an active member of the American Abstract Artists group. Berg was also an educator who taught color theory at Parsons School of Design for over 25 years.

Berg died in New York City in 2020.

Provenance:

Siri Berg donated her papers to the Archives of American Art in 1998.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State) -- New York  Search this

Educators -- New York (State) -- New York  Search this

Collagists -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women painters  Search this

Women educators  Search this

Genre/Form:

Video recordings

Citation:

Siri Berg papers, 1966-1998. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received federal support from the Collections Care Initiative Fund, administered by the Smithsonian American Women's History Initiative and the National Collections Program

Identifier:

AAA.bergsiri

See more items in:

Siri Berg papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw99f5e00f2-f26e-4bb7-9545-d750929d07c1

EDAN-URL:

ead_collection:sova-aaa-bergsiri

Creator:

Stewart, Regina Serniak, 1942-  Search this

Names:

New York Artists Equity Association  Search this

Blackburn, Robert Hamilton, 1920-  Search this

Candell, Victor, 1903-1977  Search this

Facci, Domenico, 1916-1994  Search this

Kennedy, Edward M. (Edward Moore), 1932-2009  Search this

Kuniyoshi, Sara Mazo  Search this

McMurtry, Larry  Search this

Stewart, Jack, 1926-2005  Search this

Extent:

0.8 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Scrapbooks

Sketches

Date:

1959-2010

Summary:

Three scrapbooks, 1959-2010, assembled by Regina Serniak Stewart document her career as a costume designer, painter, board member and Executive Director of the New York Artists Equity Association.

Scope and Content Note:

Three scrapbooks, 1959-2010, assembled by Regina Serniak Stewart (b. 1942) document her career as a costume designer, painter, board member and Executive Director of the New York Artists Equity Association.

The scrapbooks contain: letters from Robert Blackburn, Victor Candell, Domenico Facci, Edward M. Kennedy, Sara M. Kuniyoshi, Larry McMurtry, Jack Stewart, and letters from various museums and galleries; costume sketches, 1963-1974, for the Paterson, New Jersey Lyric Opera Theatre; curriculum vitae, awards and profiles of the artist; photographs of Stewart, her work, and events; and printed material including clippings, articles, programs, brochures, flyers, and exhibition catalogs. The collection also includes some loose printed materials consisting of collectors' guides to kitchen utensils and stoneware co-written by Stewart and an article and exhibition catalog about her painting.

Arrangement:

The collection is arranged as 2 series:

Missing Title

Series 1: Scrapbooks, 1959-2010 (Boxes 1-2; 0.7 linear ft.)

Series 2: Printed Materials, circa 1977, 2003-2008 (Box 2; 0.1 linear ft.)

Biographical Note:

Regina Serniak Stewart (b. 1942), a painter, administrator, and writer in New York City is the Executive Director of the New York Artists Equity Association.

Stewart is a graduate of the Cooper Union School of Art and Achitecture whose paintings have been exhibited in New York and throughout the United States. In addition to painting, Ms. Stewart was a set and costume designer for the Paterson Lyric Opera Theatre, a jewelry designer, an art consultant, and an art instructor. She was elected to the board of the New York Artists Equity Association in 1989 and is now Executive Director.

Provenance:

Donated by Regina Stewart, July 27, 2010.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Arts administrators -- New York (State) -- New York  Search this

Collagists -- New York (State) -- New York  Search this

Topic:

Costume designers  Search this

Painters -- New York (State) -- New York  Search this

Women artists  Search this

Women painters  Search this

Women arts administrators  Search this

Genre/Form:

Photographs

Scrapbooks

Sketches

Citation:

The Regina Stewart papers. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.stewregi

See more items in:

Regina Stewart papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw991eabbd1-1fe9-4c8a-9f1b-ad60e1abb865

EDAN-URL:

ead_collection:sova-aaa-stewregi

Creator:

Bearden, Romare, 1911-1988  Search this

Names:

Alston, Charles Henry, 1907-1977  Search this

Holty, Carl, 1900-1973  Search this

Lawrence, Jacob, 1917-2000  Search this

Middleton, Samuel M., 1927-  Search this

Reinhardt, Ad, 1913-1967  Search this

Extent:

2.1 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Sketches

Exhibition catalogs

Maps

Photographs

Date:

1937-1982

Summary:

The papers of Romare Bearden measure 2.1 linear feet and date from 1937 to 1982. The collection includes biographical information, correspondence, writings by and about Bearden, miscellaneous legal and financial material, photographs, drawings, and printed material. Found are numerous letters referring to African-American arts movements of the 1960s and 1970s, including exhibitions, publications, associations, and scattered letters of a more personal nature.

Scope and Contents:

The papers of Romare Bearden measure 2.1 linear feet and date from 1937 to 1982. The collection includes biographical information, correspondence, writings by and about Bearden, miscellaneous legal and financial material, photographs, drawings, and printed material.

Correspondence is with family, friends, artists, galleries, museums, publishers, universities, arts associations, and colleagues, primarily concerning gallery space, exhibitions, sales of artwork, publishing, and arts events. Also found are numerous letters referring to African-American art movements of the 1960s and 1970s, including exhibitions, publications, associations, and scattered letters of a more personal nature. Many of the letters are illustrated with Bearden's doodlings and drawings. Although most of the letters are from galleries, museums, publishers, and arts associations, scattered letters from Charles Alston, Jacob Lawrence, Ad Reinhardt, Carl Holty, and Sam Middleton are found. In addition, there are letters from the Black Academy of Arts and Letters, and letters concerning its founding.

Writings by Bearden include lectures, speeches, talks, essays, and prose. Many are handwritten, annotated, and edited in Bearden's hand and several are illustrated with Bearden's doodlings and sketches. Included are a memorial delivered upon artist Carl Holty's death, a tribute to Zell Ingram, autobiographical essays, essays on art, and African-American art, artists, and cultural life. Also found are several handwritten examples of Bearden's prose and poetry. There are also writings by others and one folder of fragments and notes assumed to be by Bearden.

The collection houses two folders of photographs and snapshots of Bearden, family members, other unidentified artists or friends, classes and/or lectures, and works of art. Also found are several undated ink drawings, sketches in pencil and ink, and a hand-drawn and colored map with overlay of Paris. Printed material includes examples of Bearden's commissioned artwork for publications, press releases, exhibition catalogs and announcements, invitations, newspaper and magazine clippings, and miscellaneous printed materials. Although much of the printed material concerns Bearden's work, a fair portion concerns African-American art, artists, and cultural movements.

Arrangement:

The collection is arranged into seven series based on type of materials. Documents within each of the seven series have been arranged in chronological order, except for the writings which have been further subdivided by creator and are undated. Printed materials have been arranged primarily according to form of material and are in rough chronological order.

Missing Title

Series 1: Biographical, 1977, undated (Box 1; 1 folder)

Series 2: Correspondence, 1944-1981, undated (Box 1-2; 0.8 linear feet)

Series 3: Writings By and About Bearden, circa 1950s-1980s (Box 3; 6 folders)

Series 4: Legal and Financial Material, 1970-1977 (Box 3; 3 folders)

Series 5: Photographs, undated (Box 3; 2 folders)

Series 6: Drawings, undated (Box 3, OV 6; 4 folders)

Series 7: Printed Material, 1937-1982 (Box 3-5; 1 linear foot)

Biographical / Historical:

Born in Mecklenburg County, North Carolina, in 1914, Bearden's family relocated to New York City when Bearden was a toddler. Living in Harlem during the Harlem Renaissance of the 1920s, Bearden was exposed to such luminaries as writer Langston Hughes, painter Aaron Douglas, and musician Duke Ellington. While attending New York University, Bearden became interested in cartooning and became the art editor of the NYU Medley in his senior year. He received his B.S. in mathematics in 1935, initially planning to pursue medical school. Realizing that he had little interest in the other sciences however, Bearden began attending classes at the Art Students League in the evenings, studying under George Grosz.

In the mid-1930s Bearden published numerous political cartoons in journals and newspapers, including the Afro-American, but by the end of the decade, he shifted his emphasis to painting. Bearden's first paintings, on large sheets of brown paper, recalled his early memories of the South. After serving in the Army, Bearden began exhibiting more frequently, particularly in Washington, D.C. at the G Street Gallery and in New York with Samuel Kootz.

During a career lasting almost half a century, Bearden produced approximately two thousand works. Although best known for the collages of urban and southern scenes that he first experimented with in the mid-1960s, Bearden also completed paintings, drawings, monotypes, edition prints, public murals, record album jackets, magazine and book illustrations, and costume and set designs for theater and ballet. His work focused on religious subjects, African-American culture, jazz clubs and brothels, and history and literature. Not confining his abilities to the visual arts, Bearden also devoted attention to writing and song writing. Several of his collaborations were published as sheet music, among the most famous of which is "Seabreeze," recorded by Billy Eckstine. In addition, Bearden coauthored three full-length books: The Painter's Mind: A Study of the Relations of Structure and Space in Painting (1969) with painter Carl Holty; Six Black Masters of American Art (1972); and A History of African-American Artists: From 1792 to the Present (posthumously, 1993), the latter two with journalist Harry Henderson.

Bearden was also active in the African-American arts movement of the period, serving as art director of the Harlem Cultural Council, a founding member of the Black Academy of Arts and Letters, and organizer of exhibitions, such as the Metropolitan Museum's "Harlem on My Mind" (1968). Romare Bearden died in 1988.

Related Materials:

Within the Archives holdings are two oral history interviews with Romare Bearden. One was conducted in 1968 by Henri Ghent and another in 1980 by Avis Berman.

Separated Materials:

The Archives of American Art also holds microfilm of material lent for microfilming (reel N68-87) including correspondence, a scrapbook, photographs, catalogs, clippings, and writings. Except for the correspondence, loaned materials were returned to the donor and are not described in the collection container inventory.

Provenance:

Romare Bearden lent material for microfilming to the Archives of American Art in 1968, donating the correspondence. Bearden also gave additional papers between 1977 and 1983.

Restrictions:

The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State) -- New York  Search this

Collagists -- New York (State) -- New York  Search this

Topic:

African American artists  Search this

Works of art  Search this

Painting  Search this

Genre/Form:

Drawings

Sketches

Exhibition catalogs

Maps -- Paris (France)

Photographs

Citation:

Romare Bearden papers, 1937-1982. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.bearroma

See more items in:

Romare Bearden papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ed3f5b60-2e93-4f30-af75-dbd95d060a90

EDAN-URL:

ead_collection:sova-aaa-bearroma

Creator:

Peri, Eve, 1897-1966  Search this

Extent:

0.6 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Date:

circa 1900-1996, bulk 1939-1966

Summary:

The papers of painter and embroiderer artist Eve Peri measure 0.6 linear feet and date from circa 1900 to 1996 with the bulk of materials dating from 1939 to 1966. The papers are scattered and include biographical materials, travel documents, correspondence, financial records, printed material, designs for embroidered clothing, and photographs.

Scope and Contents:

The papers of painter and embroiderer Eve Peri measure 0.6 linear feet and date from circa 1900 to 1996 with the bulk of materials dating from 1939 to 1966. The papers are scattered and include biographical materials, travel documents, correspondence, financial records, printed material, designs for embroidered clothing, and photographs.

Arrangement:

The collection is arranged as one series.

Series 1: Eve Peri papers, circa 1900-1996 (0.6 linear feet; Box 1, OV2-3)

Biographical / Historical:

Eve Peri (1897-1966) was a collagist, embroiderer, and painter active in New York City, New York.

Eve Peri was born in Bangor, Maine in 1897. From her mother and aunts, Peri learned traditional quilting and embroidery techniques. A largely self-trained artist, she used her skills to design clothing, tapestry, and collages and also painted. She collaborated with her husband Alfonso Umana Mendez, a designer for Fred Leighton, designing women's embroidered clothing. After divorcing in 1939, she traveled around Europe and began to exhibit her works.

Peri moved to Philadelphia, Pennsylvania late in life and opened a gallery in New Hope to show her works. She died in 1966.

Provenance:

The Eve Peri papers were donated by Elizabeth Bullock and Judith Stein, executor and curator of the estate in 2001.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Occupation:

Fiber artists -- New York (State) -- New York  Search this

Embroiderers -- New York (State) -- New York  Search this

Collagists -- New York (State) -- New York  Search this

Topic:

Fiberwork  Search this

Painters -- New York (State) -- New York  Search this

Women artists  Search this

Women painters  Search this

Genre/Form:

Photographs

Citation:

Eve Peri papers, circa 1900-1996, bulk 1939-1966. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.perieve

See more items in:

Eve Peri papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f19e4d58-ffec-4651-af9b-ed91b638b3ec

EDAN-URL:

ead_collection:sova-aaa-perieve

Collection Creator:

Peri, Eve, 1897-1966  Search this

Container:

Box 1, Folder 17

Type:

Archival materials

Date:

circa 1940

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Citation:

Eve Peri papers, circa 1900-1996, bulk 1939-1966. Archives of American Art, Smithsonian Institution.

See more items in:

Eve Peri papers

Eve Peri papers / Series 1: Eve Peri Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9524126ab-977e-473e-85a8-7b66ccb25913

EDAN-URL:

ead_component:sova-aaa-perieve-ref17

Collection Creator:

Peri, Eve, 1897-1966  Search this

Container:

Box 1, Folder 18

Type:

Archival materials

Date:

circa 1940

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Citation:

Eve Peri papers, circa 1900-1996, bulk 1939-1966. Archives of American Art, Smithsonian Institution.

See more items in:

Eve Peri papers

Eve Peri papers / Series 1: Eve Peri Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw99e531dc6-2860-4043-a25c-557e978a0211

EDAN-URL:

ead_component:sova-aaa-perieve-ref18

Collection Creator:

Peri, Eve, 1897-1966  Search this

Container:

Box 1, Folder 2

Type:

Archival materials

Date:

1951

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Citation:

Eve Peri papers, circa 1900-1996, bulk 1939-1966. Archives of American Art, Smithsonian Institution.

See more items in:

Eve Peri papers

Eve Peri papers / Series 1: Eve Peri Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a167c09d-418d-4b9d-8c1d-cfba9be68ec6

EDAN-URL:

ead_component:sova-aaa-perieve-ref2

Collection Creator:

Peri, Eve, 1897-1966  Search this

Extent:

0.6 Linear feet (Box 1, OV 2-3)

Type:

Archival materials

Date:

bulk circa 1900-1996, bulk 1939-1966

Scope and Contents:

The Eve Peri papers are scattered and consist of biographical material, correspondence, personal business records, printed material, artwork, and photographs.

Included are address books; a certificate; a clipping on John F. True, likely Peri's grandfather; estate records; calling cards and travel papers; copies of birth and divorce records; receipts, many from a trip to Rome in 1964; printed materials regarding Peri's art and general art; fragments of a mixed media scrapbook; and printed and original designs for clothing and embroidery.

Correspondence includes letters from friends and institutions. Signed letters are from the Cooper Union for the Advancement of Science and Art, Flair Magazine, J.M. Joubert, and John Rothchild. Other letters are illegible, unsigned or with first names only. Letters from 1964 congratulate Peri on an exhibit of her works in Rome, Italy. Also found is an unsent letter from Peri to Wanda Nordstrom. Many of the clippings include designs of women's embroidered clothing designed by Peri. Photographs are of Peri, in her studio and working on her works of art; of friends and family; homes and buildings; travel; and of works of art.

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Citation:

Eve Peri papers, circa 1900-1996, bulk 1939-1966. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.perieve, Series 1

See more items in:

Eve Peri papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9376fb645-a89c-4999-9278-765faac9bb11

EDAN-URL:

ead_component:sova-aaa-perieve-ref26

Creator:

Lowry, Janice Ann, 1946-2009  Search this

Names:

Art Center College of Design (Pasadena, Calif.) -- Students  Search this

Extent:

18 Linear feet

Type:

Collection descriptions

Archival materials

Notebooks

Visitors' books

Sketchbooks

Photographs

Paintings

Sketches

Collages

Diaries

Illustrated letters

Date:

1957-2009

Summary:

The papers of collagist and painter Janice Lowry measure 18.0 linear feet and date from 1957 to 2009. Lowry's career as an artist in Arizona and California is documented through biographical material, printed material, teaching files, and photographs. The bulk of the papers consist of six diaries; thirteen morning journals; 126 art journals which include both written text and artwork in the form of sketches, paintings, and collages; hand-made artist books; nine notebooks with sketches; and one sketchbook.

Scope and Content Note:

The papers of collagist and painter Janice Lowry measure 18.0 linear feet and date from 1957 to 2009. Lowry's career as an artist in Arizona and California is documented through biographical material, printed material, teaching files, and photographs. The bulk of the papers consist of six diaries; thirteen morning journals; 126 art journals which include both written text and artwork in the form of sketches, paintings, and collages; hand-made artist books; nine notebooks with sketches; and one sketchbook.

Biographical material includes artist statements, price lists, guest books, scattered correspondence, and exhibition, consignment, and sales records. Six diaries document Lowry's childhood from the age of 11 to 16. Thirteen morning journals date from 1998 to 2008 and are almost entirely stream of consciousness written text. In these journals Lowry records her daily life, thoughts, and dreams.

Janice Lowry's artwork is combined with her personal writings in three different sets of books, named and numbered by her - art journals, artist books, and notebooks. She kept the "art journals" for most of her adult life, averaging about four per year; some contain mainly written text, whereas others are mostly visual. There are 126 art journals found within her papers. They are filled with sketches depicting vacation spots, objects around the house, studies for works, and people. The art journals also include collages of photographs, ephemera such as ticket stubs and receipts, and other common household objects.

Artist books were handmade and titled by Lowry. They include comic book stories about her family, collage booklets, and children's books.

Lowry's notebooks contain many sketches and date primarily from Lowry's days as a student at Art Center College of Design. Three later notebooks also contain autobiographical essays about her life and family. There is one sketchbook from the 2000s.

Printed material includes newspaper clippings, magazines, press releases, posters, and gallery catalogs and guides. There are personal photographs of Janice Lowry as well as slides of her work. Teaching files contain class project, assignments, and syllabi.

Arrangement:

The collection is arranged as 7 series:

Missing Title

Series 1: Biographical Material, circa 1964-2009 (Box 1, 18; 1.4 linear feet)

Series 2: Diaries, 1957-1962 (Box 2; 6 folders)

Series 3: Morning Journals, 1998-2008 (Box 2; 0.6 linear feet)

Series 4: Art Journals, Artist Books, Notebooks and Sketchbooks, circa 1973-2009 (Box 3-15, 17-20, 22; 14.2 linear feet)

Series 5: Printed Material, 1974-2009 (Box 15-16, 20; 0.5 linear feet)

Series 6: Photographs, 1965, circa 1980s-2000s (Box 16, 20; 4 folders)

Series 7: Teaching Files, circa 1989-2008 (Box 20-21; 0.5 linear feet)

Biographical Note:

Janice Lowry (1946-2009) created paintings, collages, and assemblages in Arizona and California. She is known for her box creations of homemade frames filled with found objects that often questioned and commented on life, death, journeys, and rites of passages.

Lowry was born in 1946 in Phoenix, Arizona. She started writing diaries when she was 11, and, with the exception of a decade, continued journaling until 2007. She married Jan Gilbert in 1965 and had two sons, Brandon and Kevin. During this period Lowry also set up a studio and started showing her artwork. In 1973, the family moved to California. Shortly after, she began her long battle with depression, and she divorced Jan in 1976.

Remaining in California, Lowry attended Art Center College of Design where she earned a BFA with honors in 1979 and a MFA in painting in 1980. She married Jon Gothold in 1983, and had another son, Brent. Her work sold well in the 1980's, but after her studio was destroyed in an earthquake in 1987, she took a break from making art.

Janice Lowry's first solo show was at Art Space in 1980, and the gallery continued to showcase and sell her work for many years. She taught at Art Center, Cypress College, and Oakridge Private School. Among other shows, she was part of an exhibition about 9/11 at Legacy Arts Gallery in 2001. In 2007, she was named the region's "Best Visual Artist" by the Orange County Weekly. After several health issues, Janice Lowry died of liver cancer in 2009.

Provenance:

Donated 2007 and 2009 by Janice Lowry and in 2014 by Jon Gothold, Lowry's widower and executor.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- California  Search this

Collagists -- California  Search this

Topic:

Women artists  Search this

Art -- Study and teaching  Search this

Artists' books  Search this

Women painters  Search this

Genre/Form:

Notebooks

Visitors' books

Sketchbooks

Photographs

Paintings

Sketches

Collages

Diaries

Illustrated letters

Citation:

Janice Lowry papers, 1957-2009. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.lowrjani

See more items in:

Janice Lowry papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw916bd7bf6-d5b4-444c-80e8-dd5e6c630263

EDAN-URL:

ead_collection:sova-aaa-lowrjani

Collection Creator:

Lowry, Janice Ann, 1946-2009  Search this

Container:

Box 1, Folder 3

Type:

Archival materials

Date:

undated

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Janice Lowry papers, 1957-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Janice Lowry papers

Janice Lowry papers / Series 1: Biographical Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ff1b2bd5-541a-4ae8-8d44-6733aa78f893

EDAN-URL:

ead_component:sova-aaa-lowrjani-ref16

Collection Creator:

Lowry, Janice Ann, 1946-2009  Search this

Container:

Box 1, Folder 10

Type:

Archival materials

Date:

1984-2007

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Janice Lowry papers, 1957-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Janice Lowry papers

Janice Lowry papers / Series 1: Biographical Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw91c78505a-1ac7-4c80-a3cd-6db5fb3826ea

EDAN-URL:

ead_component:sova-aaa-lowrjani-ref20

Collection Creator:

Lowry, Janice Ann, 1946-2009  Search this

Type:

Archival materials

Date:

1976, 1979, 2002-2006

Scope and Contents note:

The notebooks in this series date mostly from Lowry's student days at the Art Center College of Design and date from 1976 to 1979. These early notebooks contain notes from her classes and sketches. There are also four notebooks containing autobiographical essays about her life and family and one sketchbook of figure drawings from the 2000s.

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Janice Lowry papers, 1957-2009. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.lowrjani, Subseries 4.3

See more items in:

Janice Lowry papers

Janice Lowry papers / Series 4: Art Journals, Artist Books, Notebooks and Sketchbooks

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ebe985df-1dee-4382-9400-64d64ac85aca

EDAN-URL:

ead_component:sova-aaa-lowrjani-ref201

Collection Creator:

Lowry, Janice Ann, 1946-2009  Search this

Container:

Box 1, Folder 12

Type:

Archival materials

Date:

circa 1983-1985

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Janice Lowry papers, 1957-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Janice Lowry papers

Janice Lowry papers / Series 1: Biographical Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw91832e2d3-a8c3-4b9e-ab7b-78848397c978

EDAN-URL:

ead_component:sova-aaa-lowrjani-ref22

Collection Creator:

Lowry, Janice Ann, 1946-2009  Search this

Container:

Box 18, Folder 2

Type:

Archival materials

Date:

circa 2000s

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Janice Lowry papers, 1957-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Janice Lowry papers

Janice Lowry papers / Series 1: Biographical Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw98e6f9e63-9d27-4eb4-a4c9-b8493c4b331e

EDAN-URL:

ead_component:sova-aaa-lowrjani-ref242

Collection Creator:

Lowry, Janice Ann, 1946-2009  Search this

Container:

Box 20, Folder 13

Type:

Archival materials

Date:

2002

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Janice Lowry papers, 1957-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Janice Lowry papers

Janice Lowry papers / Series 7: Teaching Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw91b20d510-e67f-4f08-bbba-13e4c5a65877

EDAN-URL:

ead_component:sova-aaa-lowrjani-ref285

Collection Creator:

Lowry, Janice Ann, 1946-2009  Search this

Container:

Box 1, Folder 24

Type:

Archival materials

Date:

circa 1997

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Janice Lowry papers, 1957-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Janice Lowry papers

Janice Lowry papers / Series 1: Biographical Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b674991f-193d-421f-808a-9898a15aa7a1

EDAN-URL:

ead_component:sova-aaa-lowrjani-ref34

Collector:

Whitehead, Henry Preston, 1917-2002  Search this

Extent:

156.91 Linear feet (178 boxes)

Type:

Collection descriptions

Archival materials

Pamphlets

Sound recordings

Clippings

Memorabilia

Newspapers

Photographs

Books

Brochures

Date:

1843-2010

bulk 1940-1986

Summary:

The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection documents Whitehead's careers, as well as his family and personal life. The collection also includes the personal papers of Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The combined collection is comprised of black theatrical memorabilia; materials relating to civil rights activities in the District of Columbia; and the African American experience in general. Included are playbills, sheet music, admission tickets, newspapers, magazines, books, photographs, clippings, flyers, brochures, pamphlets, sound recordings, research files, and other material.

Scope and Contents note:

The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection includes the personal papers of Henry P. Whitehead, Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The collection is divided into four series.

Series I focuses on Whitehead and includes papers dating from 1843 to his death in 2011. This series includes biographical material including a large amount of appointment books, identification and membership cards, resumes, certificates, and personal and family material. There is a limited amount of correspondence, which focuses on his personal relationships with family, friends, and general correspondence relating primarily to his work as a local historian.

Also found within Whitehead's papers are countless records from his time employed by the Washington DC government. Materials include memoranda, notes, research material, handbooks, guides, manuals, affirmative action info and records, affirmative action plans, promotion recommendations, recruitment plans and summaries, personnel files (complaints), civil actions and reports related too Whitehead's 37 years of government employment. It reflects the activities of numerous departments, primarily in regards to employment and affirmative action.

There are also a number of files that document Whitehead's involvement in numerous community organizations. Among the organizations in which Whitehead was involved include U Street Festival, Lincoln Corporation, and the U Street Theater Foundation. The papers of the U Street Foundation document the production and establishment of the annual U Street Festival. The Lincoln Theater Foundation and the U Street Theater Foundation papers document the efforts to reopen the Lincoln Theater. Also included are Whitehead's research on the Lincoln as well as old Lincoln Theatre programs. Additionally found within this series are documents and clippings on the economic development within Washington DC particularly in the Shaw/U Street location.

The majority of this series consists of printed material. Printed material in this series includes books, clippings, magazines, newsletters, newspapers, press releases, sheet music, programs as well as promotional material for several Washington DC theaters and organizations. There is a large quantity of theater programs dating from 1900-1986. The majority of the clippings and magazines are theater related topics, coupled with a miscellaneous selection of clippings on topics that presumably captured Whitehead's attention.

Research, notes and writings include a large amount of scrapbooks compiled by Whitehead of mostly photocopied clippings documenting Washington DC history, African American theater history, and general African American history. Five scrapbooks were compiled by an unknown source and were previously housed in the New York Public Library collection. Two scrapbooks are about general theater history one about Frances Starr and one about Margaret Anglin. There is also one scrapbook pertaiing to Mae Hall. Also included are a large amount of research notes and notebooks along with general miscellaneous notes.

There are several photographs of African Americans in the performing arts as well as images of Washington DC and several unidentified men, women, and children.

Audio recordings include 23 cassette from the Alexandria Church of God.

The remainder of the collection consists of the papers of Tomlinson D. Todd, Elizabeth B. Delaney, and those about the Howard Theatre.

The Howard Theatre papers are arranged in Series II and include documents relating to the Washington DC historic Howard Theatre and date from 1910 to 1986. The papers in this series predominantly document the Howard Theatre Foundation's efforts to reestablish and run the Howard Theatre in which Whitehead was the vice president. Records include business correspondence, founding documents, photographs, memoranda, press releases, member lists, financial records, clippings, and scrapbooks of clippings pertaining to the organization and theatre.

The correspondence in the collection include a handful of letters from the Washington DC government along with individuals and organizations. Also included is a large amount of interoffice memoradums.

Administrative records include lawsuits, resolutions, meeting minutes, grant proposals, press releases, memoranda, member lists, studies and reports.

Financial records include check stubs, receipts, invoices, bank statements, expenses, and contribution lists. Printed material includes original and photocopied clippings relating to the history and coverage of the foundation activities. Mostly promotional material as flyers, brochures, and press releases along with programs. In particular two 1920 Howard Theatre programs.

The scrapbooks of original and photocopied clippings compiled by Whitehead chronicle the history of the theatre and coverage of the foundation activities.

There are three VHS cassette featuring Whitehead discussing the Howard Theatre. Also found in series 2 are numerous stock investment record books belonging to A.E. Lichtman one of the early managers of the Howard Theatre. In addition early correspondence between Lichtman and the Rex Amusement Company concerning operational management issues of the Howard Theatre.

The Tomlinson D. Todd papers are arranged in Series III and date from 1902-1986 they include organization files, collected printed materials, subject files, and personal papers.

The collection includes materials relating to organizations in which there was a relationship to Todd's work and in which he had an interest primarily during the 1940s and 1950s, organizations include the National Negro Congress (ca, 1946-1947); the Congress for Industrial Organizations (1943-1947); National Council of Negro Women (1947-1949); Committee for Racial Democracy in the Nation's Capital (1947-1948).

The subject files include documents from three of Todd's organizations; Institute on Race Relation, Club Internationale, and his radio program "Americans All". As well as printed material from Todd's alma mater Lincoln University.

The largest subject file is "Americans All" which includes radio scripts as well as audio recording of a few programs and public service announcements. Also found are several black and white photographs of Todd at the radio studio. Printed materials include newspapers, leaflets, convention proceedings, and flyers, There are a large amount of programs ranging from church worship to convention as well as performance. Also present is a small amount of personal papers, including resumes, certificates, admission tickets, family documents, and travel ephemera from his all expense paid trip to Nigeria.

There are a few photographs of Todd at functions and with notable individuals as well as some family, friends and travel.

Elizabeth's B. Delaney papers are arranged in Series IV and date from 1874-1973.

The papers primarily document her involvement in four organizations, the Grand Oder of Odd Fellow of Kentucky, the Order Eastern Star Kentucky, the State Federation of Colored Women's Clubs of Kentucky and the National Association of Colored Women. There is a small amount of printed material belonging to her son primarily the Alpha Phi Alpha material and Gospel Choral Sheet Music, and books.

The Scrapbook was complied by Whitehead consisting of photocopied clipping documenting the life of Elizabeth B. Delaney.

Arrangement note:

This collection is arranged into four series:

Series 1: Henry P. Whitehead papers Series 2: Howard Theatre Series 3: Tomlinson D. Todd Series 4. Elizabeth B. Delaney

Biographical/Historical note:

Henry Preston Whitehead Jr., was a native of Columbus Ohio. A graduate of Ohio State University, where he also attended law school and was a member of the Omega Psi Phi fraternity. Mr. Whitehead discovered Washington's "Black Broadway" in 1940, when he was a soldier in town on a weekend furlough. As he served in the Army in the South Pacific during World War II. Prior to moving to Washington DC Henry P. Whitehead worked for five years as a liquor inspector. Mr. Whitehead moved to Washington D.C. in 1949 and worked for the Post Office before working for the District of Columbia government where he stayed 21 years. He led several equal employment initiatives during the 1960s and 1970s, and was last employed as associate director of the District's Office of Human Rights. In 1980 after putting in 37 years of government service Mr. Whitehead retired. Mr. Whitehead was an historian who led efforts to restore Washington's U Street cultural corridor and achieved recognition as an authority on and collector of black theatrical memorabilia. Mr. Whitehead worked to promote and preserve the city's rich African American cultural heritage.

Mr. Whitehead, served as the chairman and president for 10 years of the Howard Theater Foundation Inc., which he helped establish. There he led the effort to include Howard Theatre in the National Register of Historic Places.

Similarly he was an active member of the U Street Festival Foundation. He was an adviser to the Kennedy Center, Anacostia Museum, and other Smithsonian Institution units and contributed materials to their exhibitions. He was also a consultant to historical documentaries broadcast on public television and radio, including PBS's "Duke Ellington's Washington." His writings included "Remembering U Street," a book used for annual festivals in the historic area.

Mr. Whitehead was also the founder and board member of the Lincoln Theatre Foundation.

Henry P. Whitehead Jr. died on January 8th 2002 at the age of 84.

Provenance:

The collection was donated to the Anacostia Community Museum on September 1, 2005 by Michael A. Watkins.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.

Rights:

The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Topic:

Howard Theatre (Washington, D.C.)  Search this

African Americans  Search this

National Negro Congress (U.S.)  Search this

National Council of Negro Women  Search this

Radio broadcasting  Search this

African American neighborhoods  Search this

African American musicians  Search this

Genre/Form:

Pamphlets

Sound recordings

Clippings

Memorabilia -- 20th century

Newspapers

Photographs

Books

Brochures

Citation:

Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.

Identifier:

ACMA.06-042

See more items in:

Henry P. Whitehead collection

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa751389911-f3d5-474b-82b4-126047b9cc46

EDAN-URL:

ead_collection:sova-acma-06-042

Collection Collector:

Watkins, J. Elfreth (John Elfreth), 1852-1903  Search this

Collection Creator:

White, John H., 1933-  Search this

Container:

Box 10, Folder 2

Type:

Archival materials

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Transportation Railroad Reference Files, Archives Center, National Museum of American History.

See more items in:

Division of Transportation Railroad Reference Files

Division of Transportation Railroad Reference Files / Series 2: Equipment, Rolling Stock / 2.2: Research Files for Book in Progress:

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep88aa6cdba-7e25-4c99-ae2d-b348225137e6

EDAN-URL:

ead_component:sova-nmah-ac-0523-ref111

Creator:

Education and Public Programs, Department of (NMAH, SI)  Search this

National Museum of American History (U.S.)  Search this

Extent:

18 Cubic feet (54 boxes)

Type:

Collection descriptions

Archival materials

Questionnaires

Date:

2002-09-08-2006-01-01, undated

Summary:

Visitors' comments collected on pre-printed cards documenting memories of the events of September 11, 2001, and their opinions on how their lives may have changed as a result of those events. Cards collected at each venue during the touring exhibit, "September 11: Bearing Witness to History".

Scope and Contents:

This collection contains comment cards from the exhibit, "September 11: Bearing Witness to History" that originated at the National Museum of American History (NMAH) Smithsonian Institution in Washington, D.C., and traveled to seven additional locations across the United States. The cards asked visitors of the exhibit one of two possible questions:

How did you witness history on September 11, 2001?

How has your life changed because of September 11, 2001?

The collection is divided into six series by location of exhibition and one additional series of additional information. Some of the comment cards were digitized previously and are available at 911digitialarchive.org.

Arrangement:

The collection is divided into six series by location of exhibition and one series of additional materials.

Series 1, National Museum of American History (Washington DC) 2002-2003

Series 2, Fort Worth Museum of Science and History (Fort Worth, Texas) 2003-2004

Series 3, East Tennessee Historical Society (Knoxville, Tennessee) 2004

Series 4, Japanese American National Museum (Los Angeles, California) 2004 July 7-2004 August 15

Series 5, Union Station (Kansas City, Missouri) undated

Series 6, National Heritage Museum (Lexington, Massachusetts) undated

Series 7, Additional Materials, undated

Biographical / Historical:

In the early spring of 2002, the National Museum of American History began production of an exhibition, "September 11: Bearing Witness to History", commemorating the one-year anniversary of the September 11 terrorist attacks. The exhibit was co-curated by curator emeritus David Allison and archivist Susan Strange. Due to the sensitive nature of the topic, delaying the exhibit's production in 2001, museum staff and partners had a 6 to 7-month period to plan and produce the exhibit. The process included not only design and research, but also reaching out to survivors and victim's families to collect personal effects and testimonies. While it proved to be a tremendous and emotionally difficult undertaking, the exhibit was ultimately completed on time.

"September 11: Bearing Witness to History" attracted over a million visitors during its ten-month run at the National Museum of American History on the Mall in Washington, DC, closing on July 6, 2003. With a goal of serving as a space of personal reflection, the exhibition included personal stories, photographs, and artifacts from the World Trade Center towers, the Pentagon, and the Flight 93 crash site in Somerset County, Pennsylvania. The exhibition also had a companion exhibit online (now defunct).

Each of the six exhibit sections were designed to have a somber impact on visitors: a narrow entrance portal featuring reactions to the attacks, a photo gallery featuring professional and amateur photography of the events, the object gallery from the three sites, a video produced by ABC News for the museum, interactive stations where guests listened to individual witness stories, and a visitor ledger where guests could reflect on the exhibit.

After its closing in Washington D.C., the exhibition was hosted at seven locations nationwide, including the Fort Worth Museum of Science and History (Fort Worth, Texas) from September 11, 2003, to January 4, 2004; the East Tennessee Historical Society (Knoxville, Tennessee) from January 30 to May 23, 2004; the Japanese American National Museum (Los Angeles, California) from July 1 to August 15, 2004; the Historical Society of Western Pennsylvania (Pittsburgh, Pennsylvania) from September 11, 2004 to January 2, 2005; the Washington State Historical Society (Tacoma, Washington) from January 30 to April 24, 2005; Union Station, Kansas City (Kansas City, Missouri) from May to August 2005; and the National Heritage Museum (Lexington, Massachusetts) from September 11, 2005 to January 1, 2006.

The exhibition featured the distribution of 5 ½ x 9 ½" comment cards where visitors could write or draw their personal experiences of the September 11 attacks. Only demographic information (age, location, gender) was also collected on these cards, and visitors had the choice of allowing their stories to be presented publicly. Two versions of the cards were used with slight differences in presented information, one that was distributed from the National Museum of American History, and the second being distributed from the host museums. Both versions informed participants that their responses would be part of the Behring Center's permanent archive responsible for preserving September 11th stories.

The comment cards were made available in the exhibition hall in every venue for visitors to record their comments. Some cards were sent back to the museum via mail from abroad or other states. Other submitted cards indicated forethought on part of their creator, with attached memorabilia such as photographs, drawings, flyers, poems, medals and pins, and patches.

Although the exhibition was featured at a total of eight locations, only cards from six of the locations are represented in this collection. The two locations that are not featured are the Historical Society of Western Pennsylvania and the Washington State Historical Society. It is not known if these locations participated in the comment card project.

Numbering perhaps in the tens of thousands, the comment cards capture a vivid, collective memory across all demographics and will serve as an important historic primary source reservoir of early attitudes from the American and global consciousness in the aftermath of the attacks.

Provenance:

Immediate source of acquisition unknown.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Exhibitions -- (creator) -- Washington (D.C.)  Search this

Museum visitors  Search this

September 11 Terrorist Attacks, 2001  Search this

Genre/Form:

Questionnaires

Citation:

September 11 Exhibit Comment Cards, 2002-2006, undated, Archives Center, National Museum of American History, Smithsonian Institution.

Identifier:

NMAH.AC.0848

See more items in:

September 11 Exhibit Comment Cards

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep87db31da3-031e-4832-8dac-391a61585931

EDAN-URL:

ead_collection:sova-nmah-ac-0848

Creator:

Warshaw, Isadore, 1900-1969  Search this

Extent:

10.22 Cubic feet (consisting of 20 boxes, 2 folders, 9 oversize folders, 3 map case folders, 3 flat boxes (2 full, 1 partial.))

Type:

Collection descriptions

Archival materials

Menus

Bills

Ships' passenger lists

Patents

Legislative documents

Photographs

Advertisements

Advertising mail

Advertising

Illustrations

Contracts

Trademarks

Inspections

Programs

Advertising cards

Advertising fliers

Print advertising

Legal documents

Travelogs

Souvenir programs

Business cards

Concert programs

Publications

Commercial correspondence

Correspondence

Receipts

Theater programs

Business records

Legal records

Business ephemera

Invoices

Bills of sale

Ships' logs

Technical reports

Reports

Letterheads

Ephemera

Design patents

Travel brochures

Legislation (legal concepts)

Business letters

Timetables

Travel diaries

Printed ephemera

Place:

New York (N.Y.) -- Transportation

Hudson River

Date:

1777-1965

Summary:

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

Scope and Contents:

Minimally covers the terminus of the wind-powered (sail) era and more fully documents the peak of the engine (steam) era of commercial cargo and passenger vesselsk, including freight and dockage services, maintenance and provisioning, ferry service, navigation (tug and tow) assistance, plus leisure cruising and touring. There is not a significant amount of material on battle or war ships. Includes both short distance routes such as lakes, rivers, and islets, and longer trans-oceanic crossings.

Documents within the collection consist of handbills, broadsides, leaflets, books, business cards, advertisements, insurance forms, wreck reports, passenger lists, baggage tags, freight manifests, rate cards, correspondence on letterhead stationery, booklets, newspaper clippings, postcards, menus, periodicals, manuals, photographs, engravings, woodcuts, sketches, bills of lading, receipts, catalogues, ledgers, journals, purchase orders, broadsides, brochures, custom forms, schedules, shipping and receiving documents, early steam guides, timetables, lithographs, announcements, etc. There are no navigational nautical maps. There is very little in the way of international import/export records. However, domestic and North American freight services are well-covered through invoices, bills of lading, manifests, and receipts for goods and services.

Some materials cover the history and development of steamships, particularly in the latter half of the nineteenth century with the iron screw replacing the wooden paddle steamer in the 1850s. The late 1860s brought the compound engine, which led to the steamship, previously used for the conveyance of mails and passengers, to compete with the sailing vessel in the carriage of cargo for long voyages. The 1870s brought improvements in accommodation for the passenger, with the midship saloon, conveniences in state-rooms, and covered access to smoke rooms and ladies cabins.

Ownership of specific lines and vessels was very fluid throughout shipping history, including the renaming of vessels. Mergers, dissolution, and absorption of fleets were frequent. Thus, researchers should independently seek out a more detailed history for any entity of particular interest.

The general maritime business series focuses on good and services related to maritime operations such as repair, shipbuilding, parts, ticket agents, chandlers, groceries, coal supply, dockage, wharfs/marinas, etc.

Operation records of named vessels contains primarily bills of lading and similar receipts for the movement of material goods or in-water services such as tow and tug assistance.

The largest series covering shipping lines and conglomerates offers a wide assortment of miscellaneous, nonexhaustive operation records for cargo and passenger lines and corporations, typically those with multiple holdings. These documents may include receipts, bills of lading, correspondence, and financial ledgers, plus promotional material for services and routes offered. Passenger sailings and luxury cruise documentation may contain menus, passenger lists, itineraries, shore excursion information, souveniers such as luggage tags, ticket stubs, and postcards. See also the subject category Menus, for additional examples of passenger and cruise ship menus.

When not associated with any of the above, general examples of materials related to the industry have been by arranged by their material type such as images, reports, and serial publications. More formal documentation, especially legal and reports, can be found here.

Narrative type materials related to lore, history, and building and design specifications have been sorted by subject. A scarce amount of material covers ships used for military service. Likewise, there are a few examples of maritime related material from the art world, mostly in the form of catalogues for exhibits or auction of paintings and scale models.

A note on vessel names: those used as contract carriers of mail and when in service, were entitled to unique prefix designations such as Royal Mail Ship (RMS.), otherwise, the ship name may be preceded by the more generic S.S. for single-screw steamer or steamship, SV for sailing vessel, PS for paddle steamer, RV for research vessel or similar type prefix. USS is the standard for the United States Navy commissioned ships while in commission, with HMS used for His/Her Majesty's Ship of the British Royal Navy.

Some of the major lines/companies represented in the collection include: American Line, American Steamship Company, Anchor Line, Compagnie Générale Transatlantique, Cunard-Anchor Line, Cunard Line, Cunard Steam Ship Company, Limited, Cunard White Star Line, Eastern Steamship Lines, Furness, Withy & Company, Hamburg American Line (HAPAG) / Hamburg Amerika Linie, Holland America Line (N.A.S.M. / HAL), Inman Line, International Mercantile Marine Company (IMM), International Navigation Company, North German Lloyd (Norddeutscher Lloyd Bremen), Panama Pacific Line, Peninsular and Oriental, Red Star Line, Royal Mail Steam Packet, U.S. Mail Steamship Company, United States Lines, White Star Line.

Arrangement:

Ships, Boats, and Vessels is arranged in three subseries.

Business Records and Marketing Material

General Maritime Businesses



Operation Records of Named Vessels



Shipping Lines/Conglomerates

Miscellaneous Business Records and Marketing Material

Genre

Keepsakes

Images

Ledger

Legal

News Clippings

Regulatory

Reports

Serial Publications

Stamps/Cigarette Cards

Associations and Societies

Images, Artwork, Racing, Technical Literature

Subject

Battleships, Warships

Destination Guides

Employment and Licensing

Insurance

Maritime History

Maritime Models and Art

Revue Generale Des Sciences

Warshaw Administrative Records

Related Materials:

Several other Warshaw Subject Categories may have closely related material such as Submarines and Transportation. For casual and recreational boating see Boats and Boating Equipment and Yachts. Other subject categories that may have related materials include: Canals, Dredging, Engines, Menus, Railroads (point of common transportation transfer), and Tours. .

Forms Part Of:

Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material

Provenance:

Steamboats [Ships, Boats, and Vessels] is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.

Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Passenger ships  Search this

Marine machinery  Search this

Ships  Search this

Shipbuilding industry  Search this

Ferries  Search this

Transportation -- Japan  Search this

River boats  Search this

Marine engines  Search this

Boats  Search this

Transportation -- Far Eastern  Search this

Ships -- Equipment and supplies  Search this

Merchant Marine -- Manning of vessels -- United States  Search this

Docks  Search this

Health  Search this

Ocean liners  Search this

Merchant Marine -- United States  Search this

Ships -- Far Eastern  Search this

Rivers  Search this

Transportation -- river boat  Search this

World War, 1939-1945 -- Merchant Marine  Search this

Harbors  Search this

Trade associations  Search this

Transportation -- 1900-1910  Search this

Boats and boating  Search this

Water transport -- 18th century  Search this

Boats -- Southeast Asia  Search this

Cargo  Search this

Local transit -- New York (N.Y.)  Search this

Sailboats  Search this

Waterways  Search this

Sailing  Search this

Transportation -- New York (N.Y.)  Search this

Local transit  Search this

Scientific expeditions  Search this

Water transfer  Search this

Transportation -- History  Search this

Wharves  Search this

Steamboats  Search this

Boats -- New York (N.Y.)  Search this

Transportation  Search this

Public health  Search this

Marine engineers  Search this

Ocean travel  Search this

Seamen -- 1910-1920  Search this

Musical performances  Search this

Transportation -- Law and legislation -- United States  Search this

Merchant seamen  Search this

Marine engineering  Search this

Models and modelmaking  Search this

Navigation  Search this

Seamen -- 1940-1950  Search this

Travel  Search this

Importers  Search this

Shipping  Search this

Cruise ships  Search this

Ships -- New York (N.Y.)  Search this

Flags  Search this

Exports -- 19th century  Search this

Genre/Form:

Menus -- Ships -- 1940-1950

Menus

Bills

Ships' passenger lists

Patents

Legislative documents

Photographs

Advertisements

Advertising mail

Advertising

Illustrations

Contracts

Trademarks

Inspections

Programs

Advertising cards

Advertising fliers

Print advertising

Legal documents

Travelogs

Souvenir programs

Business cards

Concert programs

Publications

Commercial correspondence

Correspondence

Receipts

Theater programs

Publications -- Business

Business records

Legal records

Business ephemera

Invoices

Bills of sale

Ships' logs

Technical reports

Reports

Letterheads

Ephemera

Design patents

Travel brochures

Legislation (legal concepts)

Business letters

Timetables

Travel diaries

Printed ephemera

Citation:

Warshaw Collection of Business Americana Subject Categories: Ships, Boats, and Vessels, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

Identifier:

NMAH.AC.0060.S01.01.Steamboats

See more items in:

Warshaw Collection of Business Americana Subject Categories: Steamboats [Ships, Boats, and Vessels]

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8cc542278-2f59-4b3b-9008-a8b7679a46b5

EDAN-URL:

ead_collection:sova-nmah-ac-0060-s01-01-steamboats