Search Results

Author:

Hayslip, Le Ly  Search this

Author:

Wurts, Jay  Search this

Physical description:

1 online resource (xv, 368 pages)

Type:

Personal narratives, Vietnamese

Biography

Electronic books

Personal narratives

Autobiographies

Biographies

Place:

Vietnam

United States

Asia

Southeast Asia

Date:

1989

Topic:

Vietnam War, 1961-1975  Search this

Refugees  Search this

BIOGRAPHY & AUTOBIOGRAPHY--Historical  Search this

HISTORY  Search this

Travel  Search this

Erlebnisbericht  Search this

Vietnamkrieg  Search this

Description and travel  Search this

Call number:

DS556.93.H39 A3 1989 (Internet)

Restrictions & Rights:

1-user

Use copy Restrictions unspecified

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1147318

Creator:

Smith, Alexis, 1949-  Search this

Interviewer:

Drohojowska-Philp, Hunter  Search this

Names:

Holly Solomon Gallery  Search this

Honor Fraser Gallery  Search this

Margo Leavin Gallery  Search this

Mizuno Gallery  Search this

Nicholas Wilder Gallery  Search this

University of California, Irvine -- Students  Search this

University of California, Los Angeles -- Faculty  Search this

Bell, Larry, 1939-  Search this

Burden, Barbara  Search this

Burden, Chris, 1946-  Search this

Celmins, Vija, 1938-  Search this

Chicago, Judy, 1939-  Search this

Coplans, John  Search this

Gehry, Frank O., 1929-  Search this

Grieger, Scott  Search this

Howard, Coy  Search this

Irwin, Robert, 1928-  Search this

Krull, Craig  Search this

Moses, Avilda  Search this

Ruppersberg, Allen, 1944-  Search this

Sedivy, Richard  Search this

Solomon, Jerry  Search this

Extent:

5 Items (Sound recording: 5 sound files (3 hr., 11 min.), digital, wav)

84 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Interviews

Sound recordings

Place:

France -- description and travel

Date:

2014 January 24-April 14

Scope and Contents:

An interview with Alexis Smith conducted 2014 January 24 and April 14, by Hunter Drohojowska-Philp, for the Archives of American Art at Smith's studio, in Venice, California.

Ms. Smith discusses growing up in Southern California and her early years living with her parents on the grounds of Metropolitan State Hospital, a mental institution in Norwalk, California; her mother's death when Ms. Smith was 11; the family's time in Whittier and Palm Springs and being raised as an only child by her father; her early interest in French studies and travel to France as a student; her interest in studying art beginning with a John Coplans class at UC Irvine; her time at at UC Irvine in the early days of the university and her growing attraction to the life of an artist; the origin of her name Alexis Smith; and the encouragement of her fellow artists to continue pursuing her cut-up collages from literature, photos, magazines, and Hollywood ephemera. Ms. Smith also describes her time with her artist women's group in the 70s; her husband Scott Grieger; working for Frank Gehry; her showing with the Nicholas Wilder Gallery; her relationship with Chris Burden and her time with him during his period of performance pieces in the 70s; the Riko Mizuno Gallery; her work with terrazzo and its use for installations at the LA Convention Center, Ohio State University, and other installations; the appropriation of text and the assistance of Jerry Solomon utilizing custom frames in her artwork; the impact of women from history, media and literature on her art; her relationship with Coy Howard; the Holly Solomon Gallery; her Jane series; her On the Road series; her installation Snake Path at UC San Diego; her piece for SITE Santa Fe Red Carpet; teaching at UCLA; her installation of the piece Scarlet Letter at Las Vegas Central Library and its subsequent removal; her associations with Margo Leavin Gallery and Honor Fraser gallery; and the loss of her long-time studio space and the challenges of storing her artwork. Ms. Smith also recalls Judy Chicago, Robert Irwin, Vija Celmins, Larry Bell, Barbara Burden, Richard Sedivy, Avilda Moses, Craig Krull, and Allen Ruppersberg among others.

Biographical / Historical:

Alexis Smith (1949- ) is a collage, multimedia, and installation artist in Los Angeles, California. Hunter Drohojowska-Philp is an art critic and writer from Beverly Hills, California.

General:

Originally recorded as 5 sound files. Duration is 3 hr., 11 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Collagists -- California -- Los Angeles  Search this

Topic:

Art -- Study and teaching  Search this

Installations (Art)  Search this

Multimedia (Art)  Search this

Women artists  Search this

Genre/Form:

Interviews

Sound recordings

Identifier:

AAA.smith14

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9cf7d681a-7826-4d6b-9c1f-4565e032b593

EDAN-URL:

ead_collection:sova-aaa-smith14

Artist:

Hubard, James Master  Search this

Medium:

Silhouette

Type:

Silhouettes

Exhibition Catalogs

Date:

1876

Topic:

State of Being--Disabled--Blind  Search this

Figure(s) In Exterior  Search this

Animal--Dog  Search this

Landscape--Weather--Wind  Search this

Travel--Land  Search this

Control number:

AECI 02970022

Data Source:

Pre-1877 Art Exhibition Catalogue Index

EDAN-URL:

edanmdm:siris_aeci_56718

Author:

Meredith, Henry  Search this

Subject:

Royal African Company History  Search this

Physical description:

[8], viii, 264 pages plate (map) 23 cm

Type:

Books

Place:

Ghana

Date:

1967

1812

Topic:

Ghana  Search this

trading companies  Search this

history  Search this

1700-1799  Search this

1800-1899  Search this

Travel  Search this

Handelscompagnieën  Search this

Description and travel  Search this

Ghana--Description and travel  Search this

Royal African Company  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1145844

Author:

Jones, Rebecca (Research Fellow)  Search this

Physical description:

x, 298 pages illustrations 25 cm

Type:

Books

Literary criticism

Criticism, interpretation, etc

Critiques littéraires

Place:

Nigeria

Date:

2019

20th century

20e siècle

Topic:

Yoruba literature--History and criticism  Search this

Travelers' writings, Nigerian--History and criticism  Search this

African literature (English)--History and criticism  Search this

Littérature yoruba--Histoire et critique  Search this

Littérature africaine (anglaise)--Histoire et critique  Search this

African literature (English)  Search this

Travel  Search this

Travelers' writings, Nigerian  Search this

Yoruba literature  Search this

Description and travel  Search this

Descriptions et voyages  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1154563

Author:

Vergani, Orio 1899-1960  Search this

Montanaro, Gustavo  Search this

Ente autonomo fiera internazionale di Milano  Search this

Physical description:

[16] p. : ill. ; 20 cm

Type:

Books

Exhibitions

Place:

Milan (Italy)

Date:

1968

[1968?]

Topic:

Description and travel  Search this

Call number:

T397.M5 M63

T397.M5M63

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_144657

Author:

Hazard, Samuel 1834-1876  Search this

Physical description:

xxix, 511 pages, 25 unnumbered leaves of plates (1 folded) illustrations, maps, portraits 21 cm

Type:

Texts

History

Maps

Publishers' advertisements

Place:

Hispaniola

Haiti

Haïti

New York (State)

New York

Date:

1873

Topic:

Travel  Search this

History  Search this

Description and travel  Search this

Histoire  Search this

Descriptions et voyages  Search this

Call number:

F1901.H43X

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_210424

Author:

Bacon, Edgar Mayhew 1855-1935  Search this

Author:

Murray-Aaron, Eugene 1852-1941  Search this

Physical description:

xi, 243 pages illustrations, plates, 2 folded maps 19 cm

Type:

Books

Place:

Jamaica

Jamaïque

Date:

1890

Topic:

Travel  Search this

Description and travel  Search this

Descriptions et voyages  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_515074

Collector:

Archives Center, National Museum of American History  Search this

Donor:

Becker, John M.  Search this

Gay Officers Action League. GOAL  Search this

Heritage of Pride (HOP)  Search this

Rohrbaugh, Richard  Search this

Atlantic States Gay Rodeo Association (ASGRA)  Search this

American Federation of Teachers  Search this

Department of Defense, Comprehensive Review Working Group  Search this

Gay Officers Action League. GOAL  Search this

Gay, Lesbian, Bisexual and Transgender Community Center of Baltimore and Central Maryland  Search this

ONE National Gay and Lesbian Archives  Search this

San Diego LGBT Pride  Search this

Servicemembers Legal Defense Network  Search this

Smith College  Search this

University of Connecticut  Search this

William Way Community Center  Search this

Biren, Joan E.  Search this

Bushnell, Megan  Search this

Davidson, James, Dr.  Search this

Dietrich, Joe  Search this

Exline, Gregory  Search this

Florence, Laura  Search this

Huebner, David  Search this

Jain, Shawn  Search this

Karazsia, Amy  Search this

Karazsia, William G.  Search this

Lombardi, Angela  Search this

Lynch, Patsy  Search this

Meinke, Mark  Search this

Nitz, Ryan  Search this

Reichard, Bradley  Search this

Robinson, Franklin A., Jr., 1959- (actor)  Search this

Ros, Silvia  Search this

Sabatino, Michael  Search this

Shannon, Michael A.  Search this

Sheets, Justin  Search this

Snodgrass, Adam  Search this

Voorheis, Robert  Search this

Creator:

Hirsch, Leonard  Search this

Guest, Barbara  Search this

Barna, Joseph T.  Search this

Guest, Michael E.  Search this

Cruse, Howard, 1944-2019  Search this

Other:

Larson, Gordon P., 1910-1988 -- 20th century  Search this

Names:

McWaine, Dwayne, Dr.  Search this

Extent:

66 Cubic feet (200 boxes, 22 map-folders)

67.1 Cubic feet (202 boxes, 22 map-folders)

Type:

Collection descriptions

Archival materials

Passports

Postcards

Photographs

Posters

Videocassettes

Advertising

Dvds

Songbooks

Periodicals

Place:

Canada -- Description and Travel

Germany -- description and travel

Amsterdam (Netherlands)

Washington, D.C. -- history

Los Angeles (Calif.)

New York, New York

Date:

1825-2023, undated

bulk 1960-2022

Summary:

This collection contains a variety of periodicals, photographs, correspondence, business and advertising ephemera (corporate and non-profit, personal), organizational records and ephemera, created by, for, and in reaction to the Lesbian, Gay, Bisexual, Transgender (LGBT) community.

Scope and Contents:

The Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection contains periodicals, ephemera, posters, postcards, advertisements, photographs, organizational records, publications, correspondence, and other materials related to all aspects of the LGBT community and the civil rights issues pertaining thereto. The collection was created by the Archives Center to bring together materials specifically pertaining to the LGBT community. This collection contains material from communities and individuals throughout the United States. The collection is currently strongest in periodicals, newspapers and ephemera and very strong in material from California and New York. The collection continues to add new items and the researcher would be wise to take a broad view in targeting their research topics in the collection.

Arrangement:

The collection is divided into twenty-seven series.

Series 1: Periodicals, 1937-2023

Series 2: Agencies, Associations, and Organizations, 1965-2023, undated

Series 3: Community Life and Subject Files, 1825-2023, undated

Subseries 3.1: Photographs and Slides, 1870-2009, undated

Subseries 3.2: Ephemera and Buttons, 1969-2022, undated

Subseries 3.3: Posters and Prints, 1825-2018, undated

Subseries 3.4: Subject Files, 1958-2019, undated

Subseries 3.5: Pride, 1976-2022, undated

Subseries 3.6: HIV and AIDS, 1987-2020, undated

Subseries 3.7: Gay Games, 1982-2018

Series 4: Advertising, Business, and Publications, 1943-2023, undated

Subseries 4.1: Advertising, 1970-2018, undated

Subseries 4.2: Business, 1986-2021, undated

Subseries 4.3: Television, Theater, and Motion Pictures, 1978-2023, undated

Subseries 4.4: Bar ephemera and advertisement, 1979-2018, undated

Subseries 4.5: Publications, 1943-2021, undated

Series 5: Biren, Joan E. (JEB), 195-2018, undated

Subseries 5.1: Xerographic Copies of Photoprints, 1971-1995, undated.

Subseries 5.2: Posters and Oversize Advertisement, 1973-2018, undated

Series 6: Dietrich, Joseph A., 1992-2010

Series 7: Mattachine Society Records, 1942-1996, undated

Subseries 7.1: Correspondence, 1952-1991, undated

Subseries 7.2: Board of Directors Minutes, 1954-1974, undated

Subseries 7.3: Organizational Information, 1942-1993, undated

Subseries 7.4: Councils, Chapters, and Committees, 1953-1965, undated

Subseries 7.5: Conventions, 1953-1960, undated

Subseries 7.6: Publications, 1944-1996, undated

Series 8: Rainbow History Community Pioneers, 2003-2012, undated

Series 9: Strub, Sean O., addendum, 1987-2011, undated

Series 10: Gay and Lesbian Community Center of Baltimore (GLCCB, 1990-2014, undated

Series 11: Ros, Silvia, 2009-2011

Series 12: Huebner, David, 2009-2014

Series 13: St. George, Philip, 1945-1955, undated

Series 14: Will & Grace, 1995-2006

Series 15: Barna, Joseph T. and Heritage of Pride (HOP), New York, New York, 1910-2014, undated

Subseries 15.1: Photographs, Photographic Negatives, and Slides, 1985-2010, undated

Subseries 15.2: Heritage of Pride (HOP), 1984-2014, undated

Subseries 15.3: Barna, Joseph T., 1910-2013, undated,

Series 16: Becker, John M., 1999-2014, undated

Series 17: Rohrbaugh, Richard, 1972-1986, undated

Series 18: Guest, Michael E., 2001-2009

Series 19: The Fosters, 2013

Series 20: Pride at Work, 1990-2015

Series 21: Sabatino, Michael and Voorheis, Robert, 1980-2016, undated

Subseries 21.1: Archilla, Gustavo A. and Lokkins, Elmer T., 1916-2014, undated

Series 22: Gay Officers Action League (GOAL), 1982-2016, undated

Series 23: Brown, Adele "Del" and Herizon's Bar, 1985-1991, undated

Subseries 1: Changing Herizons, and Herizons Newsletter, 1983-1991

Series 24: Universal Fellowship Metropolitan Community Churches (UFMCC), 1957-2019, undated

Series 25: The Christmas House, Crown Media Family Networks, 2020-2021

Series 26: Cones, Myra L. and Harris, G. Yvonne, 1979-2001, undated

Series 27: Atlantic States Gay Rodeo Association (ASGRA), 1993-2004, undated

Historical Note:

While the quest for equal rights has been pursued by generations, it is generally acknowledged that the modern day Lesbian, Gay, Bisexual, and Transgender (LGBT) civil rights movement began in New York City in June 1969 with the Stonewall Riots. Prior to this time a number of activists, individuals, and organizations such as The Mattachine Society, Daughters of Bilitis and others, fought to bring recognition of LGBT civil rights to the forefront of American society. While the movement was primarily, and most visably, centered in New York City and San Francisco, periodicals, guide books, and ephemeral material interconnected the larger LGBT community throughout the United States. The increased visibility of the LGBT movement inspired affinity groups at odds with the LGBT community's new found visibility and quest for broader civil rights. The challenge to what was termed "traditional" values encouraged these counter-LGBT groups to define and solidfy their constituency and also become more pro-active. This collection comprises material that is generated by individuals and organizations promoting both points of view.

Related Materials:

Materials in the Archives Center

Michio and Aveline Kushi Macro-Biotics Collection (AC0619)

The Shamrock Bar: Photographs and Interviews (AC0857)

John-Manuel Andriote Victory Deferred Collection (AC1128)

Archives Center Wedding Documentation Collection (AC1131 )

Division of Science, Medicine, and Society HIV/AIDS Reference Collection (AC1134)

John-Manuel Andriote Hot Stuff: A Brief History of Disco Collection (AC1184)

Joan E. Biren (JEB) Queer Film Museum Collection (AC1216)

World AIDS Institute (WAI) Collection (AC1266)

Servicemembers Legal Defense Network (SLDN) Records (AC1282)

Helping Persons with AIDS (HPA) Records (AC1283)

DC Cowboys Dance Company Records (AC1312)

Bil Browning and Jerame Davis Papers (AC1334)

David Hadley Rockwell New York Disco Ephemera Collection (AC1342)

Leonard P. Hirsch Federal Globe Records (AC1357)

Corbett Reynolds Papers (AC1390)

Mark Segal Papers (AC1422)

The Mattachine Society of Washington "Love in Action" Collection (AC1428)

Academy of Washington Records (AC1458)

Matthew Shepard Papers (AC1463)

I'm From Driftwood Records (AC1503)

The Division of Political History holds artifacts related to gay activist Franklin Kameny and a variety of political buttons. They also hold LGBT related artifacts from Joan E. Biren (JEB).

The Division of Medical and Science holds objects donated from Dr. Renee Richards, Sean O. Strub, and Leonard Hirsch.

The Division of Entertainment and the Arts holds objects donated by The Fosters, Will & Grace, and The Christmas House.

Provenance:

This collection was assembled by the Archives Center, National Museum of American History, Smithsonian, beginning in 2004.

Restrictions:

The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Women's music  Search this

Transgender people -- Identity  Search this

Sexual orientation  Search this

Political activists  Search this

Lesbianism  Search this

Lesbian and gay experience  Search this

Gay activists  Search this

Homosexuality  Search this

HIV and AIDS  Search this

Feminism  Search this

Bisexuality  Search this

Bars (Drinking establishments)  Search this

Gay Pride  Search this

Genre/Form:

Passports

Postcards

Photographs -- 2000-2010

Posters

Videocassettes

Advertising

DVDs

Photographs -- 20th century

Songbooks

Periodicals

Citation:

Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution

Identifier:

NMAH.AC.1146

See more items in:

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep80327b53b-2daa-47d1-8c11-89a7b3f4e1bd

EDAN-URL:

ead_collection:sova-nmah-ac-1146

Interviewee:

Harris, Lyle Ashton, 1965-  Search this

Interviewer:

Fialho, Alex, 1989-  Search this

Names:

American Academy in Rome -- Students  Search this

California Institute of the Arts -- Students  Search this

Visual Arts and the AIDS Epidemic: An Oral History Project  Search this

Wesleyan University (Middletown, Conn.) -- Students  Search this

Whitney Museum of American Art  Search this

Baker, Houston A., Jr., 1943-  Search this

Barton, Nancy, (Artist)  Search this

Basquiat, Jean-Michel, 1960-1988  Search this

Butler, Cornelia H.  Search this

Carby, Hazel V.  Search this

Collier, Jim  Search this

Gates, Henry Louis, Jr.  Search this

Geer, Tommy  Search this

Goldin, Nan, 1953-  Search this

Gonzalez-Torres, Felix, 1957-1996  Search this

Gray, Todd, 1954-  Search this

Grayson, John, 1943-  Search this

Hemphill, Essex  Search this

Julien, Isaac  Search this

Lord, Catherine, 1949-  Search this

Mapplethorpe, Robert  Search this

Mays, Vickie M.  Search this

O'Dench, Ellen  Search this

O'Meally, Jackie  Search this

O'Meally, Robert G., 1948-  Search this

Riggs, Marlon T.  Search this

Seeley, J.  Search this

Sekula, Allan  Search this

Tate, Greg  Search this

Tilton, Jack  Search this

Watson, Simon  Search this

Wilson, Millie  Search this

Woodman, Francesca, 1958-1981  Search this

Extent:

6 Items (Sound recording: 6 sound files (8 hr., 6 min.), digital, wav)

95 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Interviews

Sound recordings

Place:

England -- London -- Description and Travel

Ghana -- Description and Travel

Netherlands -- Amsterdam -- Description and Travel

New York (N.Y.) -- Description and Travel

Tanzania -- Description and Travel

Date:

2017 March 27-29

Scope and Contents:

An interview with Lyle Ashton Harris, conducted 2017 March 27 and 29, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Harris's studio and home in New York, New York.

Harris speaks of his childhood in the Bronx; his family's influence on his race-consciousness; living in Tanzania for two years as a child and the effects on his understanding of race and sexuality; his grandfather's extensive photographic archive; contact with the South African diaspora through his step-father; attending Wesleyan University; formative experiences in London, Amsterdam, and New York in the mid-1980s; his education and development as a photographer; attending CalArts and encountering West Coast AIDS activism; encountering systemic racism in Los Angeles; close friendships with Marlon Riggs and Essex Hemphill; exhibitions of his work in New York in the early 1990s; the production of his Ektachrome Archive and his impulse to photograph daily life; his work on the Black Community AIDS Research and Education (Black C.A.R.E.) project in Los Angeles; participating in the Whitney Museum's Independent Study Program; being diagnosed with HIV and remaining asymptomatic; attending the Dia Black Popular Culture Conference in 1992; photographing and mounting "The Good Life" in 1994 and "The Watering Hole" in 1996; issues of blackness and queerness in his photographic work; his residency at the American Academy in Rome in 2000; moving to Accra, Ghana for seven years in 2005; his pedagogy as an art professor; his thoughts on the lack of voices of color in the Visual Arts and the AIDS Epidemic Oral History Project and in the larger power structures of the art world; and his hope that his artistic legacy will be evaluated in its proper context. Harris also recalls Jackie and Robert O'Meally, Jay Seeley, Ellen O'Dench, Francesca Woodman, Jean-Michel Basquiat, Jim Collier, Robert Mapplethorpe, Allan Sekula, Hazel Carby, Isaac Julien, Catherine Lord, Millie Wilson, Todd Gray, John Grayson, Tommy Gear, Marlon Riggs, Essex Hemphill, Felix Gonzalez-Torres, Nancy Barton, Vickie Mays, Connie Butler, Greg Tate, Henry Louis Gates, Houston Baker, Nan Goldin, Jack Tilton, Simon Watson, and others.

Biographical / Historical:

Lyle Ashton Harris (1965- ) is an artist who works in video, photography, and performance in New York, New York. Alex Fialho (1989- ) is a curator and arts writer and works as Programs Director for Visual AIDS in New York, New York.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Occupation:

Performance artists -- New York (State) -- New York  Search this

Photographers -- New York (State) -- New York  Search this

Video artists -- New York (State) -- New York  Search this

Topic:

AIDS activists  Search this

AIDS (Disease) and the arts  Search this

Racism  Search this

African American artists  Search this

Artists (LGBTQ)  Search this

Gay artists  Search this

African American art -- African influences  Search this

African American educators  Search this

African American photographers  Search this

Genre/Form:

Interviews

Sound recordings

Sponsor:

Funded by the Keith Haring Foundation.

Identifier:

AAA.harris17

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9559d7597-04b4-4644-b6ae-bca2bdb27f88

EDAN-URL:

ead_collection:sova-aaa-harris17

Collector:

Vogt-O'Connor, Diane  Search this

Donor:

Vogt-O'Connor, Diane  Search this

Creator:

Stillfried, Raimund, Baron von, 1839-1911  Search this

Kusakabe, Kimbei, 1841-1934  Search this

Extent:

3 Albumen prints (color, 8.5 x 10.5 in.)

Type:

Collection descriptions

Archival materials

Albumen prints

Place:

Japan -- Description and Travel

USA -- District of Columbia -- Washington

Date:

circa 1878-1879

Scope and Contents:

Three handcolored albumen prints, one of Kamata Yashiki Garden in Tokyo; and two depicting Japanese women: one attributed to Baron Raimond Von Stillfired of Austria (1839-1911), circa 1879, depicting Japanese women in an architectural setting, and the other attributed to Kusakabe Kimbei (active 1880's), circa 1878, showing two seated Japanese women playing go in an architectural interior.

蒲田梅屋敷

Arrangement:

1.5 linear feet

Biographical / Historical:

Diana Vogt O'Conner is an established archivist who has worked at a number of places, including the Smithsonian Institution Archives, the Society of American Archivists, the National Archives and Records Administration, and the National Park Service. She works as an archival consultant for both private and public institutions throughout the world. Conner has published a number of books and guides relating to specific collections, museology, and the archival field.

Local Numbers:

FSA A1991.03

Restrictions:

Collection is open for research.

Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Genre/Form:

Albumen prints

Citation:

Diane Vogt O'Connor Photograph Collection. FSA.A1991.03. National Museum of Asian Art Archives. Smithsonian Institution, Washington D.C.

Identifier:

FSA.A1991.03

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3d34b005e-bcca-4cdd-8112-1b3b3f5ee53a

EDAN-URL:

ead_collection:sova-fsa-a1991-03

Interviewee:

Metcalf, Bruce, 1949-  Search this

Interviewer:

Cooke, Edward S., 1954-  Search this

Creator:

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Names:

Colorado State University -- Faculty  Search this

Kent State University -- Faculty  Search this

Montana State University (Bozeman, Mont.)  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Society of North American Goldsmiths  Search this

State University of New York at New Paltz -- Students  Search this

Syracuse University -- Students  Search this

Tyler School of Art -- Students  Search this

University of the Arts (Philadelphia, Pa.) -- Faculty  Search this

Adamson, Glenn  Search this

Arneson, Robert, 1930-1992  Search this

Bauer, Fred  Search this

Bennett, Jamie, 1948-  Search this

Burns, Mark, 1950-  Search this

Church, Sharon, 1948-  Search this

Clark, Garth, 1947-  Search this

Craig, Gabriel  Search this

Cummins, Susan  Search this

Daley, William, 1925-2002  Search this

Ebendorf, Robert, 1938-  Search this

Eidelberg, Martin P.  Search this

Flynn, Pat, 1954-  Search this

Getty, Nilda  Search this

Gill, John, 1949-  Search this

Griffin, Gary, 1945-  Search this

Halem, Henry  Search this

Hammer, Wayne  Search this

Hash, Arthur, 1976-  Search this

Jerry, Michael John, 1937-  Search this

Kington, L. Brent (Louis Brent), 1934-2013  Search this

Koplos, Janet  Search this

Koss, Gene  Search this

Kumata, Carol  Search this

La Plantz, David  Search this

Lechtzin, Stanley, 1936-  Search this

Long, Randy  Search this

Matzdorf, Kurt  Search this

Mawdsley, Richard, 1945-  Search this

Moran, Lois  Search this

Morris, William, 1834-1896  Search this

Pritchard, Marian  Search this

Rogers, Harriet  Search this

Rogers, Steve  Search this

Ruskin, John, 1819-1900  Search this

Schaechter, Judith, 1961-  Search this

Shaw, Richard, 1941 Sept. 12-  Search this

Slivka, Rose  Search this

Slosberg, Jill  Search this

Wilson, Anne, 1949-  Search this

Woell, J. Fred, 1934-  Search this

Extent:

96 Pages (Transcript)

5 Items (Sound recording: 5 sound files (4 hr., 10 min.), digital, wav)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Place:

California -- description and travel

Seoul (Korea) -- Description and Travel

Date:

2009 June 10

Scope and Contents:

An interview of Bruce Metcalf conducted 2009 June 10, by Edward S. Cooke, Jr., for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Metcalf's home, in Bala Cynwyd, Pennsylvania. Mr. Metcalf discusses his early years in Amherst, Massachusetts; beginnings as a maker with modeling clay and plastic airplane models; undergraduate years at Syracuse University, Syracuse, New York in the late 1960s; early interest in architecture; early disenchantment with modernist discourse and theory; introduction to Marxist theory and idealism of the 1960s; summer trip to California in 1970; return to the East Coast upon the death of his father; return to college, transferring into jewelry in his senior year; influence of his teacher Michael Jerry; seeing the work in "Objects: USA" exhibition (1969) and influence of the work of J. Fred Woell, Richard Mawdsley, L. Brent Kington; rejection of current trends in art, including conceptual art and formalism; his affinity for the medium of metal, and hammersmithing; influence of funk ceramics, including work by Fred Bauer and Richard Shaw; brief stint at Montana State University, Bozeman; working in cardboard and wood; graduate school at the State University of New York, New Paltz; working with Robert Ebendorf and Kurt Matzdorf at New Paltz; work as a production artist/craftsperson; attending Rhinebeck, New York, craft fair in the mid-1970s; the influence of writings by William Morris and John Ruskin and the notion of "dignified labor"; graduate school at Tyler School of Art, Philadelphia, Pennsylvania; formulating his aesthetic of narrative symbolism; publication of his first article in 1977 as a response to review of the exhibition "Forms in Metal: 275 Years of Metalsmithing in America" (1975); yearlong teaching position at Colorado State University, Fort Collins, Colorado; taking a teaching position at Kent State University, Kent, Ohio (1986-1991); publication of his article "Crafts: Second-Class Citizens?" in the first issue of Metalsmith, 1980; growing involvement with the Society of North American Goldsmiths; development of his notion of "social utility" and the role and function of crafts and making; expansion of his writing on craft; rejection of the deconstructivist school of thought in the 1980s; abandonment of sculptural objects for jewelry in the early 1990s; return to Philadelphia in 1991; early teaching of history of craft, first at Kent, then on a Fulbright scholarship in Seoul, South Korea (1990), later at the University of the Arts, Philadelphia, in the early 1990s; influence of Martin Eidelberg; development of his vision for a history of craft course; collaboration with Janet Koplos on "Makers: A History of American Studio Craft"; use of his medium and craft to explore issues of nurturing and anxiety; the psychological/social effect and aesthetic importance of wearing jewelry (for the wearer and the artist); the pros and cons of craft collectors; the problematics of installation work by craft artists; recent trends in craft, including Anne Wilson's notion of "sloppy craft" and an "anti-craft" attitude; recent artists, including Arthur Hash and Gabriel Craig; lack of exhibition opportunities for younger/emerging artists; influential recent texts, including "Shards," by Garth Clark. He also recalls Robert Arneson, Randy Long, Carol Kumata, Jamie Bennett, Steve and Harriet Rogers, Wayne Hammer, Stanley Lechtzin, Gene Koss, Henry Halem, Mark Burns, Rose Slivka, Nilda Getty, Jill Slosberg, Sharon Church, John Gill, David La Plantz, Lois Moran; Gary Griffin; William Daley, Marian Pritchard, Glenn Adamson, Pat Flynn, Susan Cummins, and Judith Schaechter.

The following oral history transcript is the result of a recorded interview with Bruce Metcalf on June 10, 2009. The interview took place in Bala Cynwyd, Penn., and was conducted by Edward S. Cooke, Jr. for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Bruce Metcalf has reviewed the transcript. His corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose.

Biographical / Historical:

Bruce Metcalf (1949- ) is a jeweler and writer in Bala Cynwyd, Pennsylvania.

General:

Originally recorded as 5 sound files. Duration is 4 hr., 10 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.

Topic:

Ceramics  Search this

Communism  Search this

Deconstructivism (Architecture)  Search this

Conceptual art  Search this

Formalism (Art)  Search this

Jewelers -- Pennsylvania -- Interviews  Search this

Metal-work  Search this

Jewelry making  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.

Identifier:

AAA.metcal09

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw974054f15-9dfd-4aea-98f7-707fd609918e

EDAN-URL:

ead_collection:sova-aaa-metcal09

Creator:

D'Harnoncourt, Rene, 1901-1968  Search this

Names:

American Federation of Arts  Search this

Art in America  Search this

Museum of Modern Art (New York, N.Y.)  Search this

Sarah Lawrence College -- Faculty  Search this

United States. Indian Arts and Crafts Board  Search this

Alvarez Bravo, Manuel, 1902-  Search this

Covarrubias, Miguel, 1904-1957  Search this

Durieux, Caroline, 1896-1989  Search this

Fosado, Víctor  Search this

Klumb, Henry, 1905-1984  Search this

Marriott, Alice  Search this

Tantaquidgeon, Gladys Iola  Search this

d'Harnoncourt, Sarah  Search this

Extent:

2.4 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Sketches

Scrapbooks

Drawings

Place:

Mexico -- description and travel

Date:

1921-1983

Summary:

The papers of Austrian born curator, lecturer, and museum director, René d'Harnoncourt (1901-1968), document d'Harnoncourt's activities, primarily in the 1930s and 1940s, particularly as they relate to Mexican and Native American art. D'Harnoncourt's career, including his arrival in Mexico in 1925, his curation of the exhibitions, Mexican Art (1930-1932), and Indian Art of the United States (1941), and his work for the Department of the Interior's Indian Arts and Crafts Board from 1937-1944, are documented in small amounts of biographical material and correspondence, published writings, printed material, scrapbooks, photographs of d'Harnoncourt and colleagues, and photographs of works of art. The collection also contains a drawing of d'Harnoncourt, and photocopies of caricatures of d'Harnoncourt and others.

Scope and Contents:

The papers of Austrian-American curator, lecturer, and museum director, René d'Harnoncourt (1901-1968), document d'Harnoncourt's activities, primarily in the 1930s and 1940s, particularly as they relate to Mexican and Native American art. D'Harnoncourt's career, including his arrival in Mexico in 1925, his curation of the exhibitions, Mexican Art (1930-1932), and Indian Art of the United States (1941), and his work for the Department of the Interior's Indian Arts and Crafts Board from 1937-1944, are documented in small amounts of biographical material and correspondence, published writings, printed material, scrapbooks, photographs of d'Harnoncourt and colleagues, and photographs of works of art. The collection also contains a drawing of d'Harnoncourt, and photocopies of caricatures of d'Harnoncourt and others.

Biographical material consists of d'Harnoncourt's official Austrian departure documents for his travel to Mexico in 1925; pages of an appointment book from 1932; and notes on d'Harnoncourt's career that index publications in which he is mentioned amongst other things, prepared by Sarah d'Harnoncourt.

Correspondence and memoranda relate primarily to the Mexican Arts exhibition, (1930-1932) sponsored by the American Federation of Arts; the "Art in America" radio program, organized by the American Federation of Arts with the cooperation of the Museum of Modern Art; d'Harnoncourt's part time teaching position at Sarah Lawrence College in Bronxville; and his appointment as General Manager of the Indian Arts and Crafts Board. Later correspondence references research on d'Harnoncourt's work for the Indian Arts and Crafts Board, and includes information on d'Harnoncourt, provided in response to inquiries about him.

Writings by d'Harnoncourt include published articles on Mexican and Indian arts and crafts, a 1969 reprint of d'Harnoncourt's and Frederic H. Douglas's expanded version of the catalog for Indian Art of the United States, a foreword, and two seminar/symposium papers. Unpublished writings comprise two typescripts. The series also includes several writings by others.

Printed material includes announcements and exhibition catalogs, documentation of the "Art in America Program," published books belonging to and/or referencing d'Harnoncourt, Department of Interior publications, including some issued by the Indian Arts and Crafts Board, Museum of Modern art press releases, news clippings relating to d'Harnoncourt and his activities, and miscellaneous printed material.

Additional clippings from a dismantled scrapbook(s) document the Mexican Arts exhibition.

Artwork and artifacts include one original sketch in colored pencil of d'Harnoncourt by Austrian artist, Silverbauer, photocopies of caricatures and doodles by d'Harnoncourt, Miguel Covarrubias, and Caroline Durieux, and two Indian Arts and Crafts Board weaving samples.

Photographs are of d'Harnoncourt, Sarah d'Harnoncourt, and friends and colleagues. They include a photograph of d'Harnoncourt by Manuel Alvarez-Bravo; snapshots of others including Fred Davis; Sarah d'Harnoncourt and folk art specialist, Victor Fosado; fellow Indian Arts and Crafts Board members, architect Henry Klumb, Alice Marriot, and anthropologist, author, and tribal council member, Gladys Tantaquidgeon. Also found are three photographs of Mexican Art exhibition installations; fourteen photographs of Native Americans; three photographs showing covers and/or fronts pieces of d'Harnoncourts books Beast, Bird and Fish, Mexicana, The Hole in the Wall, and The Painted Pig; and photographs of artwork included in the Mexican Art exhibition and an exhibition of Australian Aboriginal Cave Paintings (1947).

Arrangement:

The collection is arranged as seven series.

Missing Title

Series 1: Biographical Material, 1925-circa 1978 (5 folders; Box 1)

Series 2: Correspondence and Memoranda, 1929-1981 (5 folders; Box 1)

Series 3: Writings, 1928-circa 1970s (0.4 linear feet; Box 1, OV 4)

Series 4: Printed Material, 1921-1979 (1.1 linear feet; Boxes 1-2, OV 4)

Series 5: Scrapbooks, 1930-1933 (0.3 linear feet; Box 2)

Series 6: Artwork and Artifacts, circa 1926-circa 1950s (3 folders; Box 3)

Series 7: Photographs, 1930-1983 (0.25 linear feet; Box 3, OV 4)

Biographical / Historical:

Austrian born curator, lecturer, and museum director, René d'Harnoncourt (1901-1968), was an authority on Native American art and Mexican arts and crafts. He curated and toured with a traveling exhibition, Mexican Art, from 1930-1932, guest curated the exhibition, Indian Art of the United States, for the Museum of Modern Art in 1941, served on the Department of the Interior's Indian Arts and Crafts Board from 1937-1944, and was Director of the Museum of Modern Art from 1949-1968.

D'Harnoncourt was born in Vienna, Austria, in 1901. He left Austria for Mexico in 1925, and began working for American, Frederick Davis, who owned a shop that sold Mexican antiquities and folk art in Mexico City. At this time, d'Harnoncourt made many important connections, including meeting American Ambassador to Mexico, Dwight Morrow, and his wife, Elizabeth Morrow. D'Harnoncourt illustrated several books in the early 1930s, including The Painted Pig (1930) and Beast, Bird and Fish (1933), both written by Elizabeth Morrow, and The Hole in the Wall (1931) and Mexicana: A Book of Pictures (1931). According to Sarah d'Harnoncourt, her husband considered himself an amateur in the field of book illustration, which he enjoyed as a means of self-amusement.

In 1929, d'Harnoncourt was asked to curate an extensive exhibition of Mexican art to travel to major cities in the United States, sponsored by the American Federation of Arts. D'Harnoncourt toured with this exhibition, Mexican Art, for two years, beginning at the Metropolitan Museum of Art in October, 1930.

D'Harnoncourt visited Austria briefly in 1932, then returned to the United States in 1933 and married Sarah Carr the same year. He became a naturalized United States citizen in 1939.

Between 1933 and 1944, d'Harnoncourt directed the radio program "Art in America," organized by the American Federation of Arts in cooperation with the Museum of Modern Art. He also taught art history at Sarah Lawrence College from 1934-1937. In 1936 he began working for the Indian Arts and Crafts Board of the Department of the Interior, becoming General Manager in 1937, and the Board's Chairman in 1944. As General Manager he curated an exhibition on Indian art for the San Francisco Golden Gate International Exposition in 1939, and installed an expanded version of the exhibition, Indian Art of the United States, as guest curator for the Museum of Modern Art in 1940-1941.

In 1944, d'Harnoncourt joined the Museum of Modern Art as Vice President in charge of Foreign Activities, focusing his work on Latin America, and as Director of the Department of Manual Industries, responsible for the preservation of Native American art and culture. In 1949 he was appointed Director of the Museum of Modern Art, and served in this capacity until his death in an automobile accident in 1968.

Related Materials:

An oral history of René d'Harnoncourt, interviewed by Isabel Grossner in 1968, can be found at Columbia University, Oral History Research Office, 801 Butler Library, 535 West 114 Street, New York, NY 10027.

Separated Materials:

The bulk of René d'Harnoncourt's papers are in the Museum Archives of the Museum of Modern Art. The Museum's 59.25 linear feet document, in particular, d'Harnoncourt's years with the Museum from 1944-1968. That collection also includes papers donated by Sarah d'Harnoncourt which relate to d'Harnoncourt's time in Mexico, from 1925-1932, and his work in the United States from 1933-1944. While these holdings may overlap occasionally with the papers in the Archives of American Art (some items at the Archives of American Art, for instance, may be photocopies of originals at the Museum), the bulk of the Archives' d'Harnoncourt papers appear to be distinct from those at the Museum.

The Archives of American Art also holds microfilm of material lent for microfilming (reels 2919-2931) including papers generated by d'Harnoncourt during his professional affiliation with the Museum of Modern Art, such as, personal files, three appointment notebooks, professional files including Latin American correspondence, exhibition files, files documenting outside affiliations, and departmental and special event files. Loaned materials were returned to the lender and are not described in the collection container inventory.

Provenance:

D'Harnoncourt's widow, Sarah d'Harnoncourt, donated the René d'Harnoncourt papers to the Archives of American Art in 1975, 1981, and 1984. An additional eleven linear feet of material was lent by the Museum of Modern Art's for microfilming in 1983.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Rights:

Reels 2919-2931: Authorization to publish requires written permission from Museum of Modern Art, New York, N.Y. MoMA requires full citation to include microfilm reel and frame numbers, and reference to MoMA as the owner of the Rene d'Harnoncourt papers. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Art museum directors -- New York (State) -- New York  Search this

Art, Mexican  Search this

Art, Aboriginal Australian  Search this

Art -- Study and teaching  Search this

Latino and Latin American artists  Search this

Indian art -- Exhibitions  Search this

Cave paintings -- Austrailia  Search this

Curators -- New York (State) -- New York  Search this

Art, Latin American  Search this

Function:

Art museums -- New York (State)

Genre/Form:

Photographs

Sketches

Scrapbooks

Drawings

Citation:

René d'Harnoncourt papers, 1921-1983. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.dharrene

See more items in:

René d'Harnoncourt papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9356d27d9-b5c7-460b-aed6-eb1caf6be354

EDAN-URL:

ead_collection:sova-aaa-dharrene

Interviewee:

Roth, Moira  Search this

Interviewer:

Heinemann, Sue  Search this

Creator:

Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this

Names:

Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this

London School of Economics and Political Science -- Students  Search this

University of California, Berkeley -- Students  Search this

University of Vienna -- Students  Search this

Women's Caucus for Art  Search this

Antin, Eleanor  Search this

Baca, Judith Francisca  Search this

Bernardi, Claudia  Search this

Chadwick, Whitney  Search this

Chicago, Judy, 1939-  Search this

Duchamp, Marcel, 1887-1968  Search this

Jacob, Mary Jane  Search this

Kaprow, Allan  Search this

Kozloff, Joyce  Search this

Lacy, Suzanne  Search this

Lippard, Lucy R.  Search this

Machida, Margo  Search this

Nochlin, Linda  Search this

Ringgold, Faith  Search this

Schapiro, Miriam, 1923-2015  Search this

Selz, Peter Howard, 1919-2019  Search this

Stevens, May  Search this

Extent:

5 Items (Sound recording, master: 5 memory cards (6 hr., 9 min.), secure digital, 1.25 in)

81 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Place:

Cornwall (England : County) -- Description and Travel

Europe -- description and travel

Date:

2011 April 22-24

Scope and Contents:

An interview of Moira Roth conducted 2011 April 22- 24, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History Project, at Roth's home, in Berkeley, California.

Roth discusses her childhood and family background; her "unconventional" mother attending the London School of Economics; her "romantic childhood" growing up in Cornwall, England; her family's move to Letchworth for her to attend St. Christopher, a Montessori school; taking in evacuees from London during the Battle of Britain in 1940; childhood colored with European culture, Jewish culture, and music; at 17 moving from England to Washington, D.C., to live with her Irish father who was working for the International Monetary Fund; her early "passion for travelling"; moving to New York City in 1952; meeting John Cage; her autobiographical writings; travels in Europe; studies at the University of Vienna and the London School of Economics; deciding to be a psychiatric social worker; majoring in sociology with a minor in art history; attending graduate school in art history; her interest in Duchamp; doctoral studies at the University of California, Berkeley; interviewing artists; her marriage to Bill Roth; teaching; early publications; performances at the Woman's Building in the late 1970s; editing the book "The Amazing Decade: Women & Performance Art in America, 1970-1980" (1983); traveling with Faith Ringgold; friendships with Linda Nochlin, May Stevens, Lucy Lippard and others; experimental theater; her interest in Noh theater; the Women's Caucus for Art at CAA; The Poor Farm contemporary art space; living in the Bay Area; "rethinking feminism in terms of Asian-American Women"; globalism; the fictional character she created, Rachel Marker; and other topics. She recalls Joyce Kozloff, Miriam Schapiro, Judy Chicago, Judy Baca, Claudia Bernardi, Eleanor Antin, Margo Machida, Mary Jane Jacob, Annika Marie, Whitney Chadwick, Suzanne Lacy, Allan Kaprow, Peter Selz, and others.

Biographical / Historical:

Moira Roth (1933- ) is an art historian and writer in Berkeley, California.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Art historians -- California -- Interviews  Search this

Authors -- California -- Berkeley  Search this

Topic:

Art -- History -- Study and teaching  Search this

Asian American women  Search this

Britain, Battle of, Great Britain, 1940  Search this

Experimental theater  Search this

Feminism and art  Search this

Nō  Search this

Sociology -- Study and teaching  Search this

World War, 1939-1945  Search this

Women art historians  Search this

Women authors  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview is part of the Elizabeth Murray Oral History of Women in the Visual Arts Project, funded by the A G Foundation.

Identifier:

AAA.roth11

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw99573b541-22b4-4db2-bf92-479464510b5f

EDAN-URL:

ead_collection:sova-aaa-roth11

Author:

Jami (died 1492)  Search this

Medium:

Opaque watercolor, ink, and gold on paper

Dimensions:

H x W: 34.2 x 23.2 cm (13 7/16 x 9 1/8 in)

Type:

Manuscript

Origin:

Iran

Date:

1556-1565

Period:

Safavid period

Topic:

camel  Search this

Safavid period (1501 - 1722)  Search this

poetry  Search this

nasta'liq script  Search this

illumination  Search this

travel  Search this

Iran  Search this

Arts of the Islamic World  Search this

Credit Line:

Purchase — Charles Lang Freer Endowment

Accession Number:

F1946.12.169

Restrictions & Rights:

Usage conditions apply

Related Online Resources:

Google Cultural Institute

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye300edfa88-763b-457f-85c9-970e41bfeafd

EDAN-URL:

edanmdm:fsg_F1946.12.169

Author:

Jack, Alex D (Alexander Duncan)  Search this

Author:

Bolzq, Louis W. 1919-  Search this

Physical description:

vi, 158 pages, [1] folded leaf of plates illustrations (some color) 29 x 39 cm

Type:

Books

History

Place:

Zimbabwe

Bulawayo

Bulawayo (Zimbabwe)

Date:

1979

Topic:

Historic buildings  Search this

Travel  Search this

History  Search this

Description and travel  Search this

Zimbabwe--Bulawayo--to date  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1145914

Photographer:

House, Steven 1952-  Search this

House, Cathi 1953-  Search this

Physical description:

304 pages illustrations (chiefly color), color maps 27 cm

Type:

Pictorial works

Ouvrages illustrés

Place:

Africa, West

Afrique occidentale

West Africa

Date:

2018

Africa, West

Topic:

Vernacular architecture  Search this

Villages  Search this

Architecture vernaculaire  Search this

Travel  Search this

Manners and customs  Search this

Social life and customs  Search this

Description and travel  Search this

Mœurs et coutumes  Search this

Descriptions et voyages  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1160426

Author:

Amin, Mohamed 1943-1996  Search this

Physical description:

191 pages

Type:

Books

Pictorial works

Place:

Seychelles

Date:

1994

Topic:

Description and travel  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1155019

Author:

Descourtilz, M. E (Michel Etienne) 1775-1835  Search this

Author:

Boulenger, Jacques 1879-1944  Search this

Physical description:

2 preliminary leaves, xxiv, 232 pages, 1 leaf double map 20 cm

Type:

Books

Place:

Haiti

Haïti

Date:

1935

Topic:

Travel  Search this

Description and travel  Search this

Descriptions et voyages  Search this

Call number:

F1901.D44v

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_93010

Author:

MacDonell, Bror Urme 1921-1998  Search this

Physical description:

219 pages illustrations, maps, portraits 21 cm

Type:

Biography

Biographies

History

Biographie

Place:

Africa, East

Tanzania

Tanzanie

Ostafrika

Date:

2006

1890-1918

Topic:

World War, 1914-1918--Campaigns  Search this

Slave traders  Search this

Scouts (Reconnaissance)  Search this

Soldiers  Search this

Military campaigns  Search this

Travel  Search this

Askari  Search this

Sklavenhandel  Search this

History  Search this

Description and travel  Search this

Histoire  Search this

Descriptions et voyages  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1146881