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Memories of the New York World's Fair

Topic:
World of Tomorrow
Donor:
Pezzano, John A.  Search this
Pezzano, John A.  Search this
Creator:
Pezzano, Frank J., 1908-1983  Search this
Names:
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Extent:
1 Item
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Home movies
8mm films
Place:
Queens (New York, N.Y.)
Date:
1939-1940
Summary:
The film, titled "Memories of the New York World's Fair" by filmmaker Frank J. Pezzano documents the 1939-1940 New York World's Fair. Pezzano edited the film and included hand-drawn and typed intertitles identifying the various locations and activities he filmed.
Scope and Contents:
Collection consists of one compilation reel created by the Archives Center of 8mm color amateur motion picture film of the 1939-1940 New York World's Fair. When originally acquired, the collection comprised two reels of 8mm color camera reversal motion picture film. Archives Center staff created a single compilation reel for long-term storage and handling.
Arrangement:
Collection is arranged into one series.

Series 1, Memories of the Fair, 1939-1940
Biographical / Historical:
The film, titled "Memories of the New York World's Fair" by filmmaker Frank J. Pezzano, documents the 1939-1940 New York World's Fair. Pezzano edited the film and included hand-drawn and typed intertitles identifying the various locations and activities he filmed.

The theme of this fair was "The World of Tomorrow," symbolized by the Trylon and Perisphere sculptures. It commemorated the 150th anniversary of the inauguration of George Washington as President in New York City. The Fair was held on 1216 acres in Flushing Meadows, Queens, New York, and was divided into seven geographic and thematic zones: Amusement, Communications and Business Systems, Community Interests, Food, Government, Medicine and Public Health, Production and Distribution, Science and Education, and Transportation. In expanding on the theme, the Fair tried to show that what was being built then would be the "World of Tomorrow." Sixty-two nations built exhibit halls. World War Two began September 1, 1939, as the Nazis overran countries represented at the Fair, such as France, Denmark, and Belgium.

His family believes Mr. Pezanno attended the fair alone as indicated by the fact that no family members are depicted in the film. Pezzano's film presents a comprehensive tour of the exterior elements of the fair and includes footage of many of the iconic corporate, state, and national pavillions as well as the images of the fair at night. Pezzano also filmed special attractions such as "Frank Buck's Bring 'Em Back Alive," the parachute ride, and an ice show.
Related Materials:
Materials in the Archives Center:

Sam DeVincent Collection of Illustrated American Sheet Music, 1790-1980s (AC 0300)

Warshaw Collection of Business Americana, circa 1724-1977 (AC 0060)

Larry Zim World's Fair Collection, 1841-1988 (AC 0519)

Edward J. Orth Memorial Archives of the World's Fair, 1939-1940 (AC 0560)
Provenance:
Donated by John A. Pezzano, 1996
Restrictions:
Collection is open for research.
Rights:
Collection materials available for reproduction. The Pezzano family retains interests in the film and must be contacted for permission for any third-party, commercial use. Archives Center cost-recovery and use fees may apply.
Topic:
Exhibitions  Search this
Amateur films -- 1930-1940  Search this
Genre/Form:
Motion pictures (visual works) -- 1930-1950
Home movies
8mm films
Citation:
"Memories of the New York World's Fair" Filmed by Frank J. Pezzano, 1939-1940, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0592
See more items in:
Memories of the New York World's Fair
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0592

Set 2

Collection Creator:
Meiere, M. Hildreth, d. 1961  Search this
Container:
Box 9, Folder 11-17
Type:
Archival materials
Date:
circa 1951
Scope and Contents:
Subjects depicted include Denmark, Holland, Sweden, and may also include Italy among unidentified slides.
Collection Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
See more items in:
Hildreth Meière papers
Hildreth Meière papers / Series 5: Travel Records / 5.2: Slides / Scandinavia
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-meiemari-ref479

Duke Ellington Collection

Collector:
National Museum of American History. Division of Musical History.  Search this
National Museum of American History. Division of Musical History.  Search this
Creator:
Ellington, Duke, 1899-1974  Search this
Names:
Duke Ellington Orchestra  Search this
Washingtonians, The.  Search this
Ellington, Mercer Kennedy, 1919-1996 (musician)  Search this
Strayhorn, Billy (William Thomas), 1915-1967  Search this
Extent:
400 Cubic feet
Type:
Collection descriptions
Archival materials
Phonograph records
Papers
Photographic prints
Posters
Sound recordings
Scrapbooks
Music
Clippings
Awards
Audiotapes
Place:
New York (N.Y.) -- 20th century
Harlem (New York, N.Y.) -- 20th century
Washington (D.C.) -- 20th century
Date:
1903 - 1989
Summary:
The collection documents Duke Ellington's career primarily through orchestrations (scores and parts), music manuscripts, lead sheets, transcriptions, and sheet music. It also includes concert posters, concert programs, television, radio, motion picture and musical theater scripts, business records, correspondence, awards, as well as audiotapes, audiodiscs, photographs, tour itineraries, newspaper clippings, magazines, caricatures, paintings, and scrapbooks.
Scope and Contents:
Dating approximately from the time Duke Ellington permanently moved to New York City in 1923 to the time the material was transferred to the Smithsonian Institution in 1988, the bulk of the material in the Duke Ellington Collection is dated from 1934-1974 and comprises sound recordings, original music manuscripts and published sheet music, hand-written notes, correspondence, business records, photographs, scrapbooks, news clippings, concert programs, posters, pamphlets, books and other ephemera. These materials document Ellington's contributions as composer, musician, orchestra leader, and an ambassador of American music and culture abroad. In addition, the materials paint a picture of the life of a big band maintained for fifty years and open a unique window through which to view an evolving American society.

The approximate four hundred cubic feet of archival materials have been processed and organized into sixteen series arranged by type of material. Several of the series have been divided into subseries allowing additional organization to describe the content of the material. For example, Series 6, Sound Recordings, is divided into four subseries: Radio and Television Interviews, Concert Performances, Studio Dates and Non-Ellington Recordings. Each series has its own scope and content note describing the material and arrangement (for example; Series 10, Magazines and Newspaper Articles, is organized into two groups, foreign and domestic, and arranged chronologically within each group). A container list provides folder titles and box numbers.

The bulk of the material is located in Series 1, Music Manuscripts, and consists of compositions and arrangements by Duke Ellington, Billy Strayhorn and other composers. Series 6, Sound Recordings also provides a record of the performance of many of these compositions. The materials in Series 2, Performances and Programs, Series 3, Business Records, Series 8, Scrapbooks, Series 9, Newspaper Clippings, Series 11, Publicity and Series 12, Posters provide documentation of specific performances by Duke Ellington and His Orchestra. Ellington was a spontaneous and prolific composer as evidenced by music, lyrical thoughts, and themes for extended works and plays captured on letterhead stationery in Series 3, Business Records, in the margin notes of individual books and pamphlets in Series 14, Religious Materials and Series 15, Books, and in the hand-written notes in Series 5, Personal Correspondence and Notes.

During its fifty-year lifespan, Duke Ellington and His Orchestra were billed under various names including The Washingtonians, The Harlem Footwarmers and The Jungle Band. The soloists were informally called "the band", and Series 3 includes salary statements, IOU's, receipts and ephemera relating to individual band members. Series 1, Music Manuscripts contains the soloists' parts and includes "band books" of several soloists (for example; Harry Carney and Johnny Hodges) and numerous music manuscripts of Billy Strayhorn. The changing role of Strayhorn from arranger hired in 1938 to Ellington's main collaborator and composer of many well-known titles for Duke Ellington and His Orchestra including "Take The A' Train" and "Satin Doll" can be traced in these music manuscripts. Series 7, Photographs and Series 2, Performances and Programs contain many images of the band members and Strayhorn. This Collection also documents the business history of Duke Ellington and His Orchestra. Series 3, Business Records contains correspondence on letterhead stationery and Series 11, Publicity contains promotional material from the various booking agencies, professional companies, and public relations firms that managed the Orchestra.

The materials in the Duke Ellington Collection provide insight into public and institutional attitudes towards African Americans in mid-twentieth-century America. The business records in Series 3 beginning in 1938 and published sheet music in Series 1 depict Duke Ellington's progression from an African-American musician who needed "legitimization" by a white publisher, Irving Mills, to a businessmen who established his own companies including Tempo Music and Duke Ellington, Incorporated to control his copyright and financial affairs. Programs from the segregated Cotton Club in Series 2, Performances And Programs and contracts with no-segregation clauses in Series 3: Business Records further illustrate racial policies and practices in this time period. The public shift in perception of Duke Ellington from a leader of an exotic "Jungle Band" in the 1930s to a recipient of the Congressional Medal Of Freedom in 1970 is evidenced in Series 2, Performances And Programs, Series 12, Posters, Series 7, Photographs and Series 13, Awards. Reviews and articles reflecting Ellington's evolving status are also documented in Series 8, Newspaper Clippings, Series 9, Scrapbooks, Series 10, Newspaper and Magazine Articles.

The materials in the Duke Ellington Collection reflect rapid technological changes in American society from 1923-1982. Sound recordings in Series 6 range from 78 phonograph records of three minutes duration manufactured for play on Victrolas in monaural sound to long-playing (LP) phonograph records produced for stereo record players. Television scripts in Series 4, programs in Series 2 and music manuscripts (for example, Drum Is A Woman) in Series 1 demonstrate how the development of television as a means of mass communication spread the Orchestra's sound to a wider audience. The availability of commercial air travel enabled the Ellington Orchestra to extend their international performances from Europe to other continents including tours to Asia, Africa, South America and Australia and archival material from these tours is included in every series.

Series 4, Scripts and Transcripts and Series 6, Audio Recordings contain scripts and radio performances promoting the sale of United States War bonds during World War II, and Series 7, Photographs includes many images of Duke Ellington and His Orchestra's performances for military personnel revealing the impact of historic events on Duke Ellington and His Orchestra. Series 2: Programs and Performances, Series 9, Newspaper clippings and Series 8, Scrapbooks document the 1963 Far East tour aborted as a result of President John F. Kennedy's assassination.

The Duke Ellington Collection contains works by numerous twentieth-century music, literature, and art luminaries. Series 1, Music Manuscripts contains original music manuscripts of William Grant Still, Eubie Blake, Mary Lou Williams, and others. Series 4, Scripts and Transcripts contains a play by Langston Hughes, and Series 12, Posters contains many original artworks.
Arrangement:
Series 1: Music Manuscripts, circa 1930-1981, undated

Series 2: Performances and Programs, 1933-1973, undated

Series 3: Business Records, 1938-1988

Series 4: Scripts and Transcripts, 1937-1970

Series 5: Personal Correspondence and Notes, 1941-1974, undated

Series 6: Sound Recordings, 1927-1974

Series 7: Photographs, 1924-1972, undated

Series 8: Scrapbooks, 1931-1973

Series 9: Newspaper Clippings, 1939-1973, undated

Series 10: Magazine Articles and Newspaper Clippings, 1940-1974

Series 11: Publicity, 1935-1988

Series 12: Posters and Oversize Graphics, 1933-1989, undated

Series 13: Awards, 1939-1982

Series 14: Religious Material, 1928-1974

Series 15: Books, 1903-1980

Series 16: Miscellaneous, 1940-1974
Biographical / Historical:
A native of Washington, DC, Edward Kennedy Ellington was born on April 29, 1899. Edward was raised in a middle-class home in the Northwest section of Washington described by his sister Ruth--younger by sixteen years--as a "house full of love." Ellington himself wrote that his father J.E. (James Edward) raised his family "as though he were a millionaire" but Edward was especially devoted to his mother, Daisy Kennedy Ellington. In 1969, thirty-four years after his mother's death, Ellington accepted the Presidential Medal of Freedom with these words, "There is nowhere else I would rather be tonight but in my mother's arms." Both his parents played the piano and Ellington began piano lessons at the age of seven, but like many boys he was easily distracted by baseball.

In his early teens, Ellington sneaked into Washington clubs and performance halls where he was exposed to ragtime musicians, including James P. Johnson, and where he met people from all walks of life. He returned in earnest to his piano studies, and at age fourteen wrote his first composition, "Soda Fountain Rag" also known as "Poodle Dog Rag." Ellington was earning income from playing music at seventeen years of age, and around this time he earned the sobriquet "Duke" for his sartorial splendor and regal air. On July 2, 1918, he married a high school sweetheart, Edna Thompson; their only child, Mercer Kennedy Ellington, was born on March 11, 1919. Duke Ellington spent the first twenty-four years of his life in Washington's culturally thriving Negro community. In this vibrant atmosphere he was inspired to be a composer and learned to take pride in his African-American heritage.

Ellington moved to New York City in 1923 to join and eventually lead a small group of transplanted Washington musicians called "The Washingtonians," which included future Ellington band members, Sonny Greer, Otto Hardwicke and "Bubber" Miley. Between 1923 and 1927, the group played at the Club Kentucky on Broadway and the ensemble increased from a quintet to a ten-piece orchestra. With stride pianist Willie "The Lion" Smith as his unofficial guide, Ellington soon became part of New York's music scene; Smith proved to be a long-lasting influence on Duke's composing and arranging direction. At the Club Kentucky, Ellington came under the tutelage of another legendary stride pianist, "Fats" Waller. Waller, a protege of Johnson and Smith, played solos during the band's breaks and also tutored Ellington who began to show progress in his compositions. In November 1924, Duke made his publishing and recording debut with "Choo Choo (I Got To Hurry Home)" released on the Blu-Disc label. In 1925, he contributed two songs to Chocolate Kiddies, an all-black revue which introduced European audiences to black American styles and performers. By this time Ellington's family, Edna and Mercer, had joined him in New York City. The couple separated in the late 1920's, but they never divorced or reconciled.

Ellington's achievements as a composer and bandleader began to attract national attention while he worked at the Cotton Club in Harlem, New York City, from 1927 to 1932. The orchestra developed a distinctive sound that displayed the non-traditional voicings of Ellington's arrangements and featured the unique talents of the individual soloists. Ellington integrated his soloists' exotic-sounding trombone growls and wah-wahs, their high-squealed trumpets, their sultry saxophone blues licks and Harlem's street rhythms into his arrangements. In the promotional material of the Cotton Club, the band was often billed as "Duke Ellington and His Jungle Band." With the success of compositions like "Mood Indigo," and an increasing number of recordings and national radio broadcasts from the Cotton Club, the band's reputation soared.

The ten years from 1932 to 1942 are considered by some major critics to represent the "golden age" for the Ellington Orchestra, but it represents just one of their creative peaks. These years did bring an influx of extraordinary new talent to the band including Jimmy Blanton on double bass, Ben Webster on tenor saxophone, and Ray Nance on trumpet, violin and vocals. During this ten year span Ellington composed several of his best known short works, including "Concerto For Cootie," "Ko-Ko," "Cotton Tail," "In A Sentimental Mood," and Jump For Joy, his first full-length musical stage revue.

Most notably, 1938 marked the arrival of Billy Strayhorn. While a teenager in Pittsburgh, Pennsylvania, Strayhorn had already written "Lush Life," "Something To Live For" and a musical, Fantastic Rhythm. Ellington was initially impressed with Strayhorn's lyrics but realized long before Billy's composition "Take the A' Train" became the band's theme song in 1942 that Strayhorn's talents were not limited to penning clever lyrics. By 1942, "Swee' Pea" had become arranger, composer, second pianist, collaborator, and as Duke described him, "my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine." Many Ellington/Strayhorn songs have entered the jazz canon, and their extended works are still being discovered and studied today. Strayhorn remained with the Ellington Organization until his death on May 30, 1967.

Ellington had often hinted of a work in progress depicting the struggle of blacks in America. The original script, Boola, debuted in Carnegie Hall in November of 1943, retitled Black, Brown and Beige. The performance met with mixed reviews, and although Ellington often returned to Carnegie Hall the piece was never recorded in a studio, and after 1944 was never performed in entirety again by the Ellington Orchestra. Nonetheless, it is now considered a milestone in jazz composition.

After World War II the mood and musical tastes of the country shifted and hard times befell big bands, but Ellington kept his band together. The band was not always financially self-sufficient and during the lean times Ellington used his songwriting royalties to meet the soloists' salaries. One could assign to Ellington the altruistic motive of loyalty to his sidemen, but another motivation may have been his compositional style which was rooted in hearing his music in the formative stage come alive in rehearsal. "The band was his instrument," Billy Strayhorn said, and no Ellington composition was complete until he heard the orchestra play it. Then he could fine tune his compositions, omit and augment passages, or weave a soloist's contribution into the structure of the tune.

In 1956, the American public rediscovered Duke and the band at the Newport Jazz Festival in Rhode Island. The searing performances of tenor saxophonist Paul Gonsalves on "Diminuendo and Crescendo In Blue," his premiere soloist, alto saxophonist Johnny Hodges on "Jeep's Blues", and the crowd's ecstatic reaction have become jazz legend. Later that year Duke landed on the cover of Time magazine. Although Ellington had previously written music for film and television (including the short film, Black and Tan Fantasy in 1929) it wasn't until 1959 that Otto Preminger asked him to score music for his mainstream film, Anatomy of a Murder, starring Jimmy Stewart. Paris Blues in 1961, featuring box-office stars Paul Newman and Sidney Poitier in roles as American jazz musicians in Paris, followed.

Ellington's first performance overseas was in England in 1933, but the 1960s brought extensive overseas tours including diplomatic tours sponsored by the State Department. Ellington and Strayhorn composed exquisite extended works reflecting the sights and sounds of their travels, including the Far East Suite, 1966. They wrote homages to their classical influences; in 1963, they adapted Tchaikovsky's Nutcracker Suite and celebrated Shakespeare's works with the suite Such Sweet Thunder in 1957. With Ella Fitzgerald, they continued the Norman Granz Songbook Series. Ellington also began to flex his considerable pianist skills and recorded albums with John Coltrane (1963), Coleman Hawkins (1963), Frank Sinatra, and Money Jungle (1963) with Charles Mingus and Max Roach. The First Sacred Concert debuted in San Francisco's Grace Cathedral in 1965. In his final years, Ellington's thoughts turned to spiritual themes and he added a Second (1968) and Third (1973) Concert of Sacred Music to his compositions.

In his lifetime, Duke received numerous awards and honors including the highest honor bestowed on an American civilian, the Congressional Medal Of Freedom. In 1965, Ellington was recommended for a Pulitzer Prize to honor his forty years of contribution to music but the recommendation was rejected by the board. Most likely he was disappointed, but his response at the age of sixty-six was, "Fate is being kind to me. Fate doesn't want me to be famous too young."

Ellington never rested on his laurels or stopped composing. Whenever he was asked to name his favorite compositions his characteristic reply was "the next five coming up," but to please his loyal fans Ellington always featured some of his standards in every performance. Even on his deathbed, he was composing the opera buffo called Queenie Pie.

Duke Ellington died on May 24, 1974 at seventy-five years of age. His funeral was held in New York's Cathedral of St. John The Divine; he was buried in Woodlawn Cemetery. His long-time companion Beatrice "Evie" Ellis was buried beside him after her death in 1976. He was survived by his only child, Mercer Kennedy Ellington, who not only took up the baton to lead the Duke Ellington Orchestra but assumed the task of caring for his father's papers and his legacy to the nation. Mercer Ellington died in Copenhagan, Denmark on February 8, 1996, at the age of seventy-six. Ruth Ellington Boatwright died in New York on March 6, 2004, at the age of eighty-eight. Both Mercer and Ruth were responsible for shepherding the documents and artifacts that celebrate Duke Ellington's genius and creative life to their current home in the Smithsonian Institution's National Museum of American History.
Related Materials:
Materials in the Archives Center

William H. Quealy Collection of Duke Ellington Recordings (AC0296)

Rutgers University Collection of Radio Interviews about Duke Ellington (AC0328)

Duke Ellington Oral History Project (AC0368)

Duke Ellington Collection of Ephemera and realated Audiovisual Materials (AC0386)

Annual International Conference of the Duke Ellington Study Group Proceedings (AC0385)

Robert Udkoff Collection of Duke Ellington Ephemera (AC0388)

Frank Driggs Collection of Duke Ellington Photographic Prints (AC0389)

New York Chapter of the Duke Ellington Society Collection (AC390)

Earl Okin Collection of Duke Ellington Ephemera (AC0391)

William Russo Transcription and Arrangement of Duke Ellington's First Concert of Sacred Music (AC0406)

Ruth Ellington Collection of Duke Ellington Materials (AC0415)

Music manuscripts in the Ruth Ellington Collection complement the music manuscripts found in the Duke Ellington Collection.

Carter Harman Collection of Interviews with Duke Ellington (AC0422)

Betty McGettigan Collection of Duke Ellington Memorabilia (AC0494)

Dr. Theodore Shell Collection of Duke Ellington Ephemera (AC0502)

Edward and Gaye Ellington Collection of Duke Ellington Materials (AC0704)

Andrew Homzy Collection of Duke Ellington Stock Music Arrangements (AC0740)

John Gensel Collection of Duke Ellington Materials (AC0763)

Al Celley Collection of Duke Ellington Materials (AC1240)

Materials at Other Organizations

Institute of Jazz Studies
Separated Materials:
Artifacts related to this collection are in the Division of Culture and the Arts and include trophies, plaques, and medals. See accessions: 1989.0369; 1991.0808; 1993.0032; and 1999.0148.
Provenance:
The collection was purchased through an appropriation of Congress in 1988.
Restrictions:
Collection is open for research but the original and master audiovisual materials are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Occupation:
Composers -- 20th century  Search this
Topic:
Big bands  Search this
Pianists  Search this
Bandsmen -- 20th century  Search this
Jazz -- 20th century -- United States  Search this
Musicians -- 20th century  Search this
Music -- Performance  Search this
African American entertainers -- 20th century  Search this
African Americans -- History  Search this
Popular music -- 20th century -- United States  Search this
Music -- 20th century -- United States  Search this
African American musicians  Search this
Genre/Form:
Phonograph records
Papers
Photographic prints
Posters
Sound recordings
Scrapbooks -- 20th century
Music -- Manuscripts
Clippings
Awards
Audiotapes
Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0301
See more items in:
Duke Ellington Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0301
Online Media:

Dear Little Denmark

Collection Donor:
Hauber, Joseph R.  Search this
Collection Collector:
Stubblebine, Donald J., 1925-2010  Search this
Container:
Box 38, Folder 25
Type:
Archival materials
Date:
1909
Collection Restrictions:
The collection is open for research but is stored offsite. Arrangements must be made with the Archives Center staff two weeks prior to a scheduled research visit.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Reproduction restricted due to copyright or trademark.
Collection Citation:
Donald J. Stubblebine Collection of Musical Theater and Motion Picture Music and Ephemera, 1866-2009, Archives Center, National Museum of American History, Smithsonian Institution.
See more items in:
Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera / Series 1: Stage Musicals and Vaudeville / 1.1: United States Stage Musicals
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1211-ref1584

1932 National Air Races (Cleveland), Official Program

Collection Creator:
Bendix Corporation.  Search this
Bendix Aviation Corp  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Date:
August 27 to September 5, 1932
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Collection Citation:
Bendix Air Races Collection, Acc. NASM.1988.0115, National Air and Space Museum, Smithsonian Institution.
See more items in:
Bendix Air Races Collection
Bendix Air Races Collection / Series 2: Bendix Trophy Races by Year / Bendix Trophy Race, 1932
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1988-0115-ref514
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View 1932 National Air Races  (Cleveland), Official Program digital asset number 1

Bridgebuilders (Denmark)

Collection Donor:
Hauber, Joseph R.  Search this
Collection Collector:
Stubblebine, Donald J., 1925-2010  Search this
Container:
Box 596, Folder 39
Type:
Archival materials
Date:
1936
Collection Restrictions:
The collection is open for research but is stored offsite. Arrangements must be made with the Archives Center staff two weeks prior to a scheduled research visit.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Reproduction restricted due to copyright or trademark.
Collection Citation:
Donald J. Stubblebine Collection of Musical Theater and Motion Picture Music and Ephemera, 1866-2009, Archives Center, National Museum of American History, Smithsonian Institution.
See more items in:
Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera / Series 2: Motion Pictures / 2.3: Foreign Films, Assorted Countries
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1211-ref19875

Dear Little Denmark

Collection Donor:
Hauber, Joseph R.  Search this
Collection Collector:
Stubblebine, Donald J., 1925-2010  Search this
Container:
Box 566, Folder 1
Type:
Archival materials
Date:
1909
Collection Restrictions:
The collection is open for research but is stored offsite. Arrangements must be made with the Archives Center staff two weeks prior to a scheduled research visit.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Reproduction restricted due to copyright or trademark.
Collection Citation:
Donald J. Stubblebine Collection of Musical Theater and Motion Picture Music and Ephemera, 1866-2009, Archives Center, National Museum of American History, Smithsonian Institution.
See more items in:
Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera / Series 1: Stage Musicals and Vaudeville / 1.3: British Stage Musicals
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1211-ref18484

Tuesday

Collection Creator:
Landor Associates  Search this
Landor, Walter  Search this
Extent:
1 motion picture film (991 feet, 16mm color composite optical track print)
Container:
Item AC500-OF0022
Type:
Archival materials
Motion picture films
Date:
circa 1967
Scope and Contents:
Production Company: Communications Film Sponsor: Danfoods Content Description: The film begins with an animated history of marketing. It then tells the story of moving the product to market from Denmark via the AROSIA cargo ship to Danfoods' meat processing plant in California. The plant is toured and the testing of a new design by Landor Associates is shown. Finally there is a description of the sales process.
Collection Restrictions:
Collection is open for research.
Collection Rights:
The Archives Center makes no guarantees concerning copyright restrictions.,Reproduction permission from Archives Center: fees for commercial use.
Collection Citation:
Landor Design Collection, ca. 1930-1994, Archives Center, National Museum of American History.
See more items in:
Landor Design Collection
Landor Design Collection / Series 24: Audiovisual / 24.1: Motion Picture Films / 24.1.3: Promotional Films Acquired by Landor Associates
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0500-ref96

Danish Film Stills of American Motion Pictures

Collector:
Danske filminstitut  Search this
Danske filminstitut  Search this
Extent:
10 Cubic feet (23 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Motion picture stills
Film stills
Place:
Denmark -- motion pictures
Date:
circa 1915-1986
Summary:
The collection contains primarily black-and-white silver gelatin photographic prints, produced by film studios and distributors for advertising and theater lobby display purposes. The films are mostly American, although the collection includes some European and Japanese films. Some films are accompanied by small booklets in Danish.
Scope and Contents:
The collection contains primarily black-and-white silver gelatin photographic prints, produced by film studios and distributors for advertising and theater lobby display purposes. The films are mostly American, although the collection includes some European and Japanese films. Many prints were used for display purposes and have tack-holes in the corners. Some are in poor condition with tears, creases and folds; others are in excellent condition. Some images occur as glossy color photomechanical prints, but hand-tinted black-and-white prints are also included. There are often duplicate prints. Many prints are embossed or blind-stamped ASTATENS FILMCENSUR, with a date date. Some films include small booklets in Danish that lists the major actors and the plot of the movie. The collection has been divided into two series.

Series 1, Film Stills, is arranged alphabetically by film title, one motion picture per folder. The subjects range from pre-World War I silent films to comedies with Mickey Rooney, and European romances.

Series 2, Unidentied Film Stills, contains stills from films that can not be identified by archivists within the Archives Center. The series also contains a catalog that allows one to purchase books, pamphlets, programs, periodicals, and photographs of various films, actors, and directors.
Arrangement:
The collection is arranged into two series.

Series 1, Film Stills, 1915-1986

Series 2, Unidentified Film Stills, undated
Provenance:
Collection donated by a museum in Denmark, circa 1970s.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Copyright status of items varies. Collection items are available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
advertising -- Motion pictures  Search this
Motion pictures, American  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century
Motion picture stills
Film stills
Citation:
Danish Film Stills of American Motion Pictures, circa 1915-1986, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0543
See more items in:
Danish Film Stills of American Motion Pictures
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0543

William M. Mann and Lucile Quarry Mann Papers

Topic:
Tiger Talk (Newsletter)
Spots and stripes (Serial)
Creator::
  Search this
Extent:
14.41 cu. ft. (2 record storage boxes) (20 document boxes) (4 12x17 boxes) (1 16x20 box)
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Black-and-white photographs
Manuscripts
Video recordings
Date:
circa 1885-1981
Introduction:
Materials in this record unit were donated to the Archives by Lucile Quarry Mann and the National Zoological Park between 1977 and 1988. During 1980 and 1981, Lucile Mann narrated the 16mm motion picture on audiotape with scripts by Pamela M. Henson, Oral Historian. In 1985, the motion picture was transferred to a 3/4" videotape and the taped narration was synchronized with the image.
Descriptive Entry:
These papers consist of correspondence from professional colleagues and government officials concerning entomology and live zoological collections as well as correspondence from personal acquaintances concerning zoo visits, lectures, published works, social events, and the occasions of the Manns' retirement (and including photographs). Also included are William M. Mann's correspondence to his mother in which he described his school activities and field trips abroad, and to Lucile Mann during his travels on the Smithsonian-Chrysler Expedition to East Africa, 1926, and as Technical Observer for the Quartermaster Corps during World War II.

These papers also document the Manns' trips abroad: the Smithsonian-Chrysler Expedition to East Africa (Tanganyika) in 1926, British Guiana in 1931, the National Geographic Society-Smithsonian Institution Expedition to the Dutch East Indies in 1937, to Brazil and Argentina in 1939, the Smithsonian-Firestone Expedition to Liberia in 1940, visits to European zoos in 1929, 1938, and 1948, Lucile Q. Mann's trips, 1962-1974, and William M. Mann's entomological trips, 1912-1922. Documentation includes correspondence, diaries, field notes, photographs, souvenirs, lists of animals brought back by the 1937 expedition, and newspaper and journal articles, in particular, articles by William H. Shippen of Washington, D.C.'s Evening Star during the 1939 voyage to South America.

In addition, there are manuscripts and printed materials covering the Manns' trips and NZP experiences, including outlines for lectures and radio talks; drafts and outlines for biographies of William H. Blackburne and William M. Mann; book reviews by William M. Mann; materials on the Mulford Biological Expedition to the Amazon River Basin; William M. Mann's entomological monographs; a report to the Quartermaster Corps. and a scrapbook of newspaper articles on William M. Mann's autobiography, Ant Hill Odyssey (1948).

Photographs include William M. Mann's collection of portrait photographs of individuals, mostly naturalists; photographs taken during the Manns' trips abroad; group photographs of the Manns with acquaintances; photographs of animals and insects; and a photograph of Smithsonian officials and staff with President Calvin Coolidge, 1927. Audiovisual materials include motion pictures of scenes filmed in Liberia, 1940, audiotapes containing a narration by Lucile Mann for the Liberian film, 1981, and videocassettes taped from the motion picture and audiotapes, 1985.
Historical Note:
William M. Mann (1886-1960) was born in Helena, Montana. He attended Lyon School for Boys, Spokane, Washington, 1900-1902, and Staunton Military Academy, Virginia, 1902-1905. During a brief furlough from the academy in 1903, Mann worked as an animal cage cleaner at the National Zoological Park (NZP). After graduating from the academy in 1905, Mann worked as a rancher in Texas and New Mexico where he also collected entomological specimens.

Mann attended Washington State College, Pullman, 1907-1909, and Stanford University, 1909-1911, where he received his B.A. Mann continued his entomological studies under William Morton Wheeler at Bussey Institution, Harvard University, where he received his Sc. D. degree in Entomology in 1915.

Between 1911 and 1916, Mann made several entomological collecting trips abroad: as a member of the Stanford Expedition to Brazil, 1911; to Haiti, 1912; to Cuba and the State of Hildago, Mexico, 1913; as a member of the Philip Expedition to the Middle East, 1914; and as a Sheldon Traveling Fellow to Fiji and the Solomon Islands, 1915-1916. He also studied briefly in Switzerland, 1914.

Mann served as an entomologist for the Bureau of Entomology, United States Department of Agriculture (USDA), 1916-1925. During this period, Mann made entomological collecting trips to Spain, Columbia, Central America, Mexico, and Cuba, and as assistant director of the Mulford Expedition to the Amazon River Basin, 1921-1922. He also did entomological studies in Holland and Italy.

In 1925, Mann was appointed the fifth Superintendent of the NZP. In 1926, the title of Superintendent was changed to Director. Mann held that title until his retirement in 1956. Mann's major achievements during his tenure as head administrator of the NZP included the Park's building program, 1927-1940, and his various expeditions to collect live animals in order to increase the NZP population.

In 1944, Mann was appointed Technical Observer by the Quartermaster Corps, United States Army, to report on the living conditions in the United States military bases in Fiji and the Solomon Islands. After his retirement in 1956, Mann was director emeritus of the NZP, and was made honorary research associate of the Smithsonian Institution.

Mann was also an honorary curator of Entomology at the United States National Museum during almost his entire career, and donated his entomological collection to the USNM.

Lucile Quarry Mann (1897-1986) was born in Ann Arbor, Michigan. She received her B.A. in English from the University of Michigan in 1918. She worked for Military Intelligence in Washington, D.C., during the last remaining months of World War I. She served as assistant editor at the Bureau of Entomology, USDA, 1918-1922, and as editor for The Women's Home Companion in New York City, 1922-1926.

In 1926, Lucile Quarry married William Mann, shortly after Mann's return from an animal collecting expedition to East Africa. As a wife of a zookeeper, Lucile Mann traveled with her husband to Europe and on live-animal collecting expeditions. She also acted as a foster parent to many of the orphaned infant NZP-born animals at the Manns' apartment.

Lucile Mann worked in the NZP administrative offices from 1951 until her retirement in 1967, but she continued to work there part-time until 1971. She also was editor of Tiger Talk, the NZP newsletter, and Spots and Stripes, the Friends of the National Zoo newsletter.

A taped interview with Lucile Mann was made in 1977 as part of the Archives' Oral History Project. The tapes and transcripts can be found in RU 9513.
Chronology:
1886 -- William M. Mann born, Helena, Montana.

1897 -- Lucile Quarry born, Ann Arbor, Michigan.

1900-1902 -- William M. Mann attended Lyon School for Boys, Pullman, Washington.

1902-1905 -- William M. Mann attended Virginia Military Academy, Staunton, Virginia.

1903 -- William M. Mann worked at NZP as an animal cage cleaner under animal keeper, William H. Blackburne.

1905 -- William M. Mann worked as a rancher in Texas and New Mexico.

1907-1909 -- William M. Mann attended Washington State College, Pullman.

1909-1911 -- William M. Mann attended Stanford University. Received B.A., 1911.

1910 -- William M. Mann did entomological collecting along the Arizona-Mexican boundary.

1911 -- William M. Mann was a member of the Stanford Expedition to Brazil

1911-1915 -- William M. Mann attended Bussey Institution, Harvard University. Received Sc.D. in Entomology in 1915.

1912 -- William M. Mann went on an entomological collecting trip to Haiti.

1913 -- William M. Mann went on a entomological collecting trip to Cuba, and Hildago, Mexico.

1914 -- William M. Mann was a member of the Philip Expedition to the Middle East.

1915-1916 -- William M. Mann, as a Sheldon Traveling Scholar, went on a entomological collecting trip to Fiji and the Solomon Islands.

1916-1925 -- William M. Mann served as an entomologist for USDA, and as an entomological explorer, traveled to Columbia, Panama, Costa Rica, Honduras, Guatemala, Mexico, Spain, France, and Italy, and studied in Italy and Holland.

1918 -- Lucile Quarry received B. A. in English from the University of Michigan, Ann Arbor, and worked until November for Military Intelligence in Washington, D. C.

1918-1922 -- Lucile Quarry was an assistant editor for USDA's Bureau of Entomology.

1921-1922 -- William M. Mann was assistant director of the Mulford Expedition to the Amazon River Basin.

1922-1926 -- Lucile Quarry was an editor for The Woman's Home Companion in New York City.

1925 -- William M. Mann appointed Superintendent of NZP.

1926 -- Job title changed to Director of NZP

1926 -- William M. Mann went to Tanganyika as a member of the Smithsonian-Chrysler Expedition to East Africa, to collect animals for the NZP.

1926 -- William M. Mann and Lucile Quarry married.

1928 -- The Manns visited European zoos. (Great Britain, Germany, Denmark, Austria, Hungary, Belgium, and the Netherlands)

1931 -- The Manns went to British Guiana to collect live animals for the NZP.

1937 -- The Manns went on an around-the-world trip by sea as members of National Geographic Society-Smithsonian Institution Expedition to the Dutch East Indies to collect live animals for the NZP in Sumatra.

1938 -- The Manns visited European zoos. (Iceland, Norway, Sweden, Estonia, Union of Soviet Socialist Republics, Danzig, Denmark, Germany, Switzerland, France, Scotland, and Ireland)

1939 -- The Manns visited Brazil and Argentina, to collect live animals for the NZP.

1940 -- The Manns visited Liberia as members of the Firestone-Smithsonian Expedition to Liberia to collect live animals for the NZP.

1944 -- William M. Mann served as Technical Observer for the Quartermaster Corps, U. S. Army in Fiji and the Solomon Islands.

1948 -- The Manns visited European zoos. (Great Britain, France, West Germany, Belgium, and the Netherlands)

1951 -- Lucile Q. Mann began work at the NZP.

1956 -- William M. Mann retired from NZP.

October 10, 1960 -- Death of William M. Mann (age 74 years)

1967 -- Lucile Q. Mann retired from NZP.

1967-1971 -- Worked part-time at NZP.

1977 -- Oral history interview for SIA. (See RU 9513)

November 26, 1986 -- Death of Lucile Q. Mann (age 89 years)
Topic:
Entomology  Search this
Zoology  Search this
Zoos  Search this
Genre/Form:
Motion pictures (visual works)
Black-and-white photographs
Manuscripts
Video recordings
Citation:
Smithsonian Institution Archives, Record Unit 7293, William M. Mann and Lucile Quarry Mann Papers
Identifier:
Record Unit 7293
See more items in:
William M. Mann and Lucile Quarry Mann Papers
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru7293
Online Media:

"Seekrieg" (Film)

Topic:
Seekrieg (Film)
Extent:
0.1 Cubic feet ((1 film reel))
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Date:
1944
Scope and Contents:
This donation consists of one 16mm b&w film, entitled 'Seekrieg.' This film is a silent German documentary which contains footage of German Naval Operations at the Battle of Jutland on May 31st, 1916. This film includes footage of float planes.
General:
NASMrev
Provenance:
Samuel B. Fishbein, Gift, 1995, 1996-0005, NASM
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
World War, 1914-1918 -- Naval operations  Search this
World War, 1914-1918 -- Aircraft  Search this
World War, 1914-1918  Search this
Jutland, Battle of, 1916  Search this
World War, 1914-1918 -- Campaigns -- Denmark  Search this
World War, 1914-1918 -- Germany  Search this
Aeronautics, Military  Search this
Aeronautics -- Germany  Search this
Aeronautics  Search this
Genre/Form:
Motion pictures (visual works)
Identifier:
NASM.1996.0005
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-1996-0005

Marlene Dietrich

Alternate Title:
The Scarlet Empress
Artist:
W. Palle, active c. 1930 - 1945  Search this
Sitter:
Marlene Dietrich, 27 Dec 1901 - 6 May 1992  Search this
Medium:
Color lithographic poster
Dimensions:
Sheet: 84.8 × 64.3 cm (33 3/8 × 25 5/16")
Board (Verified): 90.2 × 67.3 cm (35 1/2 × 26 1/2")
Type:
Print
Place:
Danmark\København\Copenhagen
Date:
1934
Topic:
Weapon\Sword  Search this
Nature & Environment\Animal\Horse  Search this
Costume\Headgear\Hat\Fur  Search this
Human Figures\Soldier  Search this
Poster  Search this
Poster\Movie  Search this
Marlene Dietrich: Female  Search this
Marlene Dietrich: Performing Arts\Performer\Actor\Theater  Search this
Marlene Dietrich: Performing Arts\Performer\Actor\Movie  Search this
Marlene Dietrich: Performing Arts\Performer\Musician\Violinist  Search this
Marlene Dietrich: Presidential Medal of Freedom  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.97.45
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm45bd43c91-c946-4ba0-a1d1-32ada966d676
EDAN-URL:
edanmdm:npg_NPG.97.45

Theatre program for A Soldier's Play

Used by:
Negro Ensemble Company, American, founded 1967  Search this
Subject of:
Graham Brown, American, 1924 - 2011  Search this
David Davies  Search this
O. L. Duke, American, 1953 - 2004  Search this
Eugene Lee, American, born 1953  Search this
James Pickens Jr., American, born 1954  Search this
Steven A. Jones  Search this
Samuel L. Jackson, American, born 1948  Search this
John Dewey-Carter, American, born 1941  Search this
Charles Brown, American, 1946 - 2004  Search this
Ben E. Epps  Search this
Danny Goldring, American  Search this
Stephen Zettler, American  Search this
Dan Lutzky  Search this
Cedric Turner, American, born ca. 1953  Search this
Medium:
ink on paper
Dimensions:
H x W: 12 x 9 in. (30.5 x 22.9 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
1981
Topic:
African American  Search this
Drama (Theatre)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.106
Restrictions & Rights:
© 1983 George Fenmore Associates, Inc. Permission required for use.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Exhibition:
Taking the Stage
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 054
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd549dc043a-f38d-4d64-ad48-a7c85b6c3a3c
EDAN-URL:
edanmdm:nmaahc_2011.45.106
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Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
United Negro College Fund, American, founded 1944  Search this
Billy Dee Williams, American, born 1937  Search this
National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this
National Urban Affairs Council, American, founded 1971  Search this
National Association of Market Developers, American, founded 1953  Search this
Prince Hall Freemasonry, founded 1784  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
Harold Washington, American, 1922 - 1987  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Top Ladies of Distinction, Inc., American, founded 1964  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
National Medical Association, American, founded 1895  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Morehouse College, American, founded 1867  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Carats, Inc., American, founded 1959  Search this
National Bar Association, American, founded 1925  Search this
National Urban League, American, founded 1910  Search this
African Methodist Episcopal Church, American, founded 1816  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
Shriners International, American, founded 1870  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this
National Pharmaceutical Association, American, founded 1947  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1906  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
Arthur Ashe Jr., American, 1943 - 1993  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
People United to Save Humanity, American, founded 1971  Search this
369th Veterans Association, American  Search this
Eubie Blake, American, 1887 - 1983  Search this
Dance Theatre of Harlem, American, founded 1969  Search this
National Coalition of 100 Black Women, American, founded 1981  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 1/2 in. (27.5 × 21.4 × 1.3 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Bahamas, Caribbean, North and Central America
Houston, Harris County, Texas, United States, North and Central America
Atlanta, Fulton County, Georgia, United States, North and Central America
Date:
1983
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religious groups  Search this
Social life and customs  Search this
Sororities  Search this
Travel  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.17
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd516419a20-d7d3-4570-a5c9-78bd4c89cfee
EDAN-URL:
edanmdm:nmaahc_2012.167.17
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  • View <I>Delegate</I> digital asset number 1
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The Colorful History of the Troll Doll

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Thu, 09 Apr 2020 17:40:46 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_6da0c441c2f73fff4c8549d7f9c30aff

Greenlanders 1973

Creator:
National Film Board of Canada  Search this
Physical description:
reference one film reel (1,332 feet) sound color 16mm
Type:
Motion pictures (visual works)
Place:
Europe
Greenland
Date:
1973
Topic:
Social policy  Search this
Local number:
HSFA 2003.5.17
Restrictions & Rights:
Information on reproduction and fees available from Human Studies Film Archives
Data Source:
Human Studies Film Archives
EDAN-URL:
edanmdm:siris_arc_399091

Peary's Race for the North Pole 1974

Creator:
Wolper Productions  Search this
Physical description:
reference two film reels (1,872 feet) sound color 16mm
Type:
Motion pictures (visual works)
Place:
Arctic
Date:
1974
Topic:
Peary, Robert E  Search this
Local number:
HSFA 2003.5.68
Restrictions & Rights:
Information on reproduction and fees available from Human Studies Film Archives
Data Source:
Human Studies Film Archives
EDAN-URL:
edanmdm:siris_arc_398667

Scandinavian film

Author:
Hardy, Forsyth  Search this
Physical description:
62 pages illustrations 26 cm
Type:
Books
Date:
1952
[1952]
Topic:
Motion pictures, Scandinavian  Search this
Call number:
PN1993.5.S2H3X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_254588

High Arctic ca. 1963

Creator:
Cotlow, Lewis filmmaker (1898-****)  Search this
Producer:
Sinclar, Douglas  Search this
Physical description:
reference video cassettes (1 hour) sound color 3/4 inch
master video cassettes (1 hour) sound color 3/4 inch
archival original film reels (2,100 feet) sound color 16mm
Culture:
Eskimos  Search this
Arctic peoples  Search this
Indians of North America Subarctic  Search this
Type:
Motion pictures (visual works)
Collection descriptions
Place:
Ellesmere Island, Canadian Arctic
Canada
Arctic
North America
Date:
ca 1963
Topic:
Language and culture  Search this
Hunting--techniques of--seals--polar bears  Search this
Food quest--hunting  Search this
Food consumption--seal meat  Search this
Houses--construction of--igloos  Search this
Hides--used as bedding--used as clothing  Search this
Garb--use of animal skins  Search this
Nomadism--Eskimoes  Search this
Singing--as palliative to work--Eskimoes  Search this
Work groups--construction of igloos  Search this
Play--children--Eskimoes  Search this
Transportation--dog sleds  Search this
Trapping--pelts  Search this
Trade--trapping--pelts--trading posts  Search this
Carving--soapstone--Eskimos  Search this
Marriage--conventions of--trial marriage--Eskimos  Search this
Sewing--garb  Search this
Local number:
HSFA 1978.1.1/1985.11.7
Restrictions & Rights:
Informtaion on reproduction and fees available from Human Studies Film Archives
Data Source:
Human Studies Film Archives
EDAN-URL:
edanmdm:siris_arc_218299
Online Media:

Tip top of the Earth: Arctic Alaskan Eskimo Educational Series 1916-1918

Creator:
Van Valin, William teacher  Search this
Physical description:
reference video cassettes silent b&w DVD
master video cassettes silent b&w BetacamSP
master video cassettes silent b&w Digital Betacam
preservation 10 film reels (6,950 feet) silent b&w 35mm
archival original 10 film reels (6,950 feet) silent b&w 35mm
Culture:
Arctic peoples  Search this
Eskimos  Search this
Indians of North America Subarctic  Search this
Type:
Motion pictures (visual works)
Collection descriptions
Place:
Nome Alaska
Alaska
Arctic
Nome (Alaska)
Point Barrow, Alaska
North America
United States
Date:
1916-1918
Topic:
Language and culture  Search this
Ships--steamships  Search this
Mining--hydralic  Search this
Dogs--as transportation  Search this
Sleds--as transportation  Search this
Fishing--salmon  Search this
Boats--use in hunting  Search this
Hunting--guns  Search this
Food quest--hunting--fishing--whaling  Search this
Food preparation--butchering--drying  Search this
Food preservation--techniques of  Search this
Cooking--utensils  Search this
Ecology--seasonal movements  Search this
Dancing--drums  Search this
Drumming--dancing--ceremony  Search this
Food--communal distribution  Search this
Animal husbandry--reindeer  Search this
Herding--reindeer  Search this
Hides--seals--preparation of  Search this
Boats--umiaks--used as shelter  Search this
Archaeology--excavations  Search this
Recreation--community--Nelakatuk  Search this
Whaling--butchering  Search this
Local number:
HSFA 1986.5.1
Restrictions & Rights:
Information on reproduction and fees available from Human Studies Film Archives
See more items in:
Tip top of the Earth: Arctic Alaskan Eskimo Educational Series 1916-1918 [Van Valin, William teacher]
Data Source:
Human Studies Film Archives
EDAN-URL:
edanmdm:siris_arc_218302
Online Media:

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