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Barbara Rose papers

Creator:
Rose, Barbara  Search this
Names:
Adams, Ansel, 1902-1984  Search this
Andre, Carl, 1935-  Search this
Bannard, Walter Darby, 1934-  Search this
Bellamy, Richard  Search this
Bierman, A. K., 1923- (Arthur Kalme)  Search this
Bladen, Ronald, 1918-1988  Search this
Bowles, John  Search this
Castelli, Leo  Search this
Davis, Jim, 1901-1974  Search this
Davis, Ron, 1937-  Search this
De Forest, Roy, 1930-2007  Search this
Di Suvero, Mark, 1933-  Search this
Dzubas, Friedel, 1915-  Search this
Flavin, Dan, 1933-  Search this
Frazier, Charles  Search this
Geldzahler, Henry  Search this
Hare, David, 1917-1992  Search this
Hopps, Walter  Search this
Judd, Donald, 1928-  Search this
Karp, Ivan C., 1926-2012  Search this
Kauffman, Craig, 1932-2010  Search this
Krasner, Lee, 1908-1984  Search this
LeWitt, Sol, 1928-2007  Search this
Lefebre, John  Search this
Lichtenstein, Roy, 1923-1997  Search this
Locks, Seymour, 1919-  Search this
Lye, Len, 1901-1980  Search this
Mack, Heinz, 1931-  Search this
McCracken, John, 1934-2011  Search this
McShine, Kynaston  Search this
Meier, Richard, 1934-  Search this
Morris, Robert, 1931-2018  Search this
Motherwell, Robert  Search this
Mundt, Ernest Karl, 1905-  Search this
Murray, Robert, 1936-  Search this
Myers, John Bernard  Search this
Oldenburg, Claes, 1929-  Search this
Padovano, Anthony  Search this
Piene, Otto, 1928-  Search this
Poons, Larry  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rexroth, Kenneth, 1905-1982  Search this
Rose, Barbara  Search this
Rudolph, Paul, 1918-  Search this
Sandler, Irving, 1925-  Search this
Segal, George, 1924-2000  Search this
Stella, Frank  Search this
Taylor, Edward Silverstone  Search this
Wasserman, Tamara E.  Search this
Wesselmann, Tom, 1931-2004  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Transcripts
Sound recordings
Lectures
Date:
1962-circa 1969
Summary:
The Barbara Rose papers date from 1962 to circa 1969 and measure 1.4 linear feet. Papers include letters, writings, printed material, interviews with artists, panel discussions, and lectures relating to Barbara Rose's research as an art historian.
Scope and Contents:
The Barbara Rose papers date from 1962 to circa 1969 and measure 1.4 linear feet. Papers include letters, interviews with artists, panel discussions, lectures, writings, and printed material relating to Barbara Rose's work as an art historian and critic.

Letters consist of responses to queries and questionnaires Rose and Irving Sandler sent to contemporary artists as research for writing projects. Questionnaires were sesnt in preparation for an article in Art in America on artists' sensibility of the 1960s, with responses from Robert Motherwell, Robert Craig Kauffman, Len Lye, Robert Morris, George Segal, David Hare, and others. A separate query asked sculptors for their assessment of contemporary sculptor's needs and the potential for patronage, and responses are found from Carl Andre, Charles Frazier, Robert Murray, Anthony Padovano, Ron Bladen, Roy Lichtenstein, Len Lye, Sol LeWitt, Heinz Mack, Otto Peine, Dan Flavin, and Donald Judd.

Interviews conducted by Rose between 1965 and circa 1969 are found with Richard Bellamy, Leo Castelli, James E. Davis, Henry Geldzahler, Ivan Karp, Lee Krasner, John Lefebre, John Myers, Donald Judd with Frank Stella, and Tom Wesselmann. All interviews include original sound recordings, and the Judd and Stella, Krasner, and Myers interviews include transcripts. Panel discussions and lectures include sound recordings and transcripts of seven events on a variety of contemporary art and architecture subjects held between 1962 and 1968. Sound recordings are present for five of the events on 10 sound tape reels, and transcripts are present for all events. Participants in the panel discussions and lectures include Barbara Rose, Ronald Davis, Dan Flavin, Robert Kauffman, John Harvey McCracken, Friedel Dzubas, Ansel Adams, Arthur Bierman, Kenneth Rexroth, Edward Taylor, Ernst Karl Mundt, John Bowles, Roy Dean De Forest, Seymour Locks, Walter Hopps, Mark Di Suvero, Donald Judd, Robert Morris, Kynaston McShine, Walter Darby Bannard, Donald Judd, Larry Poons, Robert Rauschenberg, Richard Meier, Paul Rudolph, Claes Oldenburg, and Robert Murray.

Writings include photocopied typescripts of "Myth, Symbol, or Me," by Emily Wasserman and "Excerpts from a Work Journal on Flying Sculpture," by Charles Frazier. Printed material consists of two copies of the premiere issue of the 57th Street Review, from Nov. 15, 1966.
Arrangement:
This collection is arranged as 4 series.

Missing Title

Series 1: Letters (0.2 linear feet; Box 1)

Series 2: Interviews (0.6 linear feet; Box 1)

Series 3: Panel Discussions and Lectures (0.5 linear feet; Boxes 1-2)

Series 4: Writings and Printed Material (0.1 linear feet; Box 2)
Biographical / Historical:
Barbara Rose is an American art historian and critic who has published widely in the field of modern American art. Born in 1938 in Washington, DC, Rose studied at the Sorbonne, Smith College, Barnard, and finally, Columbia University under Meyer Shapiro. Rose became immersed in the New York-based circle of modernist artists and curators in the late 1950s and early 1960s, and made her substantial contribution to the discourse on contemporary art with the insider's perspective this afforded her. In 1961, she married the painter Frank Stella and they had two children before their divorce in 1969.

Rose taught at Yale University, Sarah Lawrence, University of California at Irvine and San Diego, and the American University Art in Italy program, and was senior curator at the Museum of Fine Arts, Houston, from 1981-1985. A prolific writer, Rose is the author of American Art Since 1900 (1967), The Golden Age of Dutch Painting (1969), American Painting: The 20th Century (Skira, 1969), and monographs on the artists Magdalena Abankawicz, Helen Frankenthaler, Robert Rauschenberg, Alexander Liberman, Larry Rivers, and others, as well as dozens of exhibition catalog essays. She held editorial positions at Art in America, Vogue, Artforum, Partisan Review, and Journal of Art, and her writing has also appeared in Art International, Studio International, Arts Magazine, and ARTnews, among many others.
Related Materials:
Barbara Rose papers, 1940-1993 (bulk 1960-1985) are located at The Getty Research Institute Special Collections.
Separated Materials:
Additional papers of Barbara Rose are held by The Getty Research Institute.
Provenance:
Donated 1971-1977 by Barbara Rose.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Topic:
Art, American  Search this
Genre/Form:
Interviews
Transcripts
Sound recordings
Lectures
Citation:
Barbara Rose papers, 1962-circa 1969. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rosebarb
See more items in:
Barbara Rose papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94ba999c5-8b4b-480e-ae02-6477a9b5920f
EDAN-URL:
ead_collection:sova-aaa-rosebarb

Diana Fuller papers and gallery records

Creator:
Fuller, Diana Burgess  Search this
Names:
Fuller Goldeen Gallery  Search this
Fuller Gross Gallery  Search this
Hansen Fuller Goldeen Gallery  Search this
Hansen Galleries  Search this
Hansen-Fuller Gallery  Search this
Brown, Joan, 1938-1990  Search this
De Forest, Roy, 1930-2007  Search this
Holland, Tom, 1936-  Search this
Levine, Marilyn, 1935-2005  Search this
Wiley, William T., 1937-2021  Search this
Extent:
65.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1958-2004
Summary:
The Diana Fuller papers and gallery records measure 65.2 linear feet and date from 1958 to 2004. The records shed light on the operations of Hansen-Fuller Gallery, Hansen-Fuller-Goldeen Gallery, Fuller-Goldeen Gallery, and Fuller-Gross Gallery through administrative files, correspondence files, artists' files, dealer and institution files, exhibition and event files, financial records, printed materials, photographic materials, as well as some audiovisual and born digital materials. Diana Fuller's papers concern her work with the Bay Area Consortium for the Visual Arts, her book, Art/Women/California, 1950-2000: Parallels and Intersections (2002), and include scattered project files, photographic materials, and more. Also present are correspondence files, artists' files, exhibition material, and financial records generated by Arts Unlimited and Hansen Galleries.
Scope and Contents:
The Diana Fuller papers and gallery records measure 65.2 linear feet and date from 1958 to 2004. The records shed light on the operations of Hansen-Fuller Gallery, Hansen-Fuller-Goldeen Gallery, Fuller-Goldeen Gallery, and Fuller-Gross Gallery through administrative files, correspondence files, artists' files, dealer and institution files, exhibition and event files, financial records, printed materials, photographic materials, as well as some audiovisual and born digital materials. Diana Fuller's papers concern her work with the Bay Area Consortium for the Visual Arts, her book, Art/Women/California, 1950-2000: Parallels and Intersections (2002), and include scattered project files, photographic materials, and more. Also present are correspondence files, artists' files, exhibition material, and financial records generated by Arts Unlimited and Hansen Galleries.

Administrative files include job descriptions, inventories of artwork, addresses, and contact lists; papers relating to foundries, photographers, framers, and printers; advertising records, property records, travel files, and one gallery guestbook. Correspondence files document the galleries' relationship with collectors, clients, art organizations, and consultants. The files include some sales records, agreements, printed material, and photos of artwork as well. Artists' files include biographical information, artist statements, correspondence, client lists, exhibition materials, loan and consignment records, and more. Among the artists featured extensively is Beth Van Hosen, William T. Wiley, Roy DeForest, Robert Arneson, Tom Holland, Robert Hudson, Marilyn Levine, and Joan Brown.

Exhibition and event files shed light on solo and group shows held at Fuller galleries, Art Unlimited and Hansen Gallery, and outside galleries, museums, and institutions; art fairs held in the U.S. and abroad, and auctions. Files related to film screenings, tours, luncheons, and other special events held at Fuller galleries are also present. Dealer and institution files consist of correspondence, loan and consignments records, bills of sale, commission agreements and contracts, printed material, price lists, and some photographic materials. Financial records contain account ledgers, invoices and receipts, gallery checks, and sales records. Also present are donation records, appraisal reports, and some financial records from Arts Unlimited and Hansen Gallery.

Diana Fuller's papers include project files, appraisal records, membership records, correspondence, and photographic materials. Records related to the Bay Area Consortium for the Visual Arts consist of administrative records, project files, grant applications, 1989 earthquake disaster relief material, and organization finances. Files relating toParallels and Intersections and its accompanying exhibition contain artist files, author files, correspondence, publishing agreements, drafts, cassette tapes, DVDs, and more.
Arrangement:
The collection is arranged as 7 series.

Series 1: Administrative Records, 1969-1992 (Box 1-3; 2.2 linear feet)

Series 2: Correspondence Files, 1963-1993 (Box 3-8; 5.5 linear feet)

Series 3: Artists' Files, 1959-1993 (Box 8-37; 28.5 linear feet)

Series 4: Exhibition and Event Files, 1967-1993, 2001 (Box 37-45; 8.3 linear feet)

Series 5: Dealer and Institution Files, 1965-1992 (Box 45-51; 6.3 linear feet)

Series 6: Financial Records, 1958-1990 (Box 51-53, 56-58, 68-70; 5.2 linear feet)

Series 7: Diana Fuller Personal and Professional Papers, 1970s-2004 (Box 58-67; 9.2 linear feet)
Biographical / Historical:
The Diana Fuller galleries were contemporary art galleries in San Francisco, California, from 1969 to 1990. During this period, the gallery changed name and ownership on several occasions: Hansen-Fuller Gallery (1969-1979), Hansen-Fuller-Goldeen Gallery (1979-1982), Fuller-Goldeen Gallery (1982-1986), and Fuller-Gross Gallery (1987-1990). The three gallerists who partnered with Fuller were Wanda Hansen, Dorothy Goldeen, and Brian Gross. Among the artists represented by Fuller galleries were Beth Van Hosen, William T. Wiley, Roy DeForest, Robert Arneson, Tom Holland, Robert Hudson, Marilyn Levine, and Joan Brown. Fuller galleries held performance and conceptual art exhibitions, music performances, screened films, and rented its space out for luncheons and other special events. The gallery also exhibited at art fairs in the U.S. and Europe.

Diana Burgess Fuller is a curator, editor, and filmmaker who was previously a gallerist and art dealer. Diana Burgess worked at Saks Fifth Avenue when she married author Blair Fuller in 1965. Around 1967, she began working for Wanda Hansen's contemporary art gallery, which changed names from Art Unlimited to Hansen Galleries (sometimes Gallery). In 1969, Fuller and Hansen opened the Hansen-Fuller Gallery. That same year, Blair Fuller and novelist Oakley Hall started the Community of Writers at Squaw Valley. Diana Fuller has been involved with Squaw Valley since its inception, and currently serves as director of its screenwriting program. Fuller continued in the retail art business for a short period after closing the gallerey in 1990. In the late 1990s, Fuller began working on the seminal exhibition and book catalog, Art/Women/California, 1950-2000: Parallels and Intersections (2002), documenting more than 90 women artists working in California in the second half of the twentieth century. Fuller was the former president of the Film Arts Foundation and former chair of the Roxie Theater; she currently serves on the board of Artists in Residence Program at Recology.
Related Materials:
Also found in the Archives of American Art is the Dorothy Goldeen Gallery records.
Provenance:
The collection was donated by Diana Fuller, 1991-1995 and 2022.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 20th century -- California -- San Francisco  Search this
Function:
Art galleries, Commercial -- California
Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fulldian
See more items in:
Diana Fuller papers and gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw990eb0854-d635-4089-b6e7-735e8b68cb2d
EDAN-URL:
ead_collection:sova-aaa-fulldian
Online Media:

Dorothy Goldeen Gallery records

Creator:
Dorothy Goldeen Gallery (Santa Monica, Calif.)  Search this
Names:
Abakanowicz, Magdalena  Search this
Altoon, John, 1925-  Search this
Ben Tré, Howard, 1949-  Search this
Benton, Fletcher, 1931-  Search this
Bergman, Ciel, 1938-  Search this
Carnwath, Squeak, 1947-  Search this
Chihuly, Dale, 1941-  Search this
Cho, Tŏk-hyŏn, 1957-  Search this
De Forest, Roy, 1930-2007  Search this
Fasnacht, Heide, 1951-  Search this
Hudson, Robert, 1938-  Search this
La Noue, Terence  Search this
Lipski, Donald, 1947-  Search this
Paik, Nam June, 1932-2006  Search this
Paschke, Ed  Search this
Rath, Alan, 1959-  Search this
Raymond, Zizi, 1960-  Search this
Reinoso, Pablo, 1955-  Search this
Extent:
18.9 Linear feet
2.52 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Sound recordings
Video recordings
Date:
1960-circa 2014
bulk 1987-1996
Summary:
The records of Dorothy Goldeen Gallery, based in Southern California, measure 18.9 linear feet and 2.52 GB and date from 1960 to circa 2014, with the bulk of the items dating from 1987 to 1996. The Dorothy Goldeen Gallery, operated from 1986-1996 and featured the work of prominent contemporary artists, such as Magdalena Abakanowicz, John Altoon, Fletcher Benton, Howard Ben Tre, Ciel Bergman, Squeak Carnwatch, Dale Chihuly, Duck-Hyun Cho, Roy De Forest, Heidi Fasnacht, Robert Hudson, Terence La Noue, Donald Lipski, Nam June Paik, Ed Paschke, Alan Rath, Zizi Raymond, Pablo Reinoso, among many others. The collection includes correspondence, scattered administration records, exhibition files, extensive artists' files that also include many video recordings, financial and legal records, printed and digital materials, and photographic materials.
Scope and Contents:
The records of Dorothy Goldeen Gallery, based in Southern California, measure 18.9 linear feet and 2.52 GB and date from 1960 to circa 2014, with the bulk of the items dating from 1987 to 1996. The Dorothy Goldeen Gallery, operated from 1986-1996 and featured the work of prominent contemporary artists, such as Magdalena Abakanowicz, John Altoon, Fletcher Benton, Howard Ben Tre, Ciel Bergman, Squeak Carnwatch, Dale Chihuly, Duck-Hyun Cho, Roy De Forest, Heidi Fasnacht, Robert Hudson, Terence La Noue, Donald Lipski, Nam June Paik, Ed Paschke, Alan Rath, Zizi Raymond, Pablo Reinoso, among many others. The collection includes correspondence, scattered administration records, exhibition files, extensive artists' files that also include many video recordings, financial and legal records, printed and digital materials, and photographic materials.

Correspondence is with artists, museums, galleries, and collectors regarding exhibitions, sales, and acquisitions of artwork. Administration records include appraisals, mailing lists, materials related to gallery events, a rolodex, and a list of artist contracts. Exhibition files are found for only a few of the gallery's exhibitions, including American Artists in Jewelry (1987), Private Reserve (1988), Fresh Visions 1 (1989), Fresh Visions 2 (1989), and Multiple Parts (1994).

There are extensive artists' files containing correspondence, printed and digital material, resumes, slides, and photographs documenting the gallery's relationship with and exhibitions of many prominent artists. These files also contain numerous audio and video recordings of interviews with artists, exhibitions, documentaries, and video art.

Financial and legal records mostly consist of sales records of artwork by various artists, in addition to materials on a lawsuit, a sublease for exhibition space, and a few invoices.

Printed materials include Dorothy Goldeen Gallery press releases, exhibition announcements, press reviews, newsletters, clippings, and one videocassette of a broadcast news program.

Photographic materials mostly consist of slides and transparencies of artwork by artists represented by the gallery. There are a few images of the gallery building.

Dorothy Goldeen papers include travel notebooks, itineraries, receipts, and other ephemera from domestic and international trips taken by Goldeen; lecture notes; personal correspondence with artists, associates, and others; and files for several exhibitions from after the Goldeen Gallery closed. Also present are blog posts and a contact list from the art advisory business Goldeen started after closing her gallery.
Arrangement:
This collection is arranged as 8 series.

Series 1: Correspondence, 1979-2012 (1.3 linear feet; Box 1-2, 19)

Series 2: Administration Records, circa 1987-circa 2010 (1.2 linear feet; Box 2, 19)

Series 3: Exhibition Files, 1987-1995 (0.4 linear feet; Boxes 2-3)

Series 4: Artists' Files, 1961-2007 (12.3 linear feet; Boxes 3-14, 19-20, OV 17-18, 2.52 GB; ER01-ER02)

Series 5: Financial and Legal Records, 1987-2005 (0.8 linear feet; Box 15)

Series 6: Printed Material, 1986-2014 (0.5 linear feet; Boxes 15-16, 20, 22)

Series 7: Photographic Material, 1960-2005 (0.8 linear feet; Box 16, 20)

Series 8: Dorothy Goldeen Papers, 1976-2013 (1 linear feet; Box 20-21)
Biographical / Historical:
The Dorothy Goldeen Gallery (1987-1996) was an art gallery in Santa Monica, California, founded by Dorothy Goldeen.

Dorothy Goldeen graduated from the University of California, Berkeley, where she studied sculpture and textile design. In 1973, Goldeen began her career in the arts working in San Francisco, California at the Hansen Fuller Gallery which later became Fuller Goldeen Gallery.

In 1987, Goldeen moved to Los Angeles and founded the Dorothy Goldeen Gallery. Historically significant artists such as Magdalena Abakanowicz and Nam June Paik were represented by her gallery as well as influential, emerging Los Angeles artists. Other notable artists include Robert Arneson, Paul Kos, Ed Paschke, and Alan Rath.

In 1996, Goldeen closed her gallery and launched the Dorothy Goldeen Art Advisory in Santa Monica. Goldeen often travels internationally as an art consultant for private and institutional clients, advising them on the acquisition and resale of art.
Related Materials:
The Archives of American Art also has an oral history interview with Dorothy Goldeen conducted by Hunter Drohojowska-Philp in 2014.
Provenance:
The Dorothy Goldeen Gallery records were donated by Dorothy Goldeen to the Archives of American Art in 2003, 2014, and 2021.
Restrictions:
Boxes 19-22 are access restricted; written permission is required. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
All correspondence: Permission to publish, quote or reproduce requires written permission from Dorothy Goldeen. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art galleries, Commercial -- California
Genre/Form:
Interviews
Sound recordings
Video recordings
Citation:
Dorothy Goldeen Gallery Records, 1960-circa 2014, bulk 1987-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dorogolg
See more items in:
Dorothy Goldeen Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cb98cfb9-219a-4751-a22f-9ab3a05343ab
EDAN-URL:
ead_collection:sova-aaa-dorogolg
Online Media:

[Photographs of artists taken by Mimi Jacobs, photographer]

Photographer:
Jacobs, Mimi  Search this
Names:
Adams, Ansel, 1902-1984 -- Photographs  Search this
Adams, Mark, 1925-2006 -- Photographs  Search this
Allan, William George, 1936- -- Photographs  Search this
Anderson, Jeremy, 1921-1982 -- Photographs  Search this
Armer, Ruth, 1896-1977 -- Photographs  Search this
Arneson, Robert, 1930-1992  Search this
Arnoldi, Charles, 1946- -- Photographs  Search this
Asawa, Ruth -- Photographs  Search this
Beall, Dennis Ray, 1929- -- Photographs  Search this
Beasley, Bruce, 1939- -- Photographs  Search this
Bechtle, Robert, 1932-2020 -- Photographs  Search this
Bengston, Billy Al -- Photographs  Search this
Benton, Fletcher, 1931- -- Photographs  Search this
Berlant, Anthony -- Photographs  Search this
Bischoff, Elmer, 1916-1991 -- Photographs  Search this
Blunk, J. B., 1926- -- Photographs  Search this
Brice, William, 1921-2008 -- Photographs  Search this
Brown, Joan, 1938-1990  Search this
Celmins, Vija, 1938- -- Photographs  Search this
Chicago, Judy, 1939- -- Photographs  Search this
Conner, Bruce, 1933-2008 -- Photographs  Search this
Cunningham, Imogen, 1883-1976 -- Photographs  Search this
De Forest, Roy, 1930-2007 -- Photographs  Search this
DeFeo, Jay, 1929-1989 -- Photographs  Search this
DeLap, Tony, 1927-2019 -- Photographs  Search this
Dickinson, Eleanor, 1931- -- Photographs  Search this
Diebenkorn, Richard, 1922-1993 -- Photographs  Search this
Dill, Guy, 1946- -- Photographs  Search this
Falkenstein, Claire, 1908-1997 -- Photographs  Search this
Francis, Sam, 1923- -- Photographs  Search this
Gilhooly, David -- Photographs  Search this
Goldyne, Joseph R.  Search this
Gooch, Gerald -- Photographs  Search this
Gordon, Russell Talbert, 1936- -- Photographs  Search this
Graham, Robert, 1938- -- Photographs  Search this
Hedrick, Wally, 1928-2003 -- Photographs  Search this
Holland, Tom, 1936- -- Photographs  Search this
Hopkins, Henry, 1928-2009  Search this
Howard, Robert Boardman, 1896-1983 -- Photographs  Search this
Hudson, Robert, 1938- -- Photographs  Search this
Ihle, John Livingston, 1925- -- Photographs  Search this
Irwin, Robert, 1928- -- Photographs  Search this
Johnson, Robert E. (Robert Emory), 1932- -- Photographs  Search this
Kauffman, Craig, 1932-2010  Search this
Light, Alvin, 1931- -- Photographs  Search this
Lobdell, Frank, 1921- -- Photographs  Search this
Martin, Bill, 1943- -- Photographs  Search this
McLean, Richard Thorpe, 1934- -- Photographs  Search this
Mullican, Lee, 1919-1998 -- Photographs  Search this
Nauman, Bruce, 1941- -- Photographs  Search this
Neri, Manuel, 1930- -- Photographs  Search this
Noguchi, Isamu, 1904-1988 -- Photographs  Search this
Oliveira, Nathan, 1928-2010 -- Photographs  Search this
Paris, Harold, 1925-1979 -- Photographs  Search this
Raffael, Joseph, 1933- -- Photographs  Search this
Ramos, Mel, 1935-2018 -- Photographs  Search this
Reichman, Fred, 1925- -- Photographs  Search this
Richardson, Sam, 1934- -- Photographs  Search this
Ruscha, Edward -- Photographs  Search this
Saar, Betye -- Photographs  Search this
Saunders, Raymond, 1934- -- Photographs  Search this
Shaw, Richard, 1941 Sept. 12- -- Photographs  Search this
Siegriest, Louis B., 1899- -- Photographs  Search this
Sinton, Nell, 1910-1997 -- Photographs  Search this
Thiebaud, Wayne -- Photographs  Search this
Todd, Mike, 1935- -- Photographs  Search this
Valledor, Leo, 1936-1989 -- Photographs  Search this
Villa, Carlos, 1936-2013 -- Photographs  Search this
Voulkos, Peter, 1924-2002 -- Photographs  Search this
Wasserstein, Julius -- Photographs  Search this
Wiley, William T., 1937-2021  Search this
Woelffer, Emerson, 1914- -- Photographs  Search this
Wonner, Paul, 1920-2008 -- Photographs  Search this
Zammitt, Norman, 1931- -- Photographs  Search this
Extent:
140 Items (photographic prints, b&w)
Type:
Collection descriptions
Archival materials
Date:
1971-1981
Scope and Contents:
Photographs of artists, many from the San Francisco Bay Area, taken by Mimi Jacobs.
Artists photographed: Ansel Adams, Robert Arneson, Ruth Asawa, Billy Al Bengston, Fletcher Benton, Robert Bechtle, J. B. Blunk, William Brice, Joan Brown, Imogen Cunningham, Jay De Feo, Eleanor Dickinson, Richard Diebenkorn, Laddie John Dill, Archeliat Esherick, Sam Francis, David Gilhooly, Joseph Goldyne, Robert Graham, Henry Hopkins, Robert B. Howard, John Ihle, Robert Irwin, Allen Jones, Alvin Light, Lee Mullican, Isamu Noguchi, Howard Paris, Joseph Raffael, Fred Reichman, Ed Ruscha, Betye Saar, Raymond Saunders, Richard Shaw, Louis Siegriest, Nell Sinton, Wayne Thiebaud, DeWain Valentine, Leo Valledor, Carlos Villa, Peter Voulkos, William T. Wiley, Emerson Woelffer.
Photographs of Mark Adams, William Allan, Jeremy Anderson, Ruth Armer, Charles Arnoldi, Dennis Beall, Bruce Beasley, Tony Berlant, Elmer Bischoff, Vija Celmins, Judy Chicago, Bruce Conner, Roy de Forest, Tony DeLap, Guy Dill, Claire Falkenstein, Gerald Gooch, Russell Gordon, Wally Hedrick, Tom Holland, Robert Hudson, Robert Emory Johnson, Frank Lobdell, Robert Craig Kaufman, Richard McLean, Bill Martin, Manuel Neri, Bruce Nauman, Nathan Oliveira, Mel Ramos, Sam Richardson, Michael Todd, Julius Wasserstein, Paul Wonner and Norman Zammitt.
In 1999, additional photographs were donated including many duplicates of the previous donations. These include 50 mounted photographs of West Coast artists, twenty-four of which were exhibited in 1980 at the Museum of Contemporary Art, Los Angeles, and published in 50 West Coast Artists: A Critical Selection of Painters and Sculptors (1981, Chronicle Books). Photographs are of Ansel Adams, Robert Arneson, Billy Al Bengston, Robert Bechtle, Fletcher Benton, J. B. Blunk, William Brice, Joan Brown, Imogen Cunningham, Jay De Feo, Eleanor Dickinson, Richard Diebenkorn, Laddie John Dill, Archeliat Esherick, Sam Francis, David Gilhooly, Joseph Goldyne, Robert Graham, Henry Hopkins, Robert Howard, John Ihle, Robert Irwin, Allen Jones, Alvin Light, Lee Mullican, Isamu Noguchi, Howard Paris, Joseph Raffael, Fred Reichman, Ed Ruscha, Betye Saar, Richard Shaw, Louis Siegrist, Nell Sinton, Wayne Thiebaud, De Wain Valentine, Leo Valledor, Carlos Villa, Peter Voulkos, William Wiley, and Emerson Woeffer.
Biographical / Historical:
Photographer; Kentfield, Calif.; b. 1911; d. April 1, 1999. Known in the San Francisco Bay Area for her portraits of prominent local figures, many of whom were artists. She eventually expanded her scope beyond Northern California to included artists in the Los Angeles region as well. These images were widely reproduced in books and in exhibitions and in many cases became the portraits by which the individuals were best known. Among her subjects were Ed Ruscha, Robert Graham, Peter Voulkos, Joan Brown, Isamu Noguchi, Jay DeFeo, Wayne Thiebaud, Imogen Cunningham, and Richard Diebenkorn. Several exhibitions were devoted to the photographs as independent works of art, an acknowledgement of their pictorial qualities as well as their value as documents.
Provenance:
Donated 1976-1992 by Mimi Jacobs. Additional photos, many of them duplicates of previous donations, were donated in 1999 by Leslie Fleming, Jacobs' daughter, for the Estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Photographers -- California  Search this
Topic:
Artists -- California -- Portraits  Search this
Artists -- California -- Photographs  Search this
Identifier:
AAA.jacomimi
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99e52eeab-c8aa-437c-9967-ac2af528c69f
EDAN-URL:
ead_collection:sova-aaa-jacomimi

Ruth Wall letters and printed material

Creator:
Wall, Ruth  Search this
Names:
De Forest, Roy, 1930-2007  Search this
Miller, Sumner G., 1928-  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1953-1978
Scope and Contents:
Eight illustrated letters to Wall, including 3 from Roy De Forest and 5 from Sumner G. Miller, undated and 1956-1957; and printed material mainly relating to San Francisco artists. In one letter, De Forest writes to Wall in Paris, and sends news of mutual friends and activities. The other two are large sheets written while De Forest was stationed at Fort Ord, including one "folded like an army blanket," which contain rambling observations. Miller's letters describe his experiences in Paris while studying at the Academie Julian and his travels in Europe. He mentions San Francisco artists Hayward King, Ernest Mundt and others, who were also temporarily abroad. Also included are De Forest exhibition announcements; and exhibition catalogs, mainly for various San Francisco artists.
Biographical / Historical:
Wall was a friend of many Bay Area artists.
Provenance:
Donated anonymously, 1988.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Artists -- California -- San Francisco Bay Area  Search this
Identifier:
AAA.wallruth
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw979c8f607-9e78-420a-b3fa-c33659af6056
EDAN-URL:
ead_collection:sova-aaa-wallruth

Oral history interview with Wayne Thiebaud

Interviewee:
Thiebaud, Wayne  Search this
Interviewer:
Larsen, Susan C.  Search this
Names:
De Forest, Roy, 1930-2007  Search this
Diebenkorn, Richard, 1922-1993  Search this
Mallary, Robert, 1917-1997  Search this
Wiley, William T., 1937-2021  Search this
Extent:
71 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2001 May 17-18
Scope and Contents:
An interview of Wayne Thiebaud conducted 2001 May 17-18, by Susan Larsen, for the Archives of American Art, in New York.
Thiebaud discusses his childhood in Long Beach, California and his evolving interest in art; his long time friendship with sculptor Robert Mallary who encouraged Thiebaud to become a painter; his career as an artist and teacher; and the creations of his paintings of food, objects arranged in display counters and paintings of contemporary people in plain abstracted space. Thiebaud recalls Richard Diebenkorn, William Wiley, and Roy de Forest.
Biographical / Historical:
Wayne Thiebaud (1920-2021) was a painter and art teacher from Sacramento, California.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 53 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Painters -- California -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.thieba01
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9face2797-3901-4ae3-b4b0-c75832d9492d
EDAN-URL:
ead_collection:sova-aaa-thieba01
Online Media:

Roy De Forest papers

Creator:
De Forest, Roy, 1930-2007  Search this
Names:
Dilexi Gallery  Search this
Loujon Press  Search this
Nixon, Bruce  Search this
Strohl, Audrey  Search this
Uccello, Paolo, 1397-1475  Search this
Zack, David, 1938-  Search this
Extent:
11.2 Linear feet
111.86 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Drawings
Interviews
Sketchbooks
Sound recordings
Video recordings
Date:
1916-2015
bulk 1948-2007
Summary:
The papers of artist Roy De Forest measure 11.2 linear feet and 111.86 gigabytes and date from 1916 to 2015, with the bulk of the collection dating from 1948 to 2007. The collection documents De Forest's painting career and involvement in the funk art movement through biographical material, correspondence, writings, professional records, printed material, photographic material, artwork, digital audio and video recordings, and artifacts.
Scope and Contents:
The papers of artist Roy De Forest measure 11.2 linear feet and 111.86 gigabytes and date from 1916 to 2015, with the bulk of the collection dating from 1948 to 2007. The collection includes documents De Forest's painting career and involvement in the funk art movement through biographical material, correspondence, writings, professional records, printed material, photographic material, artwork, digital audio and video recordings, and artifacts.

Biographical material includes early school materials, resumes, a recording of an interview, membership materials, identification documents, certificates and awards, and family history and genealogy material. Also included in this series are obituaries, letters of condolence, and materials, including born-digital photographs and recordings, related to memorial services celebrating De Forest's life and work.

Correspondence includes letters and postcards to and from family, friends, colleagues, and arts institutions. This series also includes a few folders of greeting cards.

The writings series contains essays, lectures, exhibition texts, notes, and other materials written by Roy De Forest, including an essay, The Vision of Paolo Uccello, and his famous "dog lecture." Also included are writings by others, such as a student dissertations on Roy De Forest, essays by Bruce Nixon, and poetry and an essay by David Zack.

Professional records include materials related to a book of memories (never published) organized by Dilexi Gallery and the Loujon Press, exhibition planning documents, an exhibition recording, materials related to the James Talcott Inc. Computer Arts program, and materials related to print documentation.

Financial records contain inventory and stock files; sales and consignment records; receipts and invoices; tax, estate, and insurance paperwork; and account books and ledgers.

Printed material includes exhibition announcements, catalogs, and posters; material related to other projects; blank cards with Roy De Forest art; clippings; press releases; newsletters and journals; books; and source material.

Photographic material includes digital and print photographs, negatives, transparencies, and slides of Roy De Forest and other individuals, as well as travel photos, images of his pets (primarily dogs), and images of his studio and works of art.

Artwork includes drawings by De Forest and others, as well as four sketchbooks.

The artifacts series contains a tote bag, t-shirt, and a puzzle, all featuring Roy De Forest artwork. Also included in the series is a patterned shirt and an "art critic" baseball cap.
Arrangement:
The collection is arranged in nine series.

Series 1: Biographical Material, 1930-2008 (Boxes 1-2, OV 12, RD 17, ER01-ER03; 1.7 linear feet)

Series 2: Correspondence, circa 1948-2014 (Boxes 2-3; 1 linear foot)

Series 3: Writings, circa 1952-2005 (Box 3, OV 12, ER04; 0.3 linear feet)

Series 4: Professional Records, 1968-circa 2007, 2014 (Box 3, OV 12; 0.4 linear feet)

Series 5: Financial Records, 1963-circa 2014 (Boxes 3-5; 1.4 linear feet)

Series 6: Printed Material: 1916-1936, 1951-2007 (Boxes 5-7, OV 13-14, ER05-ER07; 2.8 linear feet)

Series 7: Photographic Material: 1926, circa 1943-2007 (Boxes 7-9, OV 15, ER08-ER12; 2 linear feet)

Series 8: Artwork, circa 1947-circa 2007 (Boxes 9-10, OV 16; 0.6 linear feet)

Series 9: Artifacts, circa 2007-circa 2009 (Box 11; 1 linear foot)
Biographical / Historical:
Roy De Forest (1930-2007) was a painter, sculptor, and educator in Port Costa, California. A notable figure in the funk art movement, he coined the term "nut art" to describe art that embraced humor and created a fantasy world.

Born in North Platte, Nebraska, Roy De Forest grew up in Yakima, Washington where he attended Yakima Junior College and graduated in 1950. He went on to study at the California School of Fine Arts (now San Francisco Art Institute) and San Francisco State College (now San Francisco State University). He taught at Yakima Junior College from 1958 to 1960 after graduating from San Francisco State College, and later taught at the University of California, Davis from 1965 until his retirement as professor emeritus in 1992.

De Forest's first solo exhibition was in 1955 at the East & West Gallery in San Francisco. From then until his death in 2007, he exhibited frequently, especially at the Allan Frumkin Gallery in New York and the Hansen Fuller Gallery in San Francisco.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Roy De Forest conducted by Lynn Robert Matteson, April 7-June 30, 2004.
Provenance:
The Roy De Forest papers were donated in several installments from 1974 to 2019. Some materials were loaned for microfilming in 1974 and subsequently donated in 1977 and 1979 by Roy De Forest. Additional materials were donated in 2009, 2016 and 2019 by Gloria Marchant, Roy De Forest's widow.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Occupation:
Painters -- California  Search this
Topic:
Art, Modern -- 20th century -- California  Search this
Educators -- California  Search this
Sculptors -- California  Search this
Funk  Search this
Genre/Form:
Drawings
Interviews
Sketchbooks
Sound recordings
Video recordings
Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.deforoy
See more items in:
Roy De Forest papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98f8cb345-ff69-413b-a1bd-5f97a28699a4
EDAN-URL:
ead_collection:sova-aaa-deforoy
Online Media:

Oral history interview with Roy De Forest

Creator:
De Forest, Roy, 1930-2007  Search this
Interviewer:
Matteson, Lynn Robert  Search this
Extent:
80 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 April 7-June 30
Scope and Contents:
An interview of Roy De Forest conducted 2004 April 7-June 30, by Lynn Robert Matteson, for the Archives of American Art, in Port Costa, California.
De Forest speaks of an early interest in painting and drawing; acceptance to California School of Fine Arts; his time spent in San Francisco; working at the San Francisco Museum of Modern Art; studying and teaching at Junior College in Yakima, California School of Fine Arts, San Francisco State, and the University of California, Davis; his relationship with other artists including Allan Stone, Allan Frumkin, Jim Newman; gallery shows at Dilexi Gallery, King Ubu Gallery, Six Gallery; time spent in the army; teaching at San Quentin State Prison; his opinions on and influence of Abstract Expressionism in his work; the influence of Paolo Uccello, Guieseppe Acrimboldo, and Piet Mondrian in his work; having a traveling show through the Whitney Museum of American Art in New York City; West Coast versus East Coast artists; artists' interest in history of art; techniques in art; types of paint and motives of use, specifically between water-based paint over oil; paint technology; the durability of pieces as a result of using particular types of paint; art restoration; sculpture and frame constructions; the history of his casting period; pieces he was working on at the time of the interview; his work with tile and ceramics; his book, "Journey to the Canine Territory"; his period in scroll painting; references and iconography in his work and influences from previous artists, pieces, and periods; opinions on artists including Agnes Martin, Eva Hesse, Cy Twombly, and Joan Brown; poetical influences and his poetic preferences; Surrealist elements in pieces; his use of animals in paintings; philosophical influences; the influences of technology such as television and computers; his printmaking career; scale and size in his pieces; painting "streaks"; the creation of characters and figures in his paintings; the influence of travel on his art; the nature and attitude of contemporary artists; modern architecture and museum spaces; architects including Frank Gehry and Richard Meier; his hobbies of model creation and woodworking; and his perception of himself. De Forest recalls Hassel Smith, Richard Crozier, Robert Duncan, John Guttman, George Adams, Robert Arneson, Lucian Pompili, John Humphrey, Peter Saul, and others.
Biographical / Historical:
Interviewee Roy De Forest (1930-2007) was a painter and sculptor from Port Costa, California. Interviewer Lynn Robert Matteson (1939- ) is an art historian from Santa Barbara, California.
General:
Originally recorded on 4 sound discs and 1 sound cassette. Reformatted in 2010 as 10 digital wav files. Duration is 4 hr., 17 min.
Microphone was not working during last session, 2004 June 30. Interview equipment was replaced with an analog recorder and the sound for the last forty-five minutes is not as clear as the rest of the interview. It is difficult to hear the interviewer during this session.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Abstract expressionism  Search this
Painting -- Equipment and supplies  Search this
Painting -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.defore04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw991a93108-d830-4b1b-ab86-e65a2583ed71
EDAN-URL:
ead_collection:sova-aaa-defore04
Online Media:

Oral history interview with Robert David Brady

Interviewee:
Brady, Robert, 1946-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
California College of Arts and Crafts (San Francisco, Calif.) -- Students  Search this
California State University, Sacramento -- Faculty  Search this
Mills College -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of California, Davis -- Students  Search this
Arneson, Robert, 1930-1992  Search this
Buck, John, 1946-  Search this
Butterfield, Deborah, 1949-  Search this
Chihuly, Dale, 1941-  Search this
Coykendall, Vernon  Search this
De Forest, Roy, 1930-2007  Search this
Neri, Manuel, 1930-  Search this
Notkin, Richard  Search this
Riegger, Hal, 1921-  Search this
Rubins, Nancy, 1952-  Search this
Wiley, William T., 1937-2021  Search this
Extent:
4 Sound discs (Sound recording (6 hr., 47 min.), digital, 2 5/8 in.)
107 Pages (Transcipt)
Type:
Collection descriptions
Archival materials
Sound discs
Pages
Interviews
Sound recordings
Place:
Guatemala -- Description and Travel
Date:
2008 March 10-12
Scope and Contents:
An interview of Robert David Brady conducted 2008 March 10-12, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Berkeley, California.
Brady speaks of growing up in Reno, Nevada and developing a fondness for the desert and mountain environment around him; his first discovery and fascination with clay during junior high; a deep interest in symbols and the abstraction of language and how he has incorporated that into his work; studying art at California College of Arts and Crafts; continuing on to Mills College for graduate school; being drafted into the war and having to postpone his attendance to Mills College; finishing a Master of Fine Arts degree at the University of California, Davis; wanting to become a college professor; teaching at California State University in Sacramento; wanting to depart from dependency on the vessel; exploring with figurative objects; abandoning the vessel and adapting an interest in object making and mixed media; the influence of Mexico, in particular, the imagery of the Day of the Dead, on his work; firing techniques he learned in Mexico; the influence from Hal Riegger toward his education and development; specific works and the inspiration and process behind them; his departure from clay and experimenting with wood; various shows and his experiences working with different galleries and curators; his trip to Guatemala and the emergence of angels and other religious motif in his work; other traveling experiences and the influence each had on his work; his desire to return to clay and continue making pots; the craft community; the influence of Japanese pots; his personal beliefs toward academically trained and non-academically trained artists; and his opinion toward various art and craft magazines. Brady also recalls Vernon Coykendall, Robert Arneson, William Wiley, Manuel Neri, Debbie Butterfield, John Buck, Dick Notkin, Nancy Rubins, Roy de Forest, Hal Riegger, Dale Chihuly, and others.
Biographical / Historical:
Robert David Brady (1946- ) is a sculptor of wood and ceramics and a teacher from Berkeley, California. Mija Riedel (1958- ) is a curator and writer from San Francisco, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 14 digital wav files. Duration is 6 hr., 47 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Sculptors -- California -- Berkeley -- Interviews  Search this
Ceramics  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.brady08
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90c526f05-fa96-48c2-8ff5-b6ec5d70182a
EDAN-URL:
ead_collection:sova-aaa-brady08
Online Media:

Biographical Material

Collection Creator:
De Forest, Roy, 1930-2007  Search this
Extent:
1.7 Linear feet (Boxes 1-2, OV 12, RD 17)
76.16 Gigabytes (ER01-ER03)
Type:
Archival materials
Gigabytes
Date:
1930-2008
Scope and Contents:
Biographical material includes resumes, certificates of birth, marriage, and death, early school materials, certificates and awards, membership materials, identification documents, family history and genealogy material, and an interview recording. Also included in this series are obituaries, letters of condolence to Roy De Forest's widow, and materials, including digital photographs and video recordings, related to memorial services celebrating De Forest's life and work.
Arrangement:
This series is arranged chronologically.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.deforoy, Series 1
See more items in:
Roy De Forest papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9232d60ac-1211-4acf-9d66-52a0a875186a
EDAN-URL:
ead_component:sova-aaa-deforoy-ref1

Resume and Biography

Collection Creator:
De Forest, Roy, 1930-2007  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1972-2005
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Roy De Forest papers
Roy De Forest papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a74705a6-cd3f-4e99-ba60-fbc9f0831626
EDAN-URL:
ead_component:sova-aaa-deforoy-ref10

Blank Cards Printed with Roy De Forest Art

Collection Creator:
De Forest, Roy, 1930-2007  Search this
Container:
Box 7, Folder 11
Type:
Archival materials
Date:
circa 1970-circa 2001
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Roy De Forest papers
Roy De Forest papers / Series 6: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97230e953-456e-4dff-93f5-ccc2ea82ad49
EDAN-URL:
ead_component:sova-aaa-deforoy-ref107

A Journey to the Far Canine Range and the Unexplored Territory Beyond Terrier Pass

Collection Creator:
De Forest, Roy, 1930-2007  Search this
Container:
Box 7, Folder 17
Type:
Archival materials
Date:
1988
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Roy De Forest papers
Roy De Forest papers / Series 6: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c5d2b457-19cd-4b19-8879-292e951d47ea
EDAN-URL:
ead_component:sova-aaa-deforoy-ref108

Miscellaneous Printed Materials

Collection Creator:
De Forest, Roy, 1930-2007  Search this
Container:
Box 7, Folder 23
Type:
Archival materials
Date:
circa 1988-circa 2005
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Roy De Forest papers
Roy De Forest papers / Series 6: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c884a056-b70e-41c5-a590-1b768dfe28df
EDAN-URL:
ead_component:sova-aaa-deforoy-ref109

Birth Certificate, Marriage Certificate, Death Certificate

Collection Creator:
De Forest, Roy, 1930-2007  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
1930
1974
2007
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Roy De Forest papers
Roy De Forest papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90ea66f8d-d938-42c6-bfb0-3ee5c4fe8237
EDAN-URL:
ead_component:sova-aaa-deforoy-ref11

Labels for Benziger Glen Ellen Imagery Series Wine

Collection Creator:
De Forest, Roy, 1930-2007  Search this
Container:
Box 7, Folder 18
Type:
Archival materials
Date:
circa 1989
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Roy De Forest papers
Roy De Forest papers / Series 6: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d30068a2-7a14-4ee7-877e-f6b20d7468ab
EDAN-URL:
ead_component:sova-aaa-deforoy-ref110

Magazines and Journals - Art News

Collection Creator:
De Forest, Roy, 1930-2007  Search this
Container:
Box 6, Folder 8
Type:
Archival materials
Date:
1956-1969
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Roy De Forest papers
Roy De Forest papers / Series 6: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c6837702-7f32-4fc8-8f1d-fe309c265e51
EDAN-URL:
ead_component:sova-aaa-deforoy-ref111

Magazines and Journals - Archives of American Art Journal

Collection Creator:
De Forest, Roy, 1930-2007  Search this
Container:
Box 6, Folder 7
Type:
Archival materials
Date:
1979
2004
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Roy De Forest papers
Roy De Forest papers / Series 6: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw945b5a3c8-e8d6-4470-b1d1-4b0faafaee62
EDAN-URL:
ead_component:sova-aaa-deforoy-ref112

Chile Connoisseurs News and Other Chile Related Materials

Collection Creator:
De Forest, Roy, 1930-2007  Search this
Container:
Box 7, Folder 14
Type:
Archival materials
Date:
1974-1975
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Roy De Forest papers
Roy De Forest papers / Series 6: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9246c7d53-91a6-4287-b2a2-4850ac30340e
EDAN-URL:
ead_component:sova-aaa-deforoy-ref113

Newsletters

Collection Creator:
De Forest, Roy, 1930-2007  Search this
Container:
Box 6, Folder 10
Type:
Archival materials
Date:
1952-1994
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Roy De Forest papers
Roy De Forest papers / Series 6: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9792871c5-16b6-46fe-80e4-90b173688498
EDAN-URL:
ead_component:sova-aaa-deforoy-ref114

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