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Conversations with Giorgio de Chirico, Giorgio Morandi, and Marino Marini

Creator:
Mangravite, Peppino Gino, 1896-1978  Search this
De Chirico, Giorgio, 1888-1978  Search this
Mangravite, Peppino Gino, 1896-1978  Search this
Subject:
Marini, Marino  Search this
Morandi, Giorgio  Search this
Type:
Sound Recording
Date:
1955
Record number:
(DSI-AAA)10995
See more items in:
Peppino Mangravite papers, 1918-1982
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10995

Interview with Giorgio de Chirico

Creator:
De Chirico, Giorgio, 1888-1978  Search this
Gruen, John Jonas, 1926-2016  Search this
De Chirico, Giorgio, 1888-1978  Search this
Type:
Sound Recording
Date:
1972 January 18
Record number:
(DSI-AAA)19379
See more items in:
John Jonas Gruen and Jane Wilson papers, 1909-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19379

Giorgio De Chirico, Milan, Italy letter to Jacques Seligmann

Creator:
De Chirico, Giorgio, 1888-1978  Search this
Seligmann, Jacques, 1858-1923  Search this
De Chirico, Giorgio, 1888-1978  Search this
Type:
Correspondence
Date:
1938 Apr. 27
Record number:
(DSI-AAA)9901
See more items in:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9901
Online Media:

Giorgio De Chirico, Milan, Italy letter to Jacques Seligmann

Creator:
De Chirico, Giorgio, 1888-1978  Search this
Seligmann, Jacques, 1858-1923  Search this
De Chirico, Giorgio, 1888-1978  Search this
Type:
Correspondence
Date:
1938 July 18
Record number:
(DSI-AAA)9902
See more items in:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9902

Giorgio De Chirico, Paris, France telegram to Jacques Seligmann, New York, N.Y.

Creator:
De Chirico, Giorgio, 1888-1978  Search this
Seligmann, Jacques, 1858-1923  Search this
De Chirico, Giorgio, 1888-1978  Search this
Type:
Correspondence
Date:
1938 Nov. 17
Record number:
(DSI-AAA)9903
See more items in:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9903

Giorgio De Chirico, Paris, France telegram to Jacques Seligmann, New York, N.Y.

Creator:
De Chirico, Giorgio, 1888-1978  Search this
Seligmann, Jacques, 1858-1923  Search this
De Chirico, Giorgio, 1888-1978  Search this
Type:
Correspondence
Date:
1938 Dec. 8
Record number:
(DSI-AAA)9905
See more items in:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9905
Online Media:

Giorgio De Chirico, Paris, France letter to Jacques Seligmann, New York, N.Y.

Creator:
De Chirico, Giorgio, 1888-1978  Search this
Seligmann, Jacques, 1858-1923  Search this
De Chirico, Giorgio, 1888-1978  Search this
Subject:
De Chirico, Giorgio  Search this
Levy, Julien  Search this
Type:
Correspondence
Date:
1939 Jan. 18
Record number:
(DSI-AAA)9906
See more items in:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9906

Pierre Matisse Gallery records

Creator:
Pierre Matisse Gallery (New York, N.Y.)  Search this
Names:
Artigas, Francisco, 1916-  Search this
Balthus, 1908-  Search this
Berman, Eugene, 1899-1972  Search this
Biederman, Charles Joseph, 1906-2004  Search this
Blatas, Arbit  Search this
Bonnard, Pierre, 1867-1947  Search this
Borès, Francisco, 1898-1972  Search this
Brancusi, Constantin, 1876-1957  Search this
Braque, Georges, 1882-1963  Search this
Breton, André, 1896-1966  Search this
Butler, Reg, 1913-1981  Search this
Calder, Alexander, 1898-1976  Search this
Calliyannis, Manolis, 1926-  Search this
Canogar, Rafael, 1935-  Search this
Chagall, Marc, 1887-1985  Search this
Cézanne, Paul, 1839-1906  Search this
Dalí, Salvador, 1904-  Search this
De Chirico, Giorgio, 1888-  Search this
Degas, Edgar, 1834-1917  Search this
Derain, André, 1880-1954  Search this
Despiau, Charles, 1874-1946  Search this
Dos Passos, John, 1896-1970  Search this
Dubuffet, Jean, 1901-1985  Search this
Duchamp, Marcel, 1887-1968  Search this
Dufy, Raoul, 1877-1953  Search this
Dunoyer de Segonzac, André, 1884-1974  Search this
Ernst, Max, 1891-1976  Search this
Etrog, Sorel, 1933-  Search this
Faucher, Serge  Search this
Fellini, Federico  Search this
Ferren, John, 1905-1970  Search this
Francis, Sam, 1923-1994  Search this
Giacometti, Alberto, 1901-1966  Search this
Gleizes, Albert, 1881-1953  Search this
Gogh, Vincent van, 1853-1890  Search this
Gris, Juan, 1887-1927  Search this
Gromaire, Marcel, 1892-1971  Search this
Hantaï, Simon  Search this
Hélion, Jean, 1904-1987  Search this
Katz, Mané, 1894-1962  Search this
Kisling, Moïse, 1891-1953  Search this
Knapp, Stefan, 1921-  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Lam, Wifredo  Search this
Laurencin, Marie, 1883-1956  Search this
Lipchitz, Jacques, 1891-1973  Search this
Lurçat, Jean, 1892-1966  Search this
Lynes, George Platt, 1907-1955  Search this
Léger, Fernand, 1881-1955  Search this
MacIver, Loren, 1909-1998  Search this
Maillol, Aristide, 1861-1944  Search this
Mason, Raymond, 1922-  Search this
Masson, André, 1896-1987  Search this
Matisse, Henri, 1869-1954  Search this
Matisse, Pierre, 1900-1989  Search this
Matta, 1912-2002  Search this
Matter, Herbert, 1907-1984  Search this
Menkes, Sigmund, 1896-1986  Search this
Millares, Manolo, 1926-1972  Search this
Miró, Joan, 1893-  Search this
Modigliani, Amedeo, 1884-1920  Search this
Mondrian, Piet, 1872-1944  Search this
Nelson, Paul, 1895-  Search this
Ozenfant, Amédée, 1886-1966  Search this
Pascin, Jules, 1885-1930  Search this
Picasso, Pablo, 1881-1973  Search this
Quintanilla, Luis, 1900-1980  Search this
Rattner, Abraham  Search this
Renoir, Auguste, 1841-1919  Search this
Riopelle, Jean Paul  Search this
Rivera, Manuel, 1927-  Search this
Roszak, Theodore, 1907-1981  Search this
Rouan, François, 1943-  Search this
Ruckstull, F. W. (Fred Wellington), 1853-1942  Search this
Sage, Kay  Search this
Saura, Antonio, 1930-  Search this
Seligmann, Kurt, 1900-1962  Search this
Seurat, Georges, 1859-1891  Search this
Siqueiros, David Alfaro  Search this
Soutine, Chaim, 1893-1943  Search this
Tamayo, Rufino, 1899-  Search this
Tanguy, Yves, 1900-1955  Search this
Tchelitchew, Pavel, 1898-1957  Search this
Utrillo, Maurice, 1883-1955  Search this
Viallat, Claude, 1936-  Search this
Zadkine, Ossip  Search this
Zao, Wou-ki, 1920-2013  Search this
Extent:
300 Items (Reel NPM1: (on partial microfilm reel))
1.25 Linear feet (Unmicrofilmed)
Type:
Collection descriptions
Archival materials
Date:
1925-1989
Scope and Contents:
REEL NPM1: Catalogs of Pierre Matisse Gallery exhibitions, 1931-1945; photographs of exhibitions interspersed among the catalogs; and a scrapbook containing clippings and reviews of shows at the gallery.
Artists represented among the catalogs, photographs, or scrapbook include Balthus, Eugene Berman, Charles Biederman, Arbit Blatas, Pierre Bonnard, Francisco Bores, Constantin Brancusi, Georges Braque, André Breton, Alexander Calder, Paul Cézanne, Marc Chagall, Salvador Dalí, Giorgio De Chirico,Edgar Degas, André Derain, Charles Despiau, John Dos Passos, Marcel Duchamp, Raoul Dufy, André de Segonzac Dunoyer, Max Ernst, John Ferren, Alberto Giacometti, Albert Gleizes, Vincent van Gogh, Juan Gris, Marcel Gromaire, Jean Hélion, Mane Katz, Moise Kisling, Roger de La Fresnaye, Wifredo Lam, Marie Laurencin, Fernand Léger, Jacques Lipchitz, Jean Lurçat, George Platt Lynes, Loren MacIver, Aristide Maillol, André Masson, Henri Matisse, Roberto Sebastián Matta Echaurren, Herbert Matter, Sigmund Menkes, Joan Miró, Amedeo Modigliani, Piet Mondrian, Paul Nelson, Amédée Ozenfant, Jules Pascin, Pablo Picasso, Luis Quintanilla, Abraham Rattner, Auguste Renoir, Georges Rouault, Kay Sage, Kurt Seligmann, Georges Seurat, David Alfaro Siqueiros, Chaim Soutine, Rufino Tamayo, Yves Tanguy, Pavel Tchelitchew, Maurice Utrillo, and Ossip Zadkine.
UNMICROFILMED: Catalogs of Pierre Matisse Gallery exhibitions of the work of: Francisco Artigas, Balthus, Reg Butler, Manolis Calliyannis, Rafael Canogar, Marc Chagall, Jean Dubuffet, Sorel Etrog, Serge Faucher, Federico Fellini, Sam Francis, Alberto Giacometti, Simon Hantaï, Stefan Knapp, Wilfredo Lam, Loren MacIver, Raymond Mason, Manolo Millares, Joan Miró, Jean-Paul Riopelle, Manuel Rivera, François Rouan, Georges Rouault, Theodore Roszak, Antonio Saura, Yves Tanguy, Claude Viallat, Wou-Ki Zao, and the Dogon and Tellem peoples of Africa.
Biographical / Historical:
Art gallery; New York, N.Y. Founded 1931 by Pierre Matisse, son of Henri Matisse; operated until his death in 1989, handling mainly 20th century European art.
Related Materials:
Pierre Matisse Gallery records also located at Pierpont Morgan Library, New York, N.Y.
Provenance:
Records on reel NPM1 were lent for microfilming 1967 by the Pierre Matisse Gallery. The unmicrofilmed catalogs were donated in 1996. The Gallery donated its records to the Pierpont Morgan Library in New York in 1997.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Topic:
Art, Modern -- 20th century -- United States  Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
Identifier:
AAA.piermati
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-piermati

Byron Gallery records

Creator:
Byron Gallery  Search this
Names:
Galleria dell'Ariete  Search this
Antonakos, Stephen, 1926-2013  Search this
Calder, Alexander, 1898-1976  Search this
Consagra, Pietro, 1920-  Search this
Copley, Alfred L.  Search this
De Chirico, Giorgio, 1888-  Search this
Ernst, Max, 1891-1976  Search this
Friedeberg, Pedro, 1937-  Search this
Gilliam, Sam, 1933-  Search this
Goeritz, Mathias, 1915-1990  Search this
Grilo, Sarah  Search this
Matta Echaurren, Roberto Sebastián, 1911-  Search this
Meadmore, Clement  Search this
Nivola, Costantino, 1911-1988  Search this
Sleigh, Sylvia  Search this
Talman, Paul  Search this
Youngerman, Jack, 1926-  Search this
Extent:
16.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Date:
circa 1950s-1991
Summary:
The records of New York Byron Gallery measure 16.3 linear feet and date from circa 1950s-1991, with the bulk of the material dating from 1960-1971. The records document the gallery's representation and exhibition of Surrealist and contemporary American artists, as well as the occasional pre-Columbian and Old Masters artwork. Found are over ten linear feet of artists and subject files, fifty-seven exhibition scrapbooks, exhibition catalogs, and sales records. There are also exhibitions catalogs of the Milan Galleria Dell'Arieti.
Scope and Content Note:
The records of New York Byron Gallery measure 16.3 linear feet and date from circa 1950s-1991, with the bulk of the material dating from 1960-1971. The records document the gallery's representation and exhibition of Surrealist and contemporary American artists, as well as the occasional pre-Columbian and Old Masters artwork. Found are extensive artists and subject files, exhibition files and scrapbooks, exhibition catalogs, and sales records. There are also exhibitions catalogs of the Milan Galleria Dell'Arieti.

Artist and subject files comprise over one-half of the records and contain business correspondence, sales information, photographs and transparencies, catalogs, and exhibit reviews for each artist either represented or sold by the gallery, or participated in an exhibition organized by the gallery. Particularly rich files are found for Alcopley, Stephen Antonakos, Alexander Calder, Pietro Consagra, Giorgio De Chirico, Max Ernst, Pedro Friedeberg, Sam Gilliam, Mathias Goeritz, Sarah Grilo, Roberto Sabastiano Matta, Clement Meadmore, Constantino Nivola, Sylvia Sleigh, Paul Talman, and Jack Youngerman.

Fifty-seven exhibition scrapbooks in binder sleeves represent a complete documentary record of Byron Gallery exhibits from 1963-1970. The scrapbook contain a wide variety of materials, including correspondence, catalogs, price lists, installation photographs and slides, printed reproductions of exhibited art work, and newspaper clippings and reviews. Additional printed materials include exhibition catalogs and invitations. There is also a near-complete run of catalogs from the Galleria Dell'Arieti, a contemporary gallery in Milan, Italy, 1961-1970.

Financial and business records are contained in a series of invoices from 1963-1971, and a card file of artwork sold or returned.
Arrangement:
The collection is arranged as 5 series:

Series 1: Artist and Subject Files, circa 1950s-1991, undated (Box 1-10, 17; 10.2 linear feet)

Series 2: Exhibition Scrapbooks, 1963-1970 (Box 11-14, 17; 4.1 linear feet)

Series 3: Printed Material, 1961-1970 (Box 15; 0.5 linear foot)

Series 4: Invoices, 1963-1971 (Box 15; 0.5 linear foot)

Series 5: Card Files, circa 1960s-1970s (Box 16; 1 linear foot)
Historical Note:
The Byron Gallery was founded in 1961 by Charles Byron (b. 1918) and located on Madison Avenue in New York, New York. The gallery primarily showed Surrealist masters and up-and-coming contemporary American painters and sculptures, as well as an occasional ancient and Old Masters exhibit.

Among the artists represented by the gallery were Alcopley, Herbert Bayer, Albert Kotin, Clement Meadmore, Richard Merkin, Constantino Nivola, Brian O'Doherty, and Hans Richter. Additional artists handled by the gallery or given shows were Max Ernst, Sam Gilliam, Robert Sebastian Matta, Renee Magritte, Sylvia Sleigh, and Jack Youngerman. The gallery also sold work by artists represented by other galleries, or from the secondary market.

Several prescient group shows were organized by the gallery, including the Box Show in 1965, featuring the work of over 100 artists, including Arakawa, Lee Bontecou, Chryssa, Joseph Cornell, Alcopley, Walter De Maria, Dan Flavin, Donald Judd, Edward Kienholz, Sol Lewitt, Louise Nevelson, Constantino Nivola, Robert Rauschenberg, Michell Stuart, and Andy Warhol. The Paris Review show in 1965 was another stellar event, with contributions from Richard Anuszkiewicz, Allan D'Arcangelo, Jim Dine, Helen Frankenthaler, Robert Indiana, Alex Katz, Ellsworth Kelly, Lindner, Richard Robert Motherwell, Louise Nevelson, Estaban Vicente, and Andy Warhol. In 1964, the gallery also organized an exhibition of over 40 American landscape artists, American Landscapes. The gallery also exhibited two shows based on Pre-Columbian objects, and, in the late 1960s, held two major exhibitions, 400 Years of Italian Art: Florentine Relief Fund Art Show (1967) and Greek Gold Exhibition (1967-1968).
Provenance:
The Byron Gallery papers were donated to the Archives of American Art by gallery owner Charles Byron in 1999.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Surrealism  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Scrapbooks
Citation:
Byron Gallery records, circa 1950s-1991, bulk 1960-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.byrogall
See more items in:
Byron Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-byrogall
Online Media:

Oral history interview with Peter Agostini

Interviewee:
Agostini, Peter  Search this
Interviewer:
Roberts, Colette, 1910-  Search this
Names:
Columbia University -- Faculty  Search this
United States. Works Progress Administration  Search this
Bontecou, Lee, 1931-  Search this
Chamberlain, John, 1927-2011  Search this
Chryssa, 1933-2013  Search this
Cornell, Joseph  Search this
Cézanne, Paul, 1839-1906  Search this
De Chirico, Giorgio, 1888-  Search this
De Kooning, Willem, 1904-1997  Search this
Demuth, Charles, 1883-1935  Search this
Di Suvero, Mark, 1933-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Dubuffet, Jean, 1901-1985  Search this
Duchamp, Marcel, 1887-1968  Search this
Ferber, Herbert, 1906-1991  Search this
Flannagan, John Bernard, 1895?-1942  Search this
Giacometti, Alberto, 1901-1966  Search this
Greenberg, Clement, 1909-1994  Search this
Hague, Raoul, 1905-1993  Search this
Hare, David, 1917-1992  Search this
Hartley, Marsden, 1877-1943  Search this
Hopper, Edward, 1882-1967  Search this
Judd, Donald, 1928-1994  Search this
Kaprow, Allan  Search this
Kienholz, Edward, 1927-  Search this
Kline, Franz, 1910-1962  Search this
Kohn, Gabriel, 1910-1975  Search this
Kolbe, Georg, 1877-1947  Search this
La Tour, Onya, 1896-1976  Search this
Lachaise, Gaston, 1882-1935  Search this
Lassaw, Ibram, 1913-2003  Search this
Lippold, Richard, 1915-2002  Search this
Lipton, Seymour, 1903-1986  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Maillol, Aristide, 1861-1944  Search this
Manship, Paul, 1885-1966  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Marin, John, 1870-1953  Search this
Marisol, 1930-2016  Search this
Matisse, Henri, 1869-1954  Search this
Melville, Herman, 1819-1891  Search this
Mondrian, Piet, 1872-1944  Search this
Morris, Robert, 1931-2018  Search this
Nakian, Reuben, 1897-1986  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Oldenburg, Claes, 1929-  Search this
Poe, Edgar Allan, 1809-1849  Search this
Pollock, Jackson, 1912-1956  Search this
Pompon, François, 1855-1933  Search this
Reinhardt, Ad, 1913-1967  Search this
Rivera, Diego, 1886-1957  Search this
Roszak, Theodore, 1907-1981  Search this
Rothko, Mark, 1903-1970  Search this
Samaras, Lucas, 1936-  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Segal, George, 1924-2000  Search this
Sheeler, Charles, 1883-1965  Search this
Smith, David, 1906-1965  Search this
Smith, Tony, 1912-1980  Search this
Spaventa, George, 1918-  Search this
Stankiewicz, Richard, 1922-1983  Search this
Sugarman, George, 1912-1999  Search this
Tobey, Mark  Search this
Whitman, Walt, 1819-1892  Search this
Zorach, William, 1887-1966  Search this
Extent:
99 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1968
Scope and Contents:
An interview of Peter Agostini conducted in 1968, by Colette Roberts, for the Archives of American Art at 151 Avenue B, New York, New York.
Mr. Agostini speaks of his childhood spent living throughout the five boroughs of New York; his interactions with clients of his father's acting employment agency; his early education in Catholic school and the creative freedom allotted by the nuns; his first feelings of isolation as an artist at the age of seven; the development of a sense of communication as the result of the loss of his mother at the age of three and time spent at a school for orphans; his early realization and vision of artistic destiny; his religious interests which lead to mysticism in his earlier work; his time spent working freely in the DaVinci Studio with Spaventa; the discovery by Hess of his works in Gallerie Grimaud; his attainment of the Longview Grant; his working experience throughout the Depression as part of the WPA casting plaster mannequins while working indirectly with Pollack as well as Marca Relli; his subsequent move to designing department store windows (use of Mondrian-like forms and lines); his feelings of his position as an observer; the importance of communication through art (communication without words); his rejection of the Abstract Expressionist group and choice of independence; the influence of the sculpture of Kolbe and Bache in the thirties; Clement Greenberg's distaste for his work; his feelings about the relative failure to sell his work due its unusual edginess and mystery; his role in the introduction of the work of contemporary European artists (Chausserian, Gauthier, Modrian) to the American group; his description of his own work as "traditionless"; his feelings of self-importance as one of the most original sculptors in the art world; his influence on the younger generation, particularly Marisol; the enslavement to originality that the younger generation faces; his attitudes towards American Art forms and their lack of rebellious spirit; the virtues of the American writers, such as Poe, Whitman, and Melville as American "knapsack" writers; his personal technique which places an emphasis on the "skin" or volume of something; his attempt to create quiet art, or art that merely indicates features; his frustration with teaching and the problems of regurgitated knowledge; the role of Meyer Shapiro in his teaching career at Columbia; the formation of the Club and its similarity to the Cubist's café scene; his opinions on the relationship of sex and sensuality in American art; his personal struggles, including the loss of his second wife and two of his brothers, in addition to the estrangement of his only daughter by his first wife; his feelings on the role of psycho analysis and personal history in a work of art; his present works which feature the "swell." For the majority of the second half of the interview Ms. Roberts asks Mr. Agostini to express his opinions on the work of: Kline; DeKooning; Duchamp; Oldenburg; La Tour; DeChirico; Maillol; Pompon; Rothko; Chardin; Cezanne; Giacometti; Reinhardt; Chryssa; Tony Smith; Segal; Lachaise; Zorach; Manship; Flannagan; Kelly; Lassaw; David Smith; Hare; Lipton; Ferber; Lippold; Roszak; Nakian; Noguchi; Hague; Kohn; di Suvero; Chamberlain; Kaprow; Sugarman; Stankiewicz; Bontecou; Scarpitta; Cornell; Keinholz; Rivera; Judd; Robert Morris; O'Keeffe; Samaras; Mark Tobey; Marin; Pollock; Hartley; Dove; Macdonald-Wright; Demuth; Sheeler; Hopper; Mirot; Matisse; DuBuffet.
Biographical / Historical:
Peter Agostini (1913-1993) was a sculptor from New York, New York.
General:
Originally recorded on 3 sound tape reels. Reformatted in 2010 as 28 digital wav files. Duration is 10 hrs., 37 min.
Transferred from 4 3" reels.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.agosti68
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-agosti68

Valentine Gallery records

Creator:
Valentine Gallery (New York, N.Y.)  Search this
Names:
F. Valentine Dudensing (Firm)  Search this
Brook, Alexander, 1898-1980  Search this
Davis, Stuart, 1892-1964  Search this
De Chirico, Giorgio, 1888-  Search this
Dudensing, F. Valentine, 1892-1967  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Kane, John, 1860-1934  Search this
Matisse, Henri, 1869-1954  Search this
Mérida, Carlos, 1891-1984  Search this
Price, C. S. (Clayton S.), 1874-1950  Search this
Stella, Joseph, 1877-1946  Search this
Van Vechten, Carl, 1880-1964  Search this
Extent:
1.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Date:
circa 1890-circa 1960
Summary:
The records of the New York City based Valentine Gallery measure 1.8 linear feet and date from circa 1890 to 1960. The bulk of the material documents the gallery's dealings with artists Louis Eilshemius, John Kane, Henri Matisse, and C.S. Price. Additionally, there is one scrapbook which contains printed materials regarding Valentine Gallery exhibitions from 1925-1936.
Scope and Contents:
The records of the New York City based Valentine Gallery measure 1.8 linear feet and date from circa 1890 to 1960. The bulk of the material documents the gallery's dealings with artists Louis Eilshemius, John Kane, Henri Matisse, and C.S. Price. Additionally, there is one scrapbook which contains printed materials regarding Valentine Gallery exhibitions from 1925-1936.

The artist's file for Eilshemius contains biographical information; correspondence between Valentine Dudensing and the artist, as well scattered letters from Carl Van Vecten, Alfred H. Barr, and museums and institutions; writings and notes; price lists and other financial and legal documents; printed material from Eilshemius's varied career and from his affiliation with the Valentine Gallery; photographs including portraits of the artist, and photos of installations and of works of art; and a scrapbook containing clippings and scattered other printed materials covering Eilshemius's shows at the Valentine Gallery.

Artists' files for John Kane, Henri Matisse, and C.S. Price contain scattered documentation. The file for John Kane includes correspondence between Valentine Dudensing and Kane's estate managers as well as museums and institutions, price lists, legal records, and printed materials. There are two letters from Henri Matisse to Valentine Dudensing regarding travel plans and a thank you message. The C.S. Price file consists of letters from Price regarding specific works of art, and scattered financial records.

A scrapbook dates from 1925-1936 and includes newspaper and magazine clippings about exhibitions and artists represented by the Valentine Gallery. Artists and exhibitions mentioned in the clippings include Alexander Brook, Giorgio de Chirico, Stuart Davis, Jean Lucrat, Carlos Merida, and Joseph Stella. Also, there is a poster created by Valentine Dudensing to fundraise for ambulances for France.
Arrangement:
This collection is arranged as 2 series.

Series 1: Artists Files, circa 1890-1960 (Box 1, 3; 1.3 linear feet)

Series 2: Scrapbook, 1925-1936 (Box 2, 4; 0.5 linear feet)
Biographical / Historical:
The Valentine Gallery was founded by F. Valentine Dudensing in 1926 and operated in New York City until 1947. The gallery hosted many exhibitions of Modern European art and specialized in School of Paris paintings.

F. Valentine Dudensing was born in 1892 in New York City. His father, Richard Dudensing was a well known art publisher and gallerist who owned Dudensing Galleries. Valentine served in World War I in the United States Aviation Corps and in 1920, married Margaret van der Gros. During a trip to Europe in the early 1920s, Dudensing became acquainted with the son of artist Henri Matisse, Pierre. Together, they conceived a gallery managed by Dudensing in New York while Matisse organized and curated art from Europe.

Dudensing opened his gallery in 1926 at 43 East 57th Street as the F. Valentine Dudensing Gallery. At this time, his father's gallery, the Dudensing Galleries, was located at 45 West 44th Street. Valentine Dudensing changed his gallery's name in 1927 to the Valentine Gallery to distinguish it from his father's gallery. The gallery was one of the first to bring Modern European works to New York City and hosted exhibitions of Giorgio de Chirico, Jean Lurçat, Henri Matisse, Pablo Picasso, and André Dunoyer de Segonzac. Additionally, Valentine Gallery represented American artists including Louis Eilshemius, John Kane, and C.S. Price. Pierre Matisse left the partnership with Valentine Dudensing to open his own gallery in 1931.

In 1947, Valentine Dudensing closed his gallery and moved to France with his wife. He died in 1967.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel NY59-5) including gallery index cards. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The Valentine Gallery records were donated by gallery founder, Valentine Dudensing in 1958. Dudensing also lent the Archives of American Art gallery index cards for microfilming in 1959. Roy R. Neuberger donated materials regarding Louis Eilshemius in 1959 who received the material from Valentine Dudensing.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Painting, Modern -- 20th century  Search this
Genre/Form:
Photographs
Scrapbooks
Citation:
Valentine Gallery records, circa 1890-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.valegall
See more items in:
Valentine Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-valegall

Galka Scheyer papers

Creator:
Scheyer, Galka E.  Search this
Names:
Archipenko, Alexander, 1887-1964  Search this
Arp, Jean, 1887-1966  Search this
De Chirico, Giorgio, 1888-  Search this
Duchamp, Marcel, 1887-1968  Search this
Feininger, Julia  Search this
Feininger, Lyonel, 1871-1956  Search this
Jawlensky, Alexej von, 1864-1941  Search this
Kandinsky, Wassily, 1866-1944  Search this
Klee, Paul, 1879-1940  Search this
Le Corbusier, 1887-1965  Search this
Léger, Fernand, 1881-1955  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Moholy-Nagy, László, 1895-1946  Search this
Rivera, Diego, 1886-1957  Search this
Schmidt-Rottluff, Karl, 1884-1976  Search this
Schoenberg, Arnold, 1874-1951  Search this
Schwitters, Kurt, 1887-1948  Search this
Segal, Arthur, 1875-1944  Search this
Tamayo, Rufino, 1899-  Search this
Varèse, Edgard, 1883-1965  Search this
Weber, Max, 1881-1961  Search this
Weston, Edward, 1886-1958  Search this
Extent:
5 Reels (ca. 1200 items (on 5 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Reels
Date:
1917-1945
Scope and Contents:
Papers relate mainly to the Blue Four and contain primarily correspondence; also business materials, photographs, essays, and printed materials.
REEL 1644: Correspondence with Lyonel Feininger and his wife Julia, mainly concerning personal matters, contemporary events in Europe and America, and Scheyer's efforts to establish the Blue Four's reputation on the west coast. Many letters are illustrated with Feininger block cuts.
REEL 1854: Letters from Feininger, Alexei Jawlensky, Wassily Kandinsky, and Paul Klee; typescripts of letters to members of the Blue Four; import declarations; a shipping invoice; a consular certificate for paintings; and price lists of works of art.
REEL 1905: Correpsondence documenting Scheyer's friendship with various artists associated with the Blue Four and her efforts to exhibit and sell their work. Important correpsondents include: Alexander Archipenko, Hans Arp, Giorgio de Chirico, Marcel Duchamp, Paul Klee, Le Corbusier, Fernand Leger, Carlos Merida, Laszlo Moholy-Nagy, Diego Rivera, Arthur Segal, Karl Schmidt-Rottluff, Arnold Schoenberg, Kurt Schwitters, Rufino Tamayo, Mies van der Rohe, Edgar Varese, Max Weber, and Edward Weston. Also included are miscellaneous photographs, essays, notes, and financial and printed materials.
REEL 2031-2032: Correspondence with Alexei Jawlensky and Wassily Kandinsky, including several illustrated letters; two photographs of interiors; a published article by Kandindsky, "Abstrakte Kunst," ca. 1925-1926; and price lists for works of art by Kandkinsky. Some letters are typescripts.
Biographical / Historical:
Art collector, dealer; b. 1889; d. 1945; Los Angeles, Calif. Scheyer worked to introduce the art of the Blue Four (Blaue Vier), Wassily Kandinsky, Lyonel Feininger, Paul Klee, and Alexei Jawlensky, to American collectors.
Other Title:
Galka Scheyer Blue Four Archive.
Provenance:
Lent for microfilming by Norton Simon Museum of Art, 1979-1980.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- United States  Search this
Art dealers -- California -- Los Angeles  Search this
Topic:
Blaue Vier (Group of artists)  Search this
Expressionism (Art)  Search this
Painting, German -- Collectors and collecting  Search this
Art, Modern -- 20th century -- Germany -- Collectors and collecting  Search this
Identifier:
AAA.schegalk
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schegalk

Peppino Mangravite papers

Creator:
Mangravite, Peppino, 1896-  Search this
Names:
Dudensing Galleries  Search this
Frank K. M. Rehn Galleries  Search this
Braque, Georges, 1882-1963  Search this
Chagall, Marc, 1887-1985  Search this
De Chirico, Giorgio, 1888-  Search this
Marini, Marino, 1901-  Search this
Moore, Henry, 1898-  Search this
Morandi, Giorgio, 1890-1964  Search this
Rouault, Georges, 1871-1958  Search this
Sutherland, Graham Vivian, 1903-  Search this
Tamayo, Rufino, 1899-  Search this
Extent:
6.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Date:
1918-1982
Summary:
The Peppino Mangravite papers measure 6.2 linear feet and are dated 1918-1982. They consist of correspondence, subject files, recorded interviews with significant artists and transcripts, writings and notes, miscellaneous records, printed matter, and photographs documenting Mangravite's career as a painter and educator.
Scope and Content Note:
The Peppino Mangravite papers measure 6.2 linear feet and are dated 1918-1982. They consist of correspondence, subject files, interviews with artists, writings and notes, miscellaneous records, printed matter, and photographs documenting Mangravite's career as a painter and educator.

Series 1: Correspondence includes chronological correspondence documenting Mangravite's career as a painter and educator. Correspondence is with employers, dealers, museums, galleries, collectors, clients, arts and educational organizations, publishers, and other artists. Much of the correspondence is between Mangravite and his dealers, the Dudensing Gallery and the Rehn Galleries, and with other galleries and museums where his paintings were exhibited. Mangravite's mural commissions are also discussed. Additional events documented include Mangravite's two Guggenheim Fellowships and his trip to Europe in 1955 to interview famous artists.

Mangravite's long teaching career is also documented in correspondence with Columbia University, Sarah Lawrence College, Avon School, Fieldston School of the Ethical Culture Schools, Potomac School, Dana Hall School, and the Colorado Springs Fine Art Center. Other topics covered in the correspondence concern Mangravite's published or proposed writings, particularly articles and books reviews, most notably for the Saturday Review of Literature and American Magazine of Art. Mangravite's membership activities in a variety of artists' organizations, such as the College Art Association, the American Society of Painters, Sculptors and Gravers; the American Artists' Congress, and the American Federation of Arts is well-represented in the correspondence.

A list of major correspondents can be found in the series description for Series 1: Correspondence.

Series 3: Interviews with Artists includes audio recordings, transcripts, photographs, notes and reports. During the summer of 1955, Mangravite traveled to England, France, and Italy where he conducted interviews with eight artists - Georges Braque, Marc Chagall, Giorgio De Chirico, Marino Marini, Henry Moore, Giorgio Morandi, Georges Rouault, and Graham Southerland - recording their ideas about art, life, and education. In 1972, Mangravite recorded an interview with Rufino Tamayo in Mexico City, and the two artists were photographed together on that occasion.

Series 4: Writings, Notes, and Lectures consists of articles, papers, talks, lectures, miscellaneous writings, and notes by Mangravite, and a small number of items by other writers. Series 5: Miscellaneous Records includes art work by Mangravite and others, audiovisual records, biographical information, and financial records. Among the printed matter in Series 6 are articles, exhibition announcements, invitations, catalogs, and miscellaneous printed items by and about Mangravite, art-related topics, and other subjects. In Series 7: Photographs, photos of people include Mangravite, students, and other artists. Photos of works of art are of murals and paintings by Mangravite and sculpture by Edgar Britton.
Arrangement:
The collection is arranged into 7 series:

Series 1: Correspondence, 1918-1977 (Boxes 1-2; 1.75 linear ft.; Reels 5878-5880)

Series 2: Subject Files, 1940-1960 (Box 2; 0.25 linear ft.; Reel 5880-5881)

Series 3: Interviews with Artists, 1955, 1972 (Boxes 3, 8; 0.65 linear ft.; Reel 5881)

Series 4: Writings, Notes and Lectures, 1928-1965 (Box 3; 0.35 linear ft.; Reel 5881)

Series 5: Miscellaneous Records, 1926-1974 (Boxes 4, 8, FC9; 10 folders; Reel 5881)

Series 6: Printed Matter, 1918-1982 (Boxes 4-6; 2.65 linear ft.; Reels 5881-5882)

Series 7: Photographs, circa 1926-circa 1970 (Boxes 7-8; 0.4 linear ft.; Reel 5882)
Biographical Note:
In 1914, at the age of eighteen, Peppino Gino Mangravite (1896-1978) settled in New York City with his father. The young man had already completed six years of study at the Scuole Techiniche Belle Arti in his native Italy, where coursework included the study of anatomy and Renaissance fresco techniques. Upon arrival in New York, he enrolled at Cooper Union, and by 1917 was studying under Robert Henri at the Art Students League.

Mangravite began his teaching career - one that lasted half a century - as assistant to Hans Peter Hansen at the Hansen School of Fine Arts in New York during the academic year 1918/19. He was an involved and committed teacher who worked equally well with young children and college students. For several summers in the 1920s, he ran summer art camps in the Adirondacks for children and adults. From 1926-1928 Mangravite lived in Washington D.C., where he taught at the Potomac School. The majority of his life was spent in New York where he served on the faculties of Sarah Lawrence College, Cooper Union, the Art Students League, and, most notably, Columbia University. In addition, he spent 1937-38 as head of the art department of Colorado Springs Fine Arts Center, and from 1940-1942 taught at the Art Institute of Chicago. Mangravite was active in professional arts and education organizations. He wrote a number of articles about art education and served as chairman of the College Art Association's Committee for the Study of the Practice of Art Courses, 1943-1944.

In addition to teaching studio courses, Mangravite was a working artist. Represented by Dudensing Gallery, and later Rehn Galleries, he exhibited widely throughout the United States, and, occasionally, abroad. He won a number of awards, including a gold medal for mural painting at the Philadelphia Sesquicentennial Exhibition, 1926; the American Gold Medal Purchase Prize, Golden Gate Exposition, San Francisco, 1939; Alice McFadden Eyre Medal for best print, Pennsylvania Academy of the Fine Arts, 1946; and a silver medal for mosaic design, Architectural League of New York, 1955. Mangravite was awarded Guggenheim Fellowships in 1932 and 1935, and during that same period was commissioned by the U.S. Treasury Department to paint murals for post offices in Hempstead, N.Y. and Atlantic City, N.J. Other commissions of note include a mural for the Governor's Mansion in the Virgin Islands, and a mosaic mural for the main altar of the Workers' Chapel, St. Anthony's Shrine, Boston, Mass.

Sponsored by Columbia University and with the assistance of the United States Information Agency, Mangravite met with art department heads of several European universities in 1955 to discuss Columbia University's plans for a new arts center. He also interviewed eight artists - Georges Braque, Marc Chagall, Giorgio De Chirico, Marino Marini, Henry Moore, Giorgio Morandi, Georges Rouault, and Graham Southerland -recording their ideas about art, life, and education.

Peppino Mangravite died in 1978.
Provenance:
Most of the collection was donated by Peppino Mangravite in 1977. Additional papers were donated in 2003 by his daughter Denise Mangravite Scheinberg that include records documenting Mangravite's 1955 interviews with European artists, a sound recording and photographs of his meeting with Rufino Tamayo in 1972, a motion picture film of Mangravite's painting class at the Potomac School, and a small number of printed items.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Works of art  Search this
Art -- Economic aspects  Search this
Art -- Study and teaching  Search this
Genre/Form:
Photographs
Interviews
Citation:
Peppino Mangravite papers, 1918-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mangpepp
See more items in:
Peppino Mangravite papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mangpepp

Oral history interview with Enrico Donati

Interviewee:
Donati, Enrico, 1909-2008  Search this
Interviewer:
Temkin, Ann  Search this
Names:
Philadelphia Museum of Art  Search this
Brauner, Victor, 1903-1966  Search this
Breton, André, 1896-1966  Search this
Carone, Nicholas, 1917-2010  Search this
De Chirico, Giorgio, 1888-  Search this
Duchamp, Marcel, 1887-1968  Search this
Ferren, John, 1905-1970  Search this
Gorky, Arshile, 1904-1948  Search this
Hare, David, 1917-1992  Search this
Levy, Julien  Search this
Martins, Maria, 1900-1973  Search this
Miró, Joan, 1893-  Search this
Parsons, Betty  Search this
Picasso, Pablo, 1881-1973  Search this
Reynal, Jeanne, 1903-  Search this
Richter, Hans, 1888-1976  Search this
Ward, Eleanor, 1912-1984  Search this
Extent:
95 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Date:
1997 Jan. 7
Scope and Contents:
Transcript of an interview with Surrealist painter Enrico Donati conducted by Ann Temkin, 1997 Jan. 07 in preparation for an exhibition at the Philadelphia Museum of Art. Temkin interviewed the nonagenarian Donati, who reminiscences about his involvement with Marcel Duchamp and other artists, including André Breton, David Hare, Julien Levy, Arshile Gorky, Victor Brauner, Pablo Picasso, Joan Miró, John Ferren, Jeanne Reynal, Hans Richter, Giorgio di Chirico, Maria Martins, Eleanor Ward, Nicholas Carone, and Betty Parsons. The reminiscences are mostly anecdotal.
Biographical / Historical:
Donati is a painter and object maker, New York, N.Y. and Temkin, a curator of modern and comtemporary art at the Philadelphia Museum of Art.
Provenance:
Donated 2000 by Ann Temkin.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Surrealism  Search this
Genre/Form:
Interviews
Identifier:
AAA.donaenri
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-donaenri

Oral history interview with Brooks Jackson

Interviewee:
Jackson, Brooks, gallery owner  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Berman, Eugene, 1899-1972  Search this
Brauner, Victor, 1903-1966  Search this
Castelli, Leo  Search this
Cornell, Joseph  Search this
De Chirico, Giorgio, 1888-  Search this
Ernst, Max, 1891-1976  Search this
Fini, Leonor, 1908-1996  Search this
Iolas, Alexandros, 1908-1987  Search this
Levy, Julien  Search this
Magritte, René, 1898-1967  Search this
Matta, 1912-2002  Search this
Tchelitchew, Pavel, 1898-1957  Search this
Extent:
1 Item (Sound recording: 1 sound tape reel ; 5 in)
38 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1976 Mar. 22
Scope and Contents:
Interview of Brooks Jackson conducted 1976 Mar. 22, by Paul Cummings, for the Archives of American Art. Jackson speaks of his background; attending the American School of Ballet; why he stopped dancing; his recollections of Madame Hugo; Alexander Iolas' background and his memories of him; how he became interested in art; and working with Iolas. He recalls Alexander Iolas, Pavel Tchelitchew, Giorgio De Chirico, Lenore Fini, Eugene Berman, Victor Brauner, Rene Magritte, Roberto Matta, Max Ernst, Julien Levy, Leo Castelli, Joseph Cornell, and many others.
Biographical / Historical:
Brooks Jackson is an art dealer and former dancer from New York, N.Y. Co-owned and operated the Brooks Jackson Iolas Gallery in New York, N.Y.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, American  Search this
Art dealers -- New York (State) -- New York -- Interviews  Search this
Ballet  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.jackso76
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jackso76

Conoscere De Chirico : la vita e l'opera dell'inventore della pittura metafisica / a cura di Isabella Far De Chirico e Domenico Porzio ; con saggi di Alain Jouffroy, Wieland Schmied, Maurizio Fagiolo Dell'Arco

Author:
De Chirico, Giorgio 1888-1978  Search this
Far, Isabella  Search this
Porzio, Domenico 1921-  Search this
Subject:
De Chirico, Giorgio 1888-1978  Search this
Physical description:
315 p. : ill. (some col.) ; 30 cm
Type:
Biography
Place:
Italy
Date:
1979
Topic:
Painters  Search this
Call number:
ND623.C56 A4 1979
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_648395

Warhol verso De Chirico

Author:
Bonito Oliva, Achille  Search this
Marisa del Re Gallery  Search this
Subject:
Warhol, Andy 1928-1987  Search this
De Chirico, Giorgio 1888-1978 Influence  Search this
De Chirico, Giorgio 1888-1978  Search this
Physical description:
58 pages : illustrations (some color), portraits ; 28 cm
Type:
Exhibitions
Exhibition catalogs
Date:
1985
[1985], ©1982
Topic:
Imitation in art  Search this
Call number:
ND.237.W353.W3
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_639890

Giorgio De Chirico--Giulio Paolini, Giulio Paolini--Giorgio De Chirico

Artist:
Paolini, Giulio 1940-  Search this
De Chirico, Giorgio 1888-1978  Search this
Host institution:
Center for Italian Modern Art (New York, N.Y.)  Search this
Subject:
De Chirico, Giorgio 1888-1978  Search this
Paolini, Giulio 1940-  Search this
Physical description:
63 pages : chiefly illustrations (chiefly color) ; 23 x 28 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
2017
Call number:
N6923.C5 A4 2016
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1088020

Enigma variations : Philip Guston and Giorgio De Chirico / organized by Michael R. Taylor, Lisa Melandri

Author:
Guston, Philip 1913-1980  Search this
De Chirico, Giorgio 1888-1978  Search this
Taylor, Michael R  Search this
Melandri, Lisa  Search this
Santa Monica Museum of Art  Search this
Subject:
Guston, Philip 1913-1980 Exhibitions  Search this
De Chirico, Giorgio 1888-1978  Search this
Physical description:
63 p. : col. ill. ; 23 x 26 cm
Type:
Books
Exhibitions
Date:
2006
Call number:
ND237.G8 A4 2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_831736

Cuatro maestros modernos : Giorgio de Chirico, Max Ernst, René Magritte, Joan Miró

Author:
Lanchner, Carolyn  Search this
Museo de Bellas Artes (Venezuela)  Search this
Subject:
De Chirico, Giorgio 1888-1978  Search this
Ernst, Max 1891-1976  Search this
Magritte, René 1898-1967  Search this
Miró, Joan 1893-1983  Search this
Physical description:
1 v. (unpaged) : ill. (some col.) ; 22 cm
Type:
Exhibitions
Date:
1981
20th century
Topic:
Art, Modern  Search this
Call number:
N6488.V4 C253 1981
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_704138

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