Music city., Ben blew., Joanie's jump., Caribe., There will never be another you., Times Square., Plain Jane Snavely., Spring is here., Coldwater Canyon blues., Time's up., Aunt Orsavella., Angel., Four blow four's., Earful., Wonderful you., Anything goes., Blooz., Smoggy day., In from somewhere., Lonely time., I love you that's all., Black Jack., Los Angeles River., Fish tail.
Track Information:
101 Music City / Russell Garcia, Art Pepper, Bud Shank. Saxophone,Piano,Trumpet,Trombone,Bass.
102 Ben Blew / Wayne Marsh Quintet, Ted Brown, Wayne Marsh. Saxophone,Piano.
103 Joanies Jump / Bill Perkins, Med Flory. Saxophone,Piano,Trumpet,Trombone.
105 There Will Never Be Another You / Billy Usselton Sextet, Abe Aaron, Billy Usselton. Saxophone,Bass clarinet.
106 Times Square / Bill Perkins, Marty Paich Orchestra, Richie Kamuca. Saxophone,Piano,Trumpet,Trombone.
201 Plain Jane Snavely / Bill Perkins, Med Flory. Saxophone,Piano,Trumpet,Trombone.
104 Caribe / John Towner Quartet, Howard Roberts, John Towner. Piano,Guitar.
202 Spring is Here / John Towner Quartet, Howard Roberts, John Towner. Piano,Guitar.
203 Coldwater Canyon Blues / Bill Perkins, Marty Paich Orchestra, Richie Kamuca. Saxophone,Piano,Trumpet,Trombone.
204 Time's Up / Wayne Marsh Quintet, Ted Brown, Wayne Marsh. Saxophone,Piano.
205 Fish Tail / Russell Garcia, Art Pepper, Bud Shank. Saxophone,Piano,Trumpet,Trombone.
206 Angel / Billy Usselton Sextet, Abe Aaron, Billy Usselton. Saxophone,Bass clarinet.
301 Four Blow Four's / Bill Perkins, Marty Paich Orchestra, Richie Kamuca. Saxophone,Piano,Trumpet,Trombone.
302 Earful / Wayne Marsh Quintet, Ted Brown, Wayne Marsh. Saxophone,Piano.
303 Wonderful You / Bill Perkins, Med Flory. Saxophone,Piano,Trumpet,Trombone.
304 Anything Goes / John Towner Quartet, Howard Roberts, John Towner. Piano,Guitar.
305 Blooz / Billy Usselton Sextet, Abe Aaron, Billy Usselton. Saxophone,Bass clarinet.
306 Smoggy Day / Russell Garcia, Art Pepper, Bud Shank. Saxophone,Piano,Trumpet,Trombone.
401 In From Somewhere / Billy Usselton Sextet, Abe Aaron, Billy Usselton. Saxophone,Bass clarinet.
402 Lonely Time / Bill Perkins, Marty Paich Orchestra, Richie Kamuca. Saxophone,Piano,Trumpet,Trombone.
403 Aunt Orsavella / John Towner Quartet, Howard Roberts, John Towner. Piano,Guitar.
404 Love You That's All, I / Bill Perkins, Med Flory. Saxophone,Piano,Trumpet,Trombone.
405 Black Jack / Wayne Marsh Quintet, Ted Brown, Wayne Marsh. Saxophone,Piano.
406 Los Angeles River / Russell Garcia, Art Pepper, Bud Shank. Saxophone,Piano,Trumpet,Trombone.
Local Numbers:
FW-ASCH-LP-1589
Kapp.500
Publication, Distribution, Etc. (Imprint):
Kapp 195x
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
William H. Holston Gallery (New York, N.Y.) Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Tom McGlauchlin, 2006 October 13. Archives of American Art, Smithsonian Institution.
An interview of Tom McGlauchlin conducted 2006 October 13, by Joan Falconer Byrd, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Archives of American Art, Washington, D.C.
McGlauchlin speaks of his childhood in Wisconsin; receiving a B.S. and M.S. in Art from the University of Wisconsin, Madison; studying pottery with Harvey Littleton and Toshiko Takaezu; attending the first workshop for glassblowing at the Toledo Museum of Art in Toledo, Ohio in 1962; building his glass studio; teaching experiences at Cornell College; experiences as the Director of the Glass Program at the University of Toledo/Toledo Museum of Art; the rivalry between Harvey Littleton and Dominick Labino; his relationship with galleries throughout the years including Heller Gallery, Habatat Galleries, Holsten Galleries, Vespermann Gallery, Pismo Gallery, and others; his participation in Glass Art Society and National Council on Education for the Ceramic Arts; his interest in textured surfaces; being influenced by Washington Color Field painters; the strong influence jazz has on his artwork; his involvement with the Art Tatum Jazz Heritage Festival in Toledo, Ohio; his plans to stop blowing glass in the near future; and his interest in working in pottery once again. McGlauchlin also recalls Clayton Bailey, Norm Schulman, Harvey Leafgreen, Otto Wittmann, Fritz Dreisbach, Russell Day, and others.
Biographical / Historical:
Tom McGlauchlin (1934-2011) is an glass artist and potter from Toledo, Ohio. Joan Falconer Byrd (1939- ) is a ceramics professor from Cullowhee, North Carolina.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 58 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ramona Solberg, 2001 March 23. Archives of American Art, Smithsonian Institution.
An interview of Ramona Solberg conducted 2001 March 23, by Vicki Halper, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Solberg's apartment, Seattle, Washington.
Ramona Solberg (1921-2005) was a jeweler from Seattle, Washington. Vicki Halper is a curator at the Seattle Art Museum.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hr., 13 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Robert C. Florian. Carl Betz, Frans Wildenhain, Russell Day, and Harvey Littleton, 1964. Harvey K. Littleton papers, 1946-1975. Archives of American Art, Smithsonian Institution.
The papers of jeweler and educator Ramona Solberg measure 8.3 linear feet and date from 1926 to 2007. The collection documents Solberg's career through biographical materials including interview transcripts, correspondence between Solberg and friends and colleagues including Russell and Marjorie Day and Malathi Ramswarthy, organizational and professional files, printed materials, artwork including jewelry sketches, photographs of Solberg and her work, and motion picture films containing footage of artwork and travel.
Scope and Contents:
The papers of jeweler and educator Ramona Solberg measure 8.3 linear feet and date from 1926 to 2007. The collection documents Solberg's career through biographical materials including interview transcripts, correspondence, organizational and professional files, printed materials, artwork including jewelry sketches, photographs of Solberg and her work, and motion picture films containing footage of artwork and travel.
Biographical materials contain Solberg's Women's Army Corps records, student records, awards and diplomas, material for Solberg's memorial service, a Christmas newsletter by Solberg, interview transcripts and notes, and a detailed chronology of Solberg's life events and career accomplishments.
Correspondence is between Solberg, various friends and colleagues including Russell and Marjorie Day, Malathi Ramswarthy, and others, and with her nephew's partner Sharon Dwinnell-Smith, who served as the point of contact during Solberg's hospitalization in 2004 and after her death in 2005.
A set of organizational files includes correspondence, agreements, printed and photographic materials, sales information, loan forms, and other material regarding exhibitions, workshops, and other events. Solberg's professional files include annotated calendars, workshop material, files containing personal letters and material concerning a film project on Solberg by Jack Stoops, drafts and photographs for Solberg's book Inventive Jewelry-Making, instructional material, research and notes on beads, a few exhibition files, and teaching and travel files.
Printed materials include booklets, brochures and pamphlets, clippings, announcements and catalogs for Solberg's exhibitions, flyers, and a poster. Artwork includes Solberg's childhood drawings, jewelry sketches, and a few other items. Photographic materials include photos of Solberg, travel, and works of art, in addition to approximately 40 motion picture film strips containing footage of artwork and travel.
Arrangement:
The collection is arranged as 7 series.
Series 1: Biographical Materials, 1939-2007 (0.2 linear feet; Box 1, OV 9)
Series 2: Correspondence, 1966-2007 (0.7 linear feet; Box 1)
Series 3: Organizational Records, 1955-2007 (1.0 linear feet; Boxes 1-2)
Series 4: Professional Files, circa 1955-2006 (2.0 linear feet; Boxes 2-4, OV 10)
Series 5: Printed Materials, circa 1957-2006 (0.5 linear feet; Boxes 4-5)
Series 6: Artwork, 1926-circa 2000 (0.2 linear feet; Box 5, OV 11)
Series 7: Photographic Materials and Motion Picture Film, circa 1940-circa 1990s (3.0 linear feet; Boxes 5-8, FC12)
Biographical / Historical:
Ramona Solberg (1921-2005) was a jeweler and educator in Seattle, W.A.
Solberg was born in Watertown, S.D. but moved to Seattle as a baby. She enlisted in the Women's Army Corps in 1943 and served until 1950. Over the course of her service, she had the opportunity to travel around the United States, as well as abroad to Heidelberg and Stuttgart. After leaving the Army, Solberg used her GI benefits to study jewelry making and textiles in Mexico at Bellas Artes and the University of Michoacan. She received both her Bachelor and Master of Fine Arts degrees from the University of Washington in 1951 and 1953. Solberg taught high school before becoming an associate professor at Washington State College from 1956 to 1967. She returned to her alma mater, the University of Washington, in 1967 to teach until her retirement in 1983. In 1972, she published, Inventive Jewelry-Making, a book for beginners. She became a fellow at the American Craft Council in 1975 and won the Washington State Governor's award in 1987.
Solberg died in 2005.
Related Materials:
Also in the Archives of American Art is an interview of Ramona Solberg conducted on March 23, 2001 by Vicki Halper for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Solberg's apartment, Seattle, W.A.
Provenance:
The Ramona Solberg papers were donated in 2003 by Ramona Solberg and in 2008 by Ramona Solberg's estate via Larry Metcalf, executor, as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual records in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual records in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ramona Solberg papers, 1926-2007. Archives of American Art, Smithsonian Institution.
An account of Mr. Craton's life from his birth on June 23, 1902 to January 1, 1924. Written in 1972, from old letters, genealogical materials collected by Mr. Craton's mother and memory.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Forman H. Craton Collection, 1902-1983, Archives Center, National Museum of American History.
Some unbound miscellaneous papers, 1865–69, are arranged by type of record and consist mainly of documents relating to court cases, reports and papers relating to lands, and a few copies of letters sent. A few of the papers are dated as early as 1862.
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
