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Gene Davis papers, 1920-2000, bulk 1942-1990

Creator:
Davis, Gene, 1920-1985  Search this
Davis, Gene, 1920-1985  Search this
Subject:
Baro, Gene  Search this
Wall, Donald  Search this
Greenberg, Clement  Search this
Colby, Carl  Search this
Davis, Douglas  Search this
Davis, Florence  Search this
McGowin, Ed  Search this
Naifeh, Steven  Search this
Nordland, Gerald  Search this
North, Percy  Search this
Seitz, William Chapin  Search this
Thomas, Alma  Search this
White House (Washington, D.C.)  Search this
Type:
Sound recordings
Transcripts
Photographs
Interviews
Video recordings
Topic:
Color-field painting  Search this
Painting, Modern -- 20th century -- Washington (D.C.)  Search this
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Theme:
Art Movements and Schools  Search this
Record number:
(DSI-AAA_CollID)7153
(DSI-AAA_SIRISBib)209287
AAA_collcode_davigene
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209287
Online Media:

Florence Davies papers, 1930-1962

Creator:
Davies, Florence  Search this
Davies, Florence  Search this
Subject:
Scarab Club  Search this
Topic:
Detroit news  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)7368
(DSI-AAA_SIRISBib)209523
AAA_collcode_daviflor
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209523

Davis - Davison

Collection Creator:
Frank K. M. Rehn Galleries  Search this
Container:
Box 5
Reel 5855, Frame 498-555
Type:
Archival materials
Date:
1919-1962
Scope and Contents note:
Davis, Charles H.

Davis, Mrs. Chase

Davis, Dorland and Co.

Davis, Mrs. Ferdinand

Davis, Florence

Davis, Gladys Rockmore

Davis, Mrs. Henry

Davis, James A.

Davis, M. H.

Davis, Roscoe

Davis, Warren B.

Davis, Will J.

Davison Art Center (See Wesleyan University)

Davison, H. B.
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frank K. M. Rehn Galleries records, 1858-1969 (bulk 1919-1968). Archives of American Art, Smithsonian Institution.
See more items in:
Frank K. M. Rehn Galleries records
Frank K. M. Rehn Galleries records / Series 1: Correspondence, A-Z
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-franrehg-ref149

Davies, Florence

Collection Creator:
Lee-Smith, Hughie  Search this
Container:
Box 3, Folder 22
Type:
Archival materials
Date:
circa 1945-1955
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
Authorization to publish requires written permission from Robert Panzer, VAGA. The donor has retained all intellectual property rights, including copyright, that they may own. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hughie Lee-Smith papers, circa 1890-2007, bulk 1931-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Hughie Lee-Smith papers
Hughie Lee-Smith papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-leeshugh-ref69

Florence Davies papers

Topic:
Detroit news
Creator:
Davies, Florence  Search this
Names:
Scarab Club  Search this
Extent:
2 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1930-1962
Scope and Contents:
Writings and printed material.
REEL 2803: A handwritten copy of a talk given by Florence Davies at the Scarab Club in Detroit on December 28, 1962, at the time she was made an Honorary Life Member of the club.
REEL D133: Davies' column Detroit News Art Section, Jan. 5, 1930-Dec. 14, 1945.
Biographical / Historical:
Art critic; Detroit, Michigan.
Provenance:
Material on reel D133 lent for microfilming 1963 by Florence Davies. Material on reel 2803 donor is unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art critics -- Michigan -- Detroit  Search this
Identifier:
AAA.daviflor
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-daviflor

Gene Davis papers

Creator:
Davis, Gene, 1920-1985  Search this
Names:
White House (Washington, D.C.)  Search this
Baro, Gene  Search this
Colby, Carl  Search this
Davis, Douglas  Search this
Davis, Florence  Search this
Greenberg, Clement, 1909-1994  Search this
McGowin, Ed, 1938-  Search this
Naifeh, Steven, 1952-  Search this
Nordland, Gerald  Search this
North, Percy, 1945-  Search this
Seitz, William Chapin  Search this
Thomas, Alma  Search this
Wall, Donald  Search this
Extent:
17.7 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Transcripts
Photographs
Interviews
Video recordings
Date:
1920-2000
bulk 1942-1990
Summary:
The papers of the artist Gene Davis measure 17.7 linear feet and date from 1920-2000, with the bulk of materials dating from 1942-1990. Papers document Davis's personal life and his career as an artist and educator, as well as his career as a journalist in the 1940s and 1950s, through biographical materials, correspondence, interviews, business records, estate records, writings by and about Gene Davis, printed materials concerning Davis's art career, personal and art-related photographs, and artwork by Davis and others.
Scope and Contents:
The papers of the artist Gene Davis measure 17.7 linear feet and date from 1920-2000, with the bulk of materials dating from 1942-1990. Papers document Davis's personal life and his career as an artist and educator, and to a lesser degree his early career as a journalist in the 1940s and 1950s, through biographical materials, correspondence, interviews, business records, estate records, writings by and about Gene Davis, printed materials concerning Davis's art career, personal and art-related photographs, and artwork by Davis and others.

Biographical materials include birth and death certificates, awards, biographical narratives by Gene Davis and others, CVs, résumés, personal documents from Davis's family and childhood, documents related to his work as a White House correspondent, documentation related to his death and memorial service, and papers for the family pets. A video documentary about Davis by Carl Colby is found on one videocassette.

Correspondence is mainly of a professional nature, and correspondents include gallery and museum curators, private art collectors, publishers, fellow artists, art educators, academics, and students. Letters document exhibitions, sales, book projects, teaching jobs, visits to studios, local art community events in the Washington, D.C. area, and other projects. Significant correspondents include Gene Baro, Douglas Davis, Clement Greenberg, Gerald Nordland, William Seitz, Alma Thomas, and Donald Wall. Interviews and lectures include sound recordings and transcripts. Many of the interviews were broadcast or published. Also found is a single lecture by Davis given in 1969 at the National Collection of Fine Arts, Smithsonian Institution, entitled "Contemporary Painting." Sound recordings are found for three of the interviews and for the lecture, on 4 sound reels and 1 sound cassette.

Business records include artwork documentation, price lists, sales records, contracts, financial and legal records, gallery and museum files documenting sales and exhibitions, records related to the construction of Davis's home studio in 1970, and a few teaching records. Estate records mainly reflect Florence Davis's efforts to document the works of her husband, and to manage their exhibition, promotion, and sale after his death in April 1985. Estate records include an inventory of artworks, documentation of gifts to museums, correspondence, legal, and financial records. Writings include notes, drafts of essays, artist statements, and articles by Davis, and many articles by others about Davis. Several of Davis's articles reflect specifically on the Washington, D.C. art scene. Also found are drafts of monographs on Davis including one by Donald Wall (1975) and one by Steven Naifeh (1982). Records of Naifeh's book also include photographs of all black and white and color plates from the published book. Among the writings are also notes and research files of Percy North, who worked on an update to Naifeh's 1982 bibliography after Davis's death.

Printed materials include annual reports of museums, published arts-related calendars, auction catalogs, brochures from organizations with which Davis had some affiliation, exhibition announcements and invitations, exhibition catalogs, magazine articles, newspaper clippings, newsletters, posters, press releases, and other published material. Photographs include personal photographs of Gene and Florence Davis and their families, portraits of Gene Davis, photographs of Gene Davis with artworks and working in the studio, Davis' art classes and students, installations of site-specific works, conceptual and video works, exhibition openings, and photographs of artwork, both installed in exhibitions and individually photographed. Found among the photographs are also four videocassettes documenting the Gene Davis retrospective as installed at the Smithsonian National Museum of American Art in 1987.

Artwork includes photographs, drawings, moving images, and documentation of conceptual art. Works by Davis include documentation of the 1969 "Giveaway" with Douglas Davis and Ed McGowin, "The Artist's Fingerprints Except for One which belongs to someone else," documentation of his "Air Displacement" happening, a short film entitled "Patricia," and a video entitled "Video Puzzle." Other moving images include four reels of film of Davis's stripe paintings, and other experiments with motion picture film and photographs.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1930-1987 (0.6 linear feet; Boxes 1, 17)

Series 2: Correspondence, 1943-1990 (1.7 linear feet; Boxes 1-3)

Series 3: Interviews and Lectures, 1964-1983 (0.3 linear feet; Box 3)

Series 4: Business and Estate Records, 1942-1990 (1.6 linear feet; Boxes 3-5, 17, OV 20)

Series 5: Writings, 1944-1990 (2 linear feet; Boxes 5-6, 17, OV 19)

Series 6: Printed Material, 1942-1990 (5.5 linear feet; Boxes 7-11, 17-18, OV 20, FC 35-37)

Series 7: Photographs, 1920-2000 (3.8 linear feet; Boxes 11-15, 17, OV 19)

Series 8: Artwork, 1930-1985 (2.2 linear feet; Boxes 15-16, 18, FC 21-34)
Biographical / Historical:
Gene Davis (1920-1985) was a Washington, D.C.-based artist and educator who worked in a variety of media, including painting, drawing, collage, video, light sculpture, and conceptual art. Davis is best known for his vertical stripe paintings and his association with the Washington Color School.

Davis was born in 1920 in Washington, D.C. and began his career as a writer. In his twenties he wrote pulp stories and worked as a journalist, reporting for United Press International and serving as a White House correspondent for Transradio Press Service during the Truman administration. Later, he worked in public relations for the Automobile Association of America. A self-taught artist, Davis began painting while still working full-time as a writer, influenced by the prevailing abstract expressionist artists of the time, his frequent visits to the Corcoran Gallery and Phillips Collection in Washington, D.C., and by his friend and mentor, Jacob Kainen. His first one-man show was held in the lobby of the Dupont Theater in Washington in 1952. He had a drawing accepted in the Corcoran Area Show in 1953, and won several local art prizes in the 1950s. He began showing work regularly in galleries around Washington, such as the Watkins Gallery at American University, the Gres Gallery, and the Henri Gallery, and had solo exhibitions at Jefferson Place Gallery in 1959 and 1961. Many of the painters who made up what became known as the Washington Color School also showed there, including Kenneth Noland, Howard Mehring, and Sam Gilliam. In 1965, the Washington Gallery of Modern Art held a seminal exhibition entitled Washington Color Painters, which included Davis, Noland, Mehring, Morris Louis, Thomas Downing, and Paul Reed.

Davis began showing outside of Washington regularly in the 1960s, including the Poindexter and Fischbach galleries in New York City, and in several important group shows at museums such as the Museum of Modern Art, the Whitney Museum, and the San Francisco Museum of Modern Art. He had three works shown in the 1964 exhibition Post-Painterly Abstraction, organized by the influential art critic Clement Greenberg at the Los Angeles County Museum of Art. In the late 1960s, he began teaching art classes at the Corcoran School, and spent the summer of 1969 as artist in residence at Skidmore College's "Summer in Experiment" program.

Davis experimented with form continuously throughout his career, including a period of conceptual work in the late 1960s. In 1969 he participated in the "Giveaway," organized by Douglas Davis and Ed McGowin, in which multiple copies of a Davis painting were given away to invited guests in a gesture intended to subvert the art market. Davis also began experimenting with scale, creating a series of tiny paintings he called "Micro-paintings," which were exhibited at Fischbach Gallery in 1968. Around this time he also began working with film and video, recruiting models from his art classes to enact tightly choreographed movement pieces that played with rhythm and interval. Convinced by a lawyer that his videos were a liability without having obtained releases from the models, Davis destroyed all but one of his video works. The surviving video, "Video Puzzle," shows a foreshortened view of a model on the floor of a gallery spelling out a statement by Clement Greenberg at predetermined intervals.

Davis made several large-scale site-specific works using the stripe motif in public places. The first of these was created in the Bal Harbour, Florida, Neiman Marcus department store in 1970. Later works included Franklin's Footpath, executed in the road leading to the Philadelphia Museum of Art in 1972, and Niagara (1979) at ArtPark in Lewistown, NY, promoted at the time as the largest painting in the world. Interior large-scale works were created twice at the Corcoran Gallery, with Magic Circle (1975) and Ferris Wheel (1982), both executed in the museum's rotunda. Black Yo-Yo was created for the Cranbrook Academy in 1980, and Sun Sonata (1983), an illuminated wall of colored liquid-filled tubes, was created as an architectural feature of the Muscarelle Museum of Art in Williamsburg, Virginia. Plans for an unexecuted work called "Grass Painting," for a site near the Kennedy Center in Washington, D.C., were exhibited in the 1974 "Art Now" festival.

In the late 1970s and 1980s Davis consistently exhibited his work in several solo gallery shows a year, and also had numerous solo exhibitions in major museums. A major exhibition, Recent Paintings, was organized by the Walker Art Center in 1978, and traveled to the Corcoran Gallery of Art in 1979. A drawing retrospective was held at the Brooklyn Museum of art in 1983, and the same year the Washington Project for the Arts organized an exhibition entitled Child and Man: A Collaboration, featuring drawings Davis made in response to childrens' drawings. Davis died suddenly in April 1985 at the age of 65, and a major retrospective of his work was held at the Smithsonian National Museum of American Art in 1987.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Gene Davis conducted by Estill Curtis Pennington on April 23, 1981. A transcript is available on the Archives of American Art website.
Provenance:
Donated 1981 by Gene Davis and 1986 by his wife, Florence. Additional material donated 1991 and 1993 from Smithsonian American Art Museum via a bequest to them from the Gene and Florence Davis estate. Much of the 1993 addition was assembled by art historian Percy North at the request of Florence Davis. An additional folder of photographs of Davis taken in 1969 but printed in 2000 was later added to the collection.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Reporters and reporting -- Washington (D.C.)  Search this
Video artists -- Washington, D.C.  Search this
Conceptual artists -- Washington, D.C  Search this
Painters -- Washington (D.C.)  Search this
Collagists -- Washington, D.C  Search this
Topic:
Color-field painting  Search this
Painting, Modern -- 20th century -- Washington (D.C.)  Search this
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Sound recordings
Transcripts
Photographs
Interviews
Video recordings
Citation:
Gene Davis papers, 1920-2000, bulk 1942-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.davigene
See more items in:
Gene Davis papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-davigene
Online Media:

WASPs Binder: Pictures of Life and Training of the Women's Air Force Service Pilots, c.1942-1944, Scrapbook # 1

Collection Creator:
Haydu, Bernice Falk  Search this
Container:
Box 2, Folder 1
Type:
Archival materials
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Collection Citation:
WASPs Binder: Pictures of Life and Training of the Women's Air Force Service Pilots, Acc. NASM.1989.0123####, National Air and Space Museum, Smithsonian Institution.
See more items in:
WASPs Binder: Pictures of Life and Training of the Women's Air Force Service Pilots
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1989-0123-ref508
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  • View WASPs Binder: Pictures of Life and Training of the Women's Air Force Service Pilots, c.1942-1944, Scrapbook # 1 digital asset number 1

Davis, Florence (Private)

Subseries Creator:
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Addison N., 1883-1964  Search this
Custom Craft  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Container:
Box 235
Type:
Archival materials
Date:
1952 Janury 12
Scope and Contents note:
Job Number: 56333
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.2: Black and white negatives in freezers arranged by job number
Scurlock Studio Records, Subseries 4.2: Black and white negatives in freezers arranged by job number / Black and white negatives in freezers arranged by job number [cont.]
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-02-ref20780

Florence Davis

Artist:
Fernand Paillet, 1850 - 1918  Search this
Sitter:
Florence Davis, c. 1865 - 1925  Search this
Medium:
Watercolor on ivory
Dimensions:
6.4 x 5.4cm (2 1/2 x 2 1/8")
Type:
Painting
Date:
1890
Topic:
Miniature  Search this
Florence Davis: Female  Search this
Portrait  Search this
Credit Line:
Owner: New-York Historical Society
Object number:
1905.23 NYHS
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4c604e00c-4a21-4356-8bae-ef3d1fcdfd83
EDAN-URL:
edanmdm:npg_1905.23_NYHS

Florence Lusk Davis

Artist:
Sarah H. Woodruff, 1860 - 1924  Search this
Sitter:
Florence Lusk Davis, 1890 - 1990?  Search this
Medium:
Oil on canvas
Dimensions:
50.8cm x 40.5cm (20" x 15 15/16"), Accurate
Type:
Painting
Date:
c. 1920-1923
Topic:
Florence Lusk Davis: Female  Search this
Portrait  Search this
Credit Line:
Owner: Erie County Historical Society
Object number:
PA340086
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4dba92fbc-8b00-4559-a3b2-3367c9d1a6f1
EDAN-URL:
edanmdm:npg_PA340086

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
National Association for the Advancement of Colored People, American, founded 1909  Search this
National Urban League, American, founded 1910  Search this
Sigma Phi Rho Fraternity, American, founded 1978  Search this
National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this
Association of Black Women Attorneys, American, founded 1976  Search this
National Urban Affairs Council, American, founded 1971  Search this
Raymond A. Jordan Jr., American, born 1943  Search this
National Association of Market Developers, American, founded 1953  Search this
The Links, Incorporated, American, founded 1946  Search this
Northside Center for Child Development, Inc., founded 1946  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Prince Hall Freemasonry, founded 1784  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
Top Ladies of Distinction, Inc., American, founded 1964  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Carats, Inc., American, founded 1959  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
National Medical Association, American, founded 1895  Search this
Dr. Leslie L. Alexander, Jamaican American, 1917 - 2002  Search this
Smithsonian Institution, American, founded 1846  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1906  Search this
Morehouse College, American, founded 1867  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
Shriners International, American, founded 1870  Search this
Dr. Benjamin Elijah Mays, American, 1894 - 1984  Search this
Count Basie, American, 1904 - 1984  Search this
National Coalition of 100 Black Women, American, founded 1981  Search this
National Bankers Association, American, founded 1927  Search this
369th Veterans Association, American  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
Signed by:
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 9/16 in. (27.5 × 21.4 × 1.5 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Washington, District of Columbia, United States, North and Central America
Date:
1985
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religious groups  Search this
Social life and customs  Search this
Sororities  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.19
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5ee110782-b949-43b4-bbec-56a00d4f086e
EDAN-URL:
edanmdm:nmaahc_2012.167.19
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  • View <I>Delegate</I> digital asset number 1

Grain Fields at Allegan, Michigan Farm [painting] / (photographed by Peter A. Juley & Son)

Title:
Grain Fields Near Allegan [painting] / (photographed by Peter A. Juley & Son)
Artist:
Pleissner, Ogden 1905-1983  Search this
Type:
Photograph
Topic:
Landscape--Michigan  Search this
Landscape--Farm  Search this
Architecture--Machine--Farm machine  Search this
Architecture--Farm--Barn  Search this
Image number:
JUL J0072097
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_72098

Locks at Sault Ste. Marie [painting] / (photographed by Peter A. Juley & Son)

Title:
Ore Boats [painting] / (photographed by Peter A. Juley & Son)
Artist:
Pleissner, Ogden 1905-1983  Search this
Type:
Photograph
Topic:
Architecture--Boat--Ship  Search this
Architecture--Industry--Shipyard  Search this
Occupation--Industry--Shipping  Search this
Landscape--Michigan--Sault Ste. Marie  Search this
Waterscape--Canal  Search this
Image number:
JUL J0072098
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_72099

Apple Orchards Along Traverse Bay [painting] / (photographed by Peter A. Juley & Son)

Artist:
Pleissner, Ogden 1905-1983  Search this
Type:
Photograph
Topic:
Landscape--Orchard--Apple Orchard  Search this
Landscape--Michigan  Search this
Landscape--Coast--Traverse Bay  Search this
Architecture--Farm--Barn  Search this
Image number:
JUL J0072099
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_72100

Ausable River [painting] / (photographed by Peter A. Juley & Son)

Title:
Fishing the Au Sable [painting] / (photographed by Peter A. Juley & Son)
Artist:
Pleissner, Ogden 1905-1983  Search this
Type:
Photograph
Date:
1940s
Topic:
Figure group--Male  Search this
Recreation--Sport & Play--Fishing  Search this
Landscape--River--Ausable River  Search this
Landscape--Michigan  Search this
Image number:
JUL J0072108
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_72109

Ore Boats at the "Soo" [painting] / (photographed by Peter A. Juley & Son)

Artist:
Pleissner, Ogden 1905-1983  Search this
Type:
Photograph
Topic:
Waterscape--Canal  Search this
Landscape--Michigan--Sault Ste. Marie  Search this
Architecture--Boat--Ship  Search this
Occupation--Industry--Shipping  Search this
Figure group  Search this
Image number:
JUL J0072110
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_72111

Trout Fishing, Au Sable [painting] / (photographed by Peter A. Juley & Son)

Title:
At Rainbow Club, Au Sable [painting] / (photographed by Peter A. Juley & Son)
Artist:
Pleissner, Ogden 1905-1983  Search this
Type:
Photograph
Topic:
Landscape--River--Ausable River  Search this
Landscape--Michigan  Search this
Recreation--Sport & Play--Fishing  Search this
Figure male  Search this
Image number:
JUL J0072111
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_72112

June Haying, Bay City [painting] / (photographed by Peter A. Juley & Son)

Artist:
Pleissner, Ogden 1905-1983  Search this
Type:
Photograph
Topic:
Landscape--Michigan  Search this
Landscape--Farm  Search this
Landscape--Season--Summer  Search this
Figure group--Male  Search this
Occupation--Farm--Harvesting  Search this
Architecture--Machine--Farm machine  Search this
Image number:
JUL J0072112
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_72113

June Haying, Bay City [painting] / (photographed by Peter A. Juley & Son)

Artist:
Pleissner, Ogden 1905-1983  Search this
Type:
Photograph
Topic:
Landscape--Michigan  Search this
Landscape--Farm  Search this
Landscape--Season--Summer  Search this
Figure group--Male  Search this
Occupation--Farm--Harvesting  Search this
Architecture--Machine--Farm machine  Search this
Image number:
JUL J0072165
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_72166

Grain Fields at Allegan, Michigan Farm [painting] / (photographed by Peter A. Juley & Son)

Title:
Grain Fields Near Allegan [painting] / (photographed by Peter A. Juley & Son)
Artist:
Pleissner, Ogden 1905-1983  Search this
Type:
Photograph
Topic:
Landscape--Michigan  Search this
Landscape--Farm  Search this
Architecture--Machine--Farm machine  Search this
Architecture--Farm--Barn  Search this
Image number:
JUL J0072166
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_72167

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