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Emmet family papers, 1792-1989, bulk 1851-1989

Creator:
Emmet family  Search this
Emmet family  Search this
Subject:
Emmet, Lydia Field  Search this
Emmet, Robert  Search this
Emmet, Julia Colt Pierson  Search this
De Glehn, Jane Erin Emmet  Search this
De Glehn, Wilfrid-Gabriel  Search this
Morgan, Elizabeth Emmet  Search this
Rand, Ellen Emmet  Search this
MacMonnies, Frederick William  Search this
Millay, Edna St. Vincent  Search this
James, Henry  Search this
Lunt, Alfred  Search this
Fontanne, Lynn  Search this
Casals, Pablo  Search this
La Farge, Bancel  Search this
Beaux, Cecilia  Search this
Metcalfe, Susy  Search this
Doyle, Nancy  Search this
Ormond, Violet Sargent  Search this
Monod, Lucien  Search this
White, Stanford  Search this
Quilter, Roger  Search this
Sargent, Emily  Search this
Saint-Gaudens, Augustus  Search this
Sargent, John Singer  Search this
Sherwood, Robert E. (Robert Emmet)  Search this
Sherwood, Rosina Emmet  Search this
Sherwood, Rosamond  Search this
Berkshire Museum  Search this
World's Columbian Exposition  Search this
Danforth Museum  Search this
Type:
Scrapbooks
Sketchbooks
Photographs
Video recordings
Drawings
Diaries
Sound recordings
Topic:
Art -- Study and teaching -- France -- Paris  Search this
Works of art  Search this
Women painters -- New York (State)  Search this
Painting, American -- New York (State)  Search this
Illustrators -- New York (State)  Search this
Playwrights  Search this
Portrait painters -- New York (State) -- New York  Search this
Singers  Search this
World War, 1914-1918  Search this
World War, 1939-1945  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10250
(DSI-AAA_SIRISBib)213367
AAA_collcode_emmefami
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213367
Online Media:

Danforth Museum

Collection Creator:
Sharrer, Honoré, 1920-2009  Search this
Container:
Box 1, Folder 29
Type:
Archival materials
Date:
1979-1982
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D. C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Honoré Sharrer papers, circa 1920-2007. Archives of American Art, Smithsonian Institution.
See more items in:
Honoré Sharrer papers
Honoré Sharrer papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sharhono-ref41

Printed Material

Collection Creator:
Hopkinson, Charles, 1869-1962  Search this
Extent:
2 Folders (Box 1)
Type:
Archival materials
Date:
1988-1991
Scope and Contents:
Found are exhibition catalogs for Charles Hopkinson exhibitions at Vose Gallery and the Danforth Museum of Art and one magazine clipping about Hopkinson from the Harvard Magazine.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Please contact reference services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles Hopkinson and Hopkinson family papers, 1892-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hopkchar, Series 2
See more items in:
Charles Hopkinson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hopkchar-ref7

Exhibition Files

Collection Creator:
Emmet family  Search this
Extent:
0.3 Linear feet (Boxes 7-8)
Type:
Archival materials
Date:
1947-1983
Scope and Contents:
Exhibition files document the exhibition The Emmets: A Family of Women Painters held at the Berkshire Museum/Danforth Museum in Pittsfield/Farmingham, Massachusetts, in 1982. Records include budget and loan material, checklists, correspondence, announcements and a catalog, press clippings and press releases, photographs of artwork in the exhibition, and photos of the installation, including slides taken by Holly Pedlosky and Mary Snow.

Series also includes two sound cassettes with recordings from the "Art for Lunch" series, of a discussion with Rosamond Sherwood about the exhibition, and with Berkshire Museum director Gary Burger on "Putting the Emmet Exhibition Together."
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Emmet family papers, 1792-1989 (bulk 1851-1989). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.emmefami, Series 4
See more items in:
Emmet family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-emmefami-ref758

The Art of William Gropper Danforth Museum (Dec. 1982-Feb. 1983)

Collection Creator:
Hills, Patricia  Search this
Container:
Box 3, Folder 2
Type:
Archival materials
Date:
circa 1982
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Patricia Hills papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Patricia Hills Papers, circa 1950s-2015, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Patricia Hills papers
Patricia Hills papers / Series 2: Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hillspat-ref173

Emmet family papers

Creator:
Emmet family  Search this
Names:
Berkshire Museum  Search this
Danforth Museum  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Beaux, Cecilia, 1855-1942  Search this
Casals, Pablo, 1876-1973  Search this
De Glehn, Jane Erin Emmet, 1873-1961  Search this
De Glehn, Wilfrid-Gabriel, 1870-1951  Search this
Doyle, Nancy  Search this
Emmet, Julia Colt Pierson, 1829-1908  Search this
Emmet, Lydia Field, 1866-1952  Search this
Emmet, Robert, 1778-1803  Search this
Fontanne, Lynn  Search this
James, Henry, 1843-1916  Search this
La Farge, Bancel, 1865-1938  Search this
Lunt, Alfred  Search this
MacMonnies, Frederick William, 1863-1937  Search this
Metcalfe, Susy  Search this
Millay, Edna St. Vincent, 1892-1950  Search this
Monod, Lucien  Search this
Morgan, Elizabeth Emmet, d. 1934  Search this
Ormond, Violet Sargent  Search this
Quilter, Roger, 1877-1953  Search this
Rand, Ellen Emmet, 1875-1941  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Sargent, Emily, 1857-  Search this
Sargent, John Singer, 1856-1925  Search this
Sherwood, Robert E. (Robert Emmet), 1896-1955  Search this
Sherwood, Rosamond, 1899-  Search this
Sherwood, Rosina Emmet, 1854-1948  Search this
White, Stanford, 1853-1906  Search this
Extent:
9.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Photographs
Video recordings
Drawings
Diaries
Sound recordings
Date:
1792-1989
bulk 1851-1989
Summary:
The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts, whose artistic talents flourished during the later 19th through the mid-20th centuries. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators.
Scope and Content Note:
The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators, whose artistic talents flourished during the late nineteenth through the mid-twentieth centuries.

Biographical material consists of family trees and family histories; individual biographical accounts, award certificates, and documentation for Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and Wilfrid de Glehn; a diary titled "Sedgemere Diary" containing drawings and entries primarily by Rosina Emmet Sherwood, and a smaller diary which mentions Rosina's son, future playwright Robert Sherwood; a documentary by Nancy B. Doyle on two VHS videocassettes, entitled The Emmets: Portrait of a Family; and artifacts comprising a rear-view optical device and locks of hair from an early nineteenth century generation of the Emmet family.

Correspondence forms the bulk of the collection and illustrates the interaction between members of this large and influential family and their colleagues and friends, offering a wide-ranging view of life in the late nineteenth through the mid-twentieth centuries, and through two World Wars. The series consists of letters between family members, primarily Julia Colt Pierson Emmet and her daughters, as well as cousins Henry James, Ellen "Bay" Emmet Rand, and Rosamond Sherwood, and friends Cecilia Beaux, Louis Bancel LaFarge, Frederick MacMonnies, Lucien Monod, Roger Quilter, Augustus Saint-Gaudens, Emily and John Singer-Sargent, Violet Sargent Ormond, and Stanford White. Topics include experiences of the Emmets while studying art in Paris, Rosina's presentation at Queen Victoria's court, Lydia's work at the Columbia Exposition, Jane's marriage to Wilfrid de Glehn and her friendship with John Singer Sargent, portrait painting activities, the troubles of their friend Susy Metcalfe in her marriage to Pablo Casals, and the activities of Rosina's son, playwright Robert Emmet Sherwood, and friends Alfred Lund and Lynn Fontanne.

Writings and notes consist of scattered manuscripts and poems by family members, two notebooks, one identified as belonging to Jane Erin Emmet de Glehn, and typescripts about Wilfrid de Glehn following his death. Also found is a book, Out of Town, written and illustrated by Rosina Emmet Sherwood, and Edna St Vincent Millay's poem "Autum Daybreak" written in Millay's handwriting.

Exhibition files document an exhibition held at the Berkshire Museum/Danforth Museum in Pittsfield/Farmingham, Massachusetts in 1982 entitled The Emmets: A Family of Women Painters, and include two audio cassettes of recordings from the "Art for Lunch" series at the Berkshire Museum discussing the exhibition.

Business records include account books belonging to Lydia Field Emmet and Rosina Emmet Sherwood, both of which document income from artwork and other sources, and expenses; a contract for the reproduction of Lydia Field Emmet's artwork; and a document concerning ownership of property, possibly of Emmet family ancestors.

Printed Material consists of clippings, exhibition announcements and catalogs, and reproductions of artwork by Emmet family members and others.

Two scrapbooks contain a combination of drawings, primarily by Rosina Emmet Sherwood, reproductions of artwork, and photographs.

Artwork includes drawings and sketchbooks by Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn Ellen Emmet Rand, and other Emmet relatives, illustrating the early development of their talent.

Photographs are of family members, including Julia Colt Pierson Emmet and William Jenkins Emmet, their daughters Lydia Field Emmet, Jane Erin Emmet de Glehn and husband Wilfrid de Glehn, Rosina Emmet Sherwood and husband Arthur Murray Sherwood, and Robert Emmet Sherwood as a young man. Also found are photos of friends Richard Harding Davis, Frederick MacMonnies, and Augustus Saint-Gaudens; a series of photographs of the installation at Arden Galleries, New York (1936) for the exhibition Paintings, Drawings and Sculptures by Five Generations of the Emmet Family; and photographs of artwork by Emmet family members.
Arrangement:
The Emmet family papers are arranged as nine series.

Series 1: Biographical Material, circa 1855-1988 (0.6 linear feet; Boxes 1, 10, OV 12)

Series 2: Correspondence, 1792-1985 (6.2 linear feet; Boxes 1-7)

Series 3: Writings and Notes, circa 1870s-1981 (11 folders; Box 7)

Series 4: Exhibition Files, 1947-1983 (0.3 linear feet; Boxes 7-8)

Series 5: Business Records, circa 1799-1945 (7 folders; Box 8)

Series 6: Printed Material, 1872-1989 (0.35 linear feet; Boxes 8, 10)

Series 7: Scrapbooks, 1870-1890 (0.2 linear feet; Boxes 8, 10)

Series 8: Artwork, circa 1850-circa 1920 (0.35 linear feet; Boxes 8, 10)

Series 9: Photographs, circa 1870s-circa 1950s (1 linear foot; Boxes 8-9, 11)
Biographical Note:
The Emmet family, descended from patriot Thomas Addis Emmet, brother of Irish martyr Robert Emmet, counts many physicians, lawyers, and writers (including cousin Henry James) among its ranks. Although evidence of artistic talent existed in several previous generations, it flourished during the later 19th through the mid-20th centuries in the professional portraiture of sisters Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and their cousin Ellen "Bay" Emmet Rand.

The eldest daughter of Julia Colt Pierson Emmet (1829-1908), herself a talented illustrator who had studied under Daniel Huntington, Rosina "Posie" Emmet (1854-1948) studied under William Merritt Chase at his Tenth Street Studio in New York and under Robert-Fleury at the Academie Julian in Paris. Before her marriage to Arthur Murray Sherwood in 1887, Rosina established a studio in New York and continued to submit illustrations to various publications. During her marriage, she slowed her creative activities, until financial reverses dictated her return to her career around the turn of the 20th century. Her daughter Rosamond Sherwood (1899-1990) was also a portrait painter. Her son, Robert Emmet Sherwood (1896-1955) became a four-time Pulitzer Prize-winning playwright.

Lydia Field Emmet (1866-1952) studied under Collin, Bouguereau, MacMonnies, and Robert-Fleury at the Academie Julian. Upon her return to New York, Lydia continued her studies under Chase, Kenyon Cox, H. Siddons Mowbray, and Robert Reid at the Art Students League, as well as at Chase's Shinnecock Summer School of Art. She established her portrait studio in New York City and began spending summers at Stockbridge, Massachusetts, where she built her home, "Strawberry Hill," in 1905. Best known for her portraits of children, Lydia's subjects were members of the socially prominent families of New York, Boston, and Philadelphia.

The youngest sister, Jane Erin Emmet (1873-1961), also studied with Chase in New York, and in Paris. In 1904, she married British landscape painter Wilfrid Von Glehn, who had visited the United States with his friend John Singer Sargent. (The Von Glehns' surname was changed to De Glehn, in 1919.) Settling in London, Jane continued her painting, befriended many artists and composers, and accompanied her husband and Sargent on several art-related journeys through Europe.

The Emmet sisters' cousin, Ellen Gertrude "Bay" Emmet (1875-1941), studied in New York at the Art Students League and under Frederick MacMonnies in Paris, becoming a National Academician in 1934. She married William Blanchard Rand in 1911 and settled in Salisbury, Connecticut. After the stock market crash of 1929, Bay's portraits of prominent society figures provided most of her family's income.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 4544) including one scrapbook, compiled by Rosina Emmet Sherwood, consisting of portrait sketches, drawings of her dogs, genre scenes, travel views, and photographs of travels, friends, actors, and the ship "Scythia,". Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
In 1988-1991, the bulk of the Emmet family papers were donated by Rosamond Sherwood, daughter of Rosina Emmet Sherwood (via Katharine Emmet Bramwell of New York), by Rosamond Sherwood's estate (via F. Douglas Cochrane, executor, from Boston), and by Rosamond's nieces, Virginia Sherwood and Julia Shipway. Additionally, one scrapbook was lent for microfilming in 1990 and subsequently donated by Mrs. Earl Maize. Douglas Cochrane then loaned another scrapbook for microfilming (reel 4344) in 1991 which was returned to Mrs. Earl Maize.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- England -- London  Search this
Topic:
Art -- Study and teaching -- France -- Paris  Search this
Works of art  Search this
Women painters -- New York (State)  Search this
Painting, American -- New York (State)  Search this
Illustrators -- New York (State)  Search this
Playwrights  Search this
Portrait painters -- New York (State) -- New York  Search this
Singers  Search this
World War, 1914-1918  Search this
World War, 1939-1945  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Photographs
Video recordings
Drawings
Diaries
Sound recordings
Citation:
Emmet family papers, 1792-1989 (bulk 1851-1989). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.emmefami
See more items in:
Emmet family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-emmefami
Online Media:

Exhibition Records

Creator::
Renwick Gallery  Search this
Extent:
9 cu. ft. (9 record storage boxes)
Type:
Collection descriptions
Archival materials
Brochures
Clippings
Manuscripts
Black-and-white photographs
Color photographs
Audiotapes
Date:
1970-1983
Descriptive Entry:
This accession consists of records that document the exhibitions Woodenworks: Furniture Objects by Five Contemporary Craftsmen; Design Is . . .; and Craft Multiples.

Woodenworks: Furniture Objects by Five Contemporary Craftsmen was the major inaugural exhibition at the Renwick Gallery and was on display from January 28 - July 19, 1972. It featured handmade furniture by five contemporary American craftsmen: George Nakashima, Sam Maloof, Wharton Esherick, Arthur Espenet Carpenter, and Wendell Castle.

Design Is . . . was an exhibition of American design that explored the ways in which objects were designed to combine select elements within a structural framework according to a set of rules that allows objects and environments to enhance, rather than inhibit, the quality of human living. It opened on January 28, 1973 and was up until 1975.

Craft Multiples was at the Renwick Gallery from July 4, 1975 - February 16, 1976, and was an exhibition of 133 production objects selected by jury from a national competition sponsored by the Renwick Gallery. There were a total of 2379 entries that were divided into the following categories: metal, wood, glass, clay, fiber and a miscellaneous other. The jurors were Lois Moran, Director of the Research and Education Department of the American Crafts Council; Hedy Backlin-Landman, Director of the Danforth Museum in Framingham, Massachusetts; and Lloyd E. Herman, Director, Renwick Gallery. After its time at the Renwick, Craft Multiples went on a three-year tour around the country.

Materials include correspondence, memoranda, press releases, object lists, audio recordings, transcripts, exhibition entries, artist information, images, condition reports, and clippings.
Topic:
Museum exhibits  Search this
Art -- Competitions  Search this
Furniture -- United States  Search this
Design -- United States -- History $y 20th century  Search this
Metal-work  Search this
Woodwork  Search this
Glassware -- United States  Search this
Ceramics  Search this
Textiles  Search this
Artists -- United States  Search this
Genre/Form:
Brochures
Clippings
Manuscripts
Black-and-white photographs
Color photographs
Audiotapes
Citation:
Smithsonian Institution Archives, Accession 16-149, Renwick Gallery, Exhibition Records
Identifier:
Accession 16-149
See more items in:
Exhibition Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa16-149

Danforth Museum of Art, 1986-1987

Collection Creator:
Archives of American Art  Search this
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 92-015, Archives of American Art, Records
See more items in:
Records
Records / Box 8
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa92-015-refd1e3194

Alfred Leslie, "In the Tepee at Leveritt" - Danforth Museum, Framingham, Massachusetts, 1/80

Collection Creator::
Hirshhorn Museum and Sculpture Garden. Office of the Registrar  Search this
Container:
Box 1 of 2
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 03-145, Hirshhorn Museum and Sculpture Garden. Office of the Registrar, Loan Records
See more items in:
Loan Records
Loan Records / Box 1
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa03-145-refidd1e961

Lenders - Danforth Museum of Art

Collection Creator::
National Portrait Gallery. Office of Exhibitions  Search this
Container:
Box 6 of 8
Type:
Archival materials
Collection Restrictions:
Box 8 contains materials restricted indefinitely; see finding aid; Transferring office; 5/2/1985 memorandum, Massa to Cox; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 98-139, National Portrait Gallery. Office of Exhibitions, Exhibition Records
See more items in:
Exhibition Records
Exhibition Records / Box 6
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa98-139-refidd1e3243

Chester Harding Krum

Artist:
Chester Harding, 1 Sep 1792 - 10 Apr 1866  Search this
Sitter:
Chester Harding Krum, 1840 - 1923  Search this
Medium:
Oil on canvas
Dimensions:
Sight: 48.4 x 37.6cm (19 1/16 x 14 13/16")
Type:
Painting
Date:
c. 1840-1843
Topic:
Chester Harding Krum: Male  Search this
Chester Harding Krum: Law and Law Enforcement\Judge  Search this
Portrait  Search this
Credit Line:
Owner: Danforth Museum of Art
Object number:
MA290006
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4047d7401-82f3-4c27-801d-e41f0c8ed0bb
EDAN-URL:
edanmdm:npg_MA290006

Mary Greene Chandler

Artist:
Chester Harding, 1 Sep 1792 - 10 Apr 1866  Search this
Sitter:
Mary Greene Chandler, 1818 - 1907  Search this
Medium:
Charcoal and chalk on paper
Dimensions:
51cm x 42.6cm (20 1/16" x 16 3/4"), Sight
Type:
Drawing
Date:
c. 1843
Topic:
Mary Greene Chandler: Female  Search this
Portrait  Search this
Credit Line:
Owner: Danforth Museum of Art
Object number:
MA290001
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm46a8ffe8c-524c-42c9-920c-434a5a423458
EDAN-URL:
edanmdm:npg_MA290001

Mary Ophelia Harding Krum

Artist:
Chester Harding, 1 Sep 1792 - 10 Apr 1866  Search this
Sitter:
Mary Ophelia Harding Krum, born first quarter 19th century  Search this
Medium:
Oil on canvas
Dimensions:
59.5cm x 49.3cm (23 7/16" x 19 7/16"), Sight
Type:
Painting
Date:
1839
Topic:
Costume\Headgear\Hat  Search this
Costume\Dress Accessory\Flower  Search this
Indeterminable  Search this
Costume\Outerwear\Coat\Fur  Search this
Mary Ophelia Harding Krum: Female  Search this
Portrait  Search this
Credit Line:
Owner: Danforth Museum of Art
Object number:
MA290008
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4acc0f854-3ded-475f-a8cd-0bbf9882b5d4
EDAN-URL:
edanmdm:npg_MA290008

John Marshall Krum

Artist:
Chester Harding, 1 Sep 1792 - 10 Apr 1866  Search this
Sitter:
John Marshall Krum, 1810 - 1883  Search this
Medium:
Oil on canvas
Dimensions:
59.3cm x 49.2cm (23 3/8" x 19 3/8"), Sight
Type:
Painting
Date:
c. 1840-1850
Topic:
Indeterminable  Search this
John Marshall Krum: Male  Search this
John Marshall Krum: Law and Law Enforcement\Judge  Search this
John Marshall Krum: Politics and Government\Public Official\Mayor  Search this
Portrait  Search this
Credit Line:
Owner: Danforth Museum of Art
Object number:
MA290007
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm46cf25266-5e51-41ff-9198-aa528c66dfab
EDAN-URL:
edanmdm:npg_MA290007

Chester Harding

Artist:
Chester Harding, 1 Sep 1792 - 10 Apr 1866  Search this
Sitter:
Chester Harding, 1 Sep 1792 - 10 Apr 1866  Search this
Medium:
Oil on canvas
Dimensions:
58cm x 47.2cm (22 13/16" x 18 9/16"), Sight
Type:
Painting
Date:
c. 1825
Topic:
Chester Harding: Male  Search this
Chester Harding: Visual Arts\Artist\Painter\Portraitist  Search this
Chester Harding: Visual Arts\Artist\Painter\Sign  Search this
Portrait  Search this
Credit Line:
Owner: Danforth Museum of Art
Object number:
MA290005
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4967da453-1961-43b8-a357-42c7aa0e6a82
EDAN-URL:
edanmdm:npg_MA290005

Caroline Woodruff Harding

Artist:
Chester Harding, 1 Sep 1792 - 10 Apr 1866  Search this
Sitter:
Caroline Woodruff Harding, 1796 - 1845  Search this
Medium:
Oil on canvas
Dimensions:
58.6cm x 48.3cm (23 1/16" x 19"), Sight
Type:
Painting
Date:
c. 1825-1835
Topic:
Caroline Woodruff Harding: Female  Search this
Portrait  Search this
Credit Line:
Owner: Danforth Museum of Art
Object number:
MA290004
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm495565d28-0ebe-418f-a05d-d65ef0f01115
EDAN-URL:
edanmdm:npg_MA290004

Nathaniel Coffin

Artist:
Gilbert Stuart, 3 Dec 1755 - 9 Jul 1828  Search this
Sitter:
Nathaniel Coffin, 1744 - 1825  Search this
Medium:
Oil on wood
Dimensions:
71.9cm x 57.3cm (28 5/16" x 22 9/16"), Sight
Type:
Painting
Date:
c. 1820
Topic:
Nathaniel Coffin: Male  Search this
Nathaniel Coffin: Health and Medicine\Physician  Search this
Portrait  Search this
Credit Line:
Owner: Danforth Museum of Art
Object number:
L. 1977.5
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm409eaca2a-7590-412f-8ec8-1be335315e33
EDAN-URL:
edanmdm:npg_L._1977.5

Eleanor Foster Coffin

Artist:
Gilbert Stuart, 3 Dec 1755 - 9 Jul 1828  Search this
Sitter:
Eleanor Foster Coffin, 1746 - 1822  Search this
Medium:
Oil on wood
Dimensions:
69.1cm x 55.2cm (27 3/16" x 21 3/4"), Sight
Type:
Painting
Date:
c. 1815
Topic:
Eleanor Foster Coffin: Female  Search this
Portrait  Search this
Credit Line:
Owner: Danforth Museum of Art
Object number:
L. 1977.6
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm45b083ef7-c170-4a02-aafb-57b2b8af8a5b
EDAN-URL:
edanmdm:npg_L._1977.6

Sally Bagg Mooers

Artist:
Erastus Salisbury Field, 1805 - 1900  Search this
Sitter:
Sally Bagg Mooers, 1790 - 1890?  Search this
Medium:
Oil on canvas
Dimensions:
85.4cm x 72.1cm (33 5/8" x 28 3/8"), Sight
Type:
Painting
Date:
c. 1845
Topic:
Sally Bagg Mooers: Female  Search this
Portrait  Search this
Credit Line:
Owner: Danforth Museum of Art
Object number:
L.I. 1981
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm42c3eb19d-3735-4efe-a8fb-541cff565554
EDAN-URL:
edanmdm:npg_L.I._1981

Jonathon Mooers, Jr.

Artist:
Erastus Salisbury Field, 1805 - 1900  Search this
Sitter:
Jonathon Mooers, Jr., 1775 - 1875?  Search this
Medium:
Oil on canvas
Dimensions:
87.6cm x 71.9cm (34 1/2" x 28 5/16"), Sight
Type:
Painting
Date:
c. 1845
Topic:
Jonathon Mooers, Jr.: Male  Search this
Portrait  Search this
Credit Line:
Owner: Danforth Museum of Art
Object number:
L. 2.1981
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4daaa7a3e-43ae-411e-9ec8-e2e433fdf1d0
EDAN-URL:
edanmdm:npg_L._2.1981

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