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Oeuvre

Designer:
Jean Bérain the Elder, French, 1640–1711  Search this
Medium:
Etching on off white laid paper.
Type:
ornament
Book
Object Name:
Book
Made in:
France
Date:
ca. 1709
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-201
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1921-6-201
Online Media:

Oral history interview with Edouard Du Buron

Interviewee:
Du Buron, Edouard, 1905-1996  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
St. Denis, Ruth, 1880-1968  Search this
Extent:
4 Items (sound cassettes (5 hr., 33 min.), analog.)
106 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1993 March 9-May 13
Scope and Contents:
An interview with Edouard Du Buron conducted 1993 March 9-May 13, by Robert Brown, for the Archives of American Art.
Du Buron discusses his childhood in Worcester, Massachusetts in a poor family with an abusive father and his rearing in various Catholic orphanages; his loss of religion in his youth and growing up as a French-Canadian in New England; his career as a solo dancer in Boston (1925-32) and as a member of the Ruth St. Denis Troupe (1932-38); his dance career in New York City in the late 1930s and his job as a display designer at Filene's department store in Boston (1942-45).
Biographical / Historical:
Edouard Du Buron (1905-1996) was a dancer and later an art gallery and museum director from Brockton, Massachusetts. Du Buron died in 1996 before the completion of the interview and discussion of his work as a gallery and museum director.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 16 digital wav file. Duration is 5 hr., 33 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire audio recording is restricted. Contact Reference Services for more information.
Occupation:
Dancers -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.duburo93
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-duburo93
Online Media:

Oral history interview with Rosalyn Drexler

Interviewee:
Drexler, Rosalyn  Search this
Interviewer:
Lyon, Christopher  Search this
Names:
Garth Greenan Gallery  Search this
Hunter College -- Students  Search this
Kornblee Gallery  Search this
Reuben Gallery  Search this
Alloway, Lawrence, 1926-1990  Search this
Baraka, Amiri, 1934-2014  Search this
Barthelme, Donald  Search this
Basquiat, Jean-Michel, 1960-1988  Search this
Bruce, Lenny  Search this
Carmines, Al  Search this
Cornell, Joseph  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-1997  Search this
Dine, Jim, 1935-  Search this
Doyle, Tom  Search this
Drexler, Sherman  Search this
Geldzahler, Henry  Search this
Gilman, Richard, 1923-2006  Search this
Hess, Thomas B.  Search this
Hesse, Eva, 1936-1970  Search this
Hirshhorn, Joseph H.  Search this
Karp, Ivan C., 1926-2012  Search this
Katz, Alex, 1927-  Search this
Kent, Allegra  Search this
Klein, William  Search this
Kline, Franz, 1910-1962  Search this
Kroll, Jack  Search this
Marx, Chico, 1887-1961  Search this
Monroe, Marilyn, 1926-1962  Search this
Neel, Alice, 1900-1984  Search this
Newman, Barry  Search this
Perelman, S. J. (Sidney Joseph), 1904-1979  Search this
Rosenberg, Harold, 1906-1978  Search this
Samaras, Lucas, 1936-  Search this
Sontag, Susan, 1933-2004  Search this
Teer, Barbara Ann, 1937-2008  Search this
Warhol, Andy, 1928-1987  Search this
Youskevitch, Igor, 1912-1994  Search this
Extent:
82 Pages (Transcript)
5 Items (Sound recording: 5 sound files (3 hr., 26 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2017 May 17-June 2
Scope and Contents:
An interview with Rosalyn Drexler conducted 2017 May 17 and June 2 by Christopher Lyon, for the Archives of American Art, at Garth Greenan Gallery in New York, New York.
Drexler discusses her childhood in the Bronx; her experiences studying dance and music; her higher education at Hunter College; attending films and the Yiddish Theater; meeting her husband Sherman Drexler; her time as a professional wrestler; her memories of traveling to the South and encountering Jim Crow segregation; she describes learning about art from Sherman Drexler and her joint exhibition with Sherman; her early work in sculpture; participating in Happenings with Jim Dine; joining Anita Reuben's gallery; her debut as a playwright; her experience writing "I am the Beautiful Stranger;" the changing public perception of her and being classified as an artist; her decision to become a painter and appropriating images for her work; the influence of S. J. Perelman on her plays; her play about Joseph Cornell and ballerina Allegra Kent, and interviewing Allegra Kent; her recent artwork and preparing for her 2017 show at Garth Greenan Gallery; her artwork from the 1980s and 1990s; her comedy writing and sense of humor. Drexler also recalls Chico Marx, Jack Newfield, Igor Youskevitch, Ivan Karp, Anita Reuben, Lucas Samaras, Richard Gilman, Al Carmines, Amiri Baraka, Barbara Ann Teer, Franz Kline, Elaine De Kooning, Bill de Kooning, Andy Warhol, Jack Kroll, Lawrence Alloway, Tom Hess, Barney Newman, Harold Rosenberg, Susan Sontag, Joe Hirshhorn, Henry Geldzahler, Donald Barthelme, Kornblee Gallery, Eva Hesse, Tom Doyle, William Klein, Marilyn Monroe, Alex Katz, Alice Neel, Basquiat, Saturday Night Live, and Lenny Bruce, among others.
Biographical / Historical:
Rosalyn Drexler (1926- ) is a sculptor, playwright, and novelist in New York, New York. Christopher Lyon (1949- ) is a writer in Brooklyn, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Authors -- New York (State) -- New York  Search this
Playwrights -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Women wrestlers  Search this
Wrestling  Search this
Segregation -- United States  Search this
Women artists  Search this
Women sculptors  Search this
Women painters  Search this
Happenings (Art)  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.drexle17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-drexle17
Online Media:

Oral history interview with Douglas Crimp

Interviewee:
Crimp, Douglas  Search this
Interviewer:
Burton, Johanna  Search this
Extent:
125 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 March 8
Scope and Contents:
An interview of Douglas Crimp conducted 2009 March 8, by Johanna Burton, for the Archives of American Art, at the Crimp's home, in New York, New York.
Crimp speaks of his childhood in Couer d'Alene, Idaho; his education at Tulane University in New Orleans; his early experiences in New York while working with fashion designer Charles James, Diane Waldman at the Guggenheim, and Rosalind Krauss at October Magazine; the graduate program at City University in New York; his working relationship with Agnes Martin; the Pictures exhibition at Artists Space; his role in orchestrating the AIDS issue of October in 1987 and his subsequent break from October; his current memoirs; and his teaching positions at Sarah Lawrence and University of Rochester in New York. He comments on the cultural gay scene of New York and New Orleans and its influence on his own writings and perspective; his friendships with Helene Winer, Craig Owens, and Gregg Bordowitz; his impressions of the Pictures Generation exhibition at the Met; the role visual theory had played in his career; and the ideological climate of the art history community today. He concludes by explaining his current interest in film and dance, particularly concerning the work of Merce Cunningham and Yvonne Rainer.
Biographical / Historical:
Douglas Crimp (1944-2019) was a professor and art critic in New York, New York.
General:
Originally recorded as 10 digital sound files. Reformatted in 2010 as 7 digital wav files. Duration is 7 hr., 14 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Art critics -- New York (State) -- Rochester -- Interviews  Search this
Art historians -- New York (State) -- Rochester -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.crimp09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-crimp09
Online Media:

Oral history interview with Douglas Crimp

Interviewee:
Crimp, Douglas  Search this
Interviewer:
Fialho, Alex, 1989-  Search this
Names:
ACT UP (Organization)  Search this
Century 21 Exposition (1962 : Seattle, Wash.)  Search this
Gay Activists Alliance  Search this
Rutgers University -- Faculty  Search this
Tulane University -- Students  Search this
University of Rochester -- Faculty  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Baker, Elizabeth C., 1934-  Search this
Belaygue, Christian  Search this
Bordowitz, Gregg  Search this
Cooke, Lynne  Search this
Copjec, Joan  Search this
Duchamp, Marcel, 1887-1968  Search this
Elovich, Richard  Search this
Jonas, Joan, 1936-  Search this
Kohlmeyer, Ida, 1912-1997  Search this
Krauss, Rosalind E.  Search this
Lemann, Bernard, 1905-  Search this
Leonard, Zoe  Search this
Michelson, Annette  Search this
Olander, William  Search this
Owens, Craig  Search this
Robinson, Marilynne  Search this
Santos, René, 1954-1986  Search this
Torm, Fernando  Search this
Waldman, Diane  Search this
Warhol, Andy, 1928-1987  Search this
Wodiczko, Krzysztof  Search this
Wolfe, Daniel, 1960-  Search this
Extent:
5 Items (Sound recording: 5 sound files (6 hr., 2 min.), digital, wav)
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Germany -- description and travel
New York (N.Y.) -- Description and Travel
Date:
2017 January 3-4
Scope and Contents:
An interview with Douglas Crimp, conducted 2017 January 3-4, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Crimp's home in New York, New York.
Crimp speaks of growing up in Coeur d'Alene, Idaho; his athleticism in water skiing and ice skating; sibling rivalry as a child; seeing art for the first time at the Seattle World Fair; being closeted and conflicted as a young gay man in 1950s Idaho; attending Tulane University in New Orleans and the culture shock he experienced there; his first year in Tulane's rigorous architecture program and ultimately changing his major to art history; the pageantry of Mardi Gras parades and the gay society he explored; writing an undergraduate paper analyzing Marcel Duchamp's "The Large Glass"; deciding to go to New York City; finding his voice as an art critic while beginning his career at Art News and Art International; his extensive analysis of Joan Jonas; attending Firehouse dances sponsored by Gay Activist Alliance and coming into his sexuality; being a patient of esteemed doctor Dr. Dan William; first learning of the AIDS crisis and epidemic through a New York Times article in 1981 describing a gay cancer; receiving an NEA art critic grant and spending a year in Germany from 1985-86; returning to find friends and acquaintances sick with HIV/AIDS or having died from it; the Dia Conversations; his role as editor of October and bringing queerness and AIDS to the forefront; joining ACT UP; the genesis of October's AIDS double issue in 1987-1988 and its success; how the journal issue changed the course of his career and steered him to teach gay studies and further his work with AIDS activism; the inner workings of ACT UP meetings; the sense of community ACT UP provided and the empowerment everyone felt; noting a sense of personal and professional urgency during the crisis; the timeline of his AIDS writings; his reaction to seeing the AIDS quilt for the first time at the March on Washington; writing to a wide, non-academic audience; his 1988 course at Rutgers University on AIDS video; his complex relationships with Rosalind Krauss and Annette Michelson; the poor coverage of the AIDS epidemic in the media and how it informed his writing; the understanding of the need for safe sex practices and writing "How to Have Promiscuity in an Epidemic;" teaching courses on AIDS at the University of Rochester and how his teaching interest evolved into queer theory and studies; evaluating Warhol's work with a queer lens; writing about his experience with queer life in New York City in the 1970s to counter the condescending conservative narrative; his current writing projects and interests; experience in demonstrations held by ACT UP; and the tremendous communal support he felt during his seroconversion. Crimp also recalls Marilynne Summers (Robinson), Bernard Lemann, Marimar Benetiz, Ida Kohlmeyer, Lynn Emory, Diane Waldman, Betsy Baker, Lucinda Hawkins, Christian Belaygue, Krzysztof Wodiczko, Rosalind Krauss, Joan Copjec, Gregg Bordowitz, Terri Cafaro, Rene Santos, Craig Owens, Fernando Torm, Bill Olander, Richard Elovich, Daniel Wolfe, Hector Caicedo, Lynne Cooke, and Zoe Leonard.
Biographical / Historical:
Douglas Crimp (1944- 2019) was a professor and art critic in New York, New York. Alex Fialho (1989- ) is a curator and arts writer who is the Programs Director for Visual AIDS in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art critics -- New York (State) -- New York -- Interviews  Search this
Educators -- New York (State) -- New York  Search this
Topic:
AIDS activists  Search this
AIDS (Disease) and the arts  Search this
Art -- History -- Study and teaching  Search this
AIDS (Disease)  Search this
Mardi Gras  Search this
NAMES Project AIDS Memorial Quilt  Search this
Queer theory  Search this
Activists (LGBTQ)  Search this
Queer studies  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.crimp17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-crimp17
Online Media:

Oral history interview with Peter Cramer and Jack Waters

Interviewee:
Cramer, Peter Francis  Search this
Waters, Jack  Search this
Interviewer:
Kirwin, Liza  Search this
Creator:
Artist's Spaces Archives  Search this
Names:
ABC No Rio (New York, N.Y.)  Search this
Artist's Spaces Archives  Search this
Collaborative Projects, Inc.  Search this
New York (N.Y.). Dept. of Housing Preservation and Development  Search this
Acierno, Lou  Search this
Gamper, Christa  Search this
George, Carl  Search this
Gonzalez-Torres, Felix, 1957-1996  Search this
Howland, Becky  Search this
Karlen, Joan  Search this
Keene, Michael  Search this
Kurtti, George  Search this
Moore, Alan  Search this
Schloss, Arlene  Search this
Smith, Kiki, 1954-  Search this
Taylor, Brad  Search this
Taylor, Brian  Search this
Extent:
73 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2007 September 6-October 9
Scope and Contents:
An interview of Peter Cramer and Jack Waters conducted 2007 September 6 and October 9, by Liza Kirwin, for the Archives of American Art, in conjunction with the Artists' Spaces Archives Project, at Allied Productions, Inc. Studio in New York, New York.
Cramer and Waters, former co-directors of ABC No Rio, speak of their family and educational backgrounds; dance studies; forming their own company POOL (Performance On One Leg) and their "umbrella" non-profit group Allied Productions; their performance "Seven Days of Creation" at ABC No Rio; "crisis management" of ABC No Rio's building at 156 Rivington Street; Colab [Collaborative Projects]; residents in the building including Bobby G and the Acosta family; programs located at ABC No Rio's including the Naked Eye Cinema, Open Mike, Z Club, hardcore Matinee (punk music), and others; seeking grants; incorporating as a non-profit organization; fostering a queer aesthetic; AIDS and the art community; ABC No Rio's traveling exhibitions and performances; gentrification on the Lower East Side; ongoing conflicts with New York City's Department of Housing, Preservation and Development (owner of the building); management of ABC No Rio's Board; community outreach; NEA funding and the "culture wars"; and the "burnout factor" of running ABC No Rio. They also recall Lou Acierno, Charas/El Bohio Cultural and Community Center, Christa Gamper, Carl George, Felix Gonzalez-Torres, Becky Howland, Joan Karlen, Michael Keane, George Kurtti, Alan Moore, The Pyramid Club, Arlene Schloss, Kiki Smith, Brad Taylor, Brian Taylor, and others.
Biographical / Historical:
Peter Cramer is an interactivist artist from New York, New York. Jack Waters is a media artist from New York, New York. Liza Kirwin is the curator of manuscripts at the Archives of American Art, Smithsonian Institution, Washington, D.C.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 3 hr., 22 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript is available on the Archives of American Art's website.
Occupation:
Multimedia artists -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cramer07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cramer07
Online Media:

Oral history interview with Paulus Berensohn

Interviewee:
Berensohn, Paulus  Search this
Interviewer:
Shapiro, Mark, 1955-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Bennington College -- Students  Search this
Columbia University -- Students  Search this
Goddard College -- Students  Search this
Juilliard School -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
New York Philharmonic  Search this
Pendle Hill (School : Wallingford, Pa.) -- Faculty  Search this
Penland School of Crafts -- Faculty  Search this
Swarthmore College -- Faculty  Search this
Yale University -- Students  Search this
Anderson, Ian, 1947-  Search this
Bennion, Joseph W., 1952-  Search this
Brown, Carolyn  Search this
Brown, William J. (William Joseph), 1923-1992  Search this
Callahan, Harry M.  Search this
Charlip, Remy  Search this
Cowles, Fleur  Search this
Cunningham, Merce  Search this
Dunn, Robert G.  Search this
Ekman, June  Search this
Garfinkel, Ron  Search this
Graham, Martha  Search this
Karnes, Karen, 1925-2016  Search this
Kokis, George  Search this
Mendes, Jerry  Search this
Oliver, Mary, 1935-  Search this
Peterson, Mary  Search this
Pieser, Jane  Search this
Raine, Yvonne  Search this
Richards, Mary Caroline  Search this
Stanford, Verne  Search this
Stannard, Ann  Search this
Supree, Burton  Search this
Takaezu, Toshiko  Search this
Williams, Gerald, 1926-2014  Search this
Extent:
60 Pages (Transcript)
7 Items (Sound recording: 7 sound files (4 hr., 13 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Australia -- Description and Travel
Date:
2009 March 20-21
Scope and Contents:
An interview of Paulus Berensohn conducted 2009 March 20-21, by Mark Shapiro, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Berensohn's home and studio, in Penland, North Carolina.
Berensohn speaks of growing up in New York City and his family; his brother Lorin Bernsohn, cellist with the New York Philharmonic; his problems with dyslexia as a child and yet his interest in reading and learning; an early interest in dance and the lack of support he received from his family; his admittance into Yale University, from where he quickly removed himself to attend Goddard College in Vermont; after Goddard attending Columbia University, Juilliard, and Bennington College while studying dance; studying under both Martha Graham and Merce Cunningham; his relationship with M.C. Richards; his first teaching job at Pendle Hill in Pennsylvania that lead to teaching at Swarthmore College for four years; his want to become a production potter while living on a farm in rural Pennsylvania where he created an artist commune; working with pinched pots and moving to Penland, North Carolina to teach workshops at the Penland School of Crafts; his book, "Finding Your Way With Clay," which started as a journaling and teaching project while at Penland; his interest in book art via his interest in journaling; the importance of clay as a healing material that connects humanity and the earth and his role as an advocate for clay; his work in and travels to Australia; recent photography projects and his busy and active schedule. Berensohn also recalls Remy Charlip, June Ekman, Fleur Cowles, John Cage, Robert Dunn, Yvonne Rainer, Carolyn Brown, Mary Oliver, Karen Karnes, Burt Supree, Toshiko Takaezu, Ann Stannard, Gerry Williams, George Kokis, Joe Bennion, Bill Brown, Jane Pieser, Ron Garfinkel, Jenny Mendes, Ian Anderson, Verne Stanford, Meg Peterson, and others.
Biographical / Historical:
Paulus Berensohn (1933-2017) was a poet, ceramic artist, dancer, and educator in Penland, North Carolina. Mark Shapiro (1955- ) is executive director of Lumina Art Gallery, in New York.
General:
Originally recorded on 4 SD memory cards. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 13 min.
Related Materials:
The Archives of American Art also holds the papers of Paulus Berensohn.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Artists  Search this
Topic:
Artists' books  Search this
Ceramicists -- North Carolina -- Interviews  Search this
Clay  Search this
Communal living  Search this
Dance -- Study and teaching  Search this
Diaries -- Authorship  Search this
Dyslexia  Search this
Photography  Search this
Poets -- North Carolina -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.berens09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-berens09
Online Media:

Oral history interview with Victoria Barr

Interviewee:
Barr, Victoria  Search this
Interviewer:
Cummings, Paul  Search this
Extent:
222 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1977 January 11-February 18
Scope and Contents:
An interview of Victoria Barr conducted 1977 January 11-February 18, by Paul Cummings, for the Archives of American Art.
Barr recalls how she became very interested in theater set and lighting design; the thrill of learning about Greek history and myths and her painting being influenced by dance; studying graphic design and advertising at Parsons School of Design and Cy Sillman as a teacher; at Yale, Neil Welliver influencing her to become a painter; her first trip to Europe with her parents at the age of 14 and spending time with Pablo Picasso, Marc Chagall, and Henri Matisse; fellow Yale students Victor Moscoso, Eva Hesse, Sylvia Mangold, Bob Mangold, and Louise Nevelson; moving to Aspen, Colorado in 1961 and how her brief experience with marijuana influenced her painting more than anything previously; the family friendship with Philip Johnson and building the Glass House in New Canaan, Connecticut; spending time with Johnson, Meis van der Rohe and Phyllis Lambert during the construction of the Seagram Building in Montreal, Canada; Vincent Scully and Bill McDonald as teachers at Yale; visiting Peggy Guggenheim in Venice; going to Budapest, Hungary 1963, right after the Cuban Missile Crisis, to make a film; being awarded the Fulbright to go to France in 1964; her trip to Greece on scholarship and how at home she felt; that it is no longer relevant to paint from nature; meeting Lillian Lynn and becoming great friends; moving back to New York in 1966 and working for the Museum of Natural History in the exhibits department; her work becoming less painterly, more abstract; beginning her teaching career at Barnard College in 1967; the upheaval of student riots at Columbia University and her involvement in the Peace Movement; moving to stain painting; vacationing in Santa Fe, New Mexico and the hippie culture there; how her trip to India in 1971 influenced her to use more color and primitive motifs in her work; embracing the Women's Liberation Movement; summers in Long Island and her trip to Bali. Barr also recalls Gwen Davies, John McAndrew, Alexander Calder, Chick Austin, Sydney Friedberg, Leo Steinberg, Peggy Guggenheim, Diana Cowan, Bob Chamberlain, Joey Cabell, Peter Blum, Marino Marini, Ben Shahn, Mark Rothko, Jack Tworkov, Fritz Bultman, Alice Katz, Jim Brooks, Willem de Kooning, Jasper Johns, Mark Rauschenberg, Jim Rosenquist, Claes Oldenburg, Bernard Berenson, Millard Meiss, Sydney Freedburg, Aline Saarinen, John Johansen, Jim Sobey, Nancy Graves, Richard Serra, Robert Fiore, Philip Glass, Peter Worshall, Michael Helminski, Marcia Tucker, Elke Solomon, Joan Snyder, Nancy Azara, Jane Kaufman, Pat Steir, Susan Hall, and John Giorno.
Biographical / Historical:
Victoria Barr (1937- ) is a set designer and painter from New York, New York.
General:
Originally recorded on 6 sound tape reels. Reformatted in 2010 as 12 digital wav files. Duration is 10 hr., 6 min.
Sound quality is poor.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Set designers -- New York (State) -- New York  Search this
Topic:
Art, American  Search this
Women artists  Search this
Women painters  Search this
Women designers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.barr77
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-barr77
Online Media:

Oral history interview with Margaret Babcock

Interviewee:
Babcock, Margaret Meras, 1907-  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
2 Items (sound cassettes (total 120 min.), analog.)
29 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1998 July 21
Scope and Contents:
An interview with Margaret Babcock conducted 1998 July 21, by Robert F. Brown, for the Archives of American Art, in Camden, Maine. The interview covers her family background up through the 1920s.
Babcock discusses being raised in Exeter, New Hampshire, where her father owned Daniel Chester French's former house; being a precocious student; attending Phillips Exeter Academy's June Ball with Francis Grover Cleveland, a grandson of the president (she recites a poem that commemorated her romantic thrill over the experience); attending Smith College where she concentrated in zoology but aspired to be a writer and teacher; devoting much time to modern dance; meeting, her freshman year, an Amherst College senior & pupil of Robert Frost, Ernest Robson (formerly Rosenblum) from Chicago; the snobbish economic and anti-semitic caste system at Smith; her parents divorce while at Smith, causing sudden financial problems, and becoming a scholarship student; Robson coming to Smith to see her during her junior year, and following her at the end of that year to Camden, Maine, where her grandmother Frye and her mother lived, and a secret camping trip to northern Maine and Provincetown; marrying Robson April 7, 1926 and graduating from Smith; Peter Blume, the poet Sidney Peak Crawford, and his dog "Little Peak" joined her and Robson on Lime Island, off Camden, summer of 1926; Blume staying behind and showing his "Maine Coast", which he had painted on the island, to her shocked mother and grandmother; supporting Blume financially.
Biographical / Historical:
Margaret Mera Babcock (1907- ) was a curator from Camden, Maine.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 1 hr., 56 min.
Babcock's speech is impaired by a stroke and deafness. Sound quality is poor.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Curators -- Maine -- Camden  Search this
Topic:
Women museum curators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.babcoc98
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-babcoc98
Online Media:

Oral history interview with Mindy Weisel

Interviewee:
Weisel, Mindy  Search this
Interviewer:
Berman, Anne Louise, 1975-2016  Search this
Extent:
2 Items (sound discs (1 hr.; 28 min.), digital., 2 5/8 in.)
36 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2001 September 2-November 1
Scope and Contents:
An interview with Mindy Weisel conducted 2001 September 21-November 1, by Anne Louise Bayly, for the Archives of American Art, in Washington, D.C.
Weisel speaks of her parents and their surviving the Holocaust; her mother showing her beauty as a child; being the daughter of survivors; wanting to draw as a child; studying art in college; her marriage and motherhood; balancing the role of wife, mother and artist; September 11th; her Ella Fitzgerald series; her time at the Virginia Center for the Creative Arts; process of working; creating Lily Let's Dance and It's Ok Kid; writing her books "Daughters of Absence", "Touching Quiet", "The Rainbow Diet"; art and survival.
Biographical / Historical:
Mindy Weisel (1947- ) is a painter from Washington, D.C.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr.; 28 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Painters -- Washington (D.C.) -- Interviews  Search this
Topic:
Holocaust survivors  Search this
Children of Holocaust survivors  Search this
September 11 Terrorist Attacks, 2001  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.weisel01
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-weisel01
Online Media:

Oral history interview with Marianna Pineda

Interviewee:
Pineda, Marianna, 1925-1996  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Cranbrook Academy of Art  Search this
Milles, Carl, 1875-1955  Search this
Extent:
1 Item (tape reel (2 hr., 7 min.))
51 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1977 May 26-June 14
Scope and Contents:
Interview of Marianna Pineda, conducted by Robert Brown for the Archives of American Art, Smithsonian Institution, in Brookline, Massachusetts, on June 14 and May 26, 1977.
Pineda speaks of her childhood in Chicago; travels to Europe with her mother; early encounters with sculpture and architecture at the Chicago World's Fair; studying at the Otis Art Institute, Cranbrook, and Columbia University; meeting and marrying her husband Harold Tovish; living and working in Paris, Minneapolis, and Italy; how having children affected her work; teaching at Newton College and Boston University; showing at the Swetzoff Gallery in Boston; sculpting in wood, plaster, wax, and bronze; work with the Boston Visual Artists' Union; and various of her works, including the Oracle series, the Bed series, An Effigy for the Young Lovers, Sleepwalker, and The Dance of Sleep or Death. Pineda also recalls Carl Milles, Ossip Zadkine, William Zorach, David Smith, Simon Moselsio, Oronzio Maldarelli, and others.
Biographical / Historical:
Marianna Pineda (1925-1996) was a sculptor from Boston, Mass. Married to sculptor Harold Tovish.
General:
Originally recorded on 1 tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 7 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Sculptors -- Massachusetts -- Boston -- Interviews  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.pineda77
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pineda77
Online Media:

Oral history interview with Elma Lewis

Interviewee:
Lewis, Elma  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Elma Lewis School of Fine Arts  Search this
Extent:
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 July 25 and Sept. 19, 1997
Scope and Contents:
An interview of Elma Lewis conducted 1997 July 25 and Sept. 19, by Robert Brown, for the Archives of American Art, in Lewis' home, Roxbury, Mass.
Lewis discusses her parents, immigrants from Barbados; her father being very politicized, quickly disillusioned regarding economic opportunity and racism; meeting Marcus Garvey and becoming a member of United Negro Improvement Association; her parents giving her a very strong cultural sense of her race and culture steeped in Christian doctrine; family thought in pan-African terms; attending integrated schools; World War II as a watershed for the Black community; her brother graduating from Harvard medical school after their mother demanded he be admitted, though still he had difficulty being accepted in medical community; another brother who became a concert pianist; her study of dance (ballet) for many years.
Father's encouragment to attend Emerson College in Boston (1939-1943); preparation for a career in music and the performing arts; teachers' training at Boston University (1943-1944); teaching at the school of dance and performing arts run by Doris Jones; Lewis founding her own school, the Elma Lewis School of Fine Arts in the largely Black Roxbury section of Boston in 1950; incorporating the visual arts; teaching by Alvin Ailey, Talley Beatty, Duke Ellington; problems posed by patronizing white liberal community; development of cooperative program with the Museum of Fine Arts, Boston; hiring the artist John Wilson and art historian Edmund Barry Gaither to further develop visual arts programs; and the primacy of culture and spirituality.
Biographical / Historical:
Elma Lewis (1921-2004) was an artist and teacher from Boston, Mass.
General:
Originally recorded on 1 sound cassettes. Reformatted in 2007 as 2 digital wav files. Duration is 1 hr., 32 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Educators -- Massachusetts -- Boston  Search this
Topic:
African American artists  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lewis97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lewis97
Online Media:

Oral history interview with Peggie L. Hartwell

Interviewee:
Hartwell, Peggie L., 1939-  Search this
Interviewer:
Malarcher, Patricia  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
80 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2002 June 3 and July 10
Scope and Contents:
An interview of Peggie Hartwell conducted 2002 June 3-July 10, by Patricia Malarcher, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in the artist's apartment, on Central Park West, New York, N.Y.
Hartwell speaks of growing up on a farm with her extended family in Springfield, S.C.; female quiltmakers and male storytellers in her family; drawing in sand as a child; her mother's move to Brooklyn; joining her mother and father in New York; growing up in Brooklyn; her awareness of the many cultures in New York and being surrounded by art, including her mother's crocheting and her father's a cappella group; taking tap dancing lessons; experimenting with art in public school; working at various factory jobs after high school until "reconnecting" with art; studying with dancer Syvilla Fort at the Katherine Dunham School of Dance in New York; Fort encouraging her to draw on the studio walls and sew costumes; touring internationally with the theater group Harlem Rhythm USA from 1965 to 1972; her return to the U.S. and receiving a theater degree at Queens College; working at an insurance company to support her art; exhibiting her black and white, pen-and-ink drawings; the narratives and "oral histories" in her quilts; the meaning of various fabrics and colors; participating in "quilting communities" such as the Women of Color Quilters Network, Empire Quilters, and the American Quilter's Society; her lectures, workshops, and residencies; working with children;narratives inspired by childhood memories; her move back to South Carolina; themes in her quilts and "quilting styles" (improvisational, traditional, contemporary, and African American); serving on the board of the New York Chapter of the Women of Color Quilters Network; and planning the exhibition "Threads of Faith" for the New York Bible Association. She also comments on John Cage, Cuesta Benberry, Asadata Dafora, Francelise Dawkins, Carolyn Mazloomi, Edjohnetta Miller, Arthur Mitchell, Harriet Powers, Faith Ringgold, Marie Wilson, and others.
Biographical / Historical:
Peggie L. Hartwell (1939- ) is a quiltmaker of Summerville, S.C. Patricia Malarcher is a fiber artist.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 3 hr., 50 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Quiltmakers -- South Carolina  Search this
Topic:
African American quilts  Search this
Textile crafts  Search this
Decorative arts  Search this
African American artists  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hartwe02
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hartwe02
Online Media:

10 in Search of A Nation Exhibition

Collection Creator:
Donaldson, Jeff, 1932-2004  Search this
Container:
Box 6, Folder 12
Type:
Archival materials
Date:
1970
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jeff Donaldson papers, 1918-2005, bulk 1960s-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Jeff Donaldson papers
Jeff Donaldson papers / Series 7: Professional Files / 7.1: AfriCOBRA
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-donajeff-ref207
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Photographs, Dance

Collection Creator:
Donaldson, Jeff, 1932-2004  Search this
Container:
Box 10, Folder 28
Type:
Archival materials
Date:
1970s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jeff Donaldson papers, 1918-2005, bulk 1960s-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Jeff Donaldson papers
Jeff Donaldson papers / Series 7: Professional Files / 7.3: FESTAC
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-donajeff-ref308

Sound and Video Recordings

Collection Creator:
Butterfield, Jan  Search this
Extent:
0.4 Linear feet (Box 15)
Type:
Archival materials
Date:
1987-1997
Scope and Contents:
This series contains 4 videocassettes (VHS) and 1 sound cassette with art-related recordings. Videos include The Painter Sam Francis (1992); Breathing Light (circa 1988), about a work of the same title by Peter Erskine; documentation of three multimedia installations by Judit Hersko including Zurbaran Bewitched, Witch-hunt, and Black Forest Requiem, and a documentation of performances and experiments with light entitled Light Dance by Seth Riskin (1987-1995). The sound cassette is an acoustiguide for the 1990 Edward Ruscha exhibition at the Los Angeles Museum of Contemporary Art. A single unlabeled cassette containing what appears to be a band rehearsal is also found.
Arrangement:
Most of the sound recordings in the collection are found in series 1, Interviews and Lectures. Additional audio recordings are found in series 3, Project Files. Additional video recordings are found in the Publicity subseries of series 2, Writings, and in the correspondence subseries of series 3, Personal Business Records.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.buttjan, Series 7
See more items in:
Jan Butterfield papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-buttjan-ref16

Light Dance

Collection Creator:
Butterfield, Jan  Search this
Extent:
1 Videocassettes (VHS)
Container:
Box 15, Folder 1
Type:
Archival materials
Moving Images [31027000762670]
Videocassettes (vhs)
Date:
1987-1995
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Jan Butterfield papers
Jan Butterfield papers / Series 7: Sound and Video Recordings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-buttjan-ref783

Judith S. Brown papers

Creator:
Brown, Judith S., 1931-1992  Search this
Extent:
3.3 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Video recordings
Drawings
Date:
circa 1940-2002
Summary:
The papers of sculptor, painter, and dancer Judith Brown measure 3.3 linear feet and date from circa 1940 to 2002. The papers document Brown's career through personal and professional files, printed material, photographs, artwork, and one videocassette recording.
Scope and Contents:
The papers of sculptor, painter, and dancer Judith Brown measure 3.3 linear feet and date from circa 1940 to 2002. The papers document Brown's career through personal and professional files such as resumes and biographical writings, awards, scant personal business records, a video recording about Brown, and some papers related to professional organizations, commissions, and exhibitions. Printed material includes announcements, posters, and catalogs related to group and solo exhibitions, holiday sales of Brown's artwork, studio open houses, and dedication ceremonies; publicity material; reproductions of her artwork; articles and newspaper clippings; and more. The photographs include snapshots, prints, slides, transparencies, and negatives of Brown's artwork, the artist working in her New York City and Vermont studios, exhibitions, installations, and some images with family and friends. Artwork consists of paintings, sketchbooks, project designs, homemade holiday cards, and other works of art made by Brown between the late 1930s to late 1980s.
Arrangement:
The collection is arranged as four series.

Series 1: Personal and Professional Papers, circa 1940-1992 (Box 1; .2 linear feet)

Series 2: Printed Material, 1950s-2002 (Box 1, 5, OV 6; .6 linear feet)

Series 3: Photographs, 1950s-1992 (Box 1-3, 5; 1.5 linear feet)

Series 4: Artwork, circa 1940-1992 (Box 3-5, 0V 7-9; 1 linear foot)
Biographical / Historical:
Judith Brown (1931-1992) was a sculptor, painter, and dancer in New York, New York, and Brownsville, Vermont. She attended Sarah Lawrence College and studied with Theodore Roszak, 1952-1954. Always fascinated with motion, Brown was noted for successfully capturing fleeting moments of a body's action through sculpture and paintings, with particular interest in how fabric draped and flowed along the body's contours during movement. Brown established herself by the late 1950s, and from then on had a long career of exhibiting and selling her work.

Brown's work was exhibited widely throughout the United States and Europe, featured in group shows at the Museum of Contemporary Crafts, the Boston Arts Festival, The New Britain Museum of American Art, and many other galleries and museums. Brown's one-person exhibitions include shows at Zygos Gallery in Cyprus and Galeriea de Antonio Souza in Mexico City, as well as galleries and museums in Vermont, Florida, and New York City. Brown's artwork was also displayed in windows at Tiffany's and Bonwit Teller in their New York City department stores.

In addition to displaying her work in exhibition settings, Brown received many public and private commissions throughout her career. Her public commissions may be found in many U.S. states including New York, Vermont, New Jersey, Virginia, Georgia, and California; and she has work currently housed with several museums and corporations including the Pepsi Company, Marriott Corporation, Dartmouth College, Vermont Law School, Jewish Museum, and the Museum of Dance.

During her career, Brown was a trustee and member of the Vermont Council on the Arts, member of Artists Equity Association, Creative Arts Rehabilitation, and Women in the Arts Foundation, Inc. She received honorable mention in the Gold Medal Competition at the Architectural League of New York City in 1958, an award from the Louis Comfort Tiffany Foundation in 1970, and an award in creative art from the American Academy and the National Institute of Arts and Letters in 1976.
Provenance:
The bulk of the collection was donated by Judith Brown in 1978. Additional materials were donated in 1995 and 2007 by Brown via Peter Stettenheim, Brown's brother and the executor of her will.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women sculptors  Search this
Genre/Form:
Sketchbooks
Video recordings
Drawings
Citation:
Judith S. Brown papers, circa 1940-2002. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.browjudi
See more items in:
Judith S. Brown papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-browjudi

Drawings, Exuma and Dance

Collection Creator:
Brown, Judith S., 1931-1992  Search this
Container:
Box 5, Folder 6
Type:
Archival materials
Date:
1970s
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Judith S. Brown papers, circa 1940-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Judith S. Brown papers
Judith S. Brown papers / Series 4: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-browjudi-ref84

SCDB-085: Snowflake

Collection Creator:
Brown, David M.  Search this
Type:
Archival materials
Date:
June 23, 2001
Scope and Contents:
(6/23/2001) Public Affairs Office interview Laurel Clark and Dave Brown. Clark making snowflakes for kids. End and repeat the above. Swing dance. Mid-deck of the Space Shuttle in Crew Compartment Trainer; STS-99 crew. Paper airplane sync.

Film Type: Color; Sound; MiniDV (SD) Run Time: 0:23:00
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
David M. Brown Papers, Acc. 2006-0013, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.2006.0013, Item VK 00077
See more items in:
David M. Brown Papers
David M. Brown Papers / Videotapes
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-2006-0013-ref973

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