Search Results

Collection Creator:

National Congress of American Indians  Search this

Extent:

2 Sound tape reels (1 is a use copy, 1/4" open reel)

Container:

Box 60

Type:

Archival materials

Audio

Sound tape reels

Date:

Apr 14, 1958

Scope and Contents:

RR0165-RR0166; Use copy made in 1978.

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Due to its fragile nature, this collection is closed to researchers until it has been digitized.

Collection Rights:

Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.

Collection Citation:

Identification of specific item; Date (if known); National Congress of American Indians Audio and Film Recordings, Box Number; National Museum of the American Indian Archive Center, Smithsonian Institution.

See more items in:

National Congress of American Indians Audio and Film Recordings

National Congress of American Indians Audio and Film Recordings / Series 2: Chronological Events

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv45e9d876d-c07c-4294-99f2-4b5cdeb72b50

EDAN-URL:

ead_component:sova-nmai-ac-010-001-ref80

Published by:

MelPat Associates, American, 1965 - 1986  Search this

Created by:

C. Melvin Patrick, American, died 1985  Search this

Subject of:

Sen. Edward Brooke, American, born 1919  Search this

Morris Brown College, American, founded 1881  Search this

Interracial Council for Business Opportunity, American, founded 1963  Search this

Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this

Hubert Horatio Humphrey Jr., American, 1911 - 1978  Search this

General Daniel James Jr., American, 1920 - 1978  Search this

Roy Wilkins, American, 1901 - 1981  Search this

Rufus B. Shorter, American  Search this

National Association of Black Social Workers, American, founded 1968  Search this

National Association of Market Developers, American, founded 1953  Search this

National Medical Association, American, founded 1895  Search this

Ancient and Accepted Scottish Rite of Freemasonry  Search this

Prince Hall Freemasonry, founded 1784  Search this

Howard University, American, founded 1867  Search this

National Newspaper Publishers Association, American, founded 1827  Search this

Young Men's Christian Association (YMCA), International, founded 1844  Search this

Avon, founded 1886  Search this

Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

The Links, Incorporated, American, founded 1946  Search this

National United Church Ushers Association of America, Inc., American, founded 1919  Search this

National Medical Association, American, founded 1895  Search this

National Dental Association, American, founded 1913  Search this

Sigma Gamma Rho Sorority, Inc., founded 1922  Search this

Phi Beta Sigma Fraternity, American, founded 1914  Search this

National Urban League, American, founded 1910  Search this

Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this

Alpha Kappa Alpha Sorority, Incorporated, founded 1908  Search this

Zeta Phi Beta Sorority, American, founded 1920  Search this

Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this

Eta Phi Beta Sorority, Inc., American, founded 1943  Search this

National Association of University Women, American, founded 1910  Search this

National Association of Market Developers, American, founded 1953  Search this

Chi Eta Phi Sorority, Inc., American, founded 1932  Search this

American Bridge Association, American, founded 1932  Search this

Arthur Ashe Jr., American, 1943 - 1993  Search this

The Salvation Army, American, founded 1865  Search this

National Dental Association, American, founded 1913  Search this

Shriners International, American, founded 1870  Search this

Sammy Davis Jr., American, 1925 - 1990  Search this

Congressional Black Caucus, American, founded 1971  Search this

Rev. Martin Luther King Sr, American, 1899 - 1984  Search this

Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this

Southern Christian Leadership Conference, American, founded 1957  Search this

National Urban League Guild, American, founded 1946  Search this

Association for the Study of African American Life and History, American, founded 1915  Search this

369th Veterans Association, American  Search this

Prince Hall Freemasonry, founded 1784  Search this

One Hundred Black Men, Inc., American, founded 1963  Search this

Phi Beta Sigma Fraternity, American, founded 1914  Search this

Medium:

ink on paper

Dimensions:

H x W x D: 10 13/16 × 8 7/16 × 7/16 in. (27.5 × 21.4 × 1.1 cm)

Type:

magazines (periodicals)

Place made:

Harlem, New York City, New York, United States, North and Central America

Place depicted:

California, United States, North and Central America

Houston, Texas, United States, North and Central America

Minneapolis, Hennepin County, Minnesota, United States, North and Central America

Detroit, Wayne County, Michigan, United States, North and Central America

Chicago, Cook County, Illinois, United States, North and Central America

Washington, District of Columbia, United States, North and Central America

Jamaica, Caribbean, North and Central America

Barbados, Caribbean, North and Central America

Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America

West Africa, Africa

Date:

1978

Topic:

African American  Search this

Advertising  Search this

Associations and institutions  Search this

Black Enterprise  Search this

Black Press  Search this

Business  Search this

Communities  Search this

Fraternal organizations  Search this

Fraternities  Search this

Government  Search this

HBCUs (Historically Black Colleges and Universities)  Search this

Journalism  Search this

Labor  Search this

Mass media  Search this

Men  Search this

Political organizations  Search this

Politics  Search this

Professional organizations  Search this

Religion  Search this

Social life and customs  Search this

Sororities  Search this

Travel  Search this

U.S. History, 1969-2001  Search this

Urban life  Search this

Women  Search this

Women's organizations  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely

Object number:

2012.167.12

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5e8bb6cbd-99b9-4ce0-8851-3b3bef3dd0e8

EDAN-URL:

edanmdm:nmaahc_2012.167.12

Published by:

MelPat Associates, American, 1965 - 1986  Search this

Created by:

C. Melvin Patrick, American, died 1985  Search this

Subject of:

WLIB, American, founded 1941  Search this

National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this

American Bridge Association, American, founded 1932  Search this

National Association of Black Social Workers, American, founded 1968  Search this

Interracial Council for Business Opportunity, American, founded 1963  Search this

One Hundred Black Men, Inc., American, founded 1963  Search this

National Association of Market Developers, American, founded 1953  Search this

Vulcan Society, American, founded 1940  Search this

National Urban League, American, founded 1910  Search this

Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this

Prince Hall Freemasonry, founded 1784  Search this

National Urban Coalition, American, founded 1967  Search this

National Newspaper Publishers Association, American, founded 1827  Search this

Top Ladies of Distinction, Inc., American, founded 1964  Search this

The Links, Incorporated, American, founded 1946  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this

Carats, Inc., American, founded 1959  Search this

Chi Eta Phi Sorority, Inc., American, founded 1932  Search this

National Medical Association, American, founded 1895  Search this

National United Church Ushers Association of America, Inc., American, founded 1919  Search this

Vernon Jordan, American, born 1935  Search this

Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this

Phi Beta Sigma Fraternity, American, founded 1914  Search this

Zeta Phi Beta Sorority, American, founded 1920  Search this

National Dental Association, American, founded 1913  Search this

National Funeral Directors and Morticians Association, Inc., American, founded 1924  Search this

Delta Sigma Theta Sorority, American, founded 1913  Search this

Connectional Lay Council, American, founded 1948  Search this

Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this

Shriners International, American, founded 1870  Search this

Daughters of Isis, American, founded 1910  Search this

Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this

National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this

Congressional Black Caucus, American, founded 1971  Search this

Morehouse Alumni Association, American, founded 1900  Search this

Morris Brown College, American, founded 1881  Search this

Dr. Ralph Bunche, American, 1903 - 1971  Search this

Lionel Hampton, American, 1908 - 2002  Search this

National Urban League Guild, American, founded 1946  Search this

Young Men's Christian Association (YMCA), International, founded 1844  Search this

Alliance for Women in Media, American, founded 1951  Search this

Eleanor Holmes Norton, American, born 1937  Search this

Vernon Jordan, American, born 1935  Search this

Medium:

ink on paper

Dimensions:

H x W x D: 10 13/16 × 8 7/16 × 1/2 in. (27.5 × 21.4 × 1.3 cm)

Type:

magazines (periodicals)

Place made:

Harlem, New York City, New York, United States, North and Central America

Place depicted:

Atlanta, Fulton County, Georgia, United States, North and Central America

Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America

Date:

1981

Topic:

African American  Search this

Advertising  Search this

Associations and institutions  Search this

Black Press  Search this

Business  Search this

Communities  Search this

Fraternal organizations  Search this

Fraternities  Search this

Government  Search this

HBCUs (Historically Black Colleges and Universities)  Search this

Journalism  Search this

Labor  Search this

Mass media  Search this

Men  Search this

Political organizations  Search this

Politics  Search this

Professional organizations  Search this

Religion  Search this

Social life and customs  Search this

Sororities  Search this

U.S. History, 1969-2001  Search this

Urban life  Search this

Women  Search this

Women's organizations  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely

Object number:

2012.167.15

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5af48a13c-8c71-4105-9526-479c0bc3bb3e

EDAN-URL:

edanmdm:nmaahc_2012.167.15

Published by:

MelPat Associates, American, 1965 - 1986  Search this

Created by:

C. Melvin Patrick, American, died 1985  Search this

National Association of Market Developers, American, founded 1953  Search this

Subject of:

National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this

National Urban Affairs Council, American, founded 1971  Search this

Interracial Council for Business Opportunity, American, founded 1963  Search this

Prince Hall Freemasonry, founded 1784  Search this

Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this

Top Ladies of Distinction, Inc., American, founded 1964  Search this

Continental Societies, Inc., American, founded 1956  Search this

Rose Morgan, American, 1912 - 2008  Search this

William Otis Walker, American, 1896 - 1981  Search this

National Newspaper Publishers Association, American, founded 1827  Search this

African Methodist Episcopal Church, American, founded 1816  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this

The Links, Incorporated, American, founded 1946  Search this

National Association of Black Accountants, Inc., American, founded 1969  Search this

Carats, Inc., American, founded 1959  Search this

People United to Save Humanity, American, founded 1971  Search this

Alpha Kappa Alpha Sorority, Incorporated, founded 1908  Search this

Chi Eta Phi Sorority, Inc., American, founded 1932  Search this

National United Church Ushers Association of America, Inc., American, founded 1919  Search this

National Pharmaceutical Association, American, founded 1947  Search this

National Medical Association, American, founded 1895  Search this

Sigma Gamma Rho Sorority, Inc., founded 1922  Search this

Zeta Phi Beta Sorority, American, founded 1920  Search this

Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this

Eta Phi Beta Sorority, Inc., American, founded 1943  Search this

National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this

National Urban League, American, founded 1910  Search this

National Association of University Women, American, founded 1910  Search this

Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this

Shriners International, American, founded 1870  Search this

Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this

Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this

Vernon Jordan, American, born 1935  Search this

National Business League, American, founded 1900  Search this

Congressional Black Caucus, American, founded 1971  Search this

Arthur Ashe Jr., American, 1943 - 1993  Search this

National Bankers Association, American, founded 1927  Search this

National Bar Association, American, founded 1925  Search this

369th Veterans Association, American  Search this

Percy Ellis Sutton, American, 1920 - 2009  Search this

Morehouse College, American, founded 1867  Search this

Joe Louis, American, 1914 - 1981  Search this

Clarence D. King, American, 1888 - 1981  Search this

Phi Beta Sigma Fraternity, American, founded 1914  Search this

National Black Veterans Association, American, founded 1974  Search this

Medium:

ink on paper

Dimensions:

H x W x D: 10 13/16 × 8 7/16 × 1/2 in. (27.5 × 21.4 × 1.3 cm)

Type:

magazines (periodicals)

Place made:

Harlem, New York City, New York, United States, North and Central America

Place depicted:

Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America

Date:

1982

Topic:

African American  Search this

Advertising  Search this

African Methodist Episcopal  Search this

Associations and institutions  Search this

Black Press  Search this

Broadway Theatre  Search this

Business  Search this

Communities  Search this

Film  Search this

Fraternal organizations  Search this

Fraternities  Search this

Government  Search this

HBCUs (Historically Black Colleges and Universities)  Search this

Journalism  Search this

Labor  Search this

Mass media  Search this

Men  Search this

Methodist  Search this

Political organizations  Search this

Politics  Search this

Professional organizations  Search this

Religion  Search this

Social life and customs  Search this

Sororities  Search this

The Black Church  Search this

U.S. History, 1969-2001  Search this

Urban life  Search this

Women  Search this

Women's organizations  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely

Object number:

2012.167.16

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd595b77a5e-4524-45a5-90d3-81855fc7528c

EDAN-URL:

edanmdm:nmaahc_2012.167.16

Published by:

MelPat Associates, American, 1965 - 1986  Search this

Created by:

C. Melvin Patrick, American, died 1985  Search this

Medium:

ink on paper

Dimensions:

H x W x D: 10 13/16 × 8 7/16 × 9/16 in. (27.5 × 21.4 × 1.5 cm)

Type:

magazines (periodicals)

Place made:

Harlem, New York City, New York, United States, North and Central America

Place depicted:

Houston, Harris County, Texas, United States, North and Central America

San Francisco, California, United States, North and Central America

Oakland, Alameda County, California, United States, North and Central America

Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America

Date:

1984

Topic:

African American  Search this

Advertising  Search this

Associations and institutions  Search this

Black Press  Search this

Business  Search this

Communities  Search this

Dance  Search this

Film  Search this

Fraternal organizations  Search this

Fraternities  Search this

Government  Search this

Hollywood (Film)  Search this

Journalism  Search this

Labor  Search this

Mass media  Search this

Men  Search this

Olympics  Search this

Political organizations  Search this

Politics  Search this

Professional organizations  Search this

Religion  Search this

Social life and customs  Search this

Sororities  Search this

Sports  Search this

U.S. History, 1969-2001  Search this

Urban life  Search this

Women  Search this

Women's organizations  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely

Object number:

2012.167.18

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5a99826b2-563a-492a-9d22-e03c2c02f99c

EDAN-URL:

edanmdm:nmaahc_2012.167.18

Donor Name:

Us Consul Isaac M. Brower  Search this

Length - Object:

20 cm

Length - Shells:

2.223 cm

Culture:

Fijian  Search this

Object Type:

Rattle

Place:

Fiji, Melanesia

Accession Date:

12 Jul 1876

Topic:

Ethnology  Search this

Accession Number:

005306

USNM Number:

E23951-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/340da2b5a-3e04-463a-a2f1-ee0ffbbb152c

EDAN-URL:

edanmdm:nmnhanthropology_8371340

Creator:

Asch, Moses  Search this

Distler, Marian, 1919-1964  Search this

Folkways Records  Search this

Names:

Courlander, Harold, 1908-1996  Search this

Guthrie, Woody, 1912-1967  Search this

Jenkins, Ella  Search this

Leadbelly, 1885-1949  Search this

Ramsey, Frederic, 1915-1995  Search this

Seeger, Pete, 1919-2014  Search this

Extent:

841 Cubic feet

Type:

Collection descriptions

Archival materials

Business records

Correspondence

Phonograph records

Photographic prints

Audiotapes

Date:

1926-1986

bulk 1948-1986

Summary:

This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.

Scope and Contents:

The Moses and Frances Asch Collection measures 841 cubic feet and dates from 1926-1987, with some contemporary, relevant correspondence, clippings, and ephemera added after 1987.

Most of the collection consists of audio recordings (commercial 78 rpm and long-playing records, open reel tapes, acetate discs, and test pressings), correspondence with recording artists and producers, artwork, photographs, ephemera, clippings, record production materials, writings, and business papers relating to Folkways Records. Materials relating to Folkways Records can be found primarily in the Correspondence, Folkways Production, Business Records, Photographs, Artwork, Sound Recordings, and Film series.

The collection also contains some biographical materials and personal correspondence, including materials related to Asch's first business, Radio Laboratories, located in the Biographical Materials series. Correspondence, ephemera, photographs, record production materials, business papers, and recordings relating to Asch's record labels before Folkways Records (Asch Recordings, Disc Company of America, Cub Records) are located in the Early Label Materials series as well as the Audio Recordings and Photographs series.

Arrangement note:

The collection is arranged in 10 series:

Series 1: Correspondence, 1942-1987

Series 2: Folkways Production, 1946-1987

Series 3: Business Records, 1940-1987

Series 4: Woody Guthrie papers, 1927-1985

Series 5: Early Label Materials, 1940-1949

Series 6: Biographical Materials, 1926-1987

Series 7: Photographs

Series 8: Artwork

Series 9: Audio Recordings

Series 10: Film

At this time, the collection is partially processed. Please contact rinzlerarchives@si.edu for more information.

Biographical/Historical note:

The son of Yiddish writer Sholem Asch, Moses Asch was born in Poland in 1905. His childhood was spent in Poland, France, Germany, and New York. While young, Asch developed an interest in radio electronics, which ultimately lead him to his life's work, recording the music and sounds of the world. He established several record labels in succession, sometimes partnering with other record companies. Two of his fist record companies, Asch Recordings and DISC Co. of America, went bankrupt. They were followed by his best-known label, Folkways Records, which was founded in 1948 with Marian Distler (1919-1964). He was still working on Folkways recordings when he died in 1986.

Folkways Records sought to document the entire world of sound. The 2,168 titles Asch released on Folkways include traditional and contemporary music from around the world, spoken word in many languages, and documentary recordings of individuals, communities, and current events. Asch's business practices revolved around the commitment to keep every recording issued by Folkways in print, despite low sales. Asch stayed afloat by cutting costs where he could (such as color printing) and offering a high-quality product, meticulously recorded and accompanied by extensive liner notes. In doing this, he could charge a slightly higher price than other commercial outfits. Despite a tenuous relationship with financial solvency, Folkways grew to be not only one of the most important independent record companies in the United States in the 20th century, but also one of the largest and most influential record companies in the world.

Moses Asch's record labels featured famous and lesser known American writers, poets, documentarians, ethnographers, and grass roots musicians on commercial recordings. American folk icon Woody Guthrie recorded on the Asch, Disc, and Folkways labels, and the Asch Collection includes some of his correspondence, lyrics, drawings, and writings. The collection also includes correspondence with other notable musicians and artists such as John Cage, Langston Hughes, Margaret Walker, Huddie "Lead Belly" Ledbetter, Pete Seeger, Peggy Seeger, Ewan MacColl, Alan Lomax, Henry Cowell, and Kenneth Patchen. Also in the collection are ethnographic field notes and photographs by as well as correspondence with Béla Barók, Sidney Robertson Cowell, Harold Courlander, Helen Creighton, Laura Boulton, and Samuel Charters. Asch hired various prominent artists and graphic designers including David Stone Martin, Ben Shahn, John Carlis, and Ronald Clyne to create album cover art for his recordings. Much of the original art and designs for these covers can be found in the Asch Collection.

Asch's output of recordings on various labels, including published recordings, open reel master tapes, outtakes, and acetate disks, in addition to his business papers, correspondence, photographs, and other files were acquired by the Smithsonian Institution in 1987. The collection came to the Smithsonian with the understanding that all 2168 titles under the Folkways label would be kept available in perpetuity.

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.

Provenance:

Ralph Rinzler arranged the Smithsonian's acquisition of the Moses and Frances Asch Collection in 1987, beginning with Asch before his death in 1986 and continuing with extensive discussions between Rinzler and the Asch family. Since its acquisition, archivist Jeff Place and others have added contemporary, relevant correspondence with Folkways artists and related individuals.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk music  Search this

Folk dance music  Search this

Electronic music  Search this

Oral interpretation of poetry  Search this

Oral interpretation of fiction  Search this

Music -- 20th century  Search this

Music -- 19th century  Search this

Music -- 18th century  Search this

Jazz  Search this

Folk music -- United States  Search this

World music  Search this

Sounds  Search this

Vocal music  Search this

Popular music -- 20th century -- United States  Search this

Genre/Form:

Business records

Correspondence

Phonograph records

Photographic prints

Audiotapes

Citation:

Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.ASCH

See more items in:

Moses and Frances Asch Collection

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk533b8a927-559a-44ac-98d2-f32d871058b4

EDAN-URL:

ead_collection:sova-cfch-asch

Collection Creator:

Leo Castelli Gallery  Search this

Extent:

(Oversized material from Box 70, Folders 15, 19-21, 23-26; Box 71, Folders 1-3)

Container:

Box 199, Folder 9

Type:

Archival materials

Date:

1965-1983

Collection Restrictions:

Use of original records requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the partial digitization of this collection was provided by the Roy Lichtenstein Foundation.

See more items in:

Leo Castelli Gallery records

Leo Castelli Gallery records / Series 4: Artists Files / 4.1: Artists Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9826171c0-83c9-4b7a-b348-37d1e9802f44

EDAN-URL:

ead_component:sova-aaa-leocast-ref11956

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

Blog posts

Smithsonian staff publications

Blog posts

Published Date:

Tue, 29 Aug 2023 00:33:46 GMT

Topic:

Cultural property  Search this

See more posts:

Festival Blog

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

EDAN-URL:

edanmdm:posts_c5426befbe6fd8bd67b597493bf4882c

Type:

Archival materials

Collection Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Collection Citation:

Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

See more items in:

Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival

Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival / Series 2: Armenia / 2.3: Audio

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5f57a5aa6-8bfa-49b8-9534-6ef68a58e8bb

EDAN-URL:

ead_component:sova-cfch-sff-2018-ref1234

Type:

Archival materials

Collection Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Collection Citation:

Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

See more items in:

Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival

Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival / Series 3: Catalonia / 3.3: Audio

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5cd694714-6de5-41fd-b293-2a66d6544b80

EDAN-URL:

ead_component:sova-cfch-sff-2018-ref1238

Directed by:

Andrew L. Stone, American, 1902 - 1999  Search this

Subject of:

Bill "Bojangles" Robinson, American, 1878 - 1949  Search this

Lena Horne, American, 1917 - 2010  Search this

Cab Calloway, American, 1907 - 1994  Search this

Fats Waller, American, 1904 - 1943  Search this

Katherine Dunham, American, 1909 - 2006  Search this

Nicholas Brothers, American  Search this

Ada Brown, American, 1890 - 1950  Search this

Dooley Wilson, American, 1886 - 1953  Search this

Owned by:

D.C. Public Library, American, founded 1896  Search this

Medium:

acetate film

Dimensions:

Duration (Reel 1): 36 Minutes

Length (Film): 1275 Feet

Duration (Reel 2): 38 Minutes

Length (Film): 1350 Feet

Type:

sound films

black-and-white films (visual works)

feature films

16mm (photographic film size)

Place used:

Washington, District of Columbia, United States, North and Central America

Place filmed:

Los Angeles, California, United States, North and Central America

Date:

1943

Topic:

African American  Search this

Actors  Search this

Dance  Search this

Film  Search this

Hollywood (Film)  Search this

Jazz (Music)  Search this

Music  Search this

Musical films  Search this

Popular music  Search this

Singers (Musicians)  Search this

Tap dancing  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2017.55.53.1ab

Restrictions & Rights:

Restrictions likely apply. Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

DC Public Library Film Collection

Classification:

Media Arts-Film and Video

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd59ea55846-04b8-42eb-ba74-59cdbc01a296

EDAN-URL:

edanmdm:nmaahc_2017.55.53.1ab

Collection Collector:

Robinson, Franklin A., Jr., 1959- (actor)  Search this

Collection Creator:

Quinn, Terry (photographer)  Search this

Container:

Box 64, Folder 1-4

Type:

Archival materials

Date:

1943-1957

Collection Restrictions:

Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

The Robinson and Via Family Papers, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Preservation of the 8mm films in this collection was made possible, in part, by a grant from the National Film Preservation Fund.

See more items in:

Robinson and Via Family Papers

Robinson and Via Family Papers / Series 2: Robinson Family / 2.5: Conner, Mary Robinson

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8f819162c-7555-4912-9bb4-e97e9e9d4d2c

EDAN-URL:

ead_component:sova-nmah-ac-0475-ref988

Creator:

Martin and Morris Music Company  Search this

Morris, Necey, Mrs.  Search this

Martin, Sallie  Search this

Morris, Kenneth, 1917-  Search this

Names:

O'Neal Twins, The  Search this

Rasberry (Raymond) Singers  Search this

Singing Caravan, The  Search this

Ward (Clara) Singers, The  Search this

Bowles, Lillian  Search this

Bradford, Alex  Search this

Cleveland, James  Search this

Crouch, Andrae  Search this

Extent:

8.7 Boxes (28 boxes)

Type:

Collection descriptions

Archival materials

Ephemera

Sheet music

Advertisements

Photographs

Songbooks

Correspondence

Business records

Date:

circa 1930-1985

Scope and Contents:

The Martin and Morris Company Records date from ca. 1930 to 1985 and document a neglected part of the American music historical record. The collection is particularly important because of the company's contributions to the field of Gospel music. According to Horace Boyer (in We'll Understand It Better....), Martin and Morris Music Company was the only music house that would publish compositions by others than themselves during the heyday years of Gospel music (ca.1945-1965). From the collection it can be noted also that Gospel music in the United States was a grass roots activity. Insight as to its development and distribution can be gained through study of the firm's records.

Some of the more well known musicians whose compositions were published by Martin and Morris include: William H. Brewster, Dorothy Love Coates, Lucie Campbell, Alex Bradford, Sam Cook, and Raymond Rasberry. In addition to the noted musicians, several lesser-known artists and members of churches and pastorates from around the nation were published by Martin and Morris and their music was distributed throughout the country and around the world.

Included in the collection are printed Gospel sheet music and music song books, photographs, and business records and ephemera that illustrate the company's business operations. The collection is arranged in six series.

Series 1: CORRESPONDENCE, 1941 1980, consists of four document boxes of materials dating from 1941 through 1980. The correspondence relates to arrangement, cost, and publication of songs from other music companies and individual composers and songwriters. Also included in this series is information pertaining to copyright of song titles, settlements of law suits, and other correspondence concerning disagreements between Martin and Morris and songwriters. The correspondence is arranged by year, and thereafter alphabetically by last names within each period.

Series 2: BUSINESS And FINANCIAL RECORDS, 1940 1978, documents the ordering, sales, publication, and distribution processes of the Martin and Morris Music Company, Inc. Consisting of four document and three flat storage boxes, the materials include bank books, order books, ledgers, and journals. Also contained within this series is one document box of materials consisting of agreements and contracts between Martin and Morris and others; copyright and permissions documents; company invoices; corporate income tax returns; financial statements, and business advertising ephemera, such as programs, calendars, catalogs, and receipts. Many of the books ledgers and journals in this series had bits of paper stuck between the pages. They have been filed in "ephemera folders" of the same number as the book. Items are tagged with information indicating original locations.

Series 3: SHEET MUSIC, ca. 1930 1985, consists of nine document boxes and one flat storage box of song sheets in octavo and full size. Dating from the 1940's to the 1980's, the series comprises music published by Martin and Morris (3A), music distributed by Martin and Morris (3B), and works produced and distributed by other publishers (3C and 3D). Materials are arranged by publisher. Under each publisher, materials are arranged alphabetically by title.

There are two boxes of song titles in Subseries 3A: Music Published by Martin and Morris. Some of the more recognizable ones are: Go down Moses, God be with you till we meet again, I couldn't hear nobody pray, I want two wings, I'm Climbin' Up on the rough side of the mountain, Lead me, guide me, No cross, no crown, Stand by me, What do you know about Jesus ( He's alright). Composers and performers include Doris Akers, Rev. James Cleveland, Thomas Dorsey, Mahalia Jackson, C. A. Tindley.

Subseries 3B: Publishers Distributed by Martin and Morris is in two parts. The first is arranged by publisher, including the Lion, Savgos, and Savoy companies. The second comprises miscellaneous copyright owners & publishers distributed by Martin and Morris. Many of the titles in this section were arranged by Kenneth Morris. Included in this group, which is arranged by title, are compositions performed by artists such as Alex Bradford, The Mighty Clouds of Joy, AndraÇ Crouche, Rev. J. G. Moore, The O'Neal Twins, The Raymond Rasberry Singers, and Donald Vails. Some illustrations of the above groups are included in this section.

Representative publishers included in Subseries 3C: Other Publishers are: Margaret Aikens, Boosey & Hawkes, Bowles, Lucie Campbell, Theodore Frye, Frazier-Cleveland, Roberta Martin, Sallie Martin, Chas. Pace, Theodore Presser, Raymond Rasberry, and Dorothy Akers. The oversized materials from this series appear in Box 9.

Subseries 3D: Miscellaneous Publishers consists of compositions from publishing companies that have three or less sheet music titles appearing in the Martin and Morris Music Company Records. The compositions are arranged alphabetically by title. Compositions range in date from 1930's to the 1980's and include works written or performed by such greats as the Clara Ward Singers, the Davis Sisters, The Golden Tone Singers, Cleavant Derricks, and Eddie Simmons. There are dozens of titles included in this section. Among them are: He is my all and all, If I can help somebody, and Rock of Ages. Also included in this section are Christmas titles and some pop tunes. The oversized materials from this series appear in Box 9 which consists of folio sized music. Among the composers is Thomas Dorsey. Donald Vails is numbered among the performers. Many of the pieces in folder 2 contain color illustrations. A listing of titles and composers also has been compiled for this folder and is included therein.

Series 4: SONG BOOKS, ca. 1930 1985, consists of 5 document boxes of song books in octavo and full size. Dating from the 1940's to the 1980's, the series comprises music published or distributed by Martin and Morris (4A), and works produced and distributed by other publishers (4B and 4C). Materials are arranged by publisher. When needed, under each publisher, materials are listed alphabetically by title. Composers and performers include Alex Bradford, James Cleveland, The Davis Sisters, Sallie Martin, The Roberta Martin Singers, The Singing Caravans, and The Clara Ward Singers. There are lesson books included in the boxes marked Other Publishers, and the final box of miscellaneous publishers includes lesson books for jazz and blues piano, and guitar. The oversized materials from this series appear in Box 9.

Series 4C: Miscellaneous Publishers, comprises miscellaneous copyright owners and publishers, and is arranged by title. It consists of song books from publishing companies that have three or less titles appearing in the Martin and Morris Music Company Records. The books are arranged in alphabetical order by publisher.

Series 5: ADVERTISING PHOTOGRAPHS, nd., contains photos that were often submitted for publication on the covers of music or flyers or other advertising materials distributed by the Martin and Morris Music Company. This half document box of materials includes photos of Kenneth Morris, Joe May, the Spirit of Memphis Quartette, the Raymond Rasberry Singers, the Singing Caravan, and Martin & Morris Studios' personnel, among others. Materials are undated, and some remain unidentified.

Series 6: ADVERTISING EPHEMERA, ca. 1935-1979, the final series of the Martin and Morris Music Company Records, also comprises one half document box. It contains ephemera such as newspaper clippings, calendars, publicity materials, and programs.

Arrangement:

The collection is divided into six series.

Series 1: Correspondence, 1941-1980

Series 2: Business and Financial Records, 1940-1978

Series 3: Sheet Music, circa 1930-1985

Series 4: Song Books, circa 1930-1985

Series 5: Advertising Photographs, undated

Series 6: Advertising Ephemera, circa 1935-1979

Biographical / Historical:

Kenneth Morris (1917-1988) and Sallie Martin (1896-1988) were co-owners of the nation's oldest continuously-running Black Gospel music publishing company. Martin and Morris established the firm in Chicago, Illinois and it remained in operation from 1940 until the 1980's. Martin spent most of her time on the road with her singers advertising the compositions published by the firm. Morris remained in Chicago arranging, composing, and notating music. Along with his wife, Necie, Morris also handled most of the company's paperwork.

Kenneth Morris (8/28/1917-1988), Gospel music publisher, arranger, composer, and innovator, was born in New York. Although he began making music in church as a youngster, he commenced his professional career as a jazz musician. In high school, and later while studying at the Manhattan Conservatory of Music, the ever changing Kenneth Morris Band was often billed at hotels, restaurants, and lounges. He and others of his band traveled to the "Chicago World's Fair" in 1934 to perform dance music for the day and evening concerts. Because of the heavy schedule, Morris became ill, and was forced to leave the band. However, he decided to stay in Chicago, and there met members of the Gospel music community. Among them were Lillian Bowles and Charles Pace. He spent six years with Lillian Bowles Music House, and in 1940, partnered with Sallie Martin to form Martin and Morris Music Company.

Kenneth Morris' partner, Sallie Martin (11/20/1896-6/8/1988) was a noted Gospel musician as well. Born in Pittfield, Georgia, her mother was a traveling musician. After her mother's death (ca. 1912), Martin moved to Atlanta, then to Cleveland, Ohio (1917), and finally settled in Chicago, Illinois (1919). In each of these cities, she sang in church choirs. In 1932, she auditioned for and joined the Pilgrim Baptist Church chorus lead by Thomas Dorsey. And in 1933 she began traveling with Dorsey to help promote his songs. Together they founded the National Convention of Gospel Choirs and Choruses. Martin left Dorsey and toured briefly as a soloist. She partnered with Roberta Martin for a short time, then went on to form her own women's group (The Sallie Martin Singers). She continued with the group and in 1940 she joined Kenneth Morris to form Martin and Morris Music Company.

Martin retired from music in 1970 and sold her portion of the business to Morris in 1973. A pioneering Gospel musician, she was widely known through the tours made by the Sallie Martin Singers. Their performance style influenced musicians across the country and around the world. Among her students were Dinah Washington, Jessy Dixon, Delois Barrett Campbell, and Alex Bradford.

The Martin and Morris Music Company (1940-ca. 1988) was a long awaited "dream come true" for Sallie Martin. As a frequent attendee of the First Church of Deliverance, pastored by Reverend Clarence H. Cobb, Ms. Martin often relayed her desire to him. A popular minister known as "the preacher," Cobb hired Kenneth Morris as his choir director. Morris became a pioneering and innovative Gospel musician. He is noted for the introduction of the Hammond organ to the Gospel music sound. Sallie Martin often sang with Kenneth Morris's Choir. And Cobb persuaded Morris to go into business with Sallie Martin. Martin was a great natural talent, but had no formal music training. She needed a partner who could write and arrange music.

Morris bought out Martin in 1973. And about 1978, he acquired the Theodore Frye and the Roberta Martin catalogues. The Bowles and the Beatrice Brown catalogues were also added to the firm's inventory before Mr. Morris's passing. When he died, Martin and Morris Publishing was the only surviving Black Gospel sheet music distribution house in the nation. His widow continued the business for some time after his death. There was little interest in the company by other family members, and requests for materials were dropping off. With little help and lighter profits, in 1993 Necie Morris began packing up and disposing of the company's records. For more information see We'll Understand It Better By and By, Bernice Johnson Reagon, ed., 1992, SI Press. Clickhere to go to scope and content.

Provenance:

The collection's acquisition was facilitated through Dr. Bernice Johnson Reagon's long-time research on Gospel music. Among the contacts made in her research was the late Kenneth Morris. Dr. Reagon made it known to Chief Archivist, John Fleckner that the Morris family was clearing out the building which the firm had occupied since the 1940's. Mr. Fleckner made contact with Morris' widow, Mrs. Necie Morris, and selected the collection materials for the Museum during an August, 1993 visit to Chicago. Related objects, a large building sign and a banner advertisement, were acquired by the Division of Cultural History.

Restrictions:

Collection is open for research.

Rights:

Copyright restrictions. Contact Martin and Morris Music Company Records: Kenneth Morris, Jr., 913 Cordoba, University Park, IL 60466.

For performance rights contact Reginald Morris, 7400 S. Euclid Ave., Chicago, IL 60649 (773) 643-9492, e-mail: 4morreg@att.net

For clearance of Martin and Morris Music compositions on television contact Otubusin and Associates, Kristina Monkel, 77 W. Washington Blvd., #1204, Chicago, IL 60602 (312) 251-1480; e-mail: kristinamonkel@aol.com.

Topic:

Gospel music -- 1930-1990  Search this

Genre/Form:

Ephemera -- 20th century

Sheet music

Advertisements -- 20th century

Photographs -- 20th century

Songbooks

Correspondence -- 20th century

Business records -- 20th century

Citation:

Martin and Morris Music Company Records, ca. 1930-1985, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0492

See more items in:

Martin and Morris Music Company Records

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8929652bd-e922-4957-a9d8-20a0b2e03cc9

EDAN-URL:

ead_collection:sova-nmah-ac-0492

Collector:

Rockwell, David Hadley  Search this

Extent:

3.2 Cubic feet (11 boxes, 1 oversize folder)

Type:

Collection descriptions

Archival materials

Ephemera

Posters

Invitations

Advertisements

Place:

New York (N.Y.) -- 20th century

New York (N.Y.) -- 21st century

New Jersey

Florida

Date:

1980-2004, undated

Summary:

An extensive collection of advertisements, club cards, ephemera, and invitations publicizing venues and events at entertainment clubs and venues in New York City, New York, New Jersey, and Florida. The materials make use of a variety of graphic arts styles.

Scope and Contents:

The collection is rich in examples of the graphic arts and event advertising in the era before the prevalence of the internet. Marketing tactics, use of urban space, and entertainment offerings may be gleaned from this material. The venues represented catered to homosexual and heterosexual patrons, some being exclusively gay or straight, but many catered to both communities of all ethnic groups. Venues may be represented by one item or many.

The collection is organized into three series.

Series 1: Venue Advertisements and Invitations, 1983-2004, undated. This series contains advertisements, invitations, and posters for nightclubs, dance clubs, restaurants, and musical and comedy events located in Manhattan and the boroughs of New York City. There is minimal material relating to clubs located in New Jersey and Florida. The nightclubs include large and small venues, mainstream as well as "fringe" clubs, clubs catering predominately to African-American, Latino, gay and lesbian communities, and venues featuring other types of music and entertainment (both adult and mainstream) in addition to disco styles, like jazz, hip-hop, and popular music.

Series 2: Correspondence and Personal, 1988-2000, undated. This series contains a small amount of correspondence and personal material for David H. Rockwell, his family, and unidentified others. Within this series are letters, cards, postcards, and business related materials.

Series 3: Other Advertisments and Ephemera, 1983-2002, undated. This series contains material related to special themed events, art openings, restaurant events, and a variety of specialized "happenings" as well as private parties and birthdays. There are also advertisements for dance studios, records, stores, and theaters.

Arrangement:

The collection is organized in three series.

Series 1: Venue Advertisements and Invitations, 1983-2004, undated

Series 2: Correspondence and Personal, 1988-2000, undated

Series 3: Other Advertisements and Ephemera, 1983-2002, undated

Biographical / Historical:

These invitations were collected by the donor, David H. Rockwell. He also was responsible for printing many of them. Rockwell was resident in Manhattan during the time many of these invitations were created. He describes the invitations and his collecting, "Disco invitations are generally printed on heavy paper and can vary in size from 2x3 inches to 8x12 inches to full size posters. They are extremely colorful, and have very artistic graphics. They were often themed (Model's Ball, New Year's Eve, Drag Nights), or invited you to a celebrity's birthday bash. They were very prominent in New York City during the '80s and '90s, and were sent to exclusive mailing lists to announce the day, date, time, place and prices for all the differnt parties and dances held every night at New York's discos: Studio 54, Xenon, Magique, Danceteria, Limelight, The Palladium, Webster Hall, Underground and The Tunnel-over a hunderd clubs in all. The art on the invites was either created by some of Manhattan's most talented graphic artists, or those employed by the clubs. My role was to print 5000 or 10,000 lots of these invites, often five or six lots a day. I thought they were so cool I kept samples of many, were mailed many more (yes, I went to the parties and survived), and collected many others from 'invitation shelves' at Manhattan records shops, video rental stores, etc.".

The New York City club scene reached a zenith over the three decades following the 1970s emergence of disco music. The blossoming of what has been termed "club culture" followed the upheavals and advancements of the 1960s, the Civil Rights Movement, the Stonewall Riots, Vietnam War and other cultural touchstones. During the 1980s and 1990s clubs regularly opened and closed as public patronage waxed and waned. On occasions clubs would close and reopen under a new name and/or location. Some clubs were notorious gathering places for the drug culture of the late twentieth century. The emergence of HIV/AIDS and a general decline in dance and music venues as an agent for dating and socializing, in part due to the internet, spelled the demise of many of the venues represented here. Many well-known New York clubs are represented in this collection.

Clubs catering to a variety of musical tastes, ethnic and social groups, as well as restaurants and adult oriented clubs used club cards, postcards, mailings, hand-outs and what are generically known as flyers to advertise their particular offerings. The graphic arts used in these various advertisements not only imparted the necessary information about the event or place but reflected the personality of the club. They also provided a venue for a variety of graphic designers to utilize their talents in formats both large and small. This phenomenon was recently explored in the 2015 exhibition, "The Last Party," curated by the author Anthony Haden-Guest at WhiteBox in New York City.

Related Materials:

Materials in the Archives Center

Warshaw Collection of Business Americana (AC0060)

Archives Center Collection of Business Americana (AC40404)

The Shamrock Bar: Photographs and Interviews (AC0857)

John-Manuel Andriote Victory Deferred Collection (AC1128)

Lesbian, Gay, Bisexual, and Transgender Collection (AC1146)

John-Manuel Andriote Hot Stuff: A Brief History of Disco Collection (AC1184)

DC Cowboys Dance Company Records (AC1312)

Corbett Reynolds Papers (AC1390)

Provenance:

Collection donated by David Hadley Rockwell in 2015.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Nightclubs  Search this

Disco music  Search this

Music -- 20th century -- United States  Search this

Dance music  Search this

Genre/Form:

Ephemera -- 21st century

Posters -- 1980-2010

Invitations -- 1980-2010

Advertisements -- 1980-2010

Ephemera -- 20th century

Citation:

David Hadley Rockwell New York Disco Ephemera Collection, 1983-2004, undated, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.1342

See more items in:

David Hadley Rockwell New York Disco Ephemera Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8a5e2b6fa-a6cc-44bc-a942-2980daf928f4

EDAN-URL:

ead_collection:sova-nmah-ac-1342

Collector:

Whitehead, Henry Preston, 1917-2002  Search this

Extent:

156.91 Linear feet (178 boxes)

Type:

Collection descriptions

Archival materials

Pamphlets

Sound recordings

Clippings

Memorabilia

Newspapers

Photographs

Books

Brochures

Date:

1843-2010

bulk 1940-1986

Summary:

The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection documents Whitehead's careers, as well as his family and personal life. The collection also includes the personal papers of Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The combined collection is comprised of black theatrical memorabilia; materials relating to civil rights activities in the District of Columbia; and the African American experience in general. Included are playbills, sheet music, admission tickets, newspapers, magazines, books, photographs, clippings, flyers, brochures, pamphlets, sound recordings, research files, and other material.

Scope and Contents note:

The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection includes the personal papers of Henry P. Whitehead, Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The collection is divided into four series.

Series I focuses on Whitehead and includes papers dating from 1843 to his death in 2011. This series includes biographical material including a large amount of appointment books, identification and membership cards, resumes, certificates, and personal and family material. There is a limited amount of correspondence, which focuses on his personal relationships with family, friends, and general correspondence relating primarily to his work as a local historian.

Also found within Whitehead's papers are countless records from his time employed by the Washington DC government. Materials include memoranda, notes, research material, handbooks, guides, manuals, affirmative action info and records, affirmative action plans, promotion recommendations, recruitment plans and summaries, personnel files (complaints), civil actions and reports related too Whitehead's 37 years of government employment. It reflects the activities of numerous departments, primarily in regards to employment and affirmative action.

There are also a number of files that document Whitehead's involvement in numerous community organizations. Among the organizations in which Whitehead was involved include U Street Festival, Lincoln Corporation, and the U Street Theater Foundation. The papers of the U Street Foundation document the production and establishment of the annual U Street Festival. The Lincoln Theater Foundation and the U Street Theater Foundation papers document the efforts to reopen the Lincoln Theater. Also included are Whitehead's research on the Lincoln as well as old Lincoln Theatre programs. Additionally found within this series are documents and clippings on the economic development within Washington DC particularly in the Shaw/U Street location.

The majority of this series consists of printed material. Printed material in this series includes books, clippings, magazines, newsletters, newspapers, press releases, sheet music, programs as well as promotional material for several Washington DC theaters and organizations. There is a large quantity of theater programs dating from 1900-1986. The majority of the clippings and magazines are theater related topics, coupled with a miscellaneous selection of clippings on topics that presumably captured Whitehead's attention.

Research, notes and writings include a large amount of scrapbooks compiled by Whitehead of mostly photocopied clippings documenting Washington DC history, African American theater history, and general African American history. Five scrapbooks were compiled by an unknown source and were previously housed in the New York Public Library collection. Two scrapbooks are about general theater history one about Frances Starr and one about Margaret Anglin. There is also one scrapbook pertaiing to Mae Hall. Also included are a large amount of research notes and notebooks along with general miscellaneous notes.

There are several photographs of African Americans in the performing arts as well as images of Washington DC and several unidentified men, women, and children.

Audio recordings include 23 cassette from the Alexandria Church of God.

The remainder of the collection consists of the papers of Tomlinson D. Todd, Elizabeth B. Delaney, and those about the Howard Theatre.

The Howard Theatre papers are arranged in Series II and include documents relating to the Washington DC historic Howard Theatre and date from 1910 to 1986. The papers in this series predominantly document the Howard Theatre Foundation's efforts to reestablish and run the Howard Theatre in which Whitehead was the vice president. Records include business correspondence, founding documents, photographs, memoranda, press releases, member lists, financial records, clippings, and scrapbooks of clippings pertaining to the organization and theatre.

The correspondence in the collection include a handful of letters from the Washington DC government along with individuals and organizations. Also included is a large amount of interoffice memoradums.

Administrative records include lawsuits, resolutions, meeting minutes, grant proposals, press releases, memoranda, member lists, studies and reports.

Financial records include check stubs, receipts, invoices, bank statements, expenses, and contribution lists. Printed material includes original and photocopied clippings relating to the history and coverage of the foundation activities. Mostly promotional material as flyers, brochures, and press releases along with programs. In particular two 1920 Howard Theatre programs.

The scrapbooks of original and photocopied clippings compiled by Whitehead chronicle the history of the theatre and coverage of the foundation activities.

There are three VHS cassette featuring Whitehead discussing the Howard Theatre. Also found in series 2 are numerous stock investment record books belonging to A.E. Lichtman one of the early managers of the Howard Theatre. In addition early correspondence between Lichtman and the Rex Amusement Company concerning operational management issues of the Howard Theatre.

The Tomlinson D. Todd papers are arranged in Series III and date from 1902-1986 they include organization files, collected printed materials, subject files, and personal papers.

The collection includes materials relating to organizations in which there was a relationship to Todd's work and in which he had an interest primarily during the 1940s and 1950s, organizations include the National Negro Congress (ca, 1946-1947); the Congress for Industrial Organizations (1943-1947); National Council of Negro Women (1947-1949); Committee for Racial Democracy in the Nation's Capital (1947-1948).

The subject files include documents from three of Todd's organizations; Institute on Race Relation, Club Internationale, and his radio program "Americans All". As well as printed material from Todd's alma mater Lincoln University.

The largest subject file is "Americans All" which includes radio scripts as well as audio recording of a few programs and public service announcements. Also found are several black and white photographs of Todd at the radio studio. Printed materials include newspapers, leaflets, convention proceedings, and flyers, There are a large amount of programs ranging from church worship to convention as well as performance. Also present is a small amount of personal papers, including resumes, certificates, admission tickets, family documents, and travel ephemera from his all expense paid trip to Nigeria.

There are a few photographs of Todd at functions and with notable individuals as well as some family, friends and travel.

Elizabeth's B. Delaney papers are arranged in Series IV and date from 1874-1973.

The papers primarily document her involvement in four organizations, the Grand Oder of Odd Fellow of Kentucky, the Order Eastern Star Kentucky, the State Federation of Colored Women's Clubs of Kentucky and the National Association of Colored Women. There is a small amount of printed material belonging to her son primarily the Alpha Phi Alpha material and Gospel Choral Sheet Music, and books.

The Scrapbook was complied by Whitehead consisting of photocopied clipping documenting the life of Elizabeth B. Delaney.

Arrangement note:

This collection is arranged into four series:

Series 1: Henry P. Whitehead papers Series 2: Howard Theatre Series 3: Tomlinson D. Todd Series 4. Elizabeth B. Delaney

Biographical/Historical note:

Henry Preston Whitehead Jr., was a native of Columbus Ohio. A graduate of Ohio State University, where he also attended law school and was a member of the Omega Psi Phi fraternity. Mr. Whitehead discovered Washington's "Black Broadway" in 1940, when he was a soldier in town on a weekend furlough. As he served in the Army in the South Pacific during World War II. Prior to moving to Washington DC Henry P. Whitehead worked for five years as a liquor inspector. Mr. Whitehead moved to Washington D.C. in 1949 and worked for the Post Office before working for the District of Columbia government where he stayed 21 years. He led several equal employment initiatives during the 1960s and 1970s, and was last employed as associate director of the District's Office of Human Rights. In 1980 after putting in 37 years of government service Mr. Whitehead retired. Mr. Whitehead was an historian who led efforts to restore Washington's U Street cultural corridor and achieved recognition as an authority on and collector of black theatrical memorabilia. Mr. Whitehead worked to promote and preserve the city's rich African American cultural heritage.

Mr. Whitehead, served as the chairman and president for 10 years of the Howard Theater Foundation Inc., which he helped establish. There he led the effort to include Howard Theatre in the National Register of Historic Places.

Similarly he was an active member of the U Street Festival Foundation. He was an adviser to the Kennedy Center, Anacostia Museum, and other Smithsonian Institution units and contributed materials to their exhibitions. He was also a consultant to historical documentaries broadcast on public television and radio, including PBS's "Duke Ellington's Washington." His writings included "Remembering U Street," a book used for annual festivals in the historic area.

Mr. Whitehead was also the founder and board member of the Lincoln Theatre Foundation.

Henry P. Whitehead Jr. died on January 8th 2002 at the age of 84.

Provenance:

The collection was donated to the Anacostia Community Museum on September 1, 2005 by Michael A. Watkins.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.

Rights:

The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Topic:

Howard Theatre (Washington, D.C.)  Search this

African Americans  Search this

National Negro Congress (U.S.)  Search this

National Council of Negro Women  Search this

Radio broadcasting  Search this

African American neighborhoods  Search this

African American musicians  Search this

Genre/Form:

Pamphlets

Sound recordings

Clippings

Memorabilia -- 20th century

Newspapers

Photographs

Books

Brochures

Citation:

Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.

Identifier:

ACMA.06-042

See more items in:

Henry P. Whitehead collection

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa751389911-f3d5-474b-82b4-126047b9cc46

EDAN-URL:

ead_collection:sova-acma-06-042

Producer:

Asch, Michael  Search this

Performer:

La Farge, Peter, 1931-1965  Search this

Low Horn, Jack  Search this

Low Horn, Jim  Search this

Wings, Emil, Mrs.  Search this

Peaychew, William, 1900-1960  Search this

Anquoe, Jack V., 1933-2006  Search this

Anquoe, Kenneth, 1920-1989  Search this

Webster, Nick  Search this

Evarts, Mark  Search this

Burn Stick, William  Search this

Nicotine, George  Search this

Roanhorse, Ambrose, 1904-1982  Search this

Pichette, Baptiste, 1903-1986  Search this

Conko, Eneas  Search this

John, Burton, 1905-1996  Search this

James, Roy  Search this

Poolaw, Irene Chalepah, 1920-2000  Search this

Assu, Billy  Search this

Martin, Mungo, 1879-1962  Search this

McKenzie, Sebastian  Search this

Ahkivigak, Otis  Search this

Lewis, Thomas  Search this

Miller, Huron  Search this

Yellow Thunder, Albert, 1878-1951  Search this

Snake, Blow  Search this

White Eagle, Winslow, b. 1896  Search this

Kenosha, David, Oshawenimiki, 1893-1963  Search this

Lacasse, Fred  Search this

Shalifoe, Thomas, 1903-1986  Search this

Stewart, Billy, Gatcayehola  Search this

Stewart, Billie  Search this

Tiger, Susie, 1871-1970  Search this

Fort Wingate (N.M.) Indian School  Search this

Kemukserar  Search this

Pangatkar  Search this

Collection Creator:

Asch, Moses  Search this

Distler, Marian, 1919-1964  Search this

Folkways Records  Search this

Extent:

1 Phonograph record (analog, 33 1/3 rpm, 12 in.)

Culture:

Americans  Search this

Indians of North America  Search this

Canadians  Search this

Teton Indians  Search this

Dakota Indians  Search this

Assiniboine  Search this

Kainah Indians  Search this

Cree  Search this

Kiowa Indians  Search this

Arapaho Indians  Search this

Pawnee Indians  Search this

Navajo Indians  Search this

Apache Indians  Search this

Salish Indians  Search this

Hualapai (Walapai)  Search this

Tohono O'Odham Indians  Search this

Washo Indians  Search this

Taos Indians  Search this

San Ildefonso Pueblo (N.M.)  Search this

Hopi  Search this

Zuni  Search this

Kiowa Apache Indians  Search this

Nootka Indians  Search this

Denetha  Search this

Naskapi Indians  Search this

Inuit  Search this

Onondaga Indians  Search this

Tuscarora Indians  Search this

Winnebago Indians  Search this

Ottawa Indians  Search this

Ojibwa Indians  Search this

Seminole Indians  Search this

Type:

Archival materials

Phonograph records

Place:

New York

United States

New York (N.Y.)

Saskatchewan

Canada

Fort Qu'appelle (Sask.)

New Mexico

Fort Wingate (N.M.)

Montana

Québec (Province)

Schefferville (Qub̌ec)

Alaska

Barrow, Point (Alaska)

Chesterfield (Alaska)

Onondaga Indian Reservation (N.Y.)

Wisconsin

Michigan

Florida

Oklahoma

Nebraska

Alberta

Edmonton (Alb.)

Taos Pueblo (N.M.)

San Ildefonso (N.M.)

Arizona

Hopi (Ariz.)

Zuni (N.M.)

Cape Mudge (B.C.)

British Columbia

Fort Rupert (B.C.)

Ontario

Six Nations Indian Reserve No. 40 (Ont.)

Cross Village (Mich.)

Lac du Flambeau (Wis.)

Baraga (Mich.)

Cow Creek (Fla.)

Date:

1973

Contents:

Sun dance (1:32) -- Love song (0:57) -- Crazy Dog song (1:41) -- Buffalo dance song (1:03) -- Man's love song (0:54) -- Hand game song (1:42) -- Prisoner's song (2:20) -- World War II song (1:36) -- Warrior death song for Sitting Bull (2:00) -- Canvas dance song (1:40) -- Funeral song (1:37) -- Suguaro song (1:58) -- Peyote song : first song cycle (1:26) -- Moonlight song (2:09) -- Eagle dance (2:59) -- Butterfly dance (1:41) -- Lullaby (0:58) -- Rain dance (1:47) -- Night chant (1:43) -- Song of happiness (1:09) -- Silversmith's song (1:09) -- Corn grinding song (0:59) -- Children's songs (1:47) -- Church song (1:03) -- Devil dance, crown dance (2:57). Wolf song (2:05) -- Potlatch song (1:38) -- Hamatsa song (1:12) -- War song for marriage (1:50) -- Rabbit dance song (2:03) -- Cree dance song (2:24) -- Fiddle dance song (1:00) -- Bear hunting song (1:44) -- Inviting-in dance song (0:47) -- His first hunt (2:06) -- Hunting for musk ox (3:33) -- Corn dance (2:08) -- Stomp dance (1:57) -- Song of welcome (1:19) -- Buffalo feast song (1:06) -- Morning song (1:12) -- Song of the unfaithful woman (0:59) -- Hoot owl song (1:09) -- Oh Mary (1:01) -- Catholic hymn (0:42) -- Calusa corn dance song (1:32) -- Song of removal (1:41) -- Fortynine dance (2:00) -- Unidentified track (1:03) -- As long as the grass shall grow (6:03).

Track Information:

101 Sun Dance / Drum,Whistle.

102 Love Song.

103 Crazy Dog Song / Jack Low Horn, Jim Low Horn, Emil, Mrs. Wings. Drum,Rattle (Musical instrument).

106 Hand Game Song / William Peaychew. Sticks (Musical instrument).

104 Buffalo Dance Song / Jack V. Anquoe, Kenneth Anquoe, Nick Webster. Drum.

105 Man's Love Song / Mark Evarts.

107 Prisoner's Song / William Burn Stick. Drum.

108 World War II Song / George Nicotine. Drum. English language.

109 Warrior Death Song for Sitting Bull / Bass drum,Bells.

207 Song of Happiness / Fort Wingate (N.M.) Indian School. Drum,Harmonica. Navajo language.

208 Silversmith's Song / Ambrose Roanhorse. Anvils. Navajo language.

209 Corn Grinding Song / Basket drum. Navajo language.

110 Canvas Dance Song / Baptiste Pichette, Eneas Conko. Drum.

111 Funeral Song.

112 Suguaro Song.

113 Peyote Song: First Song Cycle / Burton John, Roy James. Drum,Rattle (Musical instrument).

201 Moonlight Song.

202 Eagle Dance / Drum.

203 Butterfly Dance / Drum.

204 Lullaby.

205 Rain Dance.

206 Night Chant / Rattle (Musical instrument). Navajo language.

210 Children's Song: Wolf Song / Irene Chalepah Poolaw. Kiowa Apache.

210 Children's Song: Turtle Song / Irene Chalepah Poolaw. Kiowa Apache.

210 Children's Song: Turkey Song / Irene Chalepah Poolaw. Kiowa Apache.

210 Children's Song: Puppy Song / Irene Chalepah Poolaw. Kiowa Apache.

211 Church Song / Kiowa Apache.

212 Devil Dance, Crown Dance.

301 Wolf Song / Billy Assu.

302 Potlatch Song / Billy Assu.

303 Hamatsa Song / Billy Assu.

303 Hamatsa Song, Cedar Bark Dance / Mungo Martin.

304 War Song for Marriage / Billy Assu.

305 Rabbit Dance Song.

306 Cree Dance Song.

307 Fiddle Dance Song / Fiddle.

308 Bear Hunting Song / Sebastian McKenzie.

309 Inviting in Dance Song / Otis Ahkivigak.

310 His First Hunt / Kemukserar, Pangatkar.

311 Hunting for Musk Ox / Kemukserar, Pangatkar. Drum.

401 Corn Dance / Thomas Lewis.

402 Stomp Dance / Huron Miller.

403 Song of Welcome / Albert Yellow Thunder, Blow Snake, Winslow White Eagle.

404 Buffalo Feast Song / Albert Yellow Thunder, Blow Snake, Winslow White Eagle.

405 Morning Song / Albert Yellow Thunder, Blow Snake, Winslow White Eagle. Rattle (Musical instrument).

406 Song of the Unfaithful Woman / Albert Yellow Thunder, Blow Snake, Winslow White Eagle. Flute.

407 Hoot Owl Song / David, Oshawenimiki Kenosha.

408 Oh Mary / Fred Lacasse.

409 Catholic Hymn / Thomas Shalifoe.

410 Calusa Corn Dance Song / Billy, Gatcayehola Stewart.

411 Song of Removal / Billie Stewart, Susie Tiger.

412 Fortynine Dance / Fred Lacasse. English language.

413 The Seneca: As Long As the Grass Shall Grow / Peter La Farge.

Local Numbers:

FW-COMM-LP-04541

Folkways.4541

Publication, Distribution, Etc. (Imprint):

New York Folkways 1973

Date/Time and Place of an Event Note:

Recorded in: Florida, Michigan, Wisconsin, Onondaga Indian Reservation (N.Y.), Chesterfield (Alaska), Barrow, Point (Alaska), Alaska, Schefferville (Québec), Québec (Province), Montana, Fort Wingate (N.M.), New Mexico, Fort Qu'appelle (Sask.), Canada, Saskatchewan, New York (N.Y.), United States, New York.

General:

Commercial

Songs and dance music from many tribes including Sioux, Cree, Hopi, Zuni, Navajo, Apache, Kwakiutl-Nootka, Slavey, Iroquoian, Winnebago, Ojibwa, Seminole, and others. Compiled and edited by Michael I. Asch. Originally compiled principally from material previously released on several Folkways and Asch recordings. Program notes in English by Michael I. Asch and others, and Native American vocal texts with English translations and English vocal texts (10 p.)

Restrictions:

Restrictions on access. No duplication allowed listening and viewing for research purposes only.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

American Indian  Search this

Jigs  Search this

Drum  Search this

Whistle  Search this

Rattle (Musical instrument)  Search this

Sticks (Musical instrument)  Search this

Bass drum  Search this

Bells  Search this

Harmonica  Search this

Anvils  Search this

Basket drum  Search this

Violin  Search this

Flute  Search this

Religion  Search this

Native American Church of North America  Search this

Children  Search this

puberty  Search this

Enslaved persons  Search this

Collection Citation:

Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.ASCH, Item FW-COMM-LP-04541

See more items in:

Moses and Frances Asch Collection

Moses and Frances Asch Collection / Series 9: Audio Recordings / LP

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5f3ff2b57-5a6a-4a21-8ca1-3b570b93e60b

EDAN-URL:

ead_component:sova-cfch-asch-ref16044

Recorder:

Malm, William P.  Search this

Producer:

Malm, William P.  Search this

Performer:

bin Dollah, Mustafa  Search this

Senik, Ahmad bin  Search this

bin Sallah, Daud  Search this

Harum, Osman bin  Search this

Awang, Fatimah bin  Search this

Bakar, Halimah binti Abu  Search this

Umat, Mainunah binti  Search this

Ma'Hassan, Minah binti  Search this

Awang, Emas binti  Search this

Supang, Dollah  Search this

Awang, Yusoh bin  Search this

Gajah, Anak  Search this

Samad, Halima binti  Search this

Awang bin Ahmad  Search this

Abdullah bin Awang  Search this

Collection Creator:

Asch, Moses  Search this

Distler, Marian, 1919-1964  Search this

Folkways Records  Search this

Extent:

1 Phonograph record (analog, 33 1/3 rpm, 12 in.)

Culture:

Malaysians  Search this

Malay  Search this

Type:

Archival materials

Phonograph records

Place:

Jalawat (Malaysia)

Kok Pasir (Malaysia)

Malaysia

Date:

1968

Contents:

Sedayong tongget and Barat anjor --To'wak and Barat patak --Mengadap rebab --Kijang emas --Sedayong ma'yong --Champak bunga --To'wak --Yur, clown song -- Yur, instrumental version of a vocal piece --Tari ragam -- Sedayong pa'yong.

Track Information:

101 Sedayong Tongget and Barat Anjor, Insturmental Overture / Awang bin Ahmad, Ahmad bin Senik, Daud bin Sallah. Gendang (Drum),Rab-ab,Gong.

102 To'wak and Barat Patak, Instrumental Overture / Awang bin Ahmad, Abdullah bin Awang, Osman bin Harum. Gendang (Drum),Rab-ab,Gong.

103 Mengadap Rebab, Introductory Dance Music / Awang bin Ahmad, Fatimah bin Awang, Halimah binti Abu Bakar. Gendang (Drum),Rab-ab,Gong,Vocals.

104 Kijang Emas, A Journey Song / Awang bin Ahmad, Mainunah binti Umat, Minah binti Ma'Hassan. Gendang (Drum),Rab-ab,Gong,Vocals.

105 Sedayon Ma'yong. Circle Dance / Awang bin Ahmad, Ahmad bin Senik, Emas binti Awang. Gendang (Drum),Rab-ab,Gong,Vocals.

201 Campak Bunga. Lyrical Song / Awang bin Ahmad, Daud bin Sallah, Minah binti Ma'Hassan. Gendang (Drum),Rab-ab,Gong,Vocals.

202 To'wak, sung by male vocalist / Awang bin Ahmad. Gendang (Drum),Rab-ab,Gong.

203 Yur. Clown song / Awang bin Ahmad, Dollah Supang, Yusoh bin Awang. Gendang (Drum),Rab-ab,Gong.

204 Yur. Instrumental version of a vocal piece / Awang bin Ahmad, Ahmad bin Senik, Daud bin Sallah. Gendang (Drum),Rab-ab,Gong.

205 Tari Ragam. A dance piece / Awang bin Ahmad, Osman bin Harum, Yusoh bin Awang. Gendang (Drum),Rab-ab,Gong.

206 Seayong Pa'yong. A shaman version of Ma'yong music / Anak Gajah, Halima binti Samad, Mustafa bin Dollah. Gendang (Drum),Rab-ab,Gong,Vocals.

Local Numbers:

FW-ASCH-LP-0007

Anthology.4006

Publication, Distribution, Etc. (Imprint):

Anthology 1968

Date/Time and Place of an Event Note:

Recorded in: Kok Pasir (Malaysia), Jalawat (Malaysia), Malaysia.

General:

Performed by Malaysian musicians. Recorded in 1968 in Kok Pasir and Jalawat. Notes ([9] p. illus.) bound in album.

Restrictions:

Restrictions on access. No duplication allowed listening and viewing for research purposes only.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Dance  Search this

Theater  Search this

Instrumental music  Search this

Ritual music  Search this

Songs  Search this

Opening  Search this

Epic poetry  Search this

Mengulik  Search this

Wit and humor  Search this

Traditional songs  Search this

Religious  Search this

Gendang (Drum)  Search this

Rabab.  Search this

Gong  Search this

Vocals  Search this

World music -- Malaysia  Search this

Collection Citation:

Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.ASCH, Item FW-ASCH-LP-0007

See more items in:

Moses and Frances Asch Collection

Moses and Frances Asch Collection / Series 9: Audio Recordings / LP

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5320f7fca-a769-4bf0-a92d-5385160bd794

EDAN-URL:

ead_component:sova-cfch-asch-ref16062

Performer:

Kennedy, Douglas  Search this

Collection Creator:

Asch, Moses  Search this

Distler, Marian, 1919-1964  Search this

Folkways Records  Search this

Extent:

1 Phonograph record (analog, 33 1/3 rpm, 12 in.)

Type:

Archival materials

Phonograph records

Scope and Contents:

Folk dance music or songs from France, Spain, Italy, Germany, Switzerland, Netherlands, Norway, Sweden, Finland, England, Scotland, Ireland, United States, Turkey, Yugoslaveia, Japan, and Indonesia; commentary in English. "Selection of songs and dances made under the auspices of the International Council (UNESCO) in co-operation with the International Folk Music Council.

Local Numbers:

FW-ASCH-LP-0424

Westminster.5334

Publication, Distribution, Etc. (Imprint):

Westminster

Restrictions:

Restrictions on access. No duplication allowed listening and viewing for research purposes only.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

World music anthologies  Search this

Collection Citation:

Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.ASCH, Item FW-ASCH-LP-0424

See more items in:

Moses and Frances Asch Collection

Moses and Frances Asch Collection / Series 9: Audio Recordings / LP

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5ed9d6d1a-c137-476a-a30e-bfe2f367564e

EDAN-URL:

ead_component:sova-cfch-asch-ref16257

Recorder:

Bhattachanrya, Deben  Search this

Performer:

Bhattachanrya, Deben  Search this

Collection Creator:

Asch, Moses  Search this

Distler, Marian, 1919-1964  Search this

Folkways Records  Search this

Extent:

1 Phonograph record (analog, 33 1/3 rpm, 12 in.)

Culture:

Israelis  Search this

Jews  Search this

Type:

Archival materials

Phonograph records

Place:

Israel

Date:

196x

Contents:

Bukhara. Four doira-bukhari rhythms ; Miskin mode on kamancha and doira ; Chamona and ufari on chang and doira ; Doira and tambur improvisation ; Tulkum (love song) ; Popular dance music ; Herati melody on tambur -- Kashgarchi (Bukhari). Kashgarchi tuichi (chorus) -- Uzbek. Uzbek melody on flute and doira ; Uzbek love song ; Agricultural chorus -- Cochin. Shomer Yisrael ; Hope of Jerusalem.

Local Numbers:

FW-ASCH-LP-0446

Westminster.12026

Publication, Distribution, Etc. (Imprint):

Westminster 196x

General:

Recorded in the field and edited by Deben Bhattacharya. Performer(s): Various native performers.

Restrictions:

Restrictions on access. No duplication allowed listening and viewing for research purposes only.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Jewish  Search this

Judaism  Search this

Religion  Search this

Collection Citation:

Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.ASCH, Item FW-ASCH-LP-0446

See more items in:

Moses and Frances Asch Collection

Moses and Frances Asch Collection / Series 9: Audio Recordings / LP

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5ec4461dc-32e2-46d2-9bd6-623a918d841f

EDAN-URL:

ead_component:sova-cfch-asch-ref16273