Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Grant Program. Digitization of the scrapbooks was supported by a grant from the Smithsonian Institution Women's Committee. Correspondence, financial and shipping records, inventory records, and printed material were digitized with funding provided by the Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, the Terra Foundation for American Art and The Walton Family Foundation.
Collection is open for research but a portion of the collection remains unprocessed and is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Gloves must be worn when handling unprotected photographs, negatives, and slides.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
George H. Clark Radioana Collection, Archives Center, National Museum of American History, Smithsonian Institution
Correspondence regarding the St. Louis Exposition, the World's Columbian Exposition, the South Carolina Interstate and West Indian Exposition, statuary in New York City and the Library of Congress, the Washington statue in Newburyport, Mass. Letters from Robert Cushing in Italy pertain to the supervision of the execution of Ward's marble statuary group in Carrara. Correspondents include Herbert Adams, Thomas Gold Appleton, Karl Bitter, Gutzon Borglum, Daniel Chester French, Robert Underwood Johnson, Thomas Addison Richards, Edward Clark Potter, Alexander E. Orr, R. S. Chilton, Paul Dana, F. Wellington Ruckstuhll, Charles N. Thomas, C. A. Herber and Ward's wife.
Biographical / Historical:
Sculptor; New York, N.Y.
Provenance:
Lent 1973 by New York Historical Society.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Berlin and its treasures. Being a series of views of the principal buildings, churches, monuments, etc. With a selection of subjects from the royal picture gallery, and other collections of paintings ; together with interior views of the new museum, and copies of the modern pictures which adorn its walls. Accompanied by an historical descriptive account of the Prussian capital
