Dizon-Fitzsimmons, Edith Albaladejo, 1922- Search this
Extent:
0.24 Cubic feet (1 flat box)
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1965-1967
Summary:
Edith Albaladejo Dizon Fitzsimmons (1922--2014) was a music teacher, writer, and pilot in the Philippines and later Australia. This collection consists of a scrapbook created by Edith Albaladejo Dizon Fitzsimmons that documents both her life and career, but also civil aviation in the Philippines more generally.
Scope and Contents:
This collection consists of a scrapbook created by Edith Albaladejo Dizon Fitzsimmons that documents both her life and career, but also civil aviation in the Philippines more generally. The spiral bound scrapbook, which covers the approximate time period of 1965--1967 and is extensively captioned by Dizon, includes a map of airports and airfields in the Philippines; lists of commercial and government owned aircraft; a brief history of the Philippine Airmen's Organization; information on the Philippine Air Transport Service (PATS) and the Philippines Civil Aeronautics Administration; and articles written by Dizon on aviation topics including difficulties facing female pilots, different women's motivations for flying, and air traffic control. There are many photographs of Dizon, including several of her in or posed with aircraft, and of additional interest is information and photographs of other female pilots in the Philippines including Virginia Flores Rivera; Benita Yu; Lolita Butac; Felicia Natividad; Susan Ruiz; Rosario Spirig; Herminigilda Argones; as well as a British pilot operating from Sabah, Borneo, Mary Skitch. The scrapbook also contains news clippings and correspondence. A portion of the scrapbook documents the record-setting round-the-world (Manila-to-Manila) flight by Robert and Joan Wallick flying in their Beech Baron C55 Philippine Baron in June 1966.
Arrangement:
Collection is in original order.
Biographical / Historical:
Edith Albaladejo Dizon Fitzsimmons (1922--2014) was a music teacher, writer, and pilot in the Philippines and later Australia. Dizon began flying in 1959, receiving instruction at the Philippine Air Transport Service (PATS) in Manila. Dizon received private pilot license no. 1202. In addition to being an active pilot, Dizon was also an organist for several churches as well as a music teacher, served for a time as a public relations officer for the Philippines Civil Aeronautics Administration, and was a free-lance writer who published numerous articles about her experiences as a pilot and the difficulties facing women pilots in general, as well as general aviation-related articles. These endeavors helped Dizon support her six children after the death of her first husband, D. Paulo Dizon. In 1967, Edith Dizon joined the Ninety-Nines and the Philippine Airmen's Organization (of which she was a member) provided funding for her to be able to attend the Ninety-Nines convention in the United States that year. Also in 1967, Dizon was the only female pilot on a goodwill flight to Sabah, Borneo that was sponsored by the Philippine Airmen's Organization. Dizon also held a record in the Philippines for high altitude flight in a light aircraft, having reached 13,120 feet without the use of oxygen. In 1970, Dizon emigrated with her children to Australia where she worked as the public relations officer for the Mission of St James and St John in Melbourne before marrying her second husband Ray Fitzsimmons and moving to Shepparton, Victoria in 1973. Together they were responsible for the creation of Philippines House at the International Village there. In the 1990s, Dizon traveled to the United States to complete a master's degree in music therapy and enrolled in a doctoral program in women's studies at La Trobe University upon her return to Australia in 1995. Dizon also continued to teach music, perform as an organist, and lecture. Dizon celebrated her 70th, 80th, and 85th birthdays with parachute jumps. In 1998, Dizon published a book of essays on her philosophy of life entitled, The Sky's the Limit. Dizon founded the Goulburn Valley Organ Club, the Filipino-Australian Friends Association, and the Goulburn Valley Multicultural Youth Singing Bell Choir, and was the recipient of numerous honors and awards including the Pamana Ng Pilipino Presidential Award for Filipino Individuals Overseas (2000), the Centenary Medal to commemorate the Federation of Australia (2001), and the Victoria Senior Australian of the Year award (2002). Dizon was also selected to be portrayed on postage stamps as part of the Australia Post's "Face of Australia" series in 2000 and was the subject of a documentary produced in 2002 by Central Philippine University.
Provenance:
Edith A. Dizon, Gift, Date Unknown, NASM.XXXX.0281
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection is open for research but the original and master audiovisual materials are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.
Paul Ellington, executor, is represented by:
Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Collection contains various albums, graphics and photographs, primarily of Japan, but also including China and the Middle East. Three photograph albums of Tianjin created by a Japanese military officer named Etsuzan in the late 1930s. Includes photographs of the city and of army life, foreign concessions, and the Tianjin flood of 1939. Also includes trips to Beijing, Chengde, Yungang, Shanghai, etc., a handful of postcards, including a signed photo of the famous geisha Hatsuko. Two photography albums mostly of travels in the US from the 1920s by a reprsentative of the Hara Silk Company. Eighty three Showa period postcards and 101 trade cards, primarily of popular Japanese stage and screen actors, actresses, and musicians, both prewar and postwar, up through the 1960s. Also includes 3 Meiji period painted postcards and two stereographs of Japanese soldiers during the Russo-Japan War. A 2015 addition includes 181 stereocards of the Holy Land, from the late 19th and early 20th centuries, as well as postcards from the Middle East. Also includes a set of painted lantern slides depicting views of Palestine.
Arrangement:
Organized by box.
Biographical / Historical:
Ms. Soul is a retired independent filmmaker who has travelled internationally, collecting materials that she finds visually compelling for her films, often at flea markets or antique shops.
Local Numbers:
FSA A2013.02
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Photographs
Photograph albums
Postcards
Citation:
Veronika Soul Collection, FSA A2013.02. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.
A collection of 181 photographic stereographs from the late 19th and early 20th centuries. Locations include Jerusalem, Bethlehem, Damascus, and a number of villages and rural scenes, mostly with bliblical signficance. Publishers include Underwood & Underwood, and Keystone View Company.
Arrangement:
Organized in a box.
Biographical / Historical:
Ms. Soul is an independent filmmaker who has travelled internationally, collecting materials that she finds visually compelling for her films, often at flea markets or antique shops.
Local Numbers:
FSA A2013.02 08
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Photographs
Stereoscopic photographs
Collection Citation:
Veronika Soul Collection, FSA A2013.02. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.
Photographs made by Robert E. Kuntz documenting people and the natural and built environments that he encountered during his world travels. Locations depicted include Asia (Taiwan, India, Korea, Thailand, Hong Kong, Vietnam, and Japan), the Middle East (Pakistan, Turkey, Lebanon, Syria, Egypt, and Yemen), Africa (Sudan, Libya, Kenya, and Nigeria), and Oceania (Borneo and the Philippines). Images of Taiwan include street scenes of Taipei, festivals and ceremonies (including celebrations of 10-10 Day, Buddha's birthday, and Lantern Festival), temples, villages and agriculture, boats and harbors, artwork and shrines, carving, construction, markets, bridges, and a cemetery. The collection also includes images of the Acropolis of Athens, the Taj Mahal and other structures in India, historical structures and the harbor in Istanbul, markets and vendors in west Pakistan, and Wat Benchamabophit and Wat Arun in Thailand, ancient structures in Baʻlabakk (Lebanon), St. Catherine's Monastery (Sinai) and a parade and ceremonies in Egypt.
Biographical/Historical note:
Dr. Robert E. Kuntz (1916-2003) was a parasitologist for the U.S. Navy and the Southwest Research Foundation. After earning his MS in zoology from Oklahoma University and Ph.D. in parasitology from the University of Michigan, he joined the United States Navy in 1943. He was a parasitologist and medical entomologist with the Naval Medical Research Institute and then Chairman of the department of parasitology at the Southwest Foundation for Research and Education, a position that brought him into contact with groups in the Middle East, Africa, and Asia. In 1964, Kuntz retired from the Navy as a captain. He wrote hundreds of publications and his photographs have been reproduced in textbooks, National Geographic Magazine, and other publications.
Local Call Number(s):
NAA Photo Lot 2003-25
Reproduction Note:
Modern prints made from original negatives by Smithsonian Institution, 1987.
Location of Other Archival Materials:
Kuntz's field notes are held in the Smithsonian Institutuion Archives in the Field Book Project, SIA Acc. 12-254.
Taiwanese fish skins collected by Kuntz held in the anthropology collections of the NAtional Museum of Natural History, accession 231999.
Photo Lot 2003-25, Robert E. Kuntz photographs of Asia, Africa, Oceania, and the Middle East, National Anthropological Archives, Smithsonian Institution
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Purchase vouchers, notes and price relating to purchases made by Charles Freer while in Egypt, Syria, Palestine, Lebanon, Turkey and Paris between May and August, 1908. Purchases were primarily Syrian and Persian pottery and tiles, but also included ancient Egyptian artifacts, manuscripts, and a mortuary bust from Palmyra. Dealers included Maurice Nahman, Cairo; Marcopoli & Co., Aleppo; Murad Barody, Beirut; N. Ohan, Jerusalem; Tabbagh Freres & Co., Paris, and Dikran Kelekian, Paris. Documents also include travel itinerary notes and a reciept for a donation for relief of the poor of Aleppo.
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of 84 reels of motion picture film in the collection was provided by The Regina A. Quick Center for the Arts at St. Bonaventure University through a generous grant from the Ruth Dayton Foundation. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Kathryn D. Sullivan Papers, NASM.2019.0007, National Air and Space Museum, Smithsonian Institution.
"VASE EN CUIVRE, au nom d'un sultan d'Alep et de Damas - Syrie, XIIIe siècle" [COPPER VASE, in the name of a Sultan of Aleppo and Damascus - Syria, 13th century], Paris, France
Use of original records requires an appointment. Contact Archives staff for more details.
Item Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
1937 Istres, France to Damascus, Syria to Paris, France, Air Race
Collection Creator:
National Air and Space Museum. Archives Division. Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.