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Oral history interview with William Douglas Carlson

Interviewee:
Carlson, William, 1950-  Search this
Creator:
Riedel, Mija, 1958-  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University -- Students  Search this
Art Students League (New York, N.Y.) -- Students  Search this
Cleveland Institute of Art -- Students  Search this
Lowe Art Museum  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
University of Illinois at Urbana-Champaign -- Faculty  Search this
University of Miami -- Faculty  Search this
Billeci, Andre  Search this
Carpenter, James, 1949-  Search this
Chihuly, Dale, 1941-  Search this
Dailey, Dan, 1947-  Search this
Daley, William, 1925-  Search this
Fereighi, Christine  Search this
Heizer, Michael, 1944-  Search this
Heller, Doug, 1946-  Search this
Hilton, Eric  Search this
Marquis, Richard, 1945-  Search this
Marx, Bonnie  Search this
Matta-Clark, Gordon, 1943-1978  Search this
Serra, Richard, 1938-  Search this
Smith, Terry, 1960 June 15-  Search this
Stella, Frank  Search this
Young, Brent  Search this
Extent:
7 Items (Sound recording: 7 sound files (4 hr., 6 min.), digital, wav)
89 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2009 June 24-25
Scope and Contents:
An interview of William Douglas Carlson conducted 2009 June 24-25, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Carlson's home, in Miami, Florida.
Carlson discusses his move to the University of Miami in 2003 after 27 years at the University of Illinois in Urbana-Champaign; his recent site-specific installation Procellous Wall at the Lowe Art Museum in Coral Gables, Florida; the change in his work since his move to Miami, finishing a series of pieces that began in 2000 dealing with language, and his sense of being in a transitional period with his work; growing up in a small town in Ohio, and his early use of adhesives, the field his father worked in, as the spur for his later work in laminating glass; classes at the Art Students League in New York City and Woodstock, New York; attending the Cleveland Institute of Art; spending the summer of 1971 in Stanwood, Washington, helping set up the Pilchuck Glass School, then returning to set up a glass program at the Cleveland Institute of Art with Christine Federighi; the lure of glass, and the danger that its beauty can overshadow artistic substance, which led in part to his decision to mix it with other materials; the influence of minimalism and of Russian constructivism, architecture and modern design; graduate studies at Alfred University, Alfred, New York; accepting a teaching job at the University of Illinois in 1976; work with lamination and expanding scale in his work; use of Vitrolite; large-scale installation work, beginning in the early 1980s, including Optional Refractions and Allele; reflection on the deliberate, design-focused nature of his work; his language series beginning in 2000; the series Pragnanz; philosophy of teaching; the value of intensive learning environments such as craft schools compared with the cross pollination of ideas available at a larger university; the imperative for craft to integrate new materials, technology, and ideas while retaining the importance of the hand; the role of galleries and collectors, and involvement in larger art and craft venues, including the May Show and SOFA; his stint as a judge in a barbecued rib cook-off; the effect of seminal exhibitions such as like "Objects: USA," [1969] and "Poetry of the Physical" (1986) in setting a standard of professionalism for and providing visibility to makers; impact of his international travel; a turn away from pure design and towards a more poetic ambiance in the language series; the use of projected light and his use of cast prismatic shadows in his installation The Nature of Things in Jacksonville, Florida; the issue of scale in his work; artists whose work he admires, including Frank Stella, Richard Serra, Michael Heizer, Tony Smith, Gordon Matta-Clark, William Daley; studio glass as an international movement; involvement with various craft organizations, and wrestling with the definition of a craft artist; preparations to move to Massachusetts and spend some contemplative time thinking about and working on new directions. He recalls Brent Young, Dale Chihuly, Jamie Carpenter, Christine Federighi, Richard Marquis, Eric Hilton, Andre Billeci, Dan Dailey, Doug Heller and Bonnie Marx.
Biographical / Historical:
William Douglas Carlson (1950- ) is a glass artist and educator in Miami, Florida. Carlson was educated at Alfred University.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 6 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Constructivism (Art) -- Russia  Search this
Glass art -- Technique  Search this
Glass art -- Study and teaching  Search this
Glass artists -- Florida -- Interviews  Search this
Minimal art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.carlso09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-carlso09

Oral history interview with Preston Singletary

Interviewee:
Singletary, Preston, 1963-  Search this
Interviewer:
Savig, Mary, 1982-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
National Museum of the American Indian (U.S.).. George Gustav Heye Center  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Chihuly, Dale, 1941-  Search this
Cribbs, Keke  Search this
Dailey, Dan, 1947-  Search this
David, Joe, 1946-  Search this
Feddersen, Joe, 1958-  Search this
Garcia, Tammy  Search this
Gardiner, Lewis, 1972-  Search this
Hauberg, John H. (John Henry), 1916-  Search this
Jojola, Tony  Search this
Jungen, Brian  Search this
Libenský, Stanislav, 1921-2002  Search this
Luna, James  Search this
Marioni, Dante, 1964-  Search this
Marioni, Paul  Search this
Martinuzzi, Napoleone, 1892-1977  Search this
Moore, Benjamin P.  Search this
Royal, Richard  Search this
Svenson, David, 1953-  Search this
Tagliapietra, Lino  Search this
Extent:
8 Items (Sound recording: 8 sound files (3 hr., 48 min.), digital, wav)
55 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2011 March 23-24
Scope and Contents:
An interview of Preston Singletary conducted 2011 March 23-24, by Mary Savig, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Singletary's studio, in Seattle, Washington.
Singletary speaks of his family background, especially his Tlingit heritage and his grandmother; his early interest in music; his job at the Glass Eye Studio in Seattle; his formative years as a glass blower in Seattle and at Pilchuck Glass School; his early styles and processes in the modern Venetian tradition; his interest in Tlingit motifs; early mentors including David Svenson, Joe David, and Tony Jojola; collaboration in the studio with other glass artists and other native artists who work with various media; his interest in the modernist primitivist art movement; the character of significant exhibitions and commissions; his collaborative project with David Svenson and native Alaskans on the Pilchuck Founders' Totem; how he met his wife in Sweden; descriptions of his processes and techniques, including lighting techniques; his retrospective at the Museum of Glass in Tacoma and the Smithsonian's Gustave Heye Center in New York; current and future directions of his work; the character of his studio, including the contributions of his assistants; collaborations with other native artists including Tammy Garcia, Joe Feddersen, and Maori jade carver Lewis Gardiner; his interest in Jungian psychology and shamanism; his relationship with critics, collectors, and dealers; and his involvement with native communities. Singletary also recalls Dante Marioni, Paul Marioni, Benjamin Moore, Lino Tagliapietra, Dale Chihuly, Dan Dailey, Stanislav Libensky, Napoleone Martinuzzi, David Svenson, Keke Cribbs, Joe David, Tony Jojola, John Hauberg, Richard Royal, Tammy Garcia, Joe Feddersen, Brian Jungen, and James Luna.
Biographical / Historical:
Preston Singletary (1963- ) is a glass artist in Seattle, Washington.
General:
Originally recorded on 3 memory cards as 8 digital sound files. Duration is 3 hr., 48 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Glass art -- Technique  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Glass blowing and working  Search this
Modernism (Art)  Search this
Primitivism in art  Search this
Tlingit art  Search this
Tlingit Indians  Search this
Tlingit sculpture  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.single11
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-single11

Oral history interview with Howard Ben Tré

Interviewee:
Ben Tré, Howard, 1949-2020  Search this
Interviewer:
Shea, Josephine, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Appalachian Center for Craft  Search this
Brooklyn College -- Students  Search this
Brooklyn Technical High School (Brooklyn, New York, N.Y.)  Search this
Cristallerie Daum  Search this
Hadler/Rodriguez Gallery  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Missouri Valley College -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck School  Search this
Portland State University -- Students  Search this
Rhode Island School of Design -- Students  Search this
Venceremos Brigade  Search this
Aycock, Alice  Search this
Brychtová, Jaroslava, 1924-  Search this
Chihuly, Dale, 1941-  Search this
Dailey, Dan, 1947-  Search this
Hampson, Ferdinand  Search this
LaMonte, Karen, 1967-  Search this
Labino, Dominick  Search this
Libenský, Stanislav, 1921-2002  Search this
Littleton, Harvey K.  Search this
Onorato, Ronald J.  Search this
Parker, Anthony  Search this
Polander, Steve  Search this
Scanga, Italo, 1932-2001  Search this
Extent:
63 Pages (Transcript)
3 Sound discs (Sound recording (4 hr., 3 min.), digital, 2 5/8 in.)
Type:
Collection descriptions
Archival materials
Pages
Sound discs
Interviews
Sound recordings
Place:
Cuba -- Description and Travel
Europe -- description and travel
Date:
2007 July 7
Scope and Contents:
An interview of Howard Ben Tré conducted 2007 July 7, by Josephine Shea, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's studio, in Pawtucket, Rhode Island.
Ben Tré speaks of his childhood in Rockaway Park, New York; his Polish immigrant father who was a woodworker and artist; inheriting a particular aesthetic and sense of hard work from his father; attending Brooklyn Technical High School to play football but not graduating; moving to Marshall, Missouri to attend Missouri Valley College for one year; attending Brooklyn College; becoming involved in Students for a Democratic Society, the antiwar movement and civil rights movement of the 1960s; traveling to Cuba as part of the first Venceremos Brigade to cut sugarcane in 1969; meeting his first wife, Gay, in Cuba and returning to New York with her; organizing a food co-op and community events in Brooklyn; moving to Portland, Oregon; working in construction for the city before going back to school to study veterinarian medicine at Portland State University; discovering the glass studio in a garage at Portland State; meeting Dale Chihuly and working at Pilchuck Glass School; utilizing the foundry skills learned from Brooklyn Technical High to work with glass in casting and cope and drag methods; his series Burial Boxes and the influence of ancient architecture and ceremonial Chinese bronzes; the rise of the studio glass movement as symptomatic of socio-political-economic times, not just the pioneering efforts of Harvey Littleton and Dominic Labino; traveling throughout Europe with Gay; visiting Stanislav Libenský and Jaraslava Brychtová in Czechoslovakia; visiting Dan Dailey at Cristallerie Daum in France; attending Rhode Island School of Design [RISD]; his first show at Hadler/Rodriguez Gallery in 1980; teaching experiences at Haystack Mountain School of Craft and Appalachian Center for Craft; building and installing an oven at Blenko Glass in Milton, West Virginia and at Super Glass in Brooklyn; working with Mold Melted Glass Studio in Pelechov, Czech Republic; the history of glass and early glass-working techniques; his many commissions, including sited public projects such as Post Office Square in Boston; the adoption of his name, Ben Tré; return visits to Cuba; working with RISD to create a winter study session in Havana; and his view of artists as artists, not defined by medium. Ben Tré also recalls Anthony Parker, Italo Scanga, Ron Onorato, Alice Aycock, Ferdinand Hampson, Steven Polander, Karen LaMonte, among others.
Biographical / Historical:
Howard Ben Tré (1949- 2020) was a glass artist from Pawtucket, Rhode Island. Josephine Shea is a curator from Grosse Pointe Park, Michigan.
General:
Originally recorded 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 4 hr., 3 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Glass artists  Search this
Topic:
Art commissions  Search this
Civil rights -- United States  Search this
Decorative arts  Search this
Glass art -- Technique  Search this
Peace movements  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bentre07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bentre07

Dan Dailey: artist file, [photographs]

Sculptor:
Dailey, Dan 1947-  Search this
Subject:
Dailey, Dan  Search this
Physical description:
1 folder
Type:
Photograph
Artist files
Topic:
Portrait male--Full length  Search this
Art, American  Search this
Occupation--Art--Sculptor  Search this
Portrait male--Occupation--Artist  Search this
Image number:
VFM VF000748
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_138062

Oral history interview with Fritz Dreisbach

Interviewee:
Dreisbach, Fritz  Search this
Interviewer:
Frantz, Susanne  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University  Search this
Glass Art Society  Search this
Hiram College -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Pilchuck Glass Center (Stanwood, Wash.) -- Faculty  Search this
Toledo Museum of Art  Search this
University of Iowa -- Students  Search this
University of Wisconsin--Madison -- Students  Search this
Bailey, Clayton, 1939-  Search this
Bernstein, William, 1945-  Search this
Boysen, Bill  Search this
Brown, William J. (William Joseph), 1923-1992  Search this
Chihuly, Dale, 1941-  Search this
Dailey, Dan, 1947-  Search this
Eisch, Erwin, 1927-  Search this
Giberson, Dudley  Search this
Halem, Henry  Search this
Labino, Dominick  Search this
Leafgreen, Harvey  Search this
Lipofsky, Marvin, 1938-2016  Search this
Littleton, Harvey K.  Search this
McGlauchlin, Tom, 1934-2011  Search this
Myers, Joel Philip, 1934-  Search this
Noffke, Gary  Search this
Tamura, Ruth  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
121 Pages (Trancript)
21 Items (Sound recording: 21 sound files (8 hr., 41 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Ohio -- Description and Travel
Date:
2004 April 21-22
Scope and Contents:
An interview of Fritz Dreisbach conducted 2004 April 21-22, by Susanne Frantz, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Tucson, Arizona.
Dreisbach speaks of growing up in Ohio, in a family of educators and deciding at an early age to become a teacher; taking high school art; pursuing a BA in art and mathematics at Hiram College; getting his MAT and teaching high school math; attending the University of Iowa to study painting; the impact of taking a summer class in glassblowing; visiting Dominick Labino at his studio; researching colored glass and glass chemistry; becoming Harvey K. Littleton's teaching assistant at the University of Wisconsin, Madison; building a hot shop and teaching at the Toledo Museum of Art; teaching at Penland School of Crafts; creating the Glass Art Society with Mark Peiser after attending a NCECA conference; moving to Seattle to make glass colors for The Glass Eye; and working for Spectrum Glass Company. Dreisbach also speaks of the importance of community among glass artists; taking part in glass symposia in Frauenau, Germany; traveling around the country to teach workshops, known as his "Road Show"; making representational pop-style pieces as well as historical reference pieces; collaborating on a stained glass window with Gary Noffke; developing techniques for making goblets; working with Dante Marioni on a series of goblets; his commissioned pieces, including the Corning Pokal; engraving glass; his Mongo series; selling works through galleries; the influence of the Italian glass artists; teaching at Pilchuck Glass School; Dominick Labino's career and innovations in glass technology; being invited to give the Samuel R. Scholes lecture at the New York State College of Ceramics at Alfred University; serving twice as Glass Art Society president; inaccuracies in the history of American studio glass; taking part in GAS conferences at Fenton Glass Factory; the importance of the rise of the university-trained glass artist in the 1960s; going to Pilchuck for the first time; meeting international glass artists; attending symposia at Novy Bor, Czech Republic; and his plans for the future. Dreisbach also recalls Tom McGlauchlin, Clayton Bailey, Erwin Eisch, Dale Chihuly, Bill Brown, Marvin Lipofsky, Joel Myers, Billy Bernstein, Dan Dailey, Dudley Giberson, Harvey Leafgreen, Bill Boysen, Henry Halem, Peter Voulkos, Ruth Tamura, and others.
Biographical / Historical:
Fritz Dreisbach (1941- ) is a glass artist from Tucson, Arizona. Susanne Frantz is a writer and curator from Paradise Valley, Arizona.
General:
Originally recorded on 8 sound discs. Reformatted in 2010 as 21 digital wav files. Duration is 8 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Glass artists -- Arizona -- Tucson  Search this
Glass artists -- Italy  Search this
Topic:
Decorative arts  Search this
Glass art -- Technique  Search this
Painting -- Study and teaching  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.dreisb04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dreisb04

Oral history interview with Dan Dailey

Interviewee:
Dailey, Dan, 1947-  Search this
Interviewer:
Oldknow, Tina  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
100 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2008 January 21
Scope and Contents:
An interview of Dan Dailey conducted 2008 January 21, by Tina Oldknow, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Dailey's studio, in Kensington, New Hampshire.
Biographical / Historical:
Interviewee Dan Dailey (1947- ) is a glass artist from Kensington, New Hampshire. Interviewer Tina Oldknow is a curator of modern glass at the Corning Museum of Glass, Corning, New York.
General:
Originally recorded 4 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr., 43 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Glass artists -- New Hampshire  Search this
Topic:
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.dailey08
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dailey08

Dan Dailey : vases from the archives 1974-1988

Author:
Riley Hawk Galleries  Search this
Subject:
Dailey, Dan 1947- Catalogs  Search this
Physical description:
36 p. : ill. ; 28 cm
Type:
Books
Date:
1998
1998]
Call number:
NK5198.D35 A4 1998
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_685199

Dan Dailey, Linda MacNeil : art in glass and metal

Title:
Art in glass and metal
Dan Dailey & Linda MacNeil
Dan Dailey and Linda MacNeil
Author:
Dailey, Dan 1947-  Search this
MacNeil, Linda  Search this
Art Center in Hargate  Search this
Subject:
Dailey, Dan 1947-  Search this
MacNeil, Linda  Search this
Physical description:
63 p. : ill. (chiefly col.) ; 31 cm
Type:
Exhibitions
Place:
United States
Date:
1999
C1999
20th century
Topic:
Glass sculpture  Search this
Jewelry  Search this
Necklaces  Search this
Call number:
NK5198.D35 A78 1999
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_561174

Dan Dailey : simple complexities in drawings and glass, 1972- 1987 / organized by the Rosenwald-Wolf Gallery, Philadelphia Colleges of the Arts, Pennsylvania, February 27-March 30, 1987; Renwick Gallery, National Museum of American Art, Smithsonian Institution, Washington, D.C., June 26- October 25, 1987

Author:
Dailey, Dan 1947-  Search this
Cocordas, Eleni  Search this
Rosenwald-Wolf Gallery (Philadelphia, Pa.)  Search this
Renwick Gallery  Search this
Subject:
Dailey, Dan 1947-  Search this
Physical description:
64 p. : ill. (some col.) ; 31 cm
Type:
Exhibitions
Place:
United States
Date:
1987
C1987
20th century
Topic:
Glassware--History  Search this
Artists' preparatory studies  Search this
Call number:
NK5198.D35 R8 1987
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_327855

Dan Dailey / [Joe Rapone, editor and book designer ; Milton Glaser, foreword]

Author:
Dailey, Dan 1947-  Search this
Rapone, Joe  Search this
Subject:
Dailey, Dan 1947-  Search this
Physical description:
384 p. ; ill. (chiefly col.) ; 30 cm
Type:
Catalogs
Place:
United States
Date:
2007
C2007
20th century
21st century
Topic:
Glass sculpture  Search this
Call number:
NK5198.D35 A4 2007
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_903526

Dan Daily & Lino Tagliapietra glass exhibition : July 23 - July 30, 1989 Espace Yamaha

Title:
Dan Daily and Lino Tagliapietra glass exhibition
Author:
Dailey, Dan 1947-  Search this
Tagliapietra, Lino  Search this
Yamaha International Corporation  Search this
Subject:
Dailey, Dan 1947-  Search this
Tagliapietra, Lino  Search this
Physical description:
19 p. : col. ill., ports. ; 26 x 26 cm
Type:
Exhibitions
Date:
1989
20th century
Topic:
Glass sculpture  Search this
Call number:
NK5198.D35 A4 1989
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_946702

Gray Mandrill From the Series Animal Vessels, (sculpture)

Sculptor:
Dailey, Dan 1947-  Search this
Medium:
Glass
Type:
Sculptures
Owner/Location:
Dayton Art Institute 456 Belmonte Park North Dayton Ohio 45405 Accession Number: 1999.55
Date:
1993
Topic:
Fantasy--Animal  Search this
Control number:
IAS 41320018
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_408334

Antic Circus Vase, (sculpture)

Sculptor:
Dailey, Dan 1947-  Search this
Medium:
Glass
Type:
Sculptures
Owner/Location:
Dayton Art Institute 456 Belmonte Park North Dayton Ohio 45405 Accession Number: 1999.62
Date:
1996
Topic:
Abstract  Search this
Control number:
IAS 41320019
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_408335

Untitled 1 of 44, (sculpture)

Title:
Artifacts at the End of a Decade, (sculpture)
Sculptor:
Dailey, Dan 1947-  Search this
Medium:
Glass, plastic, metal, pewter
Type:
Sculptures
Owner/Location:
University of Massachusetts University Museum of Contemporary Art Fine Arts Center, 151 Presidents Drive Amherst Massachusetts 01003 Accession Number: 1986.71.9
Date:
1981
Topic:
Abstract  Search this
Control number:
IAS 20100033
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_460123

Exuberance, (sculpture)

Sculptor:
Dailey, Dan 1947-  Search this
Medium:
Sculpture: glass; Base: steel, lights, and concrete
Type:
Sculptures-Outdoor Sculpture
Sculptures-Mural
Sculptures
Owner/Location:
Administered by Town of Vail Art in Public Places 75 South Frontage Road Vail Colorado 81657
Located Vail Transportation Center Top of main stairway Vail Colorado
Date:
Dedicated Aug. 19, 1993
Topic:
Allegory--Passion--Joy  Search this
Allegory--Place--Vail  Search this
Allegory--Place--Colorado  Search this
Figure group  Search this
Landscape--Mountain  Search this
Animal--Goat  Search this
Animal--Bird  Search this
Object--Foliage--Aspen  Search this
Control number:
IAS CO000548
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_333909

Cityscape, (sculpture)

Sculptor:
Dailey, Dan 1947-  Search this
Medium:
Blown and sandblasted glass
Type:
Sculptures
Owner/Location:
Milwaukee Art Museum 750 North Lincoln Memorial Drive Milwaukee Wisconsin 53202 Accession Number: M1991.1
Date:
1979
Topic:
Abstract  Search this
Control number:
IAS 58100277
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_361368

Romance, (sculpture)

Sculptor:
Dailey, Dan 1947-  Search this
Medium:
Vitrolite glass
Type:
Sculptures
Owner/Location:
Huntington Museum of Art 2033 McCoy Road Huntington West Virginia 25701 Accession Number: 1978.106
Date:
1988
Topic:
Abstract  Search this
Figure group  Search this
Recreation--Leisure--Eating & Drinking  Search this
Recreation--Courting  Search this
Control number:
IAS 56980013
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_379544

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