REEL D34: Material collected by Stevens, in answer to his requests for information for his projected book, "Autobiography of Modern Artists." Included are letters, notes, photographs, articles, exhibition annoucements, clippings and biographical data. Included among the photos are Alson Clark, Leon Dabo, John Flanagan by Ording, Lillian Genth by Haeseler, H. Siddons Mowbray by Rockwood, and Adolf A. Weinman by De Witt Ward, ca. 1905-1910.
REEL 3472: A letter to Stevens, from Fernand Harvey Lungren, Jan. 9-15, 1911, describing his art background, his work in the Southwest, California, and the desert, and his hope to show Stevens his paintings in Toledo.
Biographical / Historical:
Museum director; Toledo, Ohio. Stevens was the first director of the Toledo Museum of Art.
Provenance:
Donated 1954 & 1976 by the Toledo Museum of Art.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edgar P. Richardson papers, 1814-1996, bulk 1921-1996. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.
The Ferargil Galleries records date from circa 1900-1963 and document the activities of this New York gallery that dealt primarily in American contemporary art from shortly after its 1915 founding by Frederic Newlin Price (1884-1963) to it's closure in 1955. 18.7 linear feet of records include incoming and outgoing correspondence with artists, dealers, schools and colleges, and museums and other art institutions; artist files; estate and legal records including papers relating to the Arthur B. Davies estate; gallery business and financial records; printed material; scrapbooks; scattered personal papers of Price; artwork; and photographs of artists, exhibitions and artwork.
Scope and Content Note:
The Ferargil Galleries records date from circa 1900-1963 and document the activities of this New York gallery that dealt primarily in American contemporary art from shortly after its 1915 founding by Frederic Newlin Price (1884-1963) to it's closure in 1955. 18.7 linear feet of records include incoming and outgoing correspondence with artists, dealers, schools and colleges, and museums and other art institutions; artist files; estate and legal records including papers relating to the Arthur B. Davies estate; gallery business and financial records; printed material; scrapbooks; scattered personal papers of Price; artwork; and photographs of artists, exhibitions and artwork.
Correspondence is both incoming and outgoing and documents the day-to-day activities of the galleries, primarily from the 1920s to the 1950s. Significant correspondence with, or relating to, many of the artists represented by Ferargil Galleries can be found here including correspondence with Bartlett Arkell, Thomas Hart Benton, Randall Davey, Hunt Diedrich, Ernest Lawson, Agnes Potter Lowrie, Luigi Lucioni, Barse Miller, Maxfield Parrish, John Pike, Paul Sample, Wells M. Sawyer, Theodore van Soelen and many others.
Artist files consist primarily of material compiled about artists represented by Ferargil Galleries, including biographical information, press releases for exhibitions, and scattered price lists and information about individual works of art.
Estate and legal records include estate inventories for the estates of Lizzie P. Bliss, Arthur B. Davies, and Dan Fellows Platt, and document several legal actions involving Ferargil Galleries. Of particular significance are the records documenting Price's involvement with the estate of Arthur B. Davies, including correspondence with Davies's wife, Virginia, and sales and inventory records for Davies's artwork at Ferargil Galleries and elsewhere.
Business and financial records date primarily from the 1920s and document inventories, sales, insurance, shipping, and taxes for the bulk of the gallery's operating years.
Printed material contains Ferargail Galleries exhibition catalogs and announcements from 1918 to the 1950s in addition to scattered printed material from other galleries and one folder relating to Arthur B. Davies.
Scrapbooks provide a more comprehensive and detailed history of the gallery's exhibitions, through multiple news clippings of press coverage, in addition to catalogs, announcements, and photographs. Of particular note is a circa 1908 photograph of Arthur B. Davies taken by Gertrude Kasëbier.
Scattered personal records of Frederic Newlin Price document Price's work with the Benjamin West Society at Swarthmore College and further reveal Price's interests through an inventory of his art collection and drafts and copies of his writings on artists such as Arthur B. Davies, and on changing trends and tastes in the art world.
A small series of artwork includes 6 pencil sketches, a print, 3 plans, and an Arthur B. Davies exhibition catalog mock-up with pencil sketches, all by unidentified artists.
Gallery photograph files include some photos of artists such as Emil Carlsen, Leon Dabo, Lloyd Parsons, Natalie Van Vleck and Lois Williams, in addition to 13 folders of photos relating to collections and exhibitions, and photographs of artwork.
Arrangement:
The collection is arranged as 9 series:
Missing Title
Series 1: Correspondence, 1920s-1963 (Boxes 1-15; 6.0 linear ft.)
Series 2: Artist Files, circa 1920s-1950s (Boxes 16-17; 0.7 linear ft.)
Series 3: Estate and Legal Records, circa 1925-circa 1939 (Boxes 17-18; 0.3 linear ft.)
Series 4: Business and Financial Records, 1919-1956 (Boxes 18-21; 1.2 linear ft.)
Series 5: Printed Material, circa 1900-1956 (Boxes 21-22; 0.7 linear ft.)
Series 6: Scrapbooks, circa 1920s-1950s (Boxes 23-34, 40, OV 41; 5.4 linear ft.)
Series 8: Artwork, circa 1920s-circa 1950s (Box 34, OV 41; 2 folders)
Series 9: Photographs, circa 1920-1950s (Boxes 35-39, OV 40; 4.4. linear ft.)
Historical Note:
Frederic Newlin Price (1884-1963) opened Ferargil Galleries in 1915 at 24 East 49th Street and 607 Fifth Avenue in New York City. Art critic W. Frank Purdy (1865-1943)was the President of the Art Alliance of America in 1918 and director of the School of American Sculpture worked at the galleries as director of sculpture.
Named from a combination of "fer" (ferrous-iron) and "argil" (clay), Ferargil Galleries dealt in wrought iron, sculpture, paintings and prints, and focused on exhibitions of work by American artists such as George Bellows, Thomas Hart Benton, Emil Carlsen, John Steuart Curry, Arthur B. Davies, W. Hunt Diederich, Thomas Eakins, Edward Hicks, Ernest Lawson, Albert P. Ryder and Grant Wood. Ferargil was also known for its representation of a group of contemporary watercolorists including Charles Dickinson, Phil Dike, Hardie Gramatky, Barse Miller, and Paul Sample.
In 1927 the business moved to 37 East 57th Street (later 63 East 57th Street) and housed a print room, a sculpture gallery with a fountain, and the main painting galleries.
In 1931 Price became the Director of the newly-formed Benjamin West Society at his alma mater, Swarthmore College. There, he promoted the arts at Swarthmore through annual lectures and exhibitions by contemporary artists and also acquired artwork for the college, primarily by Benjamin West. Price served as President of the American Art Dealers Association in the early 1930s and published a number of books and articles on artists including Arthur B. Davies, Walter Griffin, Eric Hudson, Ernest Lawson, Arthur P. Ryder and Horatio Walker.
Price closed Ferargil Galleries in 1955.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reels D321-D322, and N68-14-N68-15) including personal and business correspondence with artists and other records. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
In 1958, Frederic Newlin Price donated circa 70 letters to the Archives of American Art and loaned material for microfilming on reels D321-D322. The remaining records were donated anonymously in 1968.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American -- New York (State) -- New York Search this
0.4 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1925-1927
Scope and Contents:
Biographical information; photos; scrapbook and printed item.
REEL 3829: A 5-page account of de Kubinyi's life; a tear sheet illustrating a rug designed by de Kubinyi; a photograph of Leon Dabo in his studio, and a photograph of de Kubinyi's exhibition, "Paintings of the Human Emotions" at Washington Irving High School, 1927.
UNMICROFILMED: A scrapbook, 1925, entitled "Symbolic Color Analyses of Life in All its Phases," containing 27 color collages with captions.
Biographical / Historical:
Painter; Washington, D.C.
Provenance:
Material on reel 3829 donated 1985 by William O' Reilly. Unmicrofilmed material was transferred from NMAA/NPG Library, 1981.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Found are materials relating to the forgery of James Abbott McNeill Whistler works of art. Included are clippings and reproductions of works of art; a letter from Sam Codman requesting that Dabo verify a forgery of a Whitsler painting; and photographs of works of art with annotations and notes.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leon Dabo papers, circa 1888-1969. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leon Dabo papers, circa 1888-1969. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
Found is scattered correspondence, most of which is between Leon Dabo, T. Scott Dabo, and the Detroit Museum of Art concerning art by both brothers. There is one letter from Emile Cordonnier to Leon Dabo written in French. One letter is from the Director of the Musuems of France to Mrs. Dabo concerning a recent gift of her husband's artwork, "Sainte Odile" (1898).
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leon Dabo papers, circa 1888-1969. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
Found are clippings and full issues of art publications, exhibition annoucements and catalogs, and a published speech about Dabo by Alexander Harvey. The art publications include articles about Dabo or Whistler and some are in German.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leon Dabo papers, circa 1888-1969. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leon Dabo papers, circa 1888-1969. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leon Dabo papers, circa 1888-1969. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
Found are portraits and snapshots of Leon Dabo; group photos including Leon Dabo; and photos of works of art by Dabo with annotations including exhibition information. Photos of Leon Dabo depict the artist painting in his studio, painting en plein air, in military uniform, posing with World War I airplanes, and with his wife. One photograph was taken by Peter Juley in circa 1910. Group photos include a photo of a dinner of alumni from the Académie Julian at the Beauvort Hotel around 1914. Other photos show Dabo and others with British World War I airplanes.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leon Dabo papers, circa 1888-1969. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leon Dabo papers, circa 1888-1969. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leon Dabo papers, circa 1888-1969. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leon Dabo papers, circa 1888-1969. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leon Dabo papers, circa 1888-1969. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
The papers of painter Leon Dabo date from circa 1888 to 1969 and measure 1.2 linear feet. The collection consists of biographical materials, scattered correspondence, research files relating to the paintings of James Abbott McNeill Whistler, printed mateirals, photographs, and works of art. Also found is a paint palette and brushes reportedly owned by Whistler and a walking stick.
Scope and Contents:
The papers of painter Leon Dabo date from circa 1888 to 1969 and measure 1.2 linear feet. The collection consists of biographical materials, scattered correspondence, research files relating to the paintings of James Abbott McNeill Whistler, printed mateirals, photographs, and works of art. Also found is a paint palette and brushes reportedly owned by Whistler and a walking stick.
Biographical materials include biographical sketches and resumes, certificates, membership and military records. Also found is a poem written for Dabo by Helen Hays Whitney and material relating to Dabo's brother, Theodore Scott Dabo. Correspondence is scattered and includes letters written between Leon and T. Scott Dabo with the Detroit Museum of Art concering their art. Research files contain printed material, a letter, and annotated photographs of works of art relating to Dabo's verification of forgeries of Whistler. Printed materials include clippings, a speech, exhibition announcements and catalogs, and English and German art publications including articles about Dabo and Whistler. Photographs include portraits and snapshots of Dabo and others, including one taken of Dabo by Peter Juley, and of works of art. Group photographs depict Dabo's wife, his military service during World War I, and an alumni dinner of the Académie Julian. The papers include fourteen oil studies, a sketch by Dabo, and an unsigned caricature of Dabo.
Arrangement:
The collection is arranged as 6 series.
Missing Title
Series 1: Biographical Material, 1905-circa 1967 (0.1 linear feet; Box 1-2, OV4)
Series 2: Correspondence, 1905-1935, 1969 (1 folder; Box 1)
Series 3: Research Files, circa 1940-circa 1950 (0.1 linear feet; Box 1, OV5)
Series 4: Printed Material, 1903-1965 (0.3 linear feet; Box 1-2, OV4)
Series 5: Photographs, 1910-1947 (0.2 linear feet; Box 1-2, OV4)
Series 6: Artwork and Artifacts, circa 1888-circa 1920 (0.4 linear feet; Boxes 1-3, artifacts 6-7)
Biographical / Historical:
French-born Leon Dabo (1868-1960) was a tonalist painter active in New York. He is known for his landscapes of the Hudson River Valley, influenced by James Abbott McNeill Whistler.
The eldest child of artist Ignace Scott Dabo and Madeleine Dabo, Leon Dabo was born in France around 1868. To avoid the Franco-Prussian War, the family left France and settled in Detroit, Michigan where Ignace worked as a decorative artist. Leon Dabo moved to New York City to work to support his family after the death of his father, with the goal of sending his brother Theodore Scott Dabo to study art. Ultimately, Dabo focused on his own painting and studied in Paris, Munich and London. In London, he became acquainted with James Abbott McNeill Whistler who became a strong influence on Dabo. After returning to New York City in 1890, he kept a studio in Brooklyn and exhibited throughout the city. During World War I, Dabo served in the British and French military detecting German accents. Later, he served as an interpreter for the United States. Dabo married Jennie Ford in 1889 and had two children, Madeleine and Leon. After Jennie's death, he married Stephanie Ofenthal. Leon Dabo died in 1960 in New York City.
Provenance:
The Leon Dabo papers were donated in several installments by his widow, Stephanie Ofenthal Dabo from 1969 to 1972. A photograph of Dabo taken by Peter Juley was a gift from an unknown donor in 1963.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leon Dabo papers, circa 1888-1969. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
