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Oral history interview with Louis Siegriest

Interviewee:
Siegriest, Louis Bassi, 1899-1989  Search this
Interviewer:
Karlstrom, Paul J.  Search this
St. John, Terry  Search this
Names:
Society of Six  Search this
Clapp, William Henry, 1879-1954  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Gay, August Franc̜ois, 1890-1948  Search this
Gile, Selden Connor, 1877-1947  Search this
Logan, Maurice, 1886-1977  Search this
Van Sloun, Frank J., 1879-1938  Search this
Von Eichman, Bernard J., 1899-1970  Search this
Extent:
30 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1978 June 21
Scope and Contents:
An interview of Louis Siegriest conducted 1978 June 21, by Terry St. John and Paul Karlstrom, for the Archives of American Art.
Siegriest speaks of his background; studying with Frank Van Sloun at the Mark Hopkins School; the Society of Six and its members, Seldon Gile, Bernard Von Eichman, Maurice Logan, William Clapp, and August Gay; living in Milwaukee and working in commercial art; returning to San Francisco and pursuing landscape painting; working for the WPA under Rene D'Harnoncourt; doing camouflage work with the U.S. Army in World War II; a controversy about and cancellation of an exhibit of his work at the De Young Museum; collage in the 1950s; his travels; the Bay area art scene; his associations with younger artists; his recent work.
Biographical / Historical:
Louis Siegriest (1899-1989) was a painter from Oakland, California.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 15 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Painters -- California -- Oakland -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.siegri78
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93d976d9d-0599-44c5-812a-11ad77376178
EDAN-URL:
ead_collection:sova-aaa-siegri78
Online Media:

Oral history interview wih Clara Diament Sujo

Interviewee:
Diament Sujo, Clara  Search this
Interviewer:
Berman, Avis  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Córdova, Arturo de, 1908-1973  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
De Kooning, Willem, 1904-1997  Search this
Duchamp, Marcel, 1887-1968  Search this
Hughes, Langston, 1902-1967  Search this
Johns, Jasper, 1930-  Search this
Kuh, Katharine  Search this
Lam, Wifredo  Search this
Marisol, 1930-2016  Search this
Messer, Thomas M.  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Otero Rodríguez, Alejandro  Search this
Perón, Juan Domingo, 1895-1974  Search this
Pollock, Jackson, 1912-1956  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reverón, Armando, 1889-1954  Search this
Romero Brest, Jorge  Search this
Soto, Jesús Rafael, 1923-2005  Search this
Sterne, Hedda, 1910-2011  Search this
Valera, Víctor, 1927-  Search this
Extent:
98 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2010 June 8-16
Scope and Contents:
An interview of Clara Diament Sujo conducted 2010 June 8-16, by Avis Berman, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Sujo's home, in New York, New York.
Diament speaks of her childhood in Argentina; her father's early influence; working with Abbott Industries; her travels with her father as a child to Punta del Este in Urguay, and Mar del Plata; her experiences in the United States; life under Juan Perón and how political events helped shape her education; teaching in Venezuela; collecting art for the Venezuelan science museum; her views on art; the artists that she has worked with and represented; the opening of her first gallery in Venezuela; her gallery in New York City; the influence of Jorge Romero Brest; and her work with the museum network to represent Latin American artists. She recalls Katharine Kuh, Jackson Pollock, Willem de Kooning, Richard Wright, Langston Hughes, Jesus Rafael Soto, Arturo de Cordova, Alejandro Otero, Victor Valera, Armando Reverón, Mercedes Pardo, Wilfredo Lam, Alfred Barr, Rene d'Harnoncourt, Dorothy Miller, Thomas Messer, Marcel Duchamp, Hedda Sterne, Robert Rauschenberg, Jasper Johns, Marisol Escobar, and others.
Biographical / Historical:
Clara Diament Sujo (1921-) is an Argentinian born owner and director of CDS Gallery in New York, New York. Avis Berman (1949-) is a scholar in New York, New York.
General:
Originally recorded on 1 compact disc. Reformatted in 2010 as 3 digital wav files. Duration is 5 hr., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Gallery owners -- New York (State) -- New York  Search this
Gallery directors -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Collectors -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting  Search this
Latino and Latin American artists  Search this
Women art dealers  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.diamen10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96d7f23a5-df3f-460a-9e75-6c53a343b5e5
EDAN-URL:
ead_collection:sova-aaa-diamen10
Online Media:

René d'Harnoncourt papers, 1921-1983

Creator:
D'Harnoncourt, Rene, 1901-1968  Search this
Subject:
Fosado, Víctor  Search this
Durieux, Caroline  Search this
d'Harnoncourt, Sarah  Search this
Covarrubias, Miguel  Search this
Klumb, Henry  Search this
Alvarez Bravo, Manuel  Search this
Marriott, Alice  Search this
Tantaquidgeon, Gladys Iola  Search this
United States. Indian Arts and Crafts Board  Search this
American Federation of Arts  Search this
Art in America  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Sarah Lawrence College  Search this
Type:
Photographs
Sketches
Scrapbooks
Drawings
Place:
Mexico -- description and travel
Citation:
René d'Harnoncourt papers, 1921-1983. Archives of American Art, Smithsonian Institution.
Topic:
Art museum directors -- New York (State) -- New York  Search this
Art, Mexican  Search this
Art, Aboriginal Australian  Search this
Art -- Study and teaching  Search this
Latino and Latin American artists  Search this
Indian art -- Exhibitions  Search this
Cave paintings -- Austrailia  Search this
Curators -- New York (State) -- New York  Search this
Art, Latin American  Search this
Theme:
Latino and Latin American  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)5462
(DSI-AAA_SIRISBib)209237
AAA_collcode_dharrene
Theme:
Latino and Latin American
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209237
Online Media:

William C. Seitz papers

Creator:
Seitz, William C. (William Chapin)  Search this
Names:
University of Virginia -- Faculty  Search this
Ashton, Dore  Search this
Banks-Woodson, Ellen  Search this
Barr, Alfred Hamilton, 1902-  Search this
Baziotes, William, 1912-1963  Search this
Conner, Bruce, 1933-2008  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Duchamp, Marcel, 1887-1968  Search this
Elliott, Philip Clarkson, 1903-1985  Search this
Gorky, Arshile, 1904-1948  Search this
Gottlieb, Adolph, 1903-1974  Search this
Krebs, Rockne, 1938-2011  Search this
Monet, Claude, 1840-1926  Search this
Rosati, James, 1912-1988  Search this
Segal, George, 1924-2000  Search this
Seitz, Irma  Search this
Stella, Frank  Search this
Extent:
32.5 Linear feet
Type:
Collection descriptions
Archival materials
Resumes
Poems
Photographs
Awards
Sound recordings
Interviews
Sketches
Notebooks
Drafts (documents)
Lectures
Date:
circa 1930-1995
Summary:
The papers of educator, painter, and art historian William C. Seitz measure 32.5 linear feet and date from circa 1930-1995. The collection includes biographical information, correspondence, notebooks, subject and people files, thesis research files, interviews and lecture recordings, teaching files, personal business records, scattered printed materials, photographs, and artwork. The bulk of the papers focus on Seitz's research and teaching career.
Scope and Contents note:
The papers of educator, painter, and art historian William C. Seitz measure 32.5 linear feet and date from circa 1930-1995. The collection includes biographical information, correspondence, notebooks, subject and people files, thesis research files, interviews and lecture recordings, teaching files, personal business records, scattered printed materials, photographs, and artwork. The bulk of the papers focus on Seitz's research and teaching career.

Biographical materials consist of resumes and CV's, identification cards including one from the WPA, documents from the memorial held at the University of Virginia for Seitz, poetry written by Irma for William on their wedding anniversaries, and x-rays.

The majority of Seitz's correspondence is professional and concerns job offers and opportunities, lectures requests, recommendation letters for Seitz and for others by Seitz, the Kress Fellowship, exhibitions, awards, and organizations. Also found are posthumus materials to Irma Seitz concerning book royalites. Personal correspondence is scattered and includes condolence letters sent to Irma.

Personal business records focus on Seitz's personal art collection, copyright information, publishing records including royalty statements, reports, scholarship and fellowship information, and professional organization membership records.

The bulk of the collection consists of research and writing files which include notebooks, subject and people files, thesis research files and drafts, general research which include writings by Seitz, card files, and recordings of lectures and interviews. Subject and people files may include correspondence, printed materials, research notes, photographs, works of art, and writings concerning and by artists, art historians, curators, subjects, and art movements. Research files are found for Dore Ashton, Alfred H. Barr Jr., William Baziotes, Bruce Conner, Rene D'Harnoncourt, Marcel Duchamp, Arshile Gorky, Adolph Gottlieb, Rockne Krebs, George Segal, James Rosati, and Frank Stella among many others. Also found are research materials on Claude Monet, some of which are written in French.

Teaching files contains extensive reference material likely used by Seitz during his career as well as correspondence, exams, and lecture materials used in specific classes.

Printed material is scattered and includes clippings, exhibition announcements, and articles. Exhibition announcements and catalogs are for Seitz's personal works and for exhibitions he curated.

The bulk of the photographs are of works of art by William Seitz, Irma Seitz, and others which were likely owned by Seitz. Also found are photographs of exhibition installations at the Univeristy of Virginia and scattered photographs of Seitz with others.

Artwork include several pencil sketches by Seitz, two works by Ellen Banks-Woodson, and a sketch by Phil Elliott.
Arrangement note:
The collection is arranged as 8 series:

Missing Title

Series 1: Biographical Information, 1930s-1974 (Box 1; 7 folders)

Series 2: Correspondence, 1945-1995 (Boxes 1-2; 1.6 linear feet)

Series 3: Personal Business Records, circa 1947-1990 (Boxes 2-3; 0.4 linear feet)

Series 4: Research and Writing Files, 1940s-1970s (Boxes 4-26; 23.5 linear feet)

Series 5: Teaching Files, 1945-1970s (Boxes 27-31, OV 34-35; 5 linear feet)

Series 6: Printed Material, 1937-1984 (Boxes 31-2; 0.5 linear feet)

Series 7: Photographs, 1940s-1981 (Box 32, 33; 11 folders)

Series 8: Artwork, circa 1950s-1972 (Box 32, 33; 6 folders)
Biographical/Historical note:
William C. Seitz (1914-1974) was an art historian and scholar, painter, educator, and museum curator who worked primarily in New York and Virginia. He completed the first dissertation on Abstract Expressionism while a student at Princeton University in 1955.

Born in 1914 in Buffalo, New York, Seitz studied at the Albright Art School at the University of Buffalo and the Art Institute of Buffalo. Seitz met artist Irma J. Siegelman, whom he married in 1938. Due to the Depression, he left school and worked with the Federal Arts Project in New York City in the 1930s and worked as an aircraft fuel cell deigner for the Hewitt Rubber Company during World War II. Returning to the University of Buffalo after the war, Seitz completed his undergraduate degree and remained by accepting a teaching job.

Although he saw success as a painter and exhibited in one-man shows, Seitz focused his career in academia and enrolled at Princeton University for a graduate degree in Art History. Princeton faculty held divided views on Seitz's desire to write a dissertation on the Abstract Expressionist movement and debated the subject for over a year. Seitz's dissertation topic was eventually approved and in addition to writing the first dissertation on Abstract Expressionism, Seitz received the first PhD in Modern Art from Princeton. Seitz remained at Princeton as an assistant professor and advised students such as Frank Stella.

In 1960, he accepted a job as a curator at the Museum of Modern Art in New York City. At MOMA, Seitz curated The Art of Assemblage (1961), The Responsive Eye (1965), and an exhibition on Monet (1960). Other MOMA exhibitions focused on artists Mark Tobey, Arshile Gorky, and Hans Hofmann. Additionally, he served as director of the Rose Art Museum of Brandeis University from 1965-1970. During that time, Seitz organized the United States exhibition at the Ninth Biennial in Sao Paulo (1967) and the Seventh Biennial of Canadian Painting (1968). In 1971, Seitz returned to teaching at the University of Virginia in Charlottesville, Virginia and was the Visiting Kress Professor at the National Gallery of Art from 1972-1973.

In addition to his successes in painting, education, and the curatorial field, Seitz was an accomplished writer. He published many articles, essays, and books on art and artists including Art in the Age of Aquarius, on which he worked until his death.

William C. Seitz died of cancer in 1974.
Related Archival Materials note:
The Museum of Modern Art Archives in New York City holds the William C. Seitz papers which contain exhibition files and records relating to an interview with Marcel Duchamp. Correspondence relating to the debate concerning the viability of Seitz's dissertation are found in the Alfred H. Barr, Jr. papers also at the Museum of Modern Art Archives.
Provenance:
The William C. Seitz papers were donated to the Archives of American Art by Seitz's widow, Irma Seitz, in 1975 and 2003. A transcript of an interview with Mark Tobey by Seitz was donated by Rebecca Massie Lane in 1988. Seitz gave these transcripts to Lane for her graduate work and they remined in her possession after his death.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- Virginia -- Charlottesville  Search this
Topic:
Painters -- Virginia -- Charlottesville  Search this
Educators -- Virginia  Search this
Genre/Form:
Resumes
Poems
Photographs
Awards
Sound recordings
Interviews
Sketches
Notebooks
Drafts (documents)
Lectures
Citation:
William C. Seitz papers, circa 1930-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.seitwill
See more items in:
William C. Seitz papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw944428879-be52-442b-b3a0-1e263ac364f1
EDAN-URL:
ead_collection:sova-aaa-seitwill
Online Media:

Norman Carton papers

Creator:
Carton, Norman, 1908-1980  Search this
Names:
D'Harnoncourt, Rene, 1901-1968  Search this
De Kooning, Willem, 1904-1997  Search this
Ferren, John, 1905-1970  Search this
Greenberg, Clement, 1909-1994  Search this
Hultberg, John, 1922-  Search this
Kootz, Samuel Melvin, 1898-1982  Search this
Parsons, Betty  Search this
Resnick, Milton, 1917-2004  Search this
Extent:
0.8 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1949-1980
Scope and Contents:
Correspondence; writings and notes; financial data; sketchbooks; photographs; exhibition catalogs and clippings.
UNMICROFILMED: Correspondence with galleries and others; writings and notes; consignment and sales statements and other financial records from the Gres Gallery and the Martha Jackson Gallery, 1955-1961; a guest book from exhibitions sponsored by the Rainbow Art League of New York, 1973-1975; 3 sketchbooks, containing watercolor sketches and ink, charcoal, pencil, and crayon drawings; exhibition announcements and catalogs; clippings, and other printed materials; and photographs of Carton, Willem de Kooning, Rene d'Haroncourt, John Ferren, Clement Greenberg, John Hultberg, Martha Jackson, Samuel M. Kootz, Betty Parsons, Milton Resnick, works of art by Carton, and gallery installations.
REEL 2787: Fifteen exhibition catalogs, twelve clippings, a resume, and a photograph of Carton in his studio with a model.
Biographical / Historical:
Painter and instructor; New York, N.Y.
Provenance:
Donated 1978 and 1984 by Mr. & Mrs. Norman Carton.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Topic:
Painting, American -- New York (State) -- New York  Search this
Function:
Art museums -- United States
Identifier:
AAA.cartnorm
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw983bbdf28-3e8d-4ac6-8d65-3d6eb3110837
EDAN-URL:
ead_collection:sova-aaa-cartnorm

Belle Krasne Ribicoff papers

Creator:
Ribicoff, Belle Krasne, 1924-  Search this
Names:
Storm King Art Center  Search this
Wadsworth Atheneum  Search this
Albee, Edward, 1928-  Search this
Arp, Jean, 1887-1966  Search this
Ashton, Dore  Search this
Bailey, William, 1930-2020  Search this
Bazaine, Jean, 1904-2001  Search this
Benn, Ben, 1884-  Search this
Bloom, Claire, 1931-  Search this
Chelimsky, Oscar  Search this
Cornell, Joseph  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
De Vries, Peter, 1910-1993  Search this
Dorazio, Piero, 1927-  Search this
Dorazio, Virginia Dortch  Search this
Ferren, John, 1905-1970  Search this
Fitzsimmons, James, 1919-1985  Search this
Foote, Horton  Search this
Frankenthaler, Helen, 1928-2011  Search this
Geist, Sidney  Search this
Gottlieb, Adolph, 1903-1974  Search this
Graham, John, 1887-1961  Search this
Greenberg, Clement, 1909-1994  Search this
Greene, Balcomb, 1904-1990  Search this
Holty, Carl, 1900-1973  Search this
Kazan, Elia  Search this
Kelly, Ellsworth, 1923-  Search this
Krautheimer, Richard, 1897-  Search this
Lamos, Mark  Search this
Lebrun, Rico, 1900-1964  Search this
Matisse, Pierre, 1900-1989  Search this
Morris, George L. K., 1905-1975  Search this
Parsons, Estelle  Search this
Pearlstein, Philip, 1924-  Search this
Ribicoff, Abraham, 1910-1998  Search this
Richardson, Edgar Preston, 1902-1985  Search this
Ritchie, Andrew Carnduff  Search this
Rosenborg, Ralph M., 1913-1992  Search this
Roszak, Theodore, 1907-1981  Search this
Saarinen, Eero, 1910-1961  Search this
Salpeter, Harry  Search this
Shapiro, Karl Jay, 1913-  Search this
Skinner, Cornelia Otis, 1901-  Search this
Smith, David, 1906-1965  Search this
Soby, James Thrall, 1906-1979  Search this
Travers, P. L.(Pamela Lyndon), 1899-1996  Search this
Valentin, Curt, 1902-1954  Search this
Van Doren, Mark, 1894-1972  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Drafts (documents)
Photographs
Prints
Illustrated letters
Postcards
Christmas cards
Date:
1942-circa 2010
bulk 1945-2004
Summary:
The papers of Belle Krasne Ribicoff measure 1.6 linear feet and date from 1942-circa 2010, with the bulk of the collection dating from 1945-2004. Papers include biographical materials; correspondence with artists, art historians, writers, museum directors, and others; individual files relating to Belle and Irving Ribicoff's art collection and the Friends of Abe Ribicoff's campaign for the United States Senate; artwork; printed material, e.g., clippings, announcements, exhibition catalogues, brochures; and photographs. The collection documents Ribicoff's career as an arts editor, critic, and her involvement in civic and arts organizations for the State of Connecticut.
Scope and Content Note:
The papers of Belle Krasne Ribicoff measure 1.6 linear feet and date from 1942-circa 2010, with the bulk of the collection dating from 1945-2004. Papers include biographical materials; correspondence with artists, art historians, writers, museum directors, and others; individual files relating to Belle and Irving Ribicoff's art collection and the Friends of Abe Ribicoff's campaign for the United States Senate; artwork; printed material, e.g., clippings, announcements, exhibition catalogues, brochures; and photographs. The collection documents Ribicoff's career as an arts editor, critic, and her involvement in civic and arts organizations for the State of Connecticut.

Biographical materials include documentation of the Buttenweiser Prize awarded to Belle Krasne by the Art History Departmental Honors at Vassar College in 1945 and curriculum vitae.

Correspondence, primarily incoming letters consists of letters, postcards, draft versions, and copies of e-mails. Belle Krasne Ribicoff was friends with many artists; their letters focus on daily activities, work, and the art world. Among the correspondents are Oscar and Eleanor Chelminsky, Joseph Cornell, Piero and Virginia Dorazio, John and Rae Ferren, Helen Frankenthaler, James Fitzsimmons, Adolph Gottlieb, John Graham, Ellsworth Kelly, Frank Modell, George L.K. Morris, Philip Pearlstein, Eero Saarinen, David Smith, and Adja Yunkers. There is substantial correspondence from Ben Benn, Sidney Geist, Leon Hartley, Ralph Rosenborg, and Theodore Roszak. Also found are love letters to Belle Krasne Ribicoff from Jean Bazaine. Many of the artists' letters are illustrated. Of note, are a letter from Carl Holty to J.B. Neumann and an artist's statement written by Adolph Gottlieb.

Ribicoff had a professional and personal relationship with a number of prominent writers, actors, and other individuals known for their work in the arts, such as Edward Albee, Claire Bloom, Peter DeVries, Horton Foote, Elia Kazan, Mark Lamos, Estelle Parsons, Karl Shapiro, Cornelia Otis Skinner, and P.L. Travers. There are letters from museum directors, art historians, and other well-known cultural figures, such as Dore Ashton, Clement Greenberg, Balcomb Greene, Rene d'Harnoncourt, Pierre Matisse, E. P. Richardson, Andrew C. Ritchie, Harry Salpeter, Curt Valentin, and Mark Van Doren. Also found are files of holiday cards, many original artwork; letters to Ribicoff upon her departure from Art Digest; letters from representatives at Storm King Art Center Museum and the Wadsworth Atheneum; and letters from unidentified correspondents.

The Ribicoff collection relates to the personal art collection of Belle and Irving Ribicoff; materials document the purchase and sale of artwork and the lending of artwork for exhibitions. There is a file of petition letters sponsored by the Friends of Abe Ribicoff campaign for the United States Senate.

Original artwork includes prints by Jean Arp and Adja Yunkers and pencil sketches of Sarai Ribicoff by William Bailey. Printed material consists of news clippings; a periodical; exhibition announcements; brochures; an offprint of an article by Cleve Gray; and miscellaneous printed material.

Photographs contain black and white photographs of Belle Krasne Ribicoff, Ben and Velida Benn, Richard Krautheimer, and of the jurors attending the Carnegie International exhibition (circa 1954), including Jean Bazaine, Rico Lebrun, Eric Newton, and James Thrall Soby.
Arrangement:
The collection is arranged into 7 series:

Missing Title

Series 1: Biographical Material, 1945, circa 2010 (Box 1; 1 folder)

Series 2: Belle Krasne Ribicoff Correspondence, 1942-2007 (Boxes 1, 3; 1.0 linear feet)

Series 3: The Ribicoff Collection, 1949-1988 (Box 1; 0.2 linear feet)

Series 4: Friends of Abe Ribicoff Campaign, 1968 (Box 1; 0.1 linear feet)

Series 5: Artwork, circa 1950s-1978 (Box 1, OV 4; 0.1 linear feet)

Series 6: Printed Material, 1948-2000 (Box 1; 0.1 linear feet)

Series 7: Photographs, 1945-circa 2007 (Boxes 1-2; 0.1 linear feet)
Biographical Note:
Belle Krasne Ribicoff (b. 1924) lives in Hartford, Connecticut and has served as an arts editor, critic, and university administrator.

Ribicoff was born and raised in New York City. She graduated Phi Beta Kappa with a degree in art history from Vassar College in 1945. After a brief stint with an advertising agency in New York, Ribicoff became Assistant Editor at Magazine of Art (1946-1947), where she developed an interest in contemporary art. She served as editor for such publications as Art News (1948-1949), Art Digest (1949-1954), and Craft Horizons (1954-1955).

In 1955, she married Irving S. Ribicoff (1915-1994), an attorney and moved to Hartford, Connecticut. The Ribicoffs' had two daughters, Dara (b. 1956) and Sarai (1957-1980).

Ribicoff has held various positions at the University of Hartford: Development Director at the Hartford School of Art (1980-1981), Development Liaison to the Office of President (1982-1988), and Associate Vice President for Public Affairs (1980-1983). Belle Krasne Ribicoff has served as a professional volunteer for educational and cultural organizations in Connecticut; she has been involved in efforts to make the arts a part of the school curriculum. She was Vice-President of the Hartford Board of Education (1961-1967; 1965-1971) and was Chairman of the State of Connecticut's Commission on the Arts (1965-1971). Ribicoff is a Life Director at the Hartford Stage Company and a Life Regent at the University of Hartford. She is a Sterling Fellows at Yale University and sits on the President's Advisory Committee at Vassar College.

Belle Krasne Ribicoff has received recognition for her professional and public service contributions by a number of institutions. In 1954, she received the Frank Jewett Mather Award for critical writing from the College Art Association. Other honors have included: Charter Oak Leadership Medal for Distinguished Service (1968), the University of Hartford Medal for Distinguished Service (1995), and the Spirit of Vassar award for outstanding commitment and service to Vassar or another community (2005).
Related Material:
Also found at the Archives of American Art is Belle Krasne's letter to Philip Pavia, May 14, 1954 on microfilm reel 3470.
Provenance:
The collection was donated by Belle Krasne Ribicoff to the Archives of American Art in 2008.
Restrictions:
Use of original material requires an appointment.

Letters from Jean Bazaine to Belle Krasne Ribicoff and sketches of Sarai Ribicoff by William Bailey are access restricted. Their use requires written permission.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- Connecticut  Search this
Editors -- Connecticut  Search this
Women art critics  Search this
Administrators -- Connecticut  Search this
Topic:
Art -- Collectors and collecting  Search this
Art, American  Search this
Genre/Form:
Sketches
Drafts (documents)
Photographs
Prints
Illustrated letters
Postcards
Christmas cards
Citation:
Belle Krasne Ribicoff papers, 1942-circa 2010 bulk 1945-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.krasbell2
See more items in:
Belle Krasne Ribicoff papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91c413ec6-93d1-49eb-aefe-563ddcb130b4
EDAN-URL:
ead_collection:sova-aaa-krasbell2

Oral history interview with Margaret Scolari Barr relating to Alfred H. Barr

Interviewee:
Barr, Margaret Scolari, 1901-1987  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Museum of Modern Art (New York, N.Y.)  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Clark, Stephen C. (Stephen Carlton), b. 1882  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Hitchcock, Henry-Russell, 1903-1987  Search this
Johnson, Philip, 1906-2005  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Extent:
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1974 February 22-May 13
Scope and Contents:
An interview of Margaret Scolari Barr conducted 1974 February 22-1974 May 13, by Paul Cummings, for the Archives of American Art.
The interview primarily concerns her husband, Alfred Hamilton Barr, Jr., the director of the Museum of Modern Art, but also touches upon her childhood in Italy, her educational background, and teaching at Vassar. She discusses her husband's career with the Museum of Modern Art, including his travel and entertaining for the museum, borrowing works of art, installing exhibitions, his work methods and published writings, the Rescue Committee for European Artists in World War II, and the 1958 fire at the Museum of Modern Art. She describes Alfred Barr's firing from the Museum of Modern Art in 1943. She recalls Steven Clark, Rene D'Harnoncourt, Henry Russell Hitchcock, Philip Cortelyou Johnson, Nelson Aldrich Rockefeller, and others.
Biographical / Historical:
Margaret Scolari Barr (1901-1987) was married to Alfred Barr, the director of the Museum of Modern Art and lived in New York. Mrs. Barr taught at Vassar (Italian) and the Spence School (art history), wrote several books, and translated others. She worked closely with her husband, on numerous of his projects.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 46 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and others.
Occupation:
Art historians -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Art museum directors -- New York (State) -- New York  Search this
Topic:
Women art historians  Search this
Women educators  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.barr74
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92e8fe286-46d4-43e5-9785-b195597b3cea
EDAN-URL:
ead_collection:sova-aaa-barr74
Online Media:

Oral history interview with Luchita Hurtado

Interviewee:
Hurtado, Luchita, 1920-2020  Search this
Interviewer:
Winter, Amy H. (Amy Harriet)  Search this
Karlstrom, Paul J.  Search this
Names:
Bloch, Lucienne, 1909-1999  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Kozloff, Joyce  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Mullican, Lee, 1919-1998  Search this
Mullican, Matt, 1951-  Search this
Noguchi, Isamu, 1904-1988  Search this
Paalen, Wolfgang, 1907-  Search this
Varda, Jean  Search this
Wescher, Mary  Search this
Wescher, Paul, 1894-  Search this
Extent:
4 Sound cassettes (Sound recording (4 hrs., 15 min.), analog)
120 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Date:
1994 May 1-1995 Apr. 13
Scope and Contents:
An interview of Venezuelan born American paitner, Luchita Hurtado, conducted 1994 May 1-1995 Apr. 13, by Amy Winter and Paul Karlstrom, for the Archives of American Art, Women in the Arts in Southern California Oral History Project.
1994 May 1 session: The interview focuses on Hurtado's family background; years with her second husband, artist and collector Wolfgang Paalen; the surrealist artist group, Dynaton, living and traveling in Mexico with Paalen, moving to San Francisco and her relationships with artists, collectors; influences on her painting; and Surrealism. Among those mentioned are Rufino and Olga Tamayo, Isamu Noguchi, Gordon Onslow Ford, Jacqueline Johnson, Frida Kahlo, Remedios Varos, Leonora Carrington, Edward James, Lucienne Bloch, Stephen Dimitroff, Grace McCann Morley, Sybil Moholy-Nagy, Jack and Frank Stauffacher, James Broughton, Rene d'Harnoncourt, Julius Karlebach, Herbert (Joe) Spinden, and Robert Motherwell.
April 13, 1995 session: Hurtado continues with a focus on the California years, discussing her reasons for settling there, the Dynaton group and her circle of friends; her third husband, Lee Mullican; the birth of her son Matthew Mullican; her work; California and Mexican imagery; importance of experience and senses, particularly smell, to her creativity and work; importance of her family; and difficulties of pursuing art as a career for a woman, wife and mother; and life in Taos, N.M. She recalls Jean Varda, Shiela and Giles Healey, Mary and Paul Wescher, and Joyce Kozloff.
Biographical / Historical:
Luchita Hurtado (1920-2020) was a painter from Santa Monica, Calif. and Arroyo Seco, N.M. She was born in Caracas, Venezuela.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview was provided by the Margery and Harry Kahn Philanthropic Fund of the Jewish Communal Fund of New York.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- California  Search this
Painters -- New Mexico  Search this
Topic:
Surrealism  Search this
Latino and Latin American artists  Search this
Women artists  Search this
Women painters  Search this
Identifier:
AAA.hurtad94
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw910b296f3-4547-441b-bfe3-61b8aa7c45e7
EDAN-URL:
ead_collection:sova-aaa-hurtad94
Online Media:

Oral history interview with Dorothy C. Miller

Interviewee:
Miller, Dorothy Canning, 1904-2003  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Federal Art Project  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander, 1898-1976  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Evans, Walker, 1903-1975  Search this
Feininger, Lyonel, 1871-1956  Search this
Graves, Morris, 1910-  Search this
Nevelson, Louise, 1899-1988  Search this
Phillips, Duncan, 1886-1966  Search this
Pollock, Jackson, 1912-1956  Search this
Rivera, Diego, 1886-1957  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Rothko, Mark, 1903-1970  Search this
Tobey, Mark  Search this
Warburg, Edward M. M.  Search this
Extent:
260 Pages (Transcript)
18 Items (sound files (20 hrs., 42 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1970 May 26-1971 Sept. 28
Scope and Contents:
An interview of Dorothy Miller conducted 1970 May 26-1971 Sept. 28, by Paul Cummings, for the Archives of American Art.
Miller speaks of her childhood and family background; the beginning of her career in museums; her first trip to Europe; the Depression and its effect on the art world; the establishment of the WPA Federal Art Project; the scandal over the Diego Rivera mural in Rockefeller Center; getting started with the Museum of Modern Art in its early years; working with Alfred Barr; early exhibitions at the MOMA; meeting Mark Tobey and Morris Graves; meeting Holger Cahill; Cahill's background; Cahill's involvement with the WPA Federal Art Project, and the Project's early years; post-war changes in American art and the post-war years at the MOMA; Shaker design; some of her colleagues at the MOMA.
She recalls Duncan Phillips, Rene D'Harnoncourt, Jackson Pollock, Edward M.M. Warburg, Nelson Rockefeller, Mark Rothko, Louise Nevelson, Alexander Calder, Lyonel Feininger, Walker Evans, and Edwin Dickinson.
Biographical / Historical:
Dorothy C. Miller (1904-2003) was an art museum curator from New York, N.Y.
General:
Originally recorded on 10 sound tape reel. Reformatted in 2010 as 18 digital wav files. Duration is 20 hrs., 42 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Available on microfilm.
Occupation:
Art museum curators -- New York (State) -- New York  Search this
Topic:
Women museum curators  Search this
Function:
Art museums -- New York (State)
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.miller70
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw940c85ded-d241-4018-8248-4f24388f12e3
EDAN-URL:
ead_collection:sova-aaa-miller70

Cover to Domingos Mexicanos

Creator:
D'Harnoncourt, Rene, 1901-1968  Search this
Type:
Printed Materials
Date:
192-?
Citation:
Rene D'Harnoncourt. Cover to Domingos Mexicanos, 192-?. René d'Harnoncourt papers, 1921-1983. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)12370
See more items in:
René d'Harnoncourt papers, 1921-1983
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12370
Online Media:

Arts of the South seas by Ralph Linton and Paul S. Wingert in collaboration with Rene d'Harnoncourt ; color illustrations by Miguel Covarrubias

Author:
Linton, Ralph 1893-1953  Search this
Author:
Wingert, Paul S (Paul Stover) 1900-1974  Search this
D'Harnoncourt, Rene 1901-1968  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Physical description:
199 pages illustrations (some color), maps 26 cm
Type:
Books
Ausstellung
New York (NY, 1946)
Place:
Oceania
Océanie
Australia
Ozeanien
New York (NY)
Date:
1946
Topic:
Art, Pacific Island  Search this
Art  Search this
Ethnology  Search this
Art océanien  Search this
Ethnologie  Search this
Art - Rock engraving  Search this
Art - Bark painting  Search this
Art - Rock painting  Search this
Art - Drawing  Search this
Art - Body art  Search this
Art - Sand and ground design  Search this
Weapons - Shields  Search this
Weapons - Boomerangs  Search this
Art - Painting - Bark  Search this
Art - Rock art - Painting  Search this
Art - Rock art - Engraving  Search this
Kunst  Search this
Ausstellung  Search this
Art, Australian  Search this
Call number:
N7410 .L76
N7410.L76
Restrictions & Rights:
Co-author: in collaboration with rene d'harnoncourt Color illustrations by miguel covarrubias
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_53411

Jack Levine papers

Creator:
Levine, Jack, 1915-2010  Search this
Names:
American Academy and Institute of Arts and Letters  Search this
Jewish Museum (New York, N.Y.)  Search this
Arms, John Taylor, 1887-1953  Search this
Barnet, Will, 1911-2012  Search this
Bloom, Hyman, 1913-  Search this
Bocour, Leonard, 1910-1993  Search this
Cadmus, Paul, 1904-1999  Search this
Close, Chuck, 1940-  Search this
Coen, Eleanor, 1916-  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Dobkin, Alexander, 1908-  Search this
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Friedan, Betty  Search this
Gikow, Ruth, 1915-1982  Search this
Goodrich, Lloyd, 1897-1987  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hirsch, Joseph, 1910-1981  Search this
Lasansky, Mauricio, 1914-  Search this
Lawrence, Jacob, 1917-2000  Search this
Lee, Gypsy Rose, 1914-1970  Search this
Levine, David, 1926-2009  Search this
Paul VI, Pope, 1897-1978  Search this
Peterdi, Gabor  Search this
Probst, Joachim  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Simon, Sidney, 1917-  Search this
Sorini, Emiliano  Search this
Soyer, Raphael, 1899-1987  Search this
Terkel, Studs, 1912-2008  Search this
Tooker, George, 1920-2011  Search this
Updike, John  Search this
Weber, Max, 1881-1961  Search this
Yevtushenko, Yevgeny Aleksandrovich, 1933-  Search this
Extent:
3.2 Linear feet
Type:
Collection descriptions
Archival materials
Student drawings
Photographs
Scrapbooks
Drawings
Date:
1923-1999
Summary:
The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.
Scope and Contents:
The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.

Found within the papers are two driver's licenses and several biographical accounts, and scattered letters from colleagues including one each from John Taylor Arms, Hyman Bloom, Leonard Bocour, René d'Harnoncourt, Lloyd Goodrich, Jacob Lawrence, and Homer Saint-Gaudens discussing various art-related events. There is only one carbon copy of a letter written by Levine. The correspondence includes oversized photographs of the members of the American Academy of Arts and Letters. Additional photographs of the members are found in the Photograph series.

Notes and writings are primarily typescripts about Jack Levine written by others. There is also a transcript of one speech, "Jack Levine Speaks Regarding the Donation of 108 of his Drawings to the Archives" delivered by Levine at the Fogg Art Museum.

Artwork consists entirely of Levine's student drawings including anatomical studies, neighborhood genre scenes, copies of Old Masters, and a series of images of symphony musicians. Some of the drawings display themes that are reflected in his later paintings.

Three scrapbooks contain clippings that document Levine's career and reflect his political interests. Additional printed material consists of a comprehensive collection of clippings and exhibition announcements and catalogs. There is also an announcement for a lecture by Levine, press releases, calendars of events, reproductions of artwork, programs, brochures including one for Facing East, a portfolio of Levine's prints, and three books.

Photographs include numerous photographs of Levine throughout his artistic career, including images of his wife, painter Ruth Gikow, their daughter Susanna, and colleagues including Hyman Bloom, Leonard Bocour, Alexander Dobkin, Joachim Probst, and Russian poet Yevgeny Yevtushenko. Especially notable is a series of photographs of Levine printmaking with Emiliano Sorini and Ruth Gikow.

There are photographs of Levine serving on art juries and panels with Eleanor Coen, Joseph Hirsch, Gabor Peterdi, Studs Terkel, and Max Weber, and attending events with Lawrence Fleischman, Betty Friedan, Edith Halpert, Mauricio Lasansky, Gypsy Rose Lee, Pope Paul VI, and Raphael Soyer. A small album contains photographs of Levine and various buildings in Boston. There are also photographs of miscellaneous exhibition installations including Levine's retrospective at the Jewish Museum, and of artwork by Levine and others.

Group photographs of the members of the American Academy of Arts and Letters are found here, and include Will Barnet, Paul Cadmus, Chuck Close, David Levine, George Tooker, and John Updike. Additional group photographs of the members that were originally enclosed with letters are found in the correspondence series.
Arrangement:
The collection is arranged as 7 series:

Missing Title

Series 1: Biographical Material, 1953-1955 (Box 1; 1 folder)

Series 2: Letters, 1946-1996 (Boxes 1, 5; 12 folders)

Series 3: Notes and Writings, 1961-1974 (Box 1; 6 folders)

Series 4: Artwork, 1923-1931 (Boxes 1, 5, OV 6; 11 folders)

Series 5: Scrapbooks, 1936-1962 (Boxes 1, 5; 16 folders)

Series 6: Printed Material, 1938-1999 (Boxes 1-3, 5, OV 6; 1.9 linear feet)

Series 7: Photographs, 1940-1998 (Boxes 3-5, OV 6; 52 folders)
Biographical / Historical:
Jack Levine (1915-2010) was born in Boston, Massachusetts and worked as painter and printmaker primarily in New York City. Levine was one of the leading painters and advocates of the Social Realism School of the late 1930s.

Jack Levine was the youngest of the eight children of Lithuanian Jewish parents, Mary Grinker and Samuel Levine. After the family moved from the South End of Boston to Roxbury in 1923, Levine began to study drawing under Harold Zimmerman at the School of the Boston Museum of Fine Arts. By 1929, Levine was studying painting under Denman Ross of the Fogg Art Museum.

From 1935-1940, Levine received U.S. government support from the federal Works Progress Administration. His first exhibition of paintings in New York City was at the Museum of Modern Art. In 1937, he painted The Feast of Pure Reason, a satire of Boston political power. Together with Ben Shahn, Levine became a leading exponent of the Social Realism School of the late 1930s. His first one-man show was held at the Downtown Gallery in New York City in 1938.

After serving in the U.S. Army during World War II, Levine was awarded a Guggenheim Fellowship in 1945, and a grant from the American Academy of Arts and Letters the following year. Also in 1946, Levine married painter Ruth Gikow and moved to New York City. Between 1950 and 1951, he was a Fulbright Fellow working in Rome where he was inspired by Old Master paintings. In the 1960s Levine's interest in printmaking intensified and he was instructed in creating intaglio prints by Emiliano Sorini, and was introduced to Abe Lublin who was associated with the New York Graphic Society.

Levine taught at the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts, the American Art School in New York, and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Metropolitan Museum, the Museum of Modern Art, the Whitney Museum of American Art, Boston Museum of Fine Arts, and the Fogg Art Museum. He was a member of the American Academy of Arts and Letters from 1956 on.

The D.C. Moore Gallery in New York City currently represents the Estate of Jack Levine.
Provenance:
Jack Levine donated his papers to the Archives in 1962, 1978, and 1999.
Restrictions:
Use of original papers requires an appointment and limited to the Washington, D.C. Reference Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painting, American  Search this
Social realism  Search this
Painters -- Massachusetts -- Boston  Search this
Jewish artists  Search this
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- United States  Search this
Printmakers -- New York (State) -- New York  Search this
Genre/Form:
Student drawings
Photographs
Scrapbooks
Drawings
Citation:
Jack Levine papers, 1923-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.levijack
See more items in:
Jack Levine papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ee98ce56-1333-40b7-8878-654a12f9024b
EDAN-URL:
ead_collection:sova-aaa-levijack
Online Media:

René d'Harnoncourt papers

Creator:
D'Harnoncourt, Rene, 1901-1968  Search this
Names:
American Federation of Arts  Search this
Art in America  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Sarah Lawrence College -- Faculty  Search this
United States. Indian Arts and Crafts Board  Search this
Alvarez Bravo, Manuel, 1902-  Search this
Covarrubias, Miguel, 1904-1957  Search this
Durieux, Caroline, 1896-1989  Search this
Fosado, Víctor  Search this
Klumb, Henry, 1905-1984  Search this
Marriott, Alice  Search this
Tantaquidgeon, Gladys Iola  Search this
d'Harnoncourt, Sarah  Search this
Extent:
2.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Scrapbooks
Drawings
Place:
Mexico -- description and travel
Date:
1921-1983
Summary:
The papers of Austrian born curator, lecturer, and museum director, René d'Harnoncourt (1901-1968), document d'Harnoncourt's activities, primarily in the 1930s and 1940s, particularly as they relate to Mexican and Native American art. D'Harnoncourt's career, including his arrival in Mexico in 1925, his curation of the exhibitions, Mexican Art (1930-1932), and Indian Art of the United States (1941), and his work for the Department of the Interior's Indian Arts and Crafts Board from 1937-1944, are documented in small amounts of biographical material and correspondence, published writings, printed material, scrapbooks, photographs of d'Harnoncourt and colleagues, and photographs of works of art. The collection also contains a drawing of d'Harnoncourt, and photocopies of caricatures of d'Harnoncourt and others.
Scope and Contents:
The papers of Austrian-American curator, lecturer, and museum director, René d'Harnoncourt (1901-1968), document d'Harnoncourt's activities, primarily in the 1930s and 1940s, particularly as they relate to Mexican and Native American art. D'Harnoncourt's career, including his arrival in Mexico in 1925, his curation of the exhibitions, Mexican Art (1930-1932), and Indian Art of the United States (1941), and his work for the Department of the Interior's Indian Arts and Crafts Board from 1937-1944, are documented in small amounts of biographical material and correspondence, published writings, printed material, scrapbooks, photographs of d'Harnoncourt and colleagues, and photographs of works of art. The collection also contains a drawing of d'Harnoncourt, and photocopies of caricatures of d'Harnoncourt and others.

Biographical material consists of d'Harnoncourt's official Austrian departure documents for his travel to Mexico in 1925; pages of an appointment book from 1932; and notes on d'Harnoncourt's career that index publications in which he is mentioned amongst other things, prepared by Sarah d'Harnoncourt.

Correspondence and memoranda relate primarily to the Mexican Arts exhibition, (1930-1932) sponsored by the American Federation of Arts; the "Art in America" radio program, organized by the American Federation of Arts with the cooperation of the Museum of Modern Art; d'Harnoncourt's part time teaching position at Sarah Lawrence College in Bronxville; and his appointment as General Manager of the Indian Arts and Crafts Board. Later correspondence references research on d'Harnoncourt's work for the Indian Arts and Crafts Board, and includes information on d'Harnoncourt, provided in response to inquiries about him.

Writings by d'Harnoncourt include published articles on Mexican and Indian arts and crafts, a 1969 reprint of d'Harnoncourt's and Frederic H. Douglas's expanded version of the catalog for Indian Art of the United States, a foreword, and two seminar/symposium papers. Unpublished writings comprise two typescripts. The series also includes several writings by others.

Printed material includes announcements and exhibition catalogs, documentation of the "Art in America Program," published books belonging to and/or referencing d'Harnoncourt, Department of Interior publications, including some issued by the Indian Arts and Crafts Board, Museum of Modern art press releases, news clippings relating to d'Harnoncourt and his activities, and miscellaneous printed material.

Additional clippings from a dismantled scrapbook(s) document the Mexican Arts exhibition.

Artwork and artifacts include one original sketch in colored pencil of d'Harnoncourt by Austrian artist, Silverbauer, photocopies of caricatures and doodles by d'Harnoncourt, Miguel Covarrubias, and Caroline Durieux, and two Indian Arts and Crafts Board weaving samples.

Photographs are of d'Harnoncourt, Sarah d'Harnoncourt, and friends and colleagues. They include a photograph of d'Harnoncourt by Manuel Alvarez-Bravo; snapshots of others including Fred Davis; Sarah d'Harnoncourt and folk art specialist, Victor Fosado; fellow Indian Arts and Crafts Board members, architect Henry Klumb, Alice Marriot, and anthropologist, author, and tribal council member, Gladys Tantaquidgeon. Also found are three photographs of Mexican Art exhibition installations; fourteen photographs of Native Americans; three photographs showing covers and/or fronts pieces of d'Harnoncourts books Beast, Bird and Fish, Mexicana, The Hole in the Wall, and The Painted Pig; and photographs of artwork included in the Mexican Art exhibition and an exhibition of Australian Aboriginal Cave Paintings (1947).
Arrangement:
The collection is arranged as seven series.

Missing Title

Series 1: Biographical Material, 1925-circa 1978 (5 folders; Box 1)

Series 2: Correspondence and Memoranda, 1929-1981 (5 folders; Box 1)

Series 3: Writings, 1928-circa 1970s (0.4 linear feet; Box 1, OV 4)

Series 4: Printed Material, 1921-1979 (1.1 linear feet; Boxes 1-2, OV 4)

Series 5: Scrapbooks, 1930-1933 (0.3 linear feet; Box 2)

Series 6: Artwork and Artifacts, circa 1926-circa 1950s (3 folders; Box 3)

Series 7: Photographs, 1930-1983 (0.25 linear feet; Box 3, OV 4)
Biographical / Historical:
Austrian born curator, lecturer, and museum director, René d'Harnoncourt (1901-1968), was an authority on Native American art and Mexican arts and crafts. He curated and toured with a traveling exhibition, Mexican Art, from 1930-1932, guest curated the exhibition, Indian Art of the United States, for the Museum of Modern Art in 1941, served on the Department of the Interior's Indian Arts and Crafts Board from 1937-1944, and was Director of the Museum of Modern Art from 1949-1968.

D'Harnoncourt was born in Vienna, Austria, in 1901. He left Austria for Mexico in 1925, and began working for American, Frederick Davis, who owned a shop that sold Mexican antiquities and folk art in Mexico City. At this time, d'Harnoncourt made many important connections, including meeting American Ambassador to Mexico, Dwight Morrow, and his wife, Elizabeth Morrow. D'Harnoncourt illustrated several books in the early 1930s, including The Painted Pig (1930) and Beast, Bird and Fish (1933), both written by Elizabeth Morrow, and The Hole in the Wall (1931) and Mexicana: A Book of Pictures (1931). According to Sarah d'Harnoncourt, her husband considered himself an amateur in the field of book illustration, which he enjoyed as a means of self-amusement.

In 1929, d'Harnoncourt was asked to curate an extensive exhibition of Mexican art to travel to major cities in the United States, sponsored by the American Federation of Arts. D'Harnoncourt toured with this exhibition, Mexican Art, for two years, beginning at the Metropolitan Museum of Art in October, 1930.

D'Harnoncourt visited Austria briefly in 1932, then returned to the United States in 1933 and married Sarah Carr the same year. He became a naturalized United States citizen in 1939.

Between 1933 and 1944, d'Harnoncourt directed the radio program "Art in America," organized by the American Federation of Arts in cooperation with the Museum of Modern Art. He also taught art history at Sarah Lawrence College from 1934-1937. In 1936 he began working for the Indian Arts and Crafts Board of the Department of the Interior, becoming General Manager in 1937, and the Board's Chairman in 1944. As General Manager he curated an exhibition on Indian art for the San Francisco Golden Gate International Exposition in 1939, and installed an expanded version of the exhibition, Indian Art of the United States, as guest curator for the Museum of Modern Art in 1940-1941.

In 1944, d'Harnoncourt joined the Museum of Modern Art as Vice President in charge of Foreign Activities, focusing his work on Latin America, and as Director of the Department of Manual Industries, responsible for the preservation of Native American art and culture. In 1949 he was appointed Director of the Museum of Modern Art, and served in this capacity until his death in an automobile accident in 1968.
Related Materials:
An oral history of René d'Harnoncourt, interviewed by Isabel Grossner in 1968, can be found at Columbia University, Oral History Research Office, 801 Butler Library, 535 West 114 Street, New York, NY 10027.
Separated Materials:
The bulk of René d'Harnoncourt's papers are in the Museum Archives of the Museum of Modern Art. The Museum's 59.25 linear feet document, in particular, d'Harnoncourt's years with the Museum from 1944-1968. That collection also includes papers donated by Sarah d'Harnoncourt which relate to d'Harnoncourt's time in Mexico, from 1925-1932, and his work in the United States from 1933-1944. While these holdings may overlap occasionally with the papers in the Archives of American Art (some items at the Archives of American Art, for instance, may be photocopies of originals at the Museum), the bulk of the Archives' d'Harnoncourt papers appear to be distinct from those at the Museum.

The Archives of American Art also holds microfilm of material lent for microfilming (reels 2919-2931) including papers generated by d'Harnoncourt during his professional affiliation with the Museum of Modern Art, such as, personal files, three appointment notebooks, professional files including Latin American correspondence, exhibition files, files documenting outside affiliations, and departmental and special event files. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
D'Harnoncourt's widow, Sarah d'Harnoncourt, donated the René d'Harnoncourt papers to the Archives of American Art in 1975, 1981, and 1984. An additional eleven linear feet of material was lent by the Museum of Modern Art's for microfilming in 1983.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
Reels 2919-2931: Authorization to publish requires written permission from Museum of Modern Art, New York, N.Y. MoMA requires full citation to include microfilm reel and frame numbers, and reference to MoMA as the owner of the Rene d'Harnoncourt papers. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art museum directors -- New York (State) -- New York  Search this
Art, Mexican  Search this
Art, Aboriginal Australian  Search this
Art -- Study and teaching  Search this
Latino and Latin American artists  Search this
Indian art -- Exhibitions  Search this
Cave paintings -- Austrailia  Search this
Curators -- New York (State) -- New York  Search this
Art, Latin American  Search this
Function:
Art museums -- New York (State)
Genre/Form:
Photographs
Sketches
Scrapbooks
Drawings
Citation:
René d'Harnoncourt papers, 1921-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dharrene
See more items in:
René d'Harnoncourt papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9356d27d9-b5c7-460b-aed6-eb1caf6be354
EDAN-URL:
ead_collection:sova-aaa-dharrene
Online Media:

Correspondence and Memoranda

Collection Creator:
D'Harnoncourt, Rene, 1901-1968  Search this
Container:
Box 1, Folder 8
Type:
Archival materials
Date:
1932-1939
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Reels 2919-2931: Authorization to publish requires written permission from Museum of Modern Art, New York, N.Y. MoMA requires full citation to include microfilm reel and frame numbers, and reference to MoMA as the owner of the Rene d'Harnoncourt papers. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
René d'Harnoncourt papers, 1921-1983. Archives of American Art, Smithsonian Institution.
See more items in:
René d'Harnoncourt papers
René d'Harnoncourt papers / Series 2: Correspondence and Memoranda
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92317c9c7-e3a4-4bc9-9bdc-8bb1eeb4fecc
EDAN-URL:
ead_component:sova-aaa-dharrene-ref25

Correspondence and Memoranda

Collection Creator:
D'Harnoncourt, Rene, 1901-1968  Search this
Container:
Box 1, Folder 9
Type:
Archival materials
Date:
1940-1945
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Reels 2919-2931: Authorization to publish requires written permission from Museum of Modern Art, New York, N.Y. MoMA requires full citation to include microfilm reel and frame numbers, and reference to MoMA as the owner of the Rene d'Harnoncourt papers. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
René d'Harnoncourt papers, 1921-1983. Archives of American Art, Smithsonian Institution.
See more items in:
René d'Harnoncourt papers
René d'Harnoncourt papers / Series 2: Correspondence and Memoranda
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c1254837-c826-44dc-85ba-894f4dd73cf5
EDAN-URL:
ead_component:sova-aaa-dharrene-ref26

Art in America Program

Collection Creator:
D'Harnoncourt, Rene, 1901-1968  Search this
Container:
Box 1, Folder 31
Type:
Archival materials
Date:
1934-1935
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Reels 2919-2931: Authorization to publish requires written permission from Museum of Modern Art, New York, N.Y. MoMA requires full citation to include microfilm reel and frame numbers, and reference to MoMA as the owner of the Rene d'Harnoncourt papers. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
René d'Harnoncourt papers, 1921-1983. Archives of American Art, Smithsonian Institution.
See more items in:
René d'Harnoncourt papers
René d'Harnoncourt papers / Series 4: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9853a5de3-0a72-49f8-b098-42fc34d07cec
EDAN-URL:
ead_component:sova-aaa-dharrene-ref85

Charles Hapgood papers

Creator:
Hapgood, Charles  Search this
Names:
Collier, John, 1884-1968  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Hudgens, Robert Watts, 1896-1973  Search this
Roosevelt, Eleanor, 1884-1962  Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1938-1950
Summary:
The papers of educator and arts administrator Charles Hapgood measure 0.4 linear feet and date from 1938 to 1950. The majority of the collection relates to Hapgood's role as the executive secretary of President Franklin D. Roosevelt's Crafts Commission working to establish a national crafts plan. The collection includes correspondence, reports, notes on meetings and conferences, and research material in files for William Boogar, John Collier (Commissioner of Indian Affairs), René d'Harnoncourt, R. W. Hudgens (Farm Security Administration), Mary LaFollette, Franklin D. and Eleanor Roosevelt, Albert Wood, and others.
Scope and Contents:
The papers of educator and arts administrator Charles Hapgood measure 0.4 linear feet and date from 1938 to 1950. The majority of the collection relates to Hapgood's role as the executive secretary of President Franklin D. Roosevelt's Crafts Commission working to establish a national crafts plan. The collection includes correspondence, reports, notes on meetings and conferences, and research material in files for William Boogar, John Collier (Commissioner of Indian Affairs), René d'Harnoncourt, R. W. Hudgens (Farm Security Administration), Mary LaFollette, Franklin D. and Eleanor Roosevelt, Albert Wood, and others.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Charles Hapgood (1904-1982) was an educator and arts administrator in Provincetown, Massachusetts.

Hapgood was born to writers Hutchins Hapgood and Neith Boyce. In 1929, he received a master's degree in history from Harvard University. From the mid-1940s to 1967, he taught history at several colleges including Keystone College, Springfield College, and New England College. In the years before World War II Hapgood served as executive secretary of the Crafts Commission under President Franklin D. Roosevelt, working to establish a national crafts plan that would operate similarly to the Federal Art Project. The efforts of the Craft Commission came to a standstill, however, with the outbreak of the war.

Hapgood died in 1982 in Greenfield, Massachusetts.
Related Materials:
Also in the Archives of American Art is an interview with Miriam Hapgood DeWitt conducted 1987-1988, by Robert F. Brown, for the Archives of American Art.
Provenance:
The collection was transferred from the NCFA Library, Smithsonian Institution on June 6, 1979.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- Massachusetts  Search this
Educators -- Massachusetts  Search this
Topic:
American studio craft movement  Search this
Citation:
Charles Hapgood papers, 1938-1950. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hapgchar
See more items in:
Charles Hapgood papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dd6250dd-9c8c-4c25-9a3c-565f7d0e99f3
EDAN-URL:
ead_collection:sova-aaa-hapgchar
Online Media:

Jerry Bywaters papers

Creator:
Bywaters, Jerry  Search this
Names:
Dallas Art Association  Search this
Dallas Museum of Fine Arts  Search this
Albright, Ivan, 1897-1983  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Bellows, Emma Louise Story  Search this
Benton, Thomas Hart, 1889-1975  Search this
Canaday, John, 1907-1985  Search this
Cisneros, José, 1910-  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Dobie, J. Frank (James Frank), 1888-1964  Search this
Goodrich, Lloyd, 1897-1987  Search this
Hertzog, Carl  Search this
Hurd, Peter, 1904-1984  Search this
Kimball, Fiske, 1888-1955  Search this
Lea, Tom, 1907-  Search this
Mayor, A. Hyatt (Alpheus Hyatt), 1901-1980  Search this
Nicholson, Ben, 1894-  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Wyeth, Andrew, 1917-2009  Search this
Zorach, William, 1887-1966  Search this
Interviewee:
Cullinan, Nina J., 1896 or 9-1983  Search this
Staub, John F., 1892-  Search this
Extent:
1 Linear foot ((on 6 microfilm reels))
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1936-1978
Scope and Contents:
The papers of Jerry Bywaters measure 1.0 linear feet and date from 1936 to 1978. The papers document Bywaters' career as a painter and art historian through a resume, interviews, and other professional activity material; artist files consisting of interviews, resumes, clippings, and photographs of works for various artists; and exhibition announcements, catalogs, and other printed material.

Professional activity consists of a resume, an interview with Maria Redelsperger, two interviews which are mostly an account of Bywaters' life than actual interviews, and photographs of Bywaters and his artwork.

Artist files consist of files on various artists Bywaters researched during his career. Materials include, resumes, clippings, exhibition announcements and catalogs, interviews, and photographs of the artists or some of their works. Also included are two oral interviews with architect John Staub and Nina Cullinan who was associated with the Museum of Fine Arts, Houston. Bywaters did not conduct these interviews.

Printed material consists of exhibition announcements, exhibition catalogs, and and the article, "Art Museums: Repositories, or Creative Centers?" written by Bywaters.
REELS 1512-1513: Correspondence, ca. 1950-1979, with artists, museum personnel, writers, and others; biographical data; a 20 p. transcript of an interview of Bywaters by Marla Redelsperger, October 3, 1975; a 2 part "Autobiographical Sketch With Slides of Works" delivered June 18, 1975, in Dallas; a monograph by Bywaters, ART MUSEUMS: REPOSITORIES OR CREATIVE CENTERS; exhibition catalogs of the Dallas Museum of Fine Arts; printed material about Bywaters; a personal photograph and photos of his works. Among the correspondents are Ivan Le Lorraine Albright, Alfred Barr, Mrs. George Bellows, Thomas Hart Benton, John Canaday, Jose Cisneros, René d'Harnacourt, J. Frank Dobie, Lloyd Goodrich, Carl Hertzog, Peter Hurd, Fiske Kimball, Tom Lea, A. Hyatt Mayor, Ben Nicholson, Georgia O'Keeffe, Andrew Wyeth, and William Zorach.
REELS 1648-1649: Files on 55 Texas artists, containing biographical material, photographs, and catalogs. The files were the result of Bywaters' solicitation of information as director of the Dallas Museum of Fine Arts and as a field worker for the Archives of American Art's Texas Documentation Pilot Project. Artists include: Jose Arpa, Henri Bert Bartscht, Keveau Bassett, John Biggers, Son Bradley, Milesio Casas, Cecil Long Casebier, Pat Colville, Ben L. Culwell, George Dahl, Otis Dozier, Edward G. Eisenlohr, Philip Hohn Evett, Xavier Gonzales, Wilfred Higgons, Dorothy Hood, DeForrest Judd, Chapman Kelly, Edmund D. Kinzinger, Tom Lea, Amy Freeman Lee, William Lester, Jim Love, Keith McIntyre, David McManaway, Octavio Medellin, Perry Nichols, Eleanor Onderdonk, Julian Onderdonk, Robert J. Onderdonk, Robert Preusser, Stephen T. Rascoe, Frank Reaugh, William Reily, Herbert Rogalla, E. M. Schiwetz, Lawrence Scholder, Vera Simons, Everett Spruce, Tom Stell, Robert Tiemann, Allie Tennant, Chester Toney, Olin H. Travis, Charles Unlauf, Wilbert Verhelst, Donald Vogel, Donald Weismann, Ralph White, Charles T. Williams, Bill Wiman, Dan Wingren, and Roger Winter.
REELS 3752-3753: Transcripts of oral history interviews with art patron Nina Cullinan (17 p.; reel 3752), and architect John F. Staub (31 p.; reel 3753), both conducted by Susan Bodin October 23, 1975. [Original cassette tapes are with the collection: Cullinan (1); Staub (2).
UNMICROFILMED: Three photographs relating to Bywaters' book Seventy-Five Years of Art in Dallas," 1978. One taken by Rogers, ca. 1918, is annotated "early art patron, Dallas," is of a woman inspecting possible purchases. Two taken by C.E. Arnold show the Dallas Fine Arts Building (destroyed in 1957) exterior, and an interior view, 1920, showing the Dallas Art Association permanent collection.
Biographical / Historical:
Jerry Bywaters (1906-1989) was an American artist, university professor, museum director, art critic and a historian of the Texas region. Based in Dallas, Bywaters worked to elevate the quality of Texas art, attracting national recognition to the art of the region. Bywaters was born in Paris, Texas in 1906, and he studied English at Southern Methodist University. In 1927 he began studying art While traveling through Europe, and he went on to study at Old Lyme Art Colony in Connecticut and at the Art Students League in New York City. Bywaters became known for producing landscapes, still lifes and portrait paintings, as well as lithographic prints and murals. In addition, Bywaters worked as an art and art history professor at Southern Methodist University, and he served as director of the Dallas Museum of Fine Arts from 1943 to 1964. Bywaters died in 1989.
Provenance:
Donated 1979 by Jerry Bywaters except for the correspondence on reel 1512, which he lent for microfilming. Microfilmed as part of the Archives of American Art's Texas project. Three photographs were inadvertently not microfilmed.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Artists -- Texas  Search this
Museum directors -- Texas -- Dallas  Search this
Painters -- Texas -- Dallas  Search this
Topic:
Painting, American  Search this
Art patrons -- Texas -- Interviews  Search this
Architects -- Texas -- Interviews  Search this
Latino and Latin American artists  Search this
Function:
Art museums -- Texas
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bywajerr
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cee440f0-66f6-4bdd-a2bd-152e31f2b7aa
EDAN-URL:
ead_collection:sova-aaa-bywajerr

Oral history interview with Mildred Constantine

Interviewee:
Constantine, Mildred  Search this
Interviewer:
Cummings, Paul  Search this
Names:
College Art Association of America  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Drexler, Arthur  Search this
Extent:
92 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1976 May 3-1976 August 26
Scope and Contents:
An interview of Mildred Constantine conducted 1976 May 3-1976 August 26, by Paul Cummings, for the Archives of American Art.
Constantine talks about her career at College Art Association and The Museum of Modern Art in New York between 1930 and the early 1970s. She talks about the early workings of MOMA and recalls Rene d'Harnoncourt, Alfred Barr, Arthur Drexler, and others.
Biographical / Historical:
Mildred Constantine (1916-2008) was an art historian from New York, New York.
General:
Originally recorded on 3 sound tape reels. Reformatted in 2010 as 5 digital wav file. Duration is 4 hr., 5 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Curators -- New York (State) -- New York  Search this
Art consultants -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Topic:
Women museum curators  Search this
Women authors  Search this
Women art historians  Search this
Art, American  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.consta76
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cf0777ec-c995-486a-bba3-20e9b68804dc
EDAN-URL:
ead_collection:sova-aaa-consta76
Online Media:

Artwork and Artifacts

Collection Creator:
D'Harnoncourt, Rene, 1901-1968  Search this
Extent:
3 Folders (Box 3, OV 5)
Type:
Archival materials
Date:
circa 1926-circa 1950s
Scope and Contents:
Artwork includes a remnant of a drawing, probably circa 1926, of d'Harnoncourt by an Austrian artist, Silverbauer, that was cut down to be framed; and photocopies of five sketches and various doodles including a caricature by d'Harnoncourt of himself and Homer and Mary Saint-Gaudens, two caricatures by Miguel Covarrubias of d'Harnoncourt and Fred Davis, one caricature by d'Harnoncourt of Covarrubias, and a drawing of d'Harnoncourt by Caroline Durieux.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Reels 2919-2931: Authorization to publish requires written permission from Museum of Modern Art, New York, N.Y. MoMA requires full citation to include microfilm reel and frame numbers, and reference to MoMA as the owner of the Rene d'Harnoncourt papers. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
René d'Harnoncourt papers, 1921-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dharrene, Series 6
See more items in:
René d'Harnoncourt papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93d3a280d-5efd-488e-9a7f-878cc50ff2f6
EDAN-URL:
ead_component:sova-aaa-dharrene-ref11

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