Patterson, Frederick D. (Frederick Douglass), 1901-1988 Search this
Patterson, Wilhelmina Bessie, 1888-1962 Search this
Extent:
6 Linear feet (9 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Place:
Anacostia (Washington, D.C.)
Date:
1866 - 1990.
Summary:
The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.
Scope and Contents note:
The Dale-Patterson family papers, which date from 1866 to 1990 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892. The collection is comprised of correspondence, photographs, clippings, and ephemera.
Arrangement note:
The collection is arranged in four series:
Series 1: Dale-Patterson Family papers
Series 2: Charles Qualls papers
Series 3: Community Organizations
Series 4: Subject Files
Biographical/Historical note:
The Dale family came to Washington, DC in 1886 when John Henry Dale, Sr., a gifted self-taught man, obtained a position as clerk in the newly contracted Pension Bureau building at 5th and G Streets, NW. First they lived near 13th Street and Florida Avenue, NW, then moved to Howard Road in Anacostia. Dale built a house at 2619 Nichols Avenue, now Martin Luther King, Jr. Avenue, drawing the plans and supervising the construction. The Dales and only one other family lived in this solidly built house for 100 years before it was sold to a church group and demolished.
General Note:
Finding Aid Note: This finding aid is associated with a MARC collection-level record.361883
Provenance:
The Dale-Patterson Family collection was donated to the Anacostia Community Museum on April 07, 2013.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Portrait of Ashishishe or Shishi'esh, Called Curley, Scout For US Army and Sole Survivor of General George Custer's Forces At Battle of Little Big Horn (Profile)
Robinson, Franklin A., Jr., 1959- (actor) Search this
Container:
Box 64, Folder 1-4
Type:
Archival materials
Date:
1943-1957
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
Sponsor:
Preservation of the 8mm films in this collection was made possible, in part, by a grant from the National Film Preservation Fund.
National Museum of American History (U.S.). Division of Cultural History Search this
Container:
Map-folder 19
Type:
Archival materials
Date:
1947
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Division of Social and Cultural History Cinema Poster Collection, Archives Center, National Museum of American History, Smithsonian Institution.
Indians of North America -- Great Plains Search this
Type:
Collection descriptions
Archival materials
Manuscripts
Place:
Little Bighorn Battlefield (Mont.)
Date:
bulk 1905, 1907-1908
Scope and Contents:
This collection contains materials relating to Edward S. Curtis' 1907-1908 investigation into the Battle of Little Bighorn. The collection contains Curtis' notes; transcriptions of eyewitness accounts of Crow scouts Curley (as told to Chas. F. Roe, published in Army & Navy Journal, March 10, 1982) and White Man Runs Him and Cheyenne chief Two Moons; and letters from General Charles A. Woodruff, who was assigned by the U.S. Army to corroborate Curtis's findings in 1908. Also includes a 1905 letter from Francis E. Leupp, Comissioner of Indian Affairs, to Curtis
Biographical / Historical:
Edward Sheriff Curtis (1868-1952) was a photographer, known for his images of Native Americans and of the American West. In preparation for his volume on the Sioux for his 20 volume publication, The North American Indian, he investigated the details of the Battle of Little Bighorn, also known as Custer's Last Stand (June 25, 1876). He first visited the battleground in 1905 and interviewed many of the Sioux participants. He returned in 1907, and with the help of three Crow scouts who were with George Armstrong Custer that day, Curtis retraced Custer's steps on his final day. Curtis submitted a report to President Theodore Roosevelt and army officials, and upon their request, chose not to publish his findings out of deference to Custer's widow, who was alive at the time. Shortly before his death in 1952, Curtis passed on his manuscript to his son Harold with the request that he find a home for his papers. Thirty-six year later, shortly before his own death, Harold donated his father's manuscript to the National Museum of American History. Curtis' manuscript was later transferred to the National Anthropological Archives.
Local Numbers:
NAA MS 2000-18
Local Note:
See NAA vertical file under "Curtis, Edward S." for more information.
Topic:
Little Bighorn, Battle of the, Mont., 1876 Search this
Genre/Form:
Manuscripts
Citation:
Manuscript 2000-18, National Anthropological Archives, Smithsonian Institution
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Ticket agent blues --B&O blues no. 2 --It's a good little thing -- Cold winter day --Kind mama --Experience blues --Southern can mama --My baby's gone --Painful blues --Razor ball -- Stole rider blues --God don't like it --Scarey day blues -- Atlanta strut.
Track Information:
101 Ticket Agent Blues / Blind Willie McTell. Guitar.
102 B & O Blues No.2 / Blind Willie McTell, Curley Weaver. Guitar.
103 It's a Good Little Thing / Blind Willie McTell, Curley Weaver. Guitar,Bass.
205 God Don't Like It / Blind Willie McTell, Ruth Willis. Guitar.
206 Scarey Day Blues / Blind Willie McTell, Ruth Willis. Guitar.
207 Atlanta Strut / Blind Willie McTell, Ruth Willis. Guitar.
Local Numbers:
FW-ASCH-LP-2916
Yazoo.1037
Publication, Distribution, Etc. (Imprint):
New York Yazoo
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
National Air and Space Museum. Archives Division. Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
Recorded in: Washington (D.C.), United States, June 25, 1976.
General:
155-1/6-76
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Shady grove--Way downtown--Budded roses--Little hillside--Carroll County blues--Instrumental--Storms are on the ocean--Curley headed baby--Fly around my pretty little miss--Daniel prayed--Amazing grace
Recorded in: Los Angeles (Calif.), California, United States, April 8, 1962.
General:
CDR copy
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The old swinging bridge -- Black Mountain rag (Glen Neaves and the Grayson County Boys) -- This world can't stand long -- Wicked path of sin (Stoney Cooper and Wilma Lee) -- Ain't no grave gonna hold my body down -- I'll be no stranger there (the Caudill Family) -- Little glass of wine (Stanley Brothers) -- Better late than never (Buster Pack and his Lonesome Pine Boys) --Weary hobo -- Just a memory (Pee Wee Lambert and Curly Parker with their Pine Ridge Boys) -- The bright crystal sea -- Where will you spend eternity? (Cecil Surratt and his West Virginia Ramblers) -- Rattlesnke daddy (the Bailey Brothers and the Happy Valley Boys) -- Hallelujah we shall rise (the Sauceman Brothers with their Hillbilly Ramblers Quartet) -- Long time no see --Tennessee boy (Frank Hunter and his Black Mountain Boys.
Track Information:
101 The Old Swinging Bridge / Grayson County Boys (Musical group), Glen Neaves.
102 Black Mountain Rag / Grayson County Boys (Musical group), Glen Neaves.
103 This World Can't Stand Long / Wilma Lee Cooper, Stoney Cooper.
104 Wicked Path of Sin / Wilma Lee Cooper, Stoney Cooper.
105 Ain't No Grave Gonna Hold My Body Down / Caudill Family.
106 I'll Be No Stranger There / Caudill Family.
107 Little Glass of Wine / Stanley Brothers.
108 Better Late Than Never / Pack, Buster and the Lonesome Pine Boys.
207 Long Time No See / Frank Hunter and the Black Mountain Band.
208 Tennessee Boy / Frank Hunter and the Black Mountain Band.
Local Numbers:
FP-RINZ-LP-0506
Rounder.1017
Publication, Distribution, Etc. (Imprint):
Cambridge, MA Rounder
Date/Time and Place of an Event Note:
Recorded in: Johnson City (Tenn.), Tennessee, United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Turn Your Radio On / Curley Sechler, Tommy Scott. Banjo,Guitar,Mandolin.
102 Joy Bells in My Soul / Curley Sechler, Tommy Scott. Banjo,Guitar,Mandolin.
103 Some Glad Day / Curley Sechler, Tommy Scott. Banjo,Guitar,Mandolin.
104 Drifting Too Far from the Shore / Curley Sechler, Tommy Scott. Banjo,Guitar,Mandolin.
105 Give Me the Roses While I Live / Curley Sechler, Tommy Scott. Banjo,Guitar,Mandolin.
106 I've Got a Home in Beulah Land / Curley Sechler, Tommy Scott. Banjo,Guitar,Mandolin.
201 Don't Say Goodbye if You Love Me / Curley Sechler, Tommy Scott. Banjo,Guitar,Mandolin.
202 Sweet Woman Blues / Curley Sechler, Tommy Scott. Banjo,Guitar,Mandolin.
203 Won't it Be Wonderful There / Curley Sechler, Tommy Scott. Banjo,Guitar,Mandolin.
204 Deep Elem Blues / Curley Sechler, Tommy Scott. Banjo,Guitar,Mandolin.
205 Whoa Mule / Curley Sechler, Tommy Scott. Banjo,Guitar,Mandolin.
206 Routine with Luke McLuke / Curley Sechler, Tommy Scott.
Local Numbers:
FP-RINZ-LP-2033
Old Homestead.125
Publication, Distribution, Etc. (Imprint):
Brighton, MI Old Homestead 1941
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sidney C. Woodward papers, 1823-1963, bulk 1915-1932. Archives of American Art, Smithsonian Institution.
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
