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National Academy of Design records

Creator:
National Academy of Design (U.S.)  Search this
Names:
American Federation of Arts  Search this
Abbey, Edwin Austin, 1852-1911  Search this
Durand, Asher Brown, 1796-1886  Search this
Lanyon, Ellen  Search this
Ranger, Henry Ward, 1858-1916  Search this
Extent:
92.7 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Scrapbooks
Interviews
Date:
1817-2012
Summary:
The records of New York City's National Academy of Design measure 92.7 linear feet and date from 1817-2012. The records pertain to all three constituents of the tripartite organization consisting of the Academy, a membership body of artists founded in 1825; the school, founded at the same time to promote arts education; and the exhibition program, inaugurated in 1826. Extensive administrative records include minutes, committee files, director files, annual reports, constitutions, and correspondence and subject files of council officers. Exhibition records, also substantive, date to the Academy's first annual exhibition and include gallery and special exhibitions, as well as exhibitions at the Academy's museum, established in 1979. The collection also includes gifts and funding files, especially relating to endowments and prizes; membership records; National Academy Association records; Ranger Fund assignments; extensive files pertaining to the school's administration, courses of instruction, registrations, and attendance; twenty scrapbooks containing clippings and ephemera; Society of American Artists records; correspondence and ephemera from other organizations; transcripts from oral histories with Academy members; extensive photographic material documenting artists, members, the school, exhibitions, buildings, and artwork created by Academy members; artist files containing correspondence, writings, and sketches from those associated with the Academy; and assorted printed material and ephemera.
Scope and Contents:
The records of New York City's National Academy of Design measure 92.7 linear feet and date from 1817-2012. The records pertain to all three constituents of the tripartite organization consisting of the Academy, a membership body of artists founded in 1825; the school, founded at the same time to promote arts education; and the exhibition program, inaugurated in 1826. Extensive administrative records include minutes, committee files, director files, annual reports, constitutions, and correspondence and subject files of council officers. Exhibition records, also substantive, date to the Academy's first annual exhibition and include gallery and special exhibitions, as well as exhibitions at the Academy's museum, established in 1979. The collection also includes gifts and funding files, especially relating to endowments and prizes; membership records; National Academy Association records; Ranger Fund assignments; extensive files pertaining to the school's administration, courses of instruction, registrations, and attendance; twenty scrapbooks containing clippings and ephemera; Society of American Artists records; correspondence and ephemera from other organizations; transcripts from oral histories with Academy members; extensive photographic material documenting artists, members, the school, exhibitions, buildings, and artwork created by Academy members; artist files containing correspondence, writings, and sketches from those associated with the Academy; and assorted printed material and ephemera.

The Academy minutes and committee files consist of official, original, and transcribed proceedings for the council, annual, business, and some committee meetings, as well as related correspondence, reports, financial documents, notes, drafts, and ballots pertaining to the Academy's administration and activities from its 1825 founding until 2006. As an organization actively engaged in the development of art and art education in the United States, the Academy minutes and committee files are a valuable resource on subjects and topics in the Academy's history; in particular, its founding, administration, school, and exhibition program.

Director files date from 1942-1990 and document the activities of four of the Academy's chief administrators, including Vernon Porter (1950-1966), Earl Tyler (1966-1967), Alice Melrose (1967-1977), and John H. Dobkin (1978-1990). Items include correspondence, memoranda, minutes, and printed material.

Annual reports, dating from 1828-2003, summarize the activities of the Academy over the course of a year, and may include presidents' reports, treasurers' reports, audits of financial operations by public accountants, and printed annual reports containing summaries from multiple council officers. Information pertains to the year's activities including finances, exhibitions, membership, the school, committee activities, awards, and other business.

Academy constitutions date from 1826-2012 and include the printed constitutions and by-laws as well as constitutional proposals. Constitutions and by-laws name the current council officials, professors, academicians, associates, and honorary members, and state the mission and guidelines for operation in regards to membership, officers, annual meetings, elections, school, exhibitions, and how the constitution can be amended or altered. Constitutional proposals contain amendment drafts, alterations, and related correspondence.

Council officer files, dating from 1848-1980, contain the correspondence and subjects files of Academy officers—presidents, vice presidents, corresponding secretaries, and treasurers—concerning all matters of Academy business and operations including membership, gifts and funds, the federal charter, exhibitions, juries, the school, scholarships, committee affairs, anniversaries, publicity, administrative matters, resignations, and relationships with other organizations.

General administrative files date from 1825-1982 and include ledgers, certificates, correspondence, and legal documents pertaining to the Academy's founding, building, financial accounts, art collection, and other administrative matters.

Exhibition files, dating from 1826-2003, document the Academy's long exhibition history and includes annual, gallery, special, and museum exhibitions. Files may include exhibition catalogs, photographs, press clippings, sales records, and correspondence related to jury selection, awards and prizes, and logistical planning. Files pertaining to the Academy's annual exhibitions comprise a bulk of the series. Held since 1826, the Annuals were organized and curated by Academy members, and considered to be an important and sweeping survey of contemporary American art.

Gifts and funding files date from 1860-2009 and include financial documents, ledgers, legal material, and correspondence concerning the bequests, endowments, donations, and other gifts that financed the operations of the Academy and school. A significant number of records pertain to the Abbey Trust Fund and the Archer M. Hunting Fund.

Membership files, 1826-2012, document Academy members, honorary members, fellows, and the nominations and elections whereby members were voted into the Academy. Materials include registers, certificates, nomination ledgers and proposals, candidate biographies, and ballots.

The National Academy Association files date from 1911-1959 and contain a constitution, plan, and agreement, as well as correspondence, meeting minutes, and reports for the Association, incorporated in 1912 with the aim to erect a building shared by several New York art societies. At the time of incorporation, the Association consisted of members from the National Academy of Design, American Water Color Society, American Institute of Architects, Architectural League of New York, New York Water Color Club, National Sculpture Society, Municipal Art Society, Society of Beaux-Arts Architects, Mural Painters, Society of Illustrators, and a number of city representatives and citizens.

The Ranger Fund assignment files, 1919-2008, document the distribution of artworks by living American artists to institutions throughout the United States, in accordance with the will of Henry Ward Ranger. The Ranger Fund was initiated to stimulate public interest in the work of contemporary American painters in 1919, when the Academy received a bequest from Henry Ward Ranger, totaling $400,000. Ranger stated in his will that the capital should be invested and the income used as a purchase fund to facilitate gifts of paintings by living American artists to arts institutions throughout the United States. Files document the assignment of particular works of art to institutions through the official agreement, related correspondence, and in some instances, photographs of the artwork.

Extensive school records, dating from 1826-2008, contain administrative files, enrollment records, course files, student affairs files, and printed material documenting all aspects of the school's activities aligned with the Academy's mission to educate aspiring professional artists. A bulk of this series consists of student course registrations, documented in registers, then on index cards beginning in the 1930s. While information collected varied over the decades, registrations document student names and the year, and may additionally include course name, instructor, and cost.

Twenty Academy scrapbooks document the organization's activities from 1828-1939 and include clippings and ephemera. Three of the scrapbooks are devoted to specific topics, including one for the Society of American Artists, one for both the Society of American Artists and the Society of American Fakirs, and one for the Academy's centennial exhibition.

The Society of American Artists files, 1878-1906, document the formation of the Society as a departure from the Academy in 1877, its independent operations and activities, and its eventual consolidation with the Academy in 1906. The Society's members have included Edwin Abbey, James Carroll Beckwith, Mary Cassatt, William Merritt Chase, Thomas Eakins, George Inness Jr., John La Farge, Albert Pinkham Ryder, among many others.

Files from other organizations date from 1817-1997 and may include correspondence, ledgers, and printed material. Many of these organizations had business with the Academy, and records pertain to events, meetings, and exhibitions. Notable organizations include the American Academy of Fine Arts, American Federation of Arts, American Watercolor Society, Art Students League, Fine Arts Federation of New York, Metropolitan Museum of Art, New York Etching Club, Pennsylvania Academy of Fine Arts, and Salmagundi Club.

Oral history transcripts date from 2002-2007. Eight comprehensive interviews, conducted by Avis Berman for the Academy, are with Academy members and cover all aspects of the artists' lives, including family, early life, beginning career, mentors, contemporaries, influences, patrons, awards, residencies, as well as the artists' relationship with the Academy. The interview transcripts provide first-hand accounts of the organization, particularly from circa 1940 up to the time of the interview. Artists interviewed include Will Barnet, Hyman Bloom, Richard Haas, Ellen Lanyon, Jules Olitski, Bernard Olshan, Paul Resika, and Dorothea Rockburne.

Photographic material, dating from 1845-2010, includes a wide variety of formats and processes including 19th and 20th photographic prints, glass plate negatives, copy prints, contact sheets, slides, and 35mm negatives. Subjects include artists and others associated with the Academy, the school, exhibitions and events, Academy buildings, artwork, and reference photographs. Many 19th century photographs contain descriptive annotations. Supplementary inventories and guides prepared by Academy archivists are scattered throughout the series.

Artist files date from 1826-2004 and include the correspondence, writings, manuscripts, diaries, exhibition catalogs, and clippings of many notable artists involved with the Academy, including Asher B. Durand and Rembrandt Peale. Of particular note are two notebooks Durand gifted to the Academy, both containing notes and sketches from anatomy lectures.

While printed material is scattered throughout, the final series collects a small number of additional announcements, brochures, clippings, illustrations, and other ephemera not filed in other series.
Arrangement:
The collection is arranged as nineteen series.

Series 1: Minutes and Committee Files, 1825-2006 (11.5 linear feet; Boxes 1-11, BV 100-106)

Series 2: Director Files, 1942-1990 (0.5 linear feet; Box 11)

Series 3: Annual Reports, 1828-2003, circa 2010 (2.1 linear feet; Boxes 11-13, OV 139-142)

Series 4: Constitutions, 1826-2012 (1.1 linear feet; Boxes 13-14)

Series 5: Council Officers, 1848-1980 (4 linear feet; Boxes 14-18)

Series 6: General Administration, 1825-1982 (0.6 linear feet; Boxes 18, 126)

Series 7: Exhibitions, 1826-2003, 2008 (14.4 linear feet; Boxes 18-33)

Series 8: Gifts and Funding, 1860-2009 (4.1 linear feet; Boxes 33-37)

Series 9: Membership, 1826-2012 (3.4 linear feet; Boxes 37-39, 127-131)

Series 10: National Academy Association, 1911-1959 (0.4 linear feet; Box 39)

Series 11: Ranger Fund Assignments, 1919-2008 (4.3 linear feet; Boxes 39-44)

Series 12: School, 1826-2008 (28.5 linear feet; Boxes 44-56, 68-99)

Series 13: Scrapbooks, 1828-1939 (4 linear feet; Box 56, BV 107-125)

Series 14: Society of American Artists, 1878-1906 (0.8 linear feet; Boxes 56-57)

Series 15: Other Organizations, 1817-1997 (1.8 linear feet; Boxes 57-59, 131)

Series 16: Oral History Transcripts, 2002-2007 (0.7 linear feet; Box 59)

Series 17: Photographic Material, 1845-2010 (6.1 linear feet; Boxes 60-63, 131-138, OV 143-144)

Series 18: Artist Files, 1826-2004 (3.5 linear feet; Boxes 63-66)

Series 19: Printed Material, 1839-1954 (0.4 linear feet; Boxes 67, 131, OV 145)
Biographical / Historical:
The National Academy of Design (1825- ) based in New York City, is a tripartite organization consisting of a membership body of artists, a school, and an exhibition program. The Academy was founded in 1825 by a group of professional artists with the mission to promote the fine arts in America through exhibition and education. Originally named the New York Drawing Association, the Academy was the first organization in the United States established and managed by professional artists. Samuel F.B. Morse, the Academy's first president, was influenced by the organization of the Royal Academy in London, which was comprised of professional artist members and elected government council, an art school, and a venue for exhibitions. After unsuccessful negotiations to unite with the American Academy of Fine Arts, the New York Drawing Association reformed as the National Academy of The Arts of Design on January 19, 1826. Among the founders were mostly young artists who became prominent figures in American art, including Frederick S. Agate, Thomas Cole, Thomas S. Cummings, Asher B. Durand, John Frazee, Charles C. Ingham, Henry Inman, Gerlando Marsiglia, Samuel F. B. Morse, Samuel L. Waldo, and Charles Cushing Wright.

The first Academy members were elected in January 1826, and levels of membership were established shortly thereafter. Originally there were four levels of Academy membership: associates, academicians, artists, and honorary corresponding members. The category of artists was eliminated in 1829, and the honorary member category, established to recognize American artists living outside New York, distinguished foreign artists, and patrons and friends of the Academy, was eliminated in 1862 (the constitution was not amended with this change until 1896). Since 1869, the residency requirement for election to active membership was eliminated and membership was opened to all American artists. In 1920, the classification of honorary corresponding member was re-introduced to recognize representatives of other national academies. With the 1997 constitution, the honorary corresponding member classification was again eliminated, and in 1994 the associate category was eliminated.

Artists are proposed for membership by academicians through the membership committee and are elected for life by a sixty percent majority, based on recognized excellence and significant contributions to the field. Procedures and rules for nominating and choosing new academicians changed over the years, as detailed in the constitutions. Associates were at one time required to present a portrait of themselves upon election and academicians were required to provide an additional representative work upon election. With the elimination of the category of associate in 1994, only one representative work is currently required. These works of art become part of the Academy's permanent collection.

The original classes of professional artists were painting, sculpture, architecture, and engraving. These professional classes were modified over the years. In 1936 the engraving class was made more comprehensive, including all of the graphic arts. Watercolor was added as a class in 1943 and was codified in the 1945 constitution. However, the division into five distinct classes started to create difficulties in how specific works of art were to be categorized. In 1981 the council eased the rules regarding separate media classification so that members could submit a work in any medium to the annual exhibitions regardless of the class to which they had been elected. The constitution of 1994 restated four professional classes—painting, sculpture, graphics, and architecture—which were further reduced in the 2011 constitution to two: visual arts and architecture.

Until 2009, the governing body of the Academy was the council. The seven officers of the council were president, vice-president, treasurer, assistant treasurer, corresponding secretary, assistant corresponding secretary and recording secretary, all of whom were required to be academicians. In 2009, a new constitution provided for a board of governors, replacing the council. The five officers of the board of governors are chair, vice-chair, president, vice-president, and treasurer. Only the offices of president and vice-president are required to be held by academicians.

Central to the Academy's mission, the school began with an anatomy lecture for the New York Drawing Association, delivered by Dr. Frederick G. King in November 1825. The first drawing session took place in November 1826 in the Old Alms House at City Hall Park with two academicians and twenty students. In the school's early years, professional artists met with students to draw from plaster casts of antique sculpture in the academic tradition. Both lectures and studio training were central the school's early curricula. Life classes, the practice of drawing from live models, were introduced in 1837, but only to advanced male students. A life class for women was not instituted until 1857, even though women were allowed membership to the Academy since its beginning. Due to financial difficulties at the Academy, the school was forced to move locations and shut down its operations for extended periods. Mounting dissatisfaction and frustration led several students and Lemuel E. Wilmarth, one of the school's leaders and first full-time professional instructor, to leave the Academy in 1875 and form a new school, the Art Students League. While charging tuition was unpopular, the Academy realized that it was necessary to ensure the school's sustainability, and implemented fee structures with varying success over the second half of the 19th century and first half of the 20th. Eventually, tuition was established by 1951, when the school was reopened at a new location, 5th Avenue and 89th Street.

Exhibitions have always been an important activity for the Academy, even prior to the opening of the National Academy Museum in 1979. Since 1826, the Academy has held annual exhibitions intended to reflect contemporary art currents in America. Any American artist was eligible to submit work to be reviewed by a jury of selection, comprised of academicians. Throughout the 19th century, the annual exhibitions at the Academy were one of the most significant and influential in the country. The selection process for these exhibitions was a critical topic, at times actively discussed in the press, and continually undergoing modification and change. In addition to the Annuals, the galleries of the Academy were often rented or loaned to outside organizations such as the American Watercolor Society, Audubon Artists, and the National Association of Women Artists. The galleries also mounted special exhibitions curated by its members and hosted a certain number of travelling exhibitions organized by other museums or art organizations. The museum, opened in 1979, hosted and presented major exhibitions, many focusing on historic European subjects.

Official Names of the Academy 1825-2017

1825 -- The New York Drawing Association

1826 -- The National Academy of The Arts of Design

1828 -- The National Academy of Design

1997 -- The National Academy Museum and School of Fine Art

2017 -- The National Academy of Design

National Academy of Design Meeting, Exhibition, and School Locations

1826 -- Old Alms House at City Hall Park in lower Manhattan

1827-1830 -- Chambers Street over the Arcade Baths

1831-1840 -- Corner of Nassau and Beckman Streets, the Mercantile Library on the third floor of Clinton Hall

1841 to 1849 -- 346 Broadway (at Leonard Street), the third and fourth floors of the New York Society Library

1850-1854 -- 663 Broadway, where the Academy erected a suite of six galleries

1855-1856 -- 548 Broadway (over Dr. Chapin's Church)

1857 -- 663 Broadway

1858-1861 -- 10th Street and 4th Avenue, the upper floor of a building

1861-1863 -- 625 Broadway, the Institute of Art

1865-1899 -- 23rd Street and Fourth Avenue (now Park Avenue South)

1899-1940 -- 109th Street and Amsterdam Avenue; exhibition galleries at 215 West 57th Street

1940-2017 -- 1083 Fifth Avenue at East 89th Street
Provenance:
The bulk of the collection was donated by the National Academy of Design in 2018. The trustees' ledger book in series 6 was donated in 1979 by Warder Cadbury of the Adirondack Museum; it is unclear how Cadbury acquired the ledger. Microfilm reels 798-799 containing transcriptions of minutes were given to the Archives by Lois Fink in 1974.
Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art Schools -- New York (State) -- New York
Arts organizations -- New York (State) -- New York
Genre/Form:
Drawings
Scrapbooks
Interviews
Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.natiacad
See more items in:
National Academy of Design records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-natiacad
Online Media:

Oral history interview with Dong Kingman

Interviewee:
Kingman, Dong, 1911-  Search this
Interviewer:
Andersen, Irene Poon  Search this
Andersen, Stanley, 1922-  Search this
Names:
Mills College -- Faculty  Search this
San Diego Museum of Art  Search this
United States. Works Progress Administration  Search this
Extent:
1 Sound cassette (Sound recording (60 min.), 2 x 1-1/4 in.)
18 Pages (Transcript: supplementary material)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1996 Jul. 3-4
Scope and Contents:
An interview conducted by Stan and Irene Poon Andersen on July 3-4, 1996, New York City, with Dong Kingman. Accompanying the interview are a few newspaper and magazine articles, and a photograph of Kingman, taken by Irene Poon Andersen, 1996. The material was compiled following the 1995 exhibition "With New Eyes: Toward An Asian American Art History in the West," for which Poon Andersen was a curator and exhibitor.
Kingman discusses his early years and education in Oakland, Calif. and Hong Kong; teaching at Mills College, Oakland, University of Wyoming, Laramie and the San Diego Museum; working on the WPA art project; military service with the US Army OSS art department; leaving the Bay Area when he was drafted, moving first to Washington, D.C. and later to New York City where has remained; and work on movies including "Flower Drum Song," "55 Days to Peking," and "Virgin Soldier."
Biographical / Historical:
Dong Kingman (1911-2000) was a Chinese American painter and illustrator based in the San Francisco Bay Area and New York City. Kingman taught at Columbia University and Hunter College. He worked for the Works Progress Administration.
Provenance:
Donated 1997 by Stan Andersen and Irene Poon Andersen.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Artists -- New York (State) -- New York  Search this
Artists -- California -- San Francisco Bay Area  Search this
Topic:
Art and motion pictures  Search this
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Asian American illustrators  Search this
Asian American educators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kingdong2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kingdong2

Oral history interview with Fong Chow

Interviewee:
Chow, Fong  Search this
Interviewer:
Carney, Margaret, 1949-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University -- Students  Search this
Glidden Pottery (Alfred, N.Y.)  Search this
Metropolitan Museum of Art (New York, N.Y.) -- Employees  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Parker, Glidden, 1913-1980  Search this
Extent:
27 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2002 February 6
Scope and Contents:
An interview of Fong Chow conducted February 6, 2002, by Margaret Carney, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Chow's home, in New York, N.Y.
Chow speaks of his family, specifically, his grandfather who was sent to Hartford, Connecticutt, in 1874, for schooling, then studied at Columbia University and returned to China, working as general manager of one of the earliest railroads in north China; the schools Chow attended in Hong Kong; working in different media, including painting and photography; attending the Boston Museum School and then Alfred University; his relationship with Charles Harder, the head of the ceramic design department at Alfred; the "wonderful" teachers at Alfred in the early 1950s, including Katharine Nelson in painting, Marion Fosdick in sculpture, Daniel Rhodes and Ted Randall; learning production methods, as well as "studio potters work"; developing forms, new glazes, and decorations at Glidden Pottery; his "famous" pieces for Glidden Pottery, such as "New Equations" and "Charcoal and Rice"; how he became involved with the Metropolitan Museum of Art and his relationship with Alan Priest, curator of Far Eastern art; working at the Met as a curator for more than 20 years; changes at the Met during his tenure there; and his hiatus from making ceramics while working at the Met. He discusses his return to clay in 1983 and his studio near Cooper Union; he describes visiting his best friend from childhood, Pan He, a sculptor in China. He also discusses his health; his wife Chao-Ling and how they met; his current focus on photography. Chow also recalls Glidden Parker, James Romer, Bo Gyllensvard, Sergio Dello Strologo, Theodore Hobby, Paul Bollardo, Norman Arsenault, and others.
Biographical / Historical:
Fong Chow (1923- ) is a Chinese American ceramicist, curator, and photographer from New York, N.Y. Margaret Carney (1949- ) is the director of the Schein Joseph International Museum of Ceramic Art in Alfred, N.Y.
General:
Originally recorded 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Ceramicists -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Topic:
Ceramics -- Chinese  Search this
Art -- Technique  Search this
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Decorative arts  Search this
Asian American photographers  Search this
Asian American ceramicists  Search this
Asian American curators  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.chow02
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chow02

"Alexander von Humboldt and the United States: Art, Nature, and Culture" Curator's Video Tour

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2020-04-20T13:59:25.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_D-p96np-Pw4

Witnesses: against our vanishing

Creator:
Goldin, Nan, 1953-  Search this
Goldin, Nan, 1953-  Search this
Subject:
Artists Space  Search this
Type:
Printed Materials
Date:
1989
Record number:
(DSI-AAA)12141
See more items in:
Lucy R. Lippard papers, 1930s-2007, bulk 1960-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12141
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Witnesses: against our vanishing digital asset number 1

Samuel J. Wagstaff papers, circa 1932-1985

Creator:
Wagstaff, Samuel J., 1921-1987  Search this
Wagstaff, Samuel J., 1921-1987  Search this
Subject:
Manning, Robert  Search this
Martin, Agnes  Search this
Johnson, Ray  Search this
Manning, Doreen  Search this
James, Charles  Search this
Johnson, Philip  Search this
Halprin, Anna  Search this
Hartigan, Grace  Search this
Fine, Albert M.  Search this
Flavin, Dan  Search this
De Maria, Walter  Search this
Di Suvero, Mark  Search this
Brecht, George  Search this
Byars, James Lee  Search this
Basen, Dan  Search this
Reinhardt, Ad  Search this
Wilson, Mary F.  Search this
Warhol, Andy  Search this
Tuttle, Richard  Search this
Saret, Alan  Search this
Roth, Dieter  Search this
Oldenburg, Claes  Search this
Newton, Gordon  Search this
Type:
Photographs
Drawings
Topic:
Art dealers -- New York (State) -- New York  Search this
Photography  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Artists -- United States  Search this
Photographs -- Collectors and collecting -- United States  Search this
Curators -- New York (State) -- New York  Search this
Art, Modern  Search this
Fluxus (Group of artists)  Search this
Theme:
The Art Market  Search this
Photography  Search this
Record number:
(DSI-AAA_CollID)6939
(DSI-AAA_SIRISBib)209068
AAA_collcode_wagssamu
Theme:
The Art Market
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209068
Online Media:

Richard Stankiewicz papers, 1948-1984

Creator:
Stankiewicz, Richard, 1922-1983  Search this
Stankiewicz, Richard, 1922-1983  Search this
Subject:
Porter, Fairfield  Search this
Rivers, Larry  Search this
Nevelson, Louise  Search this
Judd, Donald  Search this
Rickey, George  Search this
Segal, George  Search this
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7146
(DSI-AAA_SIRISBib)209280
AAA_collcode_stanrich
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209280

Alan R. Solomon papers, 1907-1970, bulk 1944-1970

Creator:
Solomon, Alan R.  Search this
Solomon, Alan R.  Search this
Subject:
Castelli, Leo  Search this
Louis, Morris  Search this
Segal, George  Search this
Fahlström, Öyvind  Search this
Poons, Larry  Search this
Duchamp, Marcel  Search this
Bontecou, Lee  Search this
Picasso, Pablo  Search this
Provinciali, Michele  Search this
Reed, Lou  Search this
Lichtenstein, Roy  Search this
Mulas, Ugo  Search this
Sonnabend, Ileana  Search this
Rosenquist, James  Search this
Sabol, Audrey  Search this
Grisi, Laura  Search this
Noland, Kenneth  Search this
Scull, Ethel  Search this
MacElroy, Robert R.  Search this
Namuth, Hans  Search this
Newman, Barnett  Search this
Finkelstein, Nat  Search this
Stella, Frank  Search this
Sisler, Mary  Search this
Greenberg, Jeanine  Search this
Oldenburg, Patty  Search this
Morris, Robert  Search this
Scull, Robert C.  Search this
Hay, Alex  Search this
Dine, Jim  Search this
Kron, Joan  Search this
Chamberlain, John  Search this
Greenberg, Clement  Search this
Oldenburg, Claes  Search this
Frankenthaler, Helen  Search this
Paxton, Steve  Search this
Moore, Peter  Search this
Whitman, Robert  Search this
Novick, Elizabeth  Search this
Rauschenberg, Robert  Search this
Redon, Odilon  Search this
Schute, Terry  Search this
Warhol, Andy  Search this
Hay, Deborah  Search this
Rainier, Yvonne  Search this
Childs, Lucinda  Search this
Johns, Jasper  Search this
Dunn, Judith  Search this
Leo Castelli Gallery  Search this
Expo 67  Search this
Pasadena Art Museum  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Albright-Knox Art Gallery  Search this
Art Gallery of Ontario  Search this
Velvet Underground  Search this
Biennale di Venezia  Search this
Artforum  Search this
Amsterdam (Netherlands). Stedelijk Museum  Search this
Jewish Museum (New York, N.Y.)  Search this
University of California  Search this
Cornell University.  Search this
San Francisco Art Institute  Search this
Centro de Artes Visuales  Search this
Los Once  Search this
Harvard University  Search this
Type:
Drawings
Transcripts
Photographs
Interviews
Lithographs
Place:
Italy -- Venice
Topic:
Abstract expressionism  Search this
Art -- Study and teaching  Search this
Art -- Economic aspects  Search this
Art -- History -- Study and teaching  Search this
Performance art  Search this
Art, Abstract -- United States  Search this
Art -- Exhibitions  Search this
Art -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Sculptors  Search this
Art, Modern -- 20th century -- United States  Search this
Educators -- New York (State) -- New York  Search this
Curators -- New York (State) -- New York  Search this
Theater  Search this
Pop art  Search this
Museum directors -- New York (State) -- New York  Search this
Theme:
Art Movements and Schools  Search this
Record number:
(DSI-AAA_CollID)7165
(DSI-AAA_SIRISBib)209301
AAA_collcode_soloalan
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209301
Online Media:

Sanford Schwartz papers, 1948-2011

Creator:
Schwartz, Sanford, 1946-  Search this
Schwartz, Sanford, 1946-  Search this
Subject:
Hofmann, Hans  Search this
King, William  Search this
Stout, Myron  Search this
Alexandre Gallery  Search this
Whitney Museum of American Art  Search this
Type:
Photographs
Sketches
Topic:
Art -- Exhibitions -- New York (State) -- New York  Search this
Curators -- New York (State) -- New York  Search this
Painting, American  Search this
Sculptors -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8455
(DSI-AAA_SIRISBib)210631
AAA_collcode_schwsanf
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210631
Online Media:

Monroe Wheeler letters, 1966-1971

Creator:
Wheeler, Monroe, 1899-  Search this
Wheeler, Monroe, 1899-  Search this
Subject:
McFadden, Elizabeth  Search this
Topic:
Art, American -- New York (State) -- New York  Search this
Curators -- New York (State) -- New York  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)8632
(DSI-AAA_SIRISBib)210812
AAA_collcode_wheemonr
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210812

Laurence E. Schmeckebier papers, 1909-1988

Creator:
Schmeckebier, Laurence Eli, 1906-1984  Search this
Schmeckebier, Laurence Eli, 1906-1984  Search this
Subject:
Grosz, George  Search this
Lebrun, Rico  Search this
Meštrović, Ivan  Search this
Nordhausen, A. Henry  Search this
Orozco, José Clemente  Search this
Refregier, Anton  Search this
Rood, John  Search this
Roysher, Hudson  Search this
Schreckengost, Viktor  Search this
Dehn, Adolf  Search this
Evergood, Philip  Search this
Gropius, Walter  Search this
Type:
Scrapbooks
Topic:
Art in universities and colleges -- New York (State) -- Syracuse  Search this
Mural painting and decoration, American -- New York (State) -- Syracuse  Search this
Mural painting and decoration, Mexican  Search this
Muralists  Search this
Greeting cards  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)8724
(DSI-AAA_SIRISBib)210905
AAA_collcode_schmlaur
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210905

Max Weber papers, 1902-2008

Creator:
Weber, Max, 1881-1961  Search this
Weber, Max, 1881-1961  Search this
Subject:
Kroll, Leon  Search this
Soyer, Raphael  Search this
Kent, Rockwell  Search this
Hartley, Marsden  Search this
Gropper, William  Search this
Gross, Chaim  Search this
Davies, Arthur B. (Arthur Bowen)  Search this
Biddle, George  Search this
Zorach, William  Search this
Newman, Barnett  Search this
American Artists' Congress  Search this
Forum Gallery (New York, N.Y.)  Search this
Type:
Photographs
Sound recordings
Motion pictures (visual works)
Topic:
Art, American  Search this
Sculptors -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Painters -- New York (State) -- New York  Search this
Painting, American  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9331
(DSI-AAA_SIRISBib)211527
AAA_collcode_webemax
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211527
Online Media:

Harry Sternberg papers, 1927-2000

Creator:
Sternberg, Harry, 1904-2001  Search this
Sternberg, Harry, 1904-2001  Search this
Subject:
Warner, Malcolm  Search this
Walker, Hudson D. (Hudson Dean)  Search this
Zigrosser, Carl  Search this
Wickey, Harry  Search this
Secunda, Arthur  Search this
Kent, Rockwell  Search this
Siqueiros, David Alfaro  Search this
Blume, Peter  Search this
Evergood, Philip  Search this
Art Students League (New York, N.Y.)  Search this
Idyllwild School and Museum for the Arts  Search this
Type:
Video recordings
Notes
Manuscripts
Interviews
Scrapbooks
Drafts (documents)
Sound recordings
Photographs
Sketchbooks
Drawings
Topic:
Printmakers -- California  Search this
Printmakers -- New York (State) -- New York  Search this
Educators -- California  Search this
Painting, American  Search this
Educators -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Painters -- New York (State) -- New York  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9477
(DSI-AAA_SIRISBib)211675
AAA_collcode_sterharr
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211675
Online Media:

Ala Story papers, 1941-1970

Creator:
Story, Ala, 1907-1972  Search this
Story, Ala, 1907-1972  Search this
Subject:
Craske, John  Search this
Gibson, Charles Dana  Search this
Sterner, Harold  Search this
Weber, Max  Search this
Clark, Kenneth  Search this
D'Harnoncourt, Rene  Search this
Henri, Robert  Search this
Longden, Alfred A. (Alfred Appleby)  Search this
Wilson, Mary F.  Search this
Barr, Alfred H., Jr.  Search this
Chase, William Merritt  Search this
University of California, Santa Barbara  Search this
American Academy of Arts and Letters  Search this
American British Art Center  Search this
Topic:
Women museum curators  Search this
Painting, Modern -- 20th century -- United States  Search this
Prints -- Exhibitions -- United States  Search this
Surrealism  Search this
Curators -- New York (State) -- New York  Search this
Curators -- California -- Santa Barbara  Search this
Theme:
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)9485
(DSI-AAA_SIRISBib)211683
AAA_collcode_storala
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211683

Frank Weitenkampf letters, 1889-1942

Creator:
Weitenkampf, Frank, 1866-1962  Search this
Weitenkampf, Frank, 1866-1962  Search this
Subject:
Arms, John Taylor  Search this
Avery, Samuel Putnam  Search this
Beatty, John W. (John Wesley)  Search this
Bellows, George  Search this
Benson, Frank Weston  Search this
Biddle, George  Search this
Britton, James  Search this
Browne, George Elmer  Search this
Cassatt, Mary  Search this
Cortissoz, Royal  Search this
Detwiller, Fred  Search this
Dows, Olin  Search this
Eby, Kerr  Search this
French, Daniel Chester  Search this
Genthe, Arnold  Search this
Hart, George Overbury  Search this
Hoffman, Malvina  Search this
Hopper, Edward  Search this
Huntington, Daniel  Search this
Kent, Rockwell  Search this
Keppel, Frederick  Search this
Lahey, Richard  Search this
Low, Will Hicok  Search this
Lozowick, Louis  Search this
Mowbray, H. Siddons (Harry Siddons)  Search this
Nankivell, Frank A. (Frank Arthur)  Search this
Nason, Thomas W. (Thomas Willoughby)  Search this
Pennell, Joseph  Search this
Powers, Preston  Search this
Ranger, Henry Ward  Search this
Richards, William Trost  Search this
Rockefeller, John D., Jr. (John Davison)  Search this
Rosenwald, Lessing J. (Lessing Julius)  Search this
Rothermel, Peter Frederick  Search this
Sartain, William  Search this
Smillie, George H. (George Henry)  Search this
Smillie, James David  Search this
Sternberg, Harry  Search this
Sterner, Albert  Search this
Taft, Lorado  Search this
Thayer, Abbott Handerson  Search this
Tryon, Dwight William  Search this
Volk, Douglas  Search this
Warner, Olin Levi  Search this
Weir, John F. (John Ferguson)  Search this
Weir, Julian Alden  Search this
Wickey, Harry  Search this
Wiles, Irving Ramsay  Search this
Wood, Thomas Waterman  Search this
Woodbury, Charles H. (Charles Herbert)  Search this
Yewell, George Henry  Search this
Young, Mahonri Mackintosh  Search this
Topic:
Art -- Collectors and collecting  Search this
Curators -- New York (State) -- New York  Search this
Theme:
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)9862
(DSI-AAA_SIRISBib)212362
AAA_collcode_weitfran
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212362

Marilyn Zeitlin research material, 1985 Mar. 25 - 1991 Mar. 9

Creator:
Zeitlin, Marilyn A., 1941-  Search this
Zeitlin, Marilyn A., 1941-  Search this
Subject:
Camp, Jeffrey Thomas  Search this
Hall, Michael D.  Search this
Torres, Rigoberto  Search this
Ahearn, John  Search this
Alexander, Brooke  Search this
Alexander, Carolyn  Search this
Carpenter, Miles B. (Miles Burkholder)  Search this
Garcia, Raymond  Search this
Gregson, Chris  Search this
Contemporary Arts Museum  Search this
Anderson Gallery  Search this
Type:
Interviews
Sound recordings
Topic:
Group work in art  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Wood-carving -- Virginia  Search this
Plaster casts  Search this
Artists' models -- Interviews  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Theme:
Latino and Latin American  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)5568
(DSI-AAA_SIRISBib)214582
AAA_collcode_zeitmari
Theme:
Latino and Latin American
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214582

Natalie Van Vleck papers, [ca. 1919]-1992

Creator:
Van Vleck, Natalie, 1901-1981  Search this
Van Vleck, Natalie, 1901-1981  Search this
Subject:
Henri, Robert  Search this
Art Students League (New York, N.Y.)  Search this
Type:
Drawings
Sketchbooks
Topic:
Women painters -- New York (State) -- New York  Search this
Women painters -- Connecticut -- Woodbury  Search this
Painting, Modern -- 20th century -- United States  Search this
Theme:
Sketches & Sketchbooks  Search this
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)11017
(DSI-AAA_SIRISBib)215063
AAA_collcode_vanvlec
Theme:
Sketches & Sketchbooks
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215063

Tibor de Nagy Gallery records, 1941-2016

Creator:
Tibor de Nagy Gallery  Search this
Tibor de Nagy Gallery  Search this
Subject:
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Rose, Leatrice  Search this
De Nagy, Tibor  Search this
Ciarrocchi, Ray  Search this
Reginato, Peter  Search this
Castoro, Rosemarie  Search this
Penney, Charles Rand  Search this
Robbin, Tony  Search this
Witteman-Widrig, Nancy  Search this
Onassis, Jacqueline Kennedy  Search this
Kozloff, Joyce  Search this
Hirsch, Pauli  Search this
Grooms, Red  Search this
Gregor, Harold  Search this
Goodnough, Robert  Search this
Art in America  Search this
United States Information Agency  Search this
Art Dealers Association of America  Search this
National Institute of Arts and Letters  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Type:
Photographs
Topic:
Art, Modern  Search this
Gallery owners  Search this
Art dealers -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art galleries, Commercial -- Texas -- Houston  Search this
Theme:
The Art Market  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)6439
(DSI-AAA_SIRISBib)215579
AAA_collcode_tibode
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215579
Online Media:

Mitch Tuchman papers relating to the book Painters Painting, 1980-1989

Creator:
Tuchman, Mitch  Search this
Tuchman, Mitch  Search this
Subject:
Albers, Josef  Search this
Castelli, Leo  Search this
De Antonio, Emile.  Search this
De Kooning, Willem  Search this
Frankenthaler, Helen  Search this
Geldzahler, Henry  Search this
Greenberg, Clement  Search this
Hess, Thomas B.  Search this
Johns, Jasper  Search this
Johnson, Philip  Search this
Kramer, Hilton  Search this
Leider, Philip  Search this
Motherwell, Robert  Search this
Nevelson, Louise  Search this
Newman, Barnett  Search this
Noland, Kenneth  Search this
Olitski, Jules  Search this
Pavia, Philip  Search this
Poons, Larry  Search this
Rauschenberg, Robert  Search this
Rivers, Larry  Search this
Rubin, William Stanley  Search this
Scull, Ethel  Search this
Scull, Robert C.  Search this
Stella, Frank  Search this
Warhol, Andy  Search this
Type:
Interviews
Topic:
Artists -- United States -- Interviews  Search this
Art -- Collectors and collecting -- Interviews  Search this
Art museum curators -- United States -- Interviews  Search this
Modernism (Art)  Search this
Abstract expressionism  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)6532
(DSI-AAA_SIRISBib)215804
AAA_collcode_tuchmitc
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215804

Marcia Tucker papers, 1973-1994

Creator:
Tucker, Marcia, 1940-2006  Search this
Tucker, Marcia, 1940-2006  Search this
Subject:
Melamid, Bruce  Search this
Johnson, James W.  Search this
Brown, Joan  Search this
Bourgeois, Louise  Search this
Allen, Richard  Search this
Weber, Idelle  Search this
Staley, Earl  Search this
Staley, Suzanne  Search this
Ratz, Markus  Search this
Snyder, Joan  Search this
Pindell, Howardena  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Type:
Photographs
Topic:
Museum directors -- New York (State) -- New York  Search this
Women museum curators -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Theme:
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)6317
(DSI-AAA_SIRISBib)224631
AAA_collcode_tuckmarc
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_224631
Online Media:

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