Organization of Black American Culture Search this
World Black and African Festival of Arts and Culture Search this
Extent:
12.5 Linear feet
0.003 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Photographs
Interviews
Date:
1918-2005
bulk 1960s-2005
Summary:
The papers of African American artist and educator Jeff Donaldson measure 12.5 linear feet and 0.003 GB and date from 1918 to 2005, with the bulk of the records dating from the 1960s to 2005. The collection documents Donaldson's work as a professional artist, his academic career at Howard University, and his leadership role in the Black Arts Movement through biographical material, a small amount of professional and personal correspondence, personal business records, writings by Donaldson and others, research files, artist files, sound recordings of interviews Donaldson conducted with over 40 artists, teaching files, exhibition files, printed and digital material, and photographs. Also found are detailed records of his professional activities and leadership roles in AfriCOBRA, CONFABA, FESTAC, and the Organization of Black American Culture (OBAC), including documentation on the Wall of Respect mural.
Scope and Contents:
The papers of African American artist and educator Jeff Donaldson measure 12.5 linear feet and 0.003 GB and date from 1918 to 2005, with the bulk of the records dating from the 1960s to 2005. The collection documents Donaldson's work as a professional artist, his academic career at Howard University, and his leadership role in the Black Arts Movement through biographical material, a small amount of professional and personal correspondence, personal business records, writings by Donaldson and others, research files, artist files, sound recordings of interviews Donaldson conducted with over 40 artists, teaching files, exhibition files, printed and digital material, and photographs. Also found are detailed records of his professional activities and leadership roles in AfriCOBRA, CONFABA, FESTAC, and the Organization of Black American Culture (OBAC), including documentation on the Wall of Respect mural.
Biographical material includes biographical summaries and resumes detailing Donaldson's career, and documents such as his birth certificate, veteran and education records, and passports.
The correspondence series includes 0.3 linear feet of letters to and from colleagues, friends, and educational and art organizations. This correspondence relates primarily to Donaldson's professional activities. Also found are one folder of letters each from Gwendolyn Brooks and Hoyt Fuller. The bulk of Donaldson's professional correspondence can be found in other series.
Interviews consist of transcripts and sound recordings of interviews conducted by Donaldson for research for his dissertation on the Harlem Renaissance, with more than forty artists including Charles Alston, Romare Bearden, Bob Blackburn, Nancy Cox, Mildred Howard, Suzanne Jackson, Senga Nengudi, Mary Lovelace O'Neal, James Phillips, and Lamonte Westmoreland. This series also includes two transcripts of interviews with Donaldson.
Writings by Donaldson include articles, catalog essays, notes and draft excerpts from his dissertation, and draft lectures on TransAfrican art.
Artist files were compiled by Donaldson and relate to various projects including his dissertation, his teaching, and his involvement with FESTAC and other projects. Artists represented include Romare Bearden, John Howard, Jacob Lawrence, Archibald Motley, James Phillips, Hale Woodruff, and others. The files contain scattered correspondence, writings and notes, printed material, and photos of artists and artwork.
Exhibition files document Donaldson's involvement with the TransAfrican Art Invitational Exhibition (1997-1988) at the Orlando Museum of Art through correspondence and other planning documents, catalog essays, artist records, printed and digital material, and photographs. The series also documents solo and group exhibitions of Donaldson's artwork from 1980-2000, and includes correspondence, printed material, and photographs.
Professional files provide a rich and substantial record of Donaldson's leadership roles in the African Commune of Bad Relevant Artists (AfriCOBRA), the Conference on the Functional Aspects of Black Art (CONFABA), the Second World Black and African Festival of Arts and Culture (FESTAC), and the Organization of Black American Culture (OBAC). The records are particularly extensive for AfriCOBRA and FESTAC, and include correspondence, planning documents, financial records, meeting records, printed and digital material, and photographs. Additional professional files document Donaldson's involvement with other committees and conferences, including his role as guest editor for the International Review of African American Art.
Research files provide additional material related to Donaldson's dissertation and his teaching career. Of particular note is correspondence from the 1940s-1950s between the Harmon Foundation and the Department of Art at Howard University, as well as notes and a photograph of Harlem Renaissance artists outside 306 West 41st Street where Charles Alston taught art classes.
Teaching files document Donaldson's role as art department chairman and subsequently dean of the College of Fine Arts at Howard University, through correspondence and employment records. The files also include his lecture notebooks and other course documentation.
Personal business records document Donaldson's personal art collection, as well as appraisals, sales, and consignments of his own artwork. Printed material includes announcements and catalogs for exhibitions of Donaldson's artwork and the artwork of others, as well as news clippings compiled by him on subjects of interest, particularly African American artists and racial injustice.
Photographs are primarily slides of Donaldson's artwork produced from the 1950s to 2000, but also include some photos of Donaldson, including contact sheets and photographs of late career portraits, and photos of Donaldson with his wife, Arnicia. One set of photos documents a visit to Uganda in 1974, where Donaldson and his travel companions met with Idi Amin.
Arrangement:
The collection is arranged as 12 series.
Missing Title
Series 1: Biographical Material, 1954-2004 (0.3 Linear feet; Box 1, OV 14)
Series 2: Correspondence, 1957-2004 (0.3 Linear feet; Box 1)
Series 3: Interviews, 1959-1997 (1.7 Linear feet; Boxes 1-3)
Series 4: Writings, 1963-2003 (0.5 Linear feet; Box 3)
Series 5: Artist Files, 1928-2003 (1.1 Linear feet; Boxes 3-4)
Series 6: Exhibition Files, circa 1966-2000 (1.3 Linear feet; Boxes 4-6, 0.002 GB: ER01-ER02)
Series 7: Professional Files, 1960s-2005 (5.2 Linear feet; Boxes 6-11, OV 14, 0.001 GB; ER03)
Series 8: Research Files, 1930-2001 (0.4 Linear feet; Box 11)
Series 9: Teaching Files, 1961-2002 (0.6 Linear feet; Boxes 11-12)
Series 10: Personal Business Records, 1966-2001 (0.2 Linear feet; Box 12)
Series 11: Printed Material, 1918-2003 (0.5 linear feet; Box 12)
Series 12: Photographs and Personal Sound Recordings, 1956-2003 (0.4 Linear feet; Box 13)
Biographical / Historical:
Jeff Donaldson (1932-2004) was an African American artist and educator who worked in Chicago and Washington, D.C. He was a leading figure in the Black Arts Movement of the 1960s and 1970s and promoted the "TransAfrican" aesthetic.
Donaldson was born in Pine Bluff, Arkansas, and graduated from the University of Arkansas with a B.A. in studio art in 1954. He briefly served in the U.S. Army and taught art in a Chicago high school from 1957 to 1965. In 1963, he received his M.S. in Art Education from Illinois Institute of Technology, and taught at Northwestern University while pursuing his Ph.D. there. He received his Ph.D. in art history in 1974 with a dissertation on young African American artists working in Harlem during the 1930s. In 1970, Donaldson became director of the Howard University Art Gallery and chairman of the art department. From 1985 to 1998, he served first as associate dean and then dean of the Howard University, College of Fine Arts.
As a leading member of the Black Arts Movement, Donaldson co-founded the Organization of Black American Culture (OBAC) Visual Art Workshop which created the influential Wall of Respect mural in 1967 on the southside of Chicago. He also co-founded the AfriCOBRA artist collaborative in 1968 of which he was a lifelong member. Donaldson promoted the TransAfrican art aesthetic through his leadership role in FESTAC, the Second World Black and African Festival of Arts and Culture, held in Lagos, Nigeria in 1977. He was guest editor for a TransAfrican focused issue of the International Review of African American Art which coincided with the TransAfrican Art Invitation Exhibition he curated at the Orlando Museum of Art in 1997.
Donaldson also worked as a professional painter, exhibiting in over a hundred and fifty group and solo exhibitions, and wrote critical essays for several arts publications. He regularly served as an exhibition juror, conference presenter, and served on advisory committees and as a board member for many arts and African American organizations.
Provenance:
Donated 2015 by Jameela Donaldson, Jeff Donaldson's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate access copies requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Museum of Contemporary Art (Chicago, Ill.) Search this
Extent:
7 Videocassettes (U-matic) (Original numbers on tapes do not reflect sequence. Tape numbers listed reflect archival arrangement.)
1 Videocassettes (VHS) (Copy of Robert Ryman's interview)
Container:
Box 3, Folder 4-7
Type:
Archival materials
Moving Images [31027000771689]
Videocassettes (u-matic)
Videocassettes (vhs)
Date:
1979 March 19-21
Scope and Contents:
Missing Title
Lucio Pozzi -- (tapes 1-2)
Marcia Hafif -- (tapes 2 and 4)
Richard Jackson -- (tapes 2-3)
Robert Ryman -- (tapes 4-6)
Robert Yasuda -- (tapes 4 and 7)
Tapes include interviews and footage of artists working, including:
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Museum of Contemporary Art (Chicago, Ill.) Search this
Extent:
8 Linear feet (Boxes 1-8)
Type:
Archival materials
Date:
1979-1986
Scope and Contents:
Series contains video interviews with 35 artists, curators, and an art collector, conducted by the staff of the Museum of Contemporary Art, Chicago between 1979 and 1986, on 107 U-Matic videocassettes. The first set of interviews in the series are with contemporary artists who had solo exhibitions at the museum between 1979 and 1985, including Chuck Close, Roger Brown, Eric Fischl, Peter and Ritzi Jacobi, Steve Keister, Sol Le Witt, and collector Dennis Adrian, whose Chicago art collection was exhibited in 1982. The remainder of the series contains four sets of interviews and other footage relating to exhibitions and programming, including the 1979 exhibition Wall Painting - Ryman, Hafif, Pozzi, Jackson, Yasuda; the 1981 exhibition Kick out the jams: Detroit's Cass Corridor 1963-1977; and the 1983 exhibition and educational program Eleven Chicago Artists, created with Chicago's N.A.M.E. gallery, which traveled to area high schools featuring short video documentaries about each artist that were created from the footage on the tapes in this collection. The last set includes interviews with architects Dirk Lohan and George Danforth and historian Franz Schulze, created for the 1986 program "Mies van der Rohe Remembered," celebrating the centennial of the architect's birth.
The main content of the recordings are interviews with the artists or other subjects, ranging from 1 to 2 hours in duration. Some of the tapes contain footage of exhibition installations, artworks, or footage of the artist working. Tapes with content other than interview footage are typically labeled "Inserts" referring to material that was shot to be inserted into the edited version of the interviews. The museum's education department created edited versions of many of these interviews to accompany exhibitions, but the edited versions are not in the current collection, except for one, entitled "Shaking in the Cape of Good Hope" by Karl Wirsum. Note that the two Sol Le Witt tapes are numbered 4 and 6 and no other Le Witt tapes are found in the collection.
Arrangement:
Individual interviews are arranged at the beginning of the series alphabetically. The remainder of the series is arranged by exhibition. The videocassettes for the Wall Paintings and Cass Corridor exhibitions are arranged in the sequence in which they were shot, and those for the Eleven Chicago Artists exhibition are arranged alphabetically by artist.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Museum of Contemporary Art (Chicago, Ill.) Search this
Extent:
1 Videocassettes (U-matic) (Tape labeled "Interviewed by Pauline Saliga")
Container:
Box 2, Folder 6
Type:
Archival materials
Moving Images [31027000771655]
Videocassettes (u-matic)
Date:
1980 July 17
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Museum of Contemporary Art (Chicago, Ill.) Search this
Extent:
2 Videocassettes (U-matic) (Tape 6 labeled "second con't of Sol Lewitt's interview and workings for piece on the promenade")
Container:
Box 2, Folder 7
Type:
Archival materials
Moving Images [31027000771655]
Videocassettes (u-matic)
Date:
1979 June 5
Scope and Contents:
Tapes labeled 4 and 6; no other tapes from this interview are found in the collection.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Museum of Contemporary Art (Chicago, Ill.) Search this
Extent:
5 Videocassettes (U-matic)
Container:
Box 3, Folder 1-3
Type:
Archival materials
Moving Images [31027000771689]
Videocassettes (u-matic)
Date:
1982 February 24
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Kick out the jams: Detroit's Cass Corridor 1963-1977 (1981)
Collection Creator:
Museum of Contemporary Art (Chicago, Ill.) Search this
Extent:
2 Videocassettes (U-matic)
Container:
Box 3, Folder 8
Type:
Archival materials
Moving Images [31027000771689]
Videocassettes (u-matic)
Date:
1981
Scope and Contents:
Interviews on tapes include:
Missing Title
Jackie Feigenson -- (tape 1)
Ellen Phelan -- (part 1 of 2, tape 2)
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Kick out the jams: Detroit's Cass Corridor 1963-1977 (1981)
Collection Creator:
Museum of Contemporary Art (Chicago, Ill.) Search this
Extent:
7 Videocassettes (U-matic)
Container:
Box 4, Folder 1-4
Type:
Archival materials
Moving Images [31027000771713]
Videocassettes (u-matic)
Date:
1981
Scope and Contents:
Interviews on tapes include:
Missing Title
Ellen Phelan -- (part 2 of 2, tape 3)
Suzanne Hillberry -- (tapes 3-4)
John Egner -- (tapes 4-5)
John Piet -- (tapes 6-7)
Michael Luchs -- (tapes 8-9)
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Museum of Contemporary Art (Chicago, Ill.) Search this
Container:
Box 4
Type:
Archival materials
Moving Images [31027000771713]
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Museum of Contemporary Art (Chicago, Ill.) Search this
Extent:
5 Videocassettes (U-matic)
Container:
Box 4, Folder 5-7
Type:
Archival materials
Moving Images [31027000771713]
Videocassettes (u-matic)
Date:
1983 July 8
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Museum of Contemporary Art (Chicago, Ill.) Search this
Container:
Box 5
Type:
Archival materials
Moving Images [31027000776092]
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Museum of Contemporary Art (Chicago, Ill.) Search this
Extent:
6 Videocassettes (U-matic)
Container:
Box 5, Folder 1-3
Type:
Archival materials
Moving Images [31027000776092]
Videocassettes (u-matic)
Date:
1983 July 15
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Museum of Contemporary Art (Chicago, Ill.) Search this
Extent:
5 Videocassettes (U-matic)
Container:
Box 5, Folder 4-6
Type:
Archival materials
Moving Images [31027000776092]
Videocassettes (u-matic)
Date:
1983 July 26
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Museum of Contemporary Art (Chicago, Ill.) Search this
Extent:
3 Videocassettes (U-matic)
Container:
Box 5, Folder 7-8
Type:
Archival materials
Moving Images [31027000776092]
Videocassettes (u-matic)
Date:
1983 August 11
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Museum of Contemporary Art (Chicago, Ill.) Search this
Extent:
4 Videocassettes (U-matic)
Container:
Box 6, Folder 1-2
Type:
Archival materials
Moving Images [31027000776068]
Videocassettes (u-matic)
Date:
1983 June 29
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Museum of Contemporary Art (Chicago, Ill.) Search this
Extent:
6 Videocassettes (U-matic)
Container:
Box 6, Folder 3-5
Type:
Archival materials
Moving Images [31027000776068]
Videocassettes (u-matic)
Date:
1983 July 12
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Museum of Contemporary Art (Chicago, Ill.) Search this
Extent:
5 Videocassettes (U-matic)
Container:
Box 6, Folder 6-8
Type:
Archival materials
Moving Images [31027000776068]
Videocassettes (u-matic)
Date:
1983 July 7
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Museum of Contemporary Art (Chicago, Ill.) Search this
Container:
Box 6
Type:
Archival materials
Moving Images [31027000776068]
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Museum of Contemporary Art (Chicago, Ill.) Search this
Container:
Box 7
Type:
Archival materials
Moving Images [31027000776001]
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
Museum of Contemporary Art (Chicago, Ill.) Search this
Extent:
4 Videocassettes (U-matic)
Container:
Box 7, Folder 1-2
Type:
Archival materials
Moving Images [31027000776001]
Videocassettes (u-matic)
Date:
1983 July 24
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.
