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Beyond the obvious : rethinking jewelry / curated by Susan Cummins ; with work by Jamie Bennett , Lisa Gralnick, Keith Lewis, Bruce Metcalf, Sondra Sherman, Kiff Slemmons

Author:
Cummins, Susan  Search this
Bennett, Jamie 1948-  Search this
Arkansas Arts Center  Search this
Toledo Museum of Art  Search this
San Francisco Craft & Folk Art Museum  Search this
Physical description:
64 p. : col. ill. ; 18 cm
Type:
Exhibitions
Place:
United States
Date:
1999
[1999]
20th century
Topic:
Jewelry--History  Search this
Call number:
NK7312 .C86 1999
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_590079

Oral history interview with Bruce Metcalf

Interviewee:
Metcalf, Bruce, 1949-  Search this
Interviewer:
Cooke, Edward S., 1954-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Colorado State University -- Faculty  Search this
Kent State University -- Faculty  Search this
Montana State University (Bozeman, Mont.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
State University of New York at New Paltz -- Students  Search this
Syracuse University -- Students  Search this
Tyler School of Art -- Students  Search this
University of the Arts (Philadelphia, Pa.) -- Faculty  Search this
Adamson, Glenn  Search this
Arneson, Robert, 1930-1992  Search this
Bauer, Fred  Search this
Bennett, Jamie, 1948-  Search this
Burns, Mark, 1950-  Search this
Church, Sharon, 1948-  Search this
Clark, Garth, 1947-  Search this
Craig, Gabriel  Search this
Cummins, Susan  Search this
Daley, William, 1925-2022  Search this
Ebendorf, Robert, 1938-  Search this
Eidelberg, Martin P.  Search this
Flynn, Pat, 1954-  Search this
Getty, Nilda  Search this
Gill, John, 1949-  Search this
Griffin, Gary, 1945-  Search this
Halem, Henry  Search this
Hammer, Wayne  Search this
Hash, Arthur, 1976-  Search this
Jerry, Michael John, 1937-  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Koplos, Janet  Search this
Koss, Gene  Search this
Kumata, Carol  Search this
La Plantz, David  Search this
Lechtzin, Stanley, 1936-  Search this
Long, Randy  Search this
Matzdorf, Kurt  Search this
Mawdsley, Richard, 1945-  Search this
Moran, Lois  Search this
Morris, William, 1834-1896  Search this
Pritchard, Marian  Search this
Rogers, Harriet  Search this
Rogers, Steve  Search this
Ruskin, John, 1819-1900  Search this
Schaechter, Judith, 1961-  Search this
Shaw, Richard, 1941 Sept. 12-  Search this
Slivka, Rose  Search this
Slosberg, Jill  Search this
Wilson, Anne, 1949-  Search this
Woell, J. Fred, 1934-  Search this
Extent:
96 Pages (Transcript)
5 Items (Sound recording: 5 sound files (4 hr., 10 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
California -- description and travel
Seoul (Korea) -- Description and Travel
Date:
2009 June 10
Scope and Contents:
An interview of Bruce Metcalf conducted 2009 June 10, by Edward S. Cooke, Jr., for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Metcalf's home, in Bala Cynwyd, Pennsylvania. Mr. Metcalf discusses his early years in Amherst, Massachusetts; beginnings as a maker with modeling clay and plastic airplane models; undergraduate years at Syracuse University, Syracuse, New York in the late 1960s; early interest in architecture; early disenchantment with modernist discourse and theory; introduction to Marxist theory and idealism of the 1960s; summer trip to California in 1970; return to the East Coast upon the death of his father; return to college, transferring into jewelry in his senior year; influence of his teacher Michael Jerry; seeing the work in "Objects: USA" exhibition (1969) and influence of the work of J. Fred Woell, Richard Mawdsley, L. Brent Kington; rejection of current trends in art, including conceptual art and formalism; his affinity for the medium of metal, and hammersmithing; influence of funk ceramics, including work by Fred Bauer and Richard Shaw; brief stint at Montana State University, Bozeman; working in cardboard and wood; graduate school at the State University of New York, New Paltz; working with Robert Ebendorf and Kurt Matzdorf at New Paltz; work as a production artist/craftsperson; attending Rhinebeck, New York, craft fair in the mid-1970s; the influence of writings by William Morris and John Ruskin and the notion of "dignified labor"; graduate school at Tyler School of Art, Philadelphia, Pennsylvania; formulating his aesthetic of narrative symbolism; publication of his first article in 1977 as a response to review of the exhibition "Forms in Metal: 275 Years of Metalsmithing in America" (1975); yearlong teaching position at Colorado State University, Fort Collins, Colorado; taking a teaching position at Kent State University, Kent, Ohio (1986-1991); publication of his article "Crafts: Second-Class Citizens?" in the first issue of Metalsmith, 1980; growing involvement with the Society of North American Goldsmiths; development of his notion of "social utility" and the role and function of crafts and making; expansion of his writing on craft; rejection of the deconstructivist school of thought in the 1980s; abandonment of sculptural objects for jewelry in the early 1990s; return to Philadelphia in 1991; early teaching of history of craft, first at Kent, then on a Fulbright scholarship in Seoul, South Korea (1990), later at the University of the Arts, Philadelphia, in the early 1990s; influence of Martin Eidelberg; development of his vision for a history of craft course; collaboration with Janet Koplos on "Makers: A History of American Studio Craft"; use of his medium and craft to explore issues of nurturing and anxiety; the psychological/social effect and aesthetic importance of wearing jewelry (for the wearer and the artist); the pros and cons of craft collectors; the problematics of installation work by craft artists; recent trends in craft, including Anne Wilson's notion of "sloppy craft" and an "anti-craft" attitude; recent artists, including Arthur Hash and Gabriel Craig; lack of exhibition opportunities for younger/emerging artists; influential recent texts, including "Shards," by Garth Clark. He also recalls Robert Arneson, Randy Long, Carol Kumata, Jamie Bennett, Steve and Harriet Rogers, Wayne Hammer, Stanley Lechtzin, Gene Koss, Henry Halem, Mark Burns, Rose Slivka, Nilda Getty, Jill Slosberg, Sharon Church, John Gill, David La Plantz, Lois Moran; Gary Griffin; William Daley, Marian Pritchard, Glenn Adamson, Pat Flynn, Susan Cummins, and Judith Schaechter.
The following oral history transcript is the result of a recorded interview with Bruce Metcalf on June 10, 2009. The interview took place in Bala Cynwyd, Penn., and was conducted by Edward S. Cooke, Jr. for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Bruce Metcalf has reviewed the transcript. His corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose.
Biographical / Historical:
Bruce Metcalf (1949- ) is a jeweler and writer in Bala Cynwyd, Pennsylvania.
General:
Originally recorded as 5 sound files. Duration is 4 hr., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Topic:
Ceramics  Search this
Communism  Search this
Deconstructivism (Architecture)  Search this
Conceptual art  Search this
Formalism (Art)  Search this
Jewelers -- Pennsylvania -- Interviews  Search this
Metal-work  Search this
Jewelry making  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.metcal09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw974054f15-9dfd-4aea-98f7-707fd609918e
EDAN-URL:
ead_collection:sova-aaa-metcal09
Online Media:

Oral history interview with Bruce Metcalf, 2009 June 10

Interviewee:
Metcalf, Bruce, 1949-  Search this
Interviewer:
Cooke, Edward S., 1954-  Search this
Subject:
Adamson, Glenn  Search this
Arneson, Robert  Search this
Bauer, Fred  Search this
Bennett, Jamie  Search this
Burns, Mark  Search this
Church, Sharon  Search this
Clark, Garth  Search this
Craig, Gabriel  Search this
Cummins, Susan  Search this
Daley, William  Search this
Ebendorf, Robert  Search this
Eidelberg, Martin P.  Search this
Flynn, Pat  Search this
Getty, Nilda  Search this
Gill, John  Search this
Griffin, Gary  Search this
Halem, Henry  Search this
Hammer, Wayne  Search this
Hash, Arthur  Search this
Jerry, Michael John  Search this
Long, Randy  Search this
Kington, L. Brent (Louis Brent)  Search this
Koplos, Janet  Search this
Koss, Gene  Search this
Kumata, Carol  Search this
La Plantz, David  Search this
Lechtzin, Stanley  Search this
Matzdorf, Kurt  Search this
Mawdsley, Richard  Search this
Moran, Lois  Search this
Morris, William  Search this
Pritchard, Marian  Search this
Rogers, Harriet  Search this
Rogers, Steve  Search this
Ruskin, John  Search this
Schaechter, Judith  Search this
Shaw, Richard  Search this
Slivka, Rose  Search this
Slosberg, Jill  Search this
Wilson, Anne  Search this
Woell, J. Fred  Search this
Colorado State University  Search this
Kent State University  Search this
Montana State University (Bozeman, Mont.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
State University of New York at New Paltz  Search this
Syracuse University  Search this
Tyler School of Art  Search this
University of the Arts (Philadelphia, Pa.)  Search this
Type:
Sound recordings
Interviews
Place:
California -- description and travel
Seoul (Korea) -- Description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Bruce Metcalf, 2009 June 10. Archives of American Art, Smithsonian Institution.
Topic:
Ceramics  Search this
Communism  Search this
Deconstructivism (Architecture)  Search this
Conceptual art  Search this
Formalism (Art)  Search this
Jewelers -- Pennsylvania -- Interviews  Search this
Metal-work  Search this
Jewelry making  Search this
Record number:
(DSI-AAA_CollID)16051
(DSI-AAA_SIRISBib)310185
AAA_collcode_metcal09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_310185
Online Media:

Oral history interview with Dominic Di Mare

Interviewee:
Di Mare, Dominic, 1932-  Search this
Interviewer:
Mayfield, Signe  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
60 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2002 June 4-10
Scope and Contents:
An interview of Dominic Di Mare conducted 2002 June 4-10, by Signe Mayfield, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at his home and studio, in Tiburon, California.
Di Mare speaks of growing up in Monterey, California, around thread, as his mother crocheted and his fisherman father made lures; drawing as a child; receiving the Junior Scholastic Art Awards in high school; enrolling at Monterey Peninsula College and San Francisco State; acquiring a teacher's degree and taking a craft class; being "enthralled" by setting up a loom; teaching art in junior high schools; getting married and buying a loom; reading Craft Horizon magazine and becoming inspired by the work of Kay Sekimachi; buying yarn from Helen Pope at The Yarn Depot and forming a friendship with her; exhibiting at The Yarn Depot; participating in craft competitions and showing his work to Paul Smith, the director of the Museum of Contemporary Crafts; his first show at the Museum of Contemporary Crafts in 1965; exhibiting at Museum West (the west coast extension of the Museum of Contemporary Crafts); recognizing "self and struggle and passion" in Ferne Jacobs' work; his dealers including Marjorie Annenberg (Annenberg Gallery, San Francisco), Ruth Braunstein (Braunstein/Quay Gallery, San Francisco), Susan Cummins (Susan Cummins Gallery, Mill Valley, Calif.), and Florence Duhl (Florence Duhl Gallery, New York); receiving a grant from the Marin Arts Council; quitting his teaching job, receiving an NEA grant, and becoming a full-time artist; collectors Dan and Hillary Goldstein; the beauty of poet Betty Parks' article, "Dominic Di Mare: Houses for the Sacred," in American Craft (October/November 1982); his "shrine" imagery; his military service during the Korean War and being assigned to a post office in Paris, France; going to the Louvre and encountering the Nike, "winged victory" sculpture; and Jack Lenore Larson's support.
Di Mare considers himself to be "self-taught" although he attended the California College of Arts and Crafts, San Francisco State, and Rudolph Schaefer School of Design. He also talks about autobiographical elements in his work; his "personal, artistic vocabulary"; the repetition of black and white; his use of sticks and feathers; and cross shapes, representing the church and a ship's mast. He comments on making portraits during his summers in Switzerland and making magical wands; and his artistic philosophy. Di Mare also recalls Camille Cook, Helen Drutt, Trude Guermonprez, Sophi Harpe, Gyongy Laky, Marjorie Livingston, Hal Painter, June Schwarcz, Rose Slivka, Millie Tresko, and Dorian Zachai.
Biographical / Historical:
Dominic Di Mare (1932- ) is a fiber artist from Tiburon, California. Signe Mayfield is an art historian.
General:
Originally recorded 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 2 hr., 47 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Patrons must use transcript. Transcript available online. Sound recordings (3 cassettes) are ACCESS RESTRICTED; Written permission required.
Occupation:
Weavers -- California -- Interviews  Search this
Topic:
Fiberwork  Search this
Textile crafts  Search this
Art -- Study and teaching -- California  Search this
Fishing  Search this
Decorative arts  Search this
Weaving  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.dimare02
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b7ef2f19-f62a-41b4-9a04-be2dd364ab11
EDAN-URL:
ead_collection:sova-aaa-dimare02
Online Media:

Oral history interview with Dominic Di Mare, 2002 June 4-10

Interviewee:
Di Mare, Dominic, 1932-  Search this
Interviewer:
Mayfield, Signe  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Dominic Di Mare, 2002 June 4-10. Archives of American Art, Smithsonian Institution.
Topic:
Fiberwork  Search this
Textile crafts  Search this
Art -- Study and teaching -- California  Search this
Fishing  Search this
Decorative arts  Search this
Weaving  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12551
(DSI-AAA_SIRISBib)237988
AAA_collcode_dimare02
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_237988

Oral history interview with Susan Cummins

Interviewee:
Cummins, Susan  Search this
Riedel, Mija, 1958-  Search this
Interviewer:
Lauria, Jo  Search this
Extent:
9 Items (wav files (3 hr., 24 min.), digital)
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
2009 October 22
Scope and Contents:
An interview of Susan Cummins conducted 2009 October 22, by Jo Lauria, for the Archives of American Art, at Cummins' home, in Mill Valley, California. Mija Riedel is also present at the interview.
Biographical / Historical:
Susan Cummins (1946- ) is a former gallery owner and art dealer in Mill Valley, California. Cummins owned and operated the Susan Cummins gallery from 1984-2002. Mija Riedel (1958- ) worked at the Susan Cummins gallery with Cummins for 16 years.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 9 digital wav files. Duration is 3 hr., 24 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art dealers -- California  Search this
Gallery owners -- California  Search this
Topic:
Women art dealers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cummin09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw941aeff72-5126-4fc9-a8e0-087cba7b6f90
EDAN-URL:
ead_collection:sova-aaa-cummin09
Online Media:

Oral history interview with Susan Cummins, 2009 October 22

Interviewee:
Cummins, Susan, 1946-  Search this
Interviewer:
Lauria, Jo, 1954-  Search this
Subject:
Riedel, Mija, 1958-  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Susan Cummins, 2009 October 22. Archives of American Art, Smithsonian Institution.
Topic:
Women art dealers  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15733
(DSI-AAA_SIRISBib)286042
AAA_collcode_cummin09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_286042
Online Media:

Susan Cummins Gallery records

Creator:
Susan Cummins Gallery  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Cummins, Susan  Search this
Ebendorf, Robert, 1938-  Search this
Hu, Mary Lee, 1943-  Search this
Metcalf, Bruce, 1949-  Search this
Scott, Joyce J., 1948-  Search this
Extent:
6.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1984-2002
Summary:
The Susan Cummins Gallery records measure 6.4 linear feet and date from 1984 to 2002, with the bulk of the records dating from 1990 to 2001. The collection sheds light on the California gallery's artists and operations through administrative records, artists' files, printed materials, photographic materials, audiovisual recordings, correspondence, and more. Also included are two files relating to art panels and lectures given by Susan Cummins.
Scope and Contents:
The Susan Cummins Gallery records measure 6.4 linear feet and date from 1984 to 2002, with the bulk of the records dating from 1990 to 2001. The collection sheds light on the California gallery's artists and operations through administrative records and artists' files. Administrative records include group show exhibition files, gallery exhibition announcements, newspaper and magazine clippings, casette tapes, and papers from panels and lectures given by Cummins. Artists' files mainly consist of correspondence, resumes, exhibition announcements, articles about the artist, show reviews, and photographic materials. Some of the files include exhibition materials such as price lists, correspondence with other galleries and institutions, photos, and some sales records. Artists featured include Joyce Scott, June Schwarcz, Bruce Metcalf, Jamie Bennett, Dominic Di Mare, Thomas Mann, Keith Lewis, Bob Ebendorf, and Sandra Enterline.
Arrangement:
The collection is arranged as two series.

Series 1: Administrative Records, 1984-2001 (Box 1; 0.5 linear feet)

Series 2: Artists' Files, 1984-2002 (Box 2-7; 5.9 linear feet)
Biographical / Historical:
Susan Cummins Gallery was a contemporary art gallery established in 1984 in Mill Valley, California. The gallery was most well-known for its exhibition of American jewelry and other studio craft objects. In the 1990s, the gallery moved into a larger space and began exhibiting paintings and drawings as well. Most exhibitions held at the gallery were solo shows rotated monthly. Over the years, major artists shown at Cummins Gallery include Joyce Scott, June Schwarcz, Bruce Metcalf, Jamie Bennett, Dominic Di Mare, and Bob Ebendorf. The gallery closed in 2002. Group shows include Faceted Glass (1984)--the gallery's first show, Outcasts: Jewelry from Junk (1992), The Weight of Gold: Invitational Group Show (1993), and Jewelry as an Object of Installation (2001).

Susan Cummins was born December 27, 1946, in Minneapolis, Minnesota. Growing up, her family moved around to several states but mostly settled in the west coast. After high school, Cummins went on an American Field Service trip to Europe, and it was during her trip that she decided to study art in college. She attended Scripps College, studied under Arthur Stevens, and wrote her thesis on Rodin's relationship to dance. After college, Cummins moved to Washington, D.C. and struggled to find work in her field. She briefly volunteered at the National Museum of American Art and had worked for the Black Man's Development Center and a government lab before moving back to the west coast. She moved to Mill Valley and began running The Fireworks, a ceramics shop owned by a former college friend, Beth Changstrom. In 1983, Cummins and Changstrom took over the Horizon Gallery's space in Mill Valley and founded Beth Changstrom Ceramics and Susan Cummins Gallery. Throughout her tenure running the gallery, Cummins was close friends with some of her artists, especially Bruce Metcalf, Dominic Di Mare, and Bob Ebendorf. Cummins helped found Art Jewelry Forum in 1997 to promote and educate the collecting public about jewelry. She has served on the boards of the American Craft Council (2018 Honorary Fellow) and the Headlands Center for the Arts; she is the current director of the Rotasa Foundation.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Susan Cummins conducted by Jo Lauria, October 22, 2009
Provenance:
The collection was donated in 2003 by Susan Cummins, gallery founder and owner, as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California  Search this
Topic:
Jewelry -- Collectors and collecting  Search this
American studio craft movement  Search this
Function:
Art galleries, Commercial -- California
Citation:
Susan Cummins Gallery records, 1984-2002. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.susacumg
See more items in:
Susan Cummins Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91bb6e89f-be98-45cd-8323-cf3cb8e2c819
EDAN-URL:
ead_collection:sova-aaa-susacumg

Susan Cummins Gallery records, 1984-2002

Creator:
Susan Cummins Gallery  Search this
Subject:
Cummins, Susan  Search this
Metcalf, Bruce  Search this
Scott, Joyce  Search this
Ebendorf, Robert  Search this
Hu, Mary Lee  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Citation:
Susan Cummins Gallery records, 1984-2002. Archives of American Art, Smithsonian Institution.
Topic:
Jewelry -- Collectors and collecting  Search this
American studio craft movement  Search this
Theme:
Art Gallery Records  Search this
Craft  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)11577
(DSI-AAA_SIRISBib)248745
AAA_collcode_susacumg
Theme:
Art Gallery Records
Craft
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_248745

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