Skip to main content Smithsonian Institution

Search Results

Collections Search Center
4 documents - page 1 of 1

Baruj Salinas papers

Creator:
Salinas, Baruj  Search this
Names:
Amsterdam (Netherlands). Stedelijk Museum  Search this
Rijksmuseum (Netherlands)  Search this
Van Gogh Museum, Amsterdam  Search this
Alejandro, Ramon  Search this
Algaze, Mario Arturo, 1947-  Search this
Armand, Octavio, 1946-  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Carulla, Ramón, 1938-  Search this
Cubiles, Miguel  Search this
Cubiles, Miguel -- Photographs  Search this
Cuevas, José Luis, 1934- -- Photographs  Search this
Estopiñán, Roberto, 1921-  Search this
Ferrer, Joaquin  Search this
Fonts, Marilyn  Search this
Fonts, Marilyn -- Photographs  Search this
Franqui, Camilo  Search this
Franqui, Carlos, 1921-  Search this
Franqui, Carlos, 1921- -- Photographs  Search this
Godoy, Gustavo G.  Search this
Gutierrez, Osvaldo -- Photographs  Search this
Kohler, Elizabeth  Search this
Kohler, Peter  Search this
Linder, Gisele  Search this
Lozano Castro, Alfredo  Search this
Lozano Castro, Alfredo -- Photographs  Search this
Macia, Carlos A., 1951-1994  Search this
McBride, Robert H.  Search this
Miró, Joan, 1893- -- Photographs  Search this
Pau-Llosa, Ricardo  Search this
Riverón, Enrique  Search this
Rodríguez, Bélgica, 1941-  Search this
Roel, Guillermo  Search this
Salinas, Isaac  Search this
Salinas, Rosa  Search this
Samelson, Henry  Search this
Serur, David  Search this
Soriano, Rafael, 1920-  Search this
Tamayo, Rufino, 1899- -- Photographs  Search this
Toonkel, Gail  Search this
Valente, José Angel  Search this
Vidal, Juan -- Photographs  Search this
Ward, Bettie  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1971-1996
Summary:
The papers of Cuban born painter Baruj Salinas measure 0.4 linear feet and date from 1971-1996. The collection documents the artist's prolific painting career and his friendships and professional relationships with a variety of contemporary artist in the U.S. and Europe. The papers of Baruj Salinas are an important addition to the documentation of Cuban-American art and artists.
Scope and Content Note:
The papers of Cuban born painter Baruj Salinas measure 0.4 linear feet and date from 1971-1996. The collection primarily consists of letters from friends and artists. Also found are diary entries, scattered financial and business papers, printed material, and photographs. Of special interest in the last series are photographs taken of a visit to the home and art studio of Spanish artist Joan Miró.
Arrangement:
The collection is arranged as six series.

Series 1: Diary Entries, 1982 (box 1; 1 folder)

Series 2: Letters Received, 1979-1996, undated (box 1; 21 folders)

Series 3: Financial Papers, 1993-1994 (box 1; 1 folder)

Series 4: Printed Material, 1976-1992, undated (box 1; 2 folders)

Series 5: Photographs, 1971-1992, undated (box 1; 3 folders)

Series 6: Miscellany, 1992 (box 1; 1 folder)
Biographical Note:
Born in Havana, painter Baruj Salinas' (b. 1938) career began in the field of architecture. He graduated from the University of Ohio with an architectural degree and left Cuba permanently in 1959. Salinas settled in Miami and later moved to Barcelona where he studied alongside artists Joan Miró and Antoni Tàpies.
Provenance:
Baruj Salinas donated his papers to the Archives of American Art in 1997.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Florida -- Miami  Search this
Painters -- Cuba -- Havana  Search this
Topic:
Latino and Latin American artists  Search this
Cuban American art  Search this
Genre/Form:
Photographs
Citation:
Baruj Salinas papers, 1971-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.salibaru
See more items in:
Baruj Salinas papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-salibaru

Ramón Carulla papers

Creator:
Carulla, Ramón, 1938-  Search this
Names:
Blanc, Giulio V.  Search this
Cubiles, Miguel  Search this
Cubiles, Miguel -- Photographs  Search this
Cuevas, José Luis, 1934- -- Photographs  Search this
Kundsen, Karen  Search this
Luís, Fernando  Search this
Mérida, Carlos, 1891-1984 -- Photographs  Search this
Valerio, Andres -- Photographs  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Mail art
Sketchbooks
Photographs
Date:
1971-1996
Summary:
The Ramón Carulla papers contain letters, photographs, printed material, an interview, sketchbooks, and artwork documenting the career of Cuban American painter Ramón Carulla.
Scope and Content Note:
This collection dates from 1971-1996, comprises 0.3 linear feet, and provides scattered documentation of the career of Cuban American painter Ramón Carulla. The collection contains letters to Carulla from artists and others; writings by others for and about Carulla; the transcript of an interview with Carulla; photographs of Carulla, friends, and his artwork; two sketchbooks; a painting; and printed matter including exhibition announcements and catalogs.
Arrangement:
The collection is arranged into five series:

Series 1: Letters and Biographical Material, 1971-1996 (box 1, 3 folders)

Series 2: Writings About Carulla and Interview, 1986-1995, undated (box 1, 3 folders)

Series 3: Printed Material, 1982-1994, undated (box 1, 2 folders)

Series 4: Photographs, 1980-1989, undated (box 1, 4 folders)

Series 5: Artwork, 1986-1994 (boxes 1-2, 3 items)
Biographical Note:
Ramón Carulla was born in Havana, Cuba in 1938. In 1946 he moved to Miami with his father to attend public school, returning to Havana in 1953 to complete his schooling. In 1963 he began painting and had his first one-man show in 1967 at the Bacardi Gallery in Miami, where he had settled two years earlier. Although his work was initially abstract Carulla had moved towards figurative art by the late 1970s.
Provenance:
The collection was donated to the Archives of American Art by Ramón Carulla in 1997.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Works of art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American art  Search this
Cuban American artists  Search this
Artists -- Cuba  Search this
Expatriate artists -- Florida -- Miami  Search this
Art, Cuban -- Florida -- Miami  Search this
Latino and Latin American artists  Search this
Genre/Form:
Mail art
Sketchbooks
Photographs
Citation:
Ramón Carulla papers, 1971-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.caruramo
See more items in:
Ramón Carulla papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-caruramo

Marian Gore "Art Scene" interviews and papers

Creator:
Gore, Marian L.  Search this
Names:
Ankrum Gallery  Search this
Ceeje Gallery  Search this
Comara Gallery  Search this
Dwan Gallery (Los Angeles, Calif.)  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
KPFK (Radio staion : Los Angeles, Calif.)  Search this
Silvan Simone Gallery  Search this
Albers, Josef  Search this
Albert, Michel (artist)  Search this
Ankrum, Joan  Search this
Blair, Streeter, 1888-1966  Search this
Brigante, Nicholas P., 1895-1989  Search this
Carter, Earl  Search this
Cremean, Robert, 1932-  Search this
Cuevas, José Luis, 1934-  Search this
Elliot, James, 1943-2011  Search this
Falkenstein, Claire, 1908-1997  Search this
Geoffrey, J. Iqbal, 1939-  Search this
Gerchik, Paul  Search this
Goeritz, Mathias, 1915-1990  Search this
Greene, Balcomb, 1904-1990  Search this
Hansen, Jurgen  Search this
Hopps, Walter  Search this
Kuntz, Roger, 1926-1975  Search this
Leavitt, Thomas W.  Search this
Lebrun, Rico, 1900-1964  Search this
Lipchitz, Jacques, 1891-1973  Search this
Luna, Mario  Search this
Mallary, Robert, 1917-1997  Search this
Nevelson, Louise, 1899-1988  Search this
Ortiz, Emilio, 1936-  Search this
Robles, Esther  Search this
Schniede, Otto  Search this
Schwaderer, Fritz (Fritz Karl), 1901-  Search this
Siqueiros, David Alfaro  Search this
Tamayo, Rufino, 1899-  Search this
Vicente, Esteban, 1903-2001  Search this
Wark, Robert R.  Search this
Wayne, June, 1918-2011  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Photographs
Interviews
Transcripts
Date:
1958-1969
Summary:
The Marian Gore "Art Scene" interviews and papers measure 2.2 linear feet and date from 1958 to 1969, with all sound recordings dated between 1962 and 1964. The core of the collection consists of 37 radio programs recorded by Marian Gore for KPFK radio in Los Angeles, California, consisting of interviews with artists, collectors, gallerists, and museum curators. A series of artist files contains notes, correspondence and other materials related to her interview subjects, and a printed materials series contains mainly exhibition posters, programs, and announcements produced by the art spaces with which her subjects were affiliated.
Scope and Contents:
The Marian Gore "Art Scene" interviews and papers measure 2.2 linear feet and date from 1958 to 1969, with all sound recordings dated between 1962 and 1964. The core of the collection consists of 37 radio programs recorded by Marion Gore for KPFK radio in Los Angeles, California, consisting of interviews with artists, collectors, gallerists, and museum curators. A series of artist files contains notes, correspondence and other materials related to her interview subjects, and a printed materials series contains mainly exhibition posters, programs, and announcements produced by the art spaces with which her subjects were affiliated.

The "Art Scene" Interviews series contains 36 interviews from Gore's "Art Scene" radio series of interviews relating to the contemporary art scene in Los Angeles, particularly galleries and artists showing on La Cienega Boulevard in West Hollywood. Also found is a single episode of another KPFK program called "Seen at the galleries" and hosted by Earl Carter, featuring an interview with Jacques Lipchitz on the occasion of his retrospective at UCLA. Two interviews, with Mathias Goeritz and David Siqueiros, were conducted in Mexico City. Other interview subjects include Michel Albert, Josef Albers, Joan Ankrum, Streeter Blair, Nick Brigante, Robert Cremean, José Luis Cuevas, James Elliott, Claire Falkenstein, Balcomb Greene, Paul Gerchik, Jurgen Hansen, Walter Hopps, Roger Kuntz, Rico Lebrun, Dr. Thomas Leavitt, Jacques Lipchitz, Mario Luna, Robert Mallary, Louise Nevelson, Emilio Ortiz, Esther Robles, Otto Schniede, Fritz Schwaderer, Rufino Tamayo, Esteban Vicente, Robert Wark, and June Wayne.

Artist files include mainly brief, typewritten notes created for Gore's radio interviews, with the questions she asked her interview subjects and brief introductory or concluding remarks. Correspondence is also found in files for Robert Cremean, Iqbal Geoffrey, Balcomb Greene, Robert Mallary, Emilio Ortiz, and Esteban Vicente. Louise Nevelson's file also contains a transcript of her interview with Gore. Also found scattered in some files are notes, photographs, clippings, press releases, resumes, and exhibition programs. Note that not every person in this series has a corresponding sound recording in Series 1, and not every interviewee in Series 1 has a corresponding file in this series.

Most of the material in the Printed Materials series consists of exhibition announcements, programs, and posters from Galleries in the Los Angeles, California area, particularly those along La Cienega Boulevard. Of these, Ankrum Gallery, Ceeje Gallery, Comara Gallery, Dwan Gallery, Ferus Gallery, and Silvan Simone Gallery on Olympic Boulevard contain the most material, with many of the other files containing only one or two pieces. Of note are original prints promoting exhibitions at the Ferus and Ceeje Galleries, and a poster for an art walk along La Cienega Boulevard in the file for the Los Angeles County Museum of Art.
Arrangement:
The collection is arranged in 3 series:

Series 1: "Art Scene" Interviews (1.3 linear feet, Boxes 1-2, 4)

Series 2: Artist Files (0.2 linear feet, Boxes 2, 4)

Series 3: Printed Materials (0.7 linear feet, Boxes 3-4, OV 5)
Biographical / Historical:
Marian L. Gore (1914-2009) volunteered as a radio interviewer for KPFK between 1962-1964, conducting a series of interviews with Los Angeles-area artists, curators, collectors, and gallerists in response to a growing awareness of Los Angeles' rapidly growing role as a creative center and art market.

Born Marian Lucille Moore on Feb. 27, 1914, in Los Angeles to Fred and Lucille Moore. Fred Moore, an attorney, defended Nicola Sacco and Bartolomeo Vanzetti in the infamous 1921 trial. Following her divorce in the early 1960s, Gore approached the radio station KPFK, who was looking for someone to interview local artists. In a 1997 letter that accompanied her donation of the collection to the Archives, Gore writes,

"The early 1960's were an interesting and probably unique period for the Southern California art world. In Los Angeles on La Cienega Boulevard galleries had sprung up like mushrooms, and on Friday nights those who were interested in this scene would go from one gallery to another noting what artists were featured and what trends were apparent. It was a pleasurable way to meet artists as well as a social event where one could see friends and exchange impressions.

"Because I was searching for something to do, at the suggestion of a friend I had gone to radio station KPFK to volunteer my services in any way possible. It turned out to be a most fortuitous time for this offer. The management was interested in possible intervie3ws with artists, and so it all began. I had never done an interview in my life and was astounded to discover how easy it was to get artists, gallery owners, and even museum personnel to talk aobut what they did. Once this began I was swaped with requests for taped interviews, far more than I could manage."

Gore later became an antiquarian bookseller specializing in books on food and drink. She retired in 1994 and donated her book collection to the Los Angeles Public Library.
Provenance:
Donated 1997 by Marian Gore.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Curators -- California -- Los Angeles  Search this
Gallery owners -- California  Search this
Artists -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Photographs
Interviews
Transcripts
Citation:
KPFK "Art Scene" interviews, 1950-1969. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goremari
See more items in:
Marian Gore "Art Scene" interviews and papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goremari

Visiting the Fortune Teller [mixed media] / (photographed by Peter A. Juley & Son)

Artist:
Cuevas, Jose Luis 1934-2017  Search this
Type:
Photograph
Topic:
Figure  Search this
Occupation--Occult--Fortune Teller  Search this
Image number:
JUL J0024860
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_24861

Modify Your Search







or


Narrow By