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Oral history interview with Phillip A. Bruno

Interviewee:
Bruno, Phillip A.  Search this
Creator:
McElhinney, James Lancel, 1952-  Search this
Widgeon Point Charitable Foundation  Search this
Names:
Barnes Foundation  Search this
Columbia University -- Students  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Grace Borgenicht Gallery  Search this
La Napoule Art Foundation, Henry Clews Memorial  Search this
Marlborough Gallery  Search this
Weyhe Gallery  Search this
Widgeon Point Charitable Foundation  Search this
World House Galleries  Search this
Avery, Milton, 1885-1965  Search this
Bacon, Francis, 1909-1992  Search this
Baskin, Leonard, 1922-2000  Search this
Bertoia, Harry  Search this
Bravo, Claudio, 1936-2011  Search this
Brown, Joan, 1938-1990  Search this
Calder, Alexander, 1898-1976  Search this
Clews, Henry, 1876-1937  Search this
Crawford, Ralston, 1906-1978  Search this
Cuevas, José Luis, 1934-  Search this
Ernst, Max, 1891-1976  Search this
Estes, Richard, 1932-  Search this
Giacometti, Alberto, 1901-1966  Search this
Hefner, Hugh M. (Hugh Marston), 1926-  Search this
Hirshhorn, Joseph H.  Search this
Katz, Alex, 1927-  Search this
Koenig, Fritz, 1924-  Search this
Kubach, Wolfgang, 1936-  Search this
Kubach-Wilmsen, Anna Maria, 1937-  Search this
Matisse, Henri, 1869-1954  Search this
Morgan, Randall, 1920-  Search this
Nagare, Masayuki, 1923-  Search this
Neuberger, Roy R.  Search this
Nevelson, Louise, 1899-1988  Search this
Park, David, 1911-1960  Search this
Peterdi, Gabor  Search this
Rothko, Mark, 1903-1970  Search this
Schapiro, Meyer, 1904-  Search this
Staempfli, George W.  Search this
Willard, Charlotte  Search this
Extent:
46 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 January 13-21
Scope and Contents:
An interview of Phillip A. Bruno conducted 2009 January 13-21, by James McElhinney, for the Archives of American Art, at the Archives of American Art, in New York, New York.
Bruno speaks of some his earliest impressions of art while growing up in New York and Paris; attending Columbia University, where he majored in the history of painting and architecture and studied under Meyer Schapiro; his first job at the Weyhe Gallery as a gallery assistant; helping create the Grace Borgenicht Gallery, where he served as director for five years; traveling to Mexico, meeting Jose Cuevas and exhibiting his work at the Edward Loeb Gallery in Paris; traveling to Brazil and meeting a family of naturalist painters who emphasized the importance of painting outdoors, unlike many painters from the New York school; working with Henry Clews and the La Napoule Art Foundation; selling a piece of Salvador Dali jewelry made by Carlos Alamanni to Hugh Hefner, founder of Playboy Magazine; working as director of The World House Gallery and selling works by Fancis Bacon and Max Ernst to clients such as Joseph Hirshhorn and Roy Neuberger; organizing a exhibition of artists shown at the Brussels World Fair in 1958 at World House and meeting George Staempfli through the artist Joan Brown; moving from World House to the Staempfli Gallery in 1960 to work as co-director; the Staempfli Gallery's role in the international art world; an original drawing by Leonard Baskin inscribed to Phillip in 1954; selling the work of artists such as Harry Bertoia, Fritz Koening, and David Park; meeting Henri Matisse in Paris at the age of 21; visiting the studios of Alexander Calder and Mark Rothko; the difference between galleries that can spot new talent and galleries that sell certain artists well; the art market becoming less idealistic and more commercial; the rising importance of auction houses and the possibility of their taking the place of traditional art galleries; the move of the Staempfli Gallery to the SoHo neighborhood and soon after, leaving Staempfli for Marlborough, where he was one of the New York directors for 18 years; his appreciation for the creativity of others, retirement and current plans to write his memoirs. Bruno also recalls Milton Avery, Gabor Peterdi, Hans Muller, Ralston Crawford, Randall Morgan, Charlotte Willard, Dorthy Satterlee, Masayuki Nagare, Claude Bemardin, Kubach-Wilmsen, Louise Nevelson, Cladio Bravo, Lopez Garcia, Alberto Giacometti, The Barnes Foundation, Richard Estes, Alex Katz, and Neil Wlliver.
Biographical / Historical:
Phillip A. Bruno (1930- ) is an art collector and director of Marlborough Gallery, New York, New York.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 45 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Gallery directors -- New York (State) -- New York  Search this
Topic:
Collectors and collecting -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bruno09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bruno09

Joseph Randall Shapiro and Jory Shapiro papers

Creator:
Shapiro, Joseph Randall  Search this
Shapiro, Jory  Search this
Names:
Baj, Enrico, 1924-  Search this
Bohrod, Aaron  Search this
Buehr, George Frederick, 1905-1983  Search this
Chagall, Marc, 1887-1985  Search this
Cuevas, José Luis, 1934-  Search this
Golub, Leon, 1922-2004  Search this
Hoff, Margo  Search this
Ito, Miyoko, 1918-1983  Search this
Janis, Sidney, 1896-1989  Search this
Lanyon, Ellen  Search this
Matisse, Pierre, 1900-1989  Search this
Pattison, Abbott L. (Abbott Lawrence), 1916-1999  Search this
Petlin, Irving, 1934-2018  Search this
Rattner, Abraham  Search this
Sage, Kay  Search this
Tanguy, Yves, 1900-1955  Search this
Extent:
0.6 Linear feet ((on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1943-1985
Scope and Contents:
Letters, scrapbooks, and printed material documenting the development of the Shapiro's art collection. Correspondence, primarily from dealers, museums, art organizations and artists, includes letters from Enrico Baj, Aaron Bohrod (recommending Ben Shahn as a muralist), George Buehr, Jose Luis Cuevas, Leon Golub, Margo Hoff, Miyoko Ito, Sidney Janis, Ellen Lanyon, Pierre Matisse, Ida Meyer-Chagall (discussing her father's work), Abbott Pattison, Irving Petlin, Abraham Rattner, and Kay Sage Tanguy (discussing her husband's work). Printed material consists of 11 exhibition announcements and catalogs (1952-1984), and clippings (1965-1985).
Four scrapbooks (1943-1955) contain clippings, some dealing with the "Art to Live With" program, exhibition catalogs, a letter from Richard Daley (1958), a 3-page typescript "Surrealism Then and Now" by Doris Lane Butler (1958), press releases (1959), and a letter from R. J. Nedved of the Illinois Society of Architects (1967).
Biographical / Historical:
Born 1904. Died 1996. Joseph Shapiro began collecting in 1942 and was drawn to works in the Surrealist tradition. While establishing one of the most important art collections in Chicago, Shapiro and his wife Jory enjoyed personal friendships with artists and used their collection to educate and increase public appreciation of modern art in Chicago. Shapiro was a founder of the Museum of Contemporary Art and served on its board as President from 1967 until 1974.
Provenance:
Material on reel 3759 (fr. 1-320) donated 1986; and material on fr. 323-569 lent for microfilming 1986 all by Joseph R. Shapiro.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art patrons  Search this
Topic:
Art, Modern -- 20th century -- Illinois -- Chicago  Search this
Surrealism -- Collectors and collecting  Search this
Art -- Collectors and collecting  Search this
Identifier:
AAA.shapjose
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-shapjose

Baruj Salinas papers

Creator:
Salinas, Baruj  Search this
Names:
Amsterdam (Netherlands). Stedelijk Museum  Search this
Rijksmuseum (Netherlands)  Search this
Van Gogh Museum, Amsterdam  Search this
Alejandro, Ramon  Search this
Algaze, Mario Arturo, 1947-  Search this
Armand, Octavio, 1946-  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Carulla, Ramón, 1938-  Search this
Cubiles, Miguel  Search this
Cubiles, Miguel -- Photographs  Search this
Cuevas, José Luis, 1934- -- Photographs  Search this
Estopiñán, Roberto, 1921-  Search this
Ferrer, Joaquin  Search this
Fonts, Marilyn  Search this
Fonts, Marilyn -- Photographs  Search this
Franqui, Camilo  Search this
Franqui, Carlos, 1921-  Search this
Franqui, Carlos, 1921- -- Photographs  Search this
Godoy, Gustavo G.  Search this
Gutierrez, Osvaldo -- Photographs  Search this
Kohler, Elizabeth  Search this
Kohler, Peter  Search this
Linder, Gisele  Search this
Lozano Castro, Alfredo  Search this
Lozano Castro, Alfredo -- Photographs  Search this
Macia, Carlos A., 1951-1994  Search this
McBride, Robert H.  Search this
Miró, Joan, 1893- -- Photographs  Search this
Pau-Llosa, Ricardo  Search this
Riverón, Enrique  Search this
Rodríguez, Bélgica, 1941-  Search this
Roel, Guillermo  Search this
Salinas, Isaac  Search this
Salinas, Rosa  Search this
Samelson, Henry  Search this
Serur, David  Search this
Soriano, Rafael, 1920-  Search this
Tamayo, Rufino, 1899- -- Photographs  Search this
Toonkel, Gail  Search this
Valente, José Angel  Search this
Vidal, Juan -- Photographs  Search this
Ward, Bettie  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1971-1996
Summary:
The Baruj Salinas papers measure 0.4 linear feet and date from 1971-1996. The collection documents the artist's prolific painting career and his friendships and professional relationships with a variety of contemporary artist in the U.S. and Europe. The papers of Baruj Salinas are an important addition to the documentation of Cuban-American art and artists.
Scope and Content Note:
The Baruj Salinas papers measure 0.4 linear feet and date from 1971-1996. The collection primarily consists of letters from friends and artists. Also found are diary entries, scattered financial and business papers, printed material, and photographs. Of special interest in the last series are photographs taken of a visit to the home and art studio of Spanish artist Joan Miró.
Arrangement:
The collection is arranged as six series.

Series 1: Diary Entries, 1982 (box 1; 1 folder)

Series 2: Letters Received, 1979-1996, undated (box 1; 21 folders)

Series 3: Financial Papers, 1993-1994 (box 1; 1 folder)

Series 4: Printed Material, 1976-1992, undated (box 1; 2 folders)

Series 5: Photographs, 1971-1992, undated (box 1; 3 folders)

Series 6: Miscellany, 1992 (box 1; 1 folder)
Biographical Note:
Born in Havana, painter Baruj Salinas' (b. 1938) career began in the field of architecture. He graduated from the University of Ohio with an architectural degree and left Cuba permanently in 1959. Salinas settled in Miami and later moved to Barcelona where he studied alongside artists Joan Miró and Antoni Tàpies.
Provenance:
Baruj Salinas donated his papers to the Archives of American Art in 1997.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Baruj Salinas papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- Florida -- Miami  Search this
Painters -- Cuba -- Havana  Search this
Topic:
Hispanic American artists  Search this
Cuban American art  Search this
Genre/Form:
Photographs
Citation:
Baruj Salinas papers, 1971-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.salibaru
See more items in:
Baruj Salinas papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-salibaru

Ramón Carulla papers

Creator:
Carulla, Ramón, 1938-  Search this
Names:
Blanc, Giulio V.  Search this
Cubiles, Miguel  Search this
Cubiles, Miguel -- Photographs  Search this
Cuevas, José Luis, 1934- -- Photographs  Search this
Kundsen, Karen  Search this
Luís, Fernando  Search this
Mérida, Carlos, 1891-1984 -- Photographs  Search this
Valerio, Andres -- Photographs  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Mail art
Sketchbooks
Photographs
Date:
1971-1996
Summary:
The Ramón Carulla papers contain letters, photographs, printed material, an interview, sketchbooks, and artwork documenting the career of Cuban American painter Ramón Carulla.
Scope and Content Note:
This collection dates from 1971-1996, comprises 0.3 linear feet, and provides scattered documentation of the career of Cuban American painter Ramón Carulla. The collection contains letters to Carulla from artists and others; writings by others for and about Carulla; the transcript of an interview with Carulla; photographs of Carulla, friends, and his artwork; two sketchbooks; a painting; and printed matter including exhibition announcements and catalogs.
Arrangement:
The collection is arranged into five series:

Series 1: Letters and Biographical Material, 1971-1996 (box 1, 3 folders)

Series 2: Writings About Carulla and Interview, 1986-1995, undated (box 1, 3 folders)

Series 3: Printed Material, 1982-1994, undated (box 1, 2 folders)

Series 4: Photographs, 1980-1989, undated (box 1, 4 folders)

Series 5: Artwork, 1986-1994 (boxes 1-2, 3 items)
Biographical Note:
Ramón Carulla was born in Havana, Cuba in 1938. In 1946 he moved to Miami with his father to attend public school, returning to Havana in 1953 to complete his schooling. In 1963 he began painting and had his first one-man show in 1967 at the Bacardi Gallery in Miami, where he had settled two years earlier. Although his work was initially abstract Carulla had moved towards figurative art by the late 1970s.
Provenance:
The collection was donated to the Archives of American Art by Ramón Carulla in 1997.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Ramón Carulla papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Works of art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American art -- Florida -- Miami  Search this
Cuban American artists  Search this
Artists -- Cuba  Search this
Expatriate artists -- Florida -- Miami  Search this
Art, Cuban -- Florida -- Miami  Search this
Genre/Form:
Mail art
Sketchbooks
Photographs
Citation:
Ramón Carulla papers, 1971-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.caruramo
See more items in:
Ramón Carulla papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-caruramo

Visiting the Fortune Teller [mixed media] / (photographed by Peter A. Juley & Son)

Artist:
Cuevas, Jose Luis 1934-2017  Search this
Type:
Photograph
Topic:
Figure  Search this
Occupation--Occult--Fortune Teller  Search this
Image number:
JUL J0024860
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_24861

Marian Gore "Art Scene" interviews and papers

Creator:
Gore, Marian L.  Search this
Names:
Ankrum Gallery  Search this
Ceeje Gallery  Search this
Comara Gallery  Search this
Dwan Gallery (Los Angeles, Calif.)  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
KPFK (Radio staion : Los Angeles, Calif.)  Search this
Silvan Simone Gallery  Search this
Albers, Josef  Search this
Albert, Michel (artist)  Search this
Ankrum, Joan  Search this
Blair, Streeter, 1888-1966  Search this
Brigante, Nicholas P., 1895-1989  Search this
Carter, Earl  Search this
Cremean, Robert, 1932-  Search this
Cuevas, José Luis, 1934-  Search this
Elliot, James, 1943-2011  Search this
Falkenstein, Claire, 1908-1997  Search this
Geoffrey, J. Iqbal, 1939-  Search this
Gerchik, Paul  Search this
Goeritz, Mathias, 1915-1990  Search this
Greene, Balcomb, 1904-1990  Search this
Hansen, Jurgen  Search this
Hopps, Walter  Search this
Kuntz, Roger, 1926-1975  Search this
Leavitt, Thomas W.  Search this
Lebrun, Rico, 1900-1964  Search this
Lipchitz, Jacques, 1891-1973  Search this
Luna, Mario  Search this
Mallary, Robert, 1917-1997  Search this
Nevelson, Louise, 1899-1988  Search this
Ortiz, Emilio, 1936-  Search this
Robles, Esther  Search this
Schniede, Otto  Search this
Schwaderer, Fritz (Fritz Karl), 1901-  Search this
Siqueiros, David Alfaro  Search this
Tamayo, Rufino, 1899-  Search this
Vicente, Esteban, 1903-2001  Search this
Wark, Robert R.  Search this
Wayne, June, 1918-2011  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Photographs
Interviews
Transcripts
Date:
1958-1969
Summary:
The Marian Gore "Art Scene" interviews and papers measure 2.2 linear feet and date from 1958 to 1969, with all sound recordings dated between 1962 and 1964. The core of the collection consists of 37 radio programs recorded by Marian Gore for KPFK radio in Los Angeles, California, consisting of interviews with artists, collectors, gallerists, and museum curators. A series of artist files contains notes, correspondence and other materials related to her interview subjects, and a printed materials series contains mainly exhibition posters, programs, and announcements produced by the art spaces with which her subjects were affiliated.
Scope and Contents:
The Marian Gore "Art Scene" interviews and papers measure 2.2 linear feet and date from 1958 to 1969, with all sound recordings dated between 1962 and 1964. The core of the collection consists of 37 radio programs recorded by Marion Gore for KPFK radio in Los Angeles, California, consisting of interviews with artists, collectors, gallerists, and museum curators. A series of artist files contains notes, correspondence and other materials related to her interview subjects, and a printed materials series contains mainly exhibition posters, programs, and announcements produced by the art spaces with which her subjects were affiliated.

The "Art Scene" Interviews series contains 36 interviews from Gore's "Art Scene" radio series of interviews relating to the contemporary art scene in Los Angeles, particularly galleries and artists showing on La Cienega Boulevard in West Hollywood. Also found is a single episode of another KPFK program called "Seen at the galleries" and hosted by Earl Carter, featuring an interview with Jacques Lipchitz on the occasion of his retrospective at UCLA. Two interviews, with Mathias Goeritz and David Siqueiros, were conducted in Mexico City. Other interview subjects include Michel Albert, Josef Albers, Joan Ankrum, Streeter Blair, Nick Brigante, Robert Cremean, José Luis Cuevas, James Elliott, Claire Falkenstein, Balcomb Greene, Paul Gerchik, Jurgen Hansen, Walter Hopps, Roger Kuntz, Rico Lebrun, Dr. Thomas Leavitt, Jacques Lipchitz, Mario Luna, Robert Mallary, Louise Nevelson, Emilio Ortiz, Esther Robles, Otto Schniede, Fritz Schwaderer, Rufino Tamayo, Esteban Vicente, Robert Wark, and June Wayne.

Artist files include mainly brief, typewritten notes created for Gore's radio interviews, with the questions she asked her interview subjects and brief introductory or concluding remarks. Correspondence is also found in files for Robert Cremean, Iqbal Geoffrey, Balcomb Greene, Robert Mallary, Emilio Ortiz, and Esteban Vicente. Louise Nevelson's file also contains a transcript of her interview with Gore. Also found scattered in some files are notes, photographs, clippings, press releases, resumes, and exhibition programs. Note that not every person in this series has a corresponding sound recording in Series 1, and not every interviewee in Series 1 has a corresponding file in this series.

Most of the material in the Printed Materials series consists of exhibition announcements, programs, and posters from Galleries in the Los Angeles, California area, particularly those along La Cienega Boulevard. Of these, Ankrum Gallery, Ceeje Gallery, Comara Gallery, Dwan Gallery, Ferus Gallery, and Silvan Simone Gallery on Olympic Boulevard contain the most material, with many of the other files containing only one or two pieces. Of note are original prints promoting exhibitions at the Ferus and Ceeje Galleries, and a poster for an art walk along La Cienega Boulevard in the file for the Los Angeles County Museum of Art.
Arrangement:
The collection is arranged in 3 series:

Series 1: "Art Scene" Interviews (1.3 linear feet, Boxes 1-2, 4)

Series 2: Artist Files (0.2 linear feet, Boxes 2, 4)

Series 3: Printed Materials (0.7 linear feet, Boxes 3-4, OV 5)
Biographical / Historical:
Marian L. Gore (1914-2009) volunteered as a radio interviewer for KPFK between 1962-1964, conducting a series of interviews with Los Angeles-area artists, curators, collectors, and gallerists in response to a growing awareness of Los Angeles' rapidly growing role as a creative center and art market.

Born Marian Lucille Moore on Feb. 27, 1914, in Los Angeles to Fred and Lucille Moore. Fred Moore, an attorney, defended Nicola Sacco and Bartolomeo Vanzetti in the infamous 1921 trial. Following her divorce in the early 1960s, Gore approached the radio station KPFK, who was looking for someone to interview local artists. In a 1997 letter that accompanied her donation of the collection to the Archives, Gore writes,

"The early 1960's were an interesting and probably unique period for the Southern California art world. In Los Angeles on La Cienega Boulevard galleries had sprung up like mushrooms, and on Friday nights those who were interested in this scene would go from one gallery to another noting what artists were featured and what trends were apparent. It was a pleasurable way to meet artists as well as a social event where one could see friends and exchange impressions.

"Because I was searching for something to do, at the suggestion of a friend I had gone to radio station KPFK to volunteer my services in any way possible. It turned out to be a most fortuitous time for this offer. The management was interested in possible intervie3ws with artists, and so it all began. I had never done an interview in my life and was astounded to discover how easy it was to get artists, gallery owners, and even museum personnel to talk aobut what they did. Once this began I was swaped with requests for taped interviews, far more than I could manage."

Gore later became an antiquarian bookseller specializing in books on food and drink. She retired in 1994 and donated her book collection to the Los Angeles Public Library.
Provenance:
Donated 1997 by Marian Gore.
Restrictions:
Use of original papers requires an appointment.
Rights:
The KPFK "Art Scene" interviews are owned by the Archives of America Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Curators -- California -- Los Angeles  Search this
Gallery owners -- California  Search this
Artists -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Photographs
Interviews
Transcripts
Citation:
KPFK "Art Scene" interviews, 1950-1969. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goremari
See more items in:
Marian Gore "Art Scene" interviews and papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goremari

Interview with Jose Luis Cuevas for the "Art scene" radio series

Creator:
Cuevas, José Luis, 1934-  Search this
Gore, Marian L.  Search this
Type:
Sound Recording
Date:
1962 November 13
Record number:
(DSI-AAA)12242
See more items in:
Marian Gore "Art Scene" interviews and papers, 1958-1969
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12242

El mundo de José Luis Cuevas. Texto de Carlos Fuentes. [Traduccion: Consuelo de Aerenlund]

Author:
Cuevas, José Luis 1934-  Search this
Fuentes, Carlos  Search this
Physical description:
47, [64] p. illus. (part col.), ports. 36 cm
Type:
Books
Date:
1969
[1969]
Call number:
N40.1.C96 F9
N40.1.C96F9
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_129848

Cuevas : julio 4-octubre 4, 1981, Museo Biblioteca Pape

Author:
Cuevas, José Luis 1934-  Search this
Museo Biblioteca Pape  Search this
Subject:
Cuevas, José Luis 1934-  Search this
Physical description:
1 v. (unpaged) : ill. (some col.), port. ; 21 cm
Type:
Books
Exhibitions
Date:
1981
[1981]
Call number:
N6559.C8 A4 1981
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_790293

Libertad en bronce : Leonora Carrington, José Luis Cuevas Manuel Felguérez ... [et al.]

Author:
Carrington, Leonora 1917-2011  Search this
Cuevas, José Luis 1934-  Search this
Felguérez, Manuel 1928-  Search this
Physical description:
395 p. : ill. (some col.) ; 30 cm
Type:
Books
Place:
Mexico
Date:
1999
20th century
Topic:
Bronze sculpture, Mexican  Search this
Bronze sculpture  Search this
Sculptors--Psychology  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_607354

The drawings of José Luis Cuevas : April 6-April 27, 1960, Fort Worth Art Center / [foreword by Henry B. Caldwell]

Author:
Cuevas, José Luis 1934-  Search this
Caldwell, Henry B  Search this
Fort Worth Art Center  Search this
Subject:
Cuevas, José Luis 1934-  Search this
Physical description:
[14] p. : ill., ports. ; 22 cm
Type:
Books
Exhibitions
Date:
1960
1960?]
Call number:
NC146.C8 A4 1960a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_609224

José Luis Cuevas : Cuevas in Paris, recent drawings : [exhibition] May 20-June 9, 1978

Author:
Cuevas, José Luis 1934-  Search this
Grace Borgenicht Gallery  Search this
Subject:
Cuevas, José Luis 1934-  Search this
Physical description:
[8] p. : ill., port. ; 16 x 21 cm
Type:
Books
Exhibitions
Date:
1978
Call number:
NC146.C8 A4 1978
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_635160

Cuevas on Cuevas : recollections of childhood

Author:
Cuevas, José Luis 1934-  Search this
Silvan Simone Gallery  Search this
Subject:
Cuevas, José Luis 1934-  Search this
Physical description:
[13] p. : ill. ; 23 cm
Type:
Books
Exhibitions
Date:
1962
[1962]
Call number:
NE2014.5.C84 A4 1962
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_635161

Jose Luis Cuevas, "su infierno terrenal."

Author:
Cuevas, José Luis 1934-  Search this
Tasende, J. M  Search this
Museo de Arte Moderno (Mexico)  Search this
Subject:
Cuevas, José Luis 1934-  Search this
Physical description:
[40] p. : ill., ports. ; 22 cm
Type:
Books
Exhibitions
Date:
1976
[1976]
Call number:
N6559.C8 A4 1976a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_636107

José Luis Cuevas

Author:
Cuevas, José Luis 1934-  Search this
David Herbert Gallery  Search this
Subject:
Cuevas, José Luis 1934-  Search this
Physical description:
1 v. (unpaged) : ill. ; 18 cm
Type:
Books
Exhibitions
Date:
1960
[1960]
Call number:
NC146.C8 A4 1960
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_639487

Cuevas : José Luis Cuevas, ilustrador de su tiempo / es una exposición presentada por el Gobierno de Mexico

Author:
Cuevas, José Luis 1934-  Search this
Museo de Arte Contemporáneo de Caracas  Search this
Subject:
Cuevas, José Luis 1934-  Search this
Physical description:
[11] p., [4] leaves of plates : ill. ; 29 cm
Type:
Exhibitions
Date:
1974
20th century
Topic:
Art, Mexican  Search this
Call number:
NE2014.5.C84 A4 1974
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_639753

A backward glance at Cuevas : [exhibition] June 5 - July 30, 1978, Museum of Modern Art of Latin America; [introduction by] José Gómez-Sicre

Author:
Cuevas, José Luis 1934-  Search this
Gómez Sicre, José  Search this
Museum of Modern Art of Latin America  Search this
Physical description:
[48] p. : ill., ports. ; 22 cm
Type:
Books
Date:
1978
Call number:
NC146.C8 A4 1978a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_640637

Jose Luis Cuevas of Mexico

Author:
Cuevas, José Luis 1934-  Search this
Pan American Union  Search this
Subject:
Cuevas, José Luis 1934-  Search this
Cuevas, José Luis 1934- Catalogues raisonnés  Search this
Physical description:
[16] p. : ill. ; 22 cm
Type:
Books
Exhibitions
Place:
Mexico
Date:
1963
Topic:
Printmakers--Exhibitions  Search this
Call number:
NE2014.5.C84 A4 1963
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_643400

José Luis Cuevas, intolerance : the Frederick S. Wight Art Gallery of the University of California at Los Angeles / organized by J.M. Tasende

Author:
Cuevas, José Luis 1934-  Search this
Tasende, J. M  Search this
Frederick S. Wight Art Gallery  Search this
Subject:
Cuevas, José Luis 1934-  Search this
Physical description:
131 p. : 50 ill. (some col.) ; 22 x 26 cm
Type:
Books
Exhibitions
Date:
1983
[1983]
Call number:
NC146.C8 A4 1983
N40.1.C96xT2
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_647851

José Luis Cuevas : an exhibition of recent works : Fine Arts Gallery of San Diego, January 10-February 16, 1975, Phoenix Art Museum, March 7-April 13, 1975, The Achenbach Foundation, California Palace of the Legion of Honor, August 16-October 12, 1975 : [organized by Ronald D. Hickman, director, Phoenix Art Museum ; translation by Carlota Constantine M., Barbara M. Gutierrez]

Author:
Hickman, Ronald D  Search this
Fine Arts Gallery of San Diego  Search this
Phoenix Art Museum  Search this
Achenbach Foundation for Graphic Arts  Search this
Subject:
Cuevas, José Luis 1934-  Search this
Physical description:
52 p. : ill. (some col.) ; 23 cm
Type:
Books
Date:
1974
C1974
Call number:
NC146.C8 J67
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_647880

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